#Self Made Story

[poorly-drawn-mdzs]

My Lawyer is going to Get Your Ass.

[First] Prev <–-> Next

[ccarrot]

Anyways i also think that Chuuya SHOULD NOT be the Port Mafia boss to be totally honest witchu. If his entire experience with the Sheep, and the way he cracked under pressure as the interim leader during cannibalism, and like, THE BEAST EPILOGUE, had anything to say it's that Chuuya's not fit to be the leader of an organization such as that.

Bc Chuuya's good at adapting, he's good at spur of the moment decisions. He's good with battle tactics. We see his actual leadership abilities shine when he's commanding the mafia troops to protect the city during the guild arc. In cannibalism, his plan to rush the ADA with a full frontal attack was a SOLID idea. But he loses his advantage as soon as he hesitates and opens the table for negotiation instead.

BECAUSE Chuuya's not good at playing the long game like Mori or Dazai. He's reactionary and it's his nature to get overwhelmed by his emotions. He takes on too much responsibility but loses focus due to personal reasons. That what happens in 15 where he blows off the Sheep to go on a life changing field trip with Dazai. That's why he was taken out of the picture so easily to go on a life changing field trip with Ranpo in Cannibalism. (Damn maybe this is why he's on a life changing field trip with Fyodor as a vampire currently).

Essentially even though Asagiri has been really tying Chuuya's character with the themes of leadership, we've mostly been shown why he wouldn't be a good fit. Either this plot point will trend towards Chuuya actually learning how to be a good leader OR he won't end up as one. IN ANY CASE what we know abt Chuuya makes me really think that being the Port Mafia's boss is a terrible idea. He's not fit for the role and frankly, I think he'd hate it.

[sadmages]

Finally found a bit for my Durge

[marmastry]

Rain

[goldlightsaber]

I think one small and perhaps overlooked moment of foreshadowing that tells you who Joel is at his core is when the pandemic first breaks out, and he, Sarah, and Tommy are in the car, and they have a choice as to whether to stop for the family with the baby. And Joel immediately says no. Tommy says, “They have a kid!” And Joel says, “We have a kid too.” That’s it. No hesitation. No questioning. He has defaulted to protecting the unit in the car. His daughter and his brother. He will not risk their lives. His compassion for strangers, for “doing the right thing”, cannot be appealed to. He’s not torn. He makes the choice of a survivor, and he needs his family to survive because they are his reason for being. This aspect of him follows him everywhere, right down to the very end in the hospital. He couldn’t give two shits about saving humanity/strangers, not in comparison to how much he loves Ellie. “He has a kid too.” And why his kid over anyone else’s?

In the hospital, he gets driven to a more severe degree of remorselessness because he had lost his kid, and he will never, ever let it happen again. He has made it clear: losing a kid means there is no point in living. If he lost a child for a second time, I’m willing to bet he wouldn’t flinch.

[firbolgfriend]

Scrapped stylized discord

[thecryptidart1st]

At first I thought I wasn't gonna make a Pride post in time for this month, but then...

Hello, my name is Michael now

I'm going by he/him pronouns.

And I want to pursue getting horomones and top surgery

[thejasontoddarchives]

52/WW III Part One: A Call to Arms #1 (2007)

You know you’ve hit rock bottom when you’re standing naked in front of a monument meant to honor a dead version of yourself while you’re alive, holding the Nightwing suit in one hand and the pill helmet in the other

[jojo-schmo]

Just Admit It- Part 1

I've been playing around with possible friendship dynamics of the Beast Council for fun!! I love imagining what kind of childhood they could have in the Forgotten Land all together.

What if Carol and Sillydillo are the fun-loving extroverts? Leon is the introverted one who's been smitten by Carol for a really really long time but he's too shy about it? And Gori is the friend who is an excellent observer and will bluntly tell you what he thinks (and maybe has a tendency to get grumpy when things aren't easily going his way).

Somewhat of a prequel to this other doodle comic about Leon and Carol- everyone here is still a kid ^_^

Part 2

[acowardinmordor]

Can’t stop thinking about how the best way to keep Eddie safe in most time travel fix its, whether it’s a loop or not, is to have the police arrest him and put him in a cell. Ideally before anyone dies, but if that’s not possible, before Patrick and Fred die. He can’t have killed them if he was sitting in custody at the time.

Mostly can’t stop this thought from bubbling up because of the idea that Steve is the one who brings the police after Chrissy, and stands there and watches while Eddie is arrested, watches it, knowing that he’s saving Eddie’s life, and ruining any chance of Steve ever finding out if the spark he felt the first time was real.

[icedb1ackcoffee]

Ecologist!Reader aesthetic | Corrupted by Design | Feyd-Rautha x Reader

You stood out compared to the Harkonnens, in more ways than just one. You wore loose clothing: rich brown pants or skirts and deep greens tied around your torso and arms, sometimes flashes of red or blue—all washed out under any sunlight. You carried with you strange jars and herbs, your dark, sunblocking glasses atop your head if not perched on your nose, your waist satchel stuffed with samples—you must have looked completely alien to their more minimalist sensibilities. “You dress oddly for someone from the Imperium,” one of your workers remarked. “Is it your goal to one day turn into a plant, and not just look like one?”

Corrupted by Design (Rated E)

[warmblanketwhump]

childhood cold whump moment I’ve never forgotten:

so I read this nonfiction picture book about a young girl who saved a train from derailing—it was a whole ordeal where she ran through a rainy storm to warn the train a bridge had collapsed, and she ended up saving the lives of a couple people.

BUT after the fact, she got such a bad chill from being in the rain all night that she was confined to bed for weeks, and her teeth chattered so badly that her doctor had to carve a wooden peg to put between her teeth so she didn’t break them.

she ended up making a full recovery but MAN 12-year old me was like 👀👀👀

(for you nosy folk I believe it was called Kate Shelley: Bound for Legend!)

[anna-scribbles]

guess who stayed up all night binging one does not love breathing by @wackus-bonkus-maximus​

[bonefall]

post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do

Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.

Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.

Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.

And then she dies, so he can have his very own fridge wife.

In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.

She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.

So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"

But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;

Tally the genders in your cast. How many are boys, how many are girls, how many are others?

And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.

If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.

It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.

Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.

Or this shit,

If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.

Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.

Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.

(Also remember I'm not a professional or anything, I'm just trying to give advice)

[fromtheseventhhell]

Arya stans don't want Arya to serve Sansa? Dany stans don't want Dany to be villainess to Sansa Disney princess? That means they are evil mean Sansa haters

Literally 🙄. If we discuss Arya or Dany as their own characters without adding a fifteen-paragraph disclaimer about how that will affect Sansa, her fans run with it and call it "hate". We're being so mean and misogynistic because we *check notes* don't think the entire story revolves around her

[francesderwent]

something that I think the “have fun and be yourself” discourse tends to miss is that it’s all very well saying do whatever you want and don’t worry about what people think because the people who judge you aren’t worth your time, but sometimes you choose to act normal because you have a task to do or you’re in a conversation that you care about, and having to stop in the middle for your interlocutor to say bewilderedly “but why did you do that in such a quirky way” would be wasting time and getting off topic. choosing to act normal to avoid that is not being inauthentic out of unhealthy fear of censure. it’s just prudence.