#She certainly is for us!

[sysig]

We met a darling 💕

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[tezzbot]

I really like the headcanon that a very select amount of people are allowed to actually call Tails 'Miles' and Shadow is on that list, it's very cute to me ^_^

[tayloralisonswift]

i wish taylor were as into wild easter eggs as we think she is. imagine if she really was doing the math so that everything ended up equaling thirteen or getting every person in her extended social circle to change their profile picture. alas she’s too busy for that, her version of easter eggs is having laura dern say “speak not!”, and our clown shoes are squeaking

[okkennymay]

Commission for @xxmischieflovesxx (aww man why wont it let me @ you??)

Listen I know the vast majority of what i post is commissions, but a mans gotta keep a roof over his head one way or another 9w9"

At least I get a lot of really fun ones!~ 💖

Ahhh Dan under house arrest by Clockwork, his "warden" a demon, and his attempts at intimidation in that last panel were most certainly futile.

[gay-jesus-probably]

Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.

First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.

And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.

And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.

Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.

Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.

TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.

...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.

There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.

[swiggity-swexual-i-am-asexual]

DPxDC media story prompt

Okay first off, this sort of thing has been done before, but here’s a different version involving Jazz Fenton.

Popular in DPxDC fanfic is that the GIW have a media blackouts—or whiteouts, there’s kind of a difference, where whiteouts work more like… there is a file, but you can’t edit it or it may be locked out for certain users, or an edited version of events where things are ‘whited out’ like with correction paste, among other definitions.

Point is!

The GIW have a media restriction, and among these is social media, probably with certain words or phrases pinging to location restrict the post. There was probably a phase for a while where the A-Listers tried to get around it, but ultimately failed, and since they could only get information IN rather than information OUT, and possibly still a limited amount of outside information in the first place, social media didn’t take off as much in Amity Park than in other places in the world. There’s still a small local presence, but at this point it’s almost like a city wide chat room than actual social media.

Enter in, Jazz Fenton. She’s chronically behind on trends, so by the time she decides to get on social media, the GIW aren’t being as militant on it. And she has that habit of calling the ghosts by code names instead of their actual names, such as Crate Creep instead of The Box Ghost, or Ghost X instead of Skulker. By pure coincidence of her personal language use and Tucker messing with all of Team Phantom’s phone locaters for easier excuse giving, Jazz manages to dodge all the word censors.

She accidentally creates a whole online story community convinced it’s some kind of altered reality game or role playing game, what have you. Meanwhile, Jazz is letting off steam by ranting online with, of course, made up names of all the people involved. She doesn’t even notice the numbers, and that’s assuming the GIW didn’t just—region lock the ability to see them for whatever reason. The few Amity Parkers on social medias see Jazz, maybe look at a complaint post or two, then move on because this isn’t even an unusual video inside Amity Park’s social media sphere.

Heck, PHANTOM has a social media presence and he’s done several rant videos too! One particularly famous one is him complaining about keeping his boots and gloves white while being chased and one of the GIW agents actually stops and gives him advice before shooting at him again.

Those outside Amity Park, of course, only see Jazz’s videos. And she has no idea that she has an entire online presence and mild amounts of online fame. And again, almost everyone thinks the whole thing is just a fun little game, if oddly detailed.

Until, that is, a certain young man by the name of Bernard comes in. One of the few who are totally convinced this is real, he tries to also convince his boyfriend—Timothy Drake-Wayne. Who, in turn, finds it incredibly suspicious that it’s this hard to get news and posts from one random town in the Midwest.

[stop-breaking-my-heart-dragonage]

I said I wasn't going to get started on the topic of Aveline ruining Carver's chances with the guard but I lied okay, it's Carver Hawke defense hours.

Here's the thing; it doesn't matter if you believe Carver was or wasn't fit for the guard. That's a different debate that I'll get to. What matters is Aveline's in no position to tell the guard not to accept his application. Why does she think that's her right to judge whether or not he's fit?

Carver should've had the chance to prove himself one way or another. If it turns out he's not a good fit, then let him fail. Let him learn from it.

"Oh but failure could mean lost lives-"

Aveline doesn't get to talk shit about failure and the people. Plenty have died on her watch yet she still believes she's a good guard and Guard-Captain.

"maybe Aveline's protecting him, Carver could die while on patrol-"

Carver could die working in the Bone Pit, or serving as a templar, or when he's running around with Hawke. Carver could trip and fall down a set of stairs and die. In fact, he can die in the Deep Roads, somewhere he wouldn't have to go if the Hawke's weren't desperate.

Either Carver fails as a guard, or more likely, he succeeds and proves himself worthy of it.

But let's be real, Carver probably kept getting rejected due to being a Fereldan with a past of smuggling/mercenary work and Aveline only reaffirmed the decision, either because they asked her what she thought or she stuck her nose in unprompted.

But what irritates me is that she admits to telling them not to accept his application, and then has the balls to call Carver too proud to take up a trade or find another line of work.

Carver tells her, "And who would take on a Fereldan apprentice? Maybe in another year I could work my way up to pissboy." He has a good point here. Aside from the guard, the only other place Carver could work and use his skillset is with the Templars. Or go back to mercenary/smuggling work.

And Aveline doesn't even have a real answer for him. No suggestions, no encouragement, nothing. Just "Fine, let's crawl down some holes. Good bloody luck for your sake."

Also, if you do the Mark of the Assassin DLC in Act 1-

Aveline: You should see if any of the noblemen are looking for new men-at-arms. Carver: Are you trying to get rid of me? Aveline: It's a role with some autonomy. A good fit with your training and... tendencies. Carver: After serving King Cailan? You want me to suffer some poncy git who needs two servants to wipe his own ass? I'll find my own way, thanks. Aveline: I wish you would.

You wish he would?? Aveline, he was trying to find his way into the guard, a position he'd make a good fit for, and you helped deny him of it because YOU didn't think he would be good enough, I just-

If I haven't made it clear yet, I firmly believe that Carver would've made a great guard. He wants to help people, to be a protector. He's loyal, and despite what Aveline claims, he can follow orders and take his duty seriously. We see him do incredibly well with the Grey Wardens, after all. If he were a guard, he wouldn't have to go down into the Deep Roads with Hawke, and I think he would've been okay with that! He's so hurt and bitter when you leave him behind because that effectively tells him, "I don't need you." Carver's spent the whole first act telling you he wants to go on the expedition aka that he wants to be needed.

But if he were a guard, he would be needed elsewhere. He'd be in training as a recruit. He'd look after Leandra while you go. He wouldn't be backed into a corner with no income and only the templars left as his chance at forging his own path and providing for his family.

He doesn't get that opportunity, though.

By the way, if he becomes a warden, you can get this banter:

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

This banter makes me want to scream.

Aveline's just... she's so insistent that she's right. She's someone who will double down rather than entertain the idea that she's wrong and it's not just with Carver and the guard, it's with everything. The "my beef with Aveline" list gets longer and longer every time I replay da2, I swear.

Say what you will about Carver, whether you think he would've been a good fit or if Aveline's right and it wasn't for him, he was denied a chance and it cost him so much in the end. He either dies, or he joins the templars where he deals with Chantry's bullshit trying to brainwash him with "mages aren't people" and "magic is a cancer in this world", or he's infected with the blight and becomes a Grey Warden, forced to serve the rest of his life fighting darkspawn, tormented by voices and nightmares.

I will never not be bitter about this.

[sh1-n0bu]

everyday i look at the hoyoverse fandom and go “wow… media literacy IS dead😃”

[blackhholes]

teen wolf meme: [3/5] motifs -> resurrection

It's different now. I think dying did something to him. It did something to me, too. But none of it was good.

[fangsandfeels]

Something I noticed in the post-bite dialogues

It's interesting how the option to tell Astarion that you don't mind him feeding on you if you give your permission first not only gives no approval, but Astarion also sounds so...fake in his enthusiasm. He isn't surprised, relieved, or intrigued. He is almost condescending. Ah yes, of coooourse. He is as insincere as when he was lying through his teeth about "the spirit of cooperation and mutual trust" when the group gathered to react to his vampire reveal.

Meanwhile agreeing with him on his "no innocents, enemies only" stance dons +5 approval, and he is actually pleased. Good talk.

I think, this difference in response is based on the real reason why he decided to taste Tav's blood in the first place. As we know, it wasn't hunger. It was testing his limits and checking whether he was truly free from Cazador's influence. So, he doesn't really need to feed from Tav anymore - he got his answer. It was the only thing he was after, and he is truly grateful Tav let him have it. He also had time to think his feeding policy through ("No innocents. You have my word.") because he anticipated Tav asking him about his new feeding habits. If Tav has no objections, Astarion is actually happy about it. He is accepted without prejudice and well...relieved it all went rather smoothly.

But if Tav says he can have their blood when they give their permission leaves him (at least initially) unimpressed and even rubs him the wrong way as he still revels in not needing permission to drink the blood of thinking creatures. Of course, Tav doesn't know that. They're just either being too kind for their own good (who would willingly endure the feeling of their life force seeping away and waking up with a sore neck every morning?) or they're actually a little freak, and they liked it. Astarion isn't exactly humored by the latter (as we see from Araj, he isn't happy about people romanticizing his vampiric side), but he can use that fetish to his advantage. Also, a free and willing meal isn't something he would refuse. That also explains his almost flirty responses whenever Tav tells him "You can feed on me tonight". He found his seduction angle and he is going for it.

[mlady-magnolia]

“It’s been a pleasure, my sweet dew.”

[owari-no-suffering]

shoutout to lan wangji and luo binghe for being endlessly tormented by their love interests' mixed signals, reaching their breaking point, and then proceeding to never be normal about their (always reciprocated) crushes (turned husbands) ever again.

[mspaintpetfinder]

now here's the purrbeast

[agardenintheshire]

for when you've just been through a trauma here, okay?!

for @simptasia

[lemonhemlock]

tried watching the new queen charlotte series but was immediately put off by the ridiculous anti-corset propaganda, so get ready for another rant.

first of all, this is the georgian era so what she's wearing are called /stays/ - corsets are a victorian invention. why do we still not know this in 2023 when period productions have remained consistently popular throughout the years? the concept of tighlacing (the goal being a reduction of the waist) is also victorian and was not the norm at all and v much an extreme practice. this understanding of history is so superficial, it's as if an alien were to open up People magazine and conclude that all human women resort to butt injections and lip fillers to stay with the fashion of the times. also, no, you cannot tighlace in stays to obtain a waist reduction because they are shaped like a funnel (picture 1 = long stays, 2 = short regency stays, 3 = corset)

charlotte goes on to complain about how dangerous whalebone is and that it might kill her if she makes the wrong move. what the actual fuck? whalebone was actually the very best material to use for this because it was sturdy yet flexible and allowed the /stays/ to completely and comfortably mold around a woman's unique body shape. one of the reasons why today it is v difficult to replicate the same effect in corsetry is because we do not have access to whalebone (killing whales is not cool for obvious reasons) so corset-makers have to resort to other materials like plastic or metal, which CAN break. whereas whalebone doesn't really break as easily. furthermore, stays/corsets were NEVER worn on bare skin, but with a chemise/shift underneath.

why did women in the past resort to this type of undergarment, you ask? well, apart from the fact that women need bust support, the stays also serve the purpose of allowing all the many skirts and petticoats to be placed comfortably onto the waist. you try piling on that much fabric around your bare waist and see how you like it and if you can even carry it all around without it cutting into your stomach.

clothes throughout human history did cater to the popular fashions of the time, yes, but they also reflected the technological limitations and there was thus a practical aspect to it. this is a time before elastic bands, before industrialization and fast fashion, clothes are v difficult to make, everything is done by hand, so a lot of care is put into preserving them, because they are /expensive/ and labour intensive. you don't want your fancy outergarments to get ruined so you wear a lot of undergarments to absorb your bodily fluids since those are easier to make and don't have to look "pretty", can be stained and patchy etc. again, why do you need so many layers in the first place? because this is a time before comfortable heating, with poorly isolated and drafty houses, and it's bloody cold otherwise.

the third reason why that monologue was so dumb is because CHARLOTTE is the reason regency court dress was so preposterous. long story short, in a few decades, the fashionable silhouette changes wildly from the late 1700s to the 1810s.

the regency waistline was much higher and the gowns were much more flowy and unstructured than the late georgian ones (what's commonly known as the empire waistline). the long stays of the late 1700s were now replaced with short stays that really were similar to modern bras. the scene in the first season of bridgerton where they squeeze penelope's sister into what looks like a pair of long stays (?) is bonkers bc no one would wear a waist-constricting boned undergarment under a regency dress. why would they? the natural waist is not even emphasized in any way. this is just another reason to peddle the women-were-oppressed-by-their-lingerie agenda. so if charlotte really hated long stays that much, regency would really have been her time to shine, right? wrong. the woman loved the fashions of her youth so much she forced everyone who came to court to still comply to them, which is why we get the absolutely atrocious regency court dresses - essentially a combination of the georgian style with side panniers, but with an empire waistline.

yeah, this is how daphne SHOULD have looked like when she was presented at court in front of charlotte. i can understand why the showrunners decided to just leave her in a regency silhouette because this is ugly af. but, anyway, queen charlotte is the last person on earth to be complaining about how uncomfortable stays are.

creative licence aside, the reason this pisses me off is because it is SUCH lazy storytelling. the show wants us to know charlotte is a spunky pseudo-feminist character so the easiest way to do that is to have her complain about the evil 'corset' trying to kill her. it is so profoundly ahistorical and does nothing to contribute to the conversation about women's true problems and true limitations during that time. instead of genuinely exploring social history and women's actual lived experiences, we are STILL, in the year of our lord 2023, diverting the discourse towards fabricated issues that never existed in the first place.

the reasons actresses complain about boned underwear in interviews are manifold. costume designers are very overworked, they have to produce clothes for hundreds of people in a very short time, so they simply do not have the time or resources to construct corsets/stays that fit the actresses like they are supposed to. in the past, these garments were made individually for every person and completely to their own requirements. they also make these actresses wear the boning on BARE skin to look extra sexy to the audience or to emphasize their oppression - that never happened, a shift was always worn underneath (hello dakota fanning scene in the alienist??).

moreover, they lace them up until they constrict their ribcages - these women are already super thin and their bodies cannot support more reduction - instead of relying on the historical practices of padding and illusion. nowadays, body parts are what's fashionable - that's why so many resort to fat transfers or breast implants or starving themselves to achieve a flat stomach. in the past, anyone of any size could have accomplished the fashionable silhouette because they had a wide array of accouterments to plop underneath their garments - panniers, bustles, hoop skirts, padding of any sort. it didn't matter how big your waist was, you just padded other areas until you achieved the desired shape. fat women wore corsets/stays, too. working women, who did a lot of physical labour, did the same. how were they able to perform all of their tasks if they were incapable of moving or breathing? even today, people wear medical corsets all the time.

TLDR the media's obsession with portraying modern women as so liberated because they wear bras instead of "patriarchal" underwear is so tedious.

EDIT: Some very basic chronological tadpoles to make this easier to place within historical context. "Georgian" is used to denote the 18th+ century when Great Britain was ruled by several kings named George, so roughly 1714-1830. Within this interval, we refer to the Regency period as encompassing the regency of Prince George, future King George IV, when his father George III was incapacitated by mental illness. The official political regency took place during 1811-1820, but culturally speaking, this was extended to roughly the end of the 18th century up to maybe 1830 or 1837. This is the time period of Napoleonic wars and Jane Austen novels, so all her heroines should normally wear Regency styles. Think "empire waistline" as in Imperial France and Napoleon. The Victorian era (and its corsets) follows throughout the rest of the 19th century. Queen Charlotte was a contemporary of Marie Antoinette's, so they should be dressed in similar fashions (robe à la française vs robe à la anglais).