#Retired Professionals
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riya58singh · 2 months ago
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Explore Meaningful Engagements for Seniors | NotOut60​
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shadow0-1 · 3 months ago
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Retired
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linddzz · 6 months ago
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I'm not gonna lie "jayce is protective/possessive in a way that a guard dog is" and "but a guard dog has a collar and a leash" have changed my brain chemistry on a molecular, nay, atomic level oh my god I'm a changed person nothing is gonna be the same *feral screaming*
Thank yooouu!!!! I am pretty pleased with that framing for them ever since it occured to me when I was writing out that protective/possessive Jayce post! It really clicked using that description as the summation of the VIBE I got from them even in Season1. That vibe where it's undeniable that Jayce is more physically forward and LOOKS like he's taking charge in those moments where he puts a hand out to hold Viktor back and it LOOKS at first like Viktor just goes along with things.
But there is just. That vibe. That sense. Something about noticing how much Jayce can act assertive but very much wants someone else directing him as Season1 goes. Something about how he's always moving around Viktor. And part of it clicks when you see him putting his head in Mel's lap repeatedly like every single giant dog that does not realize they are not lap size. Then somethinnggg about "man every time he's doing that or even talking to Mel he ends up talking about Viktor huh"
And THEN the something...something about Viktor. About his mix of quiet introversion but the very self assured confidence he carries himself with. The way if something frustrates him he looks over at Jayce like "do something about that." The way that as soon as they partner up it's like he becomes this quiet pivot point holding lots of eye contact while pushing Jayce to do crimes and then being the force of calm confidence as the pressure mounted trying to stabilize the hexgem for the first time. Something about how he always takes Jayce's constant touches and physical looming like it's perfectly natural and you don't know why, but it doesn't feel like Jayce is imposing on him???
And then (for me at least lmao) that exchange on the bridge makes it all CLICK. Jayce got so wound up he ended up snapping at Viktor (bc he is a high energy dog and his response to stress/fear is baring teeth lmao) and Viktor does not even look up as he smacks Jayce's hand away. Does not GLANCE at Jayce as he very pointedly moves away from him and out of Jayce's personal space bubble. And Jayce's hand flinches where it's held out and he immediately says "I'm sorry" in the smallest voice. And THEN, only THEN does Viktor allow the hand on his back to lead him away and you realize. holy shit. Jayce has earned touching privileges back. Holy shit.
and MAN I am usually NOT AT ALL into the idea of D/s dynamics as a lifestyle thing but with those maniacs it's like. Oh you two never even discussed that this is the dynamic. Y'all are just LIKE THAT. If Viktor ever called Jayce "good boy" even as a joke you just KNOW Jayce would DROP to his knees like it's an instinct (making for a hilariously awkward day at the lab)
come with me anon come with me everyone, we gonna explore Dom/sub dynamics that have bonkers types and layers of power exchange nuances in em
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batsplat · 7 months ago
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Wait what’s the tea on Valentino’s sleep patterns 👀👀 (fellow insomniac / recent motogp fan always looking for more representation)
oh yeah, if you're looking for representation for poor sleeping habits you've very much come to the right place. his sleep patterns are pretty remarkable you have to say. way too nocturnal for a professional athlete, reliant on naps to get through the race weekend, all power to him for somehow making that work and winning all those titles. pretty sure I've read somewhere that he's still known for doing sim races at ungodly hours these days, just how he lives his life
tbh I can't remember off the top of my head where I'd actually read about his sleeping patterns, but I've cobbled together a decent selection of quotes from the usual sources. the most interesting stuff he's said on the topic is in his autobiography - where he goes into rather a lot of detail about his preference for the night. given that it's quite a lengthy passage, I've chucked it under the cut. he frames his nocturnal inclination as not only suiting his natural body clock better, but also as a way of escaping the rest of the world - of being able to move around in peace and silence and anonymity. plus, he liked to spend his nights in the garage to... *pinches bridge of nose* have some special personal time with his bike, when it was just the two of them. take that as you will
before that, let's just start with a few more general descriptions of his sleeping patterns. from early in his career, jerez 1998 (from oxley's vr files):
The camper only holds two people, but that's okay. I don't like my dad to sleep with me, because when it gets to ten o'clock he starts saying: "Vale, Vale, got to bed!", but I can't go to sleep before one or two. We did share a motorhome in '96 and it made life very, very difficult for me.
and about brno 1999 (from oxley's vr files):
On weekends when I'm not racing, I never go to bed before six or seven on Sunday morning. If it's a party, maybe even later, but going to bed at six in the morning is quite normal for me! Even when I was 14 I used to go to bed at 4am. Quite often I'd be riding around the local minimoto tracks until after midnight! If I go to sleep at 11 or 12 I just lie there, my eyes wide open. Maybe I would be good for 24-hour racing!
and then a few years into his premier class career, valentino says the following (x):
'I have a lot of energy after 2am,' Rossi agreed. 'I like to sleep in the morning. I have some problems at the start of the day.'
we've also got a description of crew chief jb's influence in terms of making sure valentino wasn't slacking off by sleeping in (from oxley's vr files):
Burgess' talents aren't restricted to getting the best out of a 500. The Aussie has been in GPs for decades and knows how to extract the best from riders as well. He expects 100 per cent commitment both on the track and in the pits, and when he doesn't get that, he gives 'em hell. Some other crew chiefs won't do that - they're too overawed by their riders' superstardom. JB laid down the law last summer when late-sleeper Rossi turned up late for practice. Rossi suggested that in future one of the crew should be despatched to his motorhome each morning to make sure he was out of bed. No way, said Burgess, I'll be there to give you your wake-up call. Rossi's not overslept since.
and from 2001, in valentino's own words:
Q: Tell us about your sleeping habits, JB has had to wake you a few times for practice... VR: I never go to bed before 1 o'clock, and there's no limit on when I go to bed, but even when I go to sleep very late I always wake up at 8.30, though when I do wake up I always have a big confusion for the first five minutes, then after that I remember: "Oh fuck, I'm at world grand prix!" So I have a shower and then I'm okay. I never get up too close to riding time because the 500 is a dangerous bike so it's necessary to be awake when you climb aboard. Back in the afternoon after practice at four or five o'clock I'll sleep for another hour.
only semi-related but valentino's also talked about... you know, this generational shift - where the sport has become more professionalised, which is reflected in certain lifestyle changes (from barker's rossi biography):
"The next generation is always stronger. They are more professional, they put more effort in, they make a perfect life, they eat in a good way, they don't drink, they go to sleep early, they train every day from the morning to the night... I come from an era where the riders drank beer and smoked cigarettes!"
also plenty of talk of jet lag obviously... doesn't struggle with it too much headed westwards because he says he basically lives on american time anyway. the other direction is tougher, but in his youth he decided that he might as well try to continue living on italian time. so he essentially went racing at 5 in the morning (about phillip island 1998, from oxley's vr files):
I don't have a problem with jet lag, I always sleep. Last year in Indonesia I stayed on Italian time for the whole grand prix - so I was racing at five in the morning! But the difference is too great to do that in Australia.
how on earth are you racing motorcycles like that. mind you, he won that 1997 indonesia race
so yeah. king of disordered sleeping. given the nature of motogp schedules and how they do kind of require you to actually get up in the mornings, congrats to him for being remotely functional during race weekends. crazy how he even won the odd race
and here's the autobiography passage:
My day, usually, begins in the afternoon. It’s as if I exist inside my own personal time zone. I live at night, because I love the night. Now, this might make you think I do goodness-knows-what in the wee hours, or that I don’t live the life of a professional athlete. It’s true, I don’t live the life of an athlete in the traditional sense — early to bed, early to rise and all that — but this does not mean that I’m not careful about what I eat and drink or that I don’t train. In fact, I train a lot, both in the gym and on the bike. It’s just that I go to the gym in the afternoon, rather than the morning. Equally, when I’m training on the bike, down at the quarry, I always go in the afternoon, never at nine o'clock in the morning. My body has a certain type of metabolism. It is used to living according to a different body clock. That’s why, even if I’m travelling all over the world, I don’t experience jet lag and I rarely go to bed before 3 a.m. It’s much more likely that I’m just tucking into bed as people are leaving for work. As I say, I have a special relationship with the night. I like moving in it, living in it, thinking in it, relaxing in it. The night fascinates me, because it’s the period of least confusion. The world calms down, it goes quiet. And, besides, I’m Valentino Rossi. I’m wanted... I'm a fugitive. Yes, I’m always running away from my _ beloved countrymen. The Italians. I’m proud to be Italian, I'm proud of our merits and I regret our shortcomings. Italians are exceptional people. In every way. Even when they start loving you. Because that’s actually when problems can arise — if it’s you that the Italian falls in love with. Italian people are warm, empathetic, spontaneous. But they can also be excessive, oppressive and disrespectful. I don’t know who said that Italians will forgive everything except for success. Whoever it was, they were right. Because it’s absolutely true. After the 1997 season, I could tell I was becoming popular. Year after year, that popularity turned into fully fledged love. They’re in love with me now and, as a result, since the 2004 season, I’ve been a man on the run. And there’s no escape, no end in sight, because wherever I go they find me. There are simple things, the little pleasures in life, which I simply can’t engage in when I’m back in Italy. I can’t go to the bar and have a cappuccino, because I would not be able to drink it. To be fair, I can do it in Tavullia, but that's the only place. If I go more than a few kilometres in any direction from the centre of town, that's it, everything changes and I become, once again, a hunted man. I can’t walk into a store, look at something and decide what I want to buy. In fact, I can’t stop anywhere, not even at a petrol station. If I stop, I’m screwed. Somebody will recognise me (Italians are exceptionally good at recognising people), make a lot of noise, call other people and then, before I know it, I’ve been swallowed up by the crowd. If I schedule a meeting with someone, we have to meet in a secret, out-of-the-way location and, even then, we can't linger. I can't go to a restaurant if there are too many people inside. And if I do go, I can't go at a normal time, say eight o'clock. I have to go later, much later, when people are leaving. And I can't sit where I like, I have to hide away in a corner, in the shadows. As for places like cinemas or the beach, forget about it. They are just always off-limits.
Having said that, I do mix with people. I do it because I like doing it. It’s just that I wish I could do it as a normal person, because, deep down, I am a normal human being. This is part of the reason why I have to live at night. It would be that much tougher during the day, with all those people about. Plus, I don’t like the traffic, the chaos, the noise, all those people running all over the place, stressed out and out of breath. The night is different. Everything is softer, there are fewer people around and you are much more free. It’s like a parallel dimension. The world is different at night. Everything is different. That’s why I’ve assimilated the lyrics of a song by the Italian artist Jovanotti, “Gente. della notte” (“People of the night”). It has become my personal anthem. Jovanotti is one of my favourite singers and I find myself agreeing with him on most things. I love his work. What else can I say? The night is my reality. And I don’t change just because Grands Prix are scheduled during the day. My way of being and living is reflected in what I do during races. I don’t really change. Obviously, I don’t go to bed at dawn, but let’s just say that when I do, finally, go to bed, there aren’t many people around. Everything is better at night in the paddock. There is silence, the people _ have disappeared and, with them, the chaos. I can wander around freely, most of all I can enjoy the empty pit area and my bike. Yes, my bike. Because at night I often slip into the team garage. At some races I do it every single night, because I love being with my bike. My night-time activities can be traced back to the years racing in 125cc, and are directly tied to my passion for aesthetics and the stickers, which would later become my obsession. I don’t leave anything to chance'when it comes to choosing the colour or the stickers for my bike. That’s why I’ve always been central to any and all discussions when we were deciding the aesthetics of my racing bikes. I’ve done it always, with every bike, at every level, with every team. And, naturally, I still do it today. Nobody has ever been allowed to attach a single sticker to my bike, unless it was the logo of a technical sponsor. Until a few years ago I was totally inflexible about this. Now, Roby takes care of the number: he attaches it because then he needs to cover it in transparent paint. But apart - from -this, which is primarily a technical procedure anyway, I take care of everything else to do with the stickers. And this takes time and planning, which is why I started going to the garage at night. During the day it is packed with people. There are mechanics, technicians and others around. I would just get in the way, if I wanted to get near the bike just to check the stickers. As I got older and progressed from 125 to 250 and then to 500 and on to MotoGP, I maintained that passion for aesthetics and stickers, as well as the habit of dropping in on the team garage at night. I enjoy the bike during the day _ obviously, but my relationship with the bike is so special that I can spend hours with it, just looking and admiring it, making sure that everything is in order. Those are very personal moments which I find difficult to describe. The Japanese guys, both the executives but also the engineers never knew this, not the guys at Honda, not the ones at Yamaha. I don’t think they would really understand. They would probably view it as a waste of time, since I don’t actually do anything concrete. I never touch anything to do with the bike itself, beyond, obviously, the stickers. And yet I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. It’s a complicated concept to explain: the risk is that people will think that you're crazy.
During the day everything happens so quickly, frenetically, neurotically. However, there is a sacrosanct moment when I need to step away and isolate myself. Once my commitment to the team is over, usually around 5.30 p.m., I retire to my motorhome, relax and take a nap. It usually lasts a couple hours and then I go out. There’s always something to do after dinner. Of course, the range of options depends on how many friends are around. I really start enjoying the paddock around ten o'clock at night. Before going to sleep I check on the bike again and then I go into the team motorhome, which serves as an office. Now that I’m at Yamaha, I have an office all to myself. That’s where I keep all my race gear. I do this for two reasons. My own personal motorhome is an absolute mess, nothing more fits in there and I probably couldn’t find anything amid all the junk. Plus, the office is where I change into my racing suit before going out on to the track. Thus, at night, after going to the pits to see the bike, I go to make sure that all my stuff is where it should be: gloves, suit, socks, boots . . . everything needs to be perfect, because I just don’t have time in the morning to hunt around for stuff. Thus, each morning I have to follow a very precise routine. I’m like a robot, everything is the same each day. Because the truth is that I need to be like clockwork. I just don’t have the time to think. Somebody generally comes to wake me up — usually it’s Jeremy, because he doesn’t trust my ability to wake up on my own! I then get up, wash my face (my eyes are still shut at this point) and try to stay awake as I ride the scooter from the motorhome to the pits. I then go up to the office and get dressed. There too everything is done mechanically. It takes the slightest hiccup to throw everything off, forcing me to be late to the testing.
"I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. it’s a complicated concept to explain: the risk is that people will think that you're crazy" well -
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bucksbeagle · 26 days ago
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what is wrong with him??????
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btw im literally asking my brother for insight on this (he used to lift competitively)
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tiger-balm · 2 months ago
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my favourite bit is anytime domi does something they immediately cut to his dad in the crowd. If theres one thing tie domis gonna do its be at a leafs home game
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palettepainter · 3 months ago
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I'm still mixed on the posing off this doodle, originally it was going to be apart of a doodle dump with Raph and Camilla but eh, not 100% satisfied with it but didn't want to just delete it sooo...here ya go
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chelseajackarmy · 1 year ago
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Samantha Mewis with the puck drop at the PWHL Boston game against the PWHL Minnesota tonight 27/1/24
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marisol-holme · 11 months ago
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The retired good girls guide for writing
I haven’t always been able to understand myself. 
I never felt like I was able to clock pure basic needs. Couldn’t tell if I was hungry or thirsty. I finished my meals early, preferring to always feel full, in a silent critic of my mother and father’s controlling rule over my life. A few bites of fuck you always left on the plate. I liked to see how far I could push it. How little I could drink, sleep, or eat, and still function. A true desert island scenario would see me lasting years; I had inadvertently trained myself for it. Except my desert island was more devoid of emotional fulfilment and attention. 
I had to get creative. I developed some interesting tendencies, sure. But mostly I just wanted to escape. Now my parents never went out, and my internal world was already tumultuous at best, so I did what anyone would do and read. I read voraciously. The ability to turn off my hunger had seeped into all areas of my life. A fugue state dissociation through most of my early years through to adolescence. But I was able to come alive when I was reading. When I read, it was like my first breath. Hungry. I could imagine these worlds and built them up easily, colourfully within my mind’s eye. I'd picture the strong female characters that I admired. I’d taste food, hear music. It was the only time I was ever able to really live, before I had to go downstairs and pretend to eat.
Unwittingly, my upbringing fostered just the correct environment for me to develop a writer’s hunger. Because a writer is always a reader before they grow mad to write. I grew mad fast. I had to. I had to create worlds for me to escape into, away from all the shouting and fighting. Alchemise what I’d read into something new and original. It helped that I was an avid daydreamer, although a psychiatrist might call me a maladaptive daydreamer, but it only ever occurred to me when I was bored. Parallel to this, I grew into shame, so what I wrote I would throw away. I sadly have none of my early works. They are long decomposed into sub-atomic and absorbable waste, probably seeped into a water system somewhere and live inside all of you. Yuck. Not even my best work. 
Then I grew up and I had no dreams because I was not hungry. I hadn’t picked up a book in a long time. I dabbled with things that made me feel warm. Partying and shallow conversations. Grotty pubs and sticky clubs. Good friends made me feel a good kind of warm. But it took me a long time to find my way back to literature. Through a work stint as a Nursery Practitioner, I found my way back into writing. You see, at the nursery we had to send updates to parents all about what their children were getting up to. I enjoyed this task and wrote the children’s days like stories. Descriptive and alive. I’d got the bug and the bug had bit me. I didn’t last long once I had started writing again and I quickly found myself working at the Ideas Foundation. 
Through my new employer, I was encouraged to trial as much as possible to find out what I enjoyed doing. I was also very privileged to have access to several creative professionals who genuinely wanted to help and mentor those younger than them. Mentors can see all your ducks and help you to get them in a row. My ducks were all over the place and needed very graceful guidance. You push my ducks too much and, well, they explode. Poof!
Speaking to seasoned professional copywriters, I was able to glean their persistent journey into the profession. The confusion I once had around my goals has seemed to have dissipated. The ability to feel hungry for life and understand myself has only grown. My spark is back. 
The excitement and giddiness I feel when I think about myself as a writer is immense. The energy can fuel me for days. I look to the bottom left of my documents and the number of words that can pour out onto a page grows and grows with each project I set myself. The possibilities as a writer seem endless from this perspective. 
I understand that there is a lot more to these dreams that simple want. I must be focused. Persistent. Take up the offers of guidance from those around me. Accepting critic and moving towards goals. But the potential is there. I understand myself a little better. I value my work a little more. Hopefully, one day in the not-so-distant future a book of mine might get thrown away and end up decomposing in the damp soil into tiny fragments that find their way into us. At least that work will be better and born of something other than the child’s will to survive and create. That would make me feel okay. 
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pagesofkenna · 3 months ago
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this chapter made me so emo about Keiichi. I still don't really get what his deal is but for him to start out as a bully and a petty rival, and then this??
boy loves his hometown so much that he literally has no greater ambition than to live and die in it. meanwhile his brother has his sights on the NHL; Rou is aiming for the Olympics. is it heartwarming that Keiichi treasures his home so much that he can't see anything beyond it, or sad that he has hundreds of photos of the same factory smokestack that he's already planning to die staring at??
I don't know. but Noda could have easily made Keiichi the hotshot rival who thinks he deserves the best in the world, but instead he made Keiichi a big fish dreaming only of his small pond.
(from Dogsred ch. 28)
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lilithuriel · 4 months ago
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breelandwalker · 1 year ago
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Work Seminar: To achieve success, don't dress for the job you HAVE, dress for the job you WANT.
Me the next morning:
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thepastisalreadywritten · 7 months ago
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IN PICTURES: Rafael Nadal
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Rafael Nadal Parera (born 3 June 1986) is a retired Spanish professional tennis player.
He was ranked world No. 1 in singles by the Association of Tennis Professionals (ATP) for 209 weeks and finished as the year-end No. 1 five times.
Nadal won 22 Grand Slam men's singles titles, including a record 14 French Open titles.
He won 92 ATP-level singles titles, including 36 Masters titles and an Olympic gold medal, with 63 of these on clay courts.
Nadal is one of three men to complete the career Golden Slam in singles.
His 81 consecutive wins on clay constitute the longest single-surface win streak in the Open Era.
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all-for-the-day · 7 months ago
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Happy Birthday Aaron and Andrew Minyard 💪💪💪
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reminiscingtonight · 4 months ago
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HOW DID I MISS THAT BECKY RETIRED?
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aesfocus · 2 months ago
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So I got myself a treat, mostly as a reward for large improvements in physical therapy and such. Bought the big set of Prismacolor colored pencils/pencil crayons. These are replacing my, errr, 'collection'.
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Most of these are 20+ years old. A few are newer as sometimes I'd buy a color or two. Lots of little stubs. Like... legit stubs.
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Plenty of 'vintage' pencils. As Eagle became Berol in 1969 and pretty sure that one pencil is older than the 60s, and Berol lasted until like what the 80 and 90s?
This isn't mentioning my other stash which includes generic labeled 'FaberCastell' no idea the age on these, and Liquitex basic... PENCILS? huh? It's also full of hello kitty tri-color pencils and crayola stuff.
So like 1/3rd of my stash is fucking 40+ years old and most of the others are at least 20-30years of age and very ???? They work like shit btw! Having used the new ones today I am discovering why my old ones didn't blend was they were just... ancient and hard as rocks.
ANYWAYS! very excited to get the new pencils and start fiddling with blending them with markers and seeing what I can do with a pencil that isn't older than me.
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