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#Using the lawyer for protection
nashvillethotchicken · 7 months
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A subtle way you can tell lestat is very selfish and ignorant about race, especially in ep 6 is that he said that they'd go to Argentina, a country which at the time was explicitly looking for white Europeans (including n*zis) to move there after spending decades pushing their black and Indigenous populations to the fringes of society to whiten up the country
#amc iwtv#iwtv#interview with the vampire#lestat de lioncourt#like i dont think hes doing it on purpose#i think he saw somewhere that takes Europeans and he sees claudia and louis as extensions of himself so if he'll be welcomed they'll be too#like i genuinely dont think he thought of moving somewhere that wasnt as segregated for the sake of louis or claudia#and to give the barest of credit. there wereny many places they could both go#lestat isnt allowed in europe cus of armand and them and louis and claudia cant move unencumbered through most of the us bc of segregation#like the only place they could go in the us at the time as an interracial family is ohio (only state with intteraccial marriage in 1940)#and they couldnt even be out there#so i understand leaving the country but picking a place that is already pushing its black population further into the fringes#is just another way to control the movements of louis and claudia. even if lestat doesnt realise or have that intent#like if they decide to leave him when theyre in Argentina theyre literally boned. especially in the 40s when all the n*zis are coming#and tou can see this in other parts of their relationship. like lestat is ok taking louis' to operas where louis has to be a valet to get in#he says that their money had protected them from legal backlash for being gay but not really for louis being black#lestat not getting the multiple microagressions from the lawyer#hell lestat even says “if he had offended you i would have killed him”. implying he doesn't believe that louis had a right to be offended#like lestat is ignorant to race especially in the american context and especially especially in other countries#hes white and french. they invented racism like there is a non 0 chance he saw saarah baartman displayed in a traveling circus in france#like i dont think he is outwardly racist like the alderman or tom but hes ignorant as hell.#he probably didnt see his first black person until he was 25
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sentimentalslut · 4 months
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just sent an email to the district attorney where a typo resulted in me calling it the 'cunty department of human services' instead of county
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puzzledemigod · 1 year
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So let me get this right
Edgeworth had a quarter of life crisis, went to Europe to find himself, realised Phoenix gave his life meaning, and came back ready to confess.
Meanwhile Phoenix, who used to openly admire, be worried about and even give excuses to Edgeworth even when he was kinda mean, was so personally offended by how much it hurt him to think he was dead that when he came back Phoenix completely shut down every good emotion he felt towards him and started acting like a petty teenager with a grudge.
And now Edgeworth is the one reaching out and questioning his morality and acting hurt when Phoenix is mean to him. Interesting.
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alynnl · 1 year
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I've been thinking about AA4 era Phoenix (Beanix, if you will) - and the theory that he distanced himself from his friends from the original trilogy so that they wouldn't get caught up in the web of Kristoph Gavin's conspiracies.
It's a nice theory, but I have one objection.
Does Phoenix Wright really believe his friends to be so incapable of defending themselves?
With Maya and Pearl I guess it's understandable. They almost got caught up in their own family's plot in AA 2 and 3 so maybe it's best they're well out of it.
I guess you could include Larry with the Fey girls in the "for the best he's not involved" category, since he probably would be unlucky enough to truly be in danger (if Kristoph took any interest in him, that is.)
But then we get to Edgeworth. And by extension, Gumshoe (possibly Kay) and Franziska.
Edgeworth and his whole team have proven themselves to be very capable of holding their own, and helping Phoenix solve cases when he couldn't do it alone. AA2 and 3 show Edgeworth, Gumshoe and Franziska coming through when it really counts, and Phoenix is grateful for their assistance.
On top of that, the Investigations games show Edgeworth taking down multiple corrupt people, making me believe he'd be more than a match for Kristoph if they did face off.
Edgeworth vs. Kristoph would have been a great logic chess sequence if it actually happened.
There's only one way to explain Edgeworth's absence from AA 4, and that's him being out of the country during the Zak Gramarye trial and the subsequent fallout. And perhaps one of Phoenix's regrets was not taking the time to contact Edgeworth and ask his advice before the trial started.
Maybe my bias towards him is showing, but I feel like that trial would've gone differently if Edgeworth was there instead of Klavier. Perhaps it was a coincidence, or maybe it was by design, but we'll probably never know for sure.
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#had to serve jury duty for the first time and people are dramatic but it’s not that bad! like if it’s not a hardship it’s whatever#but the case involved a convicted felon allegedly having possession of a gun and ammo which is illegal in my state#and a handful of men (only ever men huh) got tossed for saying they believe so strongly in 2A that this particular law is not one they feel#they can abide by. because despite the prior felony they believe people should still have a right to a gun#and so the lawyers and judge would always ask everyone else on the panel if they will abide by/make judgements based on laws as is#even if they don’t believe in the law#and guyssss if ending Roe taught me anything it’s that laws can fucking change and quite possibly for the great bad!#I didn’t bring this up because I knew I was getting booted for ACAB vibes but it helped me understand that one day you might actually have#to break a law to save a life. laws can be fucking bad and morally you have to do what you have to do#idk maybe this is a dumb epiphany and I’m late but I’ve thought about it a lot#also. a few years ago I would’ve hated these 2A dudes but after ~the world I don’t anymore#I mean we have a real fucking problem with guns no shit and the laws don’t even try to regulate#but aye you might need to protect yourself from the protectors one day and maybe we can change the culture of guns#instead of whatever I used to think#anyways I have a bit of a moral dilemma ab not actively trying to be picked but having to lie about trusting cops wasn’t gonna be it for me
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hypoxia-ofthe-heart · 1 month
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In other news I have decided to go to law school. Please send help.
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legalfirmindia · 5 months
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Data Protection: Legal Safeguards for Your Business
In today’s digital age, data is the lifeblood of most businesses. Customer information, financial records, and intellectual property – all this valuable data resides within your systems. However, with this digital wealth comes a significant responsibility: protecting it from unauthorized access, misuse, or loss. Data breaches can have devastating consequences, damaging your reputation, incurring…
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fanaticsfiction · 8 months
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Authors Convinced Fanfic is Illegal/Requires Permission
Terry Goodkind: “Copyright law dictates that in order for me to protect my copyright, when I find such things, I must go out and hire lawyers to threaten these people to make them stop, and to sue them if they don’t.”
John Scalzi: “Let's remember one fundamental thing about fanfic: Almost all of it is entirely illegal to begin with. It's the wild and wanton misappropriation of copyrighted material”
Diana Gabaldon: “OK, my position on fan-fic is pretty clear: I think it���s immoral, I know it’s illegal, and it makes me want to barf whenever I’ve inadvertently encountered some of it involving my characters.”
Robin Hobb: “Fan fiction is like any other form of identity theft. It injures the name of the party whose identity is stolen.”
Anne Rice: “I do not allow fan fiction. The characters are copyrighted. It upsets me terribly to even think about fan fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes.”
Anne McCaffrey: “there can be no adventure/stories set on Pern at all!!!!! That's infringing on my copyright and can bear heavy penalties…indiscriminate usage of our characters, worlds, and concepts on a 'public' media like electronic mail constitute copyright infringement AND, which many fans disregard, is ACTIONABLE!”
Chelsea Quinn Yarbro: “No. Absolutely not. It is also against federal law.”
Lynn Flewelling: “Whether you are writing about Seregil or Fox Mulder or Sherlock Holmes, if you do not have legal permission from the author, their estate, or publisher, then you are violating US copyright law. It is creative piracy. Doesn't matter how many disclaimers you put on, or if you're being paid. It. Is. Illegal.”
Someone Else, elaborated in the notes
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kittyprincessofcats · 8 months
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ICJ Ruling
Okay, let's get into this.
First of all, I get the frustration at the court not ordering a ceasefire. I was disappointed and frustrated at first too, since a ceasefire was the biggest and most important preliminary measure South Africa was requesting - and of course we just all want this horror to finally end for the people in Gaza. So I get the frustration and disappointment, I really do.
However, I do think this ruling is still a major win for South Africa, Palestine, and international law as a whole and here's why:
The court acknowledged that it has jurisdiction over this case and completely dismissed Israel's request to throw out the case as a whole. It will now determine at the merits stage (that will probably take years) whether Israel is actually commiting genocide.
The court acknowledged that Palestinians are a "distinct national or ethnic group and therefore deserving of protection under the genocide convention". Pull this out next time someone tells you "there's no such thing as Palestinians, they're all just Arabs".
The court acknowledged very unambiguously that "at least some" of Israel's actions being genocidal in nature is "plausible". South Africa has a case, officially. Israel is accused of genocide, in a way the ICJ deems "plausible", officially. This is huge. (And seriously, how freaking satisfying was it to hear all of those genocidal statements by Israeli politicians read out loud and used as justification for this rulling?)
The court might not have ordered a "ceasefire" in those words, but they did order Israel to "immediately end all genocidal acts" (which includes killing and injuring Palestinians) and submit proof that they actually did. How are they going to comply with this ruling without at least severly reducing or changing what they're doing in Gaza?
In fact, this wording might actually be more appropriate for a genocide (vs a war), as author and journalist Ali Abunimah notes on Twitter:
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He's completely right. Israel lost today, by overwhelming majority (I mean, 15 to 2? I heard people predict the rulings would be very close, like 9 judges vs 8, but instead we got 15 to 2 (and even 16 to 1 on the humanitarian aid). Holy shit.) The court disimissed almost everything Israel's side of lawyers said, while acknowledging that South Africa's accusations are "plausible".
And this is important especially because of Mr Abunimah's second tweet there^. Because the question is, where do we go from here?
This ruling means that Israel is officially /possibly/ commiting genocide and that should have huge international consequences. The rest of the world now HAS to take these accusations seriously and stop arming and supporting Israel - and if they won't do it on their own, we, the people, have to make them. This is THE moment to rise up all around the world, especially in the countries most supportive of Israel (the US, the UK, Germany): Protest, call your representatives and demand a ceasefire and an end of arms deliveries to Israel.
We now have a legal case to back our demands: If Israel is, according to the ICJ, "plausibly" commiting genocide, then all of our governments are, according to the ICJ, "plausibly" guiltly of aiding in genocide. And we need to hold that over their heads and demand better. We need to do that right now and in huge numbers. Most politicians only care about themselves and saving their skin. We have to make them realize that they could be accused of aiding in genocide.
(As a German, I'm thinking of Germany here in particular: After South Africa's hearing, our government dismissed their case as having "no basis" - how are they going to keep saying that now that the ICJ officially thinks otherwise? Over the last months, people here have been arrested at protests for calling what's happening in Gaza a genocide. How are the police supposed to legally keep doing that now that the ICJ has officially deemed this accusation "plausible"? I used to be scared to use the word "genocide" at protests or write it on my protest signs - not anymore, have fun trying to arrest me for that when the ICJ literally has my back on this one 🖕🏻.)
So yeah - don't be defeatist about this, don't let Israel's narrative that they "won" (they didn't) take over. This might not be everything we wanted, but it's still a good result. Don't let what the court didn't say ("ceasefire"), distract you from the very important things that they did say. Let this be your motivation to get loud and active, especially if you live in any country that supports Israel. Put pressure on your governments to not be complicit in genocide, you now officially have the highest international court on your side.
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withbriefthanksgiving · 11 months
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The director of the New York Office of the High Commissioner for Human Rights of the UN (UN OHCHR), Craig Mokhiber, has resigned in a letter dated 28 October 2023
the resignation letter can be found embedded in this tweet by Rami Atari (@.Raminho) dated 31 October 2023.
The letters are here:
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Transcription:
United Nations | Nations Unies
HEADQUARTERS I SIEGE I NEW YORK, NY 10017
28 October 2023
Dear High Commissioner,
This will be my last official communication to you as Director of the New York Office of the High Commissioner for Human Rights.
I write at a moment of great anguish for the world, including for many of our colleagues. Once again, we are seeing a genocide unfolding before our eyes, and the Organization that we serve appears powerless to stop it. As someone who has investigated human rights in Palestine since the 1980s, lived in Gaza as a UN human rights advisor in the 1990s, and carried out several human rights missions to the country before and since, this is deeply personal to me.
I also worked in these halls through the genocides against the Tutsis, Bosnian Muslims, the Yazidi, and the Rohingya. In each case, when the dust settled on the horrors that had been perpetrated against defenseless civilian populations, it became painfully clear that we had failed in our duty to meet the imperatives of prevention of mass atrocites, of protection of the vulnerable, and of accountability for perpetrators. And so it has been with successive waves of murder and persecution against the Palestinians throughout the entire life of the UN.
High Commissioner, we are failing again.
As a human rights lawyer with more than three decades of experience in the field, I know well that the concept of genocide has often been subject to political abuse. But the current wholesale slaughter of the Palestinian people, rooted in an ethno-nationalist settler colonial ideology, in continuation of decades of their systematic persecution and purging, based entirely upon their status as Arabs, and coupled with explicit statements of intent by leaders in the Israeli government and military, leaves no room for doubt or debate. In Gaza, civilian homes, schools, churches, mosques, and medical institutions are wantonly attacked as thousands of civilians are massacred. In the West Bank, including occupied Jerusalem, homes are seized and reassigned based entirely on race, and violent settler pogroms are accompanied by Israeli military units. Across the land, Apartheid rules.
This is a text-book case of genocide. The European, ethno-nationalist, settler colonial project in Palestine has entered its final phase, toward the expedited destruction of the last remnants of indigenous Palestinian life in Palestine. What's more, the governments of the United States, the United Kingdom, and much of Europe, are wholly complicit in the horrific assault. Not only are these governments refusing to meet their treaty obligations "to ensure respect" for the Geneva Conventions, but they are in fact actively arming the assault, providing economic and intelligence support, and giving political and diplomatic cover for Israel's atrocities.
Volker Turk, High Commissioner for Human Rights Palais Wilson, Geneva
In concert with this, western corporate media, increasingly captured and state-adjacent, are in open breach of Article 20 of the ICCPR, continuously dehumanizing Palestinians to facilitate the genocide, and broadcasting propaganda for war and advocacy of national, racial, or religious hatred that constitutes incitement to discrimination, hostility, and violence. US-based social media companies are suppressing the voices of human rights defenders while amplifying pro-Israel propaganda. Israel lobby online-trolls and GONGOS are harassing and smearing human rights defenders, and western universities and employers are collaborating with them to punish those who dare to speak out against the atrocities. In the wake of this genocide, there must be an accounting for these actors as well, just as there was for radio Mules Collins in Rwanda.
In such circumstances, the demands on our organization for principled and effective action are greater than ever. But we phave not met the challenge. The protective enforcement power Security Council has again been blocked by US intransigence, the SG [UN Secretary General] is under assault for the mildest of protestations, and our human rights mechanisms are under sustained slanderous attack by an organized, online impunity network.
Decades of distraction by the illusory and largely disingenuous promises of Oslo have diverted the Organization from its core duty to defend international law, international human rights, and the Charter itself. The mantra of the "two-state solution" has become an open joke in the corridors of the UN, both for its utter impossibility in fact, and for its total failure to account for the inalienable human rights of the Palestinian people. The so-called "Quartet" has become nothing more than a fig leaf for inaction and for subservience to a brutal status quo. The (US-scripted) deference to "agreements between the parties themselves" (in place of international law) was always a transparent slight-of-hand, designed to reinforce the power of Israel over the rights of the occupied and dispossessed Palestinians.
High Commissioner, I came to this Organization first in the 1980s, because I found in it a principled, norm-based institution that was squarely on the side of human rights, including in cases where the powerful US, UK, and Europe were not on our side. While my own government, its subsidiarity institutions, and much of the US media were still supporting or justifying South African apartheid, Israeli oppression, and Central American death squads, the UN was standing up for the oppressed peoples of those lands. We had international law on our side. We had human rights on our side. We had principle on our side. Our authority was rooted in our integrity. But no more.
In recent decades, key parts of the UN have surrendered to the power of the US, and to fear of the Israel Lobby, to abandon these principles, and to retreat from international law itself. We have lost a lot in this abandonment, not least our own global credibility. But the Palestinian people have sustained the biggest losses as a result of our failures. It is a stunning historic irony that the Universal Declaration of Human Rights was adopted in the same year that the Nakba was perpetrated against the Palestinian people. As we commemorate the 75th Anniversary of the UDHR, we would do well to abandon the old cliché that the UDHR was born out of the atrocities that proceeded it, and to admit that it was born alongside one of the most atrocious genocides of the 20th Century, that of the destruction of Palestine. In some sense, the framers were promising human rights to everyone, except the Palestinian people. And let us remember as well, that the UN itself carries the original sin of helping to facilitate the dispossession of the Palestinian people by ratifying the European settler colonial project that seized Palestinian land and turned it over to the colonists. We have much for which to atone.
But the path to atonement is clear. We have much to learn from the principled stance taken in cities around the world in recent days, as masses of people stand up against the genocide, even at risk of beatings and arrest. Palestinians and their allies, human rights defenders of every stripe, Christian and Muslim organizations, and progressive Jewish voices saying "not in our name", are all leading the way. All we have to do is to follow them.
Yesterday, just a few blocks from here, New York's Grand Central Station was completely taken over by thousands of Jewish human rights defenders standing in solidarity with the Palestinian people and demanding an end to Israeli tyranny (many risking arrest, in the process). In doing so, they stripped away in an instant the Israeli hasbara propaganda point (and old antisemitic trope) that Israel somehow represents the Jewish people. It does not. And, as such, Israel is solely responsible for its crimes. On this point, it bears repeating, in spite of Israel lobby smears to the contrary, that criticism of Israel's human rights violations is not antisemitic, any more than criticism of Saudi violations is Islamophobic, criticism of Myanmar violations is anti-Buddhist, or criticism of Indian violations is anti-Hindu. When they seek to silence us with smears, we must raise our voice, not lower it. I trust you will agree, High Commissioner, that this is what speaking truth to power is all about.
But I also find hope in those parts of the UN that have refused to compromise the Organization's human rights principles in spite of enormous pressures to do so. Our independent special rapporteurs, commissions of enquiry, and treaty body experts, alongside most of our staff, have continued to stand up for the human rights of the Palestinian people, even as other parts of the UN (even at the highest levels) have shamefully bowed their heads to power. As the custodians of the human rights norms and standards, OHCHR. has a particular duty to defend those standards. Our job, I believe, is to make our voice heard, from the Secretary-General to the newest UN recruit, and horizontally across the wider UN system, incisting that the human rights of the Palestinian people are not up for debate, negotiation, or compromise anywhere under the blue flag.
What, then, would a UN-norm-based position look like? For what would we work if we were true to our rhetorical admonitions about human rights and equality for all, accountability for perpetrators, redress for victims, protection of the vulnerable, and empowerment for rights-holders, all under the rule of law? The answer, I believe, is simple—if we have the clarity to see beyond the propagandistic smokescreens that distort the vision of justice to which we are sworn, the courage to abandon fear and deference to powerful states, and the will to truly take up the banner of human rights and peace. To be sure, this is a long-term project and a steep climb. But we must begin now or surrender to unspeakable horror. I see ten essential points:
Legitimate action: First, we in the UN must abandon the failed (and largely disingenuous) Oslo paradigm, its illusory two-state solution, its impotent and complicit Quartet, and its subjugation of international law to the dictates of presumed political expediency. Our positions must be unapologetically based on international human rights and international law.
Clarity of Vision: We must stop the pretense that this is simply a conflict over land or religion between two warring parties and admit the reality of the situation in which a disproportionately powerful state is colonizing, persecuting, and dispossessing an indigenous population on the basis of their ethnicity.
One State based on human rights: We must support the establishment of a single, democratic, secular state in all of historic Palestine, with equal rights for Christians, Muslims, and Jews, and, therefore, the dicmantling of the deeply racist, settler-colonial project and an end to apartheid across the land.
Fighting Apartheid: We must redirect all UN efforts and resources to the struggle against apartheid, just as we did for South Africa in the 1970s, 80s, and early 90s.
Return and Compensation: We must reaffirm and insist on the right to return and full compensation for all Palestinians and their families currently living in the occupied territories, in Lebanon, Jordan, Syria, and in the diaspora across the globe.
Truth and Justice: We must call for a transitional justice process, making full use of decades of accumulated UN investigations, enquiries, and reports, to document the truth, and to ensure accountability for all perpetrators, redress for all victims, and remedies for documented injustices.
Protection: We must press for the deployment of a well-resourced and strongly mandated UN protection force with a sustained mandate to protect civilians from the river to the sea.
Disarmament: We must advocate for the removal and destruction of Israel's massive stockpiles of nuclear, chemical, and biological weapons, lest the conflict lead to the total destruction of the region and, possibly, beyond.
Mediation: We must recognize that the US and other western powers are in fact not credible mediators, but rather actual parties to the conflict who are complicit with Israel in the violation of Palestinian rights, and we must engage them as such.
Solidarity: We must open our doors (and the doors of the SG) wide to the legions of Palestinian, Israeli, Jewish, Muslim, and Christian human rights defenders who are standing in solidarity with the people of Palestine and their human rights and stop the unconstrained flow of Israel lobbyists to the offices of UN leaders, where they advocate for continued war, persecution, apartheid, and impunity, and smear our human rights defenders for their principled defense of Palestinian rights.
This will take years to achieve, and western powers will fight us every step of the way, so we must be steadfast. In the immediate term, we must work for an immediate ceasefire and an end to the longstanding siege on Gaza, stand up against the ethnic cleansing of Gaza, Jerusalem, and the West Bank (and elsewhere), document the genocidal assault in Gaza, help to bring massive humanitarian aid and reconstruction to the Palestinians, take care of our traumatized colleagues and their families, and fight like hell for a principled approach in the UN's political offices.
The UN's failure in Palestine thus far is not a reason for us to withdraw. Rather it should give us the courage to abandon the failed paradigm of the past, and fully embrace a more principled course. Let us, as OHCHR, boldly and proudly join the anti-apartheid movement that is growing all around the world, adding our logo to the banner of equality and human rights for the Palestinian people. The world is watching. We will all be accountable for where we stood at this crucial moment in history. Let us stand on the side of justice.
I thank you, High Commissioner, Volker, for hearing this final appeal from my desk. I will leave the Office in a few days for the last time, after more than three decades of service. But please do not hesitate to reach out if I can be of assistance in the future.
Sincerely,
Craig Mokhiber
End of transcription.
Emphasis (bolding) is my own. I have added links, where relevant, to explanations of concepts the former Director refers to.
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txttletale · 10 months
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I know copyright and intellectual property is bullshit, but how do I tell that to someone who's convinced that it protects small artists?
tell them about bill mantlo, creator of rocket racoon, whose brother has to start gofundmes to pay his medical bills while marvel makes millions off that character's merch. or to gary friedrich, creator of ghost rider, who sued marvel for using the character at a point where it should have returned to him, lost, and was then counter-sued for selling merch including sketches for fans at conventions. or alan moore, who vowed to never work with DC again after he was screwed out of owning watchmen. or the archetypal examples of this phenomenon, jack kirby (co-creator of iron man, captain america, ant-man, the hulk, and a fuckton more characters) who of course was also screwed out of any ownership, or jerry siegel and joe shuster, who spent decades fighting over the copyright to superman, a character they created and sold for $130 as desperate struggling artists and who then went on to make millions for DC comics.
or if they're not a comics fan, why not talk to them about robert kurvitz, head writer of disco elysium, who through an extremely suspect purchase lost the rights to the world of elysium, representing his life's creative work. or to hideo kojima, who was forced out of konami, keeping absolutely no rights to his iconic metal gear franchise, and had his demo for Silent Hills made into fucking vaporware that nobody can download anymore!
or about the time that disney used threats of legal action to put a stop to such nefarious infringement of their copright as 'being painted on the walls of a daycare' or 'being put on a child's gravestone'.
the thing about copyright is that it has to be enforced in court. a 'small artist' -- even ones who are independently successful and considerably wealthy -- can simply not afford to fight a protracted legal battle while paying top legal talent. disney and marvel and any other big media company, however, can fight as many legal battles as they want for as long and have the legal fees be a drop in the bucket. companies that can afford lawyers and can afford to, if it really comes down to it, lose a lawsuit -- that is, companies with millions of dollars to spare -- are simply above copyright law. this is not a bug--this is a feature. this is the system working as designed.
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reasonsforhope · 4 months
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AI models can seemingly do it all: generate songs, photos, stories, and pictures of what your dog would look like as a medieval monarch. 
But all of that data and imagery is pulled from real humans — writers, artists, illustrators, photographers, and more — who have had their work compressed and funneled into the training minds of AI without compensation. 
Kelly McKernan is one of those artists. In 2023, they discovered that Midjourney, an AI image generation tool, had used their unique artistic style to create over twelve thousand images. 
“It was starting to look pretty accurate, a little infringe-y,” they told The New Yorker last year. “I can see my hand in this stuff, see how my work was analyzed and mixed up with some others’ to produce these images.” 
For years, leading AI companies like Midjourney and OpenAI, have enjoyed seemingly unfettered regulation, but a landmark court case could change that. 
On May 9, a California federal judge allowed ten artists to move forward with their allegations against Stability AI, Runway, DeviantArt, and Midjourney. This includes proceeding with discovery, which means the AI companies will be asked to turn over internal documents for review and allow witness examination. 
Lawyer-turned-content-creator Nate Hake took to X, formerly known as Twitter, to celebrate the milestone, saying that “discovery could help open the floodgates.” 
“This is absolutely huge because so far the legal playbook by the GenAI companies has been to hide what their models were trained on,” Hake explained...
“I’m so grateful for these women and our lawyers,” McKernan posted on X, above a picture of them embracing Ortiz and Andersen. “We’re making history together as the largest copyright lawsuit in history moves forward.” ...
The case is one of many AI copyright theft cases brought forward in the last year, but no other case has gotten this far into litigation. 
“I think having us artist plaintiffs visible in court was important,” McKernan wrote. “We’re the human creators fighting a Goliath of exploitative tech.”
“There are REAL people suffering the consequences of unethically built generative AI. We demand accountability, artist protections, and regulation.” 
-via GoodGoodGood, May 10, 2024
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samreich · 1 year
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Dropout is back in production. 🫡
As I mentioned, Dropout is not associated with the AMPTP, who negotiates on behalf of the majority of studios and streamers. But truthfully, there's no such thing as a "struck company." There are instead "struck contracts" -- and not-struck contracts.
We assumed Dropout's contract - the New Media Agreement for Non-Dramatic Programming - was stuck because it wasn't specifically on a list of non-struck contracts. After speaking at length with our lawyers and with SAG, turns out that is not the case.
So, Dropout can return to business as usual. And because none of our shows were ever struck, talent can go back to promoting their Dropout appearances. 🎉
SAG's decisions are in part strategic. Small streamers like us continuing to work while the major streamers cannot gives us a competitive advantage and puts more pressure on them to make a deal. 😎
But make no mistake about it: We continue to support our striking performers and their cause.
- Between Dropout and me personally, we have donated $20,000 to the Entertainment Community Fund.
- If anyone doesn't feel comfortable working with us or promoting their work during the strike for whatever reason, we respect their decision.
- While we already pay above minimums, we will continue to go above and beyond to reward and protect our performers *and* crew members, and plan to put even more of our money where our mouth is before the end of the year.
Dropout fans, thank you for your support and solidarity during this uncertain time. Keep supporting the Entertainment Community Fund, as well as the pet projects of your favorite creators.
And with that, it's back to work. ⛏️
10K notes · View notes
phantomrose96 · 1 year
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I'm thinking about Tumblr Live again and ruminating on WHY it's such a huge flop and I think I've figured it out: They've completely refused to make it a tumblr feature...
By which I mean (begrudgingly goes to unsnooze Tumblr live) this:
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^This is meant with zero insult or derision to the people above, but these are absolutely not Tumblr users.
Every single thumbnail I've ever seen for Tumblr live seems to say "This is for clout!" "This is for a thirst trap!" "This is for influencers!" "This is for Tiktok wannabe stars!" "This is for showing your pretty filtered face and reaping what people on Instagram and Tiktok are desperately chasing!"
I'm remembering that Reddit has (or had) livestreams you could tune into like this. I've tapped into some. Ones I remember offhand include:
a guy just wandering around downtown in his city silently showing people the streets and stuff
a guy streaming his attempt to beat the last level of Celeste
a guy streaming his dog he was petting
And that, that was Reddit. That was undoubtedly just regular Reddit users going "oh stream feature? yeah okay. here's my dog." "here's my video game." "here's my street corner in Prague."
And when I think of all the recent successful Tumblr features, they're all things that correctly tapped into actual Tumblr user interests. Blaze had people go "haha yeah here's my dog." "here's my advertisement for a horse lawyer (lawyer who is a horse)." They let us buy crabs because, fuck it, crabs. The blue checkmarks were funny. Polls turned into the fandom brackets people have desperately wanted to make for a decade+. I'd wager the merch that calls on old Tumblr memes is at least decently successful.
If Tumblr Live wanted the chance to be successful, it should have been angled toward Tumblr users. "Here, you can livestream your cat if you want." "You can livestream yourself working on some fanart and chatting." "You can livestream yourself going bird watching because birds are your hyperfixation and you can identify them all by their song to all your followers who want to tune in for bird facts."
But Tumblr Live has never tried to be that. It ONLY seems like it wants to be a Tiktok-clone, Instagram-clone, clout-chaser baited-hook trying to pull converts over from Tiktok/Insta/etc who are trying to grow their influencer brand, which Tumblr is lethally hostile to.
(And ALL of this is only touching on the concept behind what's happening here. I haven't even touched on the third-party streaming service and questionable data protection.)
Like fine, I guess I get it from a business model of trying to grow your userbase--since catering to your existing userbase doesn't pull in new meat. But this will not work. Because anyone, tumblr-native or not, trying to grow themselves as an influencer will NOT find success here. This place is not a place of honor. No highly esteemed deed is commemorated here. Nothing valued is here. What is here was dangerous and repulsive to us. We will not watch your Shein haul stream.
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ghoulphile · 5 months
Text
janey's dad | c.h./the ghoul | part 01
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➥ pairing | cooper howard/the ghoul x f!reader ➥ word count | 3.7k ➥ warning(s) | 🔞 smut; age gap, hair pulling, teasing, making out, mutual pining, lipstick kink, stockings, frottage, porn w/ feelings, porn w/ plot, mild angst w/ happy ending, divorced!coop, babysitter!reader, pre-war/bomb ➥ summary | “We really, uh, shouldn’t - oh fuck, you look --” ➥ notes | i'm so sorry this is later than it should be. i am unfortunately a corporate slave and this fic just did not want to cooperate 🫠 there are a lot more things planned and this fic is turning into a bit of a beast (20+ pages and counting rip lmao) so i've decided to split it into two parts to make it more manageable for myself mostly un-beta'd atm a special thanks to @corinthianism for all her lovely help ❤️!!
feel free to send in thots, questions, requests! | masterlist
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Divorce is hard, but being a divorcé is downright hellish.
One of the ugliest things in the world, if Cooper Howard has any say. At least when he was a Marine, they told him where to point his gun, where to aim; nameless threats vanishing with a quick squeeze of the trigger.
Here, these ‘enemies’ aren’t enemies — not really.
It’d be easier if they were.
Worse still, they have names he holds as dearly as his own. There’s Barb, whip smart and always so clever. Then Janey, the light of his life and so sweet his teeth ache.
Once upon a time, life was sweeter than apple pie on Sundays.
Then came the separation.
Afterwards, he finds it hard to look at what’s left of his family without losing breath like a horse kick to the chest. Their absence rips open a hole inside him ten miles wide, its edges jagged and wrong.
And when he can’t take the silence anymore, fingers of malt liquor help dull the ache, though it’ll never be enough to mend what’s broken.
See, war’s something he understands.
But these domestic battlefields where he sits across from his ex-wife while lawyers barter this weekend and that holiday?
How he struggles to meet his daughter’s eye every time she asks if he’s coming home?
When Barb keeps the house and the money while he keeps the scrapbooks and the dog?
He doesn’t — can't — refuses to comprehend.
Because in what world can you reconcile looking down the barrel of a smoking gun only to find the woman you love staring back, finger on the trigger? Left out to hang as Vault-Tec orchestrates his downfall.
The true depth of their involvement is unknown, but it’s no coincidence his bank accounts dried up faster than the Mojave in June. The ink still wet when the media snapped up the story of his failed marriage.
Thus, his reputation (rather what’s left of it) unraveled faster than a spool of thread.
Knocked on his ass and kept there by a boot heel crushing his windpipe. Whose? He hasn’t got a fucking clue.
But whoever they are, they’re making sure he stays a washed up nobody who struggles to land a call back, much less pay his monthly alimony on time.
See what we can do? You were America’s favorite gunslinger - now look at you. Mind your place.
Hell, millions used to scream his name.
Nowadays people whisper it behind their hands like a dirty secret, “Oh, did you hear? Cooper Howard…” as they dissect pieces of his life into bite-sized Before’s and After’s. “Hah! Serves him right. Y’know, I never liked him much.”
While he grits his teeth and swallows his bitterness with a smile, he hates how he can’t protect Janey from snide reporters and nosy strangers. Juggling actor-father-divorcé with fumbling hands.
It’s only been six months; a heartbeat, a lifetime, and already he’s scraped thin like butter over too much bread.
Something’s gotta give.
After all, he’s only one man.
But just when it's bleakest, the clouds part.
A young woman moves in next door, the first bright thing that’s come his way in a long, long while.
At first, he kept his distance.
Exchanged vague hello’s and how-are-you’s. Then Janey took a shine; always so friendly and eager to talk about her latest books.
Any reservations he might’ve had died when he saw how enamored you are with her.
Only made sense that over time small pleasantries turned into playdates. Then those playdates turned into sleepovers.
Before long, you’re watching her when a gig runs late.
Rustling up grub and tucking her into bed more often than not these days. And when he slinks in through the door, knees aching and stripped to the bone, there you are with a shy smile and a warm meal.
So what if he takes himself in hand after you leave, stroking his cock to the thought of you down on your knees in that pretty little sundress?
Imagines the wide stretch of your ruby lips as you swallow him down, lipstick smeared an awful mess?
Cums hard to the fantasy of your teary eyes and hiccupy breaths as you choke?
What you don’t know can’t hurt you.
After all, he’s a gentleman... he promises to keep his hands to himself.
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“All right, Sugar Bomb, it’s bedtime.”
Bundled in navy bedding up to her nose, Janey’s wide brown eyes peer up at you from beneath a riot of frizzy curls. Roosevelt, her ever faithful companion, plasters himself to her side. The tip of his tail swishes once, twice before falling limp.
“Ah, c’mon guys. Don’t look at me like that.” You sigh with a fond shake of the head, hip popping out to rest against the doorframe. “I don’t make the rules, I just follow ‘em.”
A muffled response sounds from the lump of little girl, “Nmfhm.”
Squinting, you dip your head and tap the side of your ear, "Pardon?"
“Mnhfmmmm.”
“Ye—eah… Didn’t catch that, Mumbler.”
Janey tugs down the blanket, her mouth pursed in a moue of displeasure. “I said,” she crosses her arms with a huff, “not until Dad gets home.”
Shit.
“M’sorry, baby. He’s still gonna be a while.” Walking across the room, you stop beside the bed and motion your hand back and forth. “Scooch over.”
Gangly limbs fumble as Janey wiggles into the middle of the mattress, her feet tangling in the blankets. Roosevelt takes a toe to the nose during the transition, but flops across her knees all the same.
Together they settle with a bounce of springs.
In the open space, you slide in.
The bed sinks under your weight, a plume of rich cologne tickling your nose; mint-spiced citrus. Cooper. Your stomach swoops, and your heart trips.
“I didn’t see him at breakfast — or lunch!” A pout tugs at her mouth. “Not even dinner. I gotta go home tomorrow. So when am I gonna see him?”
“Oh, bug.” You sigh, propping yourself up on your elbow. “Your dad’s been real busy at work. And I know that’s been hard for you, but I promise to make sure he’s here for breakfast tomorrow.”
“D’you mean it?” Her cold nose digs into your skin. “Me and Roosevelt miss him so much.”
Cuddled into your chest, Janey tosses an arm around your back. Her fuzzy head rests in the crook of your arm, springy curls tickling your skin.
You squeeze her tight and trace your fingertips over her forehead.
“I can do you one better,” you say, bopping the tip of her nose just to hear her giggle - a soft sound that sits warm and gooey in your chest. “I pinkie-promise.”
Her finger loops around yours, so small and fragile.
“I’ll even make pancakes. How’s that sound for a promise?”
“Oh, yes, please! I think Dad will like that,” a wide yawn cuts her off mid-sentence. “He’s sad, but he always smiles when you make food.”
Janey’s words — unexpected as they are sudden — cut so deep it steals the breath from your lungs. You flounder, your heart a throbbing bruise in your chest.
“... Then pancakes it is.”
As if nothing happened at all, she asks, “Do I have to go to bed now?”
“Afraid so, little miss.” Your responding chuckle sounds stilted even to your own ears. “Just you wait. When you wake up, Dad’ll be home.”
“Fi—ine, but I want extra pancakes.” Janey pauses, considers you with narrow eyes, then adds, “With syrup!”
“Whatever you want,” you say with an indulgent smile. “Now... time to sleep. It’s really past your bedtime.”
She gives you one last squeeze then lets you tuck her in nice and tight, blankets pulled up to her chin. You drop a kiss on her forehead while Roosevelt re-settles on the pillow beside her after a quick scratch behind the ears. 
Everything in order, you turn to go only for a little hand to stop you.
“Yes?” you reply, glancing at her from over your shoulder.
“... can you put on one of Dad's movies?”
The tremble in her voice - like she’s about to get scolded - breaks your heart clean down the middle. Stitching on a soft smile, you nod and walk to the darkened TV set in the room's corner.
After fiddling with the nobs, static flashes to life.
“The Man from Deadhorse okay?”
The holotape sliding into the track swallows the sound of her tiny “Yeah.” Starting up with a whirl of machinery, the second-hand Radiation King flickers to life in black-and-white.
A vast plain and bright sky stretches across the screen.
Then Sugarfoot creeps into frame with the one and only Cooper Howard sitting astride the noble steed. The sheriff’s badge on his chest glints in the sun.
“Thank you,” she mumbles, already half-way to sleep.
“Anything for you, baby. Sleep tight.”
Flicking off the lights, you leave the door cracked. Walk away pretending like hearing her whisper goodnight to the TV doesn’t lance through you like lightning.
The desire to whisk her into your arms and soothe all of her ails is almost impossible to ignore.
Somehow, you distract yourself by wiping up the table, then by fixing a plate of dinner for whenever Cooper rolls in. Though all the while, how brokenhearted Janey sounded sits in the back of your mind like a leaden weight.
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When Cooper stumbles into the living room, it’s half past midnight.
You’d gotten up to greet him, curled as you were in an armchair reading, when something about the stern line of his mouth gave you pause.
Where the usual lighthearted greetings lingered, a pensive stillness trembled to life.
Tension crackles through the air; a held breath of agitation. By the faraway gaze and defeated slump of his broad shoulders, it’s plain to see the night didn’t go as intended. And no matter how much you long to soothe, you can’t.
After all, he’s not yours to touch.
Instead, you offer a sympathetic smile and ask, “Rough night, huh?”
Cooper ignores the prompt, squeezing past with a brief touch to your elbow as he makes a beeline for the dry bar. The heat of his body is there and gone in a flash, his cologne teasing your senses. He says, “Thought you’d be asleep by now.”
Your heart flutters in your throat. “Ah,” you lick your lips, “well, I was going to finish my chapter first.”
Humming, he turns his back to you and fiddles with high balls and decanters. The tink of crystal glassware fills the air as he speculates which alcohol goes best with his mood. 
“Thanks again for watching Janey.” He nods in approval and fixes his whiskey neat. “I don’t know what we’d do without you.”
“Oh, it’s no trouble, Mr. Howard.” You shrug. “She’s a sweetheart.”
He shoots you a dry look from over his shoulder, stirring the dark amber of his drink with a forefinger. When he sucks his skin clean with a soft pop - a flash of a pink tongue taunting, teasing - your stomach swoops.
God, I wonder what else his mouth can do.
Flustered, you clear your throat and stare at a spot on the wall.
“How many times do I gotta tell you to call me Coop?” he says, digging through some drawers until he finds what he’s searching for: a lighter. “It must be a million and one by now.”
Flint sparks as flames jump, eating away at the end of a cigarette. Cooper inhales in short little puffs, pulling on the filter. His cheeks hollow, the shadows enhancing the cut of his jaw before the tip catches alight.
“Well,” he exhales, his gaze catching yours through a plume of smoke as he turns, brow raised. “Anything to say for yourself?”
“Old habits die hard, I guess,” you chuckle.
The corner of his mouth lifts in a lopsided smirk. “I’ll drink to that.” He knocks back the last finger of whiskey before refilling with gin.
Springs groan in protest when he drops to the couch, settling in with an outstretched arm and wide spread thighs.
“It’s been a long fucking day,” he rasps.
Gulping, you try to ignore the space at his feet.
The stirrings of desire provoked by the urge to sink to your knees and fill it with your body, to ease tension from those shoulders with your hands, your mouth, your cunt — if he’d let you.
“You heading home?” Nursing the fresh drink, he swallows a mouthful, only to hiss low through his teeth at the chemical burn. His throat bobs, framed by the open collar of his shirt. “Whew! Goddamn, that’s strong.”
“No, I can stay for a while.” A bird on a wire, you perch on the cushion beside him. “Got nothing else planned for tonight, anyhow.”
Cooper snorts. “I doubt that very much. A sweet young thing like you,” he motions towards you with his glass, “I’m sure you’ve got plenty of fellas calling, especially on a Friday night. Don’t waste your time with me.”
“That’s not why I--” you stop yourself short.
Save for the bustling LA avenue right outside the complex, the apartment itself is stone silent for several heartbeats. Words hover on the back of your tongue, catching in the bend of your throat molasses thick.
Meanwhile, Cooper continues to swirl the alcohol in his glass.
Maybe in a different life, you wouldn’t hesitate to express yourself.
But here — with him — you shouldn’t.
Christ sake, he’s a grieving divorcé, you chastise yourself. The last thing he needs is me trying to lay one on him.
When you speak, his name glides off your lips for the first time, clementine sweet, “... Cooper, I’m not wasting my time. I enjoy spending it with Janey - and you.”
“Well,” he husks, hooded eyes dragging down your visage in a slow once-over, “you’re the first one in a long while to feel that way, sweetheart.”
Dripping like honey whiskey from Cooper’s lips, the simple phrase burns its way down-down-down until it blooms like liquid fire in your belly. Warms you all the way to your toes as your heart pounds against your ribcage.
“I mean it.” Your knuckles twist in the pleats of your sundress, bolts of blue fabric bunched around your knees. “Everything I do is because I want to.”
The flash of red nails plucking at the sheer nylon of your stockings snaps up his attention, his gaze snagging - staying as he chases the curve of your exposed leg, hungry.
He wets his lips, and tenses his jaw when he spots how the soft fat of your thigh dimples in because of your garter. “That’s awful sweet of you to say.”
You tremble beneath the intensity of his attention.
Greedy.
Little kisses of awareness spark bright along the path his eyes carve like the caress of shy fingertips.
However, before you’re able to confront him about his interest, the heat leaches from his expression, grows mute and cold like a muzzled dog. 
Readjusting the waistband of his slacks with a tug, he says, “I know you got better things to do than keep an old man company.”
Irritation sparks. “Cooper--”
“If this is about paying you for tonight,” his lips quirk into a sheepish smile, “I won’t be able to yet.” He scrubs a hand through the stubble peppered along his jaw. “The gig tonight didn’t… Well, it doesn’t matter.”
“No, that’s not what I --”
He plows on, “Anyway, the one I’ve got tomorrow should be enough. How about I stop by around seven o’clock? I’ll treat you to dinner as an apology.”
Frustration bubbles beneath the surface of your skin, antagonism thrumming through your veins. Your hands shake almost as much as your voice. “Cooper!”
“I… uh, yes?” He blinks.
Your brows furrow. “You don’t get it,” you say. “I mean, you truly don’t know?”
“I’m afraid there’s a lot I don’t get. You’re gonna have to be more particular.”
Maybe not said in so many words (or at all) but actions speak far louder.
Otherwise, why else would you spend most of your time in his apartment, fill every spare moment with Janey, and reserve evenings for his company?
Hell, you even cook and clean!
Almost scream your interest from the rooftops, and it’s obvious to everyone but him, it seems.
Here you are thinking he was preserving your dignity whenever he ignored a passing comment or lingering touch when, in fact, he’d been oblivious to their existence to begin with.
How a man can be so obtuse when you’re throwing yourself at him is beyond you.
If he wasn’t so captivating…
“Are you kidding me,” you ask, mindful of your tone, “how could you not know?” You throw your hands in the air. “I’ve been — for months!”
“Well, I don’t have a goddamn clue what you’re talking about, sweetheart,” he snarks, setting his glass on the table. “Care to enlighten me?”
Fine. If that’s how he wants to play, let’s play.
When he moves to take another drag from his cigarette, you strike, fingers locking around his wrist mid-lift. And although his glassy eyes narrow, he keeps his hand still.
Waiting to see what you'll do.
Tucking your knee under you for balance, you bend forward and watch his face from beneath your lashes. When your lips wrap around the filter, a dark hunger bleeds into his expression, his pulse a steady thud against the pad of your thumb.
Inhaling, the cherry lights up, a flashbang in the dim overhead light.
Cooper’s breath hitches, and then you’re pulling away with a lungful of smoke; the taste of ash heavy on your tongue.
He tracks your movements with greed, gaze flicking for the briefest of moments past your chin before refocusing on the ring of red lipstick staining white paper.
“If you wanted one,” he chokes, gripping the back of the couch with white knuckles, “all you had to do was ask.”
With a coquettish grin, you exhale to the side and stare at him with hooded eyes. “Is that so?” Plucking the cigarette out of his limp hold, you stub it out in the ashtray. “What if I wanted to ask for something else, Mr. Howard?”
The next moment finds you deposited in his lap, his hands shooting out to grab at your waist only to freeze before they make contact.
“Woah! I--”
“Tell me something.”
Your lips caress the shell of his ear, sharing breath - sharing space as you plaster yourself to his front, arms looped over his shoulders. He jolts, body trembling with restraint.
“Would you give me what I wanted if I said please?”
The distance between you snaps taut with anticipation. “C-Coop,” he stutters. “Call me Coop.”
You hum. “Well, Coop, would you?”
“That depends almost entirely on what you’re asking for, sweetheart.”
Red nails skate along the back of his neck, play in the downy soft hair of his nape just to feel him shiver. And then you’re leaning back with your hands braced on his knees, your legs falling open in invitation.
The hem of your dress bunches around your waist, exposing the soft cotton of your underwear, and the darkened patch of slick soaking through.
“I think you know exactly what I want,” you purr. “Because you want it too. Don’t you?”
He bites down on a strangled moan when your hips arch forward, rocking the soft plush of your ass against the heavy weight of his thickening cock. The zipper digs into your skin as he tents the front of his slacks.
Mouth dropping open, his tongue flicks out to wet his lips - a slick circle of temptation that makes you clench. “I, uh, I don’t…”
Reaching between your splayed thighs, you hook a finger beneath your panties and pull the fabric aside. He jerks forward, exhaling hard at the flash of your soaked cunt and twitching clit.
“C’mon, be honest.”
With a sigh, you gather your arousal on the tips of your fingers.
Cooper’s gaze is a heavy weight pinning you in place as you pretend it’s him dragging his knuckles over the top of your mond. Him dragging calloused fingers up along sticky folds to play with your sensitive clit, ripping soft little mewls from your lips.
“Can’t you see what you do to me, Coop?” you say, pulling your hand away to show the webs of slick stretching between your fingers. “I’m so wet. Please, I’ve wanted you for so long…”
His hips rock against your ass in an aborted thrust. “Shit - shit!” Eyes slamming shut, he grits his teeth and digs his fingers into your sides hard enough to bruise. “We really, uh, shouldn’t - oh fuck, you look --”
“Why not?” Your hand brushes over his groin. “I can feel how hard you are.”
“It isn’t right, that’s why.” He stutters, stumbles over his words, “Besides, Janey…”
“I can be quiet,” you say, lips trembling. “I promise.”
“Goddamnit, you can’t say things like that and expect me not to --” Cutting himself off, strong fingers seize your chin and tilt until you’re met with Cooper’s severe expression, his scorching gaze. “You need to tell me now: are you sure this is what you want?”
There’s no hesitation, “Yes.”
In what world would you refuse?
The words barely pass your lips before Cooper’s bowing his dark head, mouth ravenous as it captures yours in a slick glide of bruising lips and hungry tongues.
He steals your breath, licks into your mouth and traces along the sensitive inside of your lip.
Pulse jump starting, your toes curl over the edge of the cushion and your thighs squeeze the barrel of his chest, kneecaps digging into his ribs.
“Oh,” a moan punches itself out of your throat - a breathy little thing swallowed up by his lips. “That’s--”
Anticipation swells, simmers between you like a band before it snaps. A strong forearm locks around your waist, tugging you into the cradle of his chest until you’re plastered from stem to stern.
Too hungry for tenderness as his free hand slips up to cup the back of your head, fingers catching in the briar of your hair and tugging at the roots.
You claw at his shoulders while sparks of pain ricochet down your neck, sufficing into a prickly flush that heats your blood. “Hnn, Cooper,” you gasp.
He murmurs your name through languid flicks of his tongue and sharp little nips of skin that leave your mouth tender and swollen. When he pulls away to survey his handiwork, his eyes are dark. Fathomless.
"I never thought I'd get the chance to kiss you like this," he says, wicking his thumb over the pillow of your bottom lip. "You taste as good as I imagined."
Dragging your nails across his scalp, you plead, “No more teasing - I can't take it.”
"Well," he grunts, fingers twisting up in your dress, “If that’s how you feel, then you better put those hips to good use and work for it, sweetheart."
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part 2 dropping soon
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lizard-ratt · 20 days
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This idea got stuck in my head, not to be taken too seriously. If you find any typos, no you didn't <3
Other than that, I hope you enjoy!
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Steve Harrington knew how to haggle. Raised by the most cutthroat business man in all of the state of Indiana, if not the United States as a whole, he knew the ins and outs of getting the best deal possible. He used this to his advantage a lot more than anyone knew.
The first time he brought out Steven Elias Harrington, son of Richard Jay Harrington was when he first got forced to sign NDAs to keep quiet about everything going on in Hawkins, Indiana. Despite only having shown up at the end, he still had a fat stack of papers to work through.
And he worked through the entire thing, taking his sweet precious time to read the entire thing, word for word. He signed nothing that day, letting the government employees watch as he took notes on every little detail, humming to himself, scoffing, and overall being as annoying about it as possible.
"These are terrible. Do better." He didn't say that exactly, but it was the general consensus as he gave them a verbal dressing down that would make his father proud (and his father was never proud). He made demands for money, for protections, for anything that he could think of. By the end, the government had agreed to provide him with a heaping helping of cash (enough to buy a house and help him live a comfortable life for the next twenty-or-so odd years), government provided medical insurance (complete coverage for the rest of his life), and a full ride scholarship for any college he wanted to go to.
Suffice to say he had rung that towel dry of anything he could ask of it. He knew that those government employees wished nothing but the worst for him, but he was satisfied with what he got, and he happily signed the fifth NDA they provided him with, flourishing his signature with relish.
Then, he became even more wrapped up in the whole thing when Dustin Henderson decided to raise a baby Demogorgon in his basement. A lot happened in those forty-eight hours, but the main one was that he got attached to the little shits, so he told them in no uncertain terms that they were not to sign anything before he looked the paperwork over.
They scoffed, rolled their eyes, but ultimately agreed. It was a very amusing few days, to say the least. The government agents (the same ones as last time) showed up with their giant stacks of paper, and came face to face with Steven Elias Harrington, and he could just see them die a little bit inside. He could practically hear what remained of their souls wither to dust.
And again, he forced them to sit as he read through every NDA, taking notes, scoffing, humming, and overall being a nuisance to them and their time. Then, he got the kids' attentions (as their eyes started to glaze over after minute thirty) and began his process.
The looks of pure awe, too, would be treasured for a very long time as he got their college tuitions paid for, government-provided medical insurance for the rest of their lives, and of course a big fat pile of cash ready for when they would turn seventeen years old. Each of them had enough money lined up for them that they wouldn't have to worry about anything until maybe their late fifties to early sixties if they were bad with their money.
And of course, he got himself another big pile of cash and access to the best lawyers in the United States if he would ever have need of it.
After that, he shouldn't have been surprised when everyone came to him for help post-Battle of Starcourt (dubbed by Dustin, of course). This time, he took two solid weeks pushing and pulling Uncle Sam in this direction and that to make sure everyone got what they needed. (Another fat stack of cash for everyone, legal protection for whatever they'd need it for, and a cover story that made everyone look the best that they possibly could. He also got college payment for Robin, since she wasn't there the first time, as well as the same medical insurance he got everyone else). Those government employees looked at Steve like he was the devil himself.
"You kinda are," Robin told him one day, after Steve recounted the specifics. "I mean, you are bleeding the government dry."
He gave her a grin. "Absolutely, I am."
Then, he and his merry band of misfits saved the world, stopping the Upside Down for good. The same government goons showed up, and instead of doing what they tried to do the previous time, they just came to Steve with all of the NDAs, and asked in the most sarcastically professional voice imaginable, "Are these up to your standers, Mr. Harrington?"
He gave his charming, King Steve smile and told them that he'd read it over. In the hospital room that held Max and Eddie, Steve pulled up a table and allowed everyone to watch as he flipped page after page, noting down the loophole phrases and weak protections, and every single trap meant to put them into a worse-off position and he threw it in the government's faces.
In return, he forced everything his heart could imagine out of them.
Another giant hunk of change for each of them.
Eddie Munson free of all charges, effective immediately
Government-provided medical insurance for Eddie Munson for the rest of his long, long life
A cover story so beautiful, so concrete that it got even the most closed minded to look at Steve's People and call them heroes.
A house for Eddie and his Uncle Wayne
"I hope I never see your face ever again," the man told Steve, forgoing all niceties at that point. "You're going to burn in hell."
"I'll save you both a seat," he told him with his sweetest, most charming smile.
The government agents left, and in their wake, Eddie Munson looked at him like he hung the sun, moon, and stars in the sky.
"Wow," was all the metalhead was able to get out for a while. "Just wow."
Robin glanced between Steve and Eddie, leaned into his side and quietly sang, "The lovers, the dreamers, and me."
Now on AO3
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