Continuing to be back on my bullshit, I'm rounding out the year with the next installment of my Blue Beetle au nonsense or.
AKA @wazzappp 's Blue Beetle headcanons give me life and I'm yoinking them because. Everyone deserves a little body horror. As a treat.
(Well. Except for Oo'Li, by virtue of being the type of alien (yk more or less) that the scarabs are using for that sweet sweet basic DNA template)
Anyway, following my timeline of Jaime ending up with his second 'upgrade' after the reboot re: Khaji Da's last ditch effort to keep him from smashing into the ground of terminal velocity, Xiomara and Roma end up more buggified after their altercation with the Crimson Scarab in issue...2? I think, when their powers get drained, in the same vein of their scarabs getting inventive with ways for their hosts to defend themselves in power drain scenarios.
In keeping with their power-sets/specialities, Roma ends up with a scorpion-esque tail (yes ik that's not an insect but if she can manifest tentacles Im saying it counts) and retractable claws, while Xiomara has fully armored hands/gauntlets and extra insectoid legs
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i have 100 hours in bg3 and finally decided to draw my tav :)
[image ID: a light blue background with reference images on the left, and a portrait on the right. the reference images are several screenshots of a Baldur's Gate 3 player character, which is a pink tiefling with long horns that spiral upward, black facial markings, pointed ears, and red shoulder-length hair that parts in the middle. the screenshots are all from the hips and up, with the character facing multiple different directions. to the right is a half-rendered bust of the player character, notably with a slightly larger nose, fluffier hair, and thicker horns. their expression is neutral. end ID.]
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Hii Do you have a fave Janeway out-of-uniform look?
Ohh this is such a hard choice! There are so many reasons I like her out of uniform-- A lot of the time it's because we get to see who she is behind the veil. That couldn't be more apparent than in Resolutions, she flirts, explores and relaxes while she struggles to maintain her identity. She has like, 5 costume changes in that episode, albeit modest in design, they are quite revealing in a sub-textual way.
Funnily enough, I actually would like to catalogue each time she is out of uniform and break down how it relates to the narrative etc. I sometimes ponder about the choices that have been made with hair and costume. We don't actually know much besides a few articles and scattered pieces of media--Most behind the scene information is about set design, which in it's own right is cool, but sometimes feels like it’s highlighted due to the male audience and as a result the other artists aren't valued enough. In theory, I'd like to uplift them because their efforts transform the lack frontal, narrative-body of some characters- we consequently learn things such as the fashion of the era, character’s states of mind, setting, etc, simply through what they are wearing– Do I dislike that? No. Because I understand the format of Star Trek is limited by the nature of being a 24 episode per season show. Sometimes things appear rushed or incomplete but if you look in the right direction, the work that was produced is just as rich as most shows, if not more. For the most part don’t think audiences appreciate the conditions that this show was made under.
The whole show has certainly been more impactful on the cultural zeitgeist than others and I think the reason for that success goes beyond the surface level- It’s not just a simple miracle that it works as well as it does, talented teams of actors, writers and people in costume all combined their skills together to forge it. They did the best they could with what they were given, and I appreciate the costume designers and writers for attempting to provide some semblance of substance in the background. (On another note I wish Paramount had archived their costumes better. Evil that we only get high resolution photography when they're selling them to someone's private collection)
However, to answer your actual question, my favourite out of uniform stint is when Captain Janeway is modified to look like a Klingon in the Killing Game! The disguise worked so well for me that I didn't recognise her on my first watch through.
Interestingly in the brief scene with brainwashed Janeway, we see an acting side of Kate's that is pretty rare. She delivered a unique and entertaining performance. While she has had to get physical on a few occasions as Janeway, and even other roles, she has never had to go full feral mode and I love seeing her in a way that is untethered from all of herself, she yells, bares her teeth, barrels into others, and does somersaults without hesitation. It's delightful choreography, and It immediately makes us question what is going on. Who is this? Can’t possibly be our well-adjusted hero, because whoever this is, is brazenly-fierce and in Klingon attire! But yes we find out it is indeed her, arguably a repressed version of her mind but regardless Janeway is completely transformed both physically and mentally, and that’s shockingly fun.
Lending to that idea of fun, is the juxtaposingly detailed presentation of the Klingon costume versus the Starfleet uniform. I love the overall shapes, matte qualities contrasting with the metal details, the decorative line-work that leads the eye around, and materials such as swinging chains and fur, that make it look good in motion.
From what I’ve seen there is a difference in the female and male armour, with the breast plating and bodice design. The armour’s bulky top half with its shoulder pads deliver a signature look, and it looks great against the simplified bottom. Considering Klingon’s do a lot of close combat, my guess is that it’s design is more about manoeuvrability, and boasting intimidation, rather than heavy defence. Ironically after all that ducking and dodging, ho ho Janeway gets stabbed for leaving her guard down. If I looked, I am sure I could find something to back that up, since Klingons have extremely dedicated lore.
The makeup on Janeway is really neat too, the orange tones they used on her face make her crystalline eye colour dramatically pop. There is also a delicious parallel to her styling and B'Elanna's mother from Barge of the Dead in the episode that I quietly indulge in BUT I DIGRESS.
Despite the unusual circumstances, I wish we had more photography done of Kate in the unique costumes she wore beyond a few on set pictures, because I want to ogle at a more editorial/detailed press presentation of each one and I believe that everyone should treasure all versions of Janeway.
Blah Blah Blahhhh haha
I feel a little vulnerable spreading my thoughts around but I really appreciate you asking me about them and getting me out of my shell <333.
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Objectively very funny to me that I started listening to stray kids with absolutely zero knowledge they had 2 Australians in the group, literally just saw a mutual post one of their songs and listened to it and was like "Oh that was so fun!" And then for the next month I was listening to some of their songs on and off and it wasn't until I heard Muddy Water that I went on my twitter like "Hoh, this guy really sounds Australian" and immediately, and I mean *immediately* 2 people were on my post like THERE ARE 2 AUSSIES IN THE GROUP JESSIE. YOURE FUCKIN AUSTRALIAN, HOW DID YOU NOT KNOW? and I was just 🧍♀️
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