goatmom-love

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[egophiliac]

Most unhinged moment in TWST Wonderland that made you go:

I love this game.

can I just say the entire front half of episode 7 chapter 8, because everything about it was BONKERS in the most absolutely delightful way. genuinely this might have been the funniest single update yet. we got Idia's directorial debut! big stronk Epel! and. just. gestures to the entirety of SavanaRook. (then Vil went into a spiral of murdering people that culminated in punching the manifestation of his own insecurity in the face, and that was good in an entirely different kind of way, but I digress)

if I have to pick one though, I'm gonna go with Idia's video, because 1) adorable, 2) seriously just look at it, and 3) I did legit have to replay that subchapter on account of laughing over most of it the first time. truly Idia is the artistic genius of our generation.

[technically-human]

The Case of the Devlin House (Reverse Verse!) as commissioned by @i-am-as-normal-as-you-are everyone thank Haunted!

The father of the Devlin family murdered his wife and children one night, and no one knows why. While investigating the case, Edwin finds a letter from the eldest daughter, in which she expressed her desire to go to college to get away from her father... and closer to the girl she loved. The family has been stuck in a loop since that awful night, and now Edwin is too.

Bonus:

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[favoure]

heyyy <3

[racke7]

Ectoplasm and Jason Todd

Danny is wandering around Gotham (visiting, chasing a ghost, running from GIW, attending college, etc) and stumbles across Jason.

Jason who is flaring his ecto-signature like a madman (is he trying to get into trouble?).

Danny drags the guy into a nearby alley to give the guy some kind of crash-course on how not to do that.

Jason isn't sure why this guy grabbed him and dragged him into an alley, but if it's a fight he wants, Jason would be able to fight more freely in an alley, so he doesn't struggle. (Does he know that Jason is Red Hood? Does he think that Jason is a random civilian? Is it just him, or does this guy have really cold hands?)

Jason isn't sure why this guy is now trying to... ask him to meditate? The fuck is going on? But if it's not a fight, then... maybe it's fine to just listen to the weirdo? Taking a few deep breaths isn't going to hurt him.

Danny is very proud of himself for guiding the ecto-flaring guy through how to not flare his ecto-signature. He's such a good teacher.

And then Jason collapses.

Turns out, Jason has been using his anger to create a feedback-loop that artificially raises his ectoplasm-levels.

Ghosts need ectoplasm to live, but they'll also produce ectoplasm when feeling strong emotions. For most ghosts, this a bit like saying "everyone needs a good cry every now and then". For Jason, he's been basically aiming a gun at his own face for the adrenaline-rush. Constantly.

So, Danny is now holding onto a barely-conscious person who desperately needs more ectoplasm. As in, this is a medical emergency, and every second probably counts.

Danny, being that he wasn't planning on needing to carry around some kind of ectoplasm-container at all times (who the fuck does that? His parents, that's who), is now desperately trying to problem-solve this.

Danny realizes that, actually, even in his human form? Danny has a lot of ectoplasm in his body. Enough that he could probably save this guy by... feeding him his blood.

Cue intimately sexy reverse-vampire scene.

And oh boy, if Danny's blood doesn't taste fantastic to Jason's ecto-starved self.

[neotibicen-linnei]

adding more to my fave jacket so she's ready for folk punk fall

[luxaofhesperides]

For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?

He has no idea how his parents did it. 

Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 

Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.

That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 

This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 

So here they are. Standing in the empty living room of their new apartment in Gotham. 

Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 

Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.

It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?

Ellie smacks a small palm against his cheek and babbles lightly.

“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”

He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 

“Can you be good for five minutes?” he asks Ellie. 

She babbles again and smacks his shoulder.

“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”

Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 

He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 

This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 

He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.

He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.

Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 

“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.

It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 

A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 

It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 

Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 

Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 

Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.

He’s finally feeling more settled, energized from sleep and food.

In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 

. . .

Four months ago, Danny had hope. He was optimistic. 

Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.

He had just gotten Ellie to sleep. She was actually peacefully taking a nap.

And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.

They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 

“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 

Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 

“I know it was scary, but you’re alright. You’re always safe with me, El.”

Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.

The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 

“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”

“Hey, you alright?”

Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 

The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”

Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”

“I’m Duke, by the way. I don’t think I’ve seen you around here before.”

“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”

“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”

Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”

“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.

“I’m so sorry. That drive by woke her up and it’s really rattled her.”

“Hey, no need to apologize. I get it, Gotham is rough to kids.”

Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.

Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”

“Thanks. Um, actually, I might need help opening mine?”

Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 

“If I could just get my keys,” he starts.

“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 

Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 

“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”

Ellie babbles lightly, and Duke turns his head to futilely hide his grin.

He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 

“I can’t believe this. Betrayed by my own blood.”

Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”

“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”

“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”

“Family,” Danny says in a tired, fond tone.

“Family,” Duke agrees.

With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.

The key word being tries. 

Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.

“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”

Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 

She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 

“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.

Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”

“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”

“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”

“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”

Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 

As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 

It should make him nervous, but Duke is calm and easy going and kind. 

He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 

Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.

All he needs to do is take that first step, reach his hand out, ask Duke to stick around.

He can do this.

[saradiation]

It's 2/22 today so you get a Sollux :D 💛

[linovadraws]

August and Peter figuring out the whole ~siblings~ thing. From the October Daye series, specifically the Patreon story, "In Safety Rest".

[khruschevshoe]

There's something to be said about Heaven Sent/Hell Bent, despite the Doctor overthrowing the Time Lord Council and spending four and a half billion years in the confession dial and him and Clara and Me meeting at the end of universe, therefore technically spanning the longest time span, being fundamentally the smallest in stakes of any of the modern Doctor Who finales. At the end of the day, there is no threat to earth or the galaxy or the universe or reality. It's just about two people and the way that they turn each other inside out and the way that they reflect each other as two sides of the same coin and the way their relationship was always going to end this way- with the flip of the coin, spinning in the air, each trying to override the other, each trying to take control of the story, each haunting each other forever.

It's under my microscope. It's rotating rent free in my head. It's everything good about Moffat's writing- fairytale vibes, wrenching character work, two characters that thematically parallel each other- and none of the bad, because he's not trying to be too clever or fuck with the rules too much, there's a couple of simple concepts played straight to their inevitable conclusions: Clara Oswald needs to die but the Doctor can't let it happen, he wants her to forget but she can't let it happen, so they both will do the most devasting things in the world to stop the other and they both get their way in the end but only in a way that will leave them haunting each other forever.

And it's so fucking good.

[starcurtain]

I would pay such good money for confirmation of whether Ratio and Aventurine have worked together before Penacony. How did it happen??? The talks that went on before Final Victor... The initial spark of inspiration to stick Those Two Guys together...

Like, I just have to know if someone in the IPC deliberately tossed Aventurine and Ratio on to a team together (with or without good intentions). Are any of the higher ups in the IPC or the Intelligentsia Guild out there counting on this partnership working out for the best?

To be a fly on the wall when Ratio found out who he'd been hired to "consult" with...

And Aventurine, getting the IPC mission orders across his desk like "Ah, yes, finally. He's here. My Government Assigned Boyfriend™."

[ghostbeam]

Tomura shigaraki x reader, tomura is an art student, takes place in the same universe as my charcoal artist!dabi stuff, tomura is like very insecure in some of this, if the writing feels pretentious and flowery and unnecessary that’s because it is<3

His hair is getting long.

Running your fingers through the ends, you notice how it’s nearing his shoulders now. His head is in your lap, staring up at you as you lean against the mountain of pillows on your bed, clad in a pair of underwear and the tee shirt he arrived in. His jeans are stained with paint, hanging low on his hips, unbuttoned and quickly thrown on so he wasn’t naked and vulnerable in your lap. You thumb at the scar by the corner of his mouth and he kisses it, then your palm, then your wrist. Tomura takes your hand in between three careful fingers and places it over his heart.

Love is not how they told you it would be.

The two of you were assigned to the same group in painting iii, formed so that the students could give one another critiques independently. Only, you couldn’t find a single thing to critique in his work.

Tomura worked with oils—or Tomura lived and breathed and died for them. He painted people, always caught in a moment, in the middle of talking, or yelling, or drinking, or sleeping. His attention to detail was unlike anything you’d ever seen before, colors you’d never realized could appear in skin tones, shine on limbs and cheeks that made his subjects both more alive and human than any real person. His work felt sort of dirty, sweaty, perpetually damp. But it was beautiful. You couldn’t say a thing about it.

He’d confronted you about it one afternoon, stuffing handouts from the professor into his bag, which looked to be filled with more loose paper and no text books.

“Do you hate it that much?” It was the first time he’d ever talked to you, actually talked to you and not just about your work during a critique. “You never have anything to say.”

It stuns you for a moment, his anger and annoyance, how he’s decided to aim it at you instead of the group of people clamoring for issues with his painting all class period.

“I’m supposed to point out flaws, tell you where you could have done better, explain how I wasn’t moved,” you explain, staring down at your shoes, “but I can’t do that. There’s not—I don’t see how I could possibly tell you how you could do better.”

“That’s bullshit.” He mutters, slinging his bag over his shoulder. “Don’t just say what I want to hear. I won’t like you any more for it.”

He leaves you standing alone in the classroom. Like you? He thought it was about being liked? You’re in such awe of him that you can’t speak, and he thinks you’re just trying not to hurt his feelings.

During the next class, when he stands before your group for critique, you don’t say a word. And he keeps looking at you like he’s waiting for it, like you’ll be angry enough at him for last week that you’ll rip his painting apart. But your silent, once again. Nothing’s changed.

He’s the first one out of the class once you’re dismissed. He walks fast, and you’re out of breath by the time you catch up with him, resting a hand on his shoulder that he flinches away from. Your breath comes out in quick puffs that you can see, wrapping your coat tighter around yourself as you fix him with a glare.

“You’re wrong.” You say once he’s turned around. “I don’t care if you like me or not after critique. It’s not about sparing your feelings. I’ve never seen anything like what you do. And I watch you in class, and you paint like something is clawing it’s way out of you, like you need to do it or you’ll die.”

“You’re honest with everyone else but me.” He argues, unable to accept your words. You have real things to say to your peers. You don’t hold back with them. You make them better. Why couldn’t you do that for him?

“You are not everyone else.” You watch his eyes widen at your words, and if you had any shame, maybe you wouldn’t have said something so bold. “You’re leagues above all of us. Everyone knows it, and that’s why they’re harsh on you.”

Where you say nothing, your group rips into him, picking at each and every detail until there’s nothing left. He takes it all in stride, accepting their words like it’s absolute truth, and returning to his canvas with sunken shoulders and furrowed brows, concentrated on how he could be better. It’s exactly what they want.

He opens his mouth the say something, but stops, feeling a drop of something fall on his cheek. He looks up at the dark clouds above the two of you, and it begins to rain. He curses, taking a hold of your hand and leading you underneath the front of the design building.

“They’re harsh because I deserve it.” He points out, still holding your hand. You could say a million things right now, tell him in detail how moved you are by every piece he makes, but his hand is still in yours, and you don’t trust yourself not to trip over your words because of it. You can only shake your head.

“Why can’t you accept that you’re brilliant?” You question, exasperated. It makes him laugh, his smile being something you’ve never seen before. It makes you think of all the people who have seen this smile before, the stretch of his lips, the creases by his eyes. Had they felt this lucky?

“I think you’re crazy.” He tells you, knocking his knuckles against your head.

“Do you wanna go out?” You ask before you’re able to stop yourself. He leans away from you, surprised.

“What?” You can’t find the words to speak, to tell him you’re sorry, that it was uncalled for, that you’re a total creep. His face is red, you notice. He speaks a moment later, “yes.”

Rising from your lap, he leans over you, kissing your lips with as much tenderness as he had your palm. Your lips are his favorite thing to paint, second only to your thighs which he grips tightly as he wraps your legs around his waist.

When he’d met you, all full of hope and belief in him of all people, he’d thought of you as such a faraway thing. Unattainable. If you couldn’t talk about his work, there was no way you’d ever talk to him. But he was wrong, something he rarely ever is, your faith in him changing how he viewed his own art forever.

He paints you. He paints you a lot. He even paints the two of you together, though your faces are never in those ones, just bodies tangled together on one canvas. He’d call you his muse if you didn’t hate it. And besides, he knows you’re so much more.

If there had been something inside of him clawing it’s way out, you had noticed it, freed it, kept it safe with you so it wasn’t so agonizing to carry on his own.

No, it’s not how they told him it would be at all.

[puppyeared]

my stardew farmer ^_^ he doesnt have a green thumb for shit so he keeps animals and does mining

some tidbits i came up with while playing hehe

reclusive and doesnt really go out of his way to talk or visit people unless its an errand. but he also doesnt try to befriend others to get something out of it, so he has a very easygoing approach to making friends. on good terms with linus and sebastian since he runs into them most often.

if he respects or takes a liking to someone, he'll greet them with miss/mister (name). if you get close to him he starts using first name basis. if he doesn't like you, he'll refer to you by your title without using your name. only a few people have caught on to this.

the farm he inherited, Milky Way Farm, was the site of a meteorite crash and sometimes you can find shards of meteor debris littered around the farm (i picked the hilltop farm bc of this lol)

lost his sweater and pants a long ass time ago and doesnt have the time to look for them, so hes been working in his sleep clothes ever since

isnt actually grandpa's real heir to the farm... ;)

[beggars-opera]

I still find it really, really horrifying funny how many people think that they are going to magic a universally beloved third-party presidential candidate out of thin air and that their revolution is going to sway both the democratic and undecided voters to change their political alliances and vote for this nonexistent mystery person in in *checks watch* the next five months, thus overriding the republican base who has nearly 100% rallied around their one guy for the past decade and show no signs of wavering and, by the way, is also 100% behind funding genocide and various other crimes against humanity along with undoing every single decent thing the other guy has done. But sure. Vive la revolution