#People who could be Person B -

[poorly-drawn-mdzs]

Ghouls night out

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[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[seaglassdinosaur]

I know we collectively agree that Hiccup isn’t romantically inclined, and his getting married and having kids didn’t make sense in the epilogue, but consider: Hiccup getting married for political reasons.

It’s a marriage of alliance, which is recognized both by him and his partner, and they enter it without expectations of romantic involvement. Since they’re now married, they live in the same castle, spend time together, and Hiccup finds he really likes his spouse. They’re funny, get along with his friends, and has the same interests and values. They both probably speak multiple languages. She understands why Hiccup is so dedicated to making the Wilderwest better, and holds similar views. She’s a good politician (her job after all, was to be an ambassador). Hiccup likes spending time with them, and the feeling is mutual. They’re not in love, they have their own lives, but they’re dedicated to each other and eventually decide to raise children. They teach their kids how to train hawks and hunt with dragons, riding, history, the Languages, and all the necessary skills of their world. They’re not in love and they’re happy together.

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[tumblweeds-omegaverse]

random omegaverse thought:

There must be people who experience specific instinct things with indifference or boredom.

Procreative cycle coming up? "Crap, I've got plans this weekend...stupid skip weeks."

Caught an intriguing scent while walking? "But I need to get to work! Shut up brain."

Had a snap response to a distressed sound? "Who was it?! ...right, it's my day off, I can go back to sleep."

Somebody growled at them? "Kid, I'm not a rival, that's my sibling."

Super cozy cuddle session happening nearby? "I'm gonna pass tonight guys, no social battery left, maybe next time."

Group of friends heading out to flirt and check out other singles? "I'm coming with you but only to make sure you all get home safe."

Setting where fated mates or soul bonds or permanent marks are a thing? "Meh. I don't really want one or care if I ever get one."

People in the actual omegaverse would get as bored of their stuff, as we do of ours, you know? It could be interesting to see that kind of vibe in fics. Biological demands faced with all the excitement of paying bills or doing laundry or tying your shoes.

Even if that kind of energy might not drive a plot, it could be interesting to have as a contrast to the people who do have big feelings about them - good or bad.

There's the friends who can't wait til they have a pack of their own, and the one friend who isn't against it but couldn't care less. There's the group in the office who are all about scent compatibility tests and figuring out one's best match and what sprays most highlight it, and the coworker who has no intentions on putting that much effort in. There are parents who hover and protect their offspring by scenting them multiple times a day, and others who don't see what the fuss is as long as it's done in the morning.

...also: packs with introverts who show care by giving each other space. So often, closeness is depicted through physical touch and tactile affection, but comfortable silence is meaningful too. Knowing people are near, but not having to interact until you're ready. Sitting in the same room doing different things, knowing that all it takes is a "hey, look at this" to share what you're up to. People understanding and accepting each other's differing or fluctuating needs for how and when to recharge. Seeing somebody reaching out or sharing space, beyond what's their norm, as a signal of the fact that they care.

[caligvlasaqvarivm]

wanna ask how you feel about the eridan bpd headcanon/theory(?? not sure what to call it!) you're so good at your character analysis and i'd love to see your outlook on it

Since I don't have a degree or any formal training in psychology, I feel deeply uncomfortable diagnosing characters. I've made an autism joke before but only because I'm on the spectrum. He's definitely traumatized and anxious, but I mean those as descriptors of his behavior rather than capital-D Diagnoses. I try to focus on those when I can - the cause and effect of cognition, self-image, and behavior - and those factors may very well match up with DSM criteria, but I try not to touch an actual diagnosis with a ten foot pole unless the author has explicitly stated that X character has Y condition.

[jasontoddenthusiastt]

Imo Jason is “irredeemable” by default because I don’t see what he needs redemption from.

[sluckythewizard]

BUT IM NOT A WRITER. something strange possessed me to write my first proper fanfic in maybe a decade. be niceys to me but also grill me so i can get stronger. this one is a stupidly self indulgent bit between Soda and Emizel, a day or so after emizel was sired. CW for gore descriptions, but thats about it i think. image below is a snippet of the start. the rest of the whole dang thing will be under the cut. ive never posted fanfic ever in my life. read my tags for secret behind da scenes commentary

"Oh shit… I think hes dead…" It was another night, another patrol, another fight, and another win, for Emizel and Soda.

Under moonlight, under street light, under interwoven wires above, the two stood here in a quiet and damp alleyway. The air was drenched with the smell of a previous rain, and the puddles of said storm remain huddled in corners and pot holes.

One splashed as soda found himself stepping forwards into one. The residual adrenaline of the fight had left his body shaking, his heart still pounding, his wounds still throbbing. They had still won; or more-so, Emizel had won. A particularly nasty blow to the side had Soda reduced to the side lines for most of the fight, left to watch as his newly vampiric comrade had absolutely eviscerated the competition.

Emizel had only been turned a day ago, but it was impossible not to notice how it had changed him. He already acted so goddamn confident, so on top of the world, and this newfound power, newfound speed and strength, only built upon his insane ego.

The Fangs that they encountered here on this night stood no fucking chance. Emizel was too quick, too strong, and he easily chased off the rivals. It was only now, as the final unfortunate opponent had turned to flee, a clean clock in the jaw sent the human tumbling to the ground with a dull thump, and it did not move afterward.

Soda shifts his shoe out of the puddle, the cold seeping into his sock being one of the few things keeping his mind in his body in the moment. Is the guy breathing?

A low laugh bleeds from Emizel as he stretches his arms, licking his sharpened teeth as he stares off in the direction the remaining Fangs went. Soda knew that look on his face, the look of a tiger pondering on its next kill, he knew well that Emizel wanted to chase them.

But the guy on the ground.. It was one punch to the face, and the wicked crack sound that came from it had planted a seeding dread within Sodas chest.

As he steps forward, around the puddle, the resulting sound made Emizels attention click back over to Soda, the snap of his gaze making Soda flinch.

The two lock eyes, and Soda weakly gestures to the limp body on the floor. "The uh.. I think.. Is that guy dead?" He finally asks, having a hard time keeping contact with Emizels intensely red eyes.

Emizel turns his attention to said body, tilting his head as he goes to kick at the thing, turning it over. "Man no way hes dead, I punched him once." He mutters.

"Well, yeah, but his head almost twisted all the way around when you did.." Soda steps up to stand beside Emizel, the two boys standing with their hands in their pockets, down at this unfortunate, limp body.

"Should we hide it?" Soda asks, glancing back over at Emizel, who had.. An odd look on his face. He was clearly pondering something, but Soda could only guess whatever was going on in that brilliant head of his. He knew and trusted that Emizel was smart. If anyone could figure out what to do about this, it would be him.

But the lack of an answer had anxiety chewing at the back of Sodas rib cage, and after a second, he speaks up again, compelled to fill what he perceived as a tense silence. "Like.. I dunno, I've never uh... killed a guy..." He shrugs, prompting Emizel to let out a big sigh.

"He's not dead man, just out fuckin cold." Emizel kneels down next to the body, putting an ear up to its chest, and pondering on that for a moment. An uncertainty twists his expression, as he decides to instead place a hand on the victims throat, checking for a pulse. A moment passes, and seemingly finding nothing, he pulls back.

"Uh... Okay, so he might be dead."

Something about the confirmation from Emizel made a shiver run up Sodas spine. That, or maybe it was just the breeze agitating the cold water in his shoe.

"Huh… Damn.." Was all that Soda could really get to leave his mouth. Which was hardly a splash compared to the torrent that was slowly churning in his head. They just killed a guy. Or, Emizel just killed a guy. And it was so easy. They had to hide the body now, right? That was the usual progression here? Getting caught for murder was way more extreme than getting caught for breaking mailboxes with soda cans. It was so, so disturbingly easy. It really was just one punch. It's not like the Fangs are weak by any means, so just one punch? And this guy is dead? Forever?

Or, perhaps by human means, their rivals were fairly tough. But Emizel was on a whole other level. No mortal could stand up to him now...

"Hey, are you okay?"

The question had pulled Soda back from his head, his gaze flicking back over to Emizel, who was looking up at him with those eerie, piercing red eyes. Soda felt another shiver.

"Uh, ieah man, I'm all good." Soda nods, swallowing down whatever anxiety was bubbling up in his throat.

But Emizel didn't seem satisfied by his answer, standing back up and staring down his human comrade. Soda couldn't meet his eyes, his gaze instead traveling downward, and pausing on Emizels red, cut-up shirt. There was something off about the color, the way it seemed darker in some spots, brighter in others.. Wait, wasn't Emizel wearing a white shirt before all this?

The vampire boy seems to pick up on Sodas expression, following his eyes down to his shirt. "Oh, yeah! While you were on the floor, the knife guy got me a little" He says, a stupidly simple smile on his face. Soda was about to let out a laugh at how unbothered his friend seemed by it, but it gets caught in his throat when Emizel goes to pull his shirt up.

The sound of the bloodied fabric peeling away from skin made Sodas own skin crawl, but that wasn't nearly as bad as the sight of the intense gash running from his collar bone, down to his stomach.

"Oh, fuck dude!" Soda gasps, but Emizel laughs it off. Even despite knowing Emizel well, Soda was still surprised by just how much Emizel could shrug off. "Shit, doesn't that hurt, dude?"

"Oh yeah this fucking hurts!" he says with a laugh, his smile big and toothy and proud as he presents this egregious wound. Swollen and angry, pulsing with a slow heartbeat, and still oozing with thick, dark blood.

The sight of the split flesh, and the glints of bone beneath the dark, dark red all tugged at Sodas gag reflex, and yet he couldn't pull his eyes away. So Emizel's just been walking and talking so normally this whole time with his chest just cleaved wide open? Soda felt just as impressed as he felt horrified.

It wasn't until Emizel reaches down to poke at the abhorrent wound that Soda snaps out of it. Watching his friend press his fingers into the bloodied flesh, and slowly pulling it apart, allowing more ichor to seep from the gash, it was too much to watch at this point.

Soda reaches up to put a hand on Emizels wrist, the vampire boy stopping, and looking up at his friend.

Soda found himself freezing again when he locks eyes with Emizel. He was going to say something now, right? "U-uhm.." Is all he really chokes out, giving Emizels wrist a gentle tug. "D-do you. Uh. I suppose a hospital Isn't a place you can go anymore..?"

Emizel just smirks at that, letting Soda pull his hand away from the wound. "Oh, yeah no, but it's fine. I mean, I don't think it's gonna kill me" He shrugs. It was so, so impressive just how unphased Emizel was by all this. Fuck he's actually so cool.

"Well yeah man but it's like, still a bleeding hole. Like you're soaked in blood dude, I'm pretty sure that even a vampire needs that stuff on like, the inside." Soda rubs the back of his head, still unnerved by the sight of it all. "Vampires have like, super healing, don't they?"

"Oh yeah like, regeneration powers. I know I heal faster sometimes but I dunno how to just, activate it on command.." Emizel hums, his eyes narrowing down at his own injury, as if trying to will it into mending. Soda looks away, unable to watch that vile gash ooze any longer.

"I dunno man, how do they do it in like, video games?" Soda tosses the question out, trying to click together some sort of solution in his own head.

"Uhhh.. Huh, video games.." Emizel repeats to himself, chewing on the thought while idly poking at the laceration; until an idea audibly flickers to life in his head. "Oh, I just gotta refill my blood meter. Or whatever."

"Oooh yeah, blood meter!" Soda perks up, "Of course, see this is why you're the brains, man" Soda smiles, glancing back over to his cool friend, but immediately needing to look away again when the sight of that egregious gash tugs bile back into his throat.

While Soda averts his eyes, Emizels eyes wander back over to the body, and that classic 'Emizel has a bad idea' smile creeps across his face.

"Well, if this guys dead, I'm sure he's not gonna need all that blood.." He grins, kneeling down next to the body again.

The word 'wait' had hardly gotten the chance to crawl from Sodas mouth, before Emizel lifts up the arm of the unfortunate body, pulling the sleeve back, and immediately sinking his teeth into the exposed wrist.

The sound and the sight of blood gushing around Emizels teeth made Soda cringe, his hand impulsively coming up to aide his own wrist. An empathetic phantom pain made his wrist ache, his imagination simulating the feeling of shark teeth cutting into skin, sinking deep into the flesh, and clacking against bone. That was a lot of blood, that was streaming down the arm of this fodder.

A low growl bleeds from Emizel as he adjusts his teeth, cutting into more flesh, opening the wound further, and allowing a pulsing torrent of red to stream down his chin, onto his coat. It was an annoying thing, to clean blood out of clothing. Most of the Demons deemed it easier to just let the stains remain. But the night that Emizels throat was torn open, and liters upon liters were granted freedom from his human form, the unbelievable mess had practically changed half the color of Emizels iconic coat.

That was the first time Soda had ever seen that much blood from one person. And well. This would probably be the second.

The sight was unnerving, but it was impossible to look away. The alley was quiet, save for the distant bustle of a distant city, which made the noisy squish and squelch of teeth gnawing on flesh all the more apparent and nauseating.

Emizel had become a monster for sure, and watching it feed on something was… thrilling, in a way. It reminded Soda of feeding a pet spider, or lizard. A mouse for a snake.

It's a heavy thing to witness, the end of a human life. The fear of death is a primal thing, and Soda was no different from any other living thing. He figured everyone else feared death just as much as he does. Well, maybe except for Emizel, of course.

It made sense. Emizel was such a cocky and noisy kind of guy, but hes always had the power to back it up. Even when he lost, or seemed at his lowest, Soda still saw this sort of fire in him, one that Soda admired.

Of course Emizel would be the one to become something like a vampire. Something that Soda had always figured was just a fantasy creature thing. He wondered; if vampires were real, what else was real? Werewolves? Zombies? Unicorns? Are there real demons? Like from hell? Is hell real? Is he going to hell?

The sudden ttteeeeaaaaarrrr of flesh rips soda from his wandering thoughts. Emizel was tugging his head away from the arm of his kill, his teeth clamped down into the chewed meat, and pulling it apart. Soda had seldom seen so much of the inside of a human arm, and the sight of spilling threads and squirming veins was hardly something he ever wanted to stomach again.

"Oh fuck, dude, hey-" Soda steps forward, raising a hand, but the way Emizel snaps his head back over to him, twisting to an unnatural degree, Soda cant help jolting back.

Reddened teeth glint menacingly in the low light, a threatening growl thundering from its clenched, dripping jaws. Emizels eyes were focused, yet wild, glowing with whatever light they could reflect.

Sodas eyes were wide, and his body was frozen in the thick, electric tension within the air. It was like staring down an angry dog.. Suddenly a light bulb in his head flickers to life. It was kind of like an angry dog, right? One hunched over a meal it didn't want to give up. Memories of old encounters and unfortunate dog bites resurface in Sodas head, and with that experience, and with those lessons learned, he gathers the courage to react.

He shuts his eyes, keeping them closed for a few seconds, as he slowly pulls back his arm, and slowly steps back. It was an eye contact thing, wasn't it? Eye contact makes dogs angry, right? That was how you dealt with an angry dog? As he pulls back, and takes in a breath for composure, he finally dares to peek at the angry vampire before him again.

Its snarling had died down, but its eyes were still trained intently on Soda. After a tense, and agonizingly, slow pause... It blinks back, lowering its head back down to its meal, but keeping its anxious stare on this potential threat.

A relieved sigh falls from soda as the tension finally melts. He didnt realize he was holding in so much of his breath. "O-okay, man.. It's yours, you uh.. Earned it.." Soda mutters, stepping back further, until he was standing in a sufficiently dry enough space to sit down in. Now that he wasn't standing, he was finally taking into mind just how much his hands were shaking.

It's odd. Soda couldn't really describe this feeling thrumming in his chest as something like fear.. Nausea? For sure. Disturbed and rattled? Oh absolutely. This was certainly a sight he would have a hard time scrubbing from his eyelids when he sleeps tonight. But he wasn't scared. The memory of the night that Emizel was sired still coated the inside of his mind like an unwashable film. Even in that moment, when the unnatural teeth from the unnatural maw of an unnatural thing hovered over his throat, he couldn't say with confidence that he was scared.

Emizel really is his best friend in the world. And he knows with his whole heart that Emizel feels the same. He knew and trusted that his best friend would never hurt him. Not too badly at least. He loves Emizel, and would give anything to support him.

Like a mouse to a snake.

This really is an incredible power that his comrade had come across, and Soda especially felt a sort of pride in his friend. He felt it was worth it to help him feed it.

The bile in his throat had made its point, and Soda agreed, that watching someone die, and get torn apart and drained might be too much for him. Despite how much he hated the Fangs, the end of any human life seemed like such a jarring thing. To have such an intense fear finally get confronted. Would he go to hell?

Maybe he couldn't just feed people to his friend. So an alternative could be donated blood, right? Soda wouldn't mind giving up something like blood. His body makes it for free, after all. Maybe some other Demons would agree to give up some blood too. But they shouldn't have to take on such a burden. Soda wouldn't mind being the only one. The only one. The only one.

His hand comes up to rub at his neck, as his imagination conjures up what it might feel like to have teeth sink into his flesh. He's been stabbed before, is that sort of what it would feel like? Would he have to get stitches? He didn't really want to get stitches, so maybe there could be a more effective way to get the blood out of him. And there was so much vital stuff in his neck too. There's' a vein that's safe to cut into somewhere, right? He would have to look that up later.

A STARTLING RINGING;

Splits the moment,

Prompting both Soda and Emizel to jolt in shock,

As the phone in Emizels pocket rings away.

Acting as if nothing abnormal had taken place, Emizel pulls out his phone, and answers it.

"Heyy, Johnny! Yeah we chased em off, I don't think those bastards will be infesting this street again anytime soon. Yeah, ieah we'll be heading back soon. Oh fuck yeah dude, save us some!"

Emizel covers the speaker of his Nokia, turning back to Soda with a big smile on his violently bloodied face. "They got some pizza waiting for us back home, dude!" he whispers out to him.

Soda does his best to crack a smile, and to suppress the look of unease that probably stained his face, as he stares at the literal murder scene that's been splattered about in front of him.

"Oh, yeah, hell yeah man.." He swallows down the bile again. "What kind of uh.. Soda did they get?"

Emizel ponders that, before turning back to the phone to ask Sodas question.

"Sprite and a big pack of that one strawberry mountain dew" Emizel tosses the answer back over to Soda, who gives a nod, and thumbs up.

Mountain dew is so neat, Soda really liked all the wacky flavors those guys come up with. The thought of going home and opening a can of soda was certainly a comfort. After witnessing all this blood and gore and viscera, Soda absolutely needed to get back home and get a nice cold glass of something bright red .

As Sodas mind wanders off to soda, Emizel wraps up the conversation on the phone, before hanging up, and standing up.

The movement had pulled Sodas mind back into the moment, enough for him to timidly voice a concern he's had since the start of this debacle.

"Uh, hey, so.. The body, should we… Uh.." He gestures vaguely to it, and Emizel grants it a nonchalant glance.

"Eh, I can toss it into a dumpster or something, I dunno. I'm sure its fine. I'll handle it."

The vampire boy goes to pick up the corpse, the wound in its mangled arm no longer even dripping with blood, the flesh pale from the absolute absence of red in its veins.

"Go ahead and meet me by that one mailbox, the one with the bullet hole in it." Emizel casually instructs, tossing the drained body over his shoulder. "I'll catch up."

"Uh, yeah, okay.." Soda musters up a nod, and the strength to rise back up to his feet, wincing as that bruise on his side makes itself loudly known again. He still felt anxious, but even despite it all, he knew he could trust Emizel to take care of things. He always does. "Just stay safe man, I'll see you there." Soda assures with a smile, and Emizel matches it, tossing him a wink. And then suddenly- -He's gone! If Soda had blinked he would've missed it, but he was fortunate enough to just barely catch the glimpse of Emizel darting off at an inhuman speed, probably looking for a place to dump the body. Right, he would take care of it. Emizel always makes sure his crew is taken care of. Well... Guess all that's left for Soda is for him to walk back to that meeting spot. He looks around the alley for a moment, taking in the sight of that enormous pool of blood in the middle of the concrete. Or whatever the floor of this alley is made from. He ponders on the present moment a little longer than he meant to, the shock of it all leaving him aimless for just a few, soothing moments of just, decompression. The night is quiet, vast, and cold, but the stresses of just the past 5 hours had left his body radiating with fiery aches and pains, so the chill of the occasional clawing breeze was welcomed. Except for when said breeze agitated the cold water still soaked into his sock. He should step in another puddle on his way back to even it out. The smell of rain still rested heavy in the air, heralding another storm on the horizon. There was that, and then, well, there was also the blood. The stench of it felt far too intense to just ignore it, the metallic miasma making itself maliciously unmistakable. Maybe the impending storm will wash this mess away... He looked forward to putting this unfortunate night behind him. With one last rattled, but deep breath, he stuffs his hands in his pockets, and turns away, strolling back over to the mailbox that Emizel had described.

He couldn't wait to get home and drink some soda with his friends.

[anothermcytblog]

It's Au time!

This is an old AU for mine that once belonged to one of my old internet friends who let me have it back in like, 2017. They're no longer active online but I still really enjoy the au. I'm gonna tag but no art right now as all their art was theirs and i dont wanna take credit (with one exception being headshots they drew) (:

It's Jerome-Centered with the premise being a group of gods beefing basically due to a love triangle. Every generation a group of people were selected to have magical energy based on their astral spirit with several requirements; You can work well together, you can keep it a secret and you're pure of heart.

The god of life later turned god of death ended up being sealed away but is now gaining power once more so for this generation, the two gods of the Sun and Moon grew desperate and ignored two of the requirements- only caring about those who can keep it a secret.

Thus, we move onto our hero party!

Jason: Air Adam: Earth Ty: Poison Ian: Ice Quinten: Water Seto: Fire (Although something is... Off about that fact (: ) Jerome: “Wood” (Life) Mitch: Lightning

Elementals, as they're called, are absolutely hated/feared by the world, with life being the most hated.

Another more minor fact because I think it's really funny, originally Mitch dies three different times and Jerome has to bring him back each time. (First is a dramatic reveal, second is a 'I won't let you die!' kinda best friend moment and third is when everyone but Jason and Jerome die.)

Also if it's not clear, it's a fantasy world! Or at least fantasy adjacent

[deus-ex-mona]

no thoughts, just the way the narumi sisters are so different yet fundamentally similar at the same time yk?

[poorly-drawn-mdzs]

More MDZS and Hollow Knight! The cool bugs I found in my backyard have started to unionize.

Part 1 - Part 3

[justaz]

sick and tired of the needing to know every aspect and technicality of a ship’s domestic life. “theyre two boys, how will they have kids” idk thru the power of homosexuals?? stop asking me, why does it matter???

[shojoboy]

Being Bisexual is sooo cool we can be any gender and be attracted to any gender any amount, we lovvvvve women and nonbinary people and men and even if we only ever date or fuck one of those we are still Bisexual. We aren't "half straight, half gay", because that's not how sexuality works. Sometimes it feels like we don't have our own community but tbh that's because, the Gay community? We in there. The Lesbian community? We in there. Trans community??? We in there!!!!!!!!!!!! Yippee!!!!!

[eclaire-went-bam]

bcs i'm aware of how i automatically percieve people, i earnestly try to give the benefit of the doubt a lot. i tend to believe people are Actually Just That Dumb™ when they're joking about something, so i try to get ahead of that & tell myself people are joking when they say something stupid, so that i don't look stupid

all i've learnt in doing that, is most of the time, people aren't joking. they actually did mean what they say, & i made the situation 10× worse by laughing at what they said.

not only does it reinforce the idea in my head that people are Dumb so i need to take the reins on literally Everything, but it also leads people to believe i'm making fun of them for saying something silly & talking to me less, when, if i knew it were a genuine thing they thought, i would have gladly explained it without judgement

but i don't really know how to stop treating them as jokes, because what if they ARE joking so they laugh at me for how Stupid i am for taking the bait? i can't handle being made a fool of, i think i'd rather die

[isfjmel-phleg]

📚