#So no spoilers please!

[sass-and-kick-ass]

Hi, I just finished reading Gideon the Ninth and Harrow the Ninth in a week, and ummmmmmm WE’VE HIT HYPERFIXATION LADS.

For the occasion, I’ve been crafting memes and sending them to my one irl friend who’s read them, to cope, until my coworker was like ....damn sounds like something tumblr would be into. Can’t believe I didn’t think of it myself, bc duh.

HtN specific memes under the cut.

Chapter 49 be like...

After reading about Judith, Corona and Camilla at the end of the book.

[sabertoothwalrus]

chilchuck voice my wife

[jaypentaghast]

you RUIN armand's made up stories? you ruin his marriage like the claudia? oh! oh! vampirism! vampirism for daniel for One Thousand Years!!!!

[verflares]

just how long is forever? // not long enough, with you

pssst. check this out on inprnt :]

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[heilos]

I don't want you to feel like you're nothing

[pien-art]

i dont know shit about dungeon meshi (yet) but ik theyre gay.

[expelliarmus]

[spoopyium]

I don't know why but when he said he sampled the water of Qiaoying Village I just imagined him lapping it up on all fours when no one was looking so I doodled this up 💀💀

[drrav3nb]

AYO EDEBIRI as Sydney Adamu WILL POULTER as Luca THE BEAR SEASON 3 | Episode 10 - Forever

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[notherpuppet]

Alastor lore (the kitten)

[leoktzchen]

I think I’ve seen some similar takes on this already but the whole lila and five get stuck in the time line subway subplot had a lot of potential actually but they just BUTCHERED it with the whole romance thing

imo the could have just done this:

- show them bickering and arguing, fighting over wich station/line to chose next in a sibling like manner

- show lila falling asleep on fives shoulder as she keeps mumbling about some stupid thing Diego has done while five tops that story with an even more stupid anecdote from their childhood

- show five trying to shave himself without a mirror and failing miserably until lila rolls her eyes and goes “give it here you absolute imbecile” and then helping him out BUT STAYING AT A REASONABLE DISTANCE AND NOT BREATHING ALL OVER HIS FACE

- show them freezing on the subway floor, five mentioning how they could save body heat by staying close to each other, visibly uncomfortable, and lila pulls a face but they end up falling asleep shoulder to shoulder NOT CUDDLING

- show them at the greenhouse timeline, covering the walls with self-drawn maps and complicated calculations, brooding night after day after night, trying to figure this out with lila drawing little hearts on the paper with her kids initials in it

- show five finding the map on the subway, immediately rushing to tell lila whose face lights up like a supernova and as she exclaims “fuck, we’re going home!” she tries to high five him (it doesn’t really work, because five does NOT do high fives) and then pulls him in for a hug. five just about lets that happen, but he smiles a tiny smile and they arrive just in time for Christmas

basically instead of the romance that gave everyone the ick, they could have just gone for the whole sibling like dynamic between the two of them that I adored a lot in the previous season(s)!!!!

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[peteytheparrot]

The Book of Bill is great Bill and Ford get a divorce so Bill goes to a bar, gets drunk, and cries

[eldrtchmn]

I abandon here the flesh of my body