#Sphinx complex

[penhive]

Myth and Popular Culture

In this article, I would like to proceed by explaining what is myth and popular culture. Myth is a value system embedded in society and culture can be explicated as institutions that are propagated by society. In this article I would like to enunciate certain terms that program my writing and they are:

a) Abracadabra complex

b) Mesmer complex

c) Freud complex

(d Sphinx Complex

a) Abracadabra complex

Abracadabra complex is the magical influence exerted on the individual and its various forms are driven by social media and advertisements. Now what does social media and advertisements do?  They feed on the ego through a brainwashing manipulation. They embark upon a mental Halloween. With the advent of social media, humanity has become a slave of it. Yet there are some good features of social media that are fruitful as they picture news ignored by the mainstream media. Social media manufactures awareness of accessibility. Advertisements create an experience of adarchy (advertisement and anarchy). The individual is at a loss to make the right choices. Products are sold as manufactured consent.  The owners of social media and advertisements are driven by Nietzsche’s will to power and power and becomes as  a saleable commodity, a fetish of purchasing power.

(b Mesmer Complex

This is the second factor in Myth and Popular Culture. I would like to explain it by using Hegel’s master and the slave dialectic. The master and the slave is a dialectical relationship between myth and popular culture and the consumer. The relationship is a two way process of where the bourgeoisie capitalists are the masters and consumers are slaves. This is process of power sharing. The ego of the bourgeoisie is addicted with power strategies to make the sales optimum.  The master feeds on the narcissism of the slave. He propagates the myth of culture-stasis a peculiar condition of dominating the slave with the masturbation of tantalizing visual and sound content.

(c Freud Complex

Freud complex is a psychiatric aspect and the product sold by the bourgeoisie capitalist and it embodies a fetish deviant of attracting products. He perpetrates the catchy Aphrodite slogans, sexy Venus glitter and Zeus thundering sounds, all leading to the capitulating of interest. There is a collective narcissism of the ego and a gaffe of slavish psychosis which make the slave hooked on to the Gothic imagery and creating a feeble condition of cultural voyeurism.

(d Sphinx Complex

Sphinx complex is a peculiar phenomena of attachment felt by the consumer towards a product.  The consumer is forced to make choices from a plethora and here we have to examine whether it is the advertisements which make a mental surgery to hoodwink the subject in buying of a product. The choice that a consumer makes is highly irrational and is dependent on the upward-spin-tail of voyeuristic entertainment.

[cripplepunkbarbarian]

I am so glad that the kid spectrals have such normal and caring spirits who will definitely not physically endanger and/or cruelly betray them in the midst of their lives already being destroyed by cults, monsters, and interpersonal drama. It’s so cool and nice 👍

[mortemcatabasis]

🔺🟠Jumbled 🟩🔷

[likely-lovers]

EVEN MORE OEDIPUS DOODLES FROM CLASS YOU SAY????

[chiharuokuyama]

Day 3

Just chilling with the Pyramids and the sphinx view

[emaadsidiki]

The Mysteries of Ancient Egypt

[sodomite-caligula]

[cleverkoalatree]

Unveiling the Mysteries: Exploring Egypt's Ancient Ruins and its Fascinating History

[blueiscoool]

Egyptologists Clash Over ‘Underground City’ Beneath Pyramids

Claims that an “underground city” exists beneath ancient Egyptian pyramids have caused a row among experts.

Researchers from Italy say they have uncovered giant vertical shafts wrapped in “spiral staircases” under the Khafre pyramid.

They said on Sunday that they found a limestone platform with two chambers and channels that resemble pipelines for a water system more than 2,100 feet below the pyramid, with underground pathways leading even deeper into the earth.

But the claims – which have not been published or independently peer-reviewed – were labelled “false” and “exaggerated” by fellow Egyptologists.

Researchers claim they have discovered eight cylinder-shaped structures below the Khafre - Khafre Project.

Prof Corrado Malanga and his team from the University of Pisa used radar pulses to create high-resolution images deep into the ground, similar to how sonar radar maps the ocean.

In a statement, he said: “When we magnify the images [in the future], we will reveal that beneath it lies what can only be described as a true underground city.”

The scientists have also said there is “an entire hidden world of many structures’’ and that “the Pyramid of Khafre might conceal undiscovered secrets, notably the fabled Hall of Records”.

The Hall of Records, a concept popularised in ancient Egyptian lore, is believed to be an ancient library beneath the Great Pyramid or the Sphinx, with vast amounts of information about the ancient civilisation.

Prof Lawrence Conyers, a radar expert at the University of Denver who focuses on archaeology, told the Daily Mail it was not possible for the technology to penetrate that deeply into the ground.

He said the idea that it proves an underground city existed is “a huge exaggeration”.

But he said it was conceivable small structures, such as shafts and chambers, may be present from before the pyramids were built.

He highlighted how “the Mayans and other peoples in ancient Mesoamerica often built pyramids on top of the entrances to caves or caverns that had ceremonial significance to them”.

The work by Prof Malanga and fellow researchers Filippo Biondi and Armando Mei was previously discussed during a briefing in Italy last week.

The project’s spokesman, Nicole Ciccolo, shared a video on Saturday of the trio discussing the findings that are yet to be published in a scientific journal.

Tomographic images could indicate internal artificial structures under the pyramid - Khafre Project.

The team focused on the Khafre pyramid, which, along with Khufu and Menkaure pyramids, make up the three in the Giza complex.

The pyramids are thought to have been built some 4,500 years ago and sit on the west bank of the Nile river in northern Egypt.

The vertical shafts identified below the ground were about 33 to 39 feet in diameter, located at a depth of at least 2,130 feet, the researchers said, adding that they may support the pyramid, which needs “a strong foundation, otherwise it may sink”.

The team showed an image created by using the pulses which they claim includes “a complex, luminous structure with distinct vibrations” they believe is “an actual underground city”.

“The existence of vast chambers beneath the earth’s surface, comparable in size to the pyramids themselves, have a remarkably strong correlation between the legendary Halls of Amenti,” Ms Ciccolo said.

A 3D model displays the structures inside the central part of the Pyramid of Khafre - Khafre Project.

Prof Malanga and Mr Biondi published a separate peer-reviewed paper in October 2022 in the scientific journal Remote Sensing, which found hidden rooms and ramps inside Khafre, along with evidence of a thermal anomaly near the pyramid’s base.

The new study used similar technology but with extra help from satellites orbiting Earth.

Radar signals from two satellites about 420 miles above Earth were directed into the Khafre pyramid.

The experts then monitor how they bounce back and convert the signals into sound waves, which allows them to “see” through the solid stone and map out underground structures in 3D.

Prof Malanga claimed the results had been “completely consistent” and using two satellites ruled out the chance of “misinterpretation”.

By Michael Searles.

View of the ancient crypt inside the Great step pyramid of Djoser, Saqqara. Cairo.

[abitcaughtinthemiddle]

The Hypocrisy of Vex'ahlia

Before you all come for me, I am a Vex stan and I will defend her until I die - she is my favorite Critical Role character and I'm so glad we're getting a deeper dive into her psyche.

The complexities of her character cannot be overstated. She has a lot going on under the surface, and the breadcrumbs of her deep-seated insecurities have been there the whole time.

I'm really excited we get to explore those in season 3 through her relationship with Percy, in a way different than what we've seen in the actual play streams. I want to commend the writers for being able to convey so much in so little time.

We are introduced to Vex as a sexy, confident woman who uses her looks and charisma to her advantage. She takes charge most of the time, being the unofficial "leader" of Vox Machina. She presents herself as someone who doesn't really need anyone else and does not care about anyone outside of her brother. Keyleth even comments on this in the first episode, "Vex and Vax only care about themselves".

This, of course, is a complete fabrication, a mask she wears to hide her insecurities. A mask, she wants no one to see through. The irony here is that she can so easily see behind Percy's mask - "Darling, take off the mask". It takes one to know one, after all.

She so badly wants to get underneath Percy's mask, for him to show himself to her fully. There's something inside of her that sees the guilt and shame inside of him and that resonates with her belief that she is deeply broken. Vex truly believes that something must truly be wrong with her. And why wouldn't she? Saundor, who said he knew everything about her, saw this, too, after all.

Saundor says plainly, "you will never be enough."

So it must be true, right?

Why wouldn't something be so wrong with her? It would make sense. Her father carries no love for her, her mother died, and Vax had to sacrifice his life for hers. She knows Vax loves her, and she believes he is the only one who does. Even Kamaljiori, an ancient and all-knowing Sphinx, fed into this during their test when Vax fell: "you have no family left who cares for you".

Her hypocrisy lies in the facade she built as a woman who does not need anyone or anything. She presents herself as someone who does not need the love of others, when in reality, she desperately wants to be loved.

Saundor saw this as well.

Vex longs to love and be loved. And yet, she cannot allow herself to give up her facade and let Percy love her and admit her love for him.

The last person to see through her walls was Saundor, and we know how that went.

What he said really cut her deep, as we see after the Kevdak fight when she brushes off Pike's inquiries about her experience in the fey realm.

As we see her relationship with Percy move from harmless flirting to physical intimacy at the beginning of season 3, we see her embrace the physical closeness to Percy but starts to block him out the moment he wants to cement their relationship. But she can't let herself tell him how she feels because that would mean admitting her heart is his - and that would be doomed to end in tragedy, as Vex admits later in the cave.

Putting up this emotional wall between her and Percy will not give Vex what she wants: love.

Love is that emotional intimacy. Vex loves to point out the importance of love between other people- in season 2, pushing Keyleth to tell Vax how she feels ("it always matters"), assuring Allura that Kima's love for her will help her endure after Vorugal's attack, and putting faith in the rest of Vox Machina.

Vex understands what makes love so special, and how important truth and intimacy are to real, lasting love.

And while she comforts others and pushes them to be vulnerable and embrace love, her own fears prevent her from fully doing the same. It's ironic and sad, how one of the only people who can see through her mask is the one she's pushing away.

Trauma makes hypocrites of us all.

Image credits @blorbologist @aq2003

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star��� or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[krashlite]

Design concepts for Grian!

basically, completely overhauling how I draw him!

Design notes under the cut!

Animal: Sphinx

He's one of two people that try to hide that he has a motif (the other being Scott, but I'll get to him), so his animal traits are a lot more subtle. We only see more overt traits like his wings and big teeth through his hallucinations.

FACE/HEAD

Wide face! Very rectangular.

Generally, he has more reserved expressions that are based off his eyes.

His face/head shape is meant to resemble that of a lion, with a broad nose, round ears, and a lazy, catlike smile.

The shape of his hair is meant to resemble a bird with tucked wings, though I'm not sure how well I pulled that off!

He has lowlights in his hair that, when pulled into the "wings," makes the light and dark strands crisscross into that waffle pattern.

He doesn't have irises! It's a genetic disorder called aniridia, which affects his sight. During/before EVO he still had ~75% of his irises and wore contacts, but now he's fully reliant on his watcher abilities to see (though bright lights still affect him!).

BODY TYPE

Even mix of soft muscle and body fat. Reads as soft but can absolutely pack a punch!

Most of his bulk is around his abdomen and biceps, with a bit of overhanging fat in both areas (though we don't really see this).

Legs are fairly skinny to give a more birdlike appearance to his shape.

CLOTHES

An adapted version of business casual! Adventure casual? Business adventure?

The leather vest is mostly there for weight. It's there to help ground him when he's experiencing the wing hallucinations. Most of the weight for it lands on his back, where said wings would otherwise sit.

Leather patches on his elbows and the toes of his shoes from wear and tear (though the left one is starting to tear off again...) as well as a messy stitch on the side of his pant leg.

This outfit doesn't actually fit, but he works with it! This is his favorite outfit and he's going to make it work goddamnit!

Doesn't generally button the top button on his undershirt.

ADDITIONAL

He's the only one that sees the wings/eyes/teeth in his hallucinations! He does also see more overt versions of other motifs (so hare ears on Etho, or antlers on BigB, for example). This isn't all he sees, and episodes can induce nausea in the same way looking at a magic eye painting can make you dizzy.

He doesn't show any physical signs of injury or aging, nor does he have the ability to make lasting changes to his appearance (such as tanning, gaining/losing muscle mass, haircuts, tattoos, etc.) with the exception to this rule being, ironically, his eye bags.

Final note is that with the life series, I'm approaching the watchers through a complex trauma lens. In my interpretation, they are otherworldly and incomprehensible entities that can damage the human psyche just through small, direct interactions. Grian, after being changed into one against his will for an extended period of time and then changed back, has a very difficult time separating that experience from his own identity. The watchers themselves ARE NOT a current part of the games, but Grian uses the abilities gained from them in order to run the games. It's his way of both reconnecting with his humanity and reclaiming that trauma.

Once again, the watchers ARE NOT a part of the games in my version. References to them through Grian are either flashbacks or hallucinations.

[emaadsidiki]

༺ Catching a Glimpse of Greatness at Giza ༻

[coolbugs]

Bug of the Day

...That jerk at the party who keeps photobombing all of your shots

:-D

(painted lichen moth, Hypoprepia fuscosa, and then top to bottom: unknown Tortricidae sp., oak besma, Besma quercivoraria, Xestia c-nigrum complex, and Northern pine sphinx, Lapara bombycoides)

[thelorelounge]

Mythical Creatures as Zodiac Signs Because Astrology Wasn’t Chaotic Enough

Okay babes, listen. The stars aligned. Mercury’s in retrograde. I haven’t slept in three days. So obviously, here is your official mythical creature based on your zodiac sign, curated by me, a highly unstable but incredibly confident celestial goblin.

Aries – Dragon

Unhinged. Majestic. Breathes fire when slightly annoyed. Has two modes: conquer or combust. Will absolutely torch your village and ask why you're being so sensitive about it.

Taurus – Unicorn

Looks soft. Is not soft. Will trample you while smelling like lavender and not spill their matcha. Hoards artisanal cheese and only emerges for candlelit forest raves.

Gemini – Doppelgänger

Two-faced? No, they’re multi-faceted. Can and will mimic your voice to cause drama at brunch. Every time you think you know them, they shapeshift into a different flavor of chaos.

Cancer – Selkie

Deep feelings, salty tears, seal energy. Wants love but also solitude, and will literally disappear into the ocean if you hurt their feelings. Bonus: moist.

Leo – Sphinx

Loves riddles, attention, and having a cat body. Absolutely the type to withhold crucial information because “you didn’t ask the right question.” Regal, terrifying, photogenic.

Virgo – Elf

Beautiful, efficient, lowkey judging your life choices. Can do 16 things at once while still looking like they stepped out of a skincare commercial. Will reorganize your trauma alphabetically.

Libra – Siren

Hot. Has aesthetic Pinterest boards. Lures sailors to their deaths with a killer playlist. Will ruin your life and then cry because they feel bad about it.

Scorpio – Vampire

Dark, broody, emotionally complex. Seductive and secretly sentimental. Will make eye contact across the room and you’ll either fall in love or wake up slightly undead.

Sagittarius – Phoenix

Can’t be tied down. Will literally explode and come back hotter. Wanderlust in creature form. Probably ghosted you while ascending into a flaming sky with zero explanation.

Capricorn – Basilisk

Sharp. Intimidating. Can kill with a glance and chooses not to (usually). Runs the underworld like a startup. Keeps receipts. Has a spreadsheet of enemies.

Aquarius – Chimera

Part lion, part goat, part snake, part “what the hell is that.” Iconic Frankenstein monster energy. Thinks rules are suggestions. Probably started a cult and forgot to tell anyone.

Pisces – Banshee

Feels everything and screams about it. Can predict your death and write poetry about it. Haunts your house but like… emotionally. Drowns in your bathtub just for the drama.

---

Tag yourself. I’m a Virgo elf with Scorpio vampire tendencies and Gemini doppelgänger coping mechanisms.

[sanctus-ingenium]

I love the moth guy a lot. Such a cool design! He's a photographer, too? What a funky little guy. Do you have more to tell about him?

Patches is a large (about 1.6m long) sphinx moth descended from the family Sphingidae. He is based off of a combination of striped hawk moth and tersa sphinx moth and he is distantly related to both :)

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I have to explain some of the setting - so every few million years, a mountain appears. It appears in the same spot on multiple different parallel dimensions, and it is there for maybe 45 years at a time. During this time is the only time these parallel worlds can touch, intersect, or meet one another. The last time this happened, members of the class Insecta came over, and found a different world with a ludicrously oxygen-rich atmosphere and some extremely energy-dense plants. They were able to develop, in the intervening years between then and the time of the story (think 1910s on earth) into the dominant life forms in this new world, many becoming quite large and developing complex societies and technology of their own.

The mountain reappears. This time, some of our insect characters (Nettle Rove [Staphylinidae] among them, though he is much younger than Patches and arrived at the tail-end of the time window) cross the mountain again, either by accident or on purpose, and find earth there, and human society. There's not enough oxygen there to fly or do much physical activity but they can still survive there and participate in a type of cultural exchange. So we have a First Contact type situation, but that's not what everyone really cares about. See, the humans have climbed the mountain and found at its peak, hidden in the clouds, a city. Completely devoid of life (even microbial), but obviously made by somebody. So the actual premise of the story is the exploration and mystery of this place.

Patches is 18 when the mountain shows up. He has just had a fulfilling caterpillar-hood of territorially murdering everyone he meets (kind of a solitary species! some members of Sphingidae will literally fight to the death if they meet as caterpillars) and, he is naturally extremely curious about the world outside His Tree. he meets his mate/bestie, Rosy Wing and while they do spend a lot of time terrorising everyone they meet, eventually they get interested in what's on the other side of that giant mountain. after meeting up with some humans trying to map the place, a camera-maker has a bright idea to send up Patches, who can hover very still in place, to photograph the strange lifeless city from the air (the humans are in full steampunk swing so obviously they have airships but atmospheric mixing between the different worlds makes it too dangerous to fly them, given that a stray breeze from the insect world might make a combustion engine blow the fuck up). the mixing is also sufficient to allow the insects to fly on the mountain but not for very long, meaning that most exploration of the city is on foot. The development of this aerial photography technique reveals that, from the air, the city appears disproportionately huge, and seems to stretch on for infinity. Because of this, and Patches' part in it all, an entire industry strings up for city exploration, and by Nettle Rove's time twenty years later, it has descended into bitter and violent rivalries between wealthy patrons funding expeditioneer teams. Murder is legal there (it's legal in insect world too. have u met insects? they love murder)

As for Patches himself, he is a barely-socialised semi feral freak with an incredibly upbeat and curious personality who is so so so devoted to Rosy Wing (who is.. similar, but more into people instead of cameras). Until their habit of harassing and thieving from randos goes poorly on a city expedition, and their entire team gets caught in a shootout. There were no recorded survivors. Our guy survived by playing dead but Rosy Wing was not so lucky. With Patches' hindwing in tatters, his only hope of being able to fly again and get of there was to use Rosy Wing's own hindwing as donor material. And that's how he got his name (he didn't have one before) :3

Rosy Wing was similar to an eyed hawk moth in appearance

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In Nettle Rove's time, there is a persistent rumour of some weird old hermit in the city. These claims are dismissed, but something's out there drinking the blood of random expeditioneers, and that thing might know more about what lies at the heart of the city than anyone else...

okay thank you for reading love u