Gatty and 18 please!!
Hi! Thank you so much for sending in this prompt! I'm so sorry that it took me so long to finish! I hope it was worth the wait and that you enjoy it as much as I did writing it! Let me know what you think!
This prompt fill is brought to you by: My own avoidance of the eye doctor (I really need to call I can't see and my contact prescription is expired) and the Barbie Movie Soundtrack Best Weekend Ever Edition.
Thank you for reading, your continued support and the request!
❤️Ally
18. Kiss … as encouragement
“Come on,” said George, boxing Matty in against the kitchen counter, one arm holding onto the lip on either side of him, trapping him with his body, his biceps bulging under the sleeves of his tee shirt. Matty specifically didn’t look at them, and tried very hard not to think about biting them, or George wrapping his hand around his neck, squeezing just the way he liked it with all of his raw masculine power.
George smiled encouragingly as Matty dipped his head, trying desperately to avoid eye contact and slow his racing heart. “You can do it, I believe in you.”
“I can do it,” Matty insisted, looking up at last to jut his chin out in defiance, though he still wouldn’t meet George’s eyes, mentally willing his dick to behave. “I just don’t want to, there is a difference.”
“I think you’re too scared,” said George, putting a teasing lilt into his voice, trying to shame Matty into listening to him. He hated that it was working.
Matty wrinkled his nose in response. “I’m not scared, " he huffed, crossing his arms over his chest, putting a few more inches between himself and George. He was starting to sweat, his body reacting to having George so close, the scent of his cologne filling his nose and making his head spin, his resolve weakening.
George leaned down and pressed a quick kiss to the counter of his mouth. “Then call them.”
It took all of Matty’s willpower not to turn his head and chase George’s lips with his own as he pulled away. His tongue darted out on its own accord, licking his bottom lip as if he would be able to taste George on his skin. George smirked. He knew full well what he was doing to Matty. The bastard.
“I don’t want to,” Matty said, ducking his head again, trying to avoid the onset of kisses that George was pressing to his face. It was hard to stand his ground, every nerve in his traitorous body sparking with desire.
“Because you’re scared,” George teased, kissing his nose.
“I’m not scared I just don’t want to,” Matty argued but his argument was getting weaker and weaker, his willpower crumbling as George continued to shower him in affection.
“Come one, babe,” Said George, kissing his chin. Matty’s knees went weak at the pet name. He loved it when George called him babe. “You can do it, prove me wrong.”
“If it’s such a big deal,” said Matty, purposely ignoring the way George was now kissing his jaw, nipping slightly at the underside. He pretended it wasn’t sending shivers up his spine and making his jeans feel tight. His dick was a traitor. “Why don’t you call them.”
George pulled away and Matty swallowed hard, stifling the whine that threatened to escape his throat at the loss of contact. He refused to let George know how his touch was affecting him.
“Because it’s your eye doctor, and your eye doctor’s appointment,” George said as if Matty was ridiculous for even suggesting it.
“So?” Matty asked, “You can call them for me.”
George pressed his lips to Matty’s, biting at his lower lip, Matty felt his knees buckle, but thankfully George had let go of the counter and was now cupping Matty’s ass, shoving his hand into his back pocket and squeezing as Matty took a step forward, pressing himself desperately against George like a cat in heat, feeling dizzy as his blood rushed south while George licked into his mouth, their tongues tangling.
Suddenly George was taking a step back, letting go, and Matty did whine, the sound high and needy and his cheeks flushed with shame that it was a sound he had just made. If anyone other than George heard he knew he would never ever live it down.
“Call the doctor Matty,” said George, holding up Matty’s iPhone, the one he had just fished out of his back pocket while distracting him with his mouth.
“You fucking bastard,” said Matty breathlessly, reaching up to snatch his phone from George’s hands.
George just snorted. “It’s positive reinforcement,” he said, stepping forward so once again Matty was pinned against the counter. “Call the doctor,” he said, fingers fiddling with Matty’s belt buckle, before pressing the heel of his palm against the bulge in his pants. Matty’s eyes rolled back in his head, and he found himself panting like a desperate teenager at the sensation.
“Fine,” said Matty, squirming, “I’ll call.”
“Good,” said George, pressing one last encouraging kiss to his lips before dropping to his knees. “You better make it quick.”
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Band name, albums, and persona for all of your infamous mcs!! (Or whoever you’d like!!!)
Band name: How did they and the others come up with the band name? Has the name changed since it was founded?
I answered Lala here and Ori here.
Alana: Promised Promises.
Because I like pain, I feel the band name started with Alana and Seven. Essentially, just two young kids promising to be best friends forever (punctuated with their pinkies locked and kissing the other's thumb). Maybe they used to say cute things to each other like: 'Promisies?' (Alana probably started it and Seven fondly, exasperatedly, laughingly jumped into it because it made Alana laugh in turn) 'Are you a promiser?' Or 'I promised promised'. And so the band name came to be. Alana would rather die than change it.
Bethany Josnel: The Notations
No. I feel BJ's band name started the same reason I picked it oocly. It made me think of the Temptations, he's an r&b dude, and he plays the piano, lol.
I imagine people church probably played a lot of soul and OG R&B. Little Seven and BJ walking home from BJ's choir practice (that Seven hung around at) singing 'My Girl' to each other (not yet realizing my girl would mean my guy/my boy in about ten years). I think originally they had considered something more homage like, maybe something similar to the Ruinations (sounds pretty metal) or the Inclinations (they found a thesaurus) -- but maybe the wording 'musical notation' came up in a conversation, or they overheard it, and they looked at each other and new. And so it stuck.
Hiyam: The Vespas.
Yes. And surprisingly it was NOT after Seven left. Very early on the were known as Brimstones (aka Gonepteryx rhamni); Rown and Seven's urge to satisfy Hiyam's obsession with all flying/winged beings and still sound cool (she would rather die than admit it, but Hiyam thinks maybe it's a good thing they didn't go with Flying Squirrels). But it didn't last too long. Partially because people kept getting disappointed at a pop group called Brimstones and partially because people started calling Hiyam Bitches (instead of witch) and Brimstone .... and Seven couldn't fight everyone who insulted her girlfriend, so.
Albums: What are some of the albums the band has released? Are they a consistent style? What themes did they explore?
(Really making me dig up and ponder my notes huh? ;-P)
Lala
First EP was Pitchforks & Torches, First Album Here Kitty Kitty.
P&T was really just a sample of sound. It was eclectic but not messy; it was eclectic in the sense that it was a nod to their origins and each song focused on two or more different band members' strengths. But the flow was good and the song titles followed the band theme. I think the best way to call it was alternate but the folk influences were there.
Then Here Kitty Kitty came out and though it was still alternative, still a bit folky, it veered hard into more an alternative hip hop sound. Though, the genre was different, the base was the same. You can definitely see that highlighting various band members vibe, still feel that twang, and that adventerous yet rebelliously nonchalant (nonchalantly rebellious) vibe of the EP. Their second album self titled DramaWh*re is another turn, away from the alternative and more folk, more twang, more southern. It focuses a bit more on Lala's vocals but not enough to push the band into acoustics land -- they've always been about supporting the group/doing what's best for it. It is a surprise but it's not a surprise.
As stated, there's a rebellious edge to a lot of DramaWh*re's songs. It is about making trouble and having fun, but not letting that overtake you. In the same name of having trouble and making fun, they like to dive into some ~sexiness~. Maybe a bit of spicy, a dip of romance. You can't fuck around without some fucking, after all. So DramaWhore's stuff (as the name implies) tends to be explicit.
Ori
Gains genre/vibe, as I like to term it is, Gympop or Himbro Punk Rock (aka synthpop). And though they've definitely touched into other genres (eletronic, indie pop/rock, pop punk etc), that's their heart. Whether they're singing about summertime sunshine, video games, doing reps, or badly flirting with people at a club, that's the base of their sound -- synthpop ........ and making sure people are having fun. While Lala's fun energy tends to read more let's bungee jump the grand canyon or yolo, let's go on stage half drunk and sing about our ex (daring, messy, a touch cocky); Ori's fun is more bonfire turn beach rave -- do a keg stand and pull out the glowsticks. It's silly, it's goofy, and it's energetic. Honestly, that's not just their vibe but also what they sing about (they probably have a song called glowstick ....)
A lot of their songs is about being down on your luck but still pushing through it: appreciate life, your loved ones, and everything in between. Maybe you're a loser but at least you're still living, dude.
Persona: How does their day-to-day personality compare to their on-stage persona?
Hiyam
Hiyam very much gives off the 'I'm the bitch you married' vibes (never seen gone girl, going off the gifs). And that is just a correct estimation of her personality. She might actually worse off stage? Like ruder. Because you want to beguile them on stage, right? On stage Hiyam is look at the sway of my hips, the turn of my hands, listen to my powerful vocals -- I make you want to come and go. Off stage Hiyam is MOVE BITCH GET OUT THE WAY.
Man, IDK. I'm tired. Personally I don't see them as overly too different. Hiyam struts on stage because she's just as arrogant off. She takes center and allures with her powerful vocals, and she's someone who will tell you what she feels (except if you're Orion) off stage. And because she knows she's the star. All eyes remain on her -- for better and for worse. She's audacious on and off. And she's definitely still a fashionista.
Actually, though, after doing this I really do think she's NICER on stage qwert lmao.
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