#Rael Jones

[unlimited-rice-puddin]

Mrs. Harris Goes to Paris Review: A wonderfully earnest, touching film

Mrs. Harris Goes to Paris is pure joy. A hugely emotional film with simple storytelling and a monstrously large heart.

A film about a hardworking, genuinely good human being pursuing their crazy dreams of buying a Christian Dior dress may well be the cinematic highlight of the year (more…)

[plazamayorcompany]

SEIZE THEM!

Original Motion Picture Soundtrack SEIZE THEM! Original Motion Picture Soundtrack Directed by Curtis Vowell Cast Nicola Coughlan, Aimee Lou Wood, Nick Frost… Music by Rael Jones Label Plaza Mayor Company Ltd Now on UK Theatre Dark age Britain where Queen Dagan is toppled by a revolution led by Humble Joan. The Queen becomes a fugitive in her own land, and must face hardship and danger as…

[olympain]

I wake up every day to an equation I wrote 15 years ago from which there's only one conclusion, I'm damned for what I do.

[jyndor]

rebelcaptain + kyber crystals + missions and mentors

[expedientegonk]

La tienda de Luthen vista en Andor es lugar de muchas referencias y de easter eggs, os dejo un vídeo que explica cada una de ellas: https://youtu.be/XTzHHbQazUw

[queerquaintrelle]

You Burn Me: an Anna Strong/Mary Woodhull playlist

Girl's Just Wanna Have Fun - As covered on harpsichord by Emilie Autumn

We Might be Dead Tomorrow - Soko

Heavy in Your Arms - Florence + The Machine

Running up that hill - Kate Bush

Minds of Men - FKA Twigs

Following the Drum - Rael Jones

What is this feeling? - Wicked

For Good - Wicked

Our Lady of the Underground - Hadestown

Flowers - Hadestown

Blood Moon - Saint Sister

My Love Mine All Mine - Mitski

[immobiliter]

SONGS THAT I ASSOCIATE WITH MY MUSES

list 10 songs that you associate with your muse(s)

01. dancing on my own. robyn 02. venus. bananarama 03. can't speak french. girls aloud 04. the shoop shoop song. cher 05. praise you. fatboy slim 06. the loco-motion. kylie minogue 07. if u seek amy. britney spears 08. stop. spice girls 09. c'est la vie. b*witched 10. physical. olivia newton-john

01. love train. the o'jays 02. love really hurts without you. billy ocean 03. L-O-V-E. nat king cole 04. rock the boat. hues corporation 05. kiss. prince 06. sexual healing. marvin gaye 07. do you love me. the contours 08. save a prayer. duran duran 09. take care of business. nina simone 10. what is love. haddaway

01. bedroom hymns. florence and the machine 02. fucked my way up to the top. lana del ray 03. mayday. soho dolls 04. trouble. valerie broussard 05. that don't impress me much. shania twain 06. filthy/gorgeous. scissor sisters 07. cross my heart i hope u die. meg smith 08. devil's worst nightmare. fjøra 09. money. rael jones 10. savages. marina

01. to be brave. bryde 02. just a girl. florence and the machine 03. take us back. alena diane 04. she's a rainbow. the rolling stones 05. never my love. the association 06. here comes the sun. the beatles 07. wildflower and barley. hozier 08. daydream believer. the monkees 09. run. delta rae 10. all the king's horses. karmina

TAGGED BY: @villainmade <3 TAGGING : @anquenin, @sunscess, @wolfbluff & you reading this. yes you <3

[blackhyena]

@anathenma tagged me ty bb!!!!

just a forewarning this is going to be a profoundly mentally unwell list. i have basically only been using spotify to refine & relisten to a very specific concept playlist

shuffle your ‘on repeat’ playlist and list the first 10 songs that play, then tag 10 people

arcadia - ramona lisa

the mad stone - everything everything

strange weather - anna calvi & david byrne

the fiery pit - rael jones

as a man - anna calvi

mother stands for comfort - kate bush

my manic & i - laura marling

fear the future - st vincent

the magic place - julianna barwick

redacted for embarassing :)

tagguing @gablehood @radgepacket @aurpiment @dykejohnmilton @raffaella-cerullo @charlottecordays @sankta-lucia @musicandmasochism @macbethwitches @zaegreus

[charmantevamp]

Mistress Mine

Mistress Mine: Lestat de Lioncourt x Audrey

Inspiration.

1. Gentleman Aren’t Nice - Emilie Autumn

2. Sexual Vocation - Rael Jones

3. The Cult of Dionysus - The Orion Experience

4. Let’s Kill Tonight - Panic! At The Disco

5. I Should Tell You - RENT

6. Sunglasses at Night - Corey Heart

7. Waiting For The Night - Depeche Mode

8. FOR YOUR LOVE - Måneskin

9. Two Evils - Bastille

10. Poison & Wine - The Civil Wars

Tagging: @the-brat-prince-1760, @vegaprose, @wolfkiiller & @bratprinced.

[meerawrites]

double submitting but also 7 for the

end of the year - writeblr ask game ✨

Q: what are three songs you put on your WIP-playlist this year?

A: full playlist, here.

Money - Rael Jones.

Aristocrat - Poppy.

Cruelty Games - Diva Destruction.

[rebelsofshield]

Star Wars Andor: “Aldhani”-Review

Andor takes its first steps into a larger world with an episode filled with intrigue and paranoia.

(Review contains episode spoilers)

Just shortly after blasting their way out of Ferrix, Luthen Rael clues Cassian in on his new role in the galaxy. Fight and steal from the Empire. And get paid. His first job? Assist a small band of freedom fighters on Aldhani in robbing a local Imperial base of its quarterly payroll. Meanwhile, on Coruscant, Luthen makes contact with his contact in the Senate, Mon Mothma, and the survivors of the failed Pre-Mor operation on Ferrix face consequences.

There was a part of me that was a little sad when I realized that we would be leaving the world of Ferrix behind this episode. This beautifully realized backwater planet and its population of every day people was such a highlight in Andor’s first three episodes that it was hard not to worry that the series would lose some of its spark as its focus became slightly more galactic. And while yes I still miss Bix, B2EMO, and the gang, “Aldhani” proves that Andor can not only handle more than one intriguing plot line, but multiple locales as well.

For a show that takes its name after a single character, Andor’s focus feels surprisingly sprawling. While marketing teased that the series would be an ensemble narrative, it’s truly impressive just how wide a net Tony Gilroy and his team have cast just four episodes in. And, yes, despite it all, these characters still manage to feel more human and accessible than few others in recent Star Wars media.

If there’s anything that “Aldhani” truly excels in, it’s creating a sense of paranoia. In a world marked by ever growing totalitarian power even supposed allies cannot fully trust one another. This is starkly felt in each of the Andor’s different storylines this week, but maybe most acutely in Luthen’s attempts to pair Cassian with the freedom fighters of Aldhani. It’s hard not to sympathize with cell leader Vel Sartha (Faye Marsay) when Luthen drops a stranger who is essentially a mercenary on her lap. We know, or at least I think we know, that Cassian is reliable, but to Vel and her ragtag group of allies, there’s little real reassurance outside of the word of a strange man on a strange ship.

And speaking of him, we finally start to get a larger sense of Luthen this week. Whether it be his modded out starship or his costumes of elaborate wigs and jewelry, Stellan Skarsgård really begins to peal back the layers of this galactic changemaker and what’s hiding underneath is beyond intriguing. I loved getting to see his highend gallery/store front of galactic antiquities not just because of the bevy of easter eggs it offers (Starkiller! World Between Worlds! Indiana Jones!) but for the creative way Luthen’s respect for galactic history is also made into the perfect cover for clandestine meetings with high ranking members of the Imperial government like Mon Mothma. We’ve know that Genevieve O’Reilly’s take on the iconic rebel leader was going to be one of the few legacy characters to appear in Andor and it’s nice to see Gilroy and crew create a new more anxious version of the character. This is far from the well spoken and principled freedom fighter we glimpsed in Rebels or Return of the Jedi, this is a politician who is deep in a den of snakes and trying her best to do good but also survive a fascist panopticon.

And honestly, things aren’t going that much better over on the side of the Empire. We thankfully get to see more of Karn this week and there is a certain schadenfreude in seeing this smug and overconfident cop get literally sent packing home to his mother, but there are other more intriguing developments at play too. In a smart counter to Luthen’s spy games, we also wander deep into the bowels of The Imperial Security Bureau as well. In particular, we are introduced to Dedra Meero (Denise Gough). Like Karn, Dedra is another ambitious cog in the Imperial machine that is eager to gain power and influence. Unlike the bumbling Pre-Mor operatives, Dedra does have the skills and insights to back up her drive, but her grabs at power are frequently rebuffed with skepticism by superiors and fellow officers. There’s a quiet air of misogyny in how Dedra’s place at the ISB table is regarded and it hints to the general patriarchal values of fascist symptoms. Luckily, Andor doesn’t seem interested in redeeming or justifying Dedra. It’s a smarter show than that. Willing to recognize that those working to prop up oppressive governments can themselves be subject to the prejudices of the system they work for.

Andor still does struggle in episodic storytelling. While I certainly didn’t leave today’s episode dissatisfied, I am still not entirely sure how cohesive of an hour of television “Aldhani” is. We get a smattering of new storylines and see characters move forward on some of their respective story arcs, but like it did in both “Kassa” and “That Would Be Me” Andor once again just sort of stops. The closing doesn’t even really come off as a concluding shot or line of dialogue. It really does just feel like an arbitrary cut thrown in to space out a longer, multi part narrative. It’s a minor problem, but it does seem like an issue that Andor is going to be struggling with throughout its first season.

In terms of production design, Andor continues to excel. While it may not have the crowded lived in quality of Ferrix, Andhali is another impressive locale for a series that continues to make the Star Wars galaxy feel closer and more grounded than ever. The Scottish Highlands are the sort of environment that is just exotic enough to feel like it could be otherworldly while still allowing the cast and crew the ability to shoot on location. More impressive is our first real live action visit to Coruscant in more than a decade. A planet that was previously defined by architecture that blended Grecco-Roman design with a 1950’s retro color palette, the galactic capital has now morphed into a stark, brutalist metropolis that is marked by tight corners and sterile hallways. It’s a great bit of visual storytelling that once again shows in an easy naturalistic way, just how far the fascist takeover of the Empire has stretched.

Even as Andor may start to feel a tad overstretched, it still remains a fascinating and intriguing story. It can create thrills without a single fired blaster and spectacle without sweeping space battles. It’s a series that despite some of its stumbles still outshines pretty much all of its contemporaries and I can’t wait to see it continue.

Score: B+

[defensefilms]

Washington Commanders Content VP Spills All

Rael Enteen is a content creator that works for the Washington Commanders and in a recently released undercover video, Enteen is asked some tough question about the NFL and it's business practices.

The first bombshell that Enteen dropped confirms what I have suspected since Superbowl week of this year, which is that, the NFL no longer wants to deal with what was once thought to be their core audience, but he didn't stop there.

The video literally starts with Enteen describing NFL players as Evangelical homophobes, and would later say the same about Dallas Cowboys owner, Jerry Jones, which we know to be true because in the 1950's Jones was photographed participating in anti-racial integration protests as a college student.

Enteen doesn't stop there either.

He later describes the NFL's approach to social issues and handling them in the PR space.

Pointing out that nothing the NFL does is done out of morality or desire to make the world a better place, but that it's strictly business. In particular he describes how the NFL dealt with the murder of George Floyd by a white police officer in 2020.

Enteen also admits that a large part of his job is covering up the team's mistakes, like a specific incident when sewage rained on Washington fans during a game, and Enteen tweeted via the team's account that it was actually water.

All told, Enteen confirms a lot of what the NFL and some of his harshest criticisms are actually reserved for NFL fans, whom he refers to as "high school educated alcoholics", and referring to how often NFL security have to deal with fights and unruly behavior in the stands during games.

This information is the best bit of insight we've had in to how the league handles it's numerous public relations issues with finesse, guile and cunning.

Fascinating stuff!!

[mightyflamethrower]

BREAKING: NFL Commanders VP of Content Labels Black Commanders Players "Homophobic" and NFL Players "Dumb As All Hell," Calls Fans "High School Educated Alcoholics"  During an undercover date with an @OKeefeMedia journalist, Rael Enteen (

@RaelEnteen), Vice President of Content for the NFL’s Washington Commanders, formerly the Redskins, is caught on hidden camera stating, “Most of the NFL fans I would say, are high school educated alcoholics” likening them to “mouth breathers.” Enteen goes on to characterize NFL fans as “violent,” saying “there’s fights in the stands all the time.”

When asked to describe the Commanders players, Enteen says, “a big chunk is very low-income African-Americans that comes from a community that is inherently very homophobic.” He further explains, “I love hip-hop, hip-hop is very homophobic. It’s a cultural thing that I hope gets better.” Enteen also criticizes the NFL's progressive initiatives as “performative,” stating that their “[NFL] social justice efforts are a performance for the sake of public perception.”

When asked about the NFL’s commitment to Black Lives Matter, Pride, Diversity, Equity, and Inclusion, he bluntly replies, “...it's to make as much money as possible.” Enteen further denounces NFL Commissioner Roger Goodell (

@nflcommish) as a “50 million dollar puppet” controlled by the owners. Enteen proceeds to accuse Jerry Jones, the owner of the Dallas Cowboys, whom he claims “really runs the NFL,” of harboring deep-seated biases, saying, “I think he hates gay people and black people.”

[sonrolli]

Time today moneybag yo

Time today moneybag yo movie#

Rank, artist billing, title (co-producers in addition to YC): 1 on the Hot 100 Producers chart, leading for the first time on the strength of six production credits on the Hot 100, five via A Gangsta’s Pain. 4 and 7, respectively, on the Hot 100 Songwriters chart. Plus, two of Moneybagg Yo’s collaborators, YC (aka Christopher Pearson) and RealRed (Jorres Nelson), place at Nos. 100, “Clear Da Air” (YC, RealRed, Rael Kelly) Polo G & Lil Durk (Polo G, Lil Durk, YC, Javar Rockamore, Bobby “Keyz” Reese, Sheldon Ferguson, Skywalker OG) 59, “Wockesha” (Bunny DeBarge, Mark DeBarge, YC, RealRed, Javar Rockamore) 54, “If Pain Was a Person” (Carl Hampton, Ray Jackson, Homer Banks, Yung Dee) 53, “Hard for the Next,” with Future (Ginuwine, Troy Oliver, Future, Torey Montana) BIG30 (BIG30, RealRed, Jeff Lynn Jones Jr., Aaron Butler) You just got to keep pushing, and it will all eventually happen.Rank, title, additional artist billing (co-songwriters in addition to Moneybagg Yo): Timing is everything. It’s going to get better and better. Moneybagg Yo: It is what it is-she’ll be alright. So the Grammy nominations came out and one of the artists you’ve collaborated with-Megan Thee Stallion-didn’t get any nods, even though she had a monster year. You have to plan things out and really know what you want to do. Moneybagg Yo: If you have goals, you can’t rush everything all at once. How do you make time for everything in your life?

Time today moneybag yo movie#

I have a movie coming out next year called 24 hours. Moneybagg Yo: I’ve got my merch thing, and you can find that at. Switching gears, can you tell us about your other side hustles apart from rap? I’m always like, “Where’s the mall at?” Sometimes I will stock up, so I will be good for about two weeks, and then I’ll chill with the shopping. Moneybagg Yo: I like Louis Vuitton, I like Off-White, I like Gucci, Supreme, VLone, Fear of God. What are some of your favorite fashion brands and how often do you shop? And also in this industry, appearance and image is everything. Moneybagg Yo: When it comes to drip, I always say this, “It has to be in you, not on you.” It’s got to be a part of you like washing your face or brushing your teeth, so I take it seriously. Let’s talk about your drip game because you’re one of the rappers that’s always fresh to death. I also have a lot of Day 1s around me who keep me grounded. He’s older than me and he’s been in the game longer, so he guides me and teaches me about a lot of stuff. If my day is going terrible, I definitely talk to him. Moneybagg Yo: I talk to Kevin Gates a lot. What about the days when you’re not feeling the positive energy, and you need an extra spark-is there anyone you go to for inspiration or motivation? I feel that there’s no better time than now, because when I first got the money, I just blew it. Timing is everything. I had to mature and grow into this state of mind. Moneybagg Yo: No, that’s what this album is explaining. I always have the mindset that we’re going to keep going and nothing’s slowing us up.ĭid you always have this go-getter mindset? Next, I set my goals for the day and then get to it. Moneybagg Yo: The first thing I do when I wake up in the morning is pray before I get the day going. How would you describe your own grind mentality? ONE37pm is all about maintaining a grind mentality and not procrastinating. And after I get off tour, I might drop an EP too. Every single song is going to have a video, and then I’m going on tour in March, so we’re stretching it all the way. Moneybagg Yo: I’m shooting videos for the whole album. What’s the rollout looking like for this project? Actually, I think the first single is the Tay Keith joint with me and Lil Baby. And I got Wheezy and Tay Keith on there too. Moneybagg Yo: I’ve got my in-house producers like YC, somebody that I just signed to my label. Who are the producers you’re working with on this album? Moneybagg Yo: I’ve got some laid-back West Coast vibes, fun vibes, songs that are really easy on the ear. What kind of different vibes are you serving up? It’s about 15 tracks on there, and ten of those tracks are what you’d expect from me, but I’ve got some different vibes too. It’s me telling you that timing is everything. I’m calling it Time Served because this album is all about perfect timing. Moneybagg Yo: Actually it’s part of the Federal series, but I’m not calling it that. ONE37pm: Tell us about this new album-is it part of your Heartless series?

[thejacksmit]

First Take: Mrs Harris Goes to Paris - haute couture meets post-Covid cinema

SYNOPSIS: A widowed cleaning lady in 1950s London falls madly in love with a couture Dior dress, and decides that she must have one of her own.

In any other year, this film would have gone to the arthouse circuit - but given the current release schedule, fair play to Universal for putting this film out on a wide release, as the THIRD adaptation of the 1958 Mrs Harris book has promise, but ultimately doesn’t quite land with cinemagoers as well as the trailers did.

It has a certain old school charm about it, as director Anthony Fabian (who co-wrote the script with Carroll Cartwright, Keith Thompson and Olivia Hetreed) really does go all in on the 1950s imagery - but sadly the pacing does let the film down a lot. 1 hour 55 minutes to adapt a 157 page book barely leaves enough room to breathe at times, especially with the quality of some of the dialogue, but on the bright side, it is a visually stunning film thanks to Felix Wiedemann’s cinematography, and the score from Rael Jones is a Ronseal job: it does what it says on the tin.

On the performances, Lesley Manville makes that role her own, ultimately making what should’ve been a TV movie feel more at home on the big screen- she has quite rightly been the focus of the PR for this one, and it’s worked well with the audiences this film will undoubtedly attract. The rest of the starpower includes Isabelle Huppert, Alba Baptista, Lambert Wilson, Lucas Bravo, and rounding out that supporting cast, well, there’s only one way I can say this as a member of the church: hello to Jason Isaacs. It’s a film that has a lot of heart, but ultimately it won’t last long in cinemas; as I type this the local place I go to has dropped it from the schedule after just a week out and £800,000 at the UK box office.

THE VERDICT

Mrs Harris Goes to Paris has a lot of potential, but ultimately at a 1 hour 55 minute runtime, just feels a bit too long for its own good- but the performances just about make up for the pacing. It’s a film that will attract the older audiences back to the big screen though, and that’s all that matters really.

RATING: 3/5

[win-free-iphone8]

Andor Indiana Jones Easter Egg: Luthan Rael Sankara Stones

Andor Indiana Jones Easter Egg: Luthan Rael Sankara Stones

Andor Indiana Jones Easter Egg: Luthan Rael Sankara Stones #Andor #Indiana #Jones #Easter #Egg #Luthan #Rael #Sankara #Stones Welcome to Alaska Green Light Blog, here is the new story we have for you today: You Can Click Here To Watch Restricted Video of this Article Luthen has some very cool trinkets in his home.Image: Lucasfilm Storywise, Andor may be avoiding the reference-heavy tropes of…