#RAD Designer Studio

[rad-designer-studio]

Elevate Your Style with Designer Wear for Men: The Ultimate Guide

When it comes to men's fashion, there is a wide array of options available in the market. However, if you truly want to elevate your style and make a statement, designer wear for men is the way to go. In this ultimate guide, we will explore the world of designer wear for men, focusing on the renowned RAD Designer Studio.

Embracing Designer Wear for Men

Designer wear for men offers a unique blend of quality craftsmanship, impeccable design, and attention to detail. These garments are created by talented designers who understand the nuances of men's fashion, ensuring that you not only look stylish but also feel confident in your attire.

RAD Designer Studio, a leading name in the fashion industry, is dedicated to providing men with an extraordinary collection of designer wear. From tailored suits and shirts to trendy streetwear, their range of offerings caters to various preferences and occasions.

Quality and Durability

Designer wear is synonymous with exceptional quality and durability. These garments are made from top-notch materials, ensuring longevity and resistance to wear and tear. By investing in designer pieces, you can build a wardrobe that stands the test of time, saving you money in the long run.

RAD Designer Studio prides itself on using premium fabrics and materials in their creations. From luxurious wool suits to comfortable cotton shirts, their attention to detail and commitment to quality is evident in every stitch.

Conclusion

If you're looking to elevate your style and make a lasting impression, designer wear for men is the way to go. RAD Designer Studio, with its exceptional collection of designer garments, provides you with the opportunity to unleash your style potential and redefine your fashion game. Invest in quality, embrace sophistication, and make a statement with designer wear for men.

[catandravendesigns]

Soaper's vlog #86! How our Black Friday/Cyber Monday went!

[camelidae]

Art tour of my room/studio! I caught the bug for buying little pieces from other artists to brighten up my space a few years ago – it’s addicting! (and wonderful!) I want to make sure I get everyone’s names in here (at least the ones who have an online presence), so be ready for a long post! 

It always feels a little ignomious hanging art in my bathroom, but I get distracted brushing my teeth a lot so it’s important there’s nice stuff to look at! I love my big crocodile print by Amanda Myers so much. He’s so Green and so lovely and he has so many teeth to contemplate while I brush my own.

I felt a little bad putting this magnificent tiger by Paleopanthera (paleopanthera.com) above the toilet, but the colors just work so nice and it makes my bathroom look so rad ;~; Do you think the tiger’s mad at me? Does he look mad?

I got this little scrollwork shelf from ScrollSawArtbyBC (etsy) and I love it so much! Makes a perfect little nook for my sink things~

And who is this peeking out from some of my nature treasures? Why it’s one of Becca Jane’s little blue snakes (BeccaJane.com). One day I’m going to save up my pennies and buy one of her big beautiful platters and on it I will serve the prettiest of pastas~

Also adorning my nature shelf is this beautiful mix-media plaque by Cephasparagus (insta). She also seems to adore collecting little bits of nature like an aesthetic magpie - my kind of gal!

I have a bevy of these little animal prints by Amanda Myers (Admers on etsy) on my walls – I love how combine with my pressed leaves and flowers to bring that "forest hermit" vibe I've always strived for.

The stained glass folk flower piece is from Leadleaf_ (insta) - it really makes my little terrarium corner look cozy and magical!

I got my Artistic License and my Poetic License from Kenspeckle Press (kenspeckleletterpress.com) - they didn’t even make me take an aesthetics test or metaphorically parallel park. (Plus another beautiful thank you card from Amanda Myers.)

The little kitty mug from Heikala (heikala.com) is what I drink iced cocoa from almost daily. I like how the ice clicks on the enamel <3

I still maintain that the embroidered flower pendant from DandelionDoiley (etsy) is the cutest thing that I own. Feels like holding a jewel! And the Hope pendant from BonbiForest (etsy) is such a lovely design with cheerful colors <3 The hummingbird I got from a local artist on a trip to Yellowstone, and the gold pendant is from a local artist where I live!

[d-criss-news]

darrencriss: March Radness — @ voguemagazine Writer: Lisa Wong Macabasco Photographer: Norman Jean Roy // @ normanjeanroy Fashion Editor: Edward Bowleg III Entertainment Editor: Keaton Bell // @ keatonkildebell Hair: Edward Lampley // @ edwardlampley Hair and wig design: Craig Franklin Miller // @ incraigible_hair Makeup: Kuma // @ kuma1206 & Suki Tsujimoto // @ sukitsuji Costume Design: Clint Ramos Tailor: Jacqui Bennett at Carol Ai Studio Tailors Produced by: BOOM PRODUCTIONS INC

[rizdoodles]

Damn, I was digging through my old files, and I came across my old Vroid Studio model with a Heartslabyul jacket I had designed ＼（〇_ｏ）／

Bonus: the RAD uniform lol (obey me!)

[radicallymaxton]

pinned post :)

Hello! I'm Matt (they/he) | 25

I'm an illustrator, character designer, and comic artist. I've done work for Powerhouse Animation Studios, worked on Invincible, collaborated with Webtoon and DC, and worked on some other cool stuff here and there. And maybe you've even seen some of my stuff online and if you made your way here: WELCOME!

This is mainly my personal art blog where I post whatever it is I'm currently doing. Be it Elden Ring brainrot fanart or the once in a blue moon comic. I love dark fantasy, retrofuture sci-fi, and a healthy dose of horror. It's a cool and chill time here in my corner of the interwebs. And if all that sounds like your jam then I hope you like what you see and enjoy your stay!

FAQ:

What tablet and drawing software do I use?

Tablet: Huion Q11K

Drawing Program: Clipstudio Paint EX

Who are your art inspirations?

Shigenori Soejima, Tatsuki Fujimoto, Kentaro Miura, Bill Waterson, Robert Bugg, Katsuhiro Ottomo, Laura Park, Ami Thompson, Moebius, Chris Samnee, Dan Mora

Can I repost or use your art? (ie. profile pictures, video edits, etc.)

I don't mind as long as I'm CREDITED. PROPERLY.

Can I draw your OCs?

Yes!!

Who are your characters

RAD/RM7, Hikari, Kenji: together they live in a world of their own where life has ended but a new one dawns the horizon.

Elijah, Clyde, Geth: what happens when the pursuit of everlasting life goes horrible wrong?

What brush are you using for lineart?

This one :) go nuts

And I think that's about it! If there are any other questions that I didn't answer I'll be sure to edit this post but that's all for now folks!

If you are so inclined you can find me elsewhere here

Thanks for enjoying my art and characters :)))

[tom-is-online]

Project Sekai x Pokemon AU (base ideas)

i have brainrot heres my scraps i gots whilst i revise for my mock exams, ILL BE BACK POSTING ART SOON I PROMISE when i get more for this cuz i will cuz its living in my head ill post it and when i have enough ill make a big post with em VBS sketches for designs I have in mind for them

Sketch concepts - im also gonna be real loose with the typing of the teams its more of a theme than a set in stone type

VBS

I want VBS to be double battle experts with their partner, they have matching pokemon and everything and build their teams on each other. Trying to surpass the RAD WEEKEND Who are the best trainers in the area

NIIGO

The main basis for NIIGO is i want them to not be fighting but instead be the other areas of pokemon: Kanade = gen5's music gimmick + pokedex Mafuyu = Pokemon centre nurse (she broke the nurse joy cycle) Ena = pokemon snap and pokemon art academy. do you see the vision. Mizuki = THEYRE THE PROP MAKER FOR SHOWS. they do costumes and make props and will find weird items for you if asked

id also like to add the idea of them making a pokemon anime or mv still honestly not sure what they do as a group but that's the best i have rn :)

OTHER GROUPS I HAVE NOT DOODLED YET!!!

Leo/Need - wants to become the new elite four! they might also find some legendaries along the way

More More Jump - pokemon contests!!!

Wonderland X showtime - POKESTAR STUDIOS. if youre not aware what that is, they make films. they have robots and actors and its awesome. Rui makes the robots btw

i wanna make a ver of this with the finished ones kinda like a pokedex entry i wanna fuck around a bit with them and make ones for the other characters I want the Mikus to all have a cosplay pikachu based on this i made last year - might make my own miku designs based on voltage tho :)

+ this i made last year

PLEASE LET ME KNOW WHAT YOU THINK AND IF YOU HAVE ANY OPINIONS FOR ANYTHING LMK LMAO THIS HAS FULLY TAKEN OVER MY HEAD HELP

also. if anyone has ideas for tsukasa tenma. send em my way. i cannot think of anything for that man

[the-valiant-valkyrie]

Hai hai i know this is a teensy bit of an odd ask and idk if we've sent one like it before however ugmhb we're currently looking into going to uni to get a degree in something along the lines of game art/concept art/illustration and from your experience what is that sort of environment like? Obligatory I'm from the UK so there will be differences between uhgmm how that works but youknow. Trying to figure out what to do after I leave college <- perishes

okay, so i'm in game design/recently swapped to interactive narrative, so i'm not sure how much of this is going to be similar. i'm coming at this from the perspective of someone in my school's game studio, occasionally rooming with game art students. regardless, i hope this advice is going to be useful anyways:

from my understanding, the most important thing that people are looking for when it comes to hiring people into the games industry is your collaborative ability. lots of people think about game making as an idea in their mind that they and they alone translate onto paper. and that simply is not the case. things will pass between hands all the time. feedback will be given and expected to be received. you will have So many more meetings than you're expecting to have and they will probably be pretty long.

hirers are going to want to know that you can work with a group. prioritize figuring out the sorts of people you can gel with. make sure you have something for a portfolio that demonstrates your teamwork. i would say something like a MAP or a Zine would be a good example of that that someone might have outside of school, but i imagine the curriculum should give you something like that to add to your resume regardless.

speaking of MAPs and Zines, they're a really good example of another important thing: people want to know that you can do things in a timely manner. it's one thing to have a beautiful roster of concept art and visuals, but if they took you a year each to do, no one's going to want to hire you. projects that demonstrate you can produce good work in a timely manner are a really good look for you. i would say things like speedpaints would be a good thing to have on a personal website/portfolio to demonstrate your workflow in that regard.

i am realizing that i am accidentally talking more about career prep than the college experience um. that probably says something about me. that i'm not going to get into right now.

i would say this: seek out a school that you think will give you not only the lessons, but assignments that bolster your resume so you'll have something to help you get a job out of college. lots of people say "school is a scam because you can learn things outside of it", which is true, but the benefit of school is having a safe and structured environment to not only learn, but to prep yourself for the future.

honestly, every game artist i've met has been rad as hell. they have a pretty rigorous class schedule, but i think we all have a pretty rigorous class schedule, so i don't think that's anything standout.

my solitary warning would be, if you're fem presenting, watch out!!! the game industry is very male dominated, and even at my school that boasts inclusivity and acceptance for all, all of my teachers are male, and many of them are misogynistic. i've heard from my advisor that there are teachers who pull cis male students aside and tell them that they aren't cut out for the career field because they have 'feminine' habits or mannerisms. you're going to have to pull your weight and stand your ground.

[hazelcephalopod]

I’ll admit I am extremely biased. Anyway here’s my longer review. I give Venom 3: The Last Dance “Til Death do us Part” 8.75/10 stars and 13/10 fun stars. This movie is adapting so much from the comics with its own spin appropriate for what is imho, simply an au movie run of the comics.

I do not go to Venom movies for the plot. I go to them to watch sweaty depressed Eddie Brock go thru situations with his situationship partner who happens to be a large alien shadow puppy who loves violence and has extremely low impulse control. This ADHD couple is here to bring me 2 hours of chaos with a three stings attaching the scenes together. I am here to see as many comic Easter eggs as they can cram in and keep plenty of room form Venom/Eddie antics.

That the there is a coherent plot is a bonus. And it’s coherent. Eddie and Venom have to go on the run from the cops -for murder carnage did- and Venoms evil father, Knull, who wants to destroy them and use the magic power of their love to release himself -it was cemented when Venom brought Eddie back to life in the last film. Knull sends his evil creature daughters, whose design invokes various giant insectoid aliens (btw 10/10 on that design) who eat symbiotes -called xenophoges btw. The government is also hunting them for the crimes but more bc they want to control symbiotes and have Chiwetel Ejiofor as Mr military man named Rex, and his lesbian scientist coworkers. One loves Christmas pins her mom makes her and the other has a lightening scare that immobilized her left arm and killed her genius brother. They love symbiotes probably more than people, this annoys Rex. Eddie has decided he doesn’t want to stay in Mexico Bc fuck that, instead he makes the terrible decision -as he is extremely self destructive with his own side of very impulsive- to go to NY. Where he has been banned, but he’s got dirt on a judge he plans to blackmail to solve his problems. On the way he meets a family of hippies and has the most heartwarming scene with their young son. I won’t tell you more that’s the first half of set up, go watch and finish reading this post. I loved every second. I keep saying this movie is actually relishing being a comic book movie and doing it well. This one is for comic fans as well as fans of the franchise. I can’t help anyone whose not into that. Bye!

Strange hippy ufo enthusiast family is an “absofuckingly yes” from me. Lesbian science partners was a hit, I hope the one lady gets a new symbiote soon and they can become anti-hero polycule wives or something. Ghost symbiote was another hit, that’s rad! Do it again! I don’t need to know anything else. Knull and his evil daughters who eat symbiotes in that monster fucker heaven beautifully rendered dark realm was an unexpected and fantastic treat. For me! Mrs. Chen remains on top.

Parting and Tragedy only makes love stronger. The reason they are saying they have to end it here is bc they need ten years to convince Sony to let Eddie and Venom make out and declare their love. And then to convince them to let them get married and give birth to symbiotes. Bc that’s all it’s missing and I am not surprised I know how these studios work. They’re cowards who think they can appeal to more demographic but that’s lame! You can’t make everything for everyone. Appeal to the demographic you’ve got and they’ve got monster hunters and others into Venom for a variety of reasons too long to list. Appeal to the freaks we want this plz.

Anyway. I had a great time. I’ve written the resurrections and reunions in my heart already.

[sillyname30]

darrencriss: March Radness — @voguemagazine Writer: Lisa Wong Macabasco Photographer: Norman Jean Roy // @normanjeanroy Fashion Editor: Edward Bowleg III Entertainment Editor: Keaton Bell // @keatonkildebell  Hair: Edward Lampley // @edwardlampley  Hair and wig design: Craig Franklin Miller // @incraigible_hair Makeup: Kuma // @kuma1206 & Suki Tsujimoto // @sukitsuji Costume Design: Clint Ramos Tailor: Jacqui Bennett at Carol Ai Studio Tailors Produced by: BOOM PRODUCTIONS INC

[rad-designer-studio]

Top 10 Must-Have Designer Pieces for Men's Fashion

When it comes to men's fashion, having a collection of designer pieces can elevate your style and make a lasting impression. Designer wear offers a unique blend of sophistication, quality, and attention to detail that sets you apart from the crowd. The top 10 must-have designer pieces for men's fashion, with a special focus on accessories, and the renowned RAD Designer Studio.

Leather Jacket

A high-quality leather jacket is a timeless staple in men's fashion. It adds a touch of rugged sophistication to any outfit and can be paired with both casual and formal attire.

Tailored Suit

A tailored suit is a must-have for any man who wants to make a powerful impression. Whether it's for a formal event or a business meeting, a well-tailored suit exudes confidence and professionalism.

Classic White Shirt

A classic white shirt is a versatile piece that can be dressed up or down. Look for a designer version that offers impeccable tailoring and high-quality fabric.

Designer Wallet

A designer wallet is a small accessory that can make a big impact.

Statement Belt

A statement belt can instantly elevate your outfit and add a pop of personality.

RAD Designer Studio is a renowned name in the fashion industry, offering a remarkable collection of designer wear and accessories for men. Their range caters to various preferences and occasions.

In conclusion, investing in top-notch designer pieces can significantly enhance your style and make a statement in men's fashion. Whether it's a leather jacket, tailored suit, or stylish accessories. Explore the collection at RAD Designer Studio.

[gaykarstaagforever]

Big Trouble in Little China (1986)

A troubled production that released to such audience apathy that John Carpenter vowed to never work for Hollywood studios ever again, it is now widely considered possibly his best movie, and an action-comedy classic that only 1980s Hollywood could produce. High praise indeed.

I never saw it before now, because it was one of those movies that my Gen X older cousins wouldn't shut up about, and they were bullies and idiots. Plus, as much as I like kung fu movies and screwball comedies, any clips of this I've seen over the years looked like sarcastic nonsense, like some "serious" filmmaker making fun of cool crazy things they don't appreciate. I was prepared to be disappointed.

I was not. This movie is goddamn delightful.

What I didn't know was that W. D. Richter (professional script doctor and director of Buckaroo Banzai) "adapted" the script from the orginal, which most people involved classify as a terrible "cowboys battle Chinese demons" thing that was literally written by guys who had no idea what they were doing. I've gotten into actual fights defending Buckaroo Banzai, a movie almost entirely defined as a good, fun movie based on a wilfully confusing mess of a script. I would daresay the ONLY reason BTiLC works is because Richter dragged it over the conceptual finish line, with Carpenter doing his magic to make that into a coherent 90 minute movie with a reasonable budget.

Absolutely none of this should work. And it obviously still didn't, for most of the general audience.

The plot is simple enough - an ancient demon warlord who has been cursed to live as an increasingly-decrepit old man finally has an opportunity to break the curse, and then conquer the world with his not-so-secret army of kung fu wizards. And it's up to small-time Chinatown hustler Wang Chi, his friend - blowhard freelance truck driver Jack Burton - and their gang of misfit friends, to take him down. But all this is just a framework on which to hang constant digressions into goofball exposition about Chinese mythology, chaotic street fights between thugs and kung fu gangs and wizards, and then everyone is running around a neon maze filled with demons and monsters and guns. It feels like a movie written by a white 14 yo who just watched his first Young Jackie Chan movie, and is copying the bad translation verbatim, but with himself being there to crack wise about how weird and cool this all is.

Is this movie racist? I don't know. Probably. It is at least racially insensitive, and willfully inaccurate about...everything. But everything, from the production design and acting and direction, is so gleefully excited about the total radness of it all that it comes across as stupid whizbang fun.

And it isn't without progressive elements for 1986. The cast is mostly Asian-American actors playing well-rounded, coherent characters. Kurt Russell as Jack Burton is the point-of-view protagonist, but he certainly isn't the hero of the story, and spends the whole movie being a loveable idiot sidekick in a world he is utterly incapable of dealing with. And the focus on him seems to have been a studio note, and something both Carpenter and Russell thought was problematic.

I'm a white American so it is inevitable I don't appreciate how offensive this is. I was also raised in the 90s "bastardized ninja" landscape, so I have childhood programming that triggers every time I see Mortal Kombat-style shit, and I love it emotionally, even if I understand now how gross it is.

And I have the added complication of this sort of property in childhood fostering an interest that led me to later learn about actual Chinese and Japanese mythology and religion and culture. Which doesn't justify anything, it's just how it happened and I'm a product of that, for good and ill.

All that said, Big Trouble in Little China is to me beautifully made, exciting and fun, perfectly paced, and as good a version of this dated insensitive genre of thing as there is. Just on a technical level, it may seriously be John Carpenter's best, given the time and budget constraints he was forced to work under. This movie should be absolute garbage, and it isn't, and that's because Carpenter broke himself to make that happen. And when it wasn't rewarded, he rightfully told Hollywood to go fuck itself, and the rest is history.

I have no idea if anyone under the age of 30 would think this movie is anything but a cringey relic of a more simple, but more insensitive, time. I still think as a production it is a good movie, and an example of how to do a lot with little, including filming coherent and meaningful action scenes.

...Even if those scenes are babbling gangs of Chinese ninjas (yes) shooting MAC-10s at indestructible flying lightning wizards in rediculous douli hats and metal claws, in the police-free back alleys of San Franciso's Chinatown.

They should really make that original script about cowboys fighting Chinese demons. Give it to a Hong Kong director with a $30 million budget and let them go wild. It would no doubt be at least as fun and funny as this, if not equally embarrassingly stupid.

[ohwhale22]

RM INSTAGRAM POST

2024.05.24

instagram link

"RM ‘Right Place, Wrong Person’ out now RM ‘Right Place, Wrong Person’ PRODUCER San Yawn 2ND PRODUCER JNKYRD A&R, CREATIVE OPERATIONS MANAGER Sehoon Jang MUSIC PRODUCERS & WRITERS RM, San Yawn, JNKYRD, Kim Hanjoo, Mokyo, 김아일, OHHYUK, Kuo (from Sunset Rollercoaster), DOMi & JD BECK, Moses Sumney, Little Simz, Jclef, Marldn, Unsinkable, 은희영, 곽진언, bj wnjn, Nancy boy, 이태훈, Supreme Boi, icecream drum, No Identity, 임주승, Zior Park, Sojeso, Rad Museum, gimjonny, glowingdog MIX ENGINEERS Mikaelin ‘Blue’ BlueSpruce @ Lounge Studios, NYC David Wrench for Solar Management Ltd @ Studio Bruxo,London (Assisted by Amy Ratcliffe & Grace Banks) Antonio Feola @ Fish Factory Studios Micah Tawlks @ Peptalk Studios, Nashvile, TN, USA Dave Hammer MASTERING ENGINEER Joe LaPorta @ Sterling Sound ALBUM ARTWORK Rosie Marks ALBUM DESIGN & ART DIRECTION kontaakt (이원섭, 박원영) LOGO DESIGN Tim Lindacher, veryes ILLUSTRATION & TYPEFACE Sweathearts (Martin Groch, Abyme), Mercure (Charles Mazé, Abyme) TEAM RM PHOTOGRAPHER 손지민 CONCEPT PHOTO 1 by Rosie Marks LIGHTING CREW Vasilis Kalegias, Daiki Tajima, Ben Breading, Tom North CASTING DIRECTOR Sarah Smalls STYLIST Hamish Wirgman SET DESIGN Jack Appleyard MAKE UP Mahito, Mel Arter HAIR Mahito, Blake Henderson MOVEMENT DIRECTOR Simon Donnellon PRODUCTION Madeline Jensen @ DoBeDo Represenets CONCEPT PHOTO 2 by Wing Shya PHOTOGRAPHY ASSISTANT Samuel Chan LIGHTING CREW 윤승남, 김민준, 송종승, 양준민, 최영민, 홍인국 STYLIST Ryota Ishii MAKE UP 오성석 PRODUCTION 이석준, 염재모 CONCEPT PHOTO 3 Takahiro Mizushima STYLIST Ryota Ishii MAKE UP 김다름 DIGITAL RETOUCH 손지민 SPECIAL THANKS TO mesunnysideup, Wade Kim, YJ(Moollon), Hoon Gold, Cult of Ya #RM #RIGHTPLACEWRONGPERSON"

[jungkookiexxx]

240524 - Rpwprpwprpwp's Instagram post

rpwprpwprpwp: RM ‘Right Place, Wrong Person’ out now

RM ‘Right Place, Wrong Person’

PRODUCER San Yawn

2ND PRODUCER JNKYRD

A&R, CREATIVE OPERATIONS MANAGER Sehoon Jang

MUSIC PRODUCERS & WRITERS

RM, San Yawn, JNKYRD, Kim Hanjoo, Mokyo, 김아일, OHHYUK, Kuo (from Sunset Rollercoaster), DOMi & JD BECK, Moses Sumney, Little Simz, Jclef, Marldn, Unsinkable, 은희영, 곽진언, bj wnjn, Nancy boy, 이태훈, Supreme Boi, icecream drum, No Identity, 임주승, Zior Park, Sojeso, Rad Museum, gimjonny, glowingdog

MIX ENGINEERS

Mikaelin ‘Blue’ BlueSpruce @ Lounge Studios, NYC

David Wrench for Solar Management Ltd @ Studio Bruxo,London (Assisted by Amy Ratcliffe & Grace Banks)

Antonio Feola @ Fish Factory Studios

Micah Tawlks @ Peptalk Studios, Nashvile, TN, USA

Dave Hammer

MASTERING ENGINEER Joe LaPorta @ Sterling Sound

ALBUM ARTWORK Rosie Marks

ALBUM DESIGN & ART DIRECTION kontaakt (이원섭, 박원영)

LOGO DESIGN Tim Lindacher, veryes

ILLUSTRATION & TYPEFACE Sweathearts (Martin Groch, Abyme), Mercure (Charles Mazé, Abyme)

TEAM RM PHOTOGRAPHER 손지민

CONCEPT PHOTO 1 by Rosie Marks

LIGHTING CREW Vasilis Kalegias, Daiki Tajima, Ben Breading, Tom North

CASTING DIRECTOR Sarah Smalls

STYLIST Hamish Wirgman

SET DESIGN Jack Appleyard

MAKE UP Mahito, Mel Arter

HAIR Mahito, Blake Henderson

MOVEMENT DIRECTOR Simon Donnellon

PRODUCTION Madeline Jensen @ DoBeDo Represenets

CONCEPT PHOTO 2 by Wing Shya

PHOTOGRAPHY ASSISTANT Samuel Chan

LIGHTING CREW 윤승남, 김민준, 송종승, 양준민, 최영민, 홍인국

STYLIST Ryota Ishii

MAKE UP 오성석

PRODUCTION 이석준, 염재모

CONCEPT PHOTO 3 Takahiro Mizushima STYLIST Ryota Ishii MAKE UP 김다름 DIGITAL RETOUCH 손지민

SPECIAL THANKS TO mesunnysideup, Wade Kim, YJ(Moollon), Hoon Gold, Cult of Ya

[kozykricket]

heavily respect game devs who move onto new games instead of updating or dlc-ing their first game forever

i mean yes my favorite games are games that have been updated for years on end lol but like you can do so many NEW things, and still keep some of the cool ideas you've had

like, i love what bytten studio seems to have done with lennas inception and cassette beasts. plausibly within some same multiverse, using similar elements but in different contexts, and its rad ! its all experimental and theyre both very different ! when it comes to updating a game, i feel like you really have to commit to... acknowledging that as you fix things, things will continue to need fixing, and you'll need to try and stay on top of keeping the cohesion. if the game is mostly cohesive but has some parts where it lacks and feels a bit wonky, those parts will stand out a LOT, and if you dont address core problems and possibly accept fundamentally changing some aspects of your game? it'll just be kinda hard for people to accept fun little additions, because well. theres just a lot of grander issues of the past that need to be fixed tldr i dont think you can really sustain a game healthily by just supplying it new content; you need to also go back and bring old things up to some standards. but if you move on, then... it honestly feels finer having those issues, because its like "well thats just part of the game" and it doesnt stand out so heavily... like games that require wikis for everything dont have a weird feeling of it standing out compared to a game where you need to wiki one singular damn mechanic because its very weird and possibly just a remnant of older design and theres... different ages of the game begin to clash the more you develop for it this is kinda just my thoughts on minecraft, terraria, and stardew valley... all amalgam'd into one post. and also ofc bytten studio games let it be known though, that milking a series is not exclusive to either of these: see FNAF and GTA V. milking the game in separate ways

[cartoonkitten]

some things I’m looking forward to in the inseparables:

—while this is small and irrelevant to the story itself, I heard there will be thunder and bigfoot easter eggs and im so ready to spot those out

—i am very curious as to how these toys work. i reckon they will be similar to toy story for obvious reasons, however I’m getting skeptical ideas from the various clips released on whether or not they can actually be seen alive and by who. cause the raccoons and horse can see them, but the dog can’t. and they seem to be willingly choosing to be animated and non-animated since they run a play. idk it’s confusing, im just curious haha.

—THE ACTION SEQUENCES AND the musical numbers cause YOU KNOW that shit is going to blow our minds with how amazing the score and soundtrack sounds

—RELATED but I wanna see "Mop Fight!" cause I didn’t know what it was before but now I am theorizing it’s a little play-brawl between Don and Dee and I just wanna see them be goofy lol. also "The Day We Meet a Friend" better actually be in the movie and not a credits song cause I SWEAR ITS A CHARACTER SINGING IT

—I JUST WANT MY SAPPY PLATONIC FRIENDSHIP LOVE STORY with all the silly, delightful, high staked, adventurous, pure unadulterated fun. HAND THEM OVER

—I honestly just wanna learn more about Dee and the other side puppet characters, they seem so cool hahahah

—the crooks. they seem so goofy and I love it. also I love how they look, not just cause they’re goth (which is rad), but also because their features and design literally scream nWave. the studio’s style is awesome, and I’m pretty sure they’re utilizing it here again (they changed it up for chickenhare I believe since they are converting to the universal cgi style, which admittedly is kinda lame, that movie and its designs still slap hard tho don’t get me wrong, but I like their style I suppose).

—another obvious one but, I really wanna know DJ’s backstory, ik it’s gonna be sad and aaaagh, ;( he’s been alone all his life and I can tell something not-good is going to happen halfway through and I’m aaagh, not ready. he’s so sweet he deserves his new friends <3

—honestly just wanna see what the two mains get up to. as I said before, I just really wanna see their relationship grow, I love those two smmmdndjdnd

that’s all for now, more will come to mind later no doubt