There are a lot of Worst Things about depression. Everybody's got a different Worst Thing. Hell, I can't always decide on what my personal Worst Thing is. Sometimes it's the numb despair. Sometimes, it's the dumb animal panic. Most of the time, though, it's that there isn't enough room inside of me.
What I mean is: I care about too many things. I think that's pretty standard these days for a lot of people. Empathy stretched fine as gossamer. We see so much suffering each day. We see so much more than any one person was meant to. So you wind up caring, because caring is what a person is wired to do, what makes life worth living. You care about people you know. You care about people you've never met. You care about situations in countries you haven't set foot in. You care about the political climate of your own hometown. You care about your own dreams. You care about your best friend's bad luck. You care about your pets' health. You care about when the next book in your favorite series will come out. You care, and you care, and you care, because you're wired to care about it all. It's exhausting sometimes, but it's life. Sometimes the best part of life.
With depression, the caring space gets to feeling too full. Has packed tight, all those elements butting into one another until they lose meaning, the darkness threading into the gaps. There just isn't enough room inside of me for all the fear and the despair and the weird empty anger, much less the stuff that actually matters. So I start shorting out. Because, see, depression makes it so I can't care; don't see a point in even trying. And the real me, the part of me that isn't being cannibalized by the demons, doesn't know how to do anything else. So the middle ground becomes: shrink the caring space. Shrink it down bit by bit. All systems are running at once, and we're getting low on juice, so the natural thing is to start shutting off lights. Start jettisoning the extraneous to make room.
Except it's depression at the wheel, not common sense, so it's not just the extra flair getting turned off. Not the despair and the mind-numbing terror and the reckless urge to pick fights. The stuff that winds up getting tossed is stuff I need. Stuff that keeps me going. It's all being shut down at once, no rhyme or reason, until I suddenly can't care about the things that are me. Intrinsic, fabric-level stuff. I can't care about creating. About making art. About telling stories. I can't care about other people telling stories. I can't care about my friends the way I'm supposed to. I can't care about their travel or their kids or their wins. I can't care about making food for myself. I can't care about brushing my teeth. I'm shutting down to component parts, but I didn't get to pick which components are still running full-power, so I wind up with just a handful of randomly blinking lights. Suddenly, I care very much about my fear of the future, my financial insecurity, how fast I can run a 5K, a single television show--and just about nothing else.
It isn't healthy. It's sure as fuck not sustainable. And I know from experience that the rest of the system will come back online eventually. I'll find myself telling another story in a week or a month. I'll find myself sketching something out of nowhere. I'll find myself able to grieve a lost loved one and treasure my new nephew. It'll all come back, in time. But it's the in-between bit that grates. The bit where I'm in the shuttle with my knees tucked against my chest, sucking oxygen through a straw, trying to conserve whatever is still running. The bit where I resent the people in my life who aren't running on fumes like I am. Where I'm furious that they can care, that they can move freely, that they aren't pacing a minuscule cage like I am. It's a loss, all the months and years I've spent on life support. It's a fucking waste.
That's where I am right now. Life support. Little things get in, from time to time. I can suddenly inhale a book series start to finish. I can suddenly coax myself into eating the same thing for lunch for three weeks straight. Those are extra lights on the dash, and I have to treasure them. Because there isn't really room, so any little thing that I find space for is a gift. And everything else--talking. planning. trusting. creating. intake.--has to stay dark for a little while longer.
It'll come back on. I have to believe it'll come back on.
In the meantime, I hunker in my shuttle, and I wait.
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the experience of writing fic for svsss has been absolutely insane so far. I posted a fic less than 24 hours ago and it already has twenty comments. I have been in so many fandoms where you have to BEG to get comments, where you'd be lucky to get more than ten comments and the ratio between hits and kudos/comments/bookmarks was vast, but so far the scum villain fandom has been super responsive! The hits/kudos/comments/bookmarks ratios have been super tight, even on my fics which have all been oneshots under 10k!
And it's not just me! I regularly see fanart for svsss fics, which was a rare sight in a lot of other fandoms I've been in. People reblog minifics that get posts to tumblr and leave tags and replies on them. I've written for a lot of fandoms in my time, and this a shocking amount of fic engagement compared to many other fandoms I've been in!!
I can't help but wonder if it's because of the nature of scum villain itself? Other people have talked about how the story uniquely appeals to writers, and it ultimately is about the relationship between a writer and reader, especially in a fan space. I can't help but wonder if the combination of this being a fandom with a high density of writers and it being a story about engaging with writing encourages a fandom culture that is super engaged with fanfiction!
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2024 reads / storygraph
The Girl In Question
YA thriller, Sequel to The Girl’s I’ve Been
a girl who was raised as a con artist is reconnecting with her older sister and trying to live a normal life after high school ends, while she can
but her murderous stepfather is free from prison, and she knows it’s only a matter of time before he comes for her
along with her girlfriend, best friend, his girlfriend, and dog, she plans a 10 day trip into the wilderness to a fire lookout to enjoy the summer. But a few days in her stepfather comes for her and kidnaps one of them, and they’ll have to do whatever they can to stay alive
twisty & nonlinear
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Traintober Day 3: Twins
“Hads you some Scottish twins angst”
“Thinking about my au and how Donald’s and Douglas entire story would work and I’m still not sure if adding this but in honor of traintober day 3:twins here it goes so here since my au is following more of sos storyline but still has rws/tv series tidbits the same thing still happens the twins flee to sodor scratched off the numbers but since it’s instead mr.Zorro and Mr.Starr, who are in charge has the two companies have not been melded together yet and despite mr.Zorro gruffness even he wouldn’t sent them back to a uncertain future and after talking about it with Mr Starr and within their respective engines they both agree on taking one of the twins for each of their respective companies Donald goes with nor’easters while Douglas with the midis.
So despite both twins being eventually purchased and thereby saved, they still end up “separated” from each other yes they can see each other it’s not forbidden but their coworkers fierce rivalry between each other separate company among other reasons slowly but surely begins to influence the twins themselves douglas is caught up in more criminal activities even with a guest nearly gone wrong (sorry Colin!!) and as a result of his coworkers toxic influence (diesel, Adam, Stanley mainly) the latter two who were against having him for personal reasons he began to like the independence forming bonds with those from similar origins/railway(Emily), those giving him a warm reception (Lily, Colin) or just those who welcomed him regardless of the whole rivalry(Peter, later Reginald).
Both receive praise and attention though I feel like Douglas more so felt a slight need to become one of the midis thanks to his coworkers’s attitude towards him like yes he’ll defend himself but it’s better to make friends than enemies when you’re the new guy with Mr.Zorro having favoritism and watching your every move combined with some rather unpleasant encounters from the nor”Easter’s side (mainly James who also unintentionally stains Donald rep but doesn’t say anything on it) I feel like a fight would come when Douglas come in painted blue as a reward where he is finally accepted into the midis where slowly but surely the cracks begin to show from when their visits to one another become sacred, withholding secrets (mainly on douglas’s side cause let’s be real I’m pretty sure no one wants to tell anyone you’re involved with criminal activity) just drifting apart from the brother you once thought you knew your entire life until it all eventually comes crashing down.
of course this is still a work in progress but this idea would be quite interesting.
Reference:
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