#NO I don't take criticism lmao

[antoncrane]

So I picked up Little Kitty, Big City, yesterday and it's as cute a heck. (Also big orange cat, I love you.) ;; <3 <3 <3

[thevalleyisjolly]

Critical Role PCs (main cast) ranked by whether or not Chetney could be their biological dad

Disqualified (dad known/knew their dad):

Ashton, Beau, Caduceus, Caleb, Fearne, Grog, Imogen, Jester, Keyleth, Laudna, Percy, Taryon, Vax, Veth, Vex

Disqualified 2.0 (no dad):

FCG, Kingsley,* Molly*

*Even if you count Lucien's parents as Kingsley and Molly's biological "parents," Lucien both knew them and killed them, taking them all clear out of contention.

Honourable mentions:

Orym. The one who first made us think, is Chetney _____'s dad? Alas, we know from EXU that Orym's biological dad went by the name "Tarrintel" - that is not to say that it was not, perhaps, an alias of Chetney's once upon a time, but it would hardly be consistent branding for C-Pop Industries.

Scanlan. While we know that Scanlan's father was not in his life, Scanlan did at least know enough about his father to say that his name was "Vicou." Again, it's possible that this is another Chetney alias, but be honest, can you really see Chetney ever going by the name "Vicou"? Would also be very awkward with Number 1 on this list...

And now, on to the rankings!

4. Yasha. Does not remember her biological parents, and it's not impossible that Chetney might have swung by southern Xhorhas in his travels. On the whole though, I'd give it worse odds than the other names on this list.

3. Bertrand. International man of mystery Bertrand Bell is so enigmatic that at one point, it was even speculated that he was the Lord of the Crossroads over in Vasselheim. He does appear to be fully human, but it would be mildly funny if he "exited" the story right before his father came in, which is why he's higher than Yasha.

2. Fjord. Who's to say that his other biological parent wasn't a half-orc who had a great night or two with Exandria's best woodworker?

1. Pike. We actually don't know terribly much about the Trickfoot family, or Pike's parents. What we do know is that at some point, Pike's parents left her with her cousins and went to Wynandir. Now would Chetney do a thing like that? Hard to say. There's nothing saying that Pock O'Pea is his birth name - he could mayhaps have been born a Trickfoot who, say, got in really hot water over in Tal'Dorei and had to flee to Wildemount?

In conclusion, Critical Role has spent a great deal of time pondering the all-important question, "What is that mother's name?" However, it is perhaps time that we all start asking, "What is that father's name?" and maybe even, "Are you my freaking dad?"

[chaosgenasi]

An ancient cultural tradition. It’s been around for millennia. I never thought I’d try it myself, but it just... it was in the moment!

+bonus:

[captainofthetidesbreath]

I support Dorian's beef against the Spider Queen, everyone should have a beef with the Spider Queen, not even JUST over Opal or like the underdark stuff (but absolutely for both of that too) but because everyone should have beef with Lolth by default 😤

[genericpuff]

Hey so I have a question-

Is Rachel even contributing to LO's art anymore? Like, at all?

CAUTION: MILD FASTPASS SPOILERS AHEAD !!!

I've talked at length about the 'tells' of each assistant and artist, and while it doesn't guarantee that I can tell exactly who drew each panel, there's one thing there's been a lot less of in the most recent episodes that have caught my attention - things that I know Rachel would typically contribute.

And most of it comes down to her lineart.

The shading was always her, no doubt about that, you could tell with how consistently awful it is, how she would take actual decent flats from her assistants and proceed to butcher them with muddied shading.

AmyKim89's flats vs. after Rachel's gotten her hands on them:

(seriously Rachel why tf did you darken Persephone's legs here, it looked so much better before ??)

But there was also her lineart which, at first, I didn't realize who was drawing it. It didn't show up super often in LO but it was always very noticeable when it did so I knew it had to be someone on the team doing it:

The thickness of the lines and the extra little strokes added in along the knuckles and bends, that wasn't something that was really common in LO at this point... at least it hasn't been since S1:

And when comparing it to the lineart she used to do in The Doctor Pepper/Foxglove Show:

(look at the mouth in The Doctor Foxglove Show vs. Hera in the pilot version of LO, they're literally the same)

So yeah, it was certainly the revelation to discover that that one instance of "weirdly detailed lineart" wasn't one of her assistants having a little extra fun, it was Rachel herself. It was already so uncommon for her to contribute all the way back in S2 that her contributions seemed to be more of the exception rather than the norm.

And since seeing the art that's been in the newest FP episodes following the return of the series... is Rachel even drawing at all anymore? Because lately the lineart has felt very thin, in a way that I can't tell if it's her assistants just doing all the lineart now or if she's trying to emulate S1 LO more by using less lineart. But S1 didn't have thin lineart, it had very thick lineart, BUT only being used where necessary to emphasis shadows and depth.

Now the lineart feels very... dinky? Especially when you look at the eyelashes.

That said, there are moments from S1 that had similarly 'dinky' lineart, so take this with grains of salt. It still didn't feel as dinky though as it does today where the lines are practically non-existent in how thin they are.

There are also times when you can tell they're really trying to emulate that S1 look, the pieces are there but they aren't being put together very well:

So yeah at this point I wouldn't even be shocked if all Rachel's doing at this point is scripting and roughs. And considering there are definitely times where she'll just draw without knowing what to write, the 'scripting' is also practically non-existent. It's just her leaving her roughs off to the last second for her assistants to whip out with very little time to pay attention to what's being submitted.

Once again it's Rachel fundamentally missing the point of the criticism that's being made of her work. She's trying to forcefully emulate something that she didn't even have a process behind. I can attest as someone who's been trying to do studies of her past work to recreate it as faithfully as possible through Rekindled, it's very difficult to achieve the 'old LO' look because 'old LO' was literally just Rachel slapping down brush strokes until they looked good, there was no specific process or guidelines that she followed, she just made things look textured and colorful. Everything else was basically up to her figuring out what actually looked good, with panels often having their own vibes separate from others in isolation of one another.

Now she's trying to replicate that look while missing the point entirely that it's not something she can really replicate anymore. Though we do get the odd panel that's way closer to the point, those panels have one thing that she's clearly not putting into the comic as a whole anymore - love and effort.

(fr this panel is so gorgeous but I feel like at this point it was more sheer luck because of how rare it is to see panels like these nowadays, this feels like an accident LOL)

Case in point, this honorable mention towards Persephone's outfit which is literally just a color-swapped version of the sketch that Rachel posted to Blue Sky that got meme'd to death in the ULO sub:

Did you catch that though? The weird dark patch over her boob and the gap in the lineart of her cleavage?

That's because they copy pasted the first panel and then erased out the hands, but missed the part of the hand shading that was overlapping the breast and the gap in the lineart.

I shit you not, Rachel coming up with memes on Blue Sky that she's scraped out of shows she watched 20 years ago is basically the full extent of her writing at this point.

Haha take a thing and make it bigger! So funnyyyy!

(seriously Rachel's 'humor' feels like it's stuck in 2010)

Yep, you're really earning that #1 NYT Bestseller label that you haven't even gotten since Volume 3, Rachel. Put your hand down, there are no high fives for you here.

[star--anon]

I'm bored, let's talk jealous Minho

because you KNOW that idiot is slinking around Thomas like "Hey. You got any crushes? Is that boy hot to you? Do you like men? Do you think that man looks cute? What's your type. You like muscles?"

Thomas starts talking about how he sometimes misses Teresa, or how his love for Teresa and Brenda confuses him sometimes, etc. and Minho is vibrating with homosexuality

Thomas slips into his tent one night to tell him that he might have a crush on one of the Immunes, but he doesn't know what to do about his feelings

Minho gives him the biggest Kicked Puppy Look of the century

That moment when your crush is indeed gay, but is not gay for you

Start immediately trying to find this Immune. Needs to get a look at him. Whoever this man is better be the kindest, smartest, most sarcastic and yet also genuinely thoughtful and caring man to ever exist to deserve Thomas' secret admiration

Thomas laughs and promises Minho that his crush is all of that and more, but refuses to share who it really is

"Dammit, Minho, stop trying to know his name. I just need advice. What should I do?" "Find someone better."

Minho's soooo adamant about it too.

just dropping excuse left and right about why he doesn't like this crush of Thomas'.

"You've never even met him!" "Okay, but he could be a murderer. Why would I want to meet a murderer."

He gives hundreds of excuses and none of them are true. "He could be really mean. Have you ever even talked to him before? You have a dry sense of humor; what if he can't reciprocate? What if he hates coffee. What if he hates big sweaters. I bet your crush won't appreciate flowers."

Thomas keeps confiding in him like, "Mmmm, I wonder if my crush could-"

meanwhile all Minho wants to do is scream "I COULD DO IT BETTER"

He finally snaps one day. They're cuddling and Thomas sighs into his shoulder, and it sends a shiver down his spine, and he's just so fucking happy... And Minho remembers it's a limited amount of time before someone else gets these moments with Thomas. And what if Thomas won't have time for him anymore?

Thomas blinks in confusion as he's suddenly shoved off the bed

"Minho what's wrong?" "I dunno, ask your stupid crush."

Minho tries to pick a fight with him. He's better at anger and sarcasm than he is at talking it out. Maybe it's selfish of him, but he's drunk on anger and that helps suppress the guilt in him a little.

Thomas puts a quick stop to it though.

"My crush is you."

"So why don't you fucking- Your crush is what."

Thomas grins and laughs a little. Rubs the back of his neck. "Awkward confession, huh?"

Minho's on him and kissing his face before he can finish his sentence.

[andi-o-geyser]

“oh the gods are bad the gods are bad” i actually realized i dont give a fuck. crazy concept i actually realized i do not give a fuck lmaooo. people have lived not liking or worshipping the gods for so many fucking years its actually CRAZY like people honestly just go about their day to day lives. they believe or they don't! big whoop! they just care about the price of milk and if the world isn't ending!!

[marshmellowtea]

ngl the hbomberguy video makes me wanna rewatch that brain games episode about how humans are hardwired to believe people they perceive as knowledgeable/authority figures, even when they're saying absurd shit

[zayniepottah]

The Rings of Power rewatch: 1x02

[slitheringghost]

Hermione As Teacher And Connections To Lily

An interesting narrative thread is how often Hermione's magic and teaching influences other characters' and how often it goes unrecognized, and particularly how it parallels a lot of Lily's own magic saving Harry from Voldemort. (Read on Ao3)

1. Triwizard Tournament

Summoning Charm

he did so badly at Summoning Charms in Professor Flitwick’s class that he was given extra homework — the only person to get any, apart from Neville. “It’s really not that difficult, Harry,” Hermione tried to reassure him [...] — she had been making objects zoom across the room to her all lesson, as though she were some sort of weird magnet [...] “You just weren’t concentrating properly —” (Ch 18, GoF)

Harry still hadn’t mastered Summoning Charms, he seemed to have developed something of a block about them, and Hermione insisted that learning the theory would help. They consequently spent a lot of time poring over books during their lunchtimes (Ch 19, GoF)

“Hermione, I need to learn how to do a Summoning Charm properly by tomorrow afternoon.” And so they practiced. They didn’t have lunch, but headed for a free classroom [...] At two o’clock in the morning, Harry stood near the fireplace, surrounded by heaps of objects [...] Only in the last hour had Harry really got the hang of the Summoning Charm. “That’s better, Harry, that’s loads better,” Hermione said, looking exhausted but very pleased. (Ch 20, GoF)

Flitwick then spends most of a lesson "talking to Harry about the perfect Summoning Charm Harry had used during the First Task".

1.2 Shield Charm

(Full analysis of the Shield Charm and how it's textually linked to Lily is in my meta When Lily Cast Her Life As A Shield)

He was still having trouble with the Shield Charm, though. This was supposed to cast a temporary, invisible wall around himself that deflected minor curses [...] “You’re still doing really well, though,” Hermione said encouragingly, looking down her list and crossing off those spells they had already learned. “Some of these are bound to come in handy.” [...] Come on, Harry,” she added briskly [...] “let’s try that Shield Charm again.” (Ch 31, GoF)

Which Harry then teaches the DA:

He was improving so fast it was quite unnerving and when Harry taught them the Shield Charm, [...] only Hermione mastered the charm faster than Neville. (Ch 25, OoTP)

Then, what Fred and George say makes the real money in the joke shop:

“We’ve just developed this more serious line,” said Fred. “Funny how it happened...” “You wouldn’t believe how many people, even people who work at the Ministry, can’t do a decent Shield Charm,” said George. “’Course, they didn’t have you teaching them, Harry.” “That’s right... Well, we thought Shield Hats were a bit of a laugh, you know, challenge your mate to jinx you while wearing it and watch his face when the jinx just bounces off. But the Ministry bought five hundred for all its support staff! And we’re still getting massive orders!” “So we’ve expanded into a range of Shield Cloaks, Shield Gloves...” “...I mean, they wouldn’t help much against the Unforgivable Curses, but for minor to moderate hexes or jinxes...” (Ch 6, HBP) Although Snape did not know it, Harry had taught at least half the class (everyone who had been a member of the D.A.) how to perform a Shield Charm the previous year. None of them had ever cast the charm without speaking, however. A reasonable amount of cheating ensued [...] Typically, ten minutes into the lesson Hermione managed to repel Neville’s muttered Jelly-Legs Jinx without uttering a single word (Ch 9, HBP)

I love that Harry is then the one to teach Hermione the Patronus Charm - which Remus tells Harry is "a kind of anti-dementor - a guardian that acts as a shield between you and the dementor".

1.3 Four-Point Spell

and the Four-Point Spell, a useful discovery of Hermione’s that would make his wand point due north, therefore enabling him to check whether he was going in the right direction within the maze. (Ch 31, GoF)

“Point Me,” he whispered to his wand, holding it flat in his palm. The wand spun around once and pointed toward his right, into solid hedge. (Ch 31, GoF)

It's reasonable to extrapolate that the spell is Hermione's invention, given that it's the only spell with an English incantation, and inventions are referred to as "discoveries" several times - Remus wrt the Wolfsbane Potion in PoA, Dumbledore's work ("the discovery of the twelve uses of dragon’s blood", "does Skeeter deny the brilliance that led to Dumbledore’s many magical discoveries?"), Harry has to "memorize the dates of magical discoveries and goblin rebellions" and mentions books titled "Important Modern Magical Discoveries and A Study of Recent Developments in Wizardry", Fred says they "spent six months developing" the Ton-Tongue Toffees, etc.

Hermione inventing this is particularly compelling given that it's similar to what Harry's wand does in DH (related to Lily's spellwork deflecting the Killing Curse), and Harry's conflict with her after she breaks his wand.

[...] his wand acted of its own accord. He felt it drag his hand around like some great magnet, saw a spurt of golden fire through his half-closed eyelids, heard a crack and a scream of fury. (Ch 4, DH) He knew exactly what Hermione would say if he expressed any of this: The wand is only as good as the wizard. But she was wrong, his case was different. She had not felt the wand spin like the needle of a compass and shoot golden flames at his enemy. (Ch 18, DH)

Also notable is Hermione solving Snape's Potions riddle, and Harry echoing this with solving the Sphinx riddle during the Third Task (Harry thinking “it was Hermione who was good at this sort of thing, not him” and then “amazed at his own brilliance” when he solves it).

2. Other examples

2.1 Impervius Charm

“I’ve got no chance with these on,” Harry said exasperatedly, waving his glasses. At that very moment, Hermione appeared at his shoulder; she was holding her cloak over her head and was, inexplicably, beaming. “I’ve had an idea, Harry! Give me your glasses, quick!” He handed them to her, and as the team watched in amazement, Hermione tapped them with her wand and said, “Impervius!” “There!” she said [...] “They’ll repel water!” Wood looked as though he could have kissed her. “Brilliant!” he called hoarsely after her [...] Hermione’s spell had done the trick. (Ch 9, PoA) "Harry, didn’t you do something to your glasses to stop the rain fogging them up when we played Hufflepuff in that storm?” “Hermione did it,” said Harry. He pulled out his wand, tapped his glasses and said, “Impervius!” “I think we all ought to try that,” said Angelina. “[...] all together, come on — Impervius!" (Ch 18, OoTP)

Additionally, when Padfoot comes to watch during that PoA match and dementors swarm the field, making Harry hear Lily's murder for the first time, Harry falls from his broom, his Nimbus crashes into the Whomping Willow, others say they thought he was dead and "Lucky the ground was so soft" - of course, it wasn't luck, it was Dumbledore; Hermione then repeats these actions in DH - during the waterfall in the Thief's Downfall (evokes the drowning feeling from dementors; and Hermione additionally uses the Shield Charm there) and immediately after they escape LV in Godric’s Hollow and Harry finally gets the full memory of Lily's death (Hermione’s eyes being emphasized):

“Dumbledore was really angry,” Hermione said in a quaking voice. “I’ve never seen him like that before. He ran onto the field as you fell, waved his wand, and you sort of slowed down before you hit the ground. Then he whirled his wand at the dementors. Shot silver stuff at them. They left the stadium right away [...]" “Then he magicked you onto a stretcher,” said Ron. “And walked up to school with you floating on it. Everyone thought you were...” (Ch 9, PoA) “Yes,” said Hermione. “I had to use a Hover Charm to get you into your bunk, I couldn't lift you [...]" There were purple shadows under her brown eyes and he noticed a small sponge in her hand: She had been wiping his face. (Ch 17, DH) Water filled Harry’s eyes and mouth: He could not see or breathe: [...] Harry heard the cart smash into pieces against the passage wall, heard Hermione shriek something, and felt himself glide back toward the ground as though weightless, landing painlessly on the rocky passage floor. “C-Cushioning Charm,” Hermione spluttered (Ch 26, DH)

2.2 Murtlap Essence

During that PoA practice, Fred and George were debating using Fever Fudge to get out of flying:

“— but you get these massive pus-filled boils too,” said George, “and we haven’t worked out how to get rid of them yet.” “I can’t see any boils,” said Ron, staring at the twins. “No, well, you wouldn’t,” said Fred darkly, “they’re not in a place we generally display to the public —” “— but they make sitting on a broom a right pain in the —” (Ch 18, OoTP)

The knowledge Hermione uses to heal the I must not tell lies scar on Harry's hand helps the twins finish the Snackboxes:

“Here,” she said anxiously, pushing a small bowl of yellow liquid toward him, “soak your hand in that, it’s a solution of strained and pickled murtlap tentacles, it should help.” Harry placed his bleeding, aching hand into the bowl and experienced a wonderful feeling of relief. (Ch 15, OoTP) When Harry next saw Lee, the back of his hand was bleeding rather badly. Harry recommended essence of murtlap. (Ch 25, OoTP) Hermione cast him a stern look. “You’ve got exams coming!” “Told you already, we’re not fussed about N.E.W.T.s,” said Fred. “The Snackboxes are ready to roll, we found out how to get rid of those boils, just a couple of drops of murtlap essence sorts them, Lee put us onto it...” (Ch 26, OoTP)

2.3 Magical Eavesdropping Methods

Harry frankly marveled at the fact that Hermione could research magical methods of eavesdropping as well as everything else they had to do. (Ch 28, GoF)

People have theorized that Hermione’s research while she was taking revenge against Rita Skeeter may have aided Fred and George develop the Extendable Ears, esp. since she was staying at 12GP that summer.

2.4 DA Galleons

Hermione's inspired by Voldemort's magic to invent the DA's communication method; Draco then gets the idea from that to carry out his Death Eater mission, enchanting his own coins to secretly communicate with Rosmerta, and also gets the idea to poison the mead from Hermione, having "heard her talking in the library about Filch not recognizing potions".

“You know what these remind me of?” “No, what’s that?” “The Death Eaters’ scars. Voldemort touches one of them, and all their scars burn, and they know they’ve got to join him.” “Well... yes,” said Hermione quietly. “That is where I got the idea... but you’ll notice I decided to engrave the date on bits of metal rather than on our members’ skin...” “Yeah... I prefer your way,” said Harry, grinning, as he slipped his Galleon into his pocket. (Ch 19, OoTP)

Notably, Lily's blood magic - unlike Hermione's and very like Voldemort's - does burn Voldemort's skin.

Similarly significant is Hermione's invention of the SNEAK curse - where the DA members all sign the binding contract in the Hog's Head, the same establishment where Trelawney gave the prophecy, and the binding contract incorporated in Lily's magic. Hermione enchants ~28 coins for the whole DA and creates the curse within the span of ~a month.

2.5 O.W.L. exam

Three rows to his right and four seats ahead, Hermione was already scribbling… He lowered his eyes to the first question: a) Give the incantation, and b) describe the wand movement required to make objects fly... Harry had a fleeting memory of a club soaring high into the air and landing loudly on the thick skull of a troll... Smiling slightly, he bent over the paper and began to write

On the whole Harry thought it went rather well; his Levitation Charm was certainly much better than Malfoy’s had been, though he wished he had not mixed up the incantations for Color-Change and Growth Charms (Ch 31, OoTP) the exam to which Harry was looking forward least and which he was sure would be the one that would be the downfall of his ambitions to become an Auror. Sure enough, he found the written exam difficult, though he thought he might have got full marks on the question about Polyjuice Potion: He could describe its effects extremely accurately, having taken it illegally in his second year. (Ch 31, OoTP)

Hermione is linked to Harry's Charms and Potions exams, the subjects most directly tied to Lily. Important to note that Professor Marchbanks praises Dumbledore for having “done things with a wand I’d never seen before” during his Charms and Transfiguration N.E.W.T.s - which Hermione didn't get to take 'cause of the war; and Harry and Neville are acknowledged as doing better in Potions without Snape's presence - clearly true of Hermione's potential too as her best accomplishment was brewing a N.E.W.T. level potion second year, outside Snape's supervision (which took a month, and then she spent 2 months in the hospital due to petrification/Polyjuice turning her into a cat).

2.6 Body Bind Curse

Harry turned to Hermione. “Do something,” he said desperately. [...] “Neville,” she said, “I’m really, really sorry about this.” “Petrificus Totalus!” she cried [...] Neville’s arms snapped to his sides. His legs sprang together. His whole body rigid, he swayed where he stood and then fell flat on his face, stiff as a board. [...] “What’ve you done to him?” Harry whispered. “It’s the full Body-Bind,” said Hermione miserably. (PS)

Interestingly, Harry instinctively copies what he saw of Sirius in SWM during the DoM sequence, using the full Body Bind for the first time (at least, that we see on screen). Hermione compliments Harry on it, calling back to her being the first one to show him first year - and her being cursed right after echoes the description of Sirius falling through the veil: "the second jet of light hit him squarely on the chest", his eyes widening in shock and the "look of mingled fear and surprise".

Sirius said, “Petrificus Totalus!” and Snape keeled over again at once, rigid as a board. “LEAVE HIM ALONE!” Lily shouted. She had her own wand out now. James and Sirius eyed it warily. (Ch 28, OoTP) “Petrificus Totalus!” shouted Harry, as the second Death Eater raised his wand [...] “Well done, Ha —” But the Death Eater Hermione had just struck dumb made a sudden slashing movement with his wand from which flew a streak of what looked like purple flame. It passed right across Hermione’s chest; she gave a tiny “oh!” as though of surprise and then crumpled onto the floor (Ch 35, OoTP) Harry seized his chance: “PETRIFICUS TOTALUS!” The spell hit Dolohov before he could block it, and he toppled forward across his comrade, both of them rigid as boards and unable to move an inch. (Ch 35, OoTP) Springing up, Harry yelled, “Petrificus Totalus!” Once again, Dolohov’s arms and legs snapped together and he keeled over backward, landing with a crash on his back. “Nice one!” shouted Sirius, forcing Harry’s head down [...] (Ch 35, OoTP)

2.7 Unbreakable Charm

Not something Hermione specifically taught, but also interesting is Hermione mirroring Barty Crouch Jr. during his Unforgivables lesson (and saying Harry gave her the idea when he mentioned "bugging").

Moody got heavily to his mismatched feet, opened his desk drawer, and took out a glass jar. Three large black spiders were scuttling around inside it. (Ch 14, GoF)

“Oh not electronic bugs [...] Rita Skeeter [...] is an unregistered Animagus. She can turn —” Hermione pulled a small sealed glass jar out of her bag. “— into a beetle.” [...] Inside were a few twigs and leaves and one large, fat beetle [...] Hermione took the glass jar back from Ron and smiled at the beetle, which buzzed angrily against the glass. [...] “I’ve put an Unbreakable Charm on the jar, you see, so she can’t transform. And I’ve told her she’s to keep her quill to herself for a whole year. See if she can’t break the habit of writing horrible lies about people.” (Ch 37, GoF)

Hermione imprisoning Rita Skeeter in a jar vaguely references Lily and Harry's actions in 1981 leading to an "imprisoned" LV in Albania; this also happens a few chapters after Priori Incantatem, and Harry and LV under the web of light evokes insects trapped underneath glass:

The golden thread connecting Harry and Voldemort splintered; though the wands remained connected, a thousand more beams arced high over Harry and Voldemort, crisscrossing all around them, until they were enclosed in a golden, dome-shaped web, a cage of light, beyond which the Death Eaters circled like jackals, their cries strangely muffled now... “Do nothing!” Voldemort shrieked to the Death Eaters, and Harry saw his red eyes wide with astonishment at what was happening, saw him fighting to break the thread of light [...] and the golden thread remained unbroken. “Do nothing unless I command you!” (Ch 34, GoF)

Then the phoenix song comes from "every thread of the light-spun web vibrating around Harry and Voldemort", and a voice saying Don't break the connection (elaborated here).

3.0 Blasting Curse

All this comes full circle in the Godric's Hollow graveyard in DH (a deeper analysis also for another post), where Hermione mirrors what Harry did because of Lily as a baby (and also Harry's actions at the start of DH while flying during the Battle of the Seven Potters): blows up the house (“Confringo") and enrages Voldemort as she and Harry fly out the window - fly from death - together.

[lunar-years]

it's unfortunate that twitter is the most convenient place to find TL news and latest pictures because wow the fandom over there is really a cesspool. I so need them to learn it's not actually funny to make fun of the cast for losing and then TAG the creators in said petty comments all over SHIPS. if you hate the show so deeply to be cheering in joy over its award show demise and echoing the commentary of the people who have always thought ted lasso was trash, just because you think it's appropriate ~revenge~ for a bad season like uhhh. maybe it's time to take a step back and leave the fandom because you clearly aren't enjoying yourself. and then the audacity to get on there every day demanding a season 4?? like what about the way they tweet at them do they think is enticing these creators to want to make more?

[mamawasatesttube]

this isn't like comics-fandom specific by any means, but one thing i do think about semi-regularly is that like. some people are so insistent on stuff being "for fun" so that they can justify never actually thinking about what they're doing, and that's... idk man. in a world where we are inundated with propaganda and bullshit all the time, media literacy, critical thinking, and reading comprehension skills are pretty important. and yeah like no one can have their brain running at max capacity 24/7 but you still gotta like... put in SOME critical thinking. otherwise you just get people being like SO WHAT if this comic is really racist??? you can't ask me to think critically about how it portrays characters of color!!!!! im just here for fun!!!!!! and it's just like. dude.

[nonstandardrepertoire]

Congrats on watching all of Star Trek! Did you have a good time

mostly yes, altho i'm going to be real that Enterprise was a rough time. anyway i know this ask is from a million years ago but i finally went thru and made a rec list for the entire franchise and by rec list i mean thirty seven pages of digressions, inside jokes, and tangential commentary about broader trends in speculative fiction and US masculinities here you go if you are curious have fun: https://docs.google.com/document/d/1keGBG3FL9UvxMQw4hfD0xFWQBw7NwBBZTJ9C4qOF6tQ/edit?usp=sharing

[beanghostprincess]

My take on OPLA's "Zoro vs. Mihawk" fight because I love to criticize the things I like

I'm gonna start by saying that I love the live-action. I'm obsessed. The casting is great and the set is stunning. However, despite enjoying OPLA I do have a lot of complaining to do about it because I absolutely love analyzing media and characters. That being said, I don't want this post to make it look like I am disregarding the directors and writers here. They did a good job with what they had but I personally think I would've done it a lot differently.

So... Let's start!

The thing that bothers me the most about episode 5 (episode that I honestly consider to be the worst in a lot of ways and for a lot of reasons) is that they intend to make it look like Zoro has this intense and personal connection with Luffy. A devotion that makes him so damn worried and self-conscious about losing the fight that he starts crying (or at least they tried to make Mackenyu cry? I'm not sure there. But he cries in the manga so, yeah. 'Frustration' perhaps is a better word). And Zoro does feel that devotion towards Luffy from the very beginning. The guy literally changed his life! But that is obvious and visible in the manga/anime because we can see Luffy making promises and being demanding and direct and literally a damn sunshine to Zoro. They have this conversation about him getting back his swords, about being the king of the pirates... There's this connection between them. One that says:

"You'll be my first mate" and "I'd literally give my life for you"

Damn, if there was a trope for love at first sight only for captains and their first mates? They would be the damn blueprint.

But OPLA wasn't able to make them show that connection because most of the scenes are rushed and/or skipped. And I understand. I truly do. It's just a live-action and the manga is long as hell. But the thing is... Don't expect me to believe Zoro's devotion is real if you haven't even shown me how it started. The root of the problem isn't the fight or his speech in episode 5, but the lack of emotional connection in episode 1 that they could've easily fixed by reordering the scenes.

So, regarding everything pre-ep 5: If they had shown us their relationship better, episode 5 wouldn't have felt so... Rushed? Out of character? And I don't mean out of character in a 'Zoro wouldn't say/do this' way (because of course he would, and did canonically) but in a 'OPLA!Zoro wouldn't say/do this because he hasn't experienced the exact same things that manga!Zoro has' way.

Yes, it's a live-action, but as a stand-alone? Zoro's behavior doesn't make any sense. That also happens with Nami, but this post isn't about our weather queen. Not today, at least.

Before I get into the fight I must also say that, even if I appreciated Zoro/Nami's dynamic and scenes, I find them completely unnecessary and useless. Firstly, because those scenes would've been better if they had used them to build their relationship with Luffy and not only between them. Secondly, because the writers do absolutely nothing with them. The relationship is only used as a plot device to foreshadow Arlong Park. And it bothers me because they could've done that without taking scenes from Luffy/Zoro and Luffy/Nami. This also happened because they decided to put so many scenes with the Marine, by the way, but I guess everyone is aware of that already.

The thing about the straw hat pirates is that they're a family. There are different connections/relationships/dynamics between them. But the main focus and reason why they joined is always Luffy and only Luffy. OPLA wanted to make them all a family in the first episodes and share all the important scenes together when actually that doesn't work like that. Everyone in the crew builds different dynamics with Luffy with personal and private scenes, and I think they took that magic away from them in OPLA wanting them all to share the same experiences for no reason. They don't build private connections (besides Nami/Zoro, but that doesn't even work in the end). This is why I like OPLA!Sanji so so much! His scenes with Luffy are immaculate.

Basically: The writers decided that since it's a live-action and most of the viewers will be already OP fans, it doesn't matter if they make Zoro's devotion exist without actually showing it because we already know he's devoted to his captain. So they take that info, make it happen, and they give no explanation to new watchers as to why the hell this dude who is supposed to not trust people easily, suddenly trusts Luffy so much. Even if it's a live-action, you should never take things for granted as a writer.

Now that I've established how it doesn't make sense for Zoro to act the way he does due to the lack of scenes with Luffy pre-episode 5, I'm gonna talk about my overall opinion about the fight itself and Zoro's pretty iconic speech to Luffy.

I'm no expert with fighting scenes but I've watched enough movies and animes (and you don't even need to, to be honest) to know that it is incredibly rushed. There's no tension. And the choreography is so... Dull. The only fight scenes I enjoyed were the ones in episode 1. This, in my opinion, is mostly the director's fault. The shots are either boring or too exaggerated and the whole fight is just not enjoyable to watch. The setting also makes it really empty. Everyone is just... There... Together... Netflix, don't be so scared of putting space between characters, I'm begging you. A bit of theatre directing is what this scene needs.

Also, Sanji isn't there and it bothers me a lot. Like a whole lot. Like a lot lot. And the fact that Nami is there when she shouldn't be (and also holds Usopp's hand? Like girl, chill, you've only interacted twice? They should've added Usopp to that drinking game scene if they wanted them to grow closer like that before the fight. But of course, Usopp is just the comedy relief for Netflix) also bothers me a lot lot lot.

In general, OPLA's shots aren't my cup of tea, and the overuse of comic-like moments dividing the screen made me cringe more than once (the first time was funny. Referencing the manga. But then it gets tiring. Mostly because the shots are just too close to their faces). Also, what's up with the corners being blurry all the time and the shots being extremely close to their faces? I don't know if it's just me but it's uncomfortable to watch.

Leaving that aside, Mackenyu did a great job with the fighting scenes. Love him to death. Kissing him from a distance. Great work.

Now, the thing that bothers me the most...

Zoro's speech.

Not only do they skip the important part where Zoro calls Luffy "The king of the pirates" but they also make it extremely dull and boring. It's not Mackenyu's fault. He's a good actor. However, I do think that this scene didn't need a close approach between the characters.

What this scene needs is passion. Frustration. Tears. Screaming. Relief when Zoro realizes Luffy isn't disappointed. Determination when he decides to keep fighting and training to become the world's greatest swordsman. And I think Mackenyu's performance would've been way better if they had given him the right indications and space between him and Iñaki.

I always say that physical space is great for scenes like this one because it challenges the actor to express their emotions without physical contact. A close and sweet approach is also good, but I think they should've just used that for the scene in episode 6 where Zoro wakes up. Them being physically close then is good, because there's a bond and they want and crave touching each other. However, after losing a fight and almost disappointing his captain? What Zoro needed was to openly cry to the sky and yell at Luffy that he would become the world's greatest swordsman. For himself. For Kuina. And for Luffy, his captain.

It's a very emotional scene and I get that it's complicated to do the same thing the manga does... But it really isn't that hard to give Mackenyu space so he has to yell and be openly frustrated. It seems like he wanted to cry. Like he was trying to cry. But the tears didn't come out because having Iñaki and the others so damn close didn't give him the space he needed to yell his emotions.

On the other hand, even if I don't like this scene and I prefer Luffy and Zoro to not be so close to each other, this would've kind of worked if they had had some connection and scenes pre-episode 5. But they don't. So, yeah, whatever.

Also (and this is just me being me) I wouldn't have used an aerial shot of them for the final scene. Zoro is satisfied now. He faints but he's happy. He proceeds to wake up happy in the next episode. So why not end it with his smiling face as he faints? That's also a recurring topic in the One Piece world! Make it reference Roger and foreshadow Loguetown and Marineford. These directors aren't being creative, let me tell you.

Overall, you can tell that I didn't like how they portrayed this episode, especially this fight/speech. However, before I end this post I want to say that I am aware of how hard it is to make a live-action and it's completely understandable to make scenes shorter and rushed. It's obvious that everyone working on this live-action loves One Piece, and even if I don't like a lot of the things they're doing, that doesn't mean I can't feel the effort and love they put (mostly the actors. The cast is outstanding and extremely sweet!) making this show.

I have more complaints about episode 5 (mostly about Nami's character) but this was just to talk about Zoro and the fight! Let me know in my inbox if you want more of my opinions on OPLA or just want to tell me something! <3

Editing TikTok account where I'm posting my One Piece edits: seraspring

[cappymightwrite]

I don't think Jon gonna love Dany in books if jonsa is endgame. Even if he is conflicted about his feelings for his half sister, the torment isn't suddenly going away if he would meet Dany. It's because those feelings are going to be strong. Dany is basically foil to Sansa character and even starks in general. Considering he had met people who reminded Jon of dany but in negative light going to affect his viewpoint. He had to forget everything to love her.

This is a very old ask, apologies! I'm going to attempt to catch up with a few of them, now that I've got a free weekend 😅 Anyway...

I think more and more now, I agree. They are fundamentally too different for love to grow there, certainly from Jon's side because through the characters of Stannis and Melisandre, especially, we start to get a real sense of how D*ny and Jon's politics will likely rub each other the wrong way. Death by fire is truly horrifying and it's through Jon's eyes that we see that horror firsthand:

Jon watched unblinking. He dare not appear squeamish before his brothers [...] The horn crashed amongst the logs and leaves and kindling. Within three heartbeats the whole pit was aflame. Clutching the bars of his cage with bound hands, Mance sobbed and begged. When the fire reached him he did a little dance. His screams became one long, wordless shriek of fear and pain. Within his cage, he fluttered like a burning leaf, a moth caught in a candle flame. – ADWD, Jon III

The imagery of the burning of the glamoured Mance used above goes some way to mask its real horror by describing his writhing in excruciating pain as like "a little dance," his catching on fire as like "a burning leaf" or a "moth caught in a candle flame." These are far more palatable images, small, inconsequential things to make this horror smaller too, to make it easier to withstand and to watch, unblinking. It's a very human response, on Jon's part, because how else to you go on, having witnessed something so horrifying, if you don't attempt to minimise it in some way, if only for yourself?

And this is just one person. One burning. I think you're quite right, Jon would have to erase this experience from his mind in order to love a person so cavalier with fire. And actually, even if he hadn't witnessed this, I don't think it's in his character to fall in love with D*ny, especially because Jon has also had the experience of somewhat being part of a democratic system at the Watch. I say somewhat because obviously it's flawed, but you know, they attempt to vote fairly on things, decisions aren't always down to one person. With D*ny, there is no taking a vote, it is her judgement at the end of the day and if she thinks you deserve to burn, then honey, you're burning, without any need to busy about setting up a pyre too.

I'm a Jonsa truther, but even excluding that... I think some readers are a little too happy to discount the politics of individual characters and families in favour of what would be "cool" for their fave — I'm talking about D*ny and Arya, D*ny and Arianne, getting along like besties, or just generally the idea of a Targ restoration.

You know, Ned had a very defined set of personal politics, of principles, an adherene to an "older way", and in Jon, as well as the rest of the Starklings, we see a continuation of those principles.

"King Robert has a headsman," he said, uncertainly. "He does," his father admitted. "As did the Targaryen kings before him. Yet our way is the older way. The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. If you would take a man's life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps the man does not deserve to die. "One day, Bran, you will be Robb's bannerman, holding a keep of your own for your brother and your king, and justice will fall to you. When that day comes, you must take no pleasure in the task, but neither must you look away. A ruler who hides behind paid executioners soon forgets what death is." – AGOT, Bran I

Now, D*ny doesn't have a paid executioner, but like Targ kings before her, she is not the one swinging the sword either. It is her dragons who are her executioners with fire as their sword, and it makes you wonder... "a ruler who hides behind [dragons] soon forgets what death is." Contrast this with Ned and the Stark boys at the very beginning of AGOT, and then again, with Jon not only witnessing the burning of (the latter revealed to be glamoured) Mance, but also ordering archers to mercy kill him:

One arrow took Mance Rayder in the chest, one in the gut, one in the throat. The fourth struck one of the cage's wooden bars, and quivered for an instant before catching fire. A woman's sobs echoed off the Wall as the wildling king slid bonelessly to the floor of his cage, wreathed in fire. "And now his Watch is done," Jon murmured softly. Mance Rayder had been a man of the Night's Watch once, before he changed his black cloak for one slashed with bright red silk. Up on the platform, Stannis was scowling. Jon refused to meet his eyes. – ADWD, Jon III

And to bring this back round to Jonsa:

The smile that Lord Janos Slynt smiled then had all the sweetness of rancid butter. Until Jon said, "Edd, fetch me a block," and unsheathed Longclaw. – ADWD, Jon II

So... I'm sorry but, ya know, Targs and Starks, they're chalk and cheese really, and Jon is a true Stark, no matter his name or parentage. As the story progresses, D*ny is leaning more and more into the exceptionalist T*rg, fire and blood way, whereas Jon will always adhere to that "older way," a way that reveres ones duty to others, to what is fair and just, above all, and often the following of these principles comes at the cost of your own personal longings:

He wanted it, Jon knew then. He wanted it as much as he had ever wanted anything. I have always wanted it, he thought, guiltily. May the gods forgive me. It was a hunger inside him, sharp as a dragonglass blade. – ASOS, Jon XII Jon said, "Winterfell belongs to my sister Sansa." – ADWD, Jon IV

You're right, D*ny and the T*rgs are very much foils to the Starks and we know how much Jon loves the Starks through his execution of Janos Slynt (who took part in Ned's execution), his defence of Sansa's inheritance, he striving to save (who he believes to be) Arya etc., etc. D*ny could be the messiah with bells on and even then she wouldn't come out on top over Jon's loyalty to and love of the Starks. It's just in him, deep in the very marrow of him:

"[...] you must do what needs be done," Qhorin Halfhand said. "You are the blood of Winterfell and a man of the Night's Watch." – ACOK, Jon VI

Jon knows who he is in the sense that he knows what kind of man he is, what kind of man he hopes to be (one like Ned). A lot of people have fallen under D*ny's dragon goddess spell, both in the books and outside of them, but I don't think Jon is going to be one of them.

Thanks for the ask and apologies for taking so long to answer it!

[kraniumet]

i think image gen can be used like any other artistic tool but I don't really think the big commerical proponents of "ai" are advertising it as a tool, they're adertising it as a solution. I also think it's intellectually dishonest to argue that image generation is exactly like "using photoshop/taking a photograph" because of some generalized "those were also criticized at their conception for being new and scary and disruptive" soundbite. they were not even really criticized for the same reasons. find a better argument.