#THANK YOU CHERRY I LOVE YOU

[safe-from-sharp-teeth]

What do you think of robotic/cyborg preds?

-🍒🥧

Pros:

Very well protected, I love preds with armored exteriors

Could utilize some INSANE anatomy. How would the throat work? I don't even know but it would be awesome.

AIR CONDITIONED STOMACH?????????

Cons:

Being on the inside of a machine sounds like a bit of a death trap (I love danger)

If the stomach is made of metal, you will bonk your head a LOT

[deedala]

Colorwheel Timestamp Roulette ⇆ 10x11: Location, Location, Location ↳Sage + 11 for @too-schoolforcool

[shadowsfascination]

The grass is greener in the good future <3

[sergle]

I think my favorite thing about doing ginger red hair instead of cherry red hair is: lying to people about it

[eurydia]

Inferna Victoria (Portrait of the Archdevil and Archduchess Supreme of the Nine) a royal portrait of Raphael and Tav in the style of a Van Dyck for my fic, The Lover's Gambit. it's now my most popular fic, thank you so much for your support! you all have exquisite taste ❤️

Raphael's outfit was inspired by a beautiful gifset by @cherriesandsulphur

details, context below

[Solo Raph painting]

Baroque is one of my fave art movements. the in-game art looked inspired by it, and I wanted to do a piece that combined my love for it and royal portraiture. this was inspired by the works of Flemish Baroque master Anthony Van Dyck.

this is one of the most ambitious and detailed pieces I've done so far: the fullsize is 22 x 32in, and it took over 50+ hrs. royal portraiture usually has extensive detail, so I wanted to make it as detailed as possible. it was challenging and time consuming, but a lot of fun!

framed version (Cassetta frame from the Met website:)

process

spoiler details (for the game + fic)

- their ship came about because I wanted to give Raph a chaotic evil counterpart to his lawful evil. basically he’s the “mansplain, manipulate, malewife” to her “gaslight, (Baldur’s)gatekeep, girlboss” lol.

- I hc this Tav’s ending is the “In my name” one. though I hc she says “In our name” instead ;)

- visually, it looks like Raphael has more power but I hc it’s actually Tav for several reasons: many elements of the composition lead to her (Raph’s sash, arms, the curtains), she’s wearing her crown and is seated, and is also foremost while Raph is in the back.

- Raph’s crown is ceremonial/for vanity only while Tav’s tiara has enough fragments of the stone to be fully functional.

- The crown’s design is based on concept art, and if you look closely it kinda looks like it has hearts on the sides. I added the red gems.

I hc that Raph is a romantic and some of his lines seem to allude to this (code phrase of “my heart’s desire”, the Amulet of Greater Health, which Tav is wearing here, in a prominent place in his house, and his words to Hope in a transcript: “…serve me with your whole heart”)

- I hc they’re married at this point. Tav’s ring has two additional gems, and her outfit in general was inspired by the canon design of the Crown of Karsus.

- there’s a lot of red because according to Hope, Raph’s favorite color is “blood”. my hc for the painting overall is that it was done by his personal painter, maybe a debtor who has to paint for him for all eternity (not a bad deal right? /s) so it reflects his and Tav’s requests.

- I picture this hanging either above Raph’s fireplace in the dining room. or bedroom - much to Haarlep’s dismay 🤣

[zarnzarn]

IS THIS A DEFEAT OR A VICTORY CAN I GET A HALLELUJAH????

(requests for one-shots open in celebration!)

[katemagic]

we truly do need to talk more about how fucking insane achi is like okay yes karan is karan but achi literally moved in with the first person he ever dated after TWO (2) dates and was like wow 10/10 best life decision I ever made I'm so glad I did that I love my boyfriend

not to mention that he bought a ring and then presumably carried it around with him???? just waiting so that he could propose after karan did like. he literally bought a ring. after dating him for like a couple of months ????? maybe ????? absolutely fucking unhinged they're perfect for each other. who does this.

[souenkun]

My tiny little kantrio besties to keep me company in my journey! Made by the amazing @okiroash 🥹🫶

[psychedelicvanillabean]

i think i have the most controversial opinion in the phandom…..i cannot imagine dan and phil having a romantic or sexual relationship (i feel as tho this is my autism to blame) but how dan treats phil it blocks the idea like he can be so mean to phil in some videos to the point i cringe and also just their opposite personality don’t always go together i just don’t understand peoples obsession with it and i don’t get how it would work off camera although lately with dan being all touchy feely it warms my heart to see him being genuinely nice to phil

Okay, I see where you're coming from, but as someone who's been in the phandom for almost ten years, and has watched just about every single video they've ever been in and has done multiple deep dives into their digital footprint...

Lemme start by saying, yea, sometimes the banter can be a little discomforting to watch in video just bc of it getting a bit mean sometimes, but for the most part, it is just that: banter. Dan has stated multiple times that he's just joking with Phil, and Phil knows that, otherwise I don't think he would have chosen to stay with Dan for 15 years, convinced Dan to move into their forever home together, and then convinced Dan to come back to the Gaming channel if Dan actually bothered him.

But going back to the romantic/sexual relationship of it all. It's just a fact that they've been romantically and sexually involved with each other, at least at the very start of their relationship. There are formsprings, tweets, and a particular video which allude to this dynamic of their relationship, and with the latest AmazingPhil video of them claiming to "not be qualified" to give advice on a break-up, I think it's probably safe to say that they've probably never stopped being romantically/sexually involved with each other (except maybe for a bit in 2012).

Also, at this point, it just doesn't make sense for them to be making so many important life choices together if they weren't a couple. If they're both single, it would be pretty hard for either of them to bring a date home to the forever home and digital empire they've built together.

But the thing about all this is, you don't have to imagine them having a romantic or sexual relationship to enjoy their content. What's great is their content is still incredibly enjoyable regardless. And Dan and Phil being comfortable to continue to share more about their dynamic with us also warms my heart because for so many years, they've felt that on some level, they couldn't be completely themselves with us, and I'm glad that's changing.

[luciferslatte]

🐍 Santiago - Sir Pentious 🍒 Nini - Cherri Bomb 🦌 Toulouse-Lautrec - Alastor 🦋 The Duke of Monroth - Valentino

[cerise-on-top]

“look what i found, cap'! (isn't he so cute?)„

“and where in the bloody hell did you find a tortoise, garrick?„ (loves him)

boo! luci jumpscare ... dajksdask i was supposed to make this so much earlier ..... buT HERE YOU GO !!! I FINALLY DIDE IT !! and yes, that's you— or rather, your pfp :] but it's still you okay !!

you have a nice week !! hope you enjoy this little random gift as well! :]

LUCI!!! I AM SHAKING YOU RIGHT NOW!!!! I SWEAR ONE OF THESE DAYS I'M GOING TO REPAY YOU FOR THIS JUST GIVE ME SOME TIME PLEASE!!!

Look at this beautiful piece of art everyone!!! It's Syrup the Turtle with some of Call of Duty's best bois!!! I love this so much it's unreal!!! I don't even wanna post this just so I can look at this forever! I'm gonna download this and print it out and make it my new wallpaper this is just that adorable!!!! Luci, thank you so so much I owe you so much for this!!! And nothing makes me happier than knowing that some people see me as a cute lil turtle that posts cringe on the internet :D I wanna pick up your art and gently cradle it in my hands and hug it forever it's so soft and cute!!! I love your art and I am so happy right now I cannot put it into words!!!!

[moonyspetwolf]

Okay so I’ve seen like 20 videos on tiktok of people saying they have no idea how exy is played so I’m gonna make a post about how I understand the rules. I’m not really an athlete but I know a bit about sports and I also coincidentally went to the same school that PSU is based on

(I haven’t read the books in like 5 years so if I’m wrong about something feel free to correct me)

First thing, exy is played inside, not outside. The game can’t work in an outdoor stadium and I’ll explain why in a minute. The stadium is like a combination basketball court and hockey rink. Wood flooring and plexiglass walls surrounding the court. There are two goals on each end.

Okay so the lineup. From what I remember there’s 4 positions you can play on an exy team: dealer, backliner, striker, and goalie.

Backliner is pretty straightforward just classic defense. They protect the goal and focus on the other team’s strikers. I think it’s similar to basketball where they’re assigned a mark (opposing striker) who they have to cover during the game. That doesn’t mean they’re not free to move or check other strikers either, but basically they try to stop the other team from scoring any goals. I’m not sure if it’s against the rules for them to make an attempt on a goal or not.

Strikers are similarly straightforward. They’re straight offense. Their job is to get as many goals as possible. They work against the opposing team’s backliner and shoot at the goal

The dealer is the most confusing position but I think they basically control possession of the ball, so I think their job is to get the ball from the other team and make sure it gets to their strikers. At the start of the game or after any breaks they’re the ones who deal the ball and try to pass to their teammates. Idk if they operate similar to backliners or not, like checking, tackling, etc.

The goalie is the same as any other sport- their job is to protect the goal. Goalies have special racket that are bigger and heavier than other players. They also wear special padding to protect them since they’re constantly getting exy balls chucked at them and often have to use parts of their body to block them.

(Side note: if exy balls are anything like lacrosse balls they seriously hurt to get hit with. They’re dense and heavy, when they work up enough speed it feels like getting hit by a slightly bouncy cannon ball)

From what I can remember, at any given time there are two backliners, two strikers, one dealer, and one goalie on the court for each team. Players are subbed in and out as needed (I might be remembering the numbers wrong, maybe they have 3 backliners at a time idk)

Exy is a high contact sport similar to lacrosse, so players are free to use physical force against each other. They can check, tackle, and basically do whatever it takes to get the ball. Just like in hockey, players often get into fights. Excessive use of violence can get them flagged by referees, but it’s by no means a gentle sport. Players go into it with the expectation of getting thrown around and bruised.

Players wear padding and helmets to protect themselves, but bruises, sprains, concussions, and broken bones aren’t uncommon within the sport.

There are some basic rules for how the game is played. Exy is kinda like lacrosse in that players pass the ball back and forth with their raquets. I don’t know a lot about all the rules of lacrosse but I know exy has a rule about possession that’s similar to basketball. In basketball a player has to dribble the ball while they’re moving, if they hold it in their hands without dribbling for too many steps it’s called traveling and it’s a foul. Exy is the same, a player can only be in possession of the ball for 10 (?) steps before they have to pass it. If they carry it farther than that it’s traveling (idk if there’s a special term for it in exy speak). There are ways for players to get around this. They can either pass the ball to a teammate after they’ve taken their 10 steps OR they can rebound it off a wall, catch it in their racquet, and keep moving. This is the reason exy has to be played inside and not outside, so that the players can use the walls. If it’s played outside they can’t rebound the ball and they have to rely strictly on passing back and forth, which isn’t always possible especially if a player is being heavily guarded. I’m not positive if this possession rule applies to all players or only strikers, but it would make sense for it to be all players.

I can’t remember if the books say anything about who is allowed to shoot at the goal. Obviously strikers can but I can’t remember if there are any rules saying backliners, dealers, and goalies can’t score points

The game is played in 2 halves, a total of 4 quarters. I’m not sure if the book ever says how long each quarter is but it’s probably safe to assume each is 15 minutes, so a total of 1 hour playing time. However with timeouts, breaks, penalty time and other interruptions games usually last far longer.

The foxes are a unique team because they’re much smaller than pretty much any other team in the league. They only have 9 players by the end of the year, so they can’t sub players in and out as easily. Most teams have upwards of 18 people so the players are usually on court for a much shorter time and have more time to rest between playing time. In the foxes vs. Trojans game, USC decided to play with the same size roster as the foxes meaning they rarely got to sub out players, which is why they were so exhausted by the end. Throwing yourself around a huge court at top speed for an hour is tiring.

That’s all I can think of at the moment, I’m not an expert and it’s been a while since I’ve read the books but I think exy is a pretty cool sport :)

[ctrl-alt-cel]

when i was 13 i wrote an essay explaining the rationale of puppyshipping to some guy in a skype chatroom. found the essay again. wanted to rewrite it. without further ado:

HERE’S HOW PUPPYSHIPPING CAN STILL WIN: THE SEQUEL: 2 PUPPY 2 SHIPPING (4.3k words)

⠀

kaiba and jounouchi’s relationship stands at an awkwardly undefinable place in canon: they're not on good terms, but they're not enemies either. they know each other too well to be called passing acquaintances, but kaiba hardly acknowledges jounouchi as a duelist, let alone a potential rival. at best? they're mutual nuisances.

or, that's how jounouchi and kaiba choose to define it. both of them would love if their dynamic were that simple, nothing more than a back-and-forth of petty insults—but that’s not the truth. and they'll dance around the truth for five whole seasons, purposefully downplaying why they’re so obsessed with provoking each other whenever they’re in the same place.

they're foils.

—but the term "foils" is so dulled within fandom lexicon now that it can mean literally anything from two guys who just disagree with each other sometimes, so i'll sharpen this further. jounouchi and kaiba see their counterpart less as an individual person but more a representation of who they could have become if they had respectively, in their eyes, never learned the lessons they needed to. they project their own ideals onto the other and come away thinking they already know how the other operates, and the fun thing is, even when working from conjecture, their assumptions of one another happen to hit far closer to home than they have any right to.

so really, they can't leave each other alone because they can't stop seeing their failures reflected back at them. the other is a defective version of themselves that they need to correct because they can't stand constantly acknowledging who they used to be, so they try to bend the other to be more like their own image—an "i can fix him (by dragging him down to my level)".

⠀

jounouchi and kaiba’s parallels run down to their origins, both set up against abysmal family situations they have no choice but to make the best of. seto and mokuba are orphaned at a young age until seto gets them adopted, while katsuya is separated from his sister and stuck with a deadbeat father who can't carry his own weight. trapped in an environment where nobody expects anything worthwhile from him, katsuya joins a gang and lives out a self-admittedly miserable existence before befriending yugi, while seto is in a battlefield of his own, faced with protecting mokuba while enduring against the nightmare that is gozaburo kaiba’s parenting.

what they do to survive those conditions determines the outlooks they carry for the rest of their lives: jounouchi learns that losing is inescapable and the best you can do is learn how to cope with it, whereas kaiba learns that losing is something you must protect yourself from because there's only so much you can afford to lose.

jounouchi is positioned as the underdog, fighting tooth-and-nail for every victory he can manage, while kaiba has power in excess and holds to the belief that it’s all he really needs. one would argue that they have the perspective the other lacks—they argue that they have the perspective the other lacks. but in my opinion? it doesn't actually matter. what interests me is how they treat each other as a result.

⠀

side: seto kaiba

kaiba degrades jounouchi a lot. like, to an uncomfortable extent. you know that one post that’s like “why does bullying exist? why are you mad that i’m ugly?” why is kaiba so mad over the fact that jounouchi loses so much?

it’s projection. he’s just holding jounouchi to the same standard he holds himself to. you need to be powerful if you want to play the same games as kaiba, and seeing jounouchi so openly lean on his friends, ask for help, and have the audacity to lose sets kaiba off because he’s not playing the way he’s supposed to. kaiba rubs jounouchi's losses in his face because he believes that's what loss is supposed to look like, and that it’s jounouchi’s fault for not understanding that yet. kaiba is trying to teach him. to kaiba, this degradation might as well be an act of generosity.

while kaiba stayed true to his own ambitions, seizing kaibacorp from gozaburo and turning it into a children's entertainment company, he beat gozaburo at his own game not by inventing new rules but by playing it better than his adoptive father ever could. and as impressive as that is, it’s not sustainable. gozaburo kills himself when faced with his own defeat, and kaiba internalizes this lesson: that all losses are final, and it’s better to die than adapt to the consequences of a defeat. gozaburo’s death was a suicide, but in the context of their game, kaiba might as well have killed him regardless.

he mirrors this when he threatens to kill himself in duelist kingdom, his heightened emotions catastrophizing losing the duel to immediately equal failing mokuba and coming to the conclusion that if he loses mokuba he’d rather be dead. being someone so fervently self-reliant, any alternate solution, a possibility that he can lose here and still find a different way to rescue mokuba never crosses his mind. and, look, this isn’t his fault. this is the only way of living he’s ever been taught. he’s never learned how to cope in the event of failure because he’s never had the luxury to fail to begin with.

he's burned and rebuilt himself over and over again to survive in the world he operates in, and that’s why jounouchi pisses kaiba off so personally. jounouchi loses so much and so messily, and kaiba tries to show him that if he doesn’t start reinventing himself from the broken pieces of his defeats until all that’s left of him are jagged edges the same way he has, he’s never going to win. but jounouchi…does win. and keeps winning. and even when he does lose, it’s as if he creates new victories for himself, like there’s still value to playing a game with someone when you don’t win it—power of friendship bullshit and whatever. jounouchi is still here, a competitor that kaiba can no longer write off as much as he desperately wants to. (and, yeah, it is pretty ironic how jounouchi will jump through a million hoops to get kaiba to look at him, but he doesn't realize that he doesn't need to do anything to keep kaiba’s attention, only continue being himself.)

jounouchi refuses to compromise who he is and still manages to get far when in kaiba’s mind, that shouldn’t be possible; he’s supposed to be punished the way kaiba was. jounouchi is proof that you can take a devastating blow and move on from it, that even when you do fuck up spectacularly, there’s still something worthwhile in starting again tomorrow.

so kaiba constantly needs to prove that he’s better than jounouchi, that jounouchi isn’t even worth his time in order to justify his worldview. because if kaiba isn’t right, then he'll have no choice but to confront the fact that the war is over. that his circumstances aren’t instant life or death anymore and that even though he’s freed himself from gozaburo’s influence, there’s still further growth as a person he could stand to undergo, now divorced from the harsh conditions of his upbringing. jounouchi is a testament to how it’s possible to make peace and move on from the past without constantly bleeding for closure, that maybe, kaiba’s headlong quest to get the last word on his rivalry with yami yugi may not actually be as fulfilling as he thinks.

but admitting that you might need to change the way you live feels like a defeat in and of itself—it’s infuriating to hear that after everything you’ve had to learn, the way you live now isn’t good enough. that surviving insurmountable trauma doesn’t inherently make you better or more worthy than other people—it just traumatizes you, and is something you must heal from. so, instead of reflecting on these revelations, it’s so much easier for kaiba to tell himself that jounouchi is only ever graceful when he’s dead.

⠀

side: katsuya jounouchi

jounouchi is very stuck on this idea that he needs to be useful. his dad is an alcoholic with a gambling addiction and he believes it's not only his duty to pay his father's debts, but to be the household's sole source of income. his sister needs eye surgery and he believes it's his responsibility as an older brother not only to pay for it, but to act as her primary emotional support to get the surgery and throughout her recovery process. haga throws yugi's exodia into the ocean and jounouchi blames himself for not stopping it. jounouchi gets mind-controlled by malik and blames himself for causing his friends anguish from it. mai literally gets jounounchi’s soul stolen and he apologizes to her for messing up and making her sad. it's habitual, jounouchi doesn't know how to stop taking on the burdens of other people.

if you live with the mentality that you’re inevitably going to fail for long enough, you’ll come away with the belief that caring about your own wellbeing isn’t worth the effort. it depends on how pessimistic you want to read it, if it’s just his love language or jounouchi compensating for the damning act of being himself, but jounouchi quantifies his worth by how much he provides for other people. he’s always jumping in the line of fire for the sake of others because if you constantly undervalue your own wellbeing, you always have less to lose. as the underdog, he may not be as overtly powerful as kaiba or yugi, but he can still give himself away, and he’s convinced himself that it’s what he’s supposed to do. jounouchi is still new to this whole friendship thing. after a lifetime of supporting himself by himself, he doesn't know when he's allowed to ask for help yet—he’s supposed to be the help, dammit.

a key distinction between jounouchi and kaiba’s upbringings is that while kaiba’s biological parents died in an accident, jounouchi’s parents are still alive and they choose not to be responsible for him. jounouchi is conditioned to fend for himself by himself because having a parental figure actually present in his life isn’t a luxury he gets to have. to jounouchi, there has to be a reason why his mother only takes shizuka and never goes back for him in the six years he’s left with his father, and he rationalizes this with his notions of masculinity: he’s a strong man who can handle it. jounouchi is not delicate, he can endure it. men are responsible for their own circumstances. kaiba is hyperindependent out of a mixture of spite, paranoia, and self-defense. jounouchi is hyperindependent because he believes he deserves it. it’s the reason why he believes he’ll finally have a good relationship with his father if he just wins enough money to pay off his gambling debts—jounouchi can fix everything if only he were man enough to, and he can get people to stay if he demonstrates himself useful enough.

so death doesn’t carry nearly as much weight to jounouchi as it does to kaiba. in kaiba’s eyes, death is the punishment for failure, but to jounouchi, death is just the natural consequence for the kind of life he leads. he can't stop himself from fighting for the people he loves until he’s spent everything and forced to stop (read: dies), so during the several times jounouchi is confronted with his own death, he meets it with a solemn acceptance. like, yeah, it sucks, but he doesn’t regret the actions he took to end up here—he’d do it all over again, frankly. it’s better to die than not give everything he can, and at least he was able to give his life in service to someone else. it’s not necessarily good to die, but it doesn’t matter as much if he does.

so where kaiba is afraid of losing, jounouchi is afraid of outliving his usefulness (and being abandoned as a result), and kaiba disrupts jounouchi’s worldview specifically because he puts his ideology on the defensive. to jounouchi, kaiba’s presence never demands a question of “what can you do for me?” (nothing, kaiba doesn’t want jounouchi to do anything for him, and frankly, he’d be insulted if jounouchi even tried) but “what makes you worthy of standing on the same level as me?”, and jounouchi can’t sacrificial lamb get set on fire die a billion times into getting kaiba into seeing it his way (rather, that would only prove him right: kaiba would love nothing more than for jounouchi to lose the ability to fight and finally align with his preconceived notions of how the world works), and he can’t argue that his value is in how much he provides for others because that’s a non-answer. kaiba doesn’t care.

kaiba’s presence forces jounouchi into a position of self-reflection: jounouchi works so hard to preserve the friendships he’s created, but who is he—what does he value about himself in the absence of it? jounouchi needs to acknowledge something inherently valuable about himself if he wants to counter kaiba in any meaningful way, and it’s not like he doesn’t have valuable qualities either: he’s tenacious, he’s resourceful, he’s a quick learner—it takes intelligence to rank as high as he does in tournaments, but he undervalues all of it. these traits are all to be expected, they don’t actually count as extraordinary when it’s him. they’re only remarkable when they’re being applied to something greater. jounouchi believes he has the potential to become strong (and valuable by extension), only with the stipulation that he’s never actually there yet. he focuses too much on his inadequacies, constantly pontificating on how he needs to become a “true duelist”, but by the way he speaks about the title, the only way to be a true duelist is be named yugi muto, i guess.

so it’s very jounouchi-esque for him to miss this point with near deliberate precision and try to make himself useful to kaiba anyway. while kaiba is bent on seeing jounouchi fail to prove that his cynicism is superior to jounouchi’s altruism, the inverse is that jounouchi sees his old self in kaiba and he’s dying to teach kaiba a lesson. during battle for bronze, jounouchi states that they used to be the same, people who only relied on themselves and thought they’d be fine living like that. the argument jounouchi makes is that living that way is fucking miserable. he calls kaiba out: you’re supposed to be having fun. why are you playing duel monsters if you’re not having fun? he’s trying to show kaiba that he can be useful and teach kaiba things if kaiba would just let him, but for reasons mentioned in both of their sections, kaiba isn’t interested in being taught anything.

while less malicious in display, it's important to note that jounouchi’s method of trying to teach kaiba doesn't make him the better person here. jounouchi isn’t coming from a place of understanding when he lectures kaiba, he’s coming from a place of misdirected self-flagellation. and from kaiba's perspective, jounouchi is just dispensing unwarranted advice for the sake of his own ego. the most egregious example is when jounouchi picks a fight with kaiba in duelist kingdom, demanding they duel when kaiba is clearly not in the mood, busy with more pressing matters like, i don’t know, trying to rescue his abducted brother? so, okay, maybe a little bit inconsiderate on jounouchi’s part.

they're two ideological extremes: kaiba lashes out at the world while jounouchi gives himself to it, and jounouchi will keep barging in on kaiba with his life lessons because it’s the only way he wants to engage with kaiba’s arguments otherwise. jounouchi interprets kaiba’s rejection of his ideals as the equivalent of the stubbornness jounouchi had before befriending yugi, and he uses it as a reason to keep pushing, not understanding that while he may have found the most honorable path for himself, you can imagine how constantly burning yourself for others isn’t very…appealing. or sustainable. and that maybe it’s something you need to work on, actually.

⠀

conclusion: how i WIN

what’s fun about jounouchi and kaiba is how wrong they are. they genuinely can't live the way the other demands them to, their respective environments won’t allow it. if jounouchi chased victory with the same cutthroat relentlessness as kaiba, he probably never would have left his gang. or, at least, he’d lose the selfless devotion and consideration he has for others, traits that helped him build his support system, and he never would have found the friendships he values in his life—his willingness to change and start again was how he was able to befriend yugi to begin with. (and if you wanted to get really extreme with hypotheticals, his self-destructive tendencies could have grown so severe in the absence of a support system that he probably would wind up getting himself killed somewhere. lol.) inversely, if kaiba granted himself the freedom to worry less about the outcome as long as he enjoyed himself, he’d put mokuba’s safety at constant risk. kaiba’s guarded nature isn’t without reason, there are powerful corporate executives who would love to see him fail, and there are very real consequences if kaiba slips up for even a second and gives his opposition any leeway. the way they live works for them because it’s theirs. it’s not so much that either of their lifestyles are in dire need of correction, but that the other represents the possibility that they could be living better.

and this is fantastic because it means that, despite what they think, neither of them are in the “wrong” and must learn to change their idiot ways or that the solution is to strong-arm each other into some kind of compromise. it’s a battle of perceived weakness. they need to, naturally and individually, accept that the traits they’ve always deemed immature and beneath them can be just as vital for survival, even when it’s not necessarily their own.

jounouchi and kaiba are essentially the most extreme example of two people who want what’s best for each other (gone wrong!) and puppyshipping is appealing because them getting together requires that they stop punishing themselves for who they used to be. they expect too much out of themselves and then inflict those demands onto each other, but if they’re not wrong for the ways they’ve overcome the circumstances they were left in, then it’s equally true that the ideals they abandoned to survive weren’t inherently naïve just because they weren’t given the space to utilize them. sometimes life will push you to your limits in the hope that you fail, and there’s no deeper meaning to it. it’s not life’s way of teaching you a necessary lesson to make you stronger or a test to see if you deserve to live, or that it’s your fault when it breaks you. sometimes there’s no great meaning to suffering. things happen, and you will adjust to it in order to live. when kaiba and jounouchi believe they know each other as much as they know themselves, pairing them is the hope that they’ll respect themselves enough to respect each other, that they’ll one day be able to embrace the parts of themselves they’re the most ashamed of.

(or, you know, for the alternative crowd, they most definitely can make each other worse.)

for two men who claim to be so self-assured in their own lifestyles, jounouchi and kaiba are fascinating because there’s so many layers of denial at play: the denial that they see anything in each other, denial that there may be aspects of the other that they’ve come to envy, denial that they even care, and it's so tempting to imagine if all of it was forced open. jounouchi and kaiba choose to maintain this delicate equilibrium where they never actually confront anything because the idea of admitting vulnerability viscerally disgusts them, and it begs what would happen if the balance irrevocably tipped for once. watching them is like watching a pencil teetering on the edge of a desk, always this close to some kind of breakthrough. i won’t even lie to you puppyshipping pisses me off half the time because i just want to shake them around until something metaphorically breaks.

kaiba and jounouchi never let each other become complacent in their pasts: whenever their personal tragedies and childhoods are brought up in the context of one another, it’s never because they are being vindicated for continuing to dwell in them, but because they are being contested on how much the mindsets they’ve carried over from their pasts should be allowed to determine their futures.

returning to canon, kaijou operates through the language of competition. jounouchi tries to prove himself as a competitor so remarkable that kaiba can no longer deny him, while kaiba already knows he’s remarkable, and that is precisely why acknowledging it pisses him off so much. so they’ll play their game: jounouchi will provoke kaiba into fighting him because he enjoys going up against challenging opponents in the hopes of becoming stronger, whereas kaiba keeps trying to set up situations where jounouchi will lose to the point of letting him die because he wants so badly to believe that losing does equal death and jounouchi’s existence is the most inconvenient counterargument of all. and obviously, jounouchi keeps not dying. and it's endlessly infuriating—almost slapstick at this point, that much to kaiba's frustration, no matter what he does, he can never make jounouchi submit for very long.

jounouchi and kaiba spur each other on to a ridiculous extent: kaiba enjoys pushing jounouchi past the breaking point, whereas jounouchi enjoys getting pushed to his limits to test his own capabilities. whether that’s necessarily a good thing though is…well…hmm. anyways. 

their dynamic is the type of messiness only two prideful high schoolers can get up to. maybe it’s just kaiba's repression and jounouchi's recklessness, but there is a fascination with each other that they’re incapable of leaving alone. there’s intimacy in knowing someone so well and fearing that fact, but kaiba and jounouchi never respond to this fear by avoiding it—they’re engaging with it time and time again. they infuriate each other with a passion that never sits still. kaiba and jounouchi seek a validation from their counterpart while simultaneously denying each other from it, and it’s mean, but invigoratingly so.

at some point, it’s not even about wanting validation anymore, but point-blank wanting its keeper by any capacity: wanting a visible reaction to their effort as proof of reciprocation, proof that says “i’ve finally affected you just as much as you affect me.” because kaiba and jounouchi want to leave a mark on each other, they want their counterpart to fully understand how much they’ve affected them, and they want to witness that reaction themselves. it’s no longer this big, nebulous ideological debate with a reflection: the pull between them is made both physical and personal. so, like, not to go the trite route of arguing that two men who can’t stand each other were ~secretly attracted to each other this whole time~, but how else are you supposed to word this?

in some hypothetical universe where they do come together, even the ways they love manage to compliment each other in its own clumsy way. seto kaiba never does anything in moderation: if he hates something he will destroy it, if he loves something he will possess it, and if he is obsessed with something, he will single-mindedly pursue it at the expense of everything else. his repression manifests itself in a passion so pressurized it’s all-consuming against everything it comes to contact with. inversely, katsuya jounouchi loves freely and transparently: showing affection comes as naturally as breathing to him. he embodies the belief that love is not only about the grand gestures, but the day-to-day acts of warmth and casual acknowledgments that it's there. a man who wants to be wanted by someone so badly it aches paired with someone who makes no reservations as to what he's committed to, capable of a love so overwhelmingly insatiable that it is neither fickle nor delicate, and a man who finds the act of trusting others with his affection so unthinkably humiliating that he’s convinced himself it’s something beneath him paired with someone who makes it look infuriatingly easy. they are going to invent a new language to love each other with. i believe in them. i would not write two separate essays titled “here’s how puppyshipping can still win” if i did not believe in them. 

ultimately, it feels cheap to build kaiba and jounouchi’s relationship off what life lessons they could "teach" each other reformation-style when they already have a legitimate dynamic in play. they can be good for each other, or they can tear into each other in ways they’d never expect to be capable of. there’s something exhilarating in knowing there’s someone who has that kind of power and wanting to keep them within your reach, a buzzing excitement in knowing someone who can not only withstand you at your worst, but fight back at you with twice as much vigor. sure, there’s potential for growth here, but that’s because there’s potential for literally anything.

kaiba and jounouchi inspire reinvention and self-determination from each other at the best of times and enable each other’s most self-destructive tendencies at their worst. so i think. puppyshipping is the most fun. when you ship them the same way you leave a fork in the microwave to watch it explode. the end.

TL;DR: me x the guy who keeps breaking my worldview and forces me to reevaluate myself every time i see him which i hate so much that i just want him to DIE

[egginfroggin]

I feel the need to simply talk about the Dying of the Light AU with regards to Emmet's powers and why I wrote The Sun in Flight with such an emphasis on heat.

Of course Reshiram is a fire-type Legendary and as such is extremely powerful, and this extends somewhat to Emmet, as well. I wanted to emphasize the sheer intensity of Reshiram's fires, and did so by having Emmet describe it as "unbearable" and "incinerating," because Emmet himself can melt glass and sand.

And this is where we get to the main inspiration that set off all this hot-themed prose: a few tags on the reblog that inspired this au talked about Emmet possibly having a castle of glass, to mirror Ingo's castle of ice in Iced Tracks. Here's the thing.

Glass is made from melted sand -- or more accurately, silica, which is abundant in sand.

Sand melts at about 3,090 degrees Fahrenheit, or 1,700 degrees Celsius.

For comparison, lava is about 2,200 Fahrenheit.

LAVA.

[sunshinechay]

Poll time!!!!!

I was tagged by @befuddledcinnamonroll and @happypotato48

I’m going to still to QLs though I struggled a little with a theme and to pick just 5 but I managed it :)

So without further ado

I’m going to tag @bunnakit @dramalets @lukaherehelp @zoinkssc00b @talistheintrovert and anyone else who wants to do it :)