#ONE OF MY FAV MOMENTS

[whump-in-the-closet]

When caretaker puts their hand on whumpee’s back for support or comfort and whumpee flinches away, stiffening like caretaker’s touch is a blow

[tandk01]

GIVE ME ONE MARGARITA AND ILL SAW OFF MA LEG

literally made me cackle I can’t stop thinking about it 🪚🦵

[thoughtfulchaos773]

What stands out is when Tina says 'hmm' after he tells her she's dressed like Syd.

Her "hmm" was almost like an interesting (in Richie's voice).

Also, the "I like it" and the lingering stare. They've planned Carmy's feelings for Sydney since day one. Tina caught on really early, along with Richie. Headcannon is Richie, and Tina talked so much shit about Syd and Carmy liking each other, given they're the only ones to point out Sydney is Carmy's friend in 1x02 and 1x07.

He's so obvious.

[gypsylarry28]

Harry and Louis totally not coincidentally cutely bumping into each other twice :> ;)

[deprecious]

Does anyone have any fan art of Fjord getting fucking decked on the dock? And then he rolls over and goes "Hah.. Nice one"

[lost-my-sanity1]

HELP- did kan just call thua..... SMALL????lmfao

awwwhh baby got serious here :(

KAN KNOWS what he's doing.

pls- ayan was SO ready-

[profnodanna]

K project - season 1 ep. 13

"I hate people with a big heart. All they do is look down on you from above. They don't give a damn about the petty struggles of the people serving under them" - Fushimi Saruhiko

[puppypau]

My name is Hazel. I started out as an idea, but I ended up something more. Not much more, to be honest. It's not like I grow up to be some great war hero or any sort of all-important savior but thanks to my parents, at least I get to grow old. Not everyone does.

[whaddahelk]

It’s been…uh…it’s been six weeks- what’s that song…you know it…

Bare Naked Ladies

Bare naked ladies…um, no, but it’s been a rough couple of…MONTHS-six months or so-since we lost little TCjr…Tom Cruise Junior and…UMMM…

[ghelgheli]

Often when trans women ask me when I'm performing next, and I tell them that it's a queer/trans event, they will tell me that they'd rather not go because they do not feel comfortable or safe in those spaces, that they have been dismissed or belittled at such events before. Even trans women who are dyke- or bisexual- identified often don't feel welcome or relevant in queer/trans spaces. And whenever a trans woman or ally points out aspects about the queer/ trans community that contribute to these feelings of irrelevancy and disrespect—such as the way our community coddles those who support trans-woman-exclusionist events or who make trans-misogynistic comments—we are described as being "divisive." This use of the word "divisive" is particularly telling, as it implies that "queer/trans" represents a uniform movement or community—a "oneness"—rather than an alliance where all voices are respected.

Julia Serano, Whipping Girl. Published 2007.

[bixels]

Watched Rear Window last week. Went a little overboard on what was supposed to be a simple expression/design study.

Maybe one of the most bone-chilling scenes in film.

Individual shots:

[jun-hug]

"I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him."

" (...) One afternoon Peeta stops shading a blossom and looks up so suddenly that I start, as though I were caught spying on him, which in a strange way maybe I was. But he only says, “You know, I think this is the first time we've ever done anything normal together.”

“Yeah,” I agree. Our whole relationship has been tainted by the Games. Normal was never a part of it. “Nice for a change.” ”

[mobius-m-mobius]

#so unserious 😂💖

[tapeworrmart]

Wounded animal 🐷💉

Excited about Mandy in Saw X

[mirrorhouse]

You ain't as tough and dense as all that.

∞ RED DEAD REDEMPTION 2

[saturdaysky]

You may resist, but it's too late. You already embraced the powers the parasite gave you. You leveraged them to manipulate, to dominate, to survive. Your nature is no longer your own.

Mayhew failed the save to resist the Emperor's offer, and I have never been more pleased at a consequence! What an amazing moment.

Timelapse, line drawing, and character musing beneath the cut.

This choice!! Or rather, this lack of choice!

I love, love, love how failing the save made Mayhew's own will ambiguous, even to himself. He didn't want to be changed, he didn't want to forfeit his humanity (gnomanity)...or did he? He resisted. He opened his mouth to say I will not, but the door to his mind was already unlocked, power welcomed in. Mayhew will never know who unlatched it.

Also, while this is a Gale run -- Mayhew and Gale make each other worse in the most devoted, well-meaning way; the heavens will rue their names -- it also kind of feels like an Emperor run. A subtextual badwrong not-romance.

The Emperor and Mayhew are allies of circumstance turned intimate enemies. The Emperor listens to Mayhew's every thought, gives protection which Mayhew needs, offers advice and temptations which Mayhew takes. Mayhew likes the Dream Guardian; Mayhew cannot shut the Emperor out. Mayhew would see the Emperor dead, if he let himself think about it, but he would miss him after he was gone. And, of course, Mayhew is too curious for his own good, and the Emperor is full of answers.

For the two of them, partial ceremorphosis is a kind of consummation: what could be more intimate than shaping someone from within and without? Metaphorphosis is a gift, by one telling, and a horror story by another.

You are exquisite, the Emperor praised. Mayhew will never know if he became so by his own will.

(He failed the save by one (1) point.)

---

Timelapse! It includes all the silly things I drew for my friends, including: 1 tonsure, 3 neon signs, 2 cat emoji, 1 crotch face, and the emperor's armor drawn with my left hand. Spot them all!

Lines!

I don't usually work primarily with line, but I love it. In some ways, it's easier than painting, and in other ways much harder. I find I can't fudge things as much with linework as I can with paint; because the stroke is smaller, I have to be more specific. Even if I abstract details away, I need to understand the underlying form until I know what I am abstracting. It was fun having to be so rigorous.