you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.
There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.
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saw someone on twitter say "one of the main characters in a loki show should have been thor odinson, not some random Sylvie or Mobius.
...... It's like a written law"
wdyt do you agree
I don't think it was necessary to make Thor a main character in a Loki show, the same way it WOULD be possible to throw together a Thor movie without having Loki be a main focus.
The issue comes in the quality of the narrative itself, and writing that if evidently without intention to care for (whichever) main character's importance will not work out. Neither the Loki series nor Thor 4 cared about the arc, motivations, history, or continuity of the titular characters beyond trying to make the media marketable.
Overall messaging can add a layer to the impact a story will have. Musical score can be a bonus way to control tone or tie a story together. Supporting cast can be vital to tell a good story. Prioritising their presence over anyone's (especially Loki's) characterisation is what the Loki series suffered from, not that other, original-adjacent characters were there.
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I saw my psychiatrist on Wednesday and he seemed pretty embarrassed when I was like "And also the Victorians were right and that womb do be wandering" for about ten minutes discussing the issues I've been having with PMDD-like symptoms among other gynaecological Unpleasantness that have contributed to my overall emotional ~dysregulation, but also like... listen, buddy, I also do not want to be talking to you about this, but unfortunately the fucking thing is strangling my brain for half the month, and my brain is your department.
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HALLEJUAH!! I REMEMBERED HOW TO ACTUALLY FINISH WRITING SOMETHING FOR A CHANGE!!
Of course, it's not any of the fics I wanted to finish. I went back to what is essentially my bread-and-butter now and wrote a short-ish, random OrangeHook fluff. But considering how much writing's been a struggle as of late, I'm just glad that I successfully finished something. I was back in one of those stretches where I couldn't seem to write much of anything. And this fic isn't about their age difference or Hook being a cuddlebug, so...progress?
Unless I decide I completely hate it (which is always a possibility) expect something to drop on Valentine's Day, tis the season, after all.
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