#Or at least in the first few volumes

[completeoveranalysis]

[5]

The UNEASE when one of the fun Mokona quotes of the series (Mokona is Mokona) is thrown BACK AT MOKONA in the distressing time loop situation (The princess means the princess!)

Kurogane visibly SWEATING (from the heat, as Fai observed last chapter?) as he wonders when in the timeline of Clow this is. ME TOO KUROGANE THANK YOU FOR THIS. 

Lava Lamp does his dialogue duty and asks the npc directly so let’s see let’s see

Do you think I will like this answer. 

I do not. 

SEVEN

BABY SAKURA TIMELINE ACTIVATED

BABY APPLE SAKURA TIMELINE ACCIDENTALLY ACCURATE?

I have deep deep appreciation for the murder dads getting to react in shock at these revelations and then also vocally discuss the implications of everything between them. I’m living for this active investigation. It’s all spiraling further and further into confusion but they’re keeping all the pieces together in a logical form for now. And LOVE that expression on Fai when he says they won’t find any useful answers here.

Meanwhile Mokona asks her own question in the investigation (about seeing Sakura, because Mokona is always a darling) but the answer is that she’s not in the castle. The pause in everyone’s reaction to this makes me think the next line he says is going to be even worse. 

INTERESTING. 

This is new information (to us) but Lava Lamp reflects on this as if he should have been able to figure this out all the way back here. WHEN HE WAS ALSO SEVEN.

WHEN HE WAS SEVEN YEARS OLD (or close enough) AND TRAPPED IN A LAVA LAMP, UNABLE TO DO ANYTHING AT ALL EXCEPT LOOK THROUGH SOMEONE ELSE’S EYE, and he still thinks he should have been able to piece together the mystery from the fact that Sakura did purification rituals at the ruins before her birthday. 

Hindsight can be a bitch to deal with but Lava Lamp is just unerringly hard on himself. 

[isdalinarhot]

love how Stormlight Sanderson crit posts are largely about, like, racism in the books and stuff like that and then Wheel of Time Sanderson crit posts are like “a memory of light sucked ass”

[c0rpsedemon]

there's so much manga i have to read it's unreal 😭

[orcelito]

So I rearranged my bookshelf a bit for fitting trigun on my shelf...

Top shelf is still my persona shelf. It's way too established to change that. But I moved my assorted other fav manga volumes to the bottom shelf, leaving room for This...

It didn't Quite fit all the way, but it's close enough. This shelf is composed of my three top favorite mangas of all time, which are Also the only 3 series that I own in totality. Specifically bc theyre my favorites & I care enough about them to want to own them all lol

It's... really really nice to see them all in one place like this.

And of course. The trigun ❤️ completely worth the money I spent on them.

[queer-ragnelle]

hbomberguy’s rwby video has me feeling very good about my own writing after a few weeks of feeling…meh. at least i’m comprehending why i like my inspirations & don’t just copy paste the visuals without knowing what any of it means. at least i know not to have two characters from the same family explaining their shared culture to each other for the benefit of the audience. hello??

[intomybubble]

Ok yeah i am 100% sure this is the same artist

[hearties-circus]

Hair update: there's alot of it

[deus-ex-mona]

kawareeeeeeeeeee~~~~~~~~~

[deepwoundsandfadedscars]

And now I've just learned that Tumblr now throws you a little party when making a post from desktop, it throws confetti across the screen and a little banner at the bottom with the options to Blaze the post?? what the heck

[brainfilehasstoppedworking]

This song in general makes Yu-Gi-Oh season 0 seem like a feel good show of some sort

[laikahh]

[sovamurka]

I've been rotating exlibrium spb au in my mind for quite a while...

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

[killjoy-prince]

Manga haul from yesterday

[hairmetal666]

They're sitting in Eddie's bedroom, Steve propped up in the bed, flipping through some sports magazine, Eddie curled on the floor using his knee as a table as he scrawls notes for Hellfire's next campaign. Metallica spins on the record player, volume low. They're doing this more and more, being together and doing their own thing, music a soft backdrop to it all.

Eddie's deep into his planning, enough so that he manages to forget that Steve Harrington is in his bed. He keeps hearing something, though. It just manages to catch at the edge of his awareness, but when he fully tunes in the only sounds are Steve flipping a page, Ride the Lightning, the shift of blankets as Harrington taps his fingers. It happens a few more times, but when he tries to catch it, it's gone. Steve hasn't reacted at all, to the point Eddie wonders if it's all in his own head.

The next time, he's interrupted before he even gets back into it, that noise again, but this time, now, he's aware enough to see that it's Steve. And he's not, like, reading the magazine out loud to himself. No. He's singing along.

To Metallica.

And he wasn't idly tapping his fingers before. He was tapping along to the beat.

"You're singing along?" He asks before he can stop himself.

Steve looks up, a faint smile on his handsome face. "It's not too bad."

"Not too--Not too bad." Eddie's nearly screeching. Can't wrap his mind around Steve--"You've been listening to Metallica on your own? You've been--you--" He jumps to his feet, notebook spilling onto the floor. Steve's just looking up at him with big eyes and a gentle grin.

"Sure, Munson. You like it, yeah?"

He nods, mutely, unsure how he so thoroughly lost the plot that Steve's been listening to Metallica just because Eddie likes it.

"Got a taste for any other metal bands I should know about, Harrington?" He flops down on the bed, making Steve bounce a little.

"Well, Dio's pretty okay."

This time Eddie does really, actually shriek.

---

Eddie swans into the kitchen to greet Steve, who's already lounging on the couch with a beer. There's another one on the coffee table, waiting for Eddie.

"Just helped yourself, Harrington?" He teases.

Steve shoots him a look. "Wayne grabbed them before he left. What the hell took you so long?"

He can't say it's because he wanted to look nice with Steve coming over, even if they are just getting high and watching movies. Of course taming his hair took so long that he didn't have time to find a shirt, and Steve's knock at the door had him grabbing the first thing he could and jamming it over his head.

"You want chips?" He asks.

"Wait--Eddie--" Steve stands, pointing at Eddie's chest.

"What?"

"That's my--oh my god, I've been looking for that."

And, well, he had thought it was a little strange that the t-shirt he grabbed was gray. He pulls at the fabric, stares at the upside down Hawkins Tiger with a basketball in its mouth.

"It's my favorite sleep shirt. I thought Robin took it and you--"

Eddie's face heats. Steve's shirt. Of course. Steve stayed over one movie night, forgot the shirt, and Eddie. Well. He was going to give it back, but--

"Here, man, my bad." He goes to pull the hem over his head. "I didn't know it was your favorite."

"Nah," Steve says. He's sitting back on the couch. "You should keep it. You look really--" he pauses and takes a sip of beer. "It's nice on you, Munson."

He's sure his blush is a horrendous thing to witness, has to fight the urge to hide in his hands. "Right. Uh. Chips!" He whirls towards the cabinets, refusing to think about the matching pink stripes across Steve's cheeks.

---

"C'mon, Munson, you're hogging the covers." Steve's sleepy mumble cuts through the dawn quiet.

"Mmph," Eddie groans. Rubs the soles of his feet against Steve's shins.

"You're a dick," Steve grumbles. He shimmies closer, which is what finally does the job at fully waking Eddie.

"Wha--huh?" He blinks.

"You stole the blankets, man. If you're not going to share, the least you can do is cuddle."

"Uhh." Eddie is sure he's dreaming, but Steve's warm, strong arm slips around his waist, pulls them together.

Eddie doesn't know what to do. Where he should put his body. Does he relax into it? What do his arms do? They're not usually this rigid, right? But what do they do when he's sleeping? Somewhere in his gay panic, he has the presence of mind to grab the edge of the blanket and throw it over his friend.

"Better?" He asks. His voice is all wrong but maybe Steve will attribute it to tiredness.

"Mmm." Steve's grip tightens around his waist, his nose nuzzling against the nape of Eddie's neck. His breathing is already slow and deep.

Eddie can't imagine sleep finding him anytime soon. Not when Steve, his crush, his best friend, is holding him like this. Not when he now knows what the real thing would be like. Not when it's so impossibly out of his grasp.

---

Steve and Wayne are watching a Cub's game. Eddie's curled up on the couch between them, trying to work on a sketch, but his brain keeps skipping to a song he's writing. The lyrics have been easy, coming to him like nothing, but the melody...he wants it to be heavy, loud, wanting, but it won't fit.

He glances up at Steve, chatting with Wayne about some baseball thing called a ribee. His hair's not done, flopping softly around his forehead, and he's wearing his result-of-too-many-concussions glasses, the yellow sweater from that horrific boat ride, retrieved by one of the kids and painstakingly washed by Karen Wheeler.

Steve looks sweet, soft, relaxed. He laughs at something Wayne says, and Eddie's a lost cause. He's just fucking smiling at the pretty boy on his couch, hanging out with his uncle, too far gone to be able to fight it.

A melody forms in his head, and it's soft. Not sweet, no, but gentle. Almost tender. Nothing like he imagined.

---

It's early, early enough that Wayne's not home yet, but he got tired of trying to sleep. Didn't want to bother Steve, who still softly snored in Eddie's bedroom. So, he grabs his acoustic and his notebook, goes out to the couch to work on the song. It's coming along, really good, one of his best. He hasn't shared it with the guys yet. It's--he's not ready, lays him too bare.

There's a clatter from the kitchen, Steve's voice, deep and sleep rough, says, "Hey, Munson."

He pushes the guitar and notebook aside. "Did I wake you? I was trying to be quiet, I'll--"

Steve shakes his head, pads into the living room. He's wearing the yellow sweater, a pair of Eddie's sweatpants, bedhead rampant. He curls up next to Eddie, pulling the couch afghan over his feet. "What're you working on?"

Eddie's ears get hot. "Nothing much. New song I've been noodling on."

"Cool." Steve's smile is little and fond. "Play it for me?"

"Ahh," Eddie says. His hand twitches around the neck of the guitar. "Not sure if it's quite ready for that."

"Oh, yeah." Steve nods. His face does something weird and squiggly that Eddie's never seen. "Just never heard you play before. Thought now might be...you know."

Eddie swallows, hard. "Well, maybe we'll get a show up at the Hideout soon."

"Of course. It's just--this is just you."

He blinks at Steve for a few long seconds, can't believe he's about to do this, but--It's not like Steve will know it's about him, anyway. "It's not a full song yet, alright? Just a verse and half of a chorus, so like. Don't judge it too hard."

"I would never." He can sense Steve's smile but can't look directly at it, knows it would kill him.

He situates the guitar, spins the notebook to read the lyrics like they aren't already burned into his brain, starts to play. His fingers are deft and sure, his voice a little rough, a little raspy with nerves.

The song ends and he's afraid to look at Steve, to see the thoughts written plane on his face. The silence extends, though, and he asks. "So, what did you think?"

"It's--that wasn't what I expected." Steve's voice is weird. Wobbly. Eddie chances half a glance at him, but can't make anything definitive out from his expression. "I didn't think--that's not the kind of music I thought you made."

He licks his lips, swallows. Puts his guitar down. "It's not usually."

"It was a love song." Steve says. His eyes burn into Eddie's.

He can't say anything for seconds that seem to span minutes. "Yeah, Steve," he says in a voice cut with gravel. "It's a love song."

"Eddie," Steve whispers. He reaches out then, thumb tracing along Eddie's jaw, the scars that linger there from the bats. "Is this okay?" He can only nod as Steve's hand twines through his curls.

He's shaking, just a little bit, not because he's inexperienced but because this is Steve, because it's happening, because their lips are meeting and a trembling noise falls from his mouth at the sweet way Steve kisses him.

It's gentle and quick, but they don't part when the kiss ends, stay sharing air as their foreheads rest together. Eddie can't stop smiling.

"Please tell me I'm not dreaming, Stevie" he whispers.

"You dream about me?" Steve asks, eyes blazing.

"I wrote a song about you, and you think dreams are a reach?"

Steve laughs, brushes a kiss against the tip of Eddie's nose. "I loved the song."

"Yeah?"

"Can't wait to hear the whole thing."

"Well, stick around for a while."

Steve leans in, kisses him again, longer this time. "Just try to get rid of me, Munson."

[heich0e]

yuuji calls sukuna a lot.

it's almost like second nature to him now, muscle memory even, so many years since getting his first cellphone; any time he finds himself idle, maybe on his walk home after his part-time job, or on a break between his college classes, he picks up his phone and dials his older brother without thinking. they never talk about anything of importance—maybe just what yuuji did that day, or some gossip he overheard, or what the two of them should have that night for dinner—but he still makes the call.

sukuna always acts annoyed when he answers, greeting him with a characteristically terse 'yeah, what?' that yuuji never pays any mind to. but he still answers the call—at least most of the time—and that simple truth speaks volumes in and of itself.

sukuna's phone rings at a few minutes past 1am, and his little brother's name lights up the caller ID.

"yeah, what?" sukuna snaps groggily, holding his phone up to his ear. he'd passed out on the couch soon after he got home from work, a half-drunk and now room temperature can of beer left abandoned on the table in front of his spread knees. yuuji's babbling starts as soon as the call connects and his brother greets him, and it takes sukuna a moment to make sense of him.

"—'n now i can't finder!"

"the hell are you talking about, dumbass?" the elder of the two grumbles, scrubbing a hand across his face. his brother's voice is panicked and hard to understand.

"we got spliddup at the bar, 'n now i dunno where she is anymore—"

"don't know where who is? fuck, are you hammered?" sukuna complains, sitting himself upright on the sofa as he wipes sleep from the corner of his eyes, suddenly a bit more awake than he was when the phone first rang.

yuuji says your name with a croaking, worried voice, and sukuna sighs exasperatedly. he stares down pensively at the can of beer he forgot to drink on the coffee table, then his eyes flicker to a framed photo hanging on the wall across the room—the glass smudged, frame slightly crooked, and photograph sun-bleached from the years it's spent hanging there.

"just..." he grunts as he pushes himself up to his feet, "fuckin' send me the address and stay where you are, idiot."

it's not hard to find his little brother once he arrives to the address yuuji sent him—especially since the youngest itadori brother is waiting (as promised) right by the entrance of the familiar bar near the university campus where both you and yuuji attend classes. it's still busy for so late in the night, but the clubs are closed now and little bars like this are the only places still open. sukuna's not even sure what the difference is anyway, because the lights here are still dim and the music is loud and there are still people dancing off to one side of the establishment, so the distinction between the two seems tenuous if not entirely negligible. but as someone who's spent his fair share of nights in bars just like (and including) this one, he's usually not really one to complain.

but tonight's different.

yuuji is teetering a bit when his brother arrives—an unusual sight, considering he's usually pretty good at holding his liquor.

"shit, how much did you drink?" are the first words out of sukuna's mouth when he approaches.

the youngest itadori's cheeks are flushed as pink as his hair, and he grimaces in the wake of the eldest's question—he's always been a terrible liar, especially when it comes to his brother, so he doesn't even bother trying to deny it. sukuna doesn't wait for a response in any case, turning his head towards the thick of the crowd and letting his eyes scan through it.

he doesn't see you.

"where'd you see her last?" he asks, leaning towards his brother to be heard over the music.

"by the bar!" yuuji replies, raising his own voice to overcome the bass. "she said she was getting one last drink, but she never came back to the table."

yuuji's lip wobbles a bit as he concludes his sentence, but he sucks it quickly into his mouth and catches it between his teeth.

"and you looked for her?" sukuna asks again.

"all over," yuuji nods, letting his lip slip out from between the bite of his incisors to reply. "fushiguro's doing another lap. nobara's checking the bathrooms."

sukuna ruffles a hand through his hair, suddenly realizing it's probably a mess from his rudely-interrupted slumber. "maybe she just left or somethin'."

"she wouldn't do that, you know that," yuuji says firmly. there's an insistence burning behind his eyes as he looks to his older brother, and it's the most sober he's seemed all night.

sukuna rolls his eyes, even though he knows yuuji's right—you'd never leave on your own, much less without so much as a goodbye. the two of you have been joined at the hip for long enough he's almost surprised that yuuji wasn't able to find you with some weird telepathic form of echolocation. he swings an arm up over his little brother's shoulders pushing him down a little just to tease him, before using his grip to tug him towards the crowd.

"you track down that little sea urchin friend of yours and i'll take a look around. meet me back here in ten minutes or text me if you find that little pest, alright?"

the bar is harder to navigate the further in sukuna travels from the entrance, the bodies pressing closer together with every step he takes away from fresh night air. he's pissed off, but that's not out of character for him. he's more pissed off than he usually is, considering not even an hour before he'd been peacefully sleeping at home, and now he's glaring at some drunk college kid who just almost spilled their beer on him.

"move," he hisses through his teeth at the wide-eyed kid whose life he can practically see flashing through his eyes as he shoulders past him. sukuna would be lying if he said the look didn't improve his mood at least marginally.

as sukuna weaves through the bodies in the bar, his eyes don't stop looking for you. it's almost startling how quickly he can rule people out—how definitively he can say that someone is or isn't you with just a passing glance. he starts to doubt himself as he reaches the far corner of the bar and begins to round back towards the entrance, an annoying, grating irritation in the back of his mind. worry, maybe, if he were the type.

then he sees you.

just the faintest glimpse of your profile, caught behind the shoulder of the man who has you backed into a corner by a pillar, hidden mostly away from the crowd—at least as hidden as anyone can be in a place like this.

sukuna feels his lip curling into a furious sneer as he takes a step towards you—people move out of his path wordlessly as he trudges over to that dark corner where you're tucked away.

it's only when he gets a bit closer that he's able to read the lines of your body properly. you're teetering, just like yuuji had been—the two of you had probably enabled each other in your intoxication that night like the stupid kids sukuna knows you both to be. but you're also distinctly uncomfortable, pressed up against the wall as if to put as much distance between you and the man hovering over you as you possibly can. your eyes glance off to the side, like you're searching uselessly for an escape.

instead, they meet his.

"sukuna," you gasp out in surprise, and the man you're speaking to glances over his shoulder in confusion. he seems annoyed, and a bit nervous, when he spots the man (taller, and broader than he is) standing behind him with a scowl.

sukuna hears the relief in your voice when you say his name. reads it behind your glassy eyes.

"what are you doing here?" you ask, reaching out towards him clumsily.

the man in front of you puts a hand on your waist—possibly to steady you, more likely to stop you—and it makes sukuna see red.

"hands off," sukuna snaps, wrapping a hand around your upper arm and tugging you into his side away from the creep.

"who's this? you said you don't have a boyfriend," the kid asks you, jutting a thumb towards sukuna accusatorially.

you mumble something quietly in reply about him being yuuji's brother, tucking yourself a bit closer to sukuna as you say it.

"your brother?" he asks as his eyes squint in confusion, having clearly only caught part of your explanation. "you're ditching me for your brother?"

sukuna's anger flares again at the entitlement this little brat has the nerve to display so flagrantly. the older man's hand slips down to your waist on instinct, and then lower still to the curve of your ass, making a show of how his big hand grips into the flesh beneath it. you squeak quietly at the contact, turning and hiding your burning face against sukuna's chest. he keeps his hand right where it is.

the stranger's eyes widen at the inappropriate display before him and sukuna leans in close with a vicious, almost manic grin.

"we're very close."