#Tribute to Shankar

[shankerjaikishen-the-unbeatables]

सौ साल पहले हमें तुमपे नाज़ था … आज भी है और कल भी रहेगा !!!

शंकर जी (जयकिशन जी) को उनके जन्मशताब्दी वर्ष पर इन शब्द सुमनों द्वारा विनम्र अभिवादन ! ‘दो भटकते राही – ‘शंकर – जयकिशन’, बंबई मेंआ मिले मंज़िल पर – चंद्रवदन भट ऑफीस, मायानगरी बंबई,दो दिलों की कश्ती आ लगी साहिल पर – ‘पृथ्वी थिएटर्स’,मुस्कुराते जागे एक संग दो मुक़द्दर’ – राज साहब की फ़िल्म ‘बरसात’ में स्वतंत्र संगीत निर्देशन का मौका … फिर … ‘२१ अप्रेल १९४९’ को बंबई के सिनेमा घरों की ओर जानेवाली…

[dhyanshiva]

09.06 | Happy Birthday to the incredible Anoushka Shankar.

I was watching what I like to call the "fam jam" scene of E8 (apparently a bunch of it was cut out. rude) and paused here. Thought it was a sarod, got very excited. Decided to double check and not be overconfident. My excitement doubled.

This was well over a month ago when the piece had its genesis, seeds were planted, call it what you wish.

Cut to earlier this month. The Desi LGBT Fest is announced, I realise day 9's prompt fits far too well. Though I must stress, 'Rise' was not written for the fest in the least.

(make of that what you will, moderators, do with this post what you wish! thank you for organising this all the same!)

Only get to working on this a few days ago.

Become utterly drawn into the world of Hindustani Music and introspect a great deal while I'm at it.

And voila, this takes form.

Should you choose to read, however, please read through all the tags.

Take care and feel free to reach out!

[solis-angelus]

make love all day long

make love singing songs

my heart dances with the tabla taal. Alaap notes of the Raga laughing in the fresh morning air. feet subconsciously springing into practiced action of the Kathak routine. eyes closed, shoulders moving on beat, eyebrows with their bold expressions, wrists twirling in mudras, the echoes of ghungoor jingles drift by as if in a dream.

Dhrupad takes me by storm. A kurti clad Cinderella with her musical prince, dancing endlessly in the empty courtroom, high on the essence of freedom and self-expression, remembered.

The sitar strings with the Jhala approach, their beats picking up, the time is precious, pure and revered. my heart and body's rhythm is one with it's eager spirits.

I laugh in delirium. 2:58. And it plays again.

I could listen to the song all day long. It's a love letter addressed to all the Indian classical music souls, a much needed embrace of reminders, assurances, and forgotten lovers.

[townpostin]

CRPF Personnel Honored at School's Raksha Bandhan Celebration in St. Mary's Jamshedpur

St. Mary’s students tie rakhis on 106 RAF CRPF officers and jawans St. Mary’s School in Jamshedpur extended the traditional Raksha Bandhan celebration to honor CRPF personnel as protectors of the nation. JAMSHEDPUR – St. Mary’s School in Jamshedpur celebrated Raksha Bandhan by having students tie rakhis on the wrists of 106 RAF CRPF officers and jawans. The event transformed the traditional…

[shankarjaikishanfansassnintl]

Tribute to Shankar ji of Shankar Jaikishan by Prof. Ramesh Dutt

[bollywoodirect]

Tributes to one of Hindi cinema’s most celebrated music composers, Shankar Singh Raghuvanshi, on his 37th death anniversary (26/04/1987).

Shankar was one of the genius composers of the famous duo Shankar Jaikishan. Shankar Singh Raghuvanshi with Lata Mangeshkar and Asha Bhosle.

[ludmilachaibemachado]

September 20, 1966 - George taking a self portrait of himself and Pattie with Lakshmi Shankar (on left) and Shambu Das (on right) using a wide angle fish-eye lense at the Taj Mahal in Agra, India. From Martin Scorsese's documentary tribute, "George Harrison Living In The Material World" DVD🪷🪷🪷

Via Facebook🍃

[jsrcreations]

Men's Religion & Spirituality T-Shirts for Every Devotee

Introduction

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Auspicious Ganpati Maharaj: Embrace the blessings of Lord Ganesh with t-shirts featuring vibrant designs of Ganpati Maharaj. These shirts are perfect for festivals or daily wear, reminding us of the remover of obstacles.

Bhole Shankar: Celebrate the majesty of Lord Shiva with designs that capture the spirit of Bhole Shankar. Featuring powerful imagery and mantras, these t-shirts serve as a tribute to the transformative energy of the divine.

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[common-man]

Tribute 836.

Tribute to Writer Indira Parthasarathy 836.

Tribute to Writer Indira Parthasarathy 836. Indira Parthasarathy is indeed a celebrated figure in Tamil literature! His contributions to the literary world are significant, and his ability to weave meaningful narratives has resonated with many readers. Starting as a college teacher and transitioning to drama and writing showcases his versatility and passion for storytelling. His works, including short stories like "Mazai" and "Pasi," reflect deep insights into human emotions and societal issues. Writing for publications like Ananda Vikatan and Deepam allowed him to reach a wide audience and establish his voice in contemporary Tamil literature. It's fascinating how writers like him can leave a lasting impact through their words, bridging tradition and modernity.Won many accolades for his creation .His short stories,articles liked by one and all.He served as college teacher ,involved in Shankar a das swamigal school of drama and retired.He hails from the famous temples surrounded place Kumbakonam .Even though he departed his creations are in front of us.Today i pay tribute to this Legend who has contributed to the tamil literary world. K.Ragavan 23-9-24 Until We meet again next

[mysticalblizzardcolor]

HEY NAATH - Tribute to Ravi Shankar

HEY NAATH - Tribute to Ravi Shankar 

[shankerjaikishen-the-unbeatables]

Tribute to Shanker (Jaikishan) on his 100th birthday

Reproduced and presented by Dr. Padmanabh K. Joshi, writer of SJ book in Marathi. Today is101st Birth Anniversary of a Great Maestro of the Golden Era, Shankarji (Shankar-Jaikishan).Here are some excerpts from an interview of Shankarji with Shri Raju Bharatan, taken few days before his untimely departure. In this interview, one would know his mastery over the music and his dedication: ” Raju…

[dhyanshiva]

8 years of Masaan, 8 years of a heartwrenching set of stories, unforgettable characters and beautiful songs.

It's become one of my go to's and a section of it also came to inspire C3 of DOS. And it's my humble way of paying tribute as I can in doing that, within my very limited scope and means.

What is closure?

[tuneindiaradio]

The Sound of Bollywood: A Tribute to Shankar Jaikishan

Get ready to dive into the timeless melodies of Bollywood as Rajesh Thakur presents "The Sound of Bollywood: A Tribute to Shankar Jaikishan" on Tune India Radio. In this special episode, Rajesh Thakur takes you on a nostalgic journey through the golden era of Hindi cinema

Get ready to dive into the timeless melodies of Bollywood as Rajesh Thakur presents “The Sound of Bollywood: A Tribute to Shankar Jaikishan” on Tune India Radio. In this special episode, Rajesh Thakur takes you on a nostalgic journey through the golden era of Hindi cinema, celebrating the legendary composer duo Shankar Jaikishan, whose music has become synonymous with Bollywood’s classic sound.…

[pooma-today]

The National UN Volunteers-India

Independence day celebration

Mahan Anjanadri Vidya Kendra and PU college, Bangalore, Maharashtra - The UN designated school in India (UNGC ID: 479320)

A Grand Celebration of India's Independence: A Step Towards "Viksit Bharat"

On August 15, 2024, the air around Mahan Anjanadri Vidya Kendra & Anjanadri PU College, Bengaluru, was filled with the vibrant spirit of patriotism as students, teachers, and distinguished guests gathered to celebrate India's 78th Independence Day. As a United Nations designated school (UNGC ID: 479320), the institution stood proud, reflecting the theme of this year’s celebration: Viksit Bharat—a vision of India as a fully developed nation.

The event was presided over by esteemed personalities who have dedicated their lives to the service of the nation. Shri S.T. Kuberaswamy, Chairman of Shri Anjanadri Charitable Trust, led the proceedings with a powerful address that inspired all in attendance. His words resonated deeply, reminding everyone of the sacrifices made by countless Indians to secure the nation’s freedom and urging the younger generation to contribute to India’s growth and prosperity.

Adding to the grandeur of the occasion, Shri Shankar, a retired Border Security Force officer, shared his experiences and reflections on what independence truly means. His heartfelt speech was a tribute to the courage and resilience of the Indian armed forces, who stand as the guardians of the nation’s sovereignty.

Smt. Neerajakshi, Academic Advisor for Police Public Schools in Karnataka, brought a unique perspective to the event, emphasizing the pivotal role of education in nation-building. Her insights underscored the importance of nurturing young minds to lead India into a future of innovation, inclusivity, and excellence.

Social Worker Dr. Prashanth Chakravarthy, known for his tireless efforts towards social welfare, spoke passionately about the need for collective action to achieve the dream of a Viksit Bharat. His address served as a clarion call for unity and community engagement in addressing the challenges facing the nation.

The event was further graced by the presence of Mrs. Rekha Kumbar, the UN Women designate, who lauded the efforts of the teachers and students for their exemplary dedication. Her appreciation was a testament to the institution’s commitment to upholding the values of the United Nations and contributing meaningfully to society.

As the tricolor fluttered majestically in the breeze, the celebration at Tavarekere, Magadi Road, Bengaluru, was a powerful reminder of India’s journey from colonial subjugation to becoming a beacon of hope and progress in the global arena. The day’s proceedings left an indelible mark on all present, reaffirming their resolve to work towards the realization of a truly developed and empowered India.

[whileiamdying]

A Raga Renaissance Flowers in Brooklyn

From left, Shiva Ghoshal, Arun Ramamurthy, Jay Gandhi and David Ellenbogen of Brooklyn Raga Massive jamming at Pioneer Works in Brooklyn.Credit...Loren Wohl for The New York Times

By Vivien Schweitzer March 24, 2016

The jeweled raiment and serene kohl-rimmed eyes of Saraswati, the Hindu goddess of knowledge, music and the arts, were projected on a screen behind the stage one recent evening at Pioneer Works, the exhibition and performance space in Red Hook, Brooklyn.

With an ensemble that blended Western instruments and traditional Indian ones, the tabla and sarod, two vocalists — Roopa Mahadevan, wearing a glittery silver sari, and Haleh Kilmer, in dark jeans and boots — sang selections including a tribute to the goddess rendered by Ms. Mahadevan in the haunting melismatic style of southern India. The evening celebrated Indian female cultural figures as well as the female members of the Brooklyn Raga Massive, a dynamic nonprofit collaborative formed in 2012 with a mission to expose new audiences to Indian classical music.

Such weekly events, held in spaces around the city, highlight different elements of the raga, the backbone of Indian music, and conclude with lively late-night jam sessions in which any musician who observes the house rules is welcome to participate. The Massive’s free-floating operations are a vital part of a flowering of Indian music in New York.

On April 6, the collective will offer a birthday tribute to Ravi Shankar, the influential sitar player who collaborated with Western musicians including the violinist Yehudi Menuhin and the flutist Jean-Pierre Rampal. Mr. Shankar’s impact led The New York Times in 1966 to declare that the raga was “becoming a rage in America,” although it deemed it a “curious fad.” The Massive refers to its current contemporary movement as a raga renaissance.

Yet according to Par Neiburger, the artistic director of the World Music Institute, the Massive is unusual in that, in contrast to the top-down traditionalist approach of most Indian musical organizations, with fierce loyalty to individual teachers and a strict guru-disciple hierarchy, its structure is free-form and democratic.

“There is a lot of improvisation in Indian classical music,” Mr. Neiburger said. “But the basic forms lend themselves to a tradition that is kept intact and hasn’t really been modernized in any extreme way.”

Anoushka Shankar, the sitar-playing daughter of the renowned sitarist Ravi Shankar, who plans an American tour in April to promote her new album.Credit...Simon Scheuller

Recent events presented by the Massive at Pioneer Works, where the collaborative is in residence until April 27, have included explorations of the Hindustani music of northern India; Indian film and dance; a collaboration with African musicians like the Malian singer Awa Sangho; and a tribute to George Harrison and the Beatles. Coming events include an exploration of Carnatic music, the idiom of southern India, on Tuesday, March 29, and, on April 13, a lineup mixing Cuban rhythms with raga melodies.

The Massive has also explored the influence of Indian music on prominent Western classical composers like Terry Riley, performing his “In C,” a Minimalist work from 1964, last year at the Rubin Museum; a recording on the Northern Spy Records label is due out later this year. In a concert in September at Le Poisson Rouge in Greenwich Village, it will celebrate the birthday of John Coltrane, who was fascinated by Indian music.

As the central element of Indian music, the raga originated with the ancient Vedic hymns sung in Hindu temples and is intended to create a trancelike spiritual mood. (The word, derived from Sanskrit, translates as “passion” or “color.”) It is composed from scales with ascending and descending patterns that form a melodic framework for improvisation and is associated with seasons, moods and events. Ragas open with an introspective prelude called the alap (performed without percussion) that evolves into a rhythmically invigorating section with percussion that often features virtuoso solo segments.

Ragas are largely monophonic, incorporating drones created by instruments like the tanpura, a long-necked plucked string instrument.

A spellbinding concert presented in February at the 92nd Street Y by the World Music Institute illuminated the Carnatic genre at its most sublime. The violinist L. Subramaniam (whose father, V. Lakshminarayana, expanded the role of the violin in the Carnatic tradition from background to solo instrument) joined his son, Ambi Subramaniam, also a violinist, for a mesmerizing performance.

Gentle wisps of melody shared by the two men slowly unfolded over a drone before morphing into a flurry of imaginatively ornamented, virtuosic riffs. When they were joined by two percussionists (Mahesh Krishnamurthy on the mridangam and Ravi Balasubramanian on the ghatam), the music reached ecstatic heights.

Anoushka Shankar, the daughter of Mr. Shankar and a sitar player who both performs classical Indian music and a fusion incorporating other influences, said in an interview that the traditional music in its pure form is struggling in India, where Bollywood and fusion music promoted by the Indian television series “Coke Studio @ MTV,” are popular. “It’s hard to compete in a short-sound-bite-driven market when a form of music is by nature about a slowly unfolding genre,” said Ms. Shankar, who plans an American tour in April timed to the release of her new album, “Land of Gold.”

The violinist L. Subramaniam, who performed recently at the 92nd Street Y.

In the United States, Mr. Neiburger of the World Music Institute said, Indian classical music tends not to have “the broad appeal that some other world music genres might have, such as Brazilian music, fado and flamenco.” So the Massive teams up with others eager to attract new American listeners, like the Biryani Boys, a duo consisting of the tabla player David Freeman and the sitar player Mustafa Bhagat who also produce YouTube videos infused with hipster humor and featuring prominent Indian musicians.

On Saturday, April 2, at the Metropolitan Museum of Art, New Yorkers will have the chance to hear some of India’s most prominent musicians. Amjad Ali Khan will perform with his sons, Amaan and Ayaan Ali Khan, the seventh generation of a family of musicians who play the sarod, a long-necked lute prominent in classical northern Indian music.

Many of the Massive members perform Indian classical music in its pure form as well as experimenting with various fusions. An afternoon performance at the Met this month by the sitar player Neel Murgai and the tabla musician Sameer Gupta proved riveting, the soulful alap building in intensity to the colorful fast section called the jhalla.

In a contemporary music scene characterized above all by crossing and blurring genres, it’s possible to find all kinds of collaborations. Mr. Gupta and Mr. Murgai also perform with the violinists Arun Ramamurthy and Trina Basu, both trained in the Carnatic tradition, and the Western-trained cellist Marika Hughes as the Neel Murgai Ensemble. It performs what it describes as “raga chamber jazz,” a blend of Indian forms with everything from Tuvan throat singing to Roma tunes.

Ms. Basu also plays with the cellist Amali Premawardhana, the bassist Perry Wortman and the tabla player Roshni Samlal in the ensemble Karavika, which specializes in a soulful blend of classical and folk traditions from the United States and India.

The Massive members are proud of their open-minded outlook. “New forms are being created that are indigenous to Brooklyn,” Mr. Murgai said. As for the collective’s future goals, Mr. Gupta points out in a lighthearted Massive video that Pioneer Works is not far from the Statue of Liberty in New York Harbor.

“I have a dream,” he said, “that one day the statue won’t have a book and a torch but will have a sitar and a tabla.”

A version of this article appears in print on March 27, 2016, Section AR, Page 12 of the New York edition with the headline: A Raga Renaissance Flowers in Brooklyn.

[bollywoodirect]

Paying tribute to the Indian Sitar Maestro, Pandit Ravi Shankar, on his birth anniversary today (07/04). In this photo, he is pictured with George Harrison of The Beatles.