#THERE A RE PEOPLE WHO THINK THIS WAY!?!??

[ratatatastic]

preseason is for scrumming for your goalie's honour because someone tried to get to close to him while he was down

nashville predators @ florida panthers doubleheader game 1 | 9.22.24

chilling while all hell breaks loose

[mysteriousauthor448]

What if Class of 09 Flipside was made by a Woman?

I liked Class of 09. I liked it's snappy dialogue, I liked it's social commentary of high school and women's experiences with creepy men and adulthood, I liked how it gave such a compelling main character where you know she's awful yet acknowledge that she has her reasons without justification. I like Class of 09, both the original and re-up. What I don't like though, is Class of 09: The Flipside.

Setting my personal disgust with the feet routes and the 'Palestinian slave trade' comment aside, the writing in Flipside just is completely different from the last 2. Instead of focusing on the biting social commentary of the woman experience, it instead prioritizes shock value with only some form of substance (e.g, jecka seeing nicole's suicide, jeffrey's death, the ending messages apart from the creator) And you know what else sucks? We never actually got to explore Jecka properly of who she is as a character, her relationships with her family, friends, former friends...Sure, we get doses of her life like her dad which does do what the game promised: Change how we saw the Class of 09 story before. We now understand why Jecka was terrified of the cop's yelling, not only because an powerful authority abusing his power but also experienced it before. See, this was the stuff I expected from Flipside. This was what the game should've prioritised in. Instead, it seemed like the creator would rather showcase his fetishes and spite people that don't like him or the game. From that there on, I keep thinking to myself: 'you know, this game would've been better had a woman wrote this.' But can they?

I'm a woman experienced high school before, even tried to fit the class of 09 writing style on my characters in my own personal time. Given how a lot of class of 09 fans are disappointed with the new game and I want to get into writing publically, I figure that I be the one to rewrite Class of 09 The Flipside in hopes of re-capturing the essence of the first two games alongside the game's intentions itself. Even though it's still in development, I've already outlined the routes/endings so far for you all to get a peek:

Route 1/Ending 1 - Invasion of MySpace: The foot route will be replaced by Jecka taking and making videos/pictures in order to make money after being fired from her job. Think of it like a late 2000s or early 2010s version of OnlyFans. This would help remain the social commentaries of men’s creepy behaviour to women alongside how their safety is affected. There’ll be an option of whether to go to the creepy man’s house or go home. If she goes home, she finds Nicole giving her dad a handjob with a dead expression. It ends with Jecka killing herself and implies that Nicole followed her too (not half naked though, just in regular clothes cuz I'm not a freak unlike someone)

Ending 2 - MurderSpace: If Jecka chose to go to the creepy man’s home, she gets murdered and placed like a doll in the man’s basement. 

Route 2/Ending 6 - Breaking the Wounded Heart: Jecka finds herself to work with Karen and Ari at Dominos. Overtime, they start to form a bond and Jecka herself starts to mature and finds Nicole to be unbearable. Jecka finally breaks off her friendship with Nicole and cuts forward to the future where Jecka currently lives a peaceful yet boring life, reflecting on the past with Nicole, wondering if she’s really better off without Nicole because while she’s now in a stable life without the chaos, it's the chaos that entertained her: Nicole entertained her. And now it’s all gone. But in the end, it suggests that things are much better with Nicole gone as it cuts to a phone beeping and Jecka looking down at it with a smile while Ari is by her side. Yes, this is the route where Jeckari is canon. I know this sounds too sweet for Class of 09 but I want it to still match the vibe with it being less shocking but more real in a way. Something too realistically depressing but still mundane. This is what I planned to be the saddest but best outcome of the game. The most real I should say. 

Ending 5 - Was it all worth it?: If Jecka chooses Nicole over her new friends, it ends with her and Nicole being homeless smoking drugs in an abandoned forest with Jecka reflecting on whether or not she made a good choice with Nicole before commenting on needing a Xanax to distract her from the regret and pain. 

Route 3/Ending 3 - Fuck Men!: Jecka gets into a relationship with a presumably kind-hearted gentleman. Nicole tries to warn her but Jecka won’t listen. She then is coerced by the man into doing sexual favours for his economic gain, making her become a sex trafficked victim.

Route 4/Ending 4 - Drunk Drive Delivery: Same route where Ari dies but instead the ending changed to Jecka being arrested for 6 months where the ending monologue would showcase her conflicted in anger and regret. Plus, it plays more to the idea of Jecka ‘dying at 21’ logic with being forced to work: adult party culture: that kind of thing. 

I'd be happy to hear any feedback or/and ideas for this rewrite.

[monstersandgirls-webtoons]

I hate people who use tts to "dub" creators works without giving them credit. Unfortunately that is how I found your content. I saw your comic in a thumbnail, disliked the video and went off to find the person who made the comic. About an hour and a half later I had read your entire works and I'm addicted to your stuff now.

My question is: how would your OCs deal with people who make that sort of "content" in their own way? (Big fuck off longsword impaling the YouTube video would be funny for powers)

Thank you for enjoying it! and yeah its unfortunate, I gave people permission to dub my works as long as they credit me but I cannot stand the TTS dubs. I've even seen some of them edit my comics for not goddamn reason (the amount of consensual comics that have dialogue re-edited to sound more problematic and then I'M blamed for it is wild)

I would imagine Prince would try to wipe those videos off the map because they finds that stuff unholy and evil and Lili would probably make her own tts comics and then put it under a random username.

I think Sera and Powers actually wouldn't care too much. they're annoying but at least the humans aren't doxxing each other

[push-tet]

what I've done

The town of Veronaville is one built on little love and one big feud. For years, the Capp and Monty clans have been at each other’s throats; yet this hatred cannot stop the younger generation from crossing borders and falling for one another. Will their actions bring both feuding families to ruin, or spark reconciliation? Can their love truly heal such deep wounds?

Wouldn't you like see Veronaville in entirely different light? K-he.

WHAT’S NEW:

Added a massive storyline! The familiar Сapp, Monty and Summerdream families will be seen in a whole new light🌟

Added three brand new families with their own stories and secrets! 🌟

Added some new and special townies. At the end of the town album there will be a list of townspeople who have biographies and memories, so no need to add/resurrect literally everybody on your lot. 🌟

Added 20 new community lots + remade the old ones as well 🌟

DISCLAMER AND TRIGGER WARNINGS!!!

This hood is not a retelling of Shakespeare's plays, nor is it a mere makeover of the Maxis’ Veronaville. Think of this neighborhood as an alternate universe.

The Neighborhood contains themes of: fantasy, s*icide and self-harm, body horror, OC X CANON (?)

I may have (unintentionally) spoiled some of your favorite simmies… 

ISSUES THAT I AM AWARE OF:

Some townies’ memories could disappear. It happens even with the mod that forbids the townies from losing their memories. I don't know what the reason is so I recommend checking them before you play the game, namely, by going into the family and teleporting the townies to the resident lot. If the memories are already gone, then please re-download the hood.

Hoodchecker might show some minor errors connected to the wrong memory subjects. This was intentional so don't be alarmed! It doesn't affect your game in any negative way.

Don't try to resurrect Julien Cooke. Just forget about him.

Oberon originally had an overlay with a mechanical prosthetic. But for some reason in some testers’ games the overlay was affecting Oberon's complexion, turning his skintone white… So I removed the overlay entirely. You can add it back if you wish!

RECOMMENDED MODS AND PROGRAMS:

Cyber Parts by @themeasureofasim (optional, Oberon’s prosthetics)

Restore Default Names for Sims in Subhoods (if you intent to play a subhood version of it)

🐸DOWNLOAD MF - SFS

THE CONTENTS:

VD01 ENG is a main hood; contains some of my CCs.

VVBS CC is an archive with some custom content from me for the hood (consists of: some cosmetics, contacts (in the masks section) and one female haircut).

VVBS SUBHOOD is a subhood with two major differences from the main hood: it does not contain pictures from Storytelling folder (so the nhood is less heavy) + you can pick and choose whether you want it with or without my custom content.

EXTRA CONTENT folder is not necessary to download; it contains some extra stuff from my project. This file is locked, but you can gather the password in main hood itself through the storytelling pictures and a little game in the community lots (you can find the rules of this game in the description of 2 Pentameter Parkway lot). Think of it as a reward for your attentiveness!

If you find any errors or bugs, just let me know! THANK YOU!

idk what to put in here so that dads' ranking

P.S. Destroy this town with your crazy ideas. :))

Well, the English version of this interactive fanfic is finally OUT!

I have Pahleen (translation) and @f1shart (English editing) to thank for that! And I also want to thank the many wonderful testers and people who supported my project!🌹🌹

I will continue to post materials about this neighborhood on this blog, but I also have plans to expand this universe, so for that I created a blog @vv-bs so you can follow the development of the project!

[genderqueerdykes]

Is there a difference between terms 'transgender' and 'transsexual'?/gen

I've seen the argument that they mean the same, but the latter is older and now it can be considered 'incorrect' because it looks like it's a name of sexual orientation. But recently I've seen some post re: sex≠gender and someone said they prefer to use the term transsexual because it refers to changing their sex. So is there a difference? And it made me wonder, if someone is trans but didn't start medical transition, are they transsexual? (I think yes. Otherwise it'd be transmedicalism which is bad. It's 2am and I'm overthinking, but it's a genuine question)

good question!

some people do not make a distinction, and some people do! it depends on the individual, many people are okay with using them interchangeably, many people make a distinction and choose one or the other. some people identify as both!

"transsexual" was the first term coined for our community alongside "transvestite". at the time, there was not much clinical distinction between sex and gender, however, a Jewish physician and sexologist named Magnus Hirschfeld was extremely compassionate when he heard his queer patients expressing extreme guilt for how they felt about themselves and their identities. he felt an especially strong passion for his trans patients.

this was during WWII in Nazi Germany. Magnus went on to perform the first successful sex reassignment surgery that we know of in modern history. he went on to pioneer the techniques that we have today, however, a lot of it was lost when the Nazis decided to torch the facility at which a lot of his research was being kept. a lot of it still lives on today. Magnus did not care so much about whether or not his patients felt like their sex or gender was the issue, he just wanted them to feel like themselves- if they wanted to undergo medical procedures for gender affirming care, that's all he needed to know

transsexual was used in common vernacular for quite some time before the term transgender sprouted a few decades later and rose to popularity in the 90s, when people started speaking about the societal and biological differences between and implications of sex and gender. when this became a conversation that was common place, many people began advocating that they felt that their gender was what their focus was on, not their biological sex. many people wanted to advocate for a more diverse range of trans experiences that weren't focused on the body, but what the person felt inside. many trans people do not want to medically or even socially transition, so people wanted to advocate for those as well as those who do transition medically

ultimately transgender became more of an umbrella term and stuck with the community moving forward. it can be inaccurate at times, some people identify as transsexual only. some people identify as transgender only. after a while people began shortening to "Trans" in order to become more inclusive and i think that's the best way to approach it. there are many older trans people who call themselves transsexuals when they may be describing a transgender experience, but that's okay. some people never changed their vernacular.

they can mean the same thing- but they also may not to certain people, and both of those are okay. it's best to ask the individual what their experience with the word is and what it means to them if you're ever confused.

[chnhrobin]

I’m kind of in the camp that if you CANNOT UNDER ANY REASONABLE CIRCUMSTANCE find out someone’s gender and what they prefer to be called then sure it’s ok to use they/them… but like. especially online… it only takes a little research (clicking on bio) not to misgender someone. Like there’s no reason that someone who doesn’t use it should get they/themmed at that point other than transphobia or willful neglect.

IRL, i use they them as well as she her, but i know that it feels so bad as a trans girl to get asked what my pronouns are, and to get automatically they/themmed bc of someone’s preconceived notion that that’s the default pronoun when they’re unsure.

“Shouldn’t it be obvious?” I’d tell myself. I’d be wearing a full face of makeup and girly clothes, and trying to speak in a feminine way, and this and that and the other, and it just gets exhausting when all you want is for people to see you and it to instantly click that you’re a girl. Even among queer people, it’s so hard to be a trans woman and not get misgendered.

this may be controversial, but if you’re meeting someone IRL, I think the best policy is to try to WAIT until they tell you or clue you in to what they wanna be called, rather than outright asking for pronouns. Telling someone yourself feels better than having that interrogation moment, where someone has to reveal that you’re third gender enough to get hit with the they/them beam automatically. Let’s be honest… do people who say they use they/them as a default really use they/them with cis women who present feminine?…I’m sorry but it’s usually the fact they’ve clocked you. They/themming IS misgendering folks who don’t use it. Period. We may need to re-interrogate whether we should have a “default pronoun” in the first place.

[batmanisagatewaydrug]

(This isn’t a recommendation; I haven’t read it) re: your hostpost-ing: have you read the twilight books? I only ask because I remember when it came out there was a sort of “sequel to twilight” energy among people I knew and from what I know that’s not really true at all , but I wonder if there’s a sort of similar ‘vibe’ that makes it that way? Idk 🤷🏽‍♂️

I would say my personality was irrevocably shaped and ruined by Twilight, yes. "guy who has a lot of opinions about the Host but hasn't read Twilight" is a fascinating pitch for a person though I'd love to meet him.

anyway I wouldn't really consider the Host to be any sort of successor to Twilight; they're barely even the same genre outside of both being speculative fiction. I think in both Meyer displays a great fascination with the concept of creatures that are extremely beautiful and capable of almost perfectly mimicking human behavior despite posing a very profound threat to real humans, which ties into a larger thematic interest in both stories about what it actually is to be "human" and the transgressing of that line. they're opposites in that way - Twilight starts with a firmly human protagonist becoming inhuman while the Host focuses on an extremely alien protagonist being taken in by humanity. but ultimately I'd say the vibes on the two are pretty different.

unfortunately I suspect that I'll eventually have to read Meyer's second, much less-remarked standalone novel, a spy thriller called the Chemist, to see how it compares to the rest of her canon. it came out eight years after the Host, so I have to wonder if her thematic interests had moved elsewhere.

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[pseud0knots]

this is such a stupid ass post like I don’t have a problem with the original post but the reblogs are so clearly a case of a person thinking the way they conceptualize and interpret scenes while writing and reading respectively is soooooooo superior over those of us with cringe lowbrow unsophisticated television-brained highly visual imagination. I do feel like the original advice re: paragraph breaks was written by someone with a highly visual imagination without realizing how specific that advice is to certain kinds of brains so I can see how op might babe this reaction if theyre eager to look down on people who interpret things more visually as if certain ways of reading and writing are more pure and true than others

and like. as someone who writes as if describing a play or movie or whatever in my brain I don’t think there’s actually any kind of correlation between paragraph length and whether or not you imagine a camera in the scenes you are writing. if I’m writing something and I end up with a 500 word paragraph, thats usually still a single “shot” in my visual imagination even though the amount of time it takes to read the paragraph is more than the amount of time that “shot” would last for if it were a scene in a movie. or if it’s something that couldn’t be shown on a screen like a passage that explores a characters interiority, even though there’s no direct visual component I still think about scenes this way only now the “camera” is inside the pov characters mind but I guess you wouldn’t get how that works if you don’t have access to my awesome mind palace theater

also the last reblog is particularly annoying given how vastly easier it is to write fiction as an amateur vs getting into making movies or tv like if you’re really mad about this please get me 1 billion dollars and a production company until then I’ll have to continue being a philistine with a highly visual imagination who’s contaminating the noble world of True Literature with my mass media poisoned brain which definitely isn’t just a product of people having inherently different ways of processing and analyzing the intangible

[lumeha]

I was re-reading the Dedue - Gilbert support line because of something unrelated and, hm, I find it interesting how people often use their C support to dunk on Gilbert when the reason Dedue gets so incensed about Gilbert's role as a knight and how his regrets have made him choose exile is because he admires what he knows about Gustave from Dimitri's stories ??

And it is mentionned at the beginning of the chain that he has met the man before he left for the Church too (and that he actually looked worse when they met in Fhirdiad, which was probably soon after the Tragedy overall, and now I am wondering if Gilbert was present when Dimitri saved Dedue that day but that's idle thinking)

(also shout out to Gilbert smiling when mentioning how much Dedue has grown idk I t)

And then, in their B support...

... :)

There's something really neat about Dedue specifically mentioning that he also needs Gilbert being part of this war / part of the people here with them, and that he still relies on him (and how Gilbert answers back)

Honestly with all the BS Dedue has faced in Farghus (and he doesn't hold his tongue about it frankly), it makes me think that Gustave was probably a person he thought Dimitri and he could rely on - which frankly would explain how strongly he reacts to the fact that Gustave left. They didn't meet much, they both say, but it makes me feel that at least those few meetings were positive, despite how exhausted and haggard Gustave was. In addition to Dimitri's stories about Gustave, it built a specific picture in mind for Dedue - one he held in high enough regard that he modeled his behaviour toward Dimitri from his understanding of Gustave ?

It's not just for Dimitri that Dedue is angered about Gustave's leaving. He says it explicitely about Dimitri, that Dimitri needed Gustave, but it's not just for Dimitri that he's angered.

IDK

There's something kind of neat about this relation. A lot more than what people usually talk about. It's both distant model of chivalry (and don't forget that Gustave was the one who saved Dimitri and brought him back to Fhirdiad - something I think Dedue would always think about) and this. idk how to say it. But I think they both get to understand / see more about the other and their respective place as knights that they don't really get to have be seen or understood by others ? That in a way they share an understanding of what their duty means to them.

(but now I kind of want to see Dedue cooking some fish Gilbert brings him. Maybe I should do that.)

[scrumptiousstuffs]

as i see, FK doesnt have a lot of fanservice they seem so real and honest about the things they do together i think this is the best thing about them! do you see the same way? or am i just crazy abt them lol

Hello Anon! Welcome to my corner of FK obsession 😂.

To answer your comment - I genuinely do not think our wonderfully, weird co-dependent besties are doing any major fanservice (I mean, they might harped it a little during events/concerts), but their interactions off-screen tells a lot about their relationship.

I can’t put it as eloquently as the talented Sarah @/firstkanaphans (who has ways with words) and it seems she answered some questions/comments already re: FK in the last 24 hrs (so, if you haven’t check it out, please do!). Not surprisingly though, after the wild 24 hrs we have in SomSoms fandom. And who could blame us? - we have Khaotung (plus Joong) looking smoking hot in those suits, followed by FirstKhao sitting on each other lap and now them drunkenly kissing during karaoke?? (Also - this is me bowing to Joong who continues to be our lord and saviour in detailing us FK shenanigans 🙇🏻‍♀️🙇🏻‍♀️🙇🏻‍♀️)

But in a nutshell, I agree with what you (and what most of us think) - the boys just genuinely enjoy each other company plus they have found their safe haven. FK themselves admit in an interview their relationship could only be defined as “First-Khaotung” cause even they are aware to some degree the things they do for each other are not most people will do even in a good friendship scenario 😂….I mean, these 2 have GPS activated? on their IPhone so that they are constantly aware of each other location, spoils each other with expensive gifts, sulks if the other don’t show up to any event (First’s graduation ceremony come to mind! - he was so upset and whining to Ciize when Khao pranked him into thinking that he would not make it to the ceremony. I also recalled him playfully sulking and refusing to say Khaotung’s name during a solo event [and instead use variation of “rice” instead] cause Khaotung was asleep and didn’t tune in to his solo event 😂🙂‍↕️ )

Also, I have always thought between these 2 - First is the more expressive and eloquent speaker. You can tell by the way he effortlessly carry out any host duties or events/interviews (while Khaotung usually stares adoringly to his bestie face 🫣 but he is getting better!). Or how about the way First wrote those beautifully penned out what I can only described as love letters to his bestie (during LOLFanfest 2024). Khaotung, on the other hand, he is the epitome of what I will call “action speaks louder than words.” He quietly helped First throughout Safe House season 4 when the latter broke his arm/wrist, and if I recalled, Khaotung helped First ties his shoes during a photoshoot they did together (with the photographer/staff member actually showing a BTS photo of him doing just that) during the same period. It’s not to say Khaotung can’t expressed himself or function without First, but these 2 just sparkle ✨ more brightly when they are together.

And while Sarah rightfully pointed out that during Khaotung’s bday event last year, he kept looking up to see if First is present yet, I will say the same applies with First - during his bday event this year, a Thai fan who went to the event (@/pannjed) said that First checked the door multiple times throughout the event for his bestie’s presence 👇🏽, and you can see his face just lit up when Khao finally showed up

Sorry, I seem to have gone off tangent, but I adore these two boys. I do not know if their relationship is platonic or not, but whatever it is, they are just so so genuine and loving towards each other (and to their fans) that I wish them the very best in life and their career .

I’m going to finish up by putting up 2 of my fav photos of them, cause it sums them up well:

Anyway, our boys may not be as busy or active with events lately, but we are bless to see their beautiful relationship in display! 🧡🤍

25/09/2024

[mossyeyeballs]

I’m unfortunately talking about the flip side again (I can smell the comments now so I’m is gonna say I’m joking when I say unfortunately. I’m talking about it because I want to, not because I think it’s necessary. If I relish thoguht the game was THAT terrible, i wouldn’t put effort into talking about it)

So I made a post on TikTok about this game and how bad it was, and I wanted to talk about some of the comments I got/saw under other posts.

1. “This game was from Jeckas perspective, that’s why everything was so out of character and different”

I find this to be a dumb counterclaim for a few reasons. One: the only different thing we see was how Nicole treated Jecka during that foot ending + the Jeffrey dying ending. every other character,personality, setting, style was the same. Nicole had similar references to pedophilia and men, Jeffrey literally liked feet in the re up and it’s just carried over, the teachers being freaks, Ari being a girl kisser, Emily being a druggie, everything was the same besides Nicole in BOTH foot routes.

2. “Every character acted different, they were just showing their true selves.”

I also find this to be a dumb counterclaim considering they’ve already had two whole games to show their true selves, and have. Like I said previously, Jefferey still likes feet, Ari is still gay and would kiss any girl, all of the male teachers are still freaky to kids. It would make zero sense to say this game specifically is where they acted like the,selves since we see everyone THE MOST in the re up. It was purely this game that was different.

3. “Nicole is petty/a sociopath, she’d absolutely do that to Jeckas dad”

While I do agree that Nicole is petty and sociopathic, she still wouldn’t have gone that far with Jecka. It’s not a “what she did” argument, it’s a “who she did it to” argument. As my prime example: Ari stole an excuse Nicole commonly used to escape homework, and as a result Nicole mentally and verbally abused her. This small thing Nicole took as an attack turned into Ari literally not dating women again out of fear of abuse. Meanwhile, Jecka wouldn’t let Nicole crash with her when Nicole was homeless, and Nicole just guilt tripped her. This wasn’t necessarily an attack, but Nicole did take it personally. Yet all she did was tell jecka how shitty being homeless was. Plus the aspect of effort. Nicole only seemed to want to put in effort into ruining people’s lives when it came to not knowing or not liking them. Why would she put in all of the effort to ruin Jeckas life not only because it’s Jecka, but also for something so small as not telling her how she got into footwork? I also think people are forgetting what sociopaths are. Sociopaths don’t real,y reel empathy or understand people’s emotions, but that in no way means they can’t form connections or care for those around them. Nicole, while not maybe understanding why Jecka would be upset, still protects her feelings and defends her. So yes, Nicole is a sociopath. But that doesn’t mean she doesn’t care about Jecka. This leads me to my next comment.

4. “Nicole doenst actually like Jecka, it was just fun for her”

I fully disagree, point blank period. Nicole clearly cares for her. We see this at LEAST two times. 1: when Nicole literally bullied Jeffery’s to the point of YEAR LONG COUNSELING with the PEDOPHILE TEACHER her gains absolutely NOTHING talking to just so Jecka could smoke without getting gawked at. It benefited her absolutely nothing to do that, but she did it anyways specifically for Jeckas well being. (Even though Nicole and others have stated that Nicole only does stuff when she gains from it.) and the other instance where she helps her steal a CD/ shirt. Again, something that didn’t benefit her in any way, yet she did it FOR Jecka. I’m in no way saying Nicole is a good friend, because she isn’t, I’m saying she cares for jecka at least a little.

5. “The feet endings were on brand for class of 09, it was just shock value.”

to some extent I do agree. Class of 09 was made to shock and uncomfort people, it was the creators intention to make it edgy. However there’s a difference between South Park dark humor edgy (like it’s trying to be) and full on fetishizing. The dark humor aspect of it all wasn’t there in my opinion because it wasn’t even funny, it was JUST weird. I’ve seen some argue that it’s supposed to be that weird, and I get it. But compared to the first two games it was just distasteful. Clsss of 09, and the re up were shocking and weird because you never ever see games talk about how creepy adult men are towards kids or that it’s areal world issue that we’re ignoring. But what was the issue supposed to be in the flip side with the feet endings? That people with foot fetishes exist? Wow so funny guys! But in all seriousness, at first I couldn’t quite place my finger on why this one was different. In both Nicole and Jeckas sex work endings, they experienced weird men obsessed with their bodies, informed the other one of their sex work, made decent money off of it, benefited from it if even just a small amount, and felt disgusted with themselves sooner or later because of it. But then I found out why Nicole’s story was so much more consumable and entertaining. It was because in the end, she accepted her struggle, she realized it fucked her up and she’s coping with it, she’s genuinely trying. But with Jeckas ending Nicole literally gets hired by her dad, purposely makes sure they get caught, and laughs in her face at how pathetic her and her dad are. And then, Jecka kill’s herself. The entire ending was fucked up, even for the usual dark humor edgy aspect of class of 09. I’m not saying the creator should’ve made it funny, beaus he shouldn’t have. Nicole’s ending was bitter, and portrayed as such in a way that was hard to watch but still made you think “wow, that was good,” I’m saying I think it would’ve been better if they didnt show such graphic details of Jeckas sex work. During Nicole’s ending, it was breiefky mentioned what she did, and they went into detail later on. But with jecka, they actively showed if I can remember 4 and a half graphic scenarios of her with these freaks, the weird shit they said to her, and then still showed how happy she was with the money after? This part is probably more opinionated than the rest, but it genuinely felt weird to me how they played this out, and I would’ve personally enjoyed it if they went more in depth about how gross jecka felt about the whole thing instead of just being like “oh yeah, she didn’t like it but her breaking point was her friend doing it to her dad. NOT the selling her body” which was a stupid choice in my eyes considering jecka breaks down to a therapist about how gross she felt. Why only make it sometimes that she feels gross? Why JUST that one part? And then during that therapy session she isn’t taken seriously because how much she makes?? That felt so stale.

So while I guess what I’m saying is it wasn’t technically out of class of 09s boundary set, I’m saying this time they did a shitty job conveying it in a way that was both entertaining, funny, sad, and bittersweet. It was all just bitter.

6. “I liked the game though!”

that’s perfectly fine! I’m glad you enjoyed it and you got your moneys worth. I’m in no way saying everyone has to agree with me, I’m just saying my opinion. If you liked it, good for you, I just personally didn’t. The few moments I did enjoy were the 7 seconds joke, the hatman scene, and the killing Ari route. The rest was kinda meh

[nutsackx]

Do you think for your mad scientist Au, Sodapop is okay with what Ponyboy did to Darry? How did he react? And also, Does Ponyboy ever regret his decision of reviving his friends? Why doesn’t he revive his parents? Does Ponyboy ever get caught by the police? Does Sodapop mess up on his job, and if he does how does Ponyboy react?

I HAVE SO MANY QUESTIONS THAT NEED ANSWERS.

I feel so corny writing this 🤤

Sodapop isn’t incredibly… sure what’s happening? I guess? Like he knows about the revivals and stuff, but he isn’t really big on details because it grosses him out. He’s aware that Darry’s a killer but he’s not aware that it’s not by choice. He was a lot like Darry where he wasn’t cool with it at all until Pony mentioned bringing their folks back.

Ponyboy does not regret reviving his friends at all. Even though they all hate him for it and constantly talk about wanting to die, he thinks he’s helping them. At first it was kinda of just ‘I’m going through some sort of psychosis and need closure” to “I’m a god I can bring people back from the dead, hallelujah’

And with his parents… however he revives them (I was thinking like the Re-Agent from Reanimator) only works on fresh bodies (I think Herbert went through that too, I haven’t seen the movie in a while). And obvi his parents died way before he figured it out becuase he’s not he wasn’t actually a scientist (lowk still isn’t, luck is on his side I guess).

The AU is set in like the 30s/40s, and if you know anything about asylums around that time they were HORRIFIC. Police already don't really care as long as he keeps the crazies locked away. The main people who think there’s something going on are like college students or activists, I guess?? And most of the time Soda’s able to sweet talk them into going away.

Also Soda is like easily the least coordinated when it comes to the Curtis’s. He messes up 24/7 (he’s the reason Dallas can escape so often, and more often than not causes Darry to have to go back out cus he dropped something), but Pony can’t really let him go because he thinks Soda’s gonna snitch.

And while Ponyboy still loves his brothers, he’s like lowkey a little crazy. He’s downright evil tbh. He defiantly has some sort of explosive dissorder, and when he gets mad he gets MAD.

also someone on Tiktok asked why Johnny’s got the blue eye. Realistically I’m just gonna say Darry snatched it from Bob because let’s be real he doesn’t need both. Also he can not see out of it or move it, it’s just kinda of cosmetic (though it’s absolutely disgusting and Johnny hates it)

anyway if anyone has anymore questions lemme know… this is kinda fun

I’m working on cherry and Marcia designs (they’re nurses btw), and maybe some of like Bob and Randy if I get bored

[ninyard]

Hii, I guess this is a question not only for you but also your followers. Why wouldn't it be ok to like aftg? Like I've seen people say is problematic? But the only thing I've seen criticized is how unrealistic it is and like is a book so... idk maybe I lack critical thinking on some topics so if anyone could point me where to look I'd love to keep liking these books while being aware of it's failings :3

this is an interesting question! i guess the biggest part of whether it wouldn't be "okay" for someone to read aftg would be somewhat down to personal tastes.

re: the unrealistic part, i think if you go into a lot of books expecting them to be "realistic" you'll probably find there's a lot out there that just... isn't. i myself think that 90% of the biggest arguments i've seen about it's realism are from people who 1) refuse to suspend disbelief for the sake of enjoyment or 2) go into it with a certain expectation as to how realistic it's going to be before reading.

you can pick apart a million different books and movies and tv shows out there and find "unrealistic" parts in them all. and what do people say is even unrealistic about it? the different languages that are spoken in it? the trauma all the characters have? i understand it, to some degree, but i think people who think that fiction that is unrealistic = fiction that is bad, are probably just reading the wrong things. and that's fine. it's personal taste. but not everything has to be realistic for someone to enjoy it. that's just me.

as for the problematic aspects of it, i guess my gut instinct is to say that's once again down to personal perspective and opinion. i personally don't like or agree with some things in it, but i don't know if i can definitively say, oh it's problematic for this reason or that reason. are there triggering topics in aftg? are there uncomfortable scenes and problematic things that the characters do and say? are there bad people who do bad things? yes. that's just the truth. does that make the books themselves inherently problematic? i don't think so. but maybe i'm wrong with that. i don't know.

if you try to justify and explain and dissect everything that happens or is said in a book like aftg, i think you can probably find yourself in a real rabbit hole of is this appropriate? is this okay? is this problematic? i just feel that, it's a book, that has shitty things said and done in it, and it's up to you yourself whether you think those shitty things cross the line of being problematic or not. there's limits to everything, and while i dont think aftg crosses those limits, it doesn't mean i think it's perfect or an exception to criticism.

i guess what i mean is that if you try to find things wrong with aftg, you'll probably find something. it's not perfect. you could pick it apart if you really wanted to. but i suppose i'm just happy enough to enjoy it without doing that because it is what it is. it's a book about people who have had shitty things happen in their lives, about people who say and do shitty things, but i don't think it glamorises or makes those shitty things okay. me liking the series also doesn't mean i'm 100% a-okay super cool with everything that happens in it either. i am not the media i consume or enjoy.

but it's also really important to listen to people who talk about things that do personally hurt them or make them feel like they're not seen for who they are or what they've been through. i can say that i personally am not offended or hurt by 99% of what happens, but that doesn't invalidate someone who was. that doesn't invalidate other people who aren't me who say "it's problematic for x reason". i'm happy to share any insights into this if anyone wants to send them my way!

maybe this isn't a good answer to your question and i'm still not sure if i've gotten my point across properly. there's a million things problematic about aftg, i guess, but it's just about where you draw the line between the problematic content inside the series, and it maybe being a problematic series from the outside. i don't know exactly where to point you towards to have a balanced understanding of why it might be okay vs not okay. i'd just say to keep an open mind and listen to what people say when they raise their concerns about it.

[batmanisagatewaydrug]

Here's a light-hearted ask!

Have you done any sex ed work with college and graduate populations? If so, what are common points of confusion? And do you have any funny or nice stories about college sex ed presenting?

Also, thanks for running this blog! It's been really helpful for me in seeing sex as less stressful and more pedestrian. Hope you're having a normal one!

hi anon,

fortuitously I started teaching sex ed while I was in college and I work at a college now, so I've had a fair bit of opportunity to work with college students in person in addition to all the young adults who send in asks here :)

I don't know if I have any particular stand-out stories coming to mind right now, but overall I've always found this demographic to be really inquisitive, open-minded, and excited to share. almost every time I've presented my workshop Queering Virginity it's been with college students, and they're always really receptive and eager to kick that ball around and play in the space with me trying to poke and prod at virginity and figure out what, if anything, it actually means.

some of the most common points that come up aren't so much confusion (although on at least one occasion I have to be the bearer of bad news re: people with vaginas being able to give each other STIs) as opportunities for expanded knowledge. for instance, not a lot of college students know about internal condoms, because few people know about condoms, period. I think something much more widespread is a desire for reassurance that what they feel and want and do sexually is normal and okay, which I think transcends demographics in a pretty huge way.

[gldrushsblog]

SUGAR AND SIN | JK

🧁✧ ˚. TITLE: Sugar and Sin

🧁✧ ˚. PAIRING: Mafia boss! Jungkook x female oc

🧁✧ ˚. WARNINGS: Mentions of threatening behavior and emotional distress.

🧁✧ ˚. BLURB: The suited stranger keeps his promises, and Aurora isn't sure if that is supposed to be a good thing.

🧁✧ ˚. GENRE: Mafia au, grumpy x sunshine, forced proximity, slow burn, dark romance, crime/thriller.

🧁✧ ˚. TAGS: jk being a jerk part 21726, oc going through it part 56372

🧁✧ ˚. A/N: hey!! Hello! Hope you didn't forget me or this story cause I just posted part 10 on wattpad after years of being unproductive!! Who cheered 🤭🤭

🧁✧ ˚. TAG LIST: @scuzmunkie

CHAPTER 6: AURORA

Aurora wasn’t a prophet, but for the past few days, she had this unsettling hunch that the organ pumping in her chest would be the thing to take her down—maybe not by a heart attack, but something close enough.

Grim fact: Her family had no history of heart issues.

Normally, she didn't let anything or anyone burrow deep enough into her thoughts to keep her awake at 2 a.m., contemplating her life choices. Especially not with a knife stashed under her pillow, just in case those choices went south. Well, except maybe that one time when she decided to move away from home and open her own bakery. Her friends loved to call her reckless—more than she'd like to admit. It was probably the same reason her dad hovered over her, always a little too protective.

She'd be lying if she said her reckless streak hadn't played a starring role in the chaos of her life.

Now, even as the day in the bakery stretched onto a busy one- the kind she thrived on- she couldn't help thinking about the sudden absence of a certain man who carried bad mojo with him like a handbag and the letter she received days ago and safe to say, there wasn't much doubt about the sender. She should be glad, of course, that he isn't here to remind her how grateful she should be that there's not a bullet in her brain, but she was rather anxious after the envelope she received which was honestly a childish trick to pull on her neurons in her opinion.

And then there was her demand that was a further invitation for him to dwell more in her life, and she hadn't been able to think of that in the moment. So that only left her waiting and.. questioning.

Would he really help her out with the Mr Choi situation? Or was she the most naive person to think he was being genuine in his amusement and not sarcastic?

She sighed heavily like a old aged woman who had been through both wars before trying to ground herself back in the normalcy of the action of rearranging the trays of pastries that didn't sell and was gonna go up for donation in the display case, while lia checked the stock back in the kitchen.

It was a simple monotonous moment until it was not. The bell above the door chimed, causing Aurora to wonder since not many people visited in the closing hours. Yet the words came out almost automatically. "Welcome to Sunrise sweets!" Her figure still crouched down as she worked on the display.

The usual sounds of greetings and orders didn’t follow. Instead, there was a heavy, palpable silence with an energy that felt weirdly familiar. The kind that made the hairs on the back of her neck stand up.

As she slowly straightened up to attend the odd customer, the sight in front of her had her wanting to hide back again because there stood her newest nightmare manifested in a tailored pinstripe suit that accumulated his broad and tall figure in a way that left her wondering how dild he even got through the door.

The words in that letter flashed the next thing in her mind. She should have known for him not to be the one who spewed empty threats...or promises.

For a moment, she forgot the basics to breathe as his gaze collided with hers.

He had been here before, yet that time had been a chilling dark night but now as the different colors of orange blending with blue from the sun going down the horizon illuminated the space and him, she realized how out of place he looked. She had that realization when he was sprawled across her couch, too. Just now, she had another one that it didn't matter what kind of room he was standing in. His presence will get anyone and everyone present in it to cower.

As if sensing the tension filling the air, lia peeked from the back, catching his attention for a millisecond, but that was enough to take her aback as well.

Aurora could feel her friend's confused eyes on her once she gauged how shrunken the brunette looked.

"Can we help you with something?" She asked as she appeared beside her friend, her voice steady and cautious. Clearly, she was surprised as well to see a figure like him walk up here but not horrified as her best friend who had seen him with a gun.

"No." He gave her a balant reply with a balant stare before turning his attention back to Aurora.

"We have business to discuss, Ms Beckett." She wasn't surprised to hear him say her name she never told yet the way he said he had buisness with her like he was mocking her was enough to send a chill down her spine. "Alone." He added, sparing lia another glance.

"Buisness? What is he talking about, Aurora?" Lia spoke, turning to her with confusion evident in her tone. Of course, she would be confused, surprised even. It was not every day a man in an Armani suit and tie that cost more than the space they were standing in, walked in to talk buisness.

Aurora's eyes peeked back at her friend with an uncertainty of their own. "I-uh.." Her gaze moved back and forth between her best friend and the man that seemed to look at her with an intention to bore a hole in her head.

Taking a deep breath and collecting her thoughts, she turned her back and made lia do the same, her voice intended for only her. "This.. is what I meant when I said I was exploring some options." Lia gave her a look of disbelief. "But - But you don't need to worry. He's a trusted ally even though he doesn't look like it. Everything's gonna be fine. You just need to let me have a talk with him." She hoped the blanched expression only crossed her face mentally when she said the words trusted ally and him in the same sentence.

"I'm not leaving you alone to speak to him, Aurora." She deadpanned, her voice intentionally loud enough for him to hear across the counter.

A deep exhale came from his side. Lia opened her mouth to protest further, but Aurora quickly placed a hand on her arm, squeezing it gently.

"It's fine, Lia. Really." She forced a reassuring smile that didn’t quite reach her eyes. "Just give us a minute, okay?"

Lia looked unconvinced, her gaze flicking between Aurora and the man she was skeptical about, but after a tense moment, she sighed and nodded. "I'll be in the back," she said, her tone making it clear she wasn't going far.

As Lia disappeared behind the kitchen door, Aurora turned back to him, her nerves getting on edge again as she locked eyes with his.

"What buisness?" The sound was somewhat of whisper yell as if she was afraid of the walls listening but was still trying to make her point across at the same time.

He didn’t answer right away. Instead, he let his gaze drift around the bakery, taking in every detail with that calculating look that unnerved her so much. “This place—” he gestured vaguely at the bakery, “—is mine now.”

She blinked, the words not quite registering at first. “Yours?” she echoed, incredulous. “What do you mean, yours?”

"I brought it." He said - matter of fact - as if it was the most normal thing.

But to her, the words felt foreign, like they belonged in someone else’s nightmare, not hers. "You… bought it?”

"Choi is no longer your problem. Consider this… payment for your silence.” He spoke, his voice turning bitter at the latter.

Her mind raced, struggling to keep up with the situation. She should have felt relief—after all, wasn’t a resolution to her problem what she had asked for? Instead, a dread seeped into her bones.

It hit her then, like a slap she should have seen coming but didn’t. This wasn’t help. This was control. This was him sinking his claws into her world, and worse — it was her fault for letting him.

The words slipped out before she could stop it. “I didn’t ask for this.”

His expression was a puzzled one. "You asked for my help. This.." He stepped closer to the counter and reached into his coat pocket, pulling out a folded document. He placed it on the surface. "Is how I help."

Help? This was ridiculous. It wasn't a solution. Of course, Mr Choi was a nuisance, but this man was something worse than that. She didn't want something dear to her tied down to him.

But the weight of his words pressed down on her, the realization of what this meant sinking in.

"There must be a catch! Is all this really just for me to keep my mouth shut?" Her brows knitted together as she spoke.

His expression remained unreadable as he spoke, “Nothing more than what we agreed upon. And just your cooperation that I should add."

The nonchalance in his words didn't fool her. "Cooperation?"

His eyes flickered with something unreadable—dangerous, perhaps. "Keep your end of the bargain so I'll not be provoked to keep the end of my promise." She guessed what he was hinting at, and it took her everything not to choke him with a loaf down his throat.

The threat lingered in the air, a dark cloud settling over her. This wasn’t how things were supposed to go. She had asked for help even if foolishly so, not for him to take over her life.

Aurora bit her lip,“You think you can just come in here, throw your money around, and claim whatever you want?”

He didn't respond, Instead fumbled a cigarette and a lighter from his pocket to lit it before he was holding it between his gloved fingers and parted lips.

She frowned deeper at the audacity of this man. "And you can't smoke here either!"

He straightened up to look at her with a detached look. Taking a whiff out of the cancer stick, he spoke."I own this place, sweetheart. I can do whatever the fuck I want. You can either accept it or fight it and see consequences you and this place won't like."

She glared at him, hating the truth in his words. Hating that she had somehow ended up in this mess. Yet all fight seemed to drain out of her. What choice did she have? She could actually act upon her urges to shove a loaf down his constantly threat spewing mouth but that wouldn’t change the fact that he did owned her bakery. And, by extension, a piece of her life.

"This-" She was cut off with brutal ignorance as he added. "You should be grateful, Ms Beckett." his eyes briefly scanning the bakery one last time before he turned to leave. "You're in better hands now."

The bell above the door chimed as he walked out, leaving her standing there with her world tilted off its axis and a stack of papers that confirmed just how deep she was in over in her head.

୨ৎ

"What was he on about?" Lia asked as she emerged from the kitchen that was in the back.

Aurora's response was a sigh before she spoke. "Do you wanna go for a drink?"

To be continued..

→Previous chapter.