#This is also considered a madrigal.

[jacarandaaaas]

since mirabels birthday is coming up let’s take a moment to appreciate how skilled this girl is🦋🧵🪡🪗🎨

all this and dancing + singing too!

[notmoreflippingelves]

[the-acid-pear]

Recently found out in most cases dissociative and adjacent things do Not fall under the label of delusion which was A Discovery for me and also kinda funny in retrospective bc every time someone wants to convince me I'm a healthy and normal man they're like well the point of hallucinations is that you can't tell them apart from reality and here I sat my whole pale ass and was convincing myself the very real things were just me hallucinating and therefore I had to act normal otherwise I'd be feeding into them.

That said it still makes me upset qualifying my other Probably Delusions as such bc cunt. They're real to me. You don't know anything. I'll kill us both you hear me?

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[meepxii]

The Madrigal-Fontana family

Mateo Vicente Madrigal Fontana

He is a twin, and the oldest child of his family. His gift is to make astral trips to any part of the world by meditation. When he's using his gift, a third eye glows pink on his forehead and he can also levitate. He's the edgy cousin of the family.

Fun facts about him:

Mateo doesn't like his middle name (Vicente). The only one who can call him that is his mother.

He's a calm boy, but gets into trouble very often 'cause he has no filter and can sound "rude."

He's Itzel's favorite child, and they're very close.

He and his twin sister are the closest, and do many things together, and although sometimes he can't stand her and treats her rudely, he's always behind his sister, protecting her.

He likes poetry and is a hopeless romantic.

His favorite place is the beach, and he goes there whenever he needs peace.

When he uses his gift, the pink third eye that appears on his forehead is real and functional. His sister sometimes pokes it to annoy him.

He likes to meditate in Dolores' room.

He's the only one of the Madrigal-Fontana children who got Bruno's wavy hair.

Dalia Elizabeth Madrigal Fontana

She's Dalia, Mateo's twin sister. Dalia has the gift of making clones of herself and other people. She can make up to five clones, and they function as a hive mind if she wants. She can also let them act on autopilot. She's daddy's little princess, and the spoiled brat of her family.

Fun facts about her:

Dalia is Bruno's favorite child. The two of them formed a very strong bond since she was a baby, and Bruno fulfills many of her whims. For the same reason, she grew up accustomed to getting what she wants, and if she doesn't get it, she gets frustrated and cries. She knows that's not okay, and it's something she's still working on.

Since she was a child she's very involved in the theater that her father founded and he relates a lot with her cousin Camilo, so she loves to act, and her biggest influences are the two of them. For that reason she got a gift similar to Camilo's.

Her way of showing affection, in addition words of affirmation, are her jokes. She likes to play pranks on her close family and friends.

She shows off her family quite a bit, and she's a big fan of her parents' relationship.

She gets into trouble easily because she is very talkative, mischievous and witty.

She has a strong sense of loyalty toward her loved ones, so she's the first to defend them when they are getting attacked. More specifically, Bruno and Esmeralda.

Her best friend is her twin brother, and they both watch each other's backs.

She is a good girl, but it's better to have her as a friend than an enemy, because she brings out the worst side of her.

Perla Esmeralda Madrigal Fontana

And this is Esme, the youngest of the Madrigal grandchildren. Her gift is earthbending. She's a sweet and naive girl, and since her power is directly related to her emotional strength, she's unable to get out of control. She has had problems in the town due to the limited scope of her power, and they often compare her negatively with her father.

Fun facts about her:

Esmeralda is considered the baby of the family, and her parents and siblings treat her as such.

She is abuela's favorite granddaughter because of her resemblance to Bruno, and since Esme was a child, she's been overprotective of her.

She's also very close to Julieta's daughters, especially Isabela. As a child she took her gardening together, which influenced her gift of earthbending.

Despite being introverted, she has always been a very sociable and kind girl, although a little naive.

She is such a crybaby.

She takes guitar lessons with her dad and Mirabel.

She also likes to do crafts with her mom. The two of them are in charge of making the scenery for Bruno's plays.

She is the most attached to Bruno's rats of the Madrigal-Fontana children, and there isn't a day when she doesn't have a rat on top of her.

Of her siblings, she's the most similar to the Madrigal family, and she inherited many of her abuelo Pedro's traits.

She doesn't get along well with her maternal grandmother, who has always preferred her sister Dalia for being more like the Fontanas.

I don't think I've ever published anything of my fankids here, sooo... here they are! I tried to use a color palette consistent with the Madrigal family, without filling it completely with green. It was also very fun to make the patterns representative of their gifts.

[ffb6c1lover]

Why I think the Madrigals believed Bruno to be dead

The adults only speak about him in past tense. "Bruno didn't care about this family". As far as she knows, if he's still alive and not back it means he actively still doesn't care about the family, so why not say that? Félix also speaks in past tense ("You better figure it out, because it was coming for you"). Julieta's "My brother Bruno lost his way in this family" makes sense regardless of whether she thought he'd died or not, but to me it does sound very final. Pepa cannot even hear his name without thundering. With the amount of love she has for him, the thought that he might have made himself a happier life in a town that does not shun him should bring her at least a bit of comfort, but she's inconsolable even after so much time. I'm sure there are more examples of this and if I can think of them, I'll add them in the replies.

The door going dark. Now, we know it stopped being lit because he had decided not to use his power anymore, but it makes far more sense for it to be because he couldn't use his power anymore (because he was dead). Casita, much like Bruno, can tell the future, so she knew he was going to use it again, the vow did not really count for anything. Are you telling me that anytime a family member leaves their room and considers not using their power for a while their door goes black?? It makes a lot more sense for the family to have thought he had died. The same applies for Casita not being able to help inside the room: it sounds like a metaphor for the Madrigals not being able to help Bruno anymore.

The deleted scene. In the "Chores!" deleted scene, Félix talks about a fight Bruno had with the family (possibly even the moment he left the family?). In this scene, Bruno displays actual suicidal tendencies ("I wish I was dead!"), and, when he leaves, his room starts rotting and decaying. This scene was removed in the final movie, because it is clearly too dark for kids, but we have no reason to believe that it is not still canon in the universe, as we can see that his room is actually decaying and falling apart. If a family member tells you they wish they were dead and then disappear leaving no trace, it is not a crazy jump to think they are not still alive, especially considering the next point.

Bruno left behind most of his belongings. We do not know how much stuff Bruno had in the first place, but when he leaves his room after the vision, we do not see him holding a bag (or anything really) and even if it's there, it is definitely not a bag big enough to sustain someone leaving their home for good. The stuff he has in the walls was likely gathered long after his family had stopped searching for him. He also has no money and the social skills of a rat, where was he even going??

The room falling apart. Not entirely sure about this, but I think the characters' rooms reflect somewhat the emotional state of their owners (Isabela's room in What Else Can I Do + if I'm not mistaken, Camilo's room is supposed to change colour based on his mood like a chameleon). This is further demonstrated by the stairs, which had been growing for years before Bruno actually left. This is a bit of a stretch, but I think the family could have seen one of two alarm bells in the decaying room: a) Bruno's room was decaying like him (kinda gruesome, but it makes some semblance of sense); b) it did not change at all for 10 years. I don't think rooms change only when their owner is in them, so Bruno's emotional state supposedly not changing for so long is alarming. But again, this point is the one that convinces me the least.

Dolores. Dolores mentions hearing Bruno in the walls three (3) times, in the movie alone: in We Don't Talk About Bruno, at breakfast ("and the rats talking in the walls") and in All of You. It's been ten years and she still mentions him constantly, so she's probably been talking about it since the very beginning, but no one believed her. So, a child keeps hearing their relative who disappeared without a trace in their family home, without seeing him and with everyone saying it wasn't possible. Logical conclusion? It's a ghost.

The family's reactions to him returning. Alma is the most striking. It takes quite a long time for her shocked face to wear off. Julieta is equally shocked as well, like she'd never expected to see him ever again. It could also be she just didn't expect him to come back. Pepa looks relieved, like she'd been on edge for 10 years and can finally know peace. Why would that be? The fact that he's back does not mean they are going to rekindle their relationship, but it does mean that she gets a new chance to show him she loves him, being the first to run to hug him. Her eyebags also show many a sleepless nights tossing and turning, maybe feeling guilty because she hadn't shown him her love enough and she thought she never could again.

Bonus: "The mountains around the Encanto are pretty tall!" In this scene, after Bruno says this sentence, he makes a weird face, like he's already considered how tall the mountains are and he's trying to understand if Mirabel caught onto that.

[nonsensology]

So I've had these Grunkle Stan crackships on my mind for almost a year now. Could be interpreted as platonic, but I think there's great and fascinating potential if interpreted fully romantic. Full musings and explanations below (Warning: very disjointed and random).

Uncle Chan from Jackie Chan Adventures

Maybe Ford and Stan stumble across the Chans on one of their globe-trotting adventures. Both groups fight off the same supernatural threat and surprise each other with their ease and familiarity with the weird and fantastical.

I feel Uncle is kind of a weird in-between of Ford and Stan. He is knowledgeable but not a nerd like Ford, is generally cranky but doesn't get into trouble like Stan does, although he does have a level of disregard towards authority if it gets in the way of his goals. He's quick to do research instead of impulsively charging into a situation.

I think Uncle's dynamic with Stan would be hilarious. They would argue a lot on how to deal with a threat, but once they agree to work together, they could kick ass. Once he gets past his initial annoyance, Stan would probably enjoy Uncle's quips, even more so when he realizes that Uncle does not say them to be funny, he's just naturally snarky.

Uncle is never shown having any romantic interest or relationships, so I kind of headcanon him as ace, but I think it would be really interesting to see what kind of queerplatonic relationship he and Stan could form.

Jade and Mabel would probably hit it off immediately, and while Jade isn't as studious as Dipper, she also has an enthusiasm for the supernatural so she'd probably get along decently with him. She'd also probably think Stan and Ford are super cool, especially considering their lax attitude toward giving children weapons. Though they do still take the kids' safety very seriously.

Jackie is doubtful of Stan, much like he was with Viper, but seeing Stan look out for the kids would probably endear him a little. Ford might also help ease his worries, and maybe they both could have fun discussion about archeology.

I think Tohru and Soos could get along decently, though Tohru would find Soos' eccentric musings odd at first.

Additionally, Uncle's shop is in San Francisco, practically next door to Dipper and Mabel in Piedmont. The kids would easily visit each other every weekend.

Bruno Madrigal from Encanto

Stan has been to prison in Colombia, so I don't think he'd willingly travel there for fun, and Encanto Valley seems relatively closed off from the rest of the world, so I imagine their meeting is accidental, maybe a result of the Stans getting caught in a storm or something. They stay for a while in the valley while repairing their boat.

Stan might initially be outraged at the idea of the Madrigals not charging anyone for the use of their gifts, but perhaps lightens up when he sees how close-knit the community is. He'd still come up with ways they could show off their powers Mystery Shack style, probably butting heads with Alma in the process, lol. He might encourage Bruno to adapt a more showman-like approach to his seer abilities to make it more presentable and less intimidating.

Bruno and Stan connecting over their shared feelings of isolation from family is definitely what drew me to these two together in the first place. If they ever got serious about their relationship, I can imagine the biggest hurdle would be deciding if they should continue a long-distance relationship, since neither is keen on asking the other to be separated from their family.

Yuuko Ichihara from xxxHolic and Tsubasa: Reservoir Chronicle

Major spoiler alerts for both series. It's been many years since I've read them, and Tsubasa had so many plot twists that even CLAMP (the writers) admitted they were confused by the end result. I also might be misremembering some details, so bear with me. Factoring in the plotlines for both series and Gravity Falls would make for an incredible AU fanfic that I unfortunately am not qualified to write.

Due to Yuuko's shop being in Tokyo, a whole ocean away from Oregon, I like to imagine some timey-wimey space mumbo jumbo allowing Yuuko and Stan to meet in the dream realm. Maybe at some point, Yuuko's shop would obtain a door connecting it to the Mystery Shack.

Stan and Yuuko both have a mischievous side, though Yuuko is generally more reserved. They could start out as drinking buddies, though I imagine Stan would probably favor a light beer, while Yuuko loves sake.

They also both use aliases (it is never revealed what Yuuko's real name is), but Yuuko would likely be upfront about it. As their relationship progresses, Stan would probably feel comfortable telling Yuuko his real first name, even after she tells him the supernatural dangers of giving your real name.

While Stan scams his customers, he generally sells harmless entertainment and trinkets, whereas Yuuko grants wishes and operates strictly on an equivalent exchange basis. To quote the wiki, "All of Yuuko's customers must pay a price in order to grant their wishes, which can be no more or no less than the one demanded, or else harm will come to one's way. She is not one to tell the customer the most direct way to solve their problems because in the end, it can only be solved with that person's own realization and resolution to change themselves... Her abilities are not unlimited and may almost seem like a curse as it appears that she is unable to do anything for anyone or grant any gift (other than feelings) without it becoming a binding transaction." 

When Stan finds out just how powerful Yuuko is, I think he might react with a mixture of hesitation and awe, especially when she reveals she knows about his past, and Ford being lost in the multiverse. I am on the fence on whether Yuuko would use her powers to bring Ford home sooner, or let Stan continue working on the portal because he's already close to completing it and this would be significant in defeating Bill.

I found that the main villain of Tsubasa, Fei Wang Reed, surprisingly parallels Stan. Both endanger reality to bring back someone who is lost, but while Stan does it out of love and devotion to his family, Fei Wang Reed only did it in an arrogant plan to prove himself a powerful sorcerer. And in Fei's case, the person is already dead. CLAMP's universe establishes that the dead cannot be brought back to life, and Fei's wish to do so would cause the universe to be destroyed. I wonder if Bill would factor Fei as part of his plans.

Stan also surprisingly shares a lot in common with Fai D Fluorite. Both use their twin's name (Fai's real name is Yuui), and for much of the series Fai's tragic backstory regarding his twin is unknown, and he hides his trauma under a laid back exterior. I think Stan would empathize a lot with Fai, after he finds out his backstory.

Kimihiro Watanuki is revealed to have been created to fill a void left by Syaoran after the latter wished to turn back time. I remember Watanuki's character arc involved realizing that people cared about him. "Don't disappear", "Continue existing". Stan would probably take Watanuki under his wing, much like he did with Soos. Watanuki might find life with the Pines family far more chaotic than he's used to, but slowly warm up.

Yuuko is revealed to have died a long time ago and has basically been in magical stasis due to Clow Reed's unintentional wish. When time finally moves forward again, Yuuko eventually passes on. She doesn't return in the canon series, but Watanuki is stated to have also suspended his time to wait for her return. In this AU, maybe she reincarnates in the past and reunites with Stan and the Pines in the present day.

[igetthedisneybox]

Beatriz Madrigal

Inspired by @hannahhook7744's Encanto AU, and her own character headcanons.

Third image made using https://picrew.me/en/image_maker/1558575

Fourth image made using https://www.dolldivine.com/la-colombiana

Fifth image made in Disney Dreamlight Valley

Beatriz’s full name is Beatriz Estefanía Madrigal.

Her first name means “traveler” and her middle name means “crown”. 

She is the second child of Mirabel Madrigal and Bubo Marquez.

She greatly resembles her mother, and has her brown skin, nose, and hair. She does have her father’s facial structure. Somehow, she did not inherit either of her parents' need for glasses.

She is seventeen years old.

She has a triplet brother, older by fifteen minutes, Óscar, and a triplet sister, also younger by fifteen minutes, Lidia.

She is uninterested in romance or sex.

Her gift is the ability to tell when someone is lying, and it manifests in a gut feeling. She feels compelled to out the liar, and if she doesn’t, it causes her major anxiety. She’s very mixed on her gift, as it makes people not trust her, but she’s always hated liars anyway, and likes knowing exactly how things are.

Her door portrays her in a position like Dolores’, with one of her hands cupping around her ear, and the other has her fingers crossed.

Her room is a basic bedroom resembling the nursery, with teal walls and a wood floor. There’s a bookshelf for her magazines, a record player, and a miniature stage, with all the instruments she can play. 

Her symbol is a hand with its fingers crossed.

Mirabel loves her daughter, but also thinks that she needs to slow down a bit, and maybe focus on minding people’s business.

Bubo is a Beatriz defender first and foremost. He’d do anything for his baby girl, and if she wants to stick her nose where it doesn’t belong, fine by him.

She loves Óscar despite his gift, and they get along alright.

Lidia annoys her with her very loud personality, but they don’t fight.

She mainly hangs out with Amelia and Princesa, and occasionally Carlos and Leta.

She gets along best with Pepa, Dolores, and Amelia.

She considers herself a “modern woman” and likes to do things and wear fashions from the city.

She likes performing, and can sing, dance, and play several musical instruments.

Sometimes she can lessen the side effects of not outing lies by writing the lies in her notebook. She has a lot of dirt on everyone in there.

Because she can tell when others are lying, she can’t lie herself. It makes her puke.

She’s very nosy, and likes to gossip, which adds to people not liking her very much. She runs what is basically a gossip magazine for the Encanto.

Her favorite colors are teal, turquoise, green, and purple.

[nights-legacy]

Hi there 👋🏽 I was wondering if I could request some headcanons for class 1A & a reader who’s izuku’s twin sibling who goes to a different school and has a power like Julieta Madrigal’s (where they can heal you with the food they cook) maybe they prefer to call their quirk a gift?

Masterlist MHA Masterlist

1A X Midoriya! Reader

• First of all, no one knew at first that Deku had a sister except Bakugou, obviously

• They all found out after the Sports festival. Afterwards, when the students were the only ones really left at the school, they saw Deku meeting with a mint haired girl off to the side. She handed a small pastry that he gobbled right up.

• They asked Bakugo as he passed to leave. He just said "That's Deku's sister, Y/N." Like it was obvious. She passed a pastry to Bakugo as he passed and he took it with no complaint. He nibbled on it as he left.

• What really blew their minds was that Deku took off his arm braces and was completely healed. Before anyone could ask, they began to walk away. 

• It wasn't until the next school day that they could ask any questions.

Y/N Midoriya: Twin sister to Izuku

Hair: Mint shade & Wavy

Eyes: Hazel/ Bright Amber

Quirk: Can heal Many levels of injury with her cooking.

• Prefers baking but can cook great (Maybe even better than Bakugou.)

• Can factor in different levels of healing into whatever it is she cooks, even have no healing built in.

• Was thought to be quirkless until she wanted to make some strawberry brownies for Izuku after he had a run in with some bullies again. He was healed within moments of the first bite.

• Doesn't go to hero school but is working towards a medical degree.

• You started very young referring to your quirk as a gift. Most peoples quirks were either just inconvenient things or were just there or ones that could be considered heroic quirks. There were fewer people that had healing type quirks so you thought of it more of a gift since you could help people in a calmer, safer way that still held up to the Hero's.

After they meet you:

• After your presence is made known, Aizawa did have to have a meeting with your mother because you couldn't always be healing Izuku and no matter how much you didn't like it, you understood. Especially after you met with Recovery Girl.

• The class LOVED you and it wasn't too long before you were an honorary member of Class 1A. You were similar in a way to Izuku. You were adorable and sweet and fiery to a fault. You were a bit more confident then Izuku as well as being less over the top.

• What surprised everyone the most was that Bakugo was more open to you. He was still his normal standoffish self but he didn't go off on you like he did Deku 

• The class also became very protective of you. If there was any threat that they found out near you, they had either Izuku or Bakugou to call you to make sure you're okay.

• And heaven help the person that did hurt you. If your brother didn't get to them first, they had no chance of escaping the rest.

• Izuku always made sure you got to your own school before heading to UA. That became harder when he had to move into the dorms but you were given permission to visit by Aizawa (he hoped it would help keep Izuku in check.)

• Speaking of Aizawa became fond of you too, not that he was going to mention it. He would do anything for you that he would do for his class.

• All Might even was fond of you. After his retirement, you would make him batches of different things that helped with his condition and the pain from it.

• Like we said, you were loved by the class.

• Sato and you would bake together. He would teach you new recipes and vice versa.

• Uraraka and you were fast friends. You were also very appreciative of her for being friends with Izuku. After you found out what over use of her quirk does to you, you made some candies to help with nausea.

• Kaminari, Sero, Todoroki, and Sero knew they could come to you for anything. Like help with homework and studying , if they need someone to talk to, anything really.

• All the guys made sure that Mineta didn't bother you. It took everyone to hold Izuku AND Bakugou back when he tried something the first time. 

• You were friends with everyone in the class but the ones you became closest with outside the two boys was Kami and Ojiro. The three of you have their weird but perfect balance between you. Kami was drawn to you at first because he's Kaminari, come on. He's a flirt but when you showed genuine interest in him and genuine concern when he short-circuited, he let him be himself with you. 

• And Ojiro, how could you not like him. He's so sweet and you two just clicked. Like two peas in a pod. To be honest, the overall exciting energy the class gives off is overwhelming to you. Ojiro's calm disposition is welcoming to you. You both work hard for your goals and support each other through hard times. (Not to mention the small crush you have on the man that Izuku definitely doesn't tease you about incessantly.)

Tag List: @lilparcheesie @dxnaii-rxse @iris-shihabi @l0vely-lee

[wallflowerimagines]

Bruno Madrigal Crush Headcannons

This man has spent a good portion of his life watching his family through walls, hoping and wishing and yearning for their happiness, even if it doesn't involve him.

Meaning? He has a staring problem.

Bruno actually caught feelings for you from a distance. You're just...so nice. Nonjudgmental. It's what drew his gaze to you in the first place, how everyone felt safe to be themselves around you. He didn't even need to interact with you to see how wonderful you are!

...Which is a problem.

Bruno refuses to approach you-- he can't. It's just not possible.

But he will watch you.

He watches the way you smile and laugh, he's hypnotized by the way your hair bounces when you walk, he wants to take his thumb and rub away the little furrow between your eyebrows that shows up when you're reading intently, kiss your lips every time you bite them--

(Or is that too much, hahahahahahahah-- Kill him, someone anyone please please please---)

Bruno is so, so awkward. While Tio Bruno is funny and adoring with his family, as well as hilariously sassy when he wants to be, people outside his social circle are Not Trusted with anything but The Madrigal Manners. Years of being accused of malicious intent makes it difficult for him to be fully himself in public, and the decades of isolation made him forget all the important social cues.

But you? He's exponentially worse around you.

The few times you've actually spoken with Bruno, he was both Supremely Polite and a Tongue Tied Disaster.

He comments on easy, obvious topics, like the weather or the weekend, but he talks so quickly he can't breathe and starts laughing at things that aren't even jokes. He'll open doors for you or pull out your chair, but will trip over the door frame or accidentally tip the chair over and scramble to pick it back up.

You make him a mess. You whip his thoughts so frothy he can barely remember what he's said, let alone focus on putting up a wall. It's incredibly endearing, and it makes his crush on you supremely obvious.

He's had one or two childhood crushes, but it has been literal decades since the last time his heart beat this fast. It was so bad that this idiot (affectionate) literally thought he was having a heart attack the first time you made eye contact with him--Fully clutching at his chest and panicking before darting away to get some help.

There is a certain amount of guilt he feels about his crush. After all, he's not exactly prime husband material. Bruno is acutely aware of how old he is, and there aren't many love stories out there for people his age(a crime imo). "The fifty year old uncle" is usually the creepy antagonist in drama, never a romantic hero. Besides that, there's the matter of his reputation. Even with the rest of the Madrigal family working to repair it, there are still parts of the Encanto that don't like the weird fortune-telling hermit that LIVED IN THE WALLS OF HIS OWN HOUSE FOR SOME REASON.

(....There is also a little bit of guilt of the Catholic variety. His thoughts about you can get pretty spicy late at night. After one of those he can't bring himself to even look at you.)

Bruno won't confess his feelings to you if he can help it. He doesn't think he deserves romantic love, especially not from someone as wonderful as you, and the last thing he wants to do is burden you with his feelings. He's been enough of a burden already. He will try to get over you before he even considers hinting that he likes you.

Unfortunately, Bruno's resolve isn't as strong as he wishes it was.

Every time he tries to suppress his feelings, someone will simply say your name in passing and it's enough to fully divert his train of thought back to how kind you are, how funny, how understanding....

Fantasies have always been a huge coping mechanism for him, but lately, baby you are the star of every. single. one.

Some are realistic: He pictures the two of you hand in hand, walking to the market, and he's somehow managed to be funny and charming enough to make you smile just for him.

Or maybe you have a suitcase packed and ready to leave the village--it's raining of course--and Bruno will run out to you, pull you into a tight embrace and kiss the idea right out of you.

He could live out his childhood dream and be the director of a theater troupe, while you, his newest actor shaking with nerves, ask him to run through your lines together. He agrees, comforts you through your stage fright, and as your practice ends the chemistry between you both is electric enough to crackle. He just knows you'll do great things together...

Bruno is his best self in every fantasy, of course, witty and charming and without a single grain of sand in his hair. Often, in private, he has his rats reenact his favorite daydreams. (Whichever Rat that plays you gets extra treats. It's the most coveted role.)

...Eventually, though, his wistful sighing and blatant eavesdropping on any conversation involving you start to get on his Family's nerves. They've been supportive of his crush--why wouldn't they be, they've met you, you're great!-- but it's also obvious Bruno is going to need a helping hand.

Mirabel in particular gets it in her head to play Cupid after she sees how happy her Tio gets talking about you. She gathers up the youngest generation of Madrigals, and all of them begin conspiring ways to push Bruno into as many situations with you as possible.

Isabella invites you over to help garden, while Luisa gets her Tio to come help her organize where the pots should go. Antonio begs you to play hide and seek with him and his animal friends, and it's not like Bruno can resist his nephew's puppy eyes either. Mirabel brings Bruno along to tell stories to some of the local village kids, and Camilo makes sure you're nearby to see his Tio in his element.

Bruno immediately picks up on the fact that his nieces and nephews are trying to meddle, but he can't find it in himself to get upset about it.

Besides, it's a little hard to think lately when so many of your pretty smiles seem to be directed at him...

...Maybe he has more of a chance than he thought? 💞

[jacarandaaaas]

instagram is bringing back mirabel “princess” discourse for the 483747374637th time

[lala99fb]

Madrigal triplets besides being my faves they also share birthday 17th of October and that day here in Colombia we celebrate the ethnicity day which is so cool considering that all of the triplets even if they are siblings resemble different features and tone skins what is very Colombian if you ask me lol but is also funny that their birthday coincide with this celebration besides the tragic beginning of the thousand days war date. I don’t know but for me was cute sharing this with the Encanto fandom family 🥺🙈😇 it would be nice if we get some Q&A from Jared and beautiful fan arts from this talented fandom.

[tkdrawz]

Some of the TMNT fandom (and, frankly, society) really ain't shit.🤦🏾‍♀️🤦🏾‍♀️🤦🏾‍♀️🤦🏾‍♀️

[From left to right: Princess Fiona (Ogress Form) (Shrek) Eep (The Croods) Gloria (Madagascar) Dijonay Jones (The Proud Family) Luisa Madrigal (Encanto) April O'Neil (TMNT Mutant Mayhem)]

These ladies are female protagonists in their respective franchises. All of them have different body types that contrast from the default thin, petite body type that we're used to seeing. And all of them are BEAUTIFUL! 💖

Three of these ladies became love interests that ended up in healthy relationships with partners who love them for who they are. Also, four of them are women of color. (idk if Fiona counts. While she is green, she started off white so... 50/50? 🤷🏾‍♀️) That part is especially relevant to this post because Twitter got me EFFED UP. I'M ON ONE, ON TWO, ON THREE TODAY!

So the concept art of Mutant Mayhem's April O'Neil was revealed by James A. Castillo, an artist who worked on the movie.

And people are DRAGGING HIM LEFT AND RIGHT! Being disrespectful to both him and April's design. I can tell you right now not even a third of those quotes aren't positive! There is a vast difference between criticism and insults:

💛"I do not like this design. Besides the color yellow and her red/ginger hair, she simply doesn't read as April O'Neil." That's criticism. This expresses disproval of the design without any vulgarities.

💔"Rethink your entire career. "Artist" my ass! This shit is garbage! She looks like she sleeps in a van and smokes so much weed she reeks of it. You failed." That's disrespect. And I don't think I need to tell you why.

Normally, I tend not to discuss such sensitive topics on my blog (religion, politics, discrimination of ANY kind, etc.) for my sanity and out of respect for others with opposing views. But today, I will make an exception.

I would love to include Luisa, who alongside April was mocked and disrespected heavily for her appearance, but I wanted to speak on this matter from the perspective of a plus-sized African American woman. Luisa comes from an completely different background whose culture and standards I am not entirely familiar with. I can't speak on what I don't know. Respectfully.💜

In the black community, women are faced with colorism, texturism, constant comparison, and body image negativity on a daily basis. And a good amount of it comes from our own community! Our shade, our 4C hair, our weight, our attractiveness, our lifestyle! It's brutal out here!😭😭😭

However, in terms of media a plus-sized black girl is seen as ghetto, loud, and undesirable with a side of attitude. The best example I can think of is Dijonay from The Proud Family.

This is the show I grew up on! The theme song, the characters, the Suga Mama, ICONIC! I love Dijonay to pieces, but as I grew up I realize that she was, in some aspects, a negative portrayal. She was always chasing instead of being "the chase". She was a horrible friend to Penny. And she sucumbed to a lot of negative stereotypes with barely any redeeming qualities. And this was very disheartening considering that she was the darkest one in the group. And the heaviest. And as a little chubby wubby in the 2000s with THIS as my representation? I have to give the writers a bit of the side eye. Was she any better in The Proud Family: Louder and Prouder? To that I would say.... meh. I love her in the reboot, but they could do so much more with her in my opinion. I still haven't seen them address the issue of colorism. 👀

While she is not a human, Gloria is voiced by a black woman (Jada Pinkett Smith) and imitates the sass of a black woman so... yeah. She's included. Gloria was persued by two men. One was the suave, flexing hippo Motto Motto. And the other was her friend/neighbor from her childhood Melman. She chose the latter for good reason of course. Now in Madagascar, Gloria wasn't mocked or criticized for her weight. In fact, hippos are known for their weight. However, she was seemingly fetishized for it. By Motto Motto to be exact. And being fetishized is NOT better than being ridiculed.

Unlike Dijonay, April was the chase, a love interest for Leonardo. I admit, I was SHOCKED that she was gonna be persued. Let alone that the writers wanted to try another Turtle/April pairing considering how April and Donnie went...😬. Now her backlash was on a completely different level. One that I wasn't even prepared for....

While Gloria and Dijonay are original characters, Mutant Mayhem's April O'Neil is a different interpretation of the character that has existed since the 80's. The same can be said for the Turtles, Splinter, literally everybody else! Every show and movie for that matter! And with every story, she changes. Design, motivation, relationships/dynamics, even race as of lately. All of it changes. And change isn't bad. In my opinion, it keeps things fresh and interesting instead of spoon feeding us the same story and concepts over and over again. Change challenges us. Change motivates us. However, some people don't like change nor want to accept it and adjust. And that's life. That's just the way it is. But change is necessary in order to progress.

She wasn't bad in the movie AT ALL. I absolutely adored her! And the dynamic between her and Leo wasn't akward or uncomfortable at all. It was handled really well. Ayo Ediberi did an incredible job bringing her to life! (GOD, I loved her in The Bear! Shameless plug lol)

That being said, I understand some of the sensitivity that fans have when a character changes so drastically you can barely recongnize them anymore beyond the bare minimun. (See also Sonic Boom's Knuckles) But the blatant discrimination, rude comments, and the boldness, THE AUDACITY, that some of these nasty Twitter fingers with their dirty fingernails have to type such disrespect to the artist that I can't repeat up here was wild af. Like, I can't believe we have to share a planet with some of them! Uggh!😷(But that's Twitter 24/7 so what's new?) Her and Rise April don't deserve the hate they get. You don't have to like them. Art is subjective. But to insult and harrass the artists and the people who look like the characters, then mask it under the umbrella of "tHaTs mY oPiNiOn" is 🐱. I said what I said. And I will say that shit again.

Also, just because she's black doesn't mean we can't have another white April O'Neil ever again. We know goodness well they could make another iteration of TMNT and make her white if they wanted to. Heck, I encourage them to explore other races and cultures too! New York is full of them! And it's not like all the other versions of April up and vanished. You can watch them anytime on Hulu, Netflix, Paramount Plus, etc.

One more point I'd like to make is that I am an African American woman who is currently on a weight loss journey. As a plus-sized girl, I had incredibly low self-esteem and picked up toxic, unhealthy eating habits from starving myself to overeating BECAUSE I starved myself. Also, I have experienced both sides from being disrespected and made fun of to being complimented and persued. I was at my biggest weight 2 years ago and I have made incredible progress to lose weight since then. People can lose weight. It is achievable! I went to school with some people who were way bigger than me that lost the weight by senior year! Just because she's big in this movie doesn't mean she can't lose weight by the sequel. Like I've said before, it's not wrong to encourage health and fitness!💪🏾 In life, they call this a glow up. A "remember how you treated them in high school" type of comeback. People can, and are allowed to, change. And it's not wrong to embrace your body and the skin you're in. It's all relative!💖

This post isn't to convince you to change your mind. And it won't make the bullies go away. I can't change the world overnight, nor am I trying to. At the end of the day, you're the consumer. It's your choice. Your prefrence. I can't tell you how to think.

I just wanted to spread a bit of awareness that plus sized people exist. And they will always exist. Everyone is deserving of representation in media in all facets. No matter their shape, size, shade, or sexuality. There are so many people from different walks of life who deserve to be seen and on screen. And the amount of visibility for black girls this year alone is amazing! And I want the same for other women of color, too!

Don't let this trash ass society and the people in it who prefer AI/robots over human beings, fake over real, and bad over good tell you otherwise. YOU ARE BEAUTIFUL. YES I AM TALKING TO YOU. YOU ARE AMAZING! YOU DESERVE ALL THE GOOD THINGS IN LIFE AND MORE. YOUR STORY CAN CHANGE LIVES. BEING A GOOD, HARD WORKING PERSON DOES PAY OFF IN THE LONG RUN! YOU ABSOLUTELY MATTER IN THIS LIFE AND THE NEXT. WE SEE YOU. I SEE YOU. AND I ADORE YOU. RAISE YOUR SELF ESTEEM, ADJUST YOUR CROWN, WEAR IT PROUD, AND DO YOUR BEST!

Be good to one another. Take care.

💙 -TK

[miracles-and-butterflies]

New AU

The age/role swap AU.

No significant family changes, as I have decided not to play around with the birth order and the triplets were voted to stay as Alma’s children, so I’ll get right into the changes in character for the grandkids.

(Also, just to say, the triplets’ lives have not changed).

The Warm Siblings:

Dolores (21) takes the role of Alma’s favourite, she is the golden child and considered perfect in all that she does. She is the acknowledged successor to her abuela and one day will become the matriarch for the Madrigals. With such a glorious future ahead of her, a charming fiancé-to-be, and no flaws on her record, life must be nothing short of a dream.

Camilo (19) is easily following in his sister’s shoes. The first grandson afforded him a lot of favour which is only backed up his cheerful and helpful nature. He is considered a brother/father/friend figure to all of the children in town, he jokes that he may know them better than he knows himself. Possibly more than their own families do, he sure does spend a lot of time with them.

Antonio (15) believes he is the disappointment of his siblings. He has no great skills and no magical gift of his own, resulting in him often fading in to the background. He works on a neighbouring farm, helping to tend to the animals, but not even they seem to fully appreciate his efforts. He is currently keeping his fingers crossed that his primita won’t become like him.

The Cold Sisters:

Isabela (21), though the slightly older one, does not receive the same praise Dolores does. Which is understandable, given the fact she is so rarely seen by the public on a day-to-day basis. She spends most of her time in the greenhouse or meeting with the few scientists Encanto has. A true biology enthusiast, she is eager to fuel their research with her plants and botany knowledge.

Luisa (15) is determined and as hardworking, but not to the extent of canon. Her gift is put into use for only the most necessary tasks, primarily construction and mining/geology, both fields she is very passionate about. She admires Isabela for being a woman in a male-dominated industry, using her interests to help grow the community, and longs to be able to do the same.

Mirabel (4) the youngest child of the Madrigal family, soon to be turning five. The hopes are high that her door will not fade like Antonio’s had and that she may be able to serve her community and make her family proud, just like her cousins and sisters. She is full of excited butterflies at the thought of her ceremony; so much so, it makes her feel sick. …That’s normal, right?

[encantobrainrot365]

So I just had an interesting revelation after an exchange of comments with a writer on ao3. Cause I think I finally figured out ✨Dolores✨

I realized that she and Mirabel are pretty similar people. And while some aspects of their lives and circumstances parallel one another, they don’t have quite enough in common to be all that close.

Mainly, their family is the glue that binds them together. So, they love each other, but they don’t know each other very well, or spend a whole lot of time together.

As they pointed out, Dolores doesn’t fully respect Mirabel. Not enough to take her seriously. In fact, it’s quite likely that Dolores pities her.

Yeah her cousin is gift-less and different from everyone else, but at least she has hobbies and free time. At least she doesn’t have to deal with any of the stress and drawbacks that comes with having a magical gift. And Dolores, of all people, would know.

Between the disasters she prevents; the secrets she keeps; the damage control she has to do; her mother’s weather; her struggles with her own gift; her crush on Mariano; and caring for her younger brothers, as she is the eldest sibling; on top of all her anxieties, Dolores has far too much on her mind to worry about Mirabel. She just isn’t a priority nor her responsibility. Pretty similar to Alma in that regard.

It’s not a pretty side of Dolores, but it makes her human. It makes her relatable. She is not perfect, no one is, and we shouldn’t expect her to be.

On the other hand, I think Mirabel sympathizes with Dolores but that won’t stop her from trying to butter her prima up and asking her for favors. She doesn’t really know Dolores and I don’t think she trusts Dolores either, at least not yet, (which is honestly, valid). She also might not see her as a role model, not the way she does for every other woman in their family.

This is made evident in “Waiting on a Miracle,” and “The Family Madrigal” where she expounds upon and sings everyone’s praises but Dolores’s. I don’t think Mirabel knows what Dolores does other than ‘she can hear everything we’re saying.’ We, as the audience have to guess, to infer what Dolores’s role in the community is. Dolores just isn’t someone on Mirabel’s radar.

Again, this is a character flaw for Mirabel; a blind spot that makes her all the more relatable to us. She’s not immune to taking people for granted or overlooking their hard work.

However, even though they’re not close to each other they don’t go out of their way to hurt one another the way Isa and Mirabel do.

Both of them care very deeply about their family and would do anything in their power to make them proud, protect them & make them happy. This is why Mirabel helps Antonio to his door. This is why Dolores goes out of her way to speak up, unprompted, for the first time, to share her honest thoughts and opinions about Bruno.

Someone that she empathizes with. Someone she loves so much, she kept the fact that he was hiding in the walls a secret for ten years! If you consider all of this together, it’s no wonder she blabbed at dinner.

Despite how wrong it was she was operating from a place of stress and anxiety, not malice (like some would assume).

I think during reconstruction for Casita, and without the magic hanging over them, Dolores and Mirabel finally find that report they’ve been missing out on.

The whole family is relearning how to respect one another and truly understand their needs and personal boundaries. To be more proactive in showing how much they love and appreciate one another, instead of leaving things unsaid. They spend more time together actually bonding and listening to one another.

Building a relationship they didn’t know was missing for the past ten years. Just like Mirabel and her sisters. Or Alma and her children and grandchildren. How beautiful is that?

[whencyclopedia]

Music in Golden-Age Florence, 1250–1750: From the Priorate of the Guilds to the End of the Medici Grand Duchy

This book is recommended to academics and musicologists interested in the music of this time period and place. The book is about music in Florence, Italy from 1250-1750, its intended audience ranges from amateur historians to professional musicologists and musicians. The title's blend of historical and musicological information makes it particularly outstanding.

As the title indicates, this book presents the music composed and performed in Florence during its most prolific and productive time: from the Middle Ages to the end of the Baroque. This 500-year time capsule saw Florence as a politically and ecclesiastically dominant city on the Italian peninsula and musically and culturally significant within the European landscape. In the preface, the author, Anthony Cummings, details his approach and presentation of the information within the book, attempting to satisfy the interests of both music amateurs and professional musicologists with his approach and presentation.

Divided into four major sections containing 19 chapters and a conclusion, 500 years of historical and musical history are discussed and intertwined. The first section examines late medieval Florence from roughly 1250 to 1450, known as the Duecento and Trecento periods. Both secular and religious music are covered, along with various buildings and churches within Florence and their influences and important composers. Francesco Landini (d. 1397) is generally considered the major Florentine composer of this time. Influences from French music along with the rise of liturgical polyphony round out this first section. The second section focuses on the politics and music of the early Renaissance known as the Quattrocento period, when the Medici family began its rise to power. Ecclesiastical institutions, sacred music innovations, the Florentine carnival, music and patrons in the Medici establishment, and the Medici in exile round out the topics in this section. The third section discusses the late fourteenth and fifteenth centuries known as the Cinquecento period, describing the rise of the madrigal, the Medici family’s influence, and ties to the papacy, the chanson, the lauda, sacred music and the major musical buildings and composers of the Reformation and Counter-Reformation, and finally a chapter on Medici pageantry. The fourth section covers the Baroque time, roughly 1600 to 1750. The rise of opera and monody along with the influences and personalities that changed musical style from a focus on musical extravagance to a focus on the text and words created a widespread movement across the entire Europe. Other topics discussed include religious and dynastic ritual music, devotional and convivial uses of music, and the pan-Italian and pan-European phases of growth within the operatic medium. The conclusion provides a concise summary of both musical and political Florence during these 500 years.

Anthony Cummings is Professor of Music at Lafayette College who specializes in historical musicology. Cummings has taken on a challenging subject and presented it in a way that tries to balance both general and extremely complex political, ecclesiastical, and musicological information. As a musicologist, I appreciate the level of detail provided in the musical examples and their descriptions; I don’t know whether this type of information can be digested by the amateur reader or historian. I also appreciate how the author has interwoven historical information and musicological descriptions, as well as various personages and composers of importance. The numerous black-and-white images and photographs, along with the color plates, help to balance out the textual and musical examples. Overall, while the attempt by the author is commendable in relation to writing for two different types of audiences, I find the book will probably be more amenable to academics and musicologists than the general public. Given the author’s background, this is probably a successful strategy in the long run.

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