#Studio Essentials

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[dol--blathanna]

Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.

Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.

And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.

Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).

(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).

Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?

Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.

And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?

Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.

Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.

Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.

Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.

[lovefrenchisbetter]

Essentials

[lil-beanz000]

Ive since adopted two smols @banana-jar-studio and @cuddlebugmonster

[freshdesignflow]

'Form-Functional Archi-Furniture' by Studio SMA.

[sunhowler-art]

finally finished a benrey ref so he can match with his wife

[musicollage]

Wayne Shorter - Juju. 1964 : Blue Note BLP 4182.

! listen @ Apple Music ★ buy me a coffee !

[poolsidepanic]

Realised I never did share the original moodboard I made for Ceramic Hearts, so here it is :)

[nancywheeeler]

look i am delighted marvel is finally in the find out stage after they fucked around and completely over-saturated the market but i can't help noticing it is always, always, always the female-led projects bearing the brunt of the criticism and just left out to dry by disney

[jbbartram-illu]

Hi! I love your art, it sparks such joy in me :))

And I had a question for you, I work primarily in 2D but I've always been interested in sculpture. What would the essential equipment/tools be for someone wanting to start?

Thanks!!

First off, thank you for your lovely words about my work!

Secondly, the truth: I'm a terrible person to ask about this because the second I get involved in a new type of art, I immediately become a little obsessed with collecting ALL THE TOOLS, and pottery gives you a lot of tools to choose from/collect, oh no.

Despite this shortcoming in my creative urges, I've tried to do a roundup of my most-used tools / put together a selection of tools that, if I only had them, I could still do all the things I like to do on my sculptures. Here we go:

Knife!

Mine is pottery-specific (because I was at a pottery shop & it wasn't expensive), but it doesn't need to be. A dollar store paring knife would work just as well! I use this to cut out things from slabs (eg. wings, crowns, etc) & sometimes to do more dramatic sculpting at the very beginning of a larger piece.

2. Pin tool

I use this for scoring clay to attach bits together, to carve smaller designs (eg. on my teeny sphinxes), etc. It's one of the things you really need as a potter (if you're working on the wheel, you can also use it to check the thickness of your bottom).

3. Wooden sculpting tools

I have a comical number of these (mostly because my mom gave me all her pottery stuff), but these are the three I use the most (plus a narrower-tipped version of the pointy one, not pictured). I use them for sculpting my forms before I scoop their insides out, more sculpting after the scooping, to blend the edges when I've attached a limb/other bit to a piece, and to add texture/details. I also use the very blobby end of the one on the right to compress/smooth the insides of smaller sculptures once I've scooped them out.

4. Paintbrushes

Since I'm also an illustrator & paint with watercolour & gouache, I've got an endless supply of brushes that are exhausted from rough watercolour paper but still have a lot of life in them -- now those become brushes for sculpting & glazing! During the sculpting phase, I use them to add water to my scored sections when I'm attaching bits together (I like to live dangerously & just use water instead of slip, like a real ceramics badboy), to smooth out bits where my fingers/a sponge won't fit, and to gently re-wet bits that are drying too fast. Absolutely indispensable!

5. Scoopin' tool (aka trimming tool if you pot on the wheel)

As with almost all of my tools, I have a bunch of these (mostly inherited from my mom, who was mostly a wheel potter so had a bunch of them), but I just got this one for Xmas & the circular end is the best yet for scooping the insides out of my creatures! You could also use these for sculpting, but I find my little knife/wood tools easier to control - these sometimes get a bit gouge-y.

6. Sponges!

Sponges in general are important for ceramics (I also have some cheap cut up hardware store sponges for cleanup purposes), but I find that these Mudtools sponges are the best for actual sculpting - they don't hold as much water & are easier to wring out than the type of sponges you get for wheel throwing, so your sculpture doesn't get sad & goopy, they're amazing for smoothing your surfaces, & the thin edges get into smaller areas vs. other sponges. I'm also hoping they're super durable - I got these at xmas, so have just started using them & can't give any info on that yet.

7. Texture tools!

I love to add texture to my sculptures - feathers, hair, etc, and these sgraffito tools are great for that (whether you're actually doing sgraffito or not)! I have a few (including a set of Xiem ones in all different shapes), but these two are the ones I use the most.

BONUS THINGS:

A few other things I find important to my pottery setup include:

A spray bottle (my bigger Ikea one broke, so I'm using this wee one that came from a travel watercolour set...really need to get another big one!)

A bigger basin/tub for cleanup/cleaning tools while you work (you can also see a couple of my tool/desk-cleaning sponges here). I do keep a smaller bowl of water on my desk while I sculpt, but I find having a bigger water source helps, as I often need to clean tools while I work & would rather not have to go to the sink for that (or dirty my desk-water too much).

Yogurt containers for dried clay bits/tupperwares for sculptures in progress. I have great aspirations of recycling my clay scraps, so I keep them in labelled containers for when I get my butt in gear to do that. These little tupperwares are great for keeping chunks of clay & sculptures in progress because you can spritz up the whole box & get a nice humid atmosphere to prevent drying out if you need to leave them for a few days.

EXTRA BONUS: tools you don't need but that I find extremely useful

Pony roller! It has the best name AND is great for rolling out little slabs/bevelling the edges of them (with the littler bottom roller)

Clay paddle. I feel *insert gif of Rosa from Brooklyn 99 with the puppy* about this tool, which I just got for Xmas. It's AMAZING for roughly shaping lumps of clay before I get into more detailed sculpting, and makes mashing two chunks of clay back into one chunk WAY easier. 11/10, love this tool so much.

Lastly, this isn't a tool, but this stuff is the BEST moisturizer if you do anything with your hands/live in a place with harsh dry winters & would like to keep your knuckles in one piece (I also love it while I'm drawing - I can hold the pencil right away?? Magic?!). It sinks in super quickly, doesn't make your hands all sad & slippery for ages, AND it lasts for a while even if you've got clay & water on & off your hands all the time. Great stuff.

If you got to the end of this, THANK YOU for your great question! I had a lot of fun figuring out my essential tools (tho obviously you don't need all of these to make great work...these are just my most important ones!) and then...uh, rambling on about them, apparently.

[s0fter-sin]

so lately i’ve been obsessed with a 141 dancer au

gaz runs classes, has a youtube channel and quickly becomes one of the most sought after choreographers in the music video scene. soap is his dance partner for his classes, he helps run them and does demonstrations with him

ghost is also a choreographer and he’s gaz’s Arch Nemesis

he's famous for never performing his routines, never doing public appearances without his skull mask and being highly exclusive with who he allows to perform his choreo which earns him his name (since he’s a ghost creator). gaz however is a social media darling, his classes and videos regularly doing huge numbers

they both popped up around the same time and are neck and neck in terms of popularity and skill and they immediately rub each other the wrong way

gaz accuses ghost of not actually choreographing his routines himself bc no one has ever seen him dance and ghost thinks gaz is a clout chaser who's just in it for the fame instead of passion

he became a dancer as a way to channel his rage after years of being an underground fighter, the discipline and physicality helping him more than fights ever did. he hates the thought of someone just using it just to get famous when it literally saved his life

deep down they know their accusations are wrong and they have a grudging appreciation for the other's talent but they'd both rather die than admit it

price is a famous dancer turned director they both work with frequently and they always fight over him; trying to get their routines picked for his music videos. he's also the only one in the industry who's ever seen the ghost perform (before he got famous and before the Incident™)

he finally gets fed up with them constantly being at each other's throats and hires them both to work together and choreograph a joint routine. they're both famous in their own right but this video is for a huge artist so neither of them can refuse no matter how much they hate the other

gaz has a gymnastics background but also a ballet background which lends him to a more fluid style whereas ghost’s style is stronger, more masculine with sharper movements so they naturally end up butting heads

then there's soap who has a completely different style altogether, focusing on a more modern, breakdancer style which makes him see everything completely differently

but it also adds to his self-doubt bc he didn't have a formal dance education, he built his entire repertoire by himself. people see him as inferior to gaz who has that very formal, highly disciplined style. his insecurities about only ever being seen as gaz's demonstration partner and that he can only do gaz’s routines so all his skill is just an extension of him instead of being seen as a dancer in his own right forces him to adopt a rigid - destructive - perfectionism in himself and his body

soap meets ghost before the first rehearsal. he gets to the studio early to practice when sees this beautiful man dancing

he has no idea who he is but he moves so seamlessly, almost better than gaz, and he immediately falls a little in love. the man catches him watching in the mirror and he flusters, getting worse as the man just smirks at him and flawlessly completes the routine

soap tries to save face and asks him to teach him the routine he's doing

the man agrees, introducing himself as simon. the style of the routine is familiar to soap but he can't focus on it when simon's hands are on his waist, guiding him through the steps; his chest pressed up against his back. they work together beautifully, picking up each other's body language and dancing together easier and better than they've ever danced with anyone

then gaz arrives and the vibe in the studio immediately changes

simon's easy confidence becomes hostility, pulling up the skull gaiter he'd let hang around his neck as he practically pushes soap behind him to square up to gaz

soap’s shocked when gaz hits back with the same energy until he realises it's the same way he acts whenever he talks about ghost and his stomach drops

he steps out from behind ghost to side with gaz and the betrayal in simon's eyes hurts more than anything he's ever felt

from there it's romeo and juliet; camp gaz versus camp ghost as they fight over every step of the choreo and soap is the poor bastard stuck in the middle

soap tries to channel that “you’re my best friend’s rival, i have to hate you,” mindset but he can’t forget the way it felt to dance with simon

and how much he wants to do it again

[kiefbutter]

tbh the funniest thing abt adam to me is that looking at the photos he took of lawrence, adam could probably be making bank. like he could be making a lot of money but i think it is incredibly funny to imagine he is making the active choice to Not Do That

PLEASE no because im sure he coulda built a really good fucking portfolio that woulda landed him some really nice, ethically and morally right gigs but that motherfucker is probably like “Actually what im doing right now is just fine.”

[aro-culture-is]

american aro culture is feeling like you have to have a partner of some kind just because everything is so damn expensive and built under the assumption that you have two people with income :/

.

[lovefrenchisbetter]

[beth-purcell]

Bendy and the State of Affairs

Or, Beth is Holding a Match and in Front of a Few Bridges

Yes, this is inspired by the going-ons, especially on tumblr and no I'm not going to name-drop because it's more just one account doing this; I've just lost my patience and I need to get this out of my system.

So I'll keep it under the cut so you can choose to skip and if you do skip, have a good day. If you decide to read, please remember to be respectful and it's just my opinion, as well as have a good day.

For context, one of the founders of Joey Drew Studios, Mike Dejsardins (Or as he was known during the peak of Bendy, Mike Mood), has come back to the internet via his YouTube Community Page, answering some questions that were left there. Despite claims for others to leave "civil" comments, there are quite a few nasty ones, and whatever you take from the guy, there's something that the fanbase can't argue.

He owns Bendy.

No matter how many people yell and complain and spew vile at him, that's not going to change. And assuming he doesn't sell the IP or loses it in a lawsuit, Bendy will always belong to him and the Meatly, and we know that Meatly enables his behavior and I think there are those in the fanbase that don't understand that this isn't like the Sonic movie, where multiple factors had to line up to even convince the higher ups at the movie studio that they'd make more money than had they left it alone. And a multimillion movie company is not the same as (as Mike himself confirmed) two people working on a game franchise with three people in the company overall.

Which tangentially brings me to the other question; Why are these people who claim to be "fans" of Bendy being so vile? Like, Mike certainly isn't a saint, but claiming people who aren't out there trying to "reclaim" that was never theirs in the first place are bootlickers when they could just be wanting to work for the game series that they grew up with? Hate to be the asshole, but I'm not going to have someone who spewed awful every time the topic of my project came up on said project, even if they claimed it's because "they want better". And that's just assuming that Mike and Meatly wouldn't tell other developers they know and interact with.

And honestly, you're not looking like a fan with what I'm seeing. There's a different between "Hey I like this, but I acknowledge there are faults, but I also acknowledge that I will not yuck anyone's yum." and "I like this, therefore I will not stop talking about how much I actually don't like aspects of this thing, and will use my "love" as an excuse to do awful things like disrespecting artists and writers by redistributing their paid work alongside asking people to work for free."

It's not like you could make your own story or game about an animation studio that fell from grace and tell it exactly how you wanted, with the staff portrayed as you exactly want, but I suppose you won't get those clicks if it's not labeled an "AU" of Bendy.

[blueblend]

Linktober 2023 | Day 8 | Constructs | Main Calendar

You ever think about the fact that these seemingly sentient beings one day resume their daily tasks, only to realize that their bud is no longer functioning?

You have now.