#Take Ninagawa

[garadinervi]

Kazuko Miyamoto standing by 'String around a cylinder of my height', 1977, installation view at A.I.R. Gallery, New York, NY, 1977 [museo Madre, Napoli. Courtesy of the artist; Exile Gallery, Wien; Take Ninagawa, Tokyo. © Kazuko Miyamoto]

Details: string construction: string, nails, wooden plywood, light yellow paint; archival photograph (silver gelatin print)

Exhibition: Kazuko Miyamoto, Curated by Eva Fabbris, museo Madre, Napoli, July 6 – October 9, 2023

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Andro Wekua Us 2019

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230316 AERA’s Tweet

【 3/27発売 #AERA 】 表紙を飾る #JIMIN さんから メッセージをいただきました。

JIMINさんのロングインタビューと蜷川実花撮り下ろしの写真、どうぞお楽しみに。

#JIMINxAERA #JIMINxMIKANINAGAWA

@BTS_jp_official

【 予約受付中 】 https://amazon.co.jp/dp/B0BV6B81YW/

[#AERA on sale March 27th] We have a message from #JIMIN who will be on the cover.

Please look forward to Jimin's long interview and the pictures taken by Mika Ninagawa.

[Preorder open]

Trans cr; Alice @ bts-trans © TAKE OUT WITH FULL CREDITS

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Check out Shinro Ohtake, Retina Noise 3 (1990-2024), From Take Ninagawa

[tokiwa05311]

Take a break 😅

My arm is dying …

YUZURU in Red

AERA

Mika Ninagawa

[444lpblue]

Stardust Telepath #3 - Explosive Mechanic

Screenplay: RinRin Storyboard/Episode Direction: Shinichirou Ueda Animation Direction: Megumi Nagayama, Ryoutarou Takamura, Yuuta Masaki, Ken Mukaigawara Key Animation: Hiroyuki Shimizu, Megumi Nagayama, Maya Yoshida, Tatsuya Urano, Yuuta Masaki, Hiroshi Tanabe, Yousuke Sotoyama, Haruka Sakai, Manabu Kushibuchi, Takanori Suzuki, Satoshi Horisawa, Michitaka Yamamoto, Takahiro Ninagawa, Lilin Zhao, Haruki Ebisu, Yoshiko Nakamura, Kanoko Sakurai, Ryoutarou Takamura, Tetsuya Sunaga, Ken Mukaigawara, Junichi Hashimoto, Yuuichirou Kamura (Eyecatch: 街早智子)

I've wanted to talk about this show since I watched the first episode, but I couldn't find the time. Now we're at episode 3, and guess what? It's pretty great still. Kaori has been at the helm of the whole series at Studio Gokumi, showcasing the studio's in-house staff in a very strong way. Kaori's approach to adapting this series is fantastic; the show is very colorful, especially in its character designs. There are so many fun reactions and expressions that I just can't help but love. It's been a lot of fun so far, and Kaori's expressive and colorful direction is a great match for the series' character designer, Takahiro Sakai. You might have already seen his designs in Yuki Yuna is a Hero, or perhaps you've watched the recent Reborn as a Vending Machine, I Now Wander the Dungeon (I know I didn't). The designs are very flexible and simple, which works great with the more expressive moments. I mean, it's just so cute, and when combined with the color design, they really stand out to me as a big selling point of this anime.

The story itself is somewhat comparable to the recent Bocchi the Rock, if I had to mention something to compare, if you're a fan of shows dealing with social anxiety and featuring fun visuals, I would definitely recommend giving this a try.

Since the title does say this is a write-up on episode 3, I should probably start talking about episode 3. This is actually the first episode so far that Kaori didn't have a hand in from a boarding perspective, but the expressiveness and reactions were still present in this episode. While the usage of them and the colors weren't as bold as Kaori's usual style, I believe Shinichirou Ueda did a really good job, especially for the more serious or emotional moments of the episode.

Kaori relies on a lot of contrast or bright and simple elements over detailed backgrounds to make things pop. Every time they're a bit quirky or making a funny face, you'll notice it. Ueda's approach is a bit more cohesive, and I couldn't really find a word for it until I talked to my friend this morning, who mentioned that he noticed it, and he's absolutely right. Ueda takes a more environmental approach compared to Kaori, incorporating more variety in distance and layout size. For instance, he uses long empty halls to emphasize the distance Umika must cross to connect with Raimon. When Umika runs during the night, it's subtly matched by the soft stars in the sky. In contrast, Kaori might have been a bit more heavy-handed in how brightly the stars shine or how much they pop out. I think Ueda's approach is different in that he likes to make the entire scene a bit more unified in its look rather than having one element stand out more than the others. I like both Kaori and Ueda's styles very much, and I don't have a strong preference between the two. I just wanted to mention the differences I see in their approaches.

Returning to the production as a whole for a moment, I completely forgot to mention that, aside from the aesthetic direction and character designs, the show animates quite well. It's a very pleasing-looking show, at least to me. The production is very solid, and I think credit should be given to the talented in-house animators at Gokumi and the animation producer, Kenta Washikazi. He has only held this role for two shows prior to this one (Yuki Yuna is a Hero: The Great Mankai Chapter and Seton Academy), both of which also had solid production, so it's clear he knows what he's doing. He has brought on people like Kouta Sera, who appears to be fairly heavily involved in this show as a key animator so far, and he's extremely talented. For instance, he did the cut of Umiko floating up in the opening. It's a perfect mix of in-house staff and the talent Washikazi decided to bring on.

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Was Erika Sawajiri always your Ririko?

Mika Ninagawa: She was the only one. Firstly, because the character had full-body cosmetic surgery, so the actress had to be super-beautiful like Erika. The other thing is, the film has lots of sex scenes and the actress has to be naked. But in Japan, a lot of actresses want to keep their clothes on – they’re thinking about doing commercials and all that. Erika is a real actress, and she’s willing to do anything it takes to play the character. Also, Erika is perceived in the Japanese media and by the people as a ‘scandalous’ woman, like Ririko in the film, so I thought it would be interesting to match that.

[mybarn]

Current Show at:

TAKE NINAGAWA GALLERY IN TOKYO, JAPAN

> 15 < from May until 22th July 23

With works from: Bas Jan Ader | Ryoko Aoki | Wang Bing | Patty Chang | Yoko Daihara | Thea Djordjadze | Taro Izumi | Suki Seokyeong Kang | Misaki Kawai | On Kawara | Chikara Matsumoto | Kazuko Miyamoto | Shinro Ohtake | Ken Okiishi | Mihai Olos | Charlotte Posenenske | Mika Rottenberg | Aki Sasamoto | Danh Vo | Franz Erhard Walther | Andro Wekua | Tsuruko Yamazaki | Gozo Yoshimasu

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Halloween Movie Night 27: Helter Skelter | Directed by Mika Ninagawa (2012)

A model is consumed by the monster that is her own industry. Endless plastic surgery, violent sabotage of her competition, and sexual manipulation of her subordinates, has started to take its toll on her body; literally decaying her inside and out.

[whatsonmedia]

7 Top Art Exhibitions to Catch This Week!

Immerse yourself in a world of diverse artistic expressions with these must-see exhibitions happening around the globe in February Yoko Ono: Music of the Mind Feb 15 - Sep 1 Tate Modern, London, UK Dive into the mind of a legend. Witness iconic performance pieces like "Cut Piece" and explore seven decades of groundbreaking art spanning conceptual work, film, music, and activism. Over 200 artworks, including installations, photographs, and her powerful peace and environmental campaigns, trace the evolution of this innovative artist. For more visit> tate.org.uk Potluck Feb 10 - Mar 2 Hashimoto Contemporary, Los Angeles, USA Get a taste of playful creativity at this group exhibition where artists serve up their unique "dishes" in diverse mediums. From geometric light meditations by Adrian Kay Wong to Emily Au's realistic porcelain bacon vessel and Nicholas Bono Kennedy's chaotic prepping station painting, prepare to be surprised, amused, and maybe even a little hungry. Don't miss Sara Suppan's "Dusty" for a relatable reminder of snack-stained fingers! For more visit> hashimotocontemporary.com/ Danh Vo: Take Ninagawa Feb 17 - Apr 27 Take Ninagawa, Tokyo, Japan Join Danh Vo on a journey through the complex flow of materials and their political narratives. Witness brand new works combining lithographs with his father's calligraphy, inspired by the unsettling film "The Exorcist." Explore installations delving into the history of wood and plants, where sustainable forestry practices and ancient German-Vietnamese family heirlooms intertwine. For more visit> https://www.takeninagawa.com/ Claudia Andujar: The End of the World Feb 9 - Aug 11 Deichtorhallen Hamburg, Germany Experience the power of photography for social change through Claudia Andujar's impactful exhibition. See decades of her work documenting the lives, struggles, and fight for survival of the Yanomami people facing threats from mining and exploitation in the Amazon rainforest. Raise your voice for social justice inspired by Andujar's powerful call to action. For more visit> deichtorhallen.de Desert X AlUla 2024: In the Presence of Absence Feb 9 - Mar 23 AlUla, Saudi Arabia Embrace the mystery of the unseen in this unique open-air exhibition. International artists create site-specific works that blend seamlessly with the vast desert landscape. Be captivated by pieces that challenge your perception of time, wind, light, and history, inviting you on a silent dialogue with nature and the power of artistic expression. For more visit>desertx.org Gabriel Orozco: Circular Identity Feb 10 - Mar 23 Kurimanzutto, Mexico City, Mexico Find beauty in the everyday with Gabriel Orozco's meditative exploration of nature and the cycle of life. Immerse yourself in his intimate "Diario de Plantas" drawings alongside sculptures carved from local stones. Witness his artistic dialogue between da Vinci's "Vitruvian Man" and the Aztec goddess Coatlicue, exploring the universal themes of humanity and nature across cultures and time. For more visit>kurimanzutto.com Leo Robinson: DREAM-BRIDGE-OMNIGLYPH Feb 1 - Jun 29 London Mithraeum Bloomberg SPACE, London, UK Uncover a hidden world of symbols and rituals within the historic Mithraeum transformed by Leo Robinson's captivating exhibition. Explore intricate assemblages, vibrant watercolors, and handwritten instructions that invite personal reflection and artistic exploration. Connect with the unseen and discover your own inner sanctuary amidst ancient ruins. For more visit> https://www.londonmithraeum.com/ Let your passion for art guide you on an unforgettable journey with these diverse exhibitions happening around the world! Read the full article

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230324 BTS Japan's Tweet

#JIMIN 3月27日(月)発売『AERA』の表紙画像公開！

蜷川実花さんによる撮りおろしグラビアと #JIMIN のロングインタビューをカラー12ページでお届けします。 ぜひご期待ください！

＜掲載情報＞ 『AERA』(@/AERAnetjp) 2023年4月3日増大号 3月27日(月)発売

#Jimin_FACE

Release of #JIMIN 's AERA cover, on sale March 27th (Mon)!

It contains 12 color pages with the pictures taken by Mika Ninagawa and Jimin's long interview. Please look forward to it!

<Publication information> AERA April 3rd expanded edition On sale March 27th (Mon)

#Jimin_FACE

Trans cr; Alice @ bts-trans © TAKE OUT WITH FULL CREDITS

[distinktionsfetzen]

Check out Shinro Ohtake, Retina Noise 5 (1990-2024), From Take Ninagawa

[blue---express]

Happiness Self Portrait 1996

First, because it’s not a job, I never photograph on days I don’t feel like it. When I do photograph, I simply photograph what I want without setting a theme. What I’m careful with most is choosing among the results, and deciding the sequence and how to combine them. To show the results in the best way, in my case, I spend more time and labor on that than actually photographing. Like eating food when hungry, like going to bed when sleepy, like wanting to stay with the someone you love when you fall in love, taking self-portraits for me is a natural instinct. When I’m taking photos in a closed space with just me and the camera, I almost feel as if I’m traveling within myself. From my tiny room with clothes scattered all over the place, the camera easily takes me to an unreal world with tremendous expanse. On a day with nice weather, I set up a tripod and absentmindedly shoot photos by myself. To have this relaxed and luxurious time to myself, and to have this daily life of mine recognized like this, I am really full of happiness at this moment.

- Ninagawa Mika