#Uno Akira

[wh0-is-lily]

'Hello Sadness,' by illustrator Uno Akira, 1960s

[anamon-book]

すばらしい雲 フランソワーズ・サガン、朝吹登水子＝訳 角川文庫 カバー＝宇野亜喜良

[jgthirlwell]

WAVES : Currents in Japanese Graphics show at Japan House in London. In this post are works by Uno Akira, Yamaguchi Harumi, Shichinohe Masaru, Terada Katsuya, Saito Yusuke, Urya Taro, Yukushita Mayu, Suzy Amakane, Yumura Teruhiko, Shiriagari Kotobuki, Yoshioka Rina, AC-bu, Jenny Kaori, Utsonomiya Nao, Yokoyama Yuichi, Kusuriyubi Sasaku, Ushiki Masanori, Face Oka, Tomozawa Kotao, Kakuda Mayu, Jun Oson, Takagi Makito, Takei Chika, Tanaami Keiichi (x3) and Sorayama Hajime (X2)

[xinu1941-1966]

illustration：宇野亞喜良 AQUIRAX / akira UNO

2006

#illustration #宇野 亜喜良 #AQUIRAX #akira UNO #japan #宇野 亞喜良 #art #宇野亜喜良 #宇野亞喜良

[kitsunetsuki]

Akira Uno - Reiko Aso (1968)

[2001hz]

Akira Uno: '愛奴の系譜」ポスタ' genealogy of the lover poster (1967)

[holespoles]

Akira Uno

宇野亜喜良

[mn3m0s1n3s]

"Nochi no Tsuki Nochishitenaraba Yaseotoko (haiku)" by Akira Uno. 2020.

[bryqe]

artist: aquirax uno ✩

[nobrashfestivity]

TOKYO ILLUSTRATORS SOCIETY THE 1st.EXHIBITION

illustrations by Tadahito Nadamoto, Kiyoshi Awadu, Akira Uno , Yosuke Onishi, Hjime Sorayama, Toshio Saeki , Eiizin Suzuki, Keiichi Tanaami , Hiroshi Nagai and more… Tokyo Illustrators Society 1989

[chupachups]

The Spiritual Tarot by Akira Uno

[wh0-is-lily]

THE SPIRITUAL TAROT (1934) Illustrated by Aquirax Uno

[anamon-book]

てろてろ　野坂昭如 新潮文庫 カバー＝宇野亜喜良

[mariogman25]

The Player is distracted, spending their hard earned tokens on some stuff in The Inventory.

(Source)

[xinu1941-1966]

恋する魔女　作：立原えりか　絵：宇野亞喜良

illustration：宇野亞喜良 AQUIRAX / akira UNO

#illustration #宇野 亜喜良 #AQUIRAX #akira UNO #japan #宇野 亞喜良 #art #宇野亜喜良 #宇野亞喜良

[polaroid240]

80s Akira but when he fuses with Amon, he still has his walkman on so it becomes part of him, too.

This walkman looks completely normal on the outside, but if you open it, you can see bits of living flesh fused with mechanical components. It's so scary that Akira won't let anybody touch it, but that's not the only reason. He doesn't know why, but he feels lost and weak if he can't feel the machine close to his body at all times.

The machine reveals its true nature only when Akira transforms into a devilman, really. As a matter of fact, it immediately merges with Akira's flesh around one of his thighs, except for some basic buttons like fastforward, rewind, eject and stop. As long as Akira puts a real tape inside his walkman-leg, he can modify the music on it and go berserk until the tape reaches the end of a side.

Yeah, I love thinking of Akira as a scary 80s Starlord that fights demons while listening to cool beats. Akira can't do it for long while in his devilman form tho, because the walkman is now powered by his own blood. Better kill those demons fast my man, unless you want to turn human again and probably die! Whoopsie.

On a lighter note, the walkman is able to change a tape's content even in its safe mundane form- so Akira totally sells high quality bootlegs to support himself. (he doesn't want to be a burden to his family or even Miki's).

Ryo is the one who does the dirty job tho. To be honest, it was probably Ryo's idea in the first place. The world is ending, so who cares, right? Might as well buy a few more drinks before it's all over.

If Akira gives you a mixtape for free, you have to listen to it because he must really love you a lot. (Ryo will regret this)

Thank you for coming to my TedTalk.