#Syd Arthur

[godspeedviper]

࿐˖ ִֶָ⋅ᡣ𐭩 ་༘𓂃 ࣪𝓈𝑜𝒻𝓉 𝒷𝑜𝓎𝓈 𝒽𝒶𝓇𝒹 𝓉𝒾𝓂𝑒𝓈𓂃 ࣪˖ ִֶָ⋅ᡣ𐭩 ་༘࿐

[toxooz]

🦌💔

[bodycountgame]

Do any of the ROs keep a journal/diary? If not, would they want to?

journals religiously adegoke, imogen

more of an organisational diarist - keeps notes of appointments and big events etc but nothing particularly reflective

arthur, avery, ellis, rowan

every few months buys a new notebook and tries to start journalling but never makes it stick

florrie

makes sort of haphazard notes in their phone

atticus, charlie, griff, syd, nyra

just forgets stuff like a cool person

vinh

[cosmonautroger]

Douglas Arthur Peter Field, Syd Barrett, Gigolo Aunt

[kylejsugarman]

this might sound a little too Online or whatever but its something that ive noticed since before social media and its kind of weird that grown people derive so much pleasure from seeing children characters they personally hate suffer or even die. the amount of videos of caillou being grievously injured, insulted, torn apart. the enthusiastic comments under videos of dw from “arthur” getting punched or injured. the people getting legitimately heated and imagining horrible things happening to four-year-old bonnie from “toy story 4″ just because woody wasn’t her favorite toy. like whatever they’re fictional characters, who cares, but the specific fixation that literal adults have on imagining, animating, and viewing horrible things happening to children and toddlers they find annoying is Strange.

[sinceileftyoublog]

Shannon Lay Interview: The Volume Meets the Medium

BY JORDAN MAINZER

Upon listening to “Angeles”, the Elliott Smith interpretation that opens Shannon Lay’s first covers album Covers Vol. 1 (Sub Pop), you’re struck by something familiar, yet different: her voice. Whether singing original songs, Karen Dalton on 2019′s August, or Syd Barrett on 2021′s Geist, Lay’s voice has always taken on an expressive whisper. You know--kind of like Elliott Smith. But on “Angeles”, she goes full force, unobscured by the haze of her past material. It’s the first song on the first album released since Lay’s taken voice lessons, taking advantage of a living situation and time in her career when she can sing out loud without bothering a roommate, with the confidence and good habits she’s developed over years of writing and performing.

Covers Vol. 1 is, in many ways, different than your traditional covers album. The artists included on it feel like an extension of Lay’s world, from the gentle caress of Nick Drake or Arthur Russell to the Bay Area scuzz of Ty Segall and OCS. (Lay’s spent a lot of time in Ty Segall’s Freedom Band.) Artists like Sibylle Baier and Jackson C. Frank are newfound loves, whereas Smith, Drake, Segall, and OCS are longtime influences. For an artist who wears her influences loudly and proudly while having still developed a unique artistic voice, a covers album is almost the perfect embodiment of Shannon Lay.

When I spoke again with Lay over the phone a couple months ago as she was about to embark on an opening tour for Whitney, she talked about why she likes not just recording covers, but playing them for an audience. “It’s such a great unifier, especially for an audience that doesn’t know you,” she said. “‘You like this? I like this, too!’” Lay plays Friday at the South Pasadena Masonic Lodge, Saturday at the Sebastiani Theater in Sonoma, and in July at the Permanent Records Roadhouse in L.A. Whether it’s a celebration of the release of Covers Vol. 1, Geist, her whole discography, or music in general, you can be sure to hear her as the messenger of some songs she didn’t necessarily write, embedded in the folk tradition.

Read our conversation below, edited for length and clarity.

Since I Left You: Both times we’ve spoken, you’ve talked about how much you like doing covers. You’ve included covers on your otherwise-original albums. What made you want to do a full covers album?

Shannon Lay: I think I had just amassed enough. I had so many under my belt that I loved playing live over the years, and it felt good to release something indicative of how I’ve been playing live lately, which is solo with this nylon string guitar, stripped-down, campfire style. It seemed appropriate.

SILY: Are there a couple tying threads among the range of artists you cover on here?

SL: I really wanted to be transparent about my influences, considering the fact that people who like my music would probably love these other artists, too. It felt like a nice way to let people in to the way I make music and open them up to the things I like, too. If you like me, you’ll definitely like Nick Drake and Elliott Smith.

SILY: It’s certainly a mix of eras. I was excited to see a couple modern day Bay Area luminaries in Ty Segall and OCS. How did those bands influence you as much as, say, Nick Drake and Sybille Baier?

SL: To have real-world experience with people I revere so much has been amazing. Ty and [OCS’] John [Dwyer] have been so supportive ever since I started playing music. It’s been super cool having them as a source of inspiration and support. I love them as people, but I absolutely love their music, so I had to pay tribute to those two guys. They’ve been so impactful on my life, musically and personally.

SILY: On your past couple records, your singing style seems more whispered and subdued, layered and affected. On here, especially on the Elliott Smith and Jackson C. Frank covers, you’re not obscuring your voice at all, which I found especially interesting on the Elliott Smith track, because that’s his singing style. Can you talk about how you adapted your vocal performance for these covers?

SL: I’ve been learning a lot about my voice. I’ve always loved to sing, but I think I grew up singing in these environments where I was living with someone, or roommates, and I didn’t want to bother anyone. I was always quite shy with my singing. Recently, I’ve had the ability to have my own space and explore what it’s like to go full-voice. Also, the way I’ve been tuning my guitar, which I got from Sybille Baier, is tuned down to C-standard. My voice fits so cozily in that zone. I started taking vocal lessons last year. It just blew the doors open, and I was able to find a much more powerful place to sing from. This record is the first place I’ve recorded that progress. Feeling it, and hearing how it hits the tape, particularly on the “Angeles” cover, was so delicious. I get why people love it: It’s this stunning compression that happens when you get that volume that meets that medium.

It’s been so cool. A lot of times, when you play an instrument or sing, you feel like you max out what you’re able to learn about it. I don’t think that’s true for anything. I feel like you can always learn more about what you love doing. With singing, it’s been really cool to expand the possibilities of it. I also want to sing for the rest of my life, so [it’s about] finding healthy habits and a new love for it. It’s stunning. I love it!

SILY: It’ll be cool to hear how you take this new approach into your original songs.

SL: Totally, especially if you see me live lately. It’s the new ingredient in the mix, which has been really fun in a simplified setting. It really maximizes the potential of how dynamic the vocals can be. It’s a really cool instrument, and it’s built into all of us.

SILY: Can you pinpoint your exact relationships to all of these songs, like when you first heard them or fell in love with them? Are there any that are newer to you?

SL: Sybille Baier is pretty new. I only discovered her in the last 4-5 years. Jackson C. Frank was also a pretty new love. The two of them have a lot in common. There’s a beautiful poetic melancholy to the way they make music, and two people I’d love to create a platform to lift them up on. They’re lesser known within this list of people.

The Jackson C. Frank song, I had never heard a cover done by a woman. I wanted to sing it from a female perspective. I thought it was interesting the way it took shape and became a little bit more wistful. I intentionally cut a verse that talked about giving up and not trying anymore. [laughs] I don’t agree with that. There’s something about heartbreak that propels you forward. It’s not about giving up, it’s about overcoming that moment. I liked bringing a more hopeful perspective to a very sad song.

SILY: The last time we talked, you said you always have a Sybille Baier track in your back pocket to cover at any moment. Why’d you choose this specific song?

SL: I wanted to pick songs that hadn’t been covered very much. [“I Lost Something In The Hills”] has some of my favorite lines I’ve ever heard in music. The whole arc of it feels like a coming-of-age story. Understanding yourself in an accepting light and that you’re kind of a weirdo, and these “strong and strange moods,” as she says. I can highly relate.

SILY: It’s a microcosm for the whole record, a curation of songs as a sort of mixtape, but you just happen to be the one singing.

SL: Yes! I love that.

SILY: “I’m Set Free” is a fun one because everyone says Lou Reed’s voice is deadpan, but your cover sort of reveals the song’s melody.

SL: [laughs] Totally. It’s a trip, man. I love transforming that song. The original has a washy thing about it, and I wanted to bring it down to Earth. The lyrics are so beautiful, and the message is, “I’m leaving the story behind,” having a clear perspective of a situation and it being up to you how to feel about things.

SILY: The Ty Segall cover is from Sleeper, his first “folk” record, but OCS have never gone through that folk phase to the extent Ty has. They’ve always maintained a certain level of noise, and "I Am Slow” specifically has a lot of weird instrumentation. How did you find adopting it to a folk song?

SL: That one was funny. With all the covers I’ve done, it falls into place so naturally, and that one just spilled out one day. I had to check with John on the lyrics because I wasn’t exactly sure what he was saying. [laughs] I got to play a few songs with OCS when they released their last record, which is one of the most stunning pieces of music, and I got to sing that song with Brigid Dawson. Every time I listen to OCS and play that song, I feel like I’m paying tribute to San Francisco. It just boils down the vibe of the [city], like a love note to the Bay Area.

SILY: What’s the story behind the cover art of this record?

SL: I do love a pun, so I wanted me under covers on the cover of the covers record. [laughs] It was a really fun shoot. My partner Kai MacKnight shot it on 16mm and grabbed stills, so it had this stunning texture about it. I was actually laying underneath a picnic table, and he was on top of the picnic table to get the shot. I love how it came out. It’s ethereal and ambiguous.

SILY: The title of this album has “Vol. 1″ in it. Do you have other covers set to record and release?

SL: I don’t, but I wanted to establish this never-ending journey. I really appreciate music and sharing music. I love bringing my perspective to songs. I want Vol. 2 to be all duets. I’m going to amass a bunch of duets for that one and see where it goes from there, and eventually release a sick-ass box set. [laughs]

SILY: Are you working on any original material?

SL: I’ve been sporadically writing ever since I released Geist. I want to figure out what that wants to be. I’ve also been writing with other people. I have a few things on the stove simmering, and I want to see what they turn into. I feel it on the horizon.

SILY: Anything else next for you?

SL: Just enjoying the ride. I’ve been doing ceramics!

SILY: Anything you’ve been listening to, watching, or reading you’ve dug?

SL: I just finished Poker Face, which I absolutely loved. It gives me X-Files vibes, which is such a nice thing to have in modern television.

I’ve just been listening to Elliott Smith for like the last year. I can’t stop. [laughs] And Pavement. A modern artist I’d like to hype is Allegra Krieger. She’s fantastic, an East Coast gal who makes the most incredible folk music you’ve ever heard. Her last album Precious Thing has been on repeat. It brought me to tears the first time I’ve heard it.

SILY: Did you see a Pavement reunion show?

SL: I did. It was in-credible. They gave the people what they wanted.

[kokikwii]

would you be mad at me if i said i've never seen any of these

[mccoyquialisms]

More bits from the 1st night of the London D20 live show that brought me joy:

The little “ooooohhhhHHHH” bit everyone in the atrium did as they were rolling the bingo cages for their characters

How NUTS everyone went when Lou got Fabian and everyone started chanting “hoot growl”

A second, just as loud cheer when Siobhan got Adaine and her and Lou ran around the stage together

Siobhan, unprompted: “GIVE ADAINE A GUN!”

Emily has apparently named a stray cat after Plug <3

Sydney straight up eating the ground (it’s ice cream, she’s fine. Sort of.)

“It’s a smell so counter to everything human life needs, in a way that almost kills you, but also, only in a way someone from New York can understand, makes you proud.”

The party refusing to call the candy wyverns anything other than “bugs”

Zac interrupting the ongoing banter to announce Skip is already boarded and sucking on the saddle of the wyvern

“I throw a flash grenade.” “I turn into a giant pigeon.” “I cast unseen servant to untie him.” “I shoot a guard.” “Okay, so everyone decides to do something SUPER SUBTLE.”

I mentioned it before but it’s SO good: “the DC is 500. Only a Nat 20 will do it.” Beardsley: [rolls a Nat 20 first try] [pandemonium in the arena]

“Have you seen Succession?”

The gabagool 🤌

“Adaine, we have saved the world multiple times. These are the scariest people we have ever met.”

Lou losing it at Sydney’s grenade having 1 point of poison damage in addition to all the bludgeoning damage

Skip gives Fabian a laser gun. He does not know what it is until he shoots Calroy with it

“Adaine, this gun thing you’re on? I get it.”

Cocaine Bear

“I YEETED YOU!”

Pete and Skip instant besties. Pete and Fabian instant enemies.

“You named him Anus and now I just have to do it the rest of the show!”

“I absolutely hate to add insult to injury…” “THEN DON’T!”

Adaine passing her wisdom save by 1 point to prevent Kugrash’s polymorph spell from turning her into a rat

The absolute ROAR that went up when Skip transformed into Lapin

“Anus?” “Not today.” “Not today WHAT?”

“I thought I was just on another planet starting a revolution I don’t intend to stick around for.” “America!”

Ally confidentially declaring Lapin and Aguefort have swinger vibes

“Do you want to just take him?” “Do you mean in the biblical sense?” “Another exciting use….”

[croaky voice] butterfly in the skyyyy

Pete opening 6 different flavors of seltzer while the rest of the party does kublacaine

Elaine Lee in the house!!!

Kugrash the greatest chaperone who ever lived

Lapin and Aguefort…and they were roommates…..Lapin’s “how do I look?” before they go into the egg fortress lmao

Syd’s perfume missile dealing 68 points of damage to Fabian and instantly knocking him unconscious. “Are you rolling D20s for damage???”

“I’m going to use my tides of chaos to reroll….worse.”

Tina the butterfly familiar that everyone totally remembers

“Well shit, any house where we kill the people in it becomes our house.”

Pete dissing Fabian so hard he feels the toxic masculinity coming back

Lapin requesting an exam extension for Adaine and Fabian from Arthur via dating app

The collective psychic damage everyone took from the “yar har har” scene

“Pete just starts dancing with a scarf in a way no one else has seen before.” “That’s my fucking thing!!!”

Sydney just enabling every pvp encounter alsdkghsdg. Giving Fabian unlimited capacity to his gun as he’s shooting Pete, with Fabian hitting twice and criting once.

“I can pleasure you or throw grenades, you gotta pick one.” “The first one, obviously!” “Okay!”

Lapin, Adaine and Kugrash chain smoking in the corner suffering through the pain of existence while the rest of party goes nuts around them

Murph incorporating the words “come/coming” as much as possible into Kugrash’s farewell speech while Brennan mimes Gilear’s enormous dick behind him. Not even Fabian’s battle sheet is enough to conceal that hog

“That’s right, I’m the king. And then I jump into the dumpster.”

GILEAR…MY…..OLD FRIEND………Aguefort and Gilear fwb real

“Not another person with their penis frozen to the walk in!”

[callsign-bunnie]

Do you have some unhinged HC to share?

also I hope you're doing well

Yeah, sure! I'm adding more of the other operators because actually playing the game has caused deep emotional attachment to them

--

Shepherd is actually Graves' father, through some fuckery. (Sidenote, this was my headcanon first, I just don't do Graves-centered content to have used it first)

Rodolfo is MEAN when overstimulated. He will have whoever he's talking to in tears for just the simple mistake of breathing in his direction when he's overstimulated. (Alejandro and Gaz are the exceptions, but the "breathe wrong in their direction" applies to them. Soap got snapped at for looking at Gaz in a "mean way")

Rodolfo gets upset when Alejandro isn't jealous and possessive over him because it makes him feel wanted, but it's cool because Alejandro is fairly jealous and possessive naturally

This does mean that if Alejandro has any slightly less dramatic reaction to anyone flirting with Rudy, Rudy gets pretty upset

Soap locked another authority figure in a trunk and everyone lost their minds when Price just goes "AGAIN, MACTAVISH?!"

Soap is "Mactavish" when Price is irritated at him

I know everyone jokes that Gaz is the one trying to be Price's son, but they're wrong. Price regularly tries to pass adoption papers off as other things and Gaz has had to start reading fine print before just blindly signing anything

"Can I call you my son?" "You can for ONE event, though I uh... have some concerns that no one will believe I'm your son." "What ever could you mean by that??? We have the same jawline!"

Speaking of, Gaz is BRITISH! I see headcanons a lot that he and Farah bully Alex by making him eat spicy food, but most headcanon Alex from Texas, and I'm not going to pretend Texas's food is to the same level of spice as a lot of real POC food, but it's more spicy than fucking British food. (I lived in Texas and there is not a damn thing you could call fucking "mild")

So, anyway, Gaz is the one who can't eat spicy food. Alex has no spice meter, he just knows what's really spicy, so Gaz has to warily eat anything Alex considers "mild"

Farah tries to joke around about Alejandro and Rudy in Arabic, but Rudy and Ale had to learn because of the cartel's involvement with AQ and their expansion to Al Mazrah, so she was very shocked when they just started responding back

Alex and Gaz get EVEN MORE shit for their Arabic sucking

MILA MY DARLING

She and Roze stayed in touch long after Roze left, and they regularly meet up with Oz and Velikan and gossip about the bullshit Graves is doing now. Arthur occasionally shows up but they can't tell Graves about it

Graves is not invited, he's very deeply upset about it

My Canadian friend joked that Alberta is just the Texas of Canada, so Reyes and Alex are friends now, I have decided

They compare workout routines and talk about neither actually having any sort of facial hair routine, Price hates them both

"Oh joy, there's another fuckin one of you-" Price to Alex

Reyes flirted with Gaz before knowing he and Alex were together and Gaz went dark red, but only because he realised he has a type.

Kortac has their own discord, which now includes the Shadow Company members

Alex and Ghost have dog playdates for Riley and Syd, Gaz and Soap (the cat people) stay inside.

Price pretends not to like Riley and Syd, but many times has everyone came back to both dogs asleep on him

Graves was allowed to stay in the other discord, purely because they make fun of him, but as soon as Kortac was discovered to have their own, he was kicked

Both servers regularly raid the other

Valeria was taunting Ghost and Alejandro with "you wouldn't hit a girl, would you?" and Alejandro said "no. But she will" and gestured to Farah who proceeded to rock her shit

Chuy hates Valeria, but he also hates Alejandro for letting her escape to Al Mazrah and making her his problem again

--

Not doing taglists for this one since it's more silly

[rastronomicals]

11:35 PM EDT March 25, 2023:

Syd Arthur - "Seraphim" From the album Apricity (October 2016)

Last song scrobbled from iTunes at Last.fm

File under: 21st Century Canterbury

[georgies-ftts]

Gays in every universe that are just Arthur and Merlin reincarnations:

Nick and Charlie

Will and Nico

Jesper and Wylan

Buck and Eddie

Wilhelm and Simon

Toni and Shelby

Kit and Jade

Syd and Dina

[asadfangirlbitxh]

In honor of Pride Month, these are some of my favorite fictional queer couples

They can be canon or non canon

1) Merlin and Arthur, Merlin

2) Jeddiah and Octavius, Night at the Museum Serie

3) Santana and Brittany, Glee

4) Ian and Mickey, Shameless

5) Ray and Kevin, B99

6) Callie and Arizona, Grey's Anatomy

7) Eric and Adam, Sex Education

8) Syd and Diana, I am not okay with this

(what we could have had :/)

9) Hot Josh and Darryl, Crazy Ex Girlfriend

10) Ellie and Aster, The Half of it

[athousandgateaux]

I spend a lot of time seeking out and listening to queer music and artists, so I thought I'd share a list of some of my favourite artists* in case anyone's interested and doesn't know where to start.

*disclaimer: these are just some of the artists I like, not an exhaustive list of queer musicians. If you want to add suggestions, that would be awesome. I tried to group artists by genre, but many of them cross genres or are difficult to classify in that way.

Anyway, list is under the cut!

punk/metal/hardcore/post-punk

-Dog Park Dissidents

-She/Her/Hers

-Priests

-DITZ

-Crack Cloud

-Limp Wrist

-Queen Zee

-Danny Denial

-G.L.O.S.S.

-Slouch

-Tribe8

-Fit For Rivals

-Nervus

-Tacocat

-The Total Bettys

-Dyke Drama

-Pansy Division

-Art Project

-Trash Boat

-Against Me!

-Sloppy Jane

-Queen Zee

-The Degenerettes

-Size of Sadness

-Seth Bogart

-The Spook School

-Dream Nails

-Gina Young

-Mhaol

-Artio

-Arcadia Grey

-thotcrime

-VIAL

pop/hyperpop

-Rina Sawayama

-Kim Petras

-girli

-Regina Gently

-MUNA

-Janelle Monae

-George Michael

-Divine

-Noah Davis

-Sir Babygirl

-Myylo

-The Communards

-I Blame Coco

-MNEK

-Haley Kiyoko

-Boy Jr.

-Sofya Wang

-Allie X

-COBRAH

-Tayla Parx

-SOPHIE

-Hikaru Utada

-Alice Longyu Gao

indie rock / alt-pop / art pop

-Perfume Genius

-Model Child

-Shamir

-Lynks

-ZEE MACHINE

-Cry Club

-The Magnetic Fields

-Patrick Wolf

-Owen Pallett

-Black Belt Eagle Scout

-Moses Sumney

-Yves Tumor

-Anna Calvi

-Ah-Mer-Ah-Su

-Xiu Xiu

-Black Dresses

-NoSo

-Rostam

-Left at London

-Sneakyseabear

-Rosie Tucker

-MEN (JD Samson)

-Le Tigre

-Lord Troy

-Hunx & His Punx

-Arthur Russel

-Cris Derksen

-Ezra Furman

-Rhumba Club

-Arca

-Dizzy Fae

-The Spook School

-Jeremy Dutcher

-corook

-Saucy Santana

-Lilac Boy

-Knife Girl

-Mega Mango

-serpentwithfeet

-Bree Runway

-The Irrepressibles

-Becca Mancari

-MAN ON MAN

-Jayne County

-Gentleman Reg

-Tom Robinson Band

rap/hip-hop

-Chris Conde

-Kalifa (Le1f)

-Quay Dash

-Young M.A.

-Backxwash

-Mykki Blanco

-Ocean Kelly

-Cakes da Killa

-Ddm

-Big Dipper

-Cartel Madras

-Angel Haze

-Deep Dickollective

-Saucy Santana

-Big Daddy Karsten

-Ayesha Erotica

-CHIKA

-Tayla Parx

-Doechii

-DAMAG3

-Fly Young Red

r&b/soul/funk/disco

-Remi Wolf

-Arlo Parks

-Syd

-Shea Diamond

-Meshell Ndegeocello

-Dua Selah

-Jackie Shane

-Sylvester

-Bronski Beat

-SuperKnova

-be steadwell

-Orion Sun

-Labi Siffre

country/folk/blues

-Sufjan Stevens

-Mary Gauthier

-Trixie Mattel

-Lavender Country

-Lord Troy

-Beth Elliot

-Paisley Fields

-Onsind

-Holly Miranda

-Rae Spoon

-Grace Petrie

-Orville Peck

-Villagers

-Lucille Bogan

-Ma Rainey

-Kokomo Arnold

-Peg Leg Howell

house/electronica

-Quanah Style

-Divoli S'vere

-Boy Pussy

-Fritz Helder

-Mx Blouse

-Chippy Nonstop

-Gendered Destruktion

-dj genderfluid

-Electric Fields

-Urias

-vivivivivi

[kylejsugarman]

the best simon and garfunkel song is the song from the episode of "arthur" where buster comes back home after traveling around the world with his dad. and simon isn't even in it.

[asshork]

For your rp server, what characters are the 11 already playing?

I don’t own it, my friend does! I am just a moderator :) we have gained a lot more characters and have around 25 players now.

Here is a list of canons taken and not taken!

We have tons of OCS as well!

Task Force 141

- John Price

- Kate Laswell

- Simon "Ghost" Riley (On Reserve)

- Kyle "Gaz" Garrick

- John "Soap" MacTavish

- Gary "Roach" Sanderson

Los Vaqueros

- Colonel Alejandro Vargas

- Sergeant Major Rodolfo Parra

SpecGru

- Jesus "Chuy" Ordaz

- Gustavo "Gus" Rodriguez

- Zhiqiang "Zimo" Huang

- Kleopatros "Kleo" Gavras

- Nila "Nova" Brown

- Sobieslaw "Gromsko" Kościuszko

- Zé "Luna" Míngzhū

- Daniel "Ronin" Shinoda

- Arthur

- Blueprint

- Rocket

- Isa "Byline" Juarez

- Eyitayo "Ripper" Davies

- Benjamin "Warrior" F

- Thibault "Riptide" Lefebre

- David "BBQ" Fischer

- Mike "Jabber" Yuan

- Abe "Jet" Kaede

- Elodie "Lockpick" Micheaux

KorTac

- König

- "Fender" Takacs

- Calisto Allard

- Darnell "Hutch" Hutchinson

- Kim "Horangi" Hong-jin

- Hiro "Oni" Watanabe

- Sami "Zero" Zakaria

- Tor "Aksel" Eriksen

- Declan O'Conor

- Salvatrice "Stiletto" Muselli

- Zosar "Zeus" Kalu

- Klaus Fisker

- Nikto

- Ana Vega

- Mila

- Blaze

- Thirst

- Izolda "Warden" Garanina

- Gytha "Alpine" Stromme

- Pham "Enigma" Lan Minh

- Clyde "Bantam" Hogan

- Ateret "Doc" Dahan

- Natalya "Raptor" Orlov

- Ricardo "Corso" Vargas

- Roland "Swagger" Kaminski

- Ari "Dokkaebi"

- Orla "Banshee" Murphy

- Bashiir "Hush" Shirwa

- Manoel "Hammer"

- Void

Shadow Company

- Phillip Graves

- Mace

- Velikan

- Rozlin "Roze" Helms

- Marcus "Lerch" Ortega

- Osmond "Oz" Ryan

Chimera

- Nikolai

- Yegor Novak

- Sebastian Krueger

- Sydney "Syd"

- Iskra

Urzikstan Liberation Force

- Farah Karim

- Alex Keller

- Samara "Pathfinder" Jalal?

- Ziryan "Scorch" Serhati-Hadid

[still-single]

CHICAGO TUMBLRS … trying to get this whole enterprise started again before the next pandemic claims us all. Come out, dance, have fun, let me help you with that. Schubas Tavern, upstairs in the lounge, Friday night.

This week’s radio show is as follows:

HOUR 1

Sandy Bull – Gospel Tune

Tetuzi Akiyama – Don’t Forget to Boogie

Big Blood – Infinite Space

Wireheads – Persistent Resistance

Andrea – Lush in End (Drum Version)

Max Berlin – Elle et Moi

Faizal Mostrixx – SandMan

Alternative – Anti Christ

Sweeping Promises – Can’t Hide It

Maximum Joy – Building Bridges/Building Dub

Colin Stetson – One Day in the Sun

Magnum Force – Get in the Mix

 

HOUR 2

San – Show Me (Club Mix)

Mya & the Mirror – Hesitation

Omni – Out of My Hands (Love’s Taken Over)

Codek – Tam Tam (Daniele Baldelli & Marco Dionigi Remix A)

Loose Joints – Tell You Today

Croatian Amor – Dancer

M. Sage – Map to Here

The Buoys – Timothy

Michael Rother – Feuerland

Maoupa Mazzocchetti – Robert Likes My Texan Hat

Cabaret Voltaire – Spread the Virus

B-Movie – Nowhere Girl

Jeff Beck – The Pump

 

HOUR 3

Arthur Russell – In the Light of a Miracle

Equiknoxx Music – Your Ears Are Not Very Small

TLC – Creep

The Particles – Truth About You

Lewsberg – Without a Doubt

Louise Huebner – Seduction Spells From Around the World

Bruhaha Babelico – Bruhaha II

The Fucking Champs – ROM

Fuzzhead – Stay Sane

Tony Joe White – Stud-Spider

The Toads – Gimme Little More

Dzyan – Time Machine

HOGG – Mucus

Syd Barrett – No Good Trying