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#Removal Quotes London
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Looking for the best movers in London? Get affordable removal quotes from trusted moving companies in London. Whether you're relocating locally or need international movers in London, we help you compare removal companies for the best prices. Discover cheap removals in London with top-quality service. Visit us for the best removal in London!
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mtcremovalsposts · 3 months
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youryurigoddess · 6 months
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Gabriel’s (missing) cross
Let’s put everything we know about that spooky statue of the Archangel Gabriel in one thread to make the conversation about its possible meaning as a Good Omens 3 clue more structured. Starting off with the relevant part of the official commentary from X-Ray:
Douglas Mackinnon got one thing wrong in his part of the interview — Gabriel wasn’t carved by “some guy in Italy,” but a British sculptor and prop maker David Field working as a part of the team at 3DEye in London.
Technically speaking, it’s a gorgeous piece of hand-carved expanded polystyrene with a clay sculpted head on top of it — even if the Archangel’s smug likeness isn’t that pleasant to look at, all things considered. The scenic artists from 3DEye made it look like stone afterwards.
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The body itself took ten days to sculpt and is a faithful copy of the famous statue on Ponte Sant'Angelo in Rome called Angel with the Cross by Ercole Ferrata. It stands on the inscription “Cuius principatus super humerum eius” (“Whose government shall be upon His shoulder”, Isaiah 9:16), and this quote makes much more sense for Gabriel than the cross in his hands. The usual iconography of the Archangel uses a trumpet or a white lily instead.
Ponte Sant'Angelo was originally used to expose the heads of those sentenced to death — each of the angelic statues on it carry Arma Christi, the Instruments of the Passion. Like the Second Coming, what seems to be a hopeful message to the Chosen Ones can also be a warning for the others.
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The statue of Gabriel, first shown in full in the cemetery scene of the Good Omens 2 title sequence, reappears at the very end as a part of the bridge leading to the biggest Easter egg — at least according to Peter Anderson, the animator behind it — which is the lift in the background, implying how we’re getting closer towards the Second Coming. Notice how the cross broke down in half at some point between these two scenes!
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And it disappears in the plot as well: Gabriel’s memory depicts it only from his point of view, with the camera deliberately moving slightly to the right and stopping at his eye level. The centered, establishing shots show the statue with empty hands as a bookend.
I believe that this cross is meant to serve as a foreshadowing, a reminder of the absolution of sins and eternal life through Christ’s sacrifice and Second Coming. We see it only through Gabriel and Aziraphale’s eyes — when Beelzebub looks at the statue, the cross is not there.
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As seen in the BTS photos and videos, it’s not an editing error, but a deliberate positioning of the physical props on set. The cross was clearly meant to be a removable part of the statue and displayed in a specific way to convey a message to the audience.
The question remains: is it a reassurance, something to look forward to, or maybe rather a warning?
Not helpfully at all, the traditional use of angelic imagery in Christian cemeteries matches both interpretations.
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sweetteainthesummerx · 4 months
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THE LOVE LASTS SO LONG (8)
In which Ollie turns 21...
series masterlist
★・・・・★・・・・ ★・・・・★
scuderiaferrari posted
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scuderiaferrari Happy Birthday to the youngest driver on the grid!
tagged: olliebearman
liked by aubreyyang, charlesleclerc and 990,842 others
user1 awww everyone say ty admin
olliebearheart BABY BEARMAN ALERTT
aubreyyang ❤️🎂
olliebearman and the author liked this comment
olliebearman Thank you! ❤️
charlesleclerc happy birthday son, can't believe you're 21
-- olliebearman love u dad
-- user2 STOP MY HEART
logansargent happy birthday bro!
landonorris party hard mate 🍾
MESSAGES
aubrey
happy birthday ollie!! im so happy I met u in that paddock :) you make life more fun good luck with your next race xx
ollie
thank you aubrey :)
wish you were in Italy with me us rn
aubrey
:( me too ive been in meetings all week
but party hard!!
ollie
can't Im on a strict diet :(
also it would be more fun if u were here
aubrey
aww poor baby
I have smth that might cheer u up?
ollie
what??
aubrey
im directing a music video for a week in london...
ollie
WHENN HDI
aubrey
😭 mid July? u have a two week break then right
ollie
HIWHFEJOJFE I stopped breathing I have an idea
aubrey
OLLIE WTH WHAT
ollie
WHAT IF WE DID A EUROPE TRIP
aubrey
this might be ur greatest idea yet
ollie
no actually tho
you finish up in London and we can backpack through a few countries
aubrey
WAIT YES LETS BRING A FEW FRIENDS TOO
ollie
oh
okay yeah sure :)
bearyfast_04 posted
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bearyfast_04 confused because she sends me "xx" calls me baby but when I suggested a trip with her she asked if we should bring friends. Be honest is it over for me 🫠
liked by kimi_possible, landoakabob and 14 others
landoakabob yes.
-- leosdad NO. it is not over bring another couple (me and Alex) and it'll still be romantic
kimi_possible that picture and the quotes💀
-- bearyfast_04 how I feel fr
chililos55 still waiting for someone to fill me in
arthuranddw GET UR ACT TOGETHER (what was the context of the baby calling)
-- bearyfast_04 "poor baby"
-- arthuranddw ur cooked
-- leosdad Arthur now hes crying 😤
aubreyyang posted
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aubreyyang 🇺🇸
tagged: oliviarodrigo
liked by olliebearman, iamcharliebushnell and 559,907 others
view all comments
walker.scobell pls tell me u fell out of the window
-- aubreyyang shouldn't u be at school
-- walker.scobell shouldn't u be w ur man
this comment was removed
-- user1 WE SAW THAT SCREENSHOTTED TOO
-- user2 PLS SAY SIKE im traumatized from mace
this comment was liked by dior.n.goodjohn
oliviarodrigo 🤭
-- aubreyyang love u Livy!!
olliebearmanfanpage2 pls can we get her to another race I have aubrey content withdrawals
this comment was liked by olliebearman
-- user3 AYOO they're shameless now they have to be together
f1wagsupdates posted
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f1wagsupdates In recent episode of Grill the Grid, Ollie Bearman was asked what his favourite movie was and his reply was "Station 13. I watched that movie so many times when it came out" and later on when asked who his celebrity crush was as a child, he answered with the star of the aforementioned movie, Aubrey Yang. The two have been linked together more than once...all we can say is that we would love to have Yang as a wag.
liked by olliebearhearts, aubreyxloves and 17,031 others
aubreyxloves Ollie Bearman I was unfamiliar with ur game 😳
user1 he's having his tom holland moment AND IM MANIFESTING IT TOO PLSS THEYRE SO CUTE
-- olliexaubes RIGHT the way he was blushing afterwards they're so bbg coded 🤭
user2 oh to be Aubrey yang with her oscar, multiple nominations as an actress and director and a Ferrari f1 driver in love w her 😞
-- user1 low-key I dunno if I want to be her or be w her
-- aubreyyann REALL
★・・・・★・・・・ ★・・・・★
Taglist: @callsignwidow @iloveyou3000morgan @honethatty12 @taygrls
© sweetteainthesummerx.tumblr. all rights reserved. unauthorized copying, translation, or claiming of my writing or any works as your own is strictly prohibited.
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artemisia-black · 8 months
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Wizarding clothing and fashion
This meta/list of HCs has been sitting in my drafts for a while. But here is my meta about wizarding fashions. 
1.0 An insular culture with its own unique dress
No shade to people who enjoy seeing and drawing characters in muggle clothing, but I think that the majority of wizards and witches dress in wizarding clothing. 
Indeed, the fact that most wizards can’t dress as muggles and are quite conspicuous is mentioned in the first chapter of the series: 
“People in cloaks. Mr. Dursley couldn’t bear people who dressed in funny clothes — the getups you saw on young people! He supposed this was some stupid new fashion.” PS 
And then becomes a sort of running joke: 
“Both were dressed as Muggles, though very inexpertly: The man with the watch wore a tweed suit with thigh-length galoshes; his colleague, a kilt and a poncho” GoF
And in DH it is (partly) how Harry recognises that people are watching Grimmauld Place: 
“The lurkers were never the same two days running, although they all seemed to share a dislike for normal clothing. Most of the Londoners who passed them were used to eccentric dressers and took little notice, though occasionally one of them might glance back, wondering why anyone would wear such long cloaks in this heat.” DH
Side note: it is peak Londoner to barely take notice of something odd. And this also implies that robes and cloaks are all year wear and that wizards potentially don’t have seasonal clothing.
Given that wizarding culture is very insular (with its own economy, government, and education system), it would make sense that while it may occasionally borrow trends from the muggle world, wizarding fashion and clothing are unique. 
In fact, only the younger generation are seen in muggle dress, with Harry commenting: 
“Their children might don Muggle clothing during the holidays, but Mr. and Mrs. Weasley usually wore long robes in varying states of shabbiness.” GoF
2.0 Class and generational differences in dress
The previous quote demonstrates two things: much like in real life, there is generational and class stratification of dress. The condition and quality of wizarding clothing serves as a non-verbal cue about a character's economic status. This disparity is not just a background detail but is frequently brought into focus, such as through Draco Malfoy's derisive comments about Professor Lupin's tattered robes.
“ Malfoy gave Professor Lupin an insolent stare, which took in the patches on his robes and the delapidated suitcase.” PoA
“Look at the state of his robes,” Malfoy would say in a loud whisper as Professor Lupin passed. “He dresses like our old house-elf.” PoA
Even Harry comments on his robes and observes that: 
“Professor Lupin looked particularly shabby next to all the other teachers in their best robes”
The patched and frayed nature of both Lupins and Weasley’s robes seem to indicate that robe repairs can’t be done by an individual (or when it is done, it is really visible). Another example of this is when Ron removes the lace from his dress robes and leaves: 
“...the edges still looked depressingly frayed as the boys set off downstairs.” GoF
Additionally,  in Padfoot returns Sirius’s prison robes still appear tatty despite him having had a haircut and left the country. This indicates that he either can’t obtain new robes or can’t/hasn’t bothered repairing his Azkaban robes. 
This is interesting, given that Molly Weasley is able to make jumpers and scarves yet can’t seem to alter robes. While knitting and sewing are separate skills, it seems odd that there aren’t means of repairing robes. 
This suggests that robes can only be repaired and bought at official vendors such as Madam Malkins/Gladrags/Twifitt and Tattings. 
 It is also interesting that both Fred and George buy clothing when they become successful (also a parallel to the real world). They gift their mum:
“….a brand-new midnight blue witch’s hat glittering with what looked like tiny starlike diamonds, and a spectacular golden necklace.”  HBP
However, things being ‘frayed’ aren’t always an indication of poverty. Tonks is first introduced wearing an outfit that is a mix of muggle clothing but with something that is distinctly wizarding: 
“Tonks stood just behind him…. wearing heavily patched jeans and a bright purple T-shirt bearing the legend THE WEIRD SISTERS.” OoTP
This outfit is heavily reminiscent of Sirius and James in the Elvendork prequel: 
 “Both were dressed in T-shirts emblazoned with a large golden bird; the emblem, no doubt, of some deafening, tuneless rock band.”
3.0 The underwear question
Something that gets bought up a lot is whether wizards wear underwear. 
Harry (who was raised by muggles certainly seems to): 
“He was just piling underwear into his cauldron when Ron made a loud noise of disgust behind him.” GoF 
And:
“He was shivering now, his teeth chattering horribly, and yet he continued to strip off until at last he stood there in his underwear…”  DH
So does Neville (in the UK, Pants means underwear)
“He broke off as Neville entered the dormitory, bringing with him a strong smell of singed material, and began rummaging in his trunk for a fresh pair of pants.”
And infamously, so does Snape: 
“Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants.”
Also we get some information about witch’s underwear from Sirius’s very Freudian joke: 
“Sirius looked slightly disconcerted for a moment, then said, “I’ll look for him later, I expect I’ll find him upstairs crying his eyes out over my mother’s old bloomers.”
Bloomers are a type of historical, baggy underpants (think boy shorts, but make it victorian). 
In conclusion, Archie, who wanted a breeze around his privates, was probably an outlier.  
4.0 Materials and accesories
So what is wizarding clothing made of? 
For robes and cloaks the materials most mentioned are silk/satin and velvet: 
“ She was dressed from head to foot in black satin, and many magnificent opals gleamed at her throat and on her thick fingers.” GoF
Additionally in GoF, we learn that even witches and wizards from other countries wear robes and cloaks: 
“Now that they had removed their furs, the Durmstrang students were revealed to be wearing robes of a deep bloodred.” 
And 
“...Bulgarian minister loudly, who was wearing splendid robes of black velvet trimmed with gold.”
Other materials include Dragon hide which appears to be used to make practical gloves and boots but also fashionable jackets. 
“... followed by Fred and George, who were wearing jackets of black dragon skin.” HBP
Additionally, robes can be embroidered: 
“ The man’s scowling, slightly brutish face was somehow at odds with his magnificent, sweeping robes, which were embroidered with much gold thread” DH
“Harry glimpsed Slughorn at the head of the Slytherin column, wearing magnificent, long, emerald green robes embroidered with silver” HBP
“Madam Rosmerta scurrying down the dark street toward them on high-heeled, fluffy slippers, wearing a silk dressing gown embroidered with dragons.” HBP
Interestingly, both men and women appear to wear heels: 
Dumbledore: 
“He was wearing long robes, a purple cloak that swept the ground, and high-heeled, buckled boots” PS
Madame Maxine: 
“Then Harry saw a shining, high-heeled black shoe emerging from the inside of the carriage..” GoF
Monsiour Delacour: 
“However, he looked good-natured. Bouncing toward Mrs. Weasley on high-heeled boots, he kissed her twice on each cheek, leaving her flustered.” DH
Madame Rosmerta: 
“ Next he saw another pair of feet, wearing sparkly turquoise high heels,” POA
Furthermore, witches carry handbags: 
“Mrs. Weasley now came galloping into view, her handbag swinging wildly” COS
“ She was wearing a thick magenta cloak with a furry purple collar today, and her crocodile-skin handbag was over her arm.”  GoF
“Professor Umbridge pulled a small roll of pink parchment out of her handbag”  OoTP
“Ron was rummaging through the little witch’s handbag.” DH
5.0 My HCs
When I imagine what male robes look like, I imagine something akin to a Morrcan thobe or an Indian Sherwani.
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I imagine robes to be enchanted to move and in my fic Pietas, I describe my OC Aeliana’s robes as follows: 
“She smiled slightly, smoothing the front of her dress, which was decorated with embroidered flowers and birds that had been enchanted to flutter their wings.”
I also HC some cultural variance in robes- with certain countries using different cloth or the skin of magical animals that are native to their countries. With hotter countries, having lighter robes and cooling/anti-perspiration charms.
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“The freakin’ London premiere- we all know that that was not supposed to happen; that was not okay.. and he still did it.”
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I’m sorry, but what is this “bad behavior” that she’s alluding to? What exactly did Luke do that could’ve offended her and other people so much? Someone please enlighten me. I really want to know how Luke showcased “bad behavior” at the London premiere. I’m genuinely curious.. because, I personally haven’t seen anything- and I’m sure I’m not the only one who’ll say that.
~
This TikTok is 3 and a half minutes long. If you want to watch the video, go right ahead! But for those who don’t want to watch the full thing, I’m gonna give you my thoughts on just a few of the things she said in her video.
She talked about how Luke should post something on social media to show more appreciation to the fans. In multiple interviews throughout the press tour for season 3, Luke has talked about how he appreciates every ounce of support and love that has come from the fans and how he can’t wait for everyone to see Colin and Penelope finally get together. But apparently… to some (unfortunately), that’s not enough. Just because he hasn’t posted about how grateful he is for the fans, that doesn’t mean that he’s not grateful. To insinuate that he’s “inconsiderate” because he doesn’t post on social media is diabolical to me; it is not only unfair but it’s unacceptable. At the end of the day, Luke doesn’t owe us a damn thing.
The second thing I want to share my opinion on very much relates to the first thing. This girl talked about how he should post something for Nicola and publicly show his appreciation for all the times she stood up for him. To the people who have said this (and trust me, this girl is not the only one who thinks this) and believe that he’s ungrateful for her defending him.. let me ask you ask you something: did it ever cross your mind that he showed his appreciation for all the times she expressed her (platonic) love and respect for him privately? I’m sure they talk and text each other a lot. There are other ways to show someone appreciation- and it’s (to me) even more meaningful when it’s not on social media. Just because he doesn’t post about on social media.. it does NOT mean that he is unappreciative. Nicola has defended him publicly because she’s a good person and knows that he’s a good person too. There’s a reason that Luke’s cast mates (most of them he’s known for 5 years) only have good things to say about him. Yet, there are “fans” who want devote so much time and energy to talk shit about someone they don’t even know.
Lastly, and this is something I’ve addressed a few times before. She asked, and I quote, “What is the bullying that according to some of you he’s experiencing? Where is the bullying?” The way I see it; in my opinion, by asking that.. she has made it abundantly clear that she has NOT been paying attention.
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I shared these screenshots back in July- they have since been removed from Twitter (I’m not calling it ‘X’ because it sounds like the name of a p*rn site). If any of this doesn’t count as bullying, then what the Hell is it? They weren’t complimenting him to lift his spirits up. He even said in an interview that he was verbally harassed for TWO YEARS because of Colin’s “I would never dream of courting Penelope Featherington” comment at the end of season 2 (even though Colin is a fictional character and Luke is nothing like his character)- last time I checked… THAT’S bullying.
~
She says that she’s “holding him accountable” when he hasn’t done anything wrong. Has Luke said or done something that TRULY IS problematic? If he has, I would gladly hold him accountable for it. However, I haven’t seen him do or say anything that is so awful that he has to be held accountable for it.
She also talked about how A would post something when Nicola posts something- she posts something; same with when the official Bridgerton account posts something and she would overshadow Luke. You can point all of that nonsense out all you want, but Luke has NO CONTROL over what she posts her posts on her own social media account and when she decides to posts it!! Regardless of how you feel about their age gap, she’s an adult who makes her own choices. She old enough to know to know right from wrong- just like the “fans” who have been harassing him for months.
One more thing, today.. she posted a TikTok about how Luke liked Nicola’s recent post and she was all giggly and excited.. with that being said, my mind is telling me one thing- that she is one of those people who only like Luke when he interacts with her on social media and/or is actually with her (whether it’s casual or in interviews). Now, I could be wrong; this is strictly my opinion- an observation, if we’re getting technical.
Overall thoughts: I know that Luke’s not a perfect human being and I never said that he was- no person living on this planet is perfect.. and I would 1000% hold him accountable if he did or said something that actually WAS problematic. But, from what I’ve seen.. he hasn’t done anything to deserve all of the negativity he’s been getting.
Now, if you’ll excuse me.. I’m gonna go take something for my migraine.
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transmonstera · 1 year
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PLEASE READ BELOW
Hi! I am a UK based trans artist and writer looking to pursue a private hysterectomy. I run an Etsy store (you may even have one of my stickers or badges!) and work part time but am still struggling to save much of anything towards surgery due to debt, living costs, etc so I’m looking for a little bit of help!
The reason I am pursuing a hysterectomy now is due to having cervical ectropion. This condition is where the cervix is essentially inside out and causes bleeding and excruciating pain. Frustratingly enough the treatment for this condition worked for all of two weeks before returning straight back to how it used to be. Cervical ectropion is aggravated by fluctuating hormone levels, particularly estrogen, so if I was to ever experience atrophy and seek treatment for that it would only make my ectropion far worse. The NHS does not offer hysterectomies for this condition due to them deeming it “a harmless condition”. Funnily enough the only procedure they approve of to “treat” this is a tubal ligation which has nothing to do with the cervix (make it make sense). 
I could attempt to get a hysterectomy through my GIC (Nottingham), however their communication is abysmal, I get one appointment a year with them and I cannot sit by and wait for the topic to come up on their terms, they never even spoke to me about top surgery (after telling me they would) leaving me to get that privately too, and I think even if they do approve a referral it’d take far too long and I would have little control in the situation. I simply cannot be in this pain for however long they wish to take to help me. Especially with how things are going for trans healthcare.
So I’m looking to get it privately. I have been recommended Mr Saurabh Phadnis with Nuffield Health in London due to him approving hysterectomies for many reasons and getting rid of everything you wish to remove and not just the bare minimum. I would like to go with him as I wish to remove everything including the cervix. My GP is happy to do a referral for him, so it is literally just a case of getting the funds. I was quoted an estimate of roughly £9000. I’m not going to ask for people to send me that amount as I know it is a huge sum to ask for. I’m hoping to raise as much as I can by about January/February time (through donations, etsy sales, and anything I can spare from my part time job) and look at taking out a loan for whatever is left over and if I can save even a third of the full amount that would help immensely.
A hysterectomy would truly change everything. I don’t want to take depo injections for the rest of my life, I don’t want to be in pain anymore and I don’t want to bleed randomly throughout the day because I dared to go for a walk. This is not just for transition purposes, this is so I can live without fear of further pain, more bleeding, being unable to treat potential atrophy because of an existing condition, HPV, cervical cancer, pregnancy scares etc.
If you'd like to donate:
ko-fi.com/transmonstera
cashapp: £transmonstera
Even if you can’t donate, please take a moment to share. It’d mean the world to me.
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qsycomplainsalot · 2 years
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Re: Pervertin or how German Supersoldiers High on Crack travelled through Space and Time Buy my Book
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I came across a post on the bird site yesterday calling into attention the use of pervitin, more or less adderall, among German troops during WW2. For context pervitin tablets were indeed issued to a lot of military personnel back in those days, specifically to aircraft pilot and sometimes tank crews on long missions. The drug as some of you may have heard keeps you awake and alert, along with a slew of side effects and a non negligible chance of addiction. In a discussion that brought to view just how willing people are to buy into Nazi propaganda in the year of our f*cking lord 2023, I pointed out a few things, uphill and having to indulge a lot of sidetracking. The use of pervitin has always been a little overstated ever since it came to the internet's attention, and I certainly would never call it a key component of the Blitzkrieg when, in the theaters of war where actual Blitzkrieg was employed, its success was more due to a combination of innovative doctrines, intact fuel supplies and a big fat helping of dumb luck. It was a bold move highly relying on capturing enemy fuel depots with fast, surprise deep strikes supported by a lot of armored and air forces, and it was only sustainable in neighboring, industrialized countries. One can argue if the USSR was industrialized at the time, but it stopped mattering when the Russians removed their entire industry from the West to beyond the Ural mountains. The Blitz stalled there.
"But if it didn't work, then why did the Nazis do it so often ?" Well the answer to that is twofold. The first, longer answer is that Nazis were a bunch of f*cking morons. Maybe not one by one, but as a government in charge of military procurement, they were one bunch of goofy motherf*ckers. Gaggle of functional shit-for-brains really. The Nazis gave every one of their tanks in the middle of the war two coats of anti-magnetic paint, which took almost a full day to cure, despite being the only major nation to use magnetic antitank mines. The Nazis kept using slave labor drawn from their prisoners of war, including in the manufacturing of their overengineered armored vehicles, resulting in poor quality products or, you know, a few rivets in your magnificent Tiger tank being replaced by a cigarette butt. The Nazis spent more than half the cost of a strategic bomber on every V2 rocket, not including design costs, for less than half the payload. It ended up killing more Germans and slave workers than British people in London, for literally no strategic or tactical result with 0.4 person killed per every rocket. The second, shorter answer is that pervitin was not used that much. A lot of the arguments trying to boost its importance come from a single book, "Blitzed" by Norman Ohler, now available in twenty languages apparently, where grand claims are made by a historian who was probably more than a little tired of seeing Buzzfeed rack in the big bucks instead of him.
End note; I was called out by a bird siter after the conversation that inspired this post for even beginning to fact-check this, which they considered, and I quote, "fangirling over nazi stats". I cannot stress this enough, learning the 'bad' parts of history does not make you bad person, it is how you interact with the resulting knowledge. Unlike what they implied, I had to look for those supporting evidence. I had a hunch that such a grabbing headline about super-drugs would be fake, I knew offhand that V2 rockets killed more blues than reds, but when I had to research all that jazz about Nazis and their superweapons it was to dunk on them, not make another History Channel documentary about a time-travelling bell. Stay critical, fascists can eat shit.
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delta-pavonis · 8 months
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'allo! may i have a bit of Friend Like Me? ;)
Absolutely! I have posted some of this before, but once again Tumblr's search function is failing me and apparently I can't organize my own tags for shit so... This is Matthew + Hob used to be partners in crime (literally) and Hob may or may not have started the crew from Leverage. 😂
100% G-rated fluff over here.
Hob has to do this every few decades otherwise he would be up to his eyeballs in storage units. It isn't fun, but neither is having too many moving parts to keep track of and potentially getting caught by another asshat with a hard-on for immortality. 
What was that quote he had read? "No matter how subtle the wizard, a knife between the shoulder blades will seriously cramp his style." 
Not to mention the myriad other enemies he had accumulated via his network of grifters, hitters, and hackers. 
(What? The current state of technological advancements meant that Hob needed to get better at tracking and erasing his digital presence back in the late nineties. Was it his fault that while he was living in the States he had accidentally amassed a highly skilled group of "criminals" who were all connected to him like spokes to the hub on a carriage wheel? And that it turned out that they were, as a team, really great at liberating funds and removing items from billionaire idiots who didn't need a fraction of their accumulated wealth and power? That they did it so well that Hob had to fake his own death earlier than expected to get out from under a particularly angry arms dealer? Was that really all because of him?)
(Yes. Yes it was.)
Yeah, anyway, Hob didn't leave the house without at least one blade on his person anymore. 
This is why, when Hob is interrupted by a large black mass swerving into his storage unit through the crack in the door that should be far too small to admit such a creature, he pulls the nearest throwing knife (he was crouching, so he went for the one concealed in a sheath on the outside ankle of his black leather chelseas), clocks the intruder's movement in his peripheral vision, and wings it directly at them. It hits the wall with a satisfying kthud, which is promptly followed by a very avian squawking.
"FUCKING CAWCHRIST MY DUDE WAS THAT A KNIFE!?! WHAT THE FUCK IS THIS, THE IDES OF FUCKING MARCH?!"
That voice! Hob's head snaps up to see a sizable black bird falling in a tumble. It hits the concrete floor with a sound not unlike a briefcase hitting pavement from a story up (what? It is a very distinctive sound), leaving three large feathers tacked into the wall by the knife.
"Fuck me sideways that HURTS. Note to self, birds no likey losing butt feathers." The bird (A raven? Like this is the bloody Tower of London?) walks out from around a cardboard box with a bit of a waddle in its step, trying to look back at his tail while he moves. "I guess the Boss didn't tell you I was coming then?"
Hob sits back on his heels. That voice is still hauntingly familiar. But he would damned well remember meeting a talking bird. "Well, perhaps if you told me who your Boss is..."
The raven leaps a solid four feet into the air with a screech. He lands on top of a small writing desk, scrabbles against the smooth surface to balance himself, and then looks down at Hob with one glass-black eye. "I can't believe... no fucking way... Robbie? Is that you? Didn't you die in 2017?"
"Mattie?!" Hob's ass hits the cool floor as he is blown back by the revelation. "Didn't you die in 2020?"
Matthew Cable had been one of Hob's favorite grifters. Not because he was absolutely perfect at his job (oh no, Mattie had fucked up spectacularly more times then Hob’s blood pressure wants to recall), but because they had quickly become "let's get absolutely toasted and MST3K bad horror movies while we bitch about our love lives" buddies. Hob had missed Mattie immediately upon his own faked death and had mourned when he heard, through various channels he still kept an ear to, that Mattie had died in his sleep not too long ago.
"Yeah, but when I died I was given, like, a choice? Apparently the King of Dreams needed a new Raven and I decided to give it a go. Sounded much more interesting to work for him than actual death. There must be some mistake because I was sent here with a message for Hhh..." Mattie freezes.
"Dream sent you?" Hob tilts his head in interest. This was the Matthew he had often mentioned? A raven that carried his messages? Hob had been jealous over a bird?! (Oh Christ, how embarrassing.)
"Wait... what the fuck are you doing in Hob GaaaaAAHHHH!" Mattie the Raven starts hopping around frantically. "YOU ARE NOT JUST IN HOB GADLING'S STORAGE UNIT. YOU ARE HOB GADLING! FRIEND OF THE LORD MORPHEUS, KING OF DREAMS AND NIGHTMARES!"
Hob can't help his laughter. "Oh, he told you I was his friend, did he?" That Dream had called him friend to someone else shouldn't feel as good as it did. Hob tamps that useless bit of emotion down hard. (No good can come of that, better to put it away.) "Only took him six centuries to get there, stubborn wanker that he is." He fails to keep the fondness from his voice. 
"Christ you have no idea how much of a wanker sometimes..." Mattie shuffles his feathers. "Look, I gotta know the story here, man. How did you meet the King of Dreams?"
Hob stands, brushing off his jeans. "That... is a rather long story." He considers for a minute, barely that, rubbing at the back of his neck, before coming to a decision. "Look, it isn't like I get my close friends back from the dead every day... how about we head back to my flat, pull up something ridiculous like Slenderman, and I will fill you in on my story? Like old times?"
Mattie flaps over and lands on Hob's shoulder. "Hells to the yes. Especially if we can find out if ravens respond to THC. Shit, you ever get more of that Amnesia shit the team picked up in Amsterdam during that art heist job?"
Hob's belly laugh echoes in the small room. "I think I still have some squirreled away from my last trip to the continent." 
He locks the storage unit behind them. All the spring cleaning can happen another day. 
___________________________________
They did not, upon making it back to Hob’s flat above The New Inn, actually end up watching their intended horror movie. Instead, as they were flipping through options, they stumbled upon the live-action remake of Aladdin and Mattie had been so damned adamant that he wanted to see it while high that Hob had allowed the deviation from their established pattern. 
“That bird is a fucking useless sidekick. I will show you how to do it!” Matthew stands, wobbles, and falls off where he had been balanced on the arm of Hob’s couch.
Hob cackles, slouching back into the cushions. “Well, that’s your answer to the question about birds and THC, innit?” 
Matthew flapped his way up onto the space next to Hob. “Hey, I am still getting used to this stupid body without any fucking thumbs.” 
“Fair enough.” He shrugs, sinking even further back and letting the movie drift into the background, a gentle blanket of familiar songs. “So I can feel you trying to not ask questions. Ask away, Mattie. I owe you that much, at least.”
“Fucking right you do, faking your death like that caw.” The raven shakes his head. “Where even to start… Oh! I got it! When and how did you meet the King of Dreams and Nightmares? That must have been a trip and a half.”
The memory makes Hob even warmer and he feels himself grinning as he looks at the ceiling. “I was drinking with my pals at a tavern, the White Horse, in the year of our lord thirteen hundred and eighty nine…”
“Wait. The fuck? You are…” Mattie clearly stops to count for a blink, “almost seven hundred years old?”
“That I am, now let me finish… I rather loudly proclaimed that I had decided not to die. Just wasn’t going to fucking do it. And that was when he approached the table,” Hob closes his eyes, the swooping feeling of seeing Dream for the first time still razor sharp in his memory. Should he tell Mattie? Well, he had never been dishonest with the man before, no reason to start now. So Hob let all his emotional walls down. “And I swear to God, Mattie, it was like seeing a meteor shower for the first time. It was like discovering a second moon. I was absolutely dumbstruck by the beauty of this cocky young Lordling, all standing before me like he owned half the country. Looked it too, with that giant fucking ruby around his neck and his fine clothing.” Hob shakes his head, grin widening. “He offered me a deal. If I wanted unending life, then I could come back to that tavern on the same day at the same time one hundred years hence and tell him of my experiences of life so long-lasting. And here I am.” When Mattie doesn't immediately respond, Hob opens his eyes and turns his head. “What?”
The raven was studying him intently. When he spoke it was carefully metered and very much not in jest. “Robbie. I might be a bird now, but I would know that expression on your face anywhere. Do you… Are you…”
He didn’t need to put words to it, Hob knew exactly what his friend meant. He shrugged. “Aye, I probably am. But you have to understand, Mattie, he has been the only constant in my whole long life. Hundreds of relationships. Thousands of friendships. Centuries of life. And he was my only anchor.” Hob lets himself drift on that thought for a moment before coming back. “Did you know that I didn’t know his name until a few months ago when he showed up at the New Inn?”
“What?! What kind of asshole doesn’t give his – oh, wait, this is Dream I am talking about, isn’t it…”
Hob laughs. “You are very correct. Dream’s stubbornness is only surpassed by his beauty.”
“Wow. You’ve got it bad.”
“Most likely.” Hob inclines his head. “But I am happy with whatever type of relationship he is capable of with me."
The raven whistles. "Got it baaaad."
____________________________
And so it happens that Hob and Mattie are stonedly bickering over if Will Smith’s portrayal of the Genie was a good homage or a bad mockery (all while A Whole New World starts up in the background) when the King of Dreams and Nightmares steps out of nothingness and into Hob’s living room.
“Matthew! You were told to deliver a message, not spend an entire day-”
Hob cuts Dream off with an overdramatic, “OoooOOOOoooh, Mattie, you are in trooooouble.” Dream’s stern face snaps to Hob’s and he slaps a hand over his mouth while he giggles none-too-loudly, “OooooOOOh, now I am in trooooouble.”
That makes Mattie burst into giggles and let it be known that the giggle of a raven is not actually a pleasant sound to take in.
So it makes Hob laugh harder.
Then he sees Dream’s absolutely bewildered expression.
And that makes Hob laugh even harder.
Sobbing as he laughs, collapsed to the floor (having initially fallen clear off the couch in surprise at Dream’s entrance), clutching his belly, Hob can’t even bring himself to worry that Dream might actually be angry with him. Fuck, Hob just got Mattie back. This is fucking great.
Hob wipes at his face as his hysterics subside, trying to keep his voice steady as he addresses Dream from his place on the floor. “I’m sorry, m’love, I didn’t mean to patronize you, I just-” He cuts himself off when he sees, for the first time, a petal-pink blush color his Stranger’s cheeks.
“You called him your love!” Mattie cackles. Hob feels himself blush now, too. That was a slip. That shouldn’t have happened. (Ah, bollocks.) “You are so in for it now. The Boss hates pet names! Once I tried to call him Lord Mew-mew because he was acting like a wet fucking cat and-”
“Enough.” Dream waves his hand to his Raven and the bird is immediately silenced. “Matthew, leave us. I am not asking.”
“Aww, maannn.” Mattie shakes himself off and seems to become shockingly sober with just a ruffle of feathers. “Roger that, Boss. See you back at home.” Then he nods to Hob. “We should do this again sometime.” 
Before Hob can respond Mattie has taken wing and flown out a window that definitely was not open a moment ago. When he looks back up it is to have Dream’s hand in front of his face, gently offering to help him stand. Hob takes it, if only for the excuse to touch his Stranger’s skin for the first time. (His touch is cool, his fingers long and uncalloused, his skin smooth. Hob memorizes every sensation greedily.)
Dream seems to realize this once Hob is on his feet because the blush deepens slightly and he retracts his hand with a jerky motion. 
“I am sorry if I offended you, Dream.” Hob takes a step to the side and tries to catch his friend’s eye. Dream keeps purposefully looking away. “It is just a silly human endearment. I am rather high on some excellent weed and I didn’t mean-”
“Ah.” Dream interrupts and Hob’s jaw clicks shut. Dream is still not looking at him and so Hob can see the way the muscles in his jaw flex with tension. “Just a silly endearment. You did not mean it.” 
Something fiery swoops inside Hob. Dream has never acted like this. Never avoided Hob’s eyes. Never interrupted him. And all because Hob had accidentally called him love.
See, thing is, Hob does mean it. More than he has words for. But never did he think… Dream couldn’t possibly. Fuck. Hob is too high to think clearly about this.
Hob steps into Dream’s line of sight, forces the slightly taller anthropomorphic personification to meet his eyes. Why it comes out a whisper when Hob speaks he will never know. “Dream. Do you want me to mean it? Do you want me to call you,” he hesitates for a moment because this could ruin everything. (But look at him! Look at the hurt in his expression, the tension in his shoulders. He does not hide it well, now that Hob knows what to look for - thanks, Sophie.) “my love?”
It is answer enough to see Dream’s pupils dilate and his nostrils flare. Oh fuck. Oh fuck. Oh fuckfuckfuckfuckfuck. 
He is shaking when he goes to take Dream’s hand, brings it up to press a kiss to those beautiful fingers. “If I am reading this wrong then please please let’s just chalk it up to the THC and pretend this never happened. But…” Hob takes the last step in and now they are almost chest-to-chest, “I thought you would have figured it out after 1689… you are my guiding star. It is you who I wait decades for. You who I hope to impress with my experiences. You who I have yearned to touch with every fiber of my being for literal centuries.” Dream is blinking wide eyes at him now, confusion and surprise and hope all written there. “And if your friendship is all I can have, then so be it. But, Dream. If I had three wishes I would spend them all just to be able to call you love.”
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sgiandubh · 1 year
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Autopsy of a gay lie: the Wikipedia trail
“You can fool some of the people all of the time, and all of the people some of the time, but you can not fool all of the people all of the time.”
― Abraham Lincoln
For starters, sorry for the length and numerous screencaps. It is an investigation, after all and these are sorely needed.
Never underestimate the conjugated power of Internet, a Sunday afternoon and the lightbulb moment that can happen while baking something, because you know, people have also to reward themselves at some point.
I might have fucked up my foolproof Lemon Squares recipe, but I regret nothing. It took me three hours I could have gratefully used to finish that spirits post, but this is too damn good not to share.
Remember Meow Kabob's cross my heart and hope to die pinky swear she found confirmation of Data Lounge's allegations on Wikipedia, out of all places? How she regularly unburies that infamous screenshot listing S under the Wiki "Gay Actors" category? How she told us, filthy and uneducated shipper mob, over and over again, that story about STARZ people scouring the Internet far and wide and scrubbing any gay reference related to S, as soon or shortly after he was cast as JAMMF?
I can confidently prove now Lincoln's perennial truths I quoted above apply to this situation.
I was just pouring my lemon juice, eggs, flour and sugar mix over the hot and nutty shortbread when I stopped in my tracks: 'wait a second, isn't Wikipedia an open source project? BUT OF COURSE IT IS, SILLY COW - yes, I very often talk to myself like that. RUN. NOW. I HAVE TO KNOW.'
Sure enough, like death and taxes, the full edit list of S's Wikipedia page was there for everyone to see:
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Even better, since Internet is forever, we have full access to all these edits and can take screenshots.
This is how Sam's Wikipedia odissey started, on November 11th 2007, when he was the complete underdog:
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A ' strapping lad with natural dark blonde hair and 6'2'' tall', ideal for the role of Alexander the Great - pious silence and RIP. I grinned, because it sounds well, naïve? It also sounds gay, perhaps? What else does it prove, other than the gay crowd has an acute interest for novelty and a wandering eye?
Nothing. Not even remotely related to S.
Also, note the two classification categories: British TV actor stubs/ British actor stubs. Mark them, they stayed still and alone for a looooong time.
Up until 2009, in fact, when the wikientry was no longer considered a stub and even got several category additions:
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Then again, some movin' on up, on that semi-dormant page, in 2013. Totes normal:
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By early 2014, even more interest in S commands an expanded webpage and a longer, more detailed, category listing:
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Let's quickly peruse 2015...
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2016...
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The incorrect Irish descent category stayed there for about ten days, until removed by another user. This is how it is done and it is then added to the list:
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2017, 2018, 2019, early 2020, no change in the categories, but all hell broke lose content-wise. From Cirdan, the 'estranged brother' acting in a very gay connotated theatre production I have never heard about, in London, September 2016...
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...... to a woman named Tiffany Trach who used to dream the impossible dream, in October 2016 (and she was not the only one, far from it)...
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...to some halfwit being rightfully slapped for adding brainless Flukenzie Floozy content in March 2017:
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By that time, I was getting supremely bored clicking on links and wanted to pack the tent and throw my lemon squares in the trash bin. But, lo and behold, what do I see on January 26th 2020:
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With the tag possible vandalism:
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Whodunnit?
A very brave person, hiding under a string of random numbers...
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... and one single contribution EVER to the Wikipedia juggernaut. This is what I would call a targeted attack:
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It stayed like that, unmolested, for five days only, until the user Spiderpig662 decided enough is enough and did something about it...
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....categories being then restored to the previous wording:
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The last vicious gay reference on Wikipedia dates back to May 28th 2020 (Ha-wa-wee, anyone?), was labeled as 'hate speech' & promptly removed:
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Where wuffter is, in British Cockney slang:
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Same modus operandi, this time an IP address, pinging in (you simply can't make this shit up, can you?)...
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County Durham, FYI.
I then asked myself when exactly did Meow Kabob appear on Tumblr?
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Even more exactly, on...
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That is, to say the least, a troubling coincidence.
I do not imply anything, I have no wish to attack anyone. All I am saying, is that particular argument, which this user is shouting anytime she is prompted to, had a very short online lifespan. How could an American woman, who appeared in this fandom shortly afterwards, have known about changes operated for five days only, by an unknown user, on the open source webpage of a B-listed British actor?
I have only one question, Your Honor:
WHY?
I rest my case.
[Edit]: To make it maybe more clear, I now know where the person adding that category lives, thanks to Wikipedia's own tracking system:
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No surprises here:
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Augusta. Georgia. USA.
Now, yes. Now I rest my case.
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oh2e · 4 months
Text
A (long) Collection of TTOI Quotes
He’s as useless as a marzipan dildo
I’m going to have to mop up a hurricane of piss here
He and Hewitt are tight as arse cheeks
‘How fucked am I? On the fuckometre?’ ‘Oh 12’ ‘yeah 12’ ‘out of what?’ ‘50’ ‘oh…. mine was out of 10’
Tiny little dick the size of a bookie’s biro
There’s no time to go home I’ll pass myself on the way back in
I can only cook with what I’m given. You give me Hugh Abbot I’ll give you bangers and mash, you give me Jerry from home office then I can raise it to fucking risotto and scallops
I am king of remembering my own password
‘Shagging your way to the top is it?’ ‘Yes well I’m not Scottish so I’ve got to get in somehow’
How much shit is on the menu and what flavour is it?
‘What do you want Malcolm’ ‘Two bits of tit. Two titties.’
Come the fuck in or fuck the fuck off
“What about just firing him at a wall from a cannon?” “I know we force feed him a mixture of garlic and Dettol in cup a soup” “What about the old red hot poker up the arse?” “I’d like to nail him to a tree through the head and watch lice slowing crawl over his body eating off all the flesh”
“Has security checked this [plant]?” “For little terrorists?”
This is the problem with the public - they’re fucking horrible
Not only was it a shit idea to ruin my holiday, it was a shit idea you stole from the government to ruin my holiday
Ah that’s like smoking dead skin that is
You’re the fucking shittest James Bond ever - you’re David Fucking Niven!
You’re like a sweaty octopus trying to unhook a bra
You take the piss outta [Al] Jolson again and I will remove your iPod from its tiny nano sheath and push it up your cock! Then I’ll plug some speakers up your arse and put it onto shuffle with my fucking fist
Ithought you said no one reads these except political obsessives and mad Christians in wheelchairs but loads of people read mine
“I am not the story here” “Well no you kind of are though Malcolm, they spelled your name right and everything”
Come with me before I put your nuts in a book and squeeze them so hard that they come out like pressed fucking flowers
You’re The Ben….Ben Nevis…Bentally Ill…
Tickety fuckity boo
“Anyone seen Jamie?” “Oh don’t tell me he’s gone feral cos he was fucking terrifying when you had him on the leash.”
I’d love to stay and talk to you but I’d rather have type 2 diabetes
Mr Baby New Potato Head
It sucks cock so deep the bell end is wearing your appendix as a little hat
This is an operations room so unless you want your tonsils out by keyhole surgery from this key here, piss off!
Cliff Fucking Lawton! Nice. Was the Cilit Bang man not available?
To a guy who loses it so bad he needs a sat nav to find his own nipples
I’m feeling about as up to date as a Gregorian calendar
“You couldn’t organise a bum rape in a barracks.” “Au contraire”
You’re about as secure as a hymen in a south London comprehensive
Stop fucking blinking or I will take your optic nerve and fucking strangle you with it
Hanging round like a couple of school secretaries in the summer holidays
It’s like a prostate consultant’s waiting room in here
You will be sorry you inflatable cock!
I am going to have your intestines as a skipping rope and your lungs sundried and turned into a fucking waistcoat
Or will Dan Miller pull his scalp off and use it as an oven glove?
Enough of the pleasantries let’s just oil up and get fucking
A towel rail shouldn’t take up a whole wall, that’s not a towel rail it’s a climbing frame.
I’ve got a to-do list here longer than a fucking Leonard Cohan song
More on my plate than a spinster at a wedding
The only other candidate is my left bollock with a fucking smiley face drawn on it
Feels a bit like my head’s made entirely of smoke alarms
Fuck the Is and fist the Ts
May as well ask what I think of skirting boards, I’m sure we need them but I don’t know why
“No no I didn’t say that” “Well you sort of did with your face”
Let me row back a little bit, perhaps all the way back to the boathouse
She’s not bent either in the sense of being corrupt or being gay and by the way that’s an incredibly homophobic headline you massive poof
Omnishambles, from bean to cup you fuck up
I’m on my way to wipe my arse on pictures of Nick Robinson
“And I’m not doing terribly am I?” [Malcolm looking out the opposite window] “I love the way they’ve sandblasted here. It looks so clean.”
No no, don’t get up - I’m not viagra
He’s a fucking knitted scarf, he’s a balaclava.
The only thing John Duggan is doing here is depriving a village somewhere of a twat
You write almost entirely in generic meaningless buzzwords don’t you?
I will tear your fucking skin off, I will wear it to your mother’s birthday party, I will rub your nuts up and down her leg while whistling Bohemian Fucking Rhapsody
She’s behaving like a squirrel in a pedal bin.
Or I’ll have to tear my eyelids off and scrunch them up into fucking earplugs
I’m flypaper for dickheads
I think you’re wrong Malcolm you’re like a sultana in a salad
Sorry I can’t make espresso but I’ve made this so thick and black it’ll be like drinking fucking plimsoles
Well fuck a pot noodle. Sam, prepare my horse. I ride to DoSAC
The only fucking vibe you need to worry about is the one your wife hides in her knicker drawer
See you later and remember my door is always locked
* Tintin’s sexy sister to Ollie
What I really need is to shoot you all in the back of the head FUCK FUCK FUCK FUCK. but I can’t because it’s illegal.
I reserve this level of anger for when I’m flying Ryanair
As about a strong defence as ‘the fertiliser in my homemade bomb was organic’!
She’s a fart in a frock and we both want her wafted out of here
She’s going to have to fall on her sword, which means that we’re going to have to stick one in the ground, trip her up onto it and get someone jump up and down on her back for ten minutes
She’s going to kick her own head in which’ll be easy because she does yoga
I’m looking for Mr Oliver Reeder? He looks a bit like a Quentin Blake illustration
“Is she fucked?” “Like Caligula’s favourite watermelon.”
Can I bring you a shot glass? And some bleach?
You can’t look a gift corpse in the mouth
“It’s over the fat lady’s singing” “No she’s not, the fat man from the go compare advert is talking”
I’ve got my cock out, it’s covered in breadcrumbs and the fucking pigeons are circling
Have I just stepped through a portal into a sausage machine because this is making mincemeat out of my head
Sit there and ogle me like a page three girl
I’m as busy as a two-twatted hooker
Now I have to step in your shoes but after you’ve shat in them
I don’t just take this fucking job home you know. I take this fucking job home, it ties me to the bed and it fucking fucks me from arsehole to breakfast then it wakes me up in the morning with a cupful of piss lung in my face then slaps me about the chops to make sure I’m awake enough to kick me in the fucking bollocks. This job has taken me in every hole in my fucking body.
Everything is fine I’m like lube at a funeral
If you pull off again I’m going to stick the meter so far down your throat you’ll be able to tell the price of your next shit
You closeted regency homosexual
It’s been a bit like renovating an old, old house. You can take out a sexist beam here, a callous window there, replace the odd homophobic roof tile, but after a while you realise […] the foundations are built on what I can only describe as a solid bed of cunts.
Shit in the couscous
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mtcremovalsposts · 4 months
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St James Moving and Storage Company
Welcome to St. James Jame’s Removals Company, where excellence meets efficiency in every move. Whether it’s a residential relocation or a commercial move, we’ve got you covered with our top-tier services.
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miwhotep · 19 days
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THE JACK THE RIPPER CASE IN YUUMORI AND IN REALITY
One of my favourite arcs is the Phantom of Whitechapel because it adapted the real Jack the Ripper case quite well and the story was full of elements what actually happened. I wanted to write a little about the similarities as recently was the anniversary of the first murder.
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The Jack the Ripper murders or Whitechapel murders took place in 1888 in the East End of London, the infamously poor Whitechapel district where the underclass people lived. Lot of women here earned their money for the living from selling their bodies and a serial killer, Jack the Ripper started to target them. The number of the victims is unsure, the police accepted five murders to be surely connected to Jack the Ripper, they are often referred to as the canonical five. The women got murdered by their throats being cut away and some of their inestines were also removed from their bodies.
The first victim was called Mary Ann Nichols whose body was discovered at 3:40 a.m. on 31th August. She was last seen alive by a woman she lived with in a lodging house. These all are very similar to how Moriarty the Patriot described the murder details, except that there, the victim's name was Melanie Nichols and she was seen with a blond man.
The second victim was Annie Chapman, her body was found at 6 a.m on 8th September and she was last seen half an hour ago in a company of a dark-haired man. The details shown in Yuumori are again similar, just the victim was called Adeline Bergman.
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(Interesting addition to here - just like you see, the fan translation uses the victims' real names while the official gave them fake ones. In the original Japanese, also the fake ones are what are used.)
When it comes to the later murders, Yuumori's story deviates from the historical events, since here, the last three victims of the canonical five was just a stage-play by William who tried to catch the killer(s) with setting up a fake Jack the Ripper. In reality, two of the victims, Elizabeth Stride and Catherine Eddowes were found on the same morning of 30th September - the Morigang placing two of the dead bodies at the same place so they get discovered at the same time must be a reference to that. The last victim, Mary Jane Kelly was discovered in the room where she lived on 9th November - her murder was the most gruesome out of the five, what I think Yuumori also referenced with Jack's show who pretended to kill a woman brutally on the roof.
Several letters signed by Jack the Ripper were sent to the newspapers. The media, especially the Central News Agency where some of the letters arrived, also overexaggerated about the details when they wrote about the murders, spreading a lot of misinformation just to sell more papers. In Yuumori, the group of people responsible for the murders who committed them to cause fear in the public and make a revolution by the Whitechapel Vigilance Committee and the police forces collide, hired Milverton to create the Jack the Ripper agenda with the help of his media power and he also manipulated the public opinion. The quotes shown from the letter sent to the Central News in the Moriarty the Patriot manga are from the first letter (called as Dear Boss letter) signed as Jack the Ripper what was also sent to Central News in reality. The real letter was longer and Jack the Ripper threatened to send the lady's ears to the police instead of her organs (however, with one of his later letters, Jack truly sent one of his victims kidney to the police), otherwise they are the same.
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The Scotland Yard, just like in Yuumori wasn't really on the top when it came to solve the murders what resulted in riots and conflicts with the Whitechapel Vigilance Committee in reality too. And just like Chief Inspector Arterton was removed from his position in Scotland Yard - tho, for a slightly different reason - for not solving the Jack the Ripper case one of the police chiefs of London back then was also fired. In Moriarty the Patriot, a doctor was wrongly arrested and sent to prison in order to silence the raging public and in real life, lot of doctors were suspected to commit the murders.
In Yuumori, the identity of Jack the Ripper was solved by both Sherlock Holmes and the Morigang - who killed them - but it stayed unsolved for the public. In reality, the identity of Jack the Ripper either remained unsolved or not - few years ago, there was a DNA test what was said to determine the killer's identity, but lot of researchers believe that the test was incorrect and don't accept the answer.
I adore this arc for how well the series merged reality with fiction and it was especially exciting to read knowing the details of the real Jack the Ripper case.
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hephaestuscrew · 6 months
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Favourite Fleet & Clara quotes from High Vaultage 
(Page numbers from my Goldsboro special edition, I'm not sure how they line up with page numbers in other versions. Spoilers for all of High Vaultage.)
p27: Clara had met Fleet only weeks before. She had just arrived in London and started work as a crime reporter, and pursued a murder case alongside Fleet despite his repeated objections, until he eventually conceded - as Clara had known he would - that they were making a good team, and furthermore proposed - as she hadn't a clue he would - that they go into business together.
p51: "There you are, Fleet. Where have you been?" / Fleet paused, made some confused looks between Clara and the room he had just left, and finally pointed at the door. "Isn't this the waiting room for detectives whose partners have run off? They were quite a few of us in there. Quite a lot in common." / Clara suppressed a grin into something more disapproving. "You're not as funny as you think you are, Inspector." (More below the cut.)
p70: [After Clara successfully sneaks into the Iron Bridge Club] [Fleet] should have known Clara would make it in. Her tenacity had been clear to him since she had first left the police roping at a crime scene of his. It was one of the things he admired about her, even if she didn't always check whether there was somewhere to land.
p76: [After Clara's business card strategies work on Cosgrove] Fleet glanced at Clara. She grinned back, eyes wild with pride, before tapping her bag and mouthing the word 'Posner'.
p116: [After Professor McCabe says “Top marks, Miss Entwhistle”] Clara beamed, and flashed her eyebrows at Fleet while elbowing him in the ribs.
p132: "Don't think you can shake me off, Inspector. I'll come with you." / " I'm not trying to shake you off. It's just late, Clara.” / "You're always trying to shake me off. Ever since we met. Despite my constant usefulness." / "I'd say occasional usefulness," replied Fleet, maintaining a straight face. / Clara, with some effort, twisted her grin into something approximating outrage. "Frequent usefulness, surely!" / "No, but I'll agree to "regular usefulness"." / "Deal.” / “And I asked you to join me in business, Clara. If I'd wanted to shake you off, that's a poor way to go about it."
p154: [From Fleet's POV] Clara really was the sort of person - indeed the only person he knew - who could find genuine joy and wonder in a building site.
p172: [When Clara fears for her life at the display of the Lanterns] She thought of her brother, her sister, her parents... Her ridiculous detective.
p176-178: Clara without her usual pep was almost unrecognisable. [...] Normally that sort of reply would at least elicit some playful scolding. Fleet grew concerned. [...] "Do you want to talk about it?" [...] " What do you want to talk about?" [...] He tried to think of more options. Not talking about things was Fleet's speciality, but for Clara this signalled a worrying malaise. Things were dire. He was going to have to resort to small talk. "Would you like to hear about my day?" A brief pause. "Yes," she replied, with a note of hope [...] Fleet remembered the mess he was in before he switched to the task of cheering up Clara.
p184: When he saw her, she noticed his eyes were shining with a rare zeal, and he appeared bursting to explain whatever he was thinking.
p187: Fleet had, after all, taken her under his wing, even if she did have to thrust herself there initially. She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her.
p201: [After Fleet sees a magpie get electrocuted] Fleet looked at Clara, who thankfully had been facing the other way.
p214: [After Fleet falls into the frozen river] Clara, removing her cape and placing it over Fleet's shoulders 
p225: [Clara] had read several books on the subject - Surreptitious Sleuthing, Introduction to Ingression, Undetectable Detection, to name a few - but she always seemed to pick up more from her partner, whose years in the police had left him full of [useful tricks].
p235: [While navigating the Brunellian tunnels for the first time] "I still think my way is more fun." / "Escape, Clara. Escape and then fun." / "That's a promise, Fleet. You've promised it now.”
p259: “That's too much topiary,” said Fleet [...] Clara's eyes lit up at this rare revelation of a personal opinion from her colleague. “I didn't know you had such strong views on topiary, Fleet.”
p293: [When Crowe increases how much he'd be willing to pay them to investigate on his behalf] Fleet knew his answer, but felt he had to see whether Clara was still in agreement. He looked to her, only to be met with an expression of astonishment that he had taken even this long to respond.
p337: [After their falling out] Where do you even begin, she thought, let alone end, with someone you've worked with so closely?
p338: [After they squash the scone Fleet brought Clara as part of his apology] "You want me to eat an exploded scone!" cried Clara, stifling laughter.”/ “I think it says a lot if you refuse.” / “Fine,” she said, grabbing the bag, pulling out the crushed scone and taking an enormous bite. / The corners of Fleet's mouth twitched. Clara was sure he almost laughed.
p341: [Before they go into the Church of the Mechanical Man to look for Helena Evans] Clara smiled, and punched him in the shoulder. / "Ow! What was that for?" / Clara realised that in her excitement at Fleet's plan she had landed her friendly thump with rather more power than intended, so she clarified: "You're a good one, Fleet.”
p371: [After Fleet gets shot in the shoulder] Fleet thought he heard Clara scream his name, but he couldn't be sure. Suddenly she was next to him, checking his shoulder.
p371-372: Clara turned to Fleet. “Now I have an idea.” / “What kind of idea?” / “A terrible idea. Just the worst idea I've ever had.” / Fleet looked towards the distant exit, which could barely be seen beyond the fire, and then back to Clara. “I like it.”
p373: [As they anticipate an oncoming wave of molten metal] Fleet felt a sensation he did not recognise. Something like calm. Then Clara took his hand and turned him towards her. For some insufferable reason she was smiling again. He couldn't help but return it. [...] Fleet realised Clara still had his hand firmly in hers, and she seemed to be saying something at him that he couldn't hear. He tried to listen, but she stopped speaking, shook her head, threw her arms around him and hauled him down onto the ground.
p375: [When Clara won't tell Fleet whether she knew they were going to be saved by Helena Evans] “And you don't think this might affect how likely I am to trust your plans in the future?” / “Does it?” asked Clara. [...] “No,” said Fleet. “It doesn't.”
p381: Clara stiffened her posture, as though she might salute. "Archibald Fleet, I challenge you to a battle of business." / "We're partners, Clara. We're on the same side." / "A point for whoever solves a case first! More for trickier ones!" / "But we work together..." / "Let battle commence!" she cried.
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notyour-valentine · 1 year
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Welcome to Downton, Mr Shelby 12 ~ Tommy Shelby x Crawley!OC (Series)
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Summary: Just a lot - we have places to go with this story
All my writing is produced by an adult and created with an adult audience in mind (18/21+). You are responsible for your own media consumption.I do not consent to my work being translated, copied or posted elsewhere on this platform or any other.
Wordcount: 5400 words
Part 12
Charlotte. 
His head snapped up. All this time he had thought, he had been talking about Mary, but Charlotte? 
How? 
She was still practically a child. It simply wasn’t possible. How could she even come into contact with someone like that?
"I will do what I can to protect your cousin from harm.", He assured him, his grey moustache quivering, "however the safest way would be to remove her from Shelby's sphere of influence in it’s entirety.”
He pronounced every word with a sharpness. 
“Can I trust you to do that?" 
"Of course you can.", Matthew hissed. The man’s tone had been as insulting as his accusation shocking. 
She was family too and he felt responsible for her, for all of them. Being the heir did not only mean that he would one day own the title and the estate, but he would also be the head of the family, tasked with protecting them all. And even if he wasn’t, she was still his family - Goodness’ sake! 
After the Inspector had left, all and any idea of lunch at the club had evaporated as he immediately began to make inquiries, calling in favours and asking for references - anything and everything that could be found out about  Mr Thomas Shelby from Birmingham. 
"As quickly as you can, please."
The days of waiting on responses were gruelling and left him agitated and unpleasant. Since he knew in advance, he simply prolonged his London stay until he had to return to Downton, and even then he did not wish to leave the papers in the office in Ripon and so he brought them home with him. 
A part of him wanted to act immediately, felt like running up to the big house, taking Charlotte aside and telling her, warning her, but then he realised that she would not know any of it. 
She would know the charming handsome man Campbell had described as luring women in. And she wouldn't believe him, at least he couldn't be sure. If he couldn't convince her at once, she could go to him to ask him, or to confront him, and then who knew what could happen. 
So Matthew needed evidence, concrete, indisputable evidence that would convince her enough to make her stay far away from that man. 
But the more he found out, the less he understood. 
There was no record of his birth, no criminal record, nothing- until he went to France. 
It was as if he appeared in 1915, a man grown and ready for war. 
There was no criminal record after the war either, no mention apart from a newspaper article that described him as partaking in a protest in Birmingham where they lit a bonfire with the King's portraits. 
In the article he was quoted as talking about how the men loved and served their king but that they felt abused by the new police tactics- headed, incidentally, by a Chief Inspector Campbell. 
So this might be personal. 
Matthew didn't remember much of criminal law, but he knew that personal matters always muddied things. 
And then, he tried to look at his businesses. Companies had to be filed, which was comparably easy to find, or so he thought. 
The first was a bookmaking company with a gambling licence from 1919 for the races. It was quickly followed by some factories and a motorcycle and car business, focussing on trade, all established in the following year. 
But to find his way through that web took time and energy. Companies owners by other companies owned by other companies- it was like walking through a labyrinth with moving walls.
It also made the paperwork on his desk at home pile up to astronomical levels. 
Matthew looked up as the door clicked open. 
"I thought I'd bring you some tea.", His mother said with a smile. 
"Thank you, Mother.", He said, offering her a tired smile.
She put it down on the desk, her eyes glancing across the paperwork before she picked up a page from what the war office had sent him, detailing his outstanding report of his exemplary war record that earned him gallantry medals. 
"Huh.", She said surprised, before placing it back onto the table. "Charlotte never said Mr. Shelby was a war hero."
She said it in passing, almost casually, before she walked over to open the window.  
"Charlotte knows Mr. Shelby?", He asked, his heart thundering in his chest. 
A small part of him had - up to this point - held out the hope that it had simply been a mistake. 
"Of course she does. I told you about the charity initiative she has joined? It is his initiative. Didn't I mention his name?"
Matthew's gaze danced through the room as he was desperate to hold onto something - anything - other than the terrified feeling in the bottom of his stomach. 
"Whatever's the matter?", She wanted to know. "Are you ill?"
"No,", he whispered, running his hand through his straw blonde hair. "I am not ill."
He cleared his throat and tried to avoid his mother’s piercing gaze, but to no avail. 
“Matthew, I wish you would talk to me.”, she asked gently, sitting down on the sofa and inviting him. “It is no good to keep your grief locked in like that. Lavinia-”
“This isn’t about Lavinia!”, he snapped a little harsher than he had intended. 
He didn’t want to talk about Lavinia, not to his mother and not to anyone and the very last thing he needed right now was a mention of his own greatest personal failure when he was trying to prevent another. 
“What is it about then?”, his mother asked. 
Matthew paced up and down the room, trying to think of what to say, knowing the wording was key. He didn’t have proof yet, and if it got out before he had that proof, there was no way of knowing what would happen. It was like being in France all over again - every moment could prove lethal but one simply had to move. 
“I have heard things about Mr. Shelby that concern me.”, he finally said. 
“What things?”
Matthew couldn’t say, not now at least, not until he had it in indisputable black and white. 
“The point is, it is not a man Charlotte should be in contact with. For her own good.”
His mother raised her eyebrow. “For her own good? What harm could there possibly be in working for a charitable foundation?”
If that so called charitable foundation even exists. If it isn’t just a ploy to lure her in. If the man she works for wasn’t a criminal. At least according to Campbell. 
“The cause does not matter. She should not be anywhere near him whatsoever!”
His mother’s jaw tightened. 
“Matthew, this isn’t like you. You can’t just tell her where she can and cannot go!”, she scolded as if he was the one in the wrong here. 
“Well someone has to forbid her and if that person is me then so be it!”, he insisted, his chest heaving with heavy breaths. 
His mother, however, seemed to be completely calm. 
“Don’t you think you are overreacting? I don’t know what you’ve heard but Charlotte seems very taken with him and frankly, I admire him. But if you are unsure, perhaps we could invite him for tea.”
“Him?”, Matthew asked, his voice sounding breathless and foreign to his own ears. “For tea?”
Isobel Crawley nodded. “Charlotte does not want the family to know the extent of their workings just yet. She fears that Robert would put a stop to it.”
Oh how very soothing. 
Matthew bristled. Things were far from good if he already had her keeping secrets from her father. 
“I don’t want you helping her anymore. No covering, no helping her get away. Nothing like that, do you hear me?”, he demanded. 
“Matthew, you are getting rude!”, she snapped right back, her cheeks flushing. 
He raised his hands and took a step back. 
“You’re right. I am sorry. I didn’t mean to sound that harsh.”, he said, “but Mother, this can’t go on.”
“Whyever not?”, she asked impatiently. “You make such a fuss but refuse to tell me why!”
Because I can’t tell you yet. 
“Perhaps I should just talk to her.”, he thought out loud. 
I needn’t mention all of it, just perhaps find her a distraction, a new occupation to keep her busy. She was a good girl and far easier to sway than Edith or Mary. 
The longer he thought, the more the idea of a distraction seemed suitable. Perhaps he could try and find a different man for her to be interested in, a decent fellow from a good family. She deserved that. Cousin Violet would have a list ready by sundown and he could work with that. 
Yes, a distraction might be the very best thing. 
Besides, he still had time. She was busy now preparing for the Wrinnington Ball next week, and shortly after was the races they would all be attending with Sir Richard. While Matthew knew these social obligations would cement the path of his future, he was not overly fond if them, but if they kept Charlotte busy and bought him time, he had to cherish them more as simply a necessary evil. 
~
He thought of her even when he wasn��t thinking of her, simply put. Even in business meetings and while going over reports, she was never far from his mind, lingering in his thoughts like a dancer in the wings before a performance, awaiting what would soon take place in front of a packed audience, with blinding lights shone upon it. 
And there it was again, the doubt, the guilt, the worry. 
He had planned it out, had decided it long ago, had overthought and approved the plan, his plan. 
It didn’t matter now, it shouldn’t matter, nothing should, because he had thought everything over, everything but this. 
She trusted him. 
She had trusted him, had trusted him longer than he realised, but the moment she fell asleep in his presence, her head slightly slumped, her chest rising and falling slowly, her hands resting in her lap- 
It didn’t matter how or why, it mattered that she felt safe enough around him to allow her exhaustion to overcome her, to let her eyes flutter shut. She trusted him not to harm her, not to put her in danger. 
Thomas Shelby couldn’t remember when someone had last trusted him so, without him demanding or ordering or threatening. 
Even his own family members were beyond reluctant and persistent, often complying only because there was no alternative, or simply stopping to resist. 
She had trusted him blindly, stupidly, the way only a person could who had experienced the world as a pretty, harmless place. 
His men had trusted him, Tommy thought, back in France, though they had not trusted him, but rather their Sergeant Major. They had trusted him because they thought they knew him, because it was easier to follow the command if it came from a familiar face, in a known tone, but that made it no less deadly. 
Men were dead now because they trusted him. 
Dead in the mud, dead in the field hospital, dead in the canal and the streets of Birmingham - and dead in their prisons. 
The boy had trusted him too, the one playing at being an outlaw, with a wooden gun and a holster made by the woman who did what mothers do. 
He had trusted Tommy to protect him, to keep him safe and from harm and now he was buried like he had once been, only under far firmer, drier ground. 
Sometimes, now, when he dreamt of that horrid night, of the creaks and cries of bursting beams, the frightened calls of his comrades and the deafening silence, he saw himself there, and Arthur and John, and Freddie and Danny and the rest of them. Sometimes, when he dug, his hands clawing at the earth, he turned to find the face of the boy right next to him, his eyes wide and still filled with fear, as if he was yet a few heartbeats away from death, as if his heart was still thundering in a feeble attempt to get the blood where it needed to go. 
And if it wasn’t the boy and the mud, it was the shovel and whispers of German. 
When he was awake, he could fight ehm with whisky and occupation, but in his dreams, he forced himself to think of her, of the loose strand of hair that fell in front of her eyes, somehow escaping both hat and hairties, a rare mishap in the perfection and poise she normally portrayed. 
He could conjure the image even in his sleep, even in his nightmares. And in them, like she had in life, she was so calm, not even the noises coming from the darkness would startle her. 
Breathe with her. Just breathe with her. 
And he did. In and out, in and out. 
The shovels were still there, but they wouldn't disturb her. She just kept sleeping and he kept breathing. 
In and out. In and out. 
To his shame, he found himself focussing on that every night before he tried to sleep, no matter where he was, which bed he was lying in, he always brought her with him. 
He had tied her fate to his by parading her around in front of Campbell like a prized racehorse and as revenge, she held the key, the only key to salvation in her silk-gloved hands, the same he had tainted my mere association. 
He had seen hell in France, and now he had created his own purgatory. 
His plans, those he had made in sleepless nights, now finally came together but there was no satisfaction, no relief, no joy, even though it was going well, too well, really. 
Tommy should have known that it was only a matter of time until it all went up in flames. 
But like a house of cards, it all came crashing down in a matter of hours. 
He had been at May’s, for the horse, and a distraction. He had things to get out of his system, probably. And there was no harm he could cause, not with May. 
But before they got anywhere, really, he got that call. 
Michael arrested in Birmingham. 
Arthur arrested in London. 
Billy dead, shot, and pinned on Arthur. 
And Solomons and Sabini united against him. 
It had been too much in too short a time and when he saw the smug smile under that hideous moustache, he knew. While he couldn’t pin it on Campbell, not entirely, he knew he had his fat little hands involved. 
He called it insurance, of course, but it was nothing but retaliation, a strike back to punish him after aiming to humiliate him with Charlotte, or a test to see how quickly he would pull the strings he had threatened him with. 
If he had aimed to call Tommy’s bluff, it had worked. 
Despite his icy fear, despite Polly shouting at him to get Michael out, he couldn’t bring himself to make the call, to Downton or her uncle in the ministry. 
All he could think of were May’s words. 
You think your people are ruthless? Try mine. 
He would have tried, he could have tried, but not with Charlotte. And the realisation cut deeper than he thought it could. 
But failure always stung, still the mere thought of his original plan turned his stomach to the point where he knew he couldn’t come face to face with the girl, and instead skipped out on the meeting with the hospital staff for the foundation that had been nothing but a scam to lure her in originally. 
The detailed, neatly written report she had given him was a sweet salt in the wound. Like always, she was trying so hard. She had done so from the very beginning and by now she was good at it. 
He could spot the wit in her writing, the cheeky tone she used to describe one doctor’s reaction, almost mocking him for how he treated her as a near-deity due to her title, something she used to her advantage. To their advantage. 
Tommy remembered her uncertainty, the refusal of payment for fear she would do more harm than good, and now? 
There were things in motion, plans set to work, good plans, that would improve the lives of thousands. He had planted a rotten seed in burnt soil in the name of a scheme, but somehow she had gotten it to bloom either way. 
Sweet, foolish Charlotte. 
If she had been any less good, he would have had no qualms to fulfil his original plan, and now he was leaving all that behind to protect her. Payment, he found himself rationalising, for all the children who would profit of her work. 
But beyond that, while getting his affairs in order in case his Epsom plan failed, he found himself thinking of her again, of how she talked about her father, her family, her duty to them, her uselessness with money, her utter dependence on them, and the risk her sister had taken in setting herself loose from it. 
It must’ve worked, though, for her sister and the chauffeur, but Tommy knew a great deal of fools who let themselves be lured in by love. If her chauffeur loved her any less, she’d be stranded and penniless in a country not her own, disowned by her family and lured in by promises of love. 
Charlotte had been lured in too, by Tommy and his schemes. Who was to say there wouldn’t be another one to try it for other reasons?
And was there not the risk of someone in his family blabbing? Polly, he thought, if he didn’t get Michael out quick enough would be on the next train to York, knocking on Downton’s door and threatening to bring the whole place down and Charlotte with it. She wouldn’t hesitate, hell, she had already demanded to know why he hesitated to feed her to the wolves to get Michael out of prison. 
Even if he didn’t fail, there was still a risk of Polly pulling a stunt like that, one that would ruin Charlotte, one that could see her disowned and out on her own. 
Because of me, Tommy thought, because she thought she was helping me. 
It was yet another reason to keep him up at night, that allowed him to work until dawn if need be, longer than any other. 
"Tommy, I'm going home.", Lizzie said, peeking her head into his office and waking him from his thoughts. 
"Yeah. Go home, Lizzie. You should have gone hours ago.", He mumbled without looking at her., and diligently avoiding looking at his watch. 
He’d have to give Lizzie a few notes extra. 
"I was waiting in case you needed anything…", she said, her painted fingernails red against the black of his door. 
I need Arthur back. I need Polly's son back. 
I need peace with the backcountry boys again. 
I need the clubs and the warehouses back. I need a bullet for Solomons and for Sabini and another for Campbell. 
I need a fucking solution for everything. 
He took the final sip of his whisky. 
I need sleep. 
His eyes wandered over to where Lizzie was still waiting. 
She didn't say it out loud, but the offer stood all the same. 
He covered his face with his hands and rubbed his closed eyes with his fingertips.
Why the hell not, eh?
If he couldn't find rest, he might as well find release. 
He locked his office door and followed Lizzie towards the stairs. There was no talking, for there was no talking needed. 
Lizzie knew what Tommy wanted - what Tommy wanted from her. 
But that was just it, wasn't it? 
His feet stopped and he watched her descend and with every step she took, with every step he didn't, he felt the miles of distance between them more than before.  
She turned, looking up at him, a silent question written all over her face. 
"Good night, Lizzie.", He said softly, before returning to the office. 
He hesitated, his hand hovering over Lizzie's phone just like it had over his earlier. 
But then he picked up. 
The operator had connected him comparably quickly. 
"Painswick Residence London.", The butler said. It was a familiar interlude and each time he thought that he really had to get her her own telephone. But by now he knew her too. 
"Thomas Shelby. I need to…", he broke off, taking a deep breath. "I'd like to talk to Charlotte please."
He was surprised at how tired his voice sounded. 
"The young Ladies and Lady Rosamund are not in residence."
"Where are they?", He asked. "Back at Downton?"
He could call there as well, but she was supposed to be in London. She had said so herself. Or maybe he had missed that too. 
"No, Sir. They are attending a costume ball at Hasting's House."
Tommy scoffed, looking into the darkness outside the window. 
Of course she's at a fucking ball. 
He could almost see her, dancing under the glittering lights of a ballroom, diamonds around her neck and a tiara in her hair with not a care in the world as she was spun around by some red-faced lordling. 
"Should I take a message, Sir?", He asked. "Although I doubt she will respond before tomorrow."
"No, thank you. Goodnight."
After he hung up, he unlocked his office once more and poured himself another drink. 
Fuck. 
Tommy braced himself on the desk and let his head hang. 
It wasn't too late to go after Lizzie, or to find someone else who he could make do with. 
Or maybe he could go to the yard and take one of the horses out until the sunrise came. 
But he didn't want to fuck, not even to clear his head.
So he picked up the phone again. The voice on the other side was the same. “I changed me mind,”, Tommy said. “I do want you to take a message for Charlotte.”
The butler cleared his throat. 
“And what precisely would you wish me to convey to Lady Charlotte, Mr. Shelby?”
~
He had begun the drive south in the earliest hours of the morning, after less than a few hours of sleep, arriving at Ada’s both unannounced and in the middle of the night. 
But the night gave him time to make up his mind. In a way, it already had been, but at the same time, it removed all doubt. 
In a week, he could be dead, a body rotting in the ground, with the only worth remaining in what he left behind. 
Ada’s boy, John’s children - those matters were sorted now. The letter to the New York Post was written, in the hands of Ada. 
The business would be in good hands with her and Polly. 
That only left the foundation, and Charlotte. 
After an early breakfast with his sister, who looked a proper bohemian with her silk robe and expensive coffee tastes, he left for Hyde Park. 
By now he knew her mornings were when she was most flexible, and the park was close enough for her to meet him there. And she did, thankfully, alone. One could never be sure with her and her family. 
When she came closer he could see beyond her cream coat that revealed just a hint of her pink dress underneath. The colour matched the shoes and the ribbon on her hat, of course. 
All these little details he had grown to expect from her. 
“Good morning.”, she greeted, offering him a warm smile that couldn’t hide the slight shadow under her eyes. 
“Long night?”, Tommy asked. 
She tilted her head from side to side, a slight blush creeping up. “Oh you know how it is.”
He really didn’t, but he didn’t want to push it. “Are you well?”, she asked, a line of concern forming between her brows. 
“Well enough.”, he admitted as they began to walk. Well enough for a man that could be dead soon. 
She huffed slightly, but she didn’t pry- not with her words at least. Her eyes dug into him from the side as if she wanted to see through his skull and into his thoughts. 
That’s not a place you want to go, love. 
“Is there anything I can help you with?”, she asked softly. 
He shook his head. 
“Whatever it is, I hope it improves soon.”, she said, giving his arm a little squeeze. 
She leaned into him slightly, as they walked, passing nannies pushing prams, and little children running at their sides, a few men rushing to jobs, and a few women taking morning strolls. One could walk through this part of London during this time. Not even Sabini or Solomons dared to get their men into these areas- her areas. That was what calmed him. She at least was safe- safe from the Jews and the Italians and even fucking Campbell. 
He had been considering asking her to take Ada and the baby in, just for the Derby day. That way they would be out of harm’s way in case…
She might even do that for him, but Ada wouldn’t go, not to her. He cursed her politics and the stubbornness they both shared. Ada would ask questions, questions he couldn’t answer. And the last time he had told her to get to safety she had stepped right into No-Man’s-Land, with the baby. 
By pure luck, it had worked. But this time around it was more than Billy Kimber. 
“I have some papers for you to sign.”, he finally said, stopping at one of the many benches by the fountain after glancing at his watch. She only had little time and would soon have to return in time for the train to Downton. 
“Papers? Now?”, she asked surprised. 
“Not much.”, he assured her,as he pulled forth three folded documents from the coat pocket. 
Charlotte had to step closer to read them. 
“Tommy, I don’t understand.”, she said softly, looking up at him. “Power of attorney?”
“Yeah.”, he said, holding the pen between his fingers. 
“The money for the hospital and the other projects are already set aside, but I’ve slotted some more for the running of it. It should go smoothly.”
“But why?”, Charlotte asked wide-eyed. 
“Don’t worry.”, he assured her. “It’s just in case.” “In case of what?”, she demanded to know. 
In case my plan doesn’t work. 
In case Campbell outsmarts me. 
In case I die and I never see you again. 
“In case I will be temporarily absent and decisions have to be made for the good of the foundation.”, he lied. 
“Without consulting you?”, Charlotte asked, glancing at the paperwork once more. The uncertainty was ever present in her voice. “Yeah. You’ll be able to make calls on your own.”
This was the whole point of it, of granting her power and ensuring that the work of the last few months didn’t go arry. If he had to leave this world, then he would at least leave it with something decent behind and the only person whom he could entrust with that part of his legacy, was her. “Surely it would be better for that trust to be placed in Mrs. Gray or Mrs. Thorne, or even your sister in law.”
Likely. 
“They are your family.”, she insisted. “This is as much your project as mine. We built it together. You know the workings better than anyone and you are the only one who actually knows how to run it.” She didn’t look convinced. 
“I trust you Charlotte, and I want you to…”
To continue this in case I’m gone. 
“I want you to sign. Just so I can rest easy, eh?”
She pursed her lips but she took the pen and signed all three papers. 
“Thank you.”, he mumbled, as he took both pen and papers off her again. 
“Was that why you were so worried?”, she wanted to know. Tommy decided to nod. 
And he also chose not to tell her of the amendment to his will. Karl and John’s children would benefit from the trust fund. The family from the rest. 
He chose not to tell her about the houses in Kensington, Mayfair and Belgravia which he had bought- large houses in good areas that she could rent out for a profit. They would bring in a good amount of rent money that should keep the foundation more than afloat as well as giving her not only security but also some form of independence if she ever decided to need it. 
That would be his last gift to her, if it came to it. That, and the letter he had already written, kept in the other pocket, separated from her only by the thin material of the other coat pocket. 
He already had the stamps on it, and the address, just waiting to be sent in case. 
Four pages, he had written. Four fucking pages, scribbled down at Ada’s breakfast table like a madman. 
It was the longest letter he had ever written and yet still felt so painfully short. There was so much more he wanted to talk about, so much more he wanted to tell her. 
“Tommy, are you quite well?”, she asked, her hand reaching up, just barely brushing against his cheek. They were so warm. 
A part of him warned him not to do it. But the louder voice inside him said fuck it. 
He had put all his affairs in order, had sorted everything out. Now all the letters had been written, all the papers signed and all the preparations taken. 
He could well be a dead man walking, Epsom drawing ever nearer, and a dead man had no time for regrets. 
He may never get the chance again. 
And so, with the papers back securely in his pocket, he reached for her cheek, feeling the warmth and softness of her skin as he leaned down to capture her lips with his.
~
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