#Pulaski

[unteriors]

S Madison Ave, Pulaski, Virginia.

[bumblingbabooshka]

Overhated Female Character x Underused Female Character [Patreon | Commissions]

[liquidatorbruntfca]

i’m currently rewatching TNG, and i completely forgot that in s2 e7 “Unnatural Selection”, picard takes over the transport controls from o’brien to beam pulaski back from darwin station, as to spare miles if anything were to go wrong.

if only picard knew the horrors miles would face on ds9 :)

[fluctuating-fixations]

Dr. Pulaski is actually a pretty solid character when you don’t have a little bitch in ur ear telling her she sucks

[scherzokinn]

thinking about how star trek fans can be so hypocritical. barclay was a very anxious socially inept guy with less than desirable coping mechanisms that were frankly creepy. he outgrew them but creepy guy is still his legacy. pulaski had bigoted feelings against data because she was wary and didn't understand him. she ended up accepting him and treating him like any sentient being but her legacy is still that old bitch who's racist against data. but when garak almost succeeds in committing a genocide, his legacy is gay uwu babygirl. make it make sense

[federer7]

Cotton Pickers, Pulaski County, Arkansas, silver print, 1935

Photo: Ben Shahn

[stellarred]

I liked Dr. Kathryn Pulaski. She was a good doctor, and I was sad she didn't stick around after Season 2 in TNG.

Come to think of it, we never got to see the Enterprise crew say goodbye to her, or throw her a goodbye/farewell party. There was no "Thanks for all you've done. Thanks for saving so n' so's life, etc."

Nothing.

There was no explanation provided as to why she left.

Pulaski just... disappeared.

[sshbpodcast]

Character Spotlight: Katherine Pulaski

By Ames

We may have only had Dr. Pulaski for one season of The Next Generation, but that didn’t stop her from leaving an impression. Your hosts here at A Star to Steer Her By are big fans of her character and also of Diana Muldaur’s performance of the cantankerous and brilliant doctor who graced the Enterprise-D’s sickbay during Dr. Crusher’s time away from the ship (more on her next week!). She even made a couple of our top characters lists from TNG!

There’s a lot of negative feelings about the McCoy knockoff in the Star Trek community, and we’ll cover some of those below, but overall we have to give credit to the good doctor for how much she grew in only the twenty episodes we had her. By the end of season two, she was viewing Data as a peer, saving lives left and right, and fighting for the rights of other species. There’s no telling how much better she’d get if she stuck around. So raise a cup of Klingon tea to the best CMO of the Enterprise (I said it!) with our highlights below and elaborated upon in this week’s podcast episode (timestamp for this one is 58:29). Fight us, haters.

[Images © CBS/Paramount]

Best moments

Crammed full of crumpets We’ve made a running gag on the podcast about how Professor Moriarty stuffed the doctor full of crumpets in “Elementary, Dear Data” but there’s more to this episode than crude jokes and blue humor. Pulaski ran with the Holmesian scenario in the holodeck, proved to be stalwart and brave in a hostage situation, and totally rocked the period attire!

At least someone still remembers quarantine procedures While the whole thing did backfire on her, Pulaski’s actions in “Unnatural Selection” kept the rest of the crew safe. She was willing to risk her own health on her hunch that the augmented children weren’t carrying any pathogens, but let’s give her credit for taking the child and Data out in a shuttle so that, if (and when) things went wrong, things were contained.

Knives and bearskins! When the biobeds are on the fritz due to the contagion in “Contagion” and her staff is whining that the bone knitter isn’t working, Pulaski pulls some tried and true methods out of her back pocket – make a splint! It may be archaic medical technology, but it’ll do in a pinch and having that kind of medical knowledge saves the day (or saves someone’s leg at least).

Generous doses of PCS I just really love the sweet little moment during “The Icarus Factor” when Dr. Pulaski is tending to some crewmember suffering from the flu and says part of her prescription is PCS – Pulaski’s Chicken Soup. It shows how much she cares about her patients and gives the audience that warm feeling of having someone care for you when you’re home sick from school.

Jettison the emotional baggage you’re still carrying around Also I have to give my girl some props later in “The Icarus Factor” when she’s flirting with Kyle Riker right in front of Will. We find it a nice character inclusion that she and Kyle used to be down to clown, and even that she would have married him in a heartbeat, and she tells his son off in the most “oh no she didn’t!” way and then proceeds to drop like fifty mics all over Ten Forward.

Take your Prime Directive and shove it up your hatch! We on this podcast (who am I kidding; it’s mostly Chris) have a certain skepticism about the Prime Directive sometimes, and it’s usually the CMOs of their respective shows that get to question it most blatantly. Pulaski sure does in “Pen Pals” because screw the prime directive in this case! When a whole planet is on the line, Pulaski is the conscience that we all need!

Forget me, forget me not This is one that could have gone in either the Top Moments or the Worst Moments list because, face it, mind wipes are horrifying. But I’m gonna give Pulaski the win for erasing Sarjenka’s memories in “Pen Pals” because it’s impressive as hell. And she uses it to kinda-sorta stay within the Prime Directive that we just shat on. Plus she let Sarjenka keep the singing rock!

You’re still the Captain. Invincible. I’m still not certain what Chris was getting at about Pulaski’s letting Picard avoid the heart treatment he’s been neglecting out of sheer vanity in “Samaritan Snare,” but I’ll do you one better: she winds up fixing his stupid ticker for him in the end anyway! And is the grouchy little man thankful afterwards? Not even a little bit! Pulaski gets no respect, I tells ya!

Quote me a little of that poetry While you’ll see in just a moment that Pulaski’s views on Klingons were initially unkind, by “Up the Long Ladder,” she’d bonded with Worf enough that she was willing to engage in some Klingon rituals. She goes out of her way to concoct an antidote so she can take part in a poisonous tea ceremony with him, which is above and beyond (and also fuels some shipping), and she also keeps Worf’s measles a secret!

Bust him up, Data! In “Peak Performance,” it’s Pulaski who sets up the Strategema match between Data and Sirna Kolrami, and she ends up feeling really bad for goading him when he loses to that smug Zakdorn prick. So it’s that much sweeter that she’s there cheering him on when Data thinks outside the box causes the stalemate, telling him that in that way, he did indeed beat him!

Feelings of warmth and friendship What a shame that the last episode we got with this amazing character was one of the most infamously bad. But none of that is on Pulaski because she’s actually on full display in “Shades of Grey,” partly because she’s one of few characters in the non-clipshow scenes. But she (and Troi, as I brought up last week) pulled out all the stops to save Riker’s brain from certain doom.

Pull your head out of your ass! Okay, this last one’s not canon, but I just couldn’t help including this plug to go read Caitlin’s fanfic “The Pulaski Maneuver”!!! Or listen to it on the podcast back when we wrapped TNG with our episode “Tales from the Holodeck.” Pulaski finally telling Geordi everything that he’s deserved to hear might be my favorite moment, and it’s so in her character that I say it counts!

—

Worst moments

The cold hand of technology Most of Pulaski’s negative personality traits are going to circle around her treatment of Data as a piece of equipment and not an individual. In her introduction episode, “The Child,” one of her early interactions with Data is to tell him he’s not wanted in the delivery room because he lacks the human touch. Lucky for us, Troi sticks up for him and he gets to watch her whelp an alien baby.

One is my name; the other is not Shortly afterwards, still in “The Child,” we get one of the fandom’s most hated moments from Pulaski when she not only mispronounces Data’s name, but doesn’t seem to understand that doing so is rude and problematic, instead deciding to put the onus on him for being capable of offense. It’s a tough moment for fans to accept, and if that were the level of bigotry her character stayed at, I’d understand why so many Trekkies dislike the character.

I’m not accustomed to working with non-living devices More growing pains come from Pulaski in “Where Silence Has Lease,” in which she refers to Data as “it” and Picard has to gently correct her. We’re two episodes into the season at this point, and Pulaski is still finding it difficult to accept the personhood of this fan-favorite character, something viewers pretty much got on board with in episode one. At least she apologized.

The mystery of the lack of any mystery Here we are, three episodes in when we reach “Elementary, Dear Data” and we see more of Pulaski judging Data for being incapable of thinking creatively when he solves Holmesian riddles. We may have blamed Geordi for accidentally creating Moriarty when we covered his character spotlight, but it was definitely Pulaski who goaded them on in the first place.

Medical research is sometimes a risky business While we may have praised her above for not putting everyone else at risk when she released the augmented child from his wrapper in “Unnatural Selection,” Pulaski was still dead wrong about the experiment being at all safe. She still got contaminated by the fast-aging disease and was resigned to her fate until Picard and O’Brien were able to transport her back. Speaking of which…

I’m a doctor, not an original character One rather understandable complaint we can see in the Pulaski character is that she’s just Dr. McCoy in a skirt. Which may not be a bad thing, per se, but when we see her racism against the outsider character, her Bones-like irascibility, and even her specific fear of transporters in “Unnatural Selection,” we start to wonder if the writers couldn’t have been a little more original.

I’m just glad that humans have progressed beyond the need for barbaric display We get a couple glimpses that Pulaski is a little repulsed by Klingon culture throughout the show. First, in “A Matter of Honor,” she’s grossed out by Klingon cuisine and calls Klingons barbaric, and not in the way Klingons would probably like. And she also gets a little smug after watching Worf’s Age of Ascension ceremony in “The Icarus Factor,” which she seemed pretty judgey about (but hey, at least she went!).

Quit cloning around! We gave Riker some guff for this as well in his character spotlight, and there’s enough guff to go around to give to Pulaski as well for their actions in “Up the Long Ladder.” Sure, the clones were made of them without their consent, but to take matters into their own hands and murder these people without discussion is not the Starfleet way.

Never to be heard from again… Obviously the worst character moment for us is Pulaski leaving the show after just one season. Notice how most of the bad moments come from earlier and the good moments are mostly from the latter half of the season. That shows how much the character was getting better, even in the rough first couple seasons of the show (you’ve heard our coverage of Chaos on the Bridge, right?). And while many celebrate the return of Crusher, we still have to wonder what the show would be like with more Dr. Pulaski.

—

And just like that, she’s gone and so is this blogpost. Keep following along because we’ve got another doctor of the Enterprise-D to discuss next week, and it’s not Selar! We also hope you’re making the schlep through Enterprise with us as we cover the whole thing over on SoundCloud or your podcast platform of choice. Wave your medical tricorders over our Facebook and Twitter pages, and get the pronunciation right: It’s Data, not Data!

[katriniac]

I will never EVER stop loving the view of naked branches against blue skies.

My little 10 minute walk turned into almost 45 minutes because I stopped so many times simply to stare up into the bare trees.

I know most people don't like this part of winter. The snow is dirty, the melting piles reveal dog poop everywhere, the patches of grass are brown.

But that's why you should look up.

Not down.

Gaze at the beauty of gray-brown against pale blue. Study the way the branches arc and stretch across the sky.

[ballparksaroundtheworld]

Calfee Park, Pulaski, Virginia, USA

[unteriors]

Phillips Street, Pulaski, Tennessee.

[mandatory-blog-stop-asking]

Moriarty (TNG) as good AI Art

I got to Star Trek The Next Generation season 2's Elementary, Dear Data in my rewatch and I couldn't help but notice how the holodeck actually nicely represents the current state of AI art in its process to create Moriarty.

At first, Data and Geordi ask for a "Sherlock Holmes mystery", so the holodeck simply provides one, verbatim -- Data has obviously already read it, and so he immediately solves it. Geordi is furious and leaves immediately, because Geordi doesn't have great characterization in the show proper, and lives in our heads as a better character.

But the point Georgi tries to make eventually is that this isn't a "real" mystery if Data already knows it, and it goes kind of unspoken that the Holodeck didn't create anything new, it just regurgitated what it has without any remixing or any real reason to go through it again.

Then Pulaski gets involved and tries to prove Data can't really do anything novel -- they ask the Holodeck for an original mystery "in the Holmesian style", and what does it do? It just copies and pastes different portions of Sherlock Holmes novels into the same document, and makes it a "new mystery", while still clearly being just a hackjob made in a hurry with no sense of aesthetics or direction.

While it might have been enough for Geordi or Pulaski, Data is a machine that can recognize patterns much better, and he immediately understands that this is just a combination of patterns he already knows, and once again he immediately solves it because he knows the original mysteries. But this time, Pulaski points out: this is a fraud! This is not what a real story is like! Holmes would never do this, he would actually think about the novel stimuli reaching his brain!

And I think it's really interesting how Data, a fellow machine, cannot immediately tell what Pulaski is saying. Because for Data, aesthetic don't actually make that much sense, at least not in season 2. He can't tell a good story from a bad one made out of different pages of different stories, because for him, it's all about patterns. Just like the Holodeck, Data does think this is good enough, and confronts her about it. I mean, what else is the Holodeck supposed to do other than recombine what already exists?

It's not until Geordi stops asking the computer to make a story and instead asks for the computer to make a character that the plot actually moves forward, because at that point they're dealing with emerging narratives that arise from the fact that Moriarty is now a hyper-intelligent AI that is free to do its own plans, regardless of what Sherlock Holmes story he's from. While Moriarty may be a repetitive character, his new reactions are not, and that's good enough that it becomes a massive problem that threatens the safety of the ship.

Before, when it was being asked to make derivative art, the Holodeck performed exactly to task -- but the result only really worked on people who either 1) did not understand art at a deeper level than the superficial, and 2) did not know the original art that well. The art that it spat out was valid, it was working, it was logically sound and fit together more or less well enough.

Pulaski, however, immediately understood that this result was inferior to the sum of its parts. She respects the character of Sherlock Holmes; she goes on a little explanation about the character's relationship to the human soul and how that's the actual point of the books, as opposed to just the simple puzzle boxes that Data (and, to some extent, the Holodeck) seems to believe they are.

And I just think that's just a poignant take that easily translates to the current state of art and artificial intelligence -- there is actually no value in derivative AI art that simply copies and pastes parts of other pieces of art into one straight line, regardless if it's an image or a story or anything like that. Yes, you can get some praise from people who either don't care or aren't familiar with the originals, but people who are actually into the art form -- the ones who have proven they are invested and are ostensibly the ones you're trying to catch as a steady audience -- will recognize and be bored by the result. There's no rhyme or reason to how a machine adapts a story into another, there's no aesthetic sense that makes it interesting to the human psyche. It's just a fast food version of art that doesn't really do anything for you, and you'll forget it in five minutes. Pulaski is not offended by the attempt, she's positively amused that an AI tried its hardest to make a Sherlock Holmes story, one of the most by-the-books and predictable mystery formats known to British literature, and the best it could do was just copy what's already there.

But when it's just a collection of ideas and vague directions that then go forward on their own, that's different. Moriarty is not an AI creation of the Holodeck -- he was given a push and then allowed to go wherever he wanted. He was not even a proper villain by the end of it; the combination of things Moriarty was resulted in a curious, driven, machiavelic yet ultimately sympathetic man, who just wanted to continue living and creating his own, original story, not based on anyone else's. The Holodeck's greatest achievement wasn't making an original story, it was making someone capable of doing that on their own, without having to refer to anything else.

There are entire Youtube channels right now that make a lot of bank by using these emerging language models to help them tell a story -- DougDoug has dozens of videos of him and his chat going on wild adventures aided by text AI that doesn't actually write a story for them, but instead simply provides direction for them to make their own decisions and their own stories. It's a genuine way to improvise and give the onus of planning to something else, especially when the story isn't the point, but the experience is -- just like the Holodeck!

I'm not saying AI art is eventually going to reach that point by itself, but I do think there's something to be said about just hitting random on a trope generator that gives you, the author, different ideas so you can write a story yourself; or even just rolling the die to see what happens to your characters as opposed to painstakingly arranging your story like a hand-made garden.

Star Trek constantly showcases characters like Data, Moriarty, The Doctor or Zora as more than the sum of their parts, and it's always because they are able to be more than simple reorganization of previously experienced stimuli. They are able to make choices that don't have to happen, but that they want to happen.

Don't get me wrong -- AI Art, as an institution, is corrosive acid and will kill entire industries. But the fact we skipped straight into the hellish capitalist version of that means we never got to fucking play with it. We never got to just use it as a stepping stone or something to unclog the sink when you have writer's block. Instead of going in random adventures with a Moriarty who can actually react and develop something akin to a character, we're getting a thousand offers to buy books that are just combinations of different novels on Amazon, with no way to really filter them out other than our own eyes.

I just wanted to hang out with Moriarty.

[capsfromtrek]

[bumpposting]

[shroompunk]

i'm gonna hate myself tomorrow, but i love myself tonight 🎶

my D&D party after 3 years, here's to the final stretch of the adventure and getting out alive!

ID: Digital illustration of a large group of characters in a crowded bar atmosphere. In the foreground, a gnome stands on top of a pool table attempting to play golf with the pool balls while a screen-faced robot stares in disappointment at his actions and the drink-littered pool table. At the sober table to the left, a robot with a triangular screen face holds up a blue mote of light while another robot with a circular face gazes into the light from inches away with a magnifying glass. Behind them, a cyborg bird man tries to get an elfish woman with deer-like features to dance on the tables with him against her wishes. In the way back, a massive green dragon leans against a too-small table holding his head in discomfort, presumably caused by the massive collection of empty liquor bottles at his feet. A bronze dragonborn sits on one of his arms and grips one of his fingers with both hands.