#Olivier Loustau

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Synonymes (Nadav Lapid - 2019)

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I moved to France to flee Israel. Flee a state that is nasty, obscene, ignorant, idiotic, sordid, fetid, crude, abominable, odious, lamentable, repugnant, detestable, mean-spirited, mean-hearted.

Synonyms (Synonymes), Nadav Lapid (2019)

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La Fille Du Patron / The Boss’s Daughter

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Félicité (2017) Official Trailer Félicité trailer #1 starring Véro Tshanda Beya Mputu, Gaetan Claudia, Papi Mpaka. Félicité sings in a bar in Kinshasa.

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The Boss’s Daughter (2015 Film) by Olivier Loustau

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Synonymes (2019) Director: Nadav Lapid, Actores: Tom Mercier, Quentin Dolmaire, Louise Chevillotte, Uria Hayik, Olivier Loustau.

Ganadora del Oso de Oro en el Berlinale, Synonymes es una película franco-israelí que habla de la desaparición forzada de la identidad, la construcción de otra basada en la convicción propia, y la migración voluntaria para escapar de lo que muchos pensarían ser una existencia monótona y vacía.

Yoav llega a un apartamento de París en medio de la noche, le han dejado la llave en el portón y decide darse un baño en el sanitario del piso, cuando sale se da cuenta de que le han robado sus cosas, empieza a gritar por las escaleras pidiendo ayuda, pero ante la congelación inminente termina metiéndose de nuevo a la bañera y desmayándose en medio de la noche. En la mañana Caroline y ...mile, una pareja que vive en uno de los pisos, sale en busca de quien gritaba la noche anterior: se encuentran a Yoav inconsciente, lo llevan a su apartamento y comienza la interrogación: ¿quién es? un exsoldado israelí que ha huído de su país, ¿qué hace en Francia? simple, quiere volverse francés, y es entonces cuando esta historia de carácter, hombría y convicciones fuertemente marcadas comienza, y la vida de Yoav, endeble como parece, comienza a arrastrar a sus nuevos amigos parisinos, hasta que la única pregunta en la sala termina siendo ¿quién está loco, ellos, o nosotros?

Este es uno de los únicos roles de Mercier en el cine y, quizás al ser un debut a una edad más adulta de la usual termina siendo una interpretación sumamente honesta e insana: la manera en la que toma a este hombre, autoproclamado refugiado, y lo pone a caminar en París sin mirar por dónde va o levantar la vista es increíblemente interesante, su personaje es el que mueve la película completa, y con la dirección tan dinámica de Lapid sólo puede entenderse como una obra sumamente personal, tanto para el director como para el actor, que son, ambos, residentes israelíes en una Francia moderna en la que el antisemitismo y la islamofobia alimentan el submundo oscuro y descabellado de la capital francesa. La despreocupación con la que esta película parece estar realizada explica quizás el porqué de su gama emocional: es aterradora, inspiracional, y profundamente divertida, muchas veces a la vez, y no puedo pensar en ella más que como una trama honesta y salvaje de lo que significa para muchos buscarse (y encontrarse) a sí mismos en un sitio en el que se dan cuenta de que están solos en el mundo.

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Hafsia Herzi and Habib Boufares in The Secret of the Grain (Abdellatif Kechiche, 2007) Cast: Habib Boufares, Hafsia Herzi, Farida Benkhetache, Abdelhamid Aktouche, Alice Houri, Bouraouïa Marzouk, Cyril Favre, Leila D'Issernio, Abelkader Djeloulli, Bruno Lochet, Olivier Loustau, Sami Zitouni, Sabrina Ouazani, Mohamed Benabdeslem. Screenplay: Abdellatif Kechiche, Ghalia Lacroix. Cinematography: Lubomir Bakchev. Production design: Benoît Barouh. Film editing: Ghalia Lacroix, Camille Toubis. With its unsparing closeups and its two great extended sequences, the family dinner and the restaurant tryout, The Secret of the Grain is obviously designed to be an immersive film.  Sometimes it calls to mind the Italian neo-realists with its focus on ordinary people and their doggedness in the face of social circumstance, but it's "realer" than those films, with an improvisatory quality in its best scenes that evokes the films of Mike Leigh. Best of all, it plunks you right in the middle of a culture, that of North African immigrants living in France, and lets you find your footing in it. The focus of the film is Slimane (Habib Boufares), a 60-something worker in the shipyards of Sète, a small Mediterranean port city explored more than half a century ago by Agnès Varda in La Point Courte (1955). (In that film the exploration was done by outsiders, a Parisian couple. In this case, the city is seen from the point of view of residents with one foot in their original Arab culture, the other in the adopted culture of France -- people who are both insiders and outsiders.) Slimane is being laid off as the film begins, but he doesn't relish the prospect of retirement. Instead, he wants to open a restaurant on an old ship he has acquired. He's aided in this plan by Rym (Hafsia Herzi), the young daughter of his mistress, who owns the hotel where Slimane lives. Rym helps him put together a prospectus that they present to a skeptical but intrigued bank loan officer. Complications are inevitable because Slimane wants the restaurant to feature couscous and fish as prepared by his ex-wife, Souad (Bouraouïa Marzouk). And so we're drawn into the lives of Slimane's doubly extended family, whom we meet at a dinner in Souad's home. The Franco-Arab mixture is enriched by a touch of Russian: Souad and Slimane's daughter-in-law, Julia (Alice Houri), married to the philandering Majid (Sami Zitouni). These and other characters get introduced to us in various ways, but primarily at the raucous, noisy family dinner. Eventually, Slimane decides that the only way around the bank's reluctance and the bureaucracy's red-tape about permits, is to stage a party on the ship and invite bankers, bureaucrats, and potential investors and to serve them Souad's couscous and fish. Abdellatif Kechiche is a master at working out all the complicated relationships of family and town, and at setting up the eventual roadblocks that constitute the plot, but he also lets his actors carry the emotional burden of the story, which they do superbly. I have to admit that The Secret of the Grain sometimes feels like a party you want to leave but can't. That's partly because of its 151-minute run time -- I felt like it could lose half an hour without diminishing its immersiveness, the suspense of the last section of the film, and its overall tragicomic effect. But I would hate to be the one who had to decide which of its often astonishing scenes to cut.

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Two dead, thousands of homes without power as storms hit France - world news

Two pensioners have been killed and tens of thousands of homes left without electricity as gale force winds and flooding hit southwestern France.Eleven departments remained on orange alert weather warnings late Saturday.A 70-year-old man died in the Pyrenees-Atlantique in the Basque Country on Friday when his vehicle struck a fallen tree.In Espiens in the Lot-et-Garonne region a 76-year-old man was swept away by rising waters when he went out to fetch his mail on Friday.Rescuers found his body 24 hours later more than a kilometre from his home.Five other people were injured, two seriously, when trees fell on their vehicles.As many as 40,000 homes were without power on Saturday afternoon and some 15,000 remained so by the evening, electricity utility operator Enedis told AFP.A company spokesperson added some 2,000 technicians had been deployed to restore power to those customers, urging people to call a dedicated hotline if they saw power lines had come down. Overnight, some 400,000 homes had suffered power outages as floods inundated parts of the region with waters rising to up to nearly nine feet (2.7 metres) and by 30 centimetres per hour in some areas.Flooding and landslides cut off access to the skiing stations of Gourette and Artouste, while the distribution of drinkable water in the commune of Laruns was interrupted.In the nearby Landes department, about 600 people were evacuated on Friday as a preventive measure in areas where the Gaves de Pau and Oloron rivers converge.“We are getting used to this now,” a weary pensioner who gave his name as Christian told AFP.“We put everything on the upper levels, and we clear out everything from the garage,” he said.But water levels were slowly falling in the area, local rescue force commander Olivier Loustau told AFP, and clean-up operations would probably start Sunday.The Alps, where weather services had warned of heightened avalanche risk, were earlier downgraded from the orange alert level, as was upper Corsica where winds had been packing speeds of up to 150 km/h. Read the full article

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VIFF 2017 Review: Félicité

VIFF 2017 Review: Félicité

Félicité is the story of a Congolese singer (played by Véro Tshanda Beya Mputu) who life struggles mirror that of most African women.

Félicité appears to be a film about an African woman who sings in bars to make a living, but it’s a lot more.

Félicité is a woman living in DR Congo. The film begins with her waiting for the result on a repair for her refrigerator. It needs a new fan and it will…

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Synonymes (Nadav Lapid - 2019)

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Black Venus (Vénus noire), Abdellatif Kechiche (2010)

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Patronun Kızı İzle - La Fille Du Patron

Patronun Kızı İzle – La Fille Du Patron

La Fille Du Patron Türkçe Dublaj/Altyazılı İzle , 5.7 İMDB puanlı filmin yönetmeni Olivier Loustau , Fimde Christa Theret, Lola Duenas, Ludovic Berthillot, Florence Thomassin, Moussa Maaskri oyuncular yer almaktadır.. Filmin özetinde ise :Kamera arkasında ve başrolde ‘Güzel Bir Pazar’ filminden de hatırladığımız Olivier Loustau’yu görüyoruz. 40 Yaşındaki Vital bir tekstil fabrikasında ustabaşı…

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The Boss's Daughter - Is The Boss's Daughter on Netflix?

The Boss’s Daughter – Is The Boss’s Daughter on Netflix?

[ad_1] Watch on Netflix » Back to List » 98 min | Dramas, International Movies, Romantic Movies While working together, a married textile foreman and his boss’s daughter have a torrid love affair, stirring up hostility among the factory crew. Director: Olivier Loustau Cast: Christa Théret, Olivier Loustau, Florence Thomassin, Patrick Descamps, Stéphane Rideau, Pierre Berriau, Deborah Grall,…

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The Boss's Daughter (2015 Film) by Olivier Loustau