#Queen Asha

[sakuraswordly]

Punch: If this world is going to be as peaceful as possible, I have to get rid of people like you. Even though this makes me a bad person. Well, I hate you. The world isn't fair, I know that. Actually, we are not different at all.

King Magnifico: Why aren't you walking the same path as me if you're not different from me?

Asha: Punch's always cares about others around her even though she hates everyone and is selfish and arrogant. That's what make she's different from you!

Punch: Asha....!

Asha: Now I've got all of this freedom in my bones, but I've still got the lid on so it doesn't overflow. That's why....

Even King Magnifico had a hand in ruining Mother Punch's life. However, when King Magnifico found out that Punch and him are enemies, but their lives have been similar, he became even more concerned for Punch. There is no difference between their hatred and revulsion for this world

In the finale, Asha, she becomes a great queen, uniting the entire country and continuing the work king Lelouch left behind.

[adventuretolkienlover]

Honestly, this make me so sad. I would have preferred this story so much. THIS feels like a love letter to Disney's past. I'm sure others will have their opinions on it. But this pretty much sums up mine.

(I kinda hope they'll do a remake someday with this instead. That's probably wishful thinking. But hey! I can dream. Lol.)

EDIT: People seem to think I mean a live action remake. I don't. I mean I would want it completely done over. That's a bit out there, but like I said, I can dream. It's just my fantasy.

[danygn]

I will protect you, at all cost 🤍

[salmonpiffy]

Disney's Wish poster redesign

The composition was referenced from Stardust (2007) poster because that movie is about the star character who falls from the sky and meet the main human character just like Wish's early concept.

Original poster below

[terrythemerry]

I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.

So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.

(Spoilers below)

King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.

When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.

It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.

However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.

This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.

When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.

Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.

After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.

Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.

When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.

His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.

Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.

The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.

Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.

Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.

Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.

I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.

Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.

[praisethelorde]

I hope Cardan told Jude what was in the letters and I hope Jude told Cardan that their mothers were best friends.

[starsha-stardust]

I got the Wish artbook!💫

here r some pages of my fav characters:

[hah-studios]

More Wish Art:

1: Star and Asha's first kiss, inspired by the kiss scene from Aladdin

2: Tried drawing Magnifico and Amaya as the villain and we COULDVE had a couple vs couple conflict, think about that.

3. With Star being mute this would be a great chance to have a disney main lead who talks through through sign lanuage.

[ghostguts]

Right in the gate, this is probably unexpected from me. But i have an AU brewing in my head where practically everything is the same except Asha DID become Magnificos' apprentice, learning some magic from him, meanwhile watching magnificos descent into power fueled madness before taking action against him in similar fashion to the film. Star is still there. She just knows more about magic in this one. For fun.

I thought a good way to show this idea was to give her a similar color pallete to the king and queen. Anyways. Enjoy :,]

(As always, reblogs are greatly appreciated)

[uva124]

I know that all the storyboards they showed at the end of the wish documentary were what got the most attention, but can we talk about the storyboard for the song "This wish"?

(I will definitely use this as a reference when I anime "This wish" KOW version, this scene reminds me too much of a part of @annymation rewrite when Asha is also looking for a star)

The petals and the wind *chef kiss*

I love this storyboard (If anyone knows the name of the artist who made it, please pass the name)

DISNEY SHOW THIS STORYBOARD COMPLETE PLEASE

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[sakuraswordly]

Punch: You see....because I chose this path, I am no longer a human anymore. This right arm is the proof.

Asha: Even though you are not human from the beginning, you still Punch the one our classmate the one who helped me back then. You accept me the way I am.

Dahlia: Asha was right. You're perfect the way you are Punch.

Derora: You're non-human but your heart doesn't change what you care for us.

Punch: Even you know that I hate humans.

Derora: And don't you think I hate humans in this era too? Both me and Sam.

Punch: One day I may betray your trust and wipe out humanity.

Danny: Do you think this is the first time a non-human has ever done that, "wipe out humanity"?

Punch: Shhhh....Danny?!

Derora: Everyone has sins since the day we were born. We make many sins but some of their heart are always clean even if they commit many sins.

Danny: .....................

Derora: A major sin, according to Islamic beliefs, means a sin that must be punished. The result of major sin is that the human spirit is erased, meaning that man loses his pure, original spirit. It weakens the desire to do good by turning it into an increased desire to commit other sins. This is what happens to you, Danny, I know well. But According to the essence of Islamic teachings, it is considered A person who commits a major sin and does not repent is evil. Both you and Punch are not evil. ﴿إِنْ تَجْتَنِبُوا كَبَائِرَ مَا تُنْهَوْنَ عَنْهُ نُكَفِّرْ عَنْكُمْ سَيِّئَاتِكُمْ وَنُدْخِلْكُمْ مُدْخَلًا كَرِيمًا﴾

Punch: Thank you for forgiving our sins, Ms. Debora.

Sabino: You deserved to be free no matter how many sins were. This is what friends are for.

Danny: Friends huh.......humph

[pickypickypeak]

So I FINALLY got the art of wish book which is so so good and? I’m honestly a little surprised that the only things that got leaked online were the starboy and evil amaya concepts when it’s literally filled with gems? Here’s a few but first let me tell you, the art alone makes it worth it. It’s amazing

THE HAMLET! LET ME TELL YOU ABOUT THE HAMLET!! Apparently in an early draft Asha and her community had left Rosas and started living hidden in the forest so their wishes could be safe from Magnifico. This hidden place was called “The Hamlet” and it still exists in the final movie, though it’s just a part of Rosas and doesn’t have the original lore. I really hope this trope gets reused for a future Disney movie because it’s a really cool concept!

Live action Valentino??

Some Sakina dump because I love her (also meet Tomás)

Oh and you know the wishing tree in the movie? It’s based on Walt Disney’s own actual wishing tree?? Wtf???

Also there’s a whole 2 pages about Dahlia explaining how much effort and care were put into her creation as a character with a disability. They actually had consultants making sure that ANY form of representation felt authentic and positive. They did not just made the cast multi-ethnic, they actually did their research so that any culture was well portrayed, all the way to the littlest details like textures on their clothing or even each character’s way of greeting.

And about the animation not being fully 2D… Haters conveniently forget mentioning that the movie is expressly made to celebrate both the past AND future of WDAS. Then like it or not, but you can’t possibly celebrate all of Disney without CGI animation. CGI is also Disney. Tangled and Frozen and Moana became instant Disney classics. I would die for a traditional animated movie, but when you put it this way, it makes perfect sense to me that they went with hybrid style for this movie specifically. It just feels right.

Also going through these pages… you just feel the love the producers and animators put in every single reference to older classics. Animation techniques were literally inspired by actual frames from Snow White, Pinocchio, Fantasia, Cinderella, Sleeping Beauty and Peter Pan. So were coloring techniques, lighting, cinematography… There was a breathing effort of paying homages to these movies with tremendous talent in them, while also creating something new. So hate on this movie as much as you want, but mind you calling it “AI-made”. It’s not. It’s made by humans.

Oh, and finally, Starboy. Well, yeah, I fell for it. People literally made it all up. There’s zero indication that he was gonna be Asha’s love interest, let alone be the one singing At All Costs instead of Magnifico. From what the book says (there’s literally two short paragraphs about him, before Star comes in) I think they didn’t even have a plot then, they were just exploring ideas and made some brainstorming sketches deciding how Star could have been. Same with evil Amaya! That one pic that leaked of her with Magnifico is all we got. There’s no indication that it was gonna be “a better movie” because there is no plot for that lol

[sylvieserene]

WE WERE ROBBED 😭😭😭😭😭😭

In the "Making of Wish" documentary, they stated that they cut out this scene and Star Boy mainly because Star Boy was apparently "too similar to other Disney characters" and that they wanted Asha to "solve her own problems by herself without anyone's help"

This is so hypocritical... Asha in the final film was literally just an amalgamation of the "Adorkable" Disney princess character trait and....THEY ACCEPTED THAT THEY WENT "WOKE"

In the movie, Asha ends up taking help from others anyway so it wasn't about "help", it was more about removing Star Boy and Asha's romantic chemistry. This 5 minute clip gave me more feels and actual goosebumps than the final Wish movie.... This is further proven as to why we didn't get the evil royal power couple 😭 They couldn't display romance actively if at all in woke culture and God Forbid, a female being evil and being deeply in love with her husband?!

They knew they can't keep the royal duo evil because then their agenda would die out

The "It just wasn't working" was a total excuse and a lie.

Seriously there's this another scene with evil Amaya and Magnifico and...They are threatening and elegant af AND THE CHEMISTRY WAS JUST 😭😭😭😭

We were robbed man....we were robbed....

[salmonpiffy]

My interpretation of Wish (2023) Part 2

I decided to change Asha and Star design a bit, hope you guys ok with this one.

[ihrtmichael]

Long live the queen!

Wish (2023) dir. Fawn Veerasunthorn, Chris Buck