#Vikram Success

[all-india-govt-jobs]

From 4 Government Jobs to IAS Officer: YouTube Helped Secure Rank 9 | Latest News

An distinctive pupil from a younger age, Aditya topped the science stream in Jhajjar district, Haryana, in his Twelfth-grade examinations. He then gained admission to NIT Allahabad and accomplished his commencement in Mechanical Engineering. He had beforehand cleared quite a few examinations and left a number of jobs. Relocated to Haryana Two Decades Ago Aditya Vikram Agarwal’s father, Ramavatar…

[news4nose]

Chandrayaan 3 Successfully Landed on Moon!!!

History created!!!

Well Done isroindiaofficial for achieving a milestone in landing Chandrayaan 3 successfully on Moon!

Bharat, my home. ❤️The first ever country to land on the SOUTH pole of the Moon!

A whole new era begins in India's space 🚀exploration programme

[sivavakkiyar]

Like it’s kind of funny that Burton’s ‘translation’ of the Vetala Panchavimshati (“Vikram and the Vampire”) was never quite as successful in his lifetime as his Arabian Nights, but it’s kind of obvious why; that collection, like the Pancatantra, is largely moralistic ethical tales. That is—no sex.

[chesters-ocs]

Almost Feels Like Home [Tracking Down]

dont look at the tags its a little spoilery oops

wc: 1k

"I don't get it!" he groans, frustrated, pacing around Sylvester's apartment after dropping off the children to school. With his early retirement, the man insisted on handling the mornings, so his boyfriend could sleep in. And it helped him keep up his routine.

Sylvester, who's still waking up and having a late breakfast hums: "What's up, baby?"

"Samuel. It's Samuel! You knew it was going to be Samuel," Vikram rants, "I don't know what I'm doing wrong with him!"

'Ah. So it's this again,' Sylvester thinks.

For the, what, two years, his boyfriend has tried, with all his might, to get his stepson's approval of him. And all of them end up going horribly for their relationship.

Any attempt to talk to the preschooler resulted in Vikram getting the cold shoulder, and that's not even mentioning the time he tried to pick the boy up. The result? A massive bandage on his cheek for a week and a banshee-like scream still ringing in his ears weeks later.

"Look. At least he's not totally rejecting you. He loves the way you cook. And you sate his morbid curiosities via bringing your medical books around. It can't all be futile," Sylvester tried to assure, to little avail.

"I know, I know, but it feels like I'm just doing something wrong! Mary loves me, so why can't he?"

"Sweetheart, Mary will love a cardboard box with googly eyes on it and call it a her new best friend. She just likes people in general. Sam... doesn't. And it could be him not understanding you yet. He's still struggling in school with his English, you know."

"... I hope you're right," Vikram mumbles, moving closer to his boyfriend and leaning down to kiss him softly, before continuing: "I just hopes he takes it well that we'll be living together. I don't want him to stay locked in his room forever!"

"It'll be alright, have faith in him. But... speaking of which, I did find a really nice looking house. Outskirts of town, but still has regular busses for the kids to take. I'll show you the listing when I'm done eating," Sylvester offers.

That's seemingly enough to lift his spirits, and Vikram nods.

"Sounds lovely."

Indeed the house was lovely. After a thorough comb trough of the online listing, the partners decided they'd give it a shot and check it out in-person with a consultant and contractor, in case they wanted renovations, and to check for potential damages to be wary of.

And, thankfully, upon being given the opportunity to live up in the gigantic attic space, Samuel also caved in, despite the flaws typically associated with having a room there. Summers and winters tend to be horrible with extreme heat or freezing temperatures respectively, but the couple was not about to complain.

But Mary? She's easier to please and her only requirement was having a room with pink walls, which the fathers are more than happy to deliver on. A short trip to the home improvement store later, the girl was practically beaming, already envisioning everything and anything she could about the new layout. There was so much more space than in the old apartment within the heart of the city!

As for Vikram's beloved senior cat, Monster? She could care less, as long as there's a nice spot in the sun to lay on and a cat tree to spy on everyone in.

Renovations were easy enough, with Vikram building most things by himself, with some very enthusiastic help from his daughter. Together they made a greenhouse for Sylvester in the backyard, as well as painted most the walls of the house.

All while Samuel hid away by himself in his new bedroom, trying to find a way to display all his treasures: cool rocks, pretty sticks, and best of all, his father's old music equipment. Though, sometimes at night, the pair could hear him trying to play the bass guitar, to various degrees of success. His arms still a little too short to comfortably reach everything.

Though, it takes even longer to make it a comfortable and homey space. At this point, they had been living there for six months, with them about to hit their three year anniversary.

And... three years since the little boy, who's now nine, disliking him. Though, from what the man noticed, its more-so frustration, rather than haterid.

Despite living in England for so long now, the boy still struggled. The language seemed to evade him still, which lead to misunderstandings and more tears.

Tears he couldn't soothe, because how is he supposed to comfort a boy who doesn't trust him due to the firm language barrier between them?

He just kept on being patient. He had to be.

They live together in a house now. There's no other choice than to make it feel like home, no matter the time.

Sometimes he catches the boy sneaking into the master bedroom and looking trough books on anatomy, seemingly fixated on the pages upon pages that describe the human skeleton.

What really made Vikram's heart sing was the time where it was just the two of them home, with Sylvester and Mary out grocery shopping. The boy had sneaked downstairs, and began tugging on his shirt as he prepared for dinner.

Upon gaining the attention of his step-father, Sam kept on tugging him along, bringing him to the shelves in the living room, lined with various books both adults had collected over the years.

He began pointing upwards, frustrated at the lack of height in him.

Oh? ... Oh!

Realizing what the boy wanted, he gestured to the top shelf and hummed questioningly, earning a vigorous nod from Samuel. One by one, he pulled the books out, showed the cover to him, and put them back away. Until they got to the one he wanted: a scientific book covering the native wildlife of the region.

Handing it over to him, the boy practically jumped in excitement, before stuttering out a small 'thank you' all while sounding unsure if he was even saying the words right.

Vikram nodded with a small smile, and watched the boy scurry up the stairs.

[black-arcana]

Ex-DELAIN Singer CHARLOTTE WESSELS Explores 'Heavier Sound' On Upcoming Solo Album

Charismatic Dutch singer/songwriter Charlotte Wessels is set to release her new studio album on September 20, 2024 via Napalm Records. The LP's first single, "The Exorcism", will arrive on May 16, 2024.

Wessels's album promises a cohesive exploration of fear and liberation, as well as spellbinding melancholia and dark, catchy elements meeting progressive and heavier soundscapes. Charlotte and her band will bring this story to the stage on October 4, 2024 at Utrecht's TivoliVredenburg.

The former DELAIN vocalist's earlier solo endeavors, "Tales From Six Feet Under" (2021) and "Tales From Six Feet Under Vol II" (2022) already gained Wessels a remarkable number of devotees, but for the upcoming release, Wessels is raising the bar significantly. While still writing and producing the songs in her Six Feet Under basement home studio and sharing their first incarnations with her patrons, now she's taking the songs to the next level with a band of her fellow ex-DELAIN cohorts Timo Somers (guitars, additional arrangements),Otto Schimmelpenninck Van Der Oije (bass) and Joey Marin De Boer (drums) as well as Sophia Vernikov (piano/hammond),contributing to the new, heavier sound. The album also features arrangements by Vikram Shankar (SILENT SKIES, PAIN OF SALVATION),cello by Elianne Anemaat, mixing by Guido Aalbers (MUSE, COLDPLAY, THE GATHERING) and mastering by Andy VanDette (PORCUPINE TREE, VOLA, DREAM THEATER).

Wessels states: "This album is significant, for on the one hand, telling such a deeply personal journey — through its unintended theme of fear and obsessive thoughts — and at the same time, representing the joy of finding the song's true forms with everyone involved in the making of this record. There were moments in the studio with the band that truly reminded me of why I love making music in the first place, and I don't think I've ever been as excited about music going out into the world. This is the album I want to re-introduce myself with, and I'm so glad to do it with this amazing team."

In a 2022 interview with Spain's The Metal Circus TV, Wessels was asked how she feels about the fact that DELAIN made a comeback with a new lineup. A short time earlier, DELAIN released a single, "The Quest And The Curse", featuring keyboardist, founder and main songwriter Martijn Westerholt alongside new singer Diana Leah, original guitarist Ronald Landa and original drummer Sander Zoer, plus bassist Ludovico Cioffi. Charlotte said: "I'm trying not to engage with it too much, honestly. I've seen positive responses about it, which I think is good. But I do try to keep some distance and just focus on what I'm doing rather than checking that out, because I still don't feel like that will make me happier per se."

In February 2021, Westerholt announced the dissolution of DELAIN's previous lineup. At the time, he explained: "For the last year or so, the collaboration within the band ceased to work as well as it once had. Some of us were no longer happy with the current roles in the band. We all tried very hard to find a solution for over a year, but sadly we were unable to find one. As a result, we will all be going our own ways and pursuing our own endeavors.

"I am very sad our cooperation has come to end, but at the same time I am very grateful for all the years we were able to work together. Together we toured the world, shared highs and lows, and met with many successes as well as times that pushed us to learn and grow. We all enjoyed meeting our fans and making new friends all over the globe."

At the time, Wessels said about her departure: "I know that you might have questions about the 'why' in all of this. I fully understand and respect that. Simply put, it is the sad conclusion of more than a year of trying to find solutions to built-up grievances. Part of me feels like I'm letting all of you down, I'd like you to know that this decision was not taken lightly and I apologize to those of you who had high hopes of seeing all of us together live on stage again after lockdown. Until recently, I thought this might still be in the cards for us as well."

The new DELAIN lineup made its official live debut in August 2022 at the Riverside festival in Aarburg, Switzerland.

Photo credit: Tim Tronckoe

[bollywoodirect]

Today, we remember Vikram Gokhale, who passed away on November 26, 2022. A renowned actor in Marathi theatre, Hindi films, and television, he was the son of veteran actor Chandrakant Gokhale. Born in Pune in 1945, Gokhale came from a family of cinema pioneers, including his great grandmother Durgabai Kamat, the first female actor of Indian screen, and grandmother Kamlabai Gokhale, the first female child actor in Indian cinema.

Gokhale's directorial debut came with the Marathi film 'Aaghaat' in 2010. He received the National Film Award for Best Actor for 'Anumati.' Married to Vrushali since 1975, they had two daughters, Asawari and Neha. Gokhale was also a successful real estate businessman and a committed social activist, supporting disabled soldiers, children of lepers, and orphan education through his family's foundation.

Retiring from stage due to a throat ailment in 2016, he continued his film career until his last days. Gokhale passed away at 77 in Pune, leaving a legacy in Indian cinema and theatre.

[the-whispers-of-death]

A little something for the soulmate AU. This was supposed to be finished a while ago, but I only just now got the motivation to finish. But yay for me getting in practice with writing Kali and Stone's actual names when writing.

@jupiter-reimagined here is my contribution to the soulmate AU.

TW: Brief Mention of Child Abuse

Wordcount: 1,587 words

Ashok was just exiting the gym when his beeper beeped in his back pocket. Knowing it was most likely Vikram, he pulled out the beeper and he saw just a message with the coordinates of the house the military rented for Vikram while he was on deployment.

He knew without needing more context that his friend wanted him to come and probably needed to talk. And while most people would be annoyed by being called upon for seemingly no reason, Ashok knew he was basically Vikram's only friend and he knew that Vikram cared about him just as much as he cared about Vikram.

So he quickly sent the code they had previously established many years ago which would be decoded to basically say that he was on his way. After the code sent, he put the beeper back in his pocket and exited the gym, heading to his car.

Thankfully, the gym Ashok goes to wasn't far from the military housing where Vikram is (and thankfully Ashok lives in that same area too since he too is on deployment), so it didn't take him too long to arrive. Soon, he parked his car in the driveway and got out.

He waved to a neighbor of Vikram's before walking onto the porch and knocking on the door in the special knock Vikram had give him in order to know it was Ashok: four knocks in quick succession followed by a lone knock two seconds after the four knocks. He stood there, waiting for Vikram to open the door.

The multiple locks Vikram had personally put on the door were unlocked, Ashok seeing Vikram's brown eye peeking through the little crack he opened before seeing it was indeed Ashok and opening the door fully. Ashok stepped inside, taking off his shoes and putting them near the door automatically.

Vikram's house was sparse, filled with only the furniture that the military furnished their houses with. There were no personal touches to the place besides Vikram's medical bag on the counter in the kitchen and spices on another counter in the kitchen.

There was minimalism and then there was Vikram, but it wasn't his fault. Ashok knew full well that Vikram's father was a bastard who raised Vikram to only be a soldier and to Vikram's father, soldiers didn't need personal things.

Though, Ashok also knew there was a journal hidden somewhere, or maybe Vikram kept that in his office in the base hospital where he was stationed.

"I thought you were starting to put more personal touches on your house?" Ashok asked after looking around, his eyes going to look at his friend.

Vikram was taller than Ashok at six-foot-eight (whereas Ashok was at six-foot-six) and he had many scars that marred him head to toe, a symbol of how little Vikram thought of himself as he had gotten most of the scars from diving in front of others to take what would've been their injuries. He looked the same as always at first glance, until Ashok saw Vikram's arm was bandaged.

Another scar to add to the collection, Ashok thought, his heart hurting at the sight of Vikram's bandaged arm.

Ashok didn't have any time to comment on the bandaged arm, however, as Vikram moved to the kitchen while he answered Ashok's question.

"I am putting more personal touches on my house," Vikram said, his deep voice that was usually cold and harsh softening just a little bit due to being in the presence of his friend. He grabbed a glass and gave Ashok some water. "But this is not my house, it's just the house the military rented for me. I'll never see this place again when my deployment is over. No point in adding any personal touches."

Classic Vikram, honestly. He never settled down when he was on deployment, he barely unpacked his clothes whenever he got to somewhere new. They always stayed in his bag, folded neatly.

Ashok took the offered glass, nodding in appreciation. "At least you're trying to put more of your own style in the house in the States," he replied, pride in his voice. "I'm proud of you."

Like he expected the taller man to do, Vikram shifted slightly on his feet, the only hint of surprise he showed at hearing the words "I'm proud of you." He wasn't used to hearing such things, which was why Ashok tried to tell Vikram that as much as possible.

Vikram grunted in response, looking away from Ashok briefly. "That's not what I called you here for though." His words reminded Ashok that he wasn't here solely for a social visit.

"You didn't really call me, you beeped me." he teased, a grin forming on his face as he saw Vikram roll his eyes. He sat down at the dining table, becoming serious again. "Okay, sit. Tell me what you need to talk to me about, I'm all ears, Vik."

"I want to ask Sylvester out," Vikram answered as soon as he sat down. His posture was rigid as always, but he seemed nervous at the prospect of asking someone out, the slightest tremor in his hands before he steadied them as they rested on the table.

Sylvester was Vikram's soulmate, a single father of two that he had met while grocery shopping and who lived in the very same city the base Vikram was stationed at was at the edge of. He was older than Vikram and Ashok, but that didn't stop Vikram from loving that man as soon as he laid eyes on Sylvester.

Ashok chuckled, resting his chin in the palm of his hand. "Oh, you're finally going to ask him out, huh?" he asked, amused at Vikram's nervousness. "I thought you were going to just hold in the love you feel for him and never ask him out."

Of course Vikram was nervous, he had never been on a date, had never even let himself fall in love with someone before Sylvester. He knew basically nothing, or at the least very little, about dating. He had always been too busy being the "perfect" soldier.

Vikram had missed out on so much in his younger years, but it was better late than never.

Vikram glared at Ashok, kicking the shorter man under the table, and not gently at that. "Are you going to help me or not?" he asked, unamused. His eyes grew distant for a brief second, thinking before coming back to reality.

"Do you think I should write a letter asking Sylvester out?"

"No!" Ashok blurted out before he think to say it a bit nicer. He shook his head, calming down enough to lower his voice. "No, Vik. This is a serious matter and you wouldn't want your letter to get lost. You need to call him, it's much better, trust me."

They both got up, Ashok gently leading Vikram to the landline the house had. He was tempted to give Vikram his phone to call, but he knew Stone didn't like holding smartphones, even if a smartphone was the work phone the military gave them.

"Be sincere and make it clear that it's a date you're asking him out on," Ashok advised as Vikram picked up the landline phone and started dialing. "You know what type of a date you want to go on with him?"

Vikram nodded and lifted the phone to his ear, hearing it ring.

Ashok knew Vikram's heart was beating rapidly in his chest, nervous to be speaking to the man he thought about constantly. He could tell because the taller man was starting to glance all around the living room, too nervous to look at one single thing.

Vikram cleared his throat before speaking. "Hello, Sylvester? This is Vikram, I'm calling on my landline," he said, Ashok noting just how calm the other man sounded.

It was almost impressive, if not for the knowledge that Vikram's stoicism was something that was literally beaten into him. Ashok longed for the day that Vikram's stoicism was something he only relied on while working, for when he absolutely needed to not show any emotion.

"Uh, no. No, it's not that," he replied, his confidence wavering. He glanced at Ashok who was nodding in encouragement for him to keep going. "I was wondering if you would like to go on a date with me? Somewhere with no food, of course. Unless you want to come over for dinner."

Ashok knew the silence between Vikram's question and Sylvester's answer was secretly killing the taller man. He knew from previous conversations that Vikram was very scared of Sylvester deciding he wasn't good enough as a soulmate and leaving for someone better. It was something that haunted the taller man, made him fear getting close to most people.

Thankfully, Sylvester seemed to answer, because Ashok could see Vikram relax ever so slightly, no doubt hearing a "Yes" from his soulmate. He watched Vikram nod before he realized Sylvester couldn't see him.

Vikram looked away from Ashok, trying hard to not see the amused stare Ashok gave him. "A museum date it is. When are you free?" He walked away, walking into his bedroom for some privacy.

Ashok stayed in the living room, sitting down on the couch to wait for Vikram. As he waited, his eyes went down to his arm, looking at the compass. His eyes widened, seeing the compass needle shift just a little.

Huh, seemed like Vikram wouldn't be the only one who'd meet his soulmate.

Banners made b @cafekitsune

[cine-vibes]

Imtiaz Khatri: Crafting Powerful Stories in Bollywood

Imtiaz Khatri has established himself as a prominent name in the Bollywood film industry, recognized for his steadfast dedication to producing films that are both high-quality and emotionally rich. With a focus on compelling narratives, relatable themes, and visually stunning cinematography, Khatri has carved a niche for himself as a producer who values storytelling above all else. His standout project, Hrudayantar, perfectly embodies his vision of creating films that strike a chord with audiences, offering a powerful blend of emotional depth and cinematic artistry. Through his work, Khatri continues to redefine what it means to be a producer, championing films that not only entertain but also leave a lasting impact on viewers.

The Impact of Hrudayantar on Imtiaz Khatri's Career

One of the crowning jewels in Imtiaz Khatri's career is his co-production of Hrudayantar—a poignant Marathi-language drama film directed by Vikram Phadnis. Released in 2017, Hrudayantar marked not only an impressive directorial debut for Phadnis, a celebrated Bollywood fashion designer, but also a defining moment in Khatri’s career as a producer. The film is a masterclass in emotional storytelling, tackling complex themes such as marital discord, family dynamics, and personal growth during crises.

The story centers around Shekhar and Samaira Joshi, a couple whose once-thriving marriage begins to unravel under the weight of career pressures, emotional neglect, and life’s inevitable challenges. Hrudayantar offers a profound exploration of how relationships are tested by time, ambition, and circumstances, capturing the essence of human vulnerability and resilience.

What sets this film apart is its ability to connect with audiences on a personal level. While mainstream Bollywood often focuses on grand narratives, Hrudayantar dives deep into the everyday struggles of a middle-class family, making the story accessible and relatable to viewers across cultures. Khatri’s involvement as a producer allowed the film to retain its core emotional depth while maintaining high production standards, ensuring it reached a wider audience while staying true to its roots.

In addition to its stellar performances by Subodh Bhave and Mukta Barve, Hrudayantar also brought together a talented behind-the-scenes team that helped bring the script to life in a way that felt both authentic and impactful. Khatri’s keen eye for quality storytelling ensured that the film was not just another family drama, but an artful exploration of love, sacrifice, and self-discovery. His commitment to selecting projects with meaningful narratives reflects his dedication to nurturing films that don’t just entertain, but also leave an emotional imprint on audiences.

As Khatri continued to support films that tackle social and emotional issues, Hrudayantar became a milestone in his journey, establishing him as a producer with a unique vision. The film’s success, both critically and commercially, propelled him to the forefront of the Bollywood production industry, earning him recognition as a driving force behind meaningful, high-quality cinema in India. It wasn’t just a project for Khatri—it was a heartfelt contribution to Indian cinema, demonstrating that entertainment can be both artistically rewarding and emotionally resonant.

A Story of Complex Relationships: Hrudayantar's Emotional Core

Hrudayantar centers on the relationship between Shekhar and Samaira Joshi, played by Subodh Bhave and Mukta Barve, respectively. Shekhar, a workaholic hotelier, grapples with balancing his career and his failing marriage. Meanwhile, Samaira, a devoted mother, is faced with the challenge of maintaining her family while supporting Shekhar’s ambitions. The film delves into the emotional toll such imbalances take on their relationship and family, particularly affecting their two daughters, Nitya and Nysha, who represent the innocence and hope that holds the family together.

What sets Hrudayantar apart from typical family dramas is its ability to dive into the intricacies of love, emotional neglect, and the need for human connection in a way that feels deeply authentic. The film speaks to a universal truth—how often relationships, despite the best of intentions, begin to crumble when people fail to prioritize emotional bonds over material achievements.

A Stellar Cast and Powerful Performances

The film features remarkable performances, particularly from the lead actors, Subodh Bhave and Mukta Barve, who bring depth and vulnerability to their characters. Bhave’s portrayal of Shekhar reflects the inner turmoil of a man torn between personal success and family, while Barve’s portrayal of Samaira adds emotional strength and resilience to the storyline. The performances of the two young actresses, Trushnika Shinde and Nishtha Vaidya, as the daughters, are equally noteworthy, adding an innocent but poignant dimension to the family’s journey.

The Film’s Star Power and Guest Appearances

Aside from the powerful performances of the lead cast, Hrudayantar benefits from a few star-studded cameos that elevate the film. Bollywood superstar Hrithik Roshan appears in a special cameo, bringing added excitement to the film. Alongside him, renowned choreographer Shiamak Davar and popular TV host Manish Paul also make brief appearances, which not only add a sense of fun to the film but also create a strong connection with the larger entertainment industry.

Imtiaz Khatri’s Contribution to the Production

Imtiaz Khatri’s role as a producer was integral to Hrudayantar's success. His keen eye for quality cinema ensured that the film maintained a perfect balance between commercial appeal and emotional depth. Through his production company, Khatri has continued to support films that tackle complex human emotions while ensuring that the production quality stands out.

Khatri's involvement in Hrudayantar showcased his understanding of the evolving film industry and his desire to be part of projects that challenge conventional filmmaking. His efforts in bringing together a talented cast and crew, while also facilitating the film’s creative vision, made Hrudayantar not just a commercial success but also a critically acclaimed masterpiece.

The Cinematic Journey: A Balance of Art and Commerce

Meaningful Storytelling: For Imtiaz Khatri, producing films like Hrudayantar showcases his approach to cinema, where the focus is not just on entertainment but on impactful and meaningful storytelling that connects with audiences.

Support for Human Relationships: Khatri has consistently supported films that delve into human relationships, emotional depth, and the intricacies of life, with Hrudayantar being a perfect example of this.

Emotional Resonance: The film beautifully explores complex themes such as marital struggles, family dynamics, and personal growth, making it a standout in Khatri's portfolio.

Box Office Success: Hrudayantar achieved both critical and commercial success, reflecting Khatri's ability to back projects that are not only artistically valuable but also commercially viable.

Recognition at Filmfare Marathi Awards: The film's impact was further solidified with multiple nominations at the 2018 Filmfare Marathi Awards, including Best Film, Best Actor (Subodh Bhave), and Best Director (Vikram Phadnis).

Cultural Influence: Hrudayantar’s recognition at the prestigious Filmfare Marathi Awards highlighted Khatri’s contribution to promoting meaningful regional cinema and supporting high-quality productions that tackle social and emotional issues.

Vision for Cinema: Khatri’s work in producing films that emphasize strong narratives over conventional entertainment shows his commitment to the evolving landscape of Bollywood, where emotional depth is increasingly celebrated.

Inspiration for Future Filmmakers: Through his continued dedication to producing films that explore deeper themes, Khatri’s legacy encourages emerging filmmakers and producers to prioritize substance and human connection in their work.

Legacy of a Visionary Producer

Imtiaz Khatri remains dedicated to high-quality storytelling as he evolves as a producer.

Hrudayantar stands as a testament to his ability to select stories that resonate emotionally with audiences.

His growing legacy in Bollywood is founded on his love for impactful, heart-touching cinema.

Khatri’s success is driven by his relentless pursuit of projects that leave a lasting impression on viewers.

With a sharp eye for talent and a passion for emotional storytelling, Khatri plays a key role in the modern evolution of Bollywood cinema.

His support for films that explore depth, relationships, and human emotions sets a new standard for filmmakers.

Khatri’s work serves as an inspiration for future filmmakers and producers to focus on substance and heartfelt narratives in their creations.

Conclusion

Imtiaz Khatri has firmly established himself as a significant figure in Bollywood production, with Hrudayantar standing out as a milestone in his career. Through his work, Khatri has proven that successful films need not only commercial appeal but also emotional depth. By continuously choosing projects that celebrate meaningful storytelling and complex relationships, Imtiaz Khatri is paving the way for a new era of cinema that connects with the audience on a deeper, more personal level. As his career progresses, films like Hrudayantar will serve as a reminder of the importance of passion, creativity, and the human connection in filmmaking.

[spacetimewithstuartgary]

Mighty radio bursts linked to massive galaxies

Results from Caltech's Deep Synoptic Array-110 provide new clues about how magnetars form

Since their discovery in 2007, fast radio bursts—extremely energetic pulses of radio-frequency light—have lit up the sky repeatedly, leading astronomers on a chase to uncover their origins. Currently, confirmed fast radio bursts, or FRBs, number in the hundreds, and scientists have assembled mounting evidence for what triggers them: highly magnetized neutron stars known as magnetars (neutron stars are a type of dead star). One key piece of evidence came when a magnetar erupted in our own galaxy and several observatories, including Caltech's STARE2 (Survey for Transient Astronomical Radio Emission 2) project, caught the action in real time. 

Now, reporting in the journal Nature, Caltech-led researchers have uncovered where FRBs are more likely to occur in the universe—massive star-forming galaxies rather than low-mass ones. This finding has, in turn, led to new ideas about how magnetars themselves form. Specifically, the work suggests that these exotic dead stars, whose magnetic fields are 100 trillion times stronger than Earth's, often form when two stars merge and later blow up in a supernova. Previously, it was unclear whether magnetars form in this way, from the explosion of two merged stars, or whether they might form when a single star explodes.

"The immense power output of magnetars makes them some of the most fascinating and extreme objects in the universe," says Kritti Sharma, lead author of the new study and a graduate student working with Vikram Ravi, an assistant professor of astronomy at Caltech. "Very little is known about what causes the formation of magnetars upon the death of massive stars. Our work helps to answer this question."

The project began with a search for FRBs using the Deep Synoptic Array-110 (DSA-110), a Caltech project funded by the National Science Foundation and based at the Owens Valley Radio Observatory near Bishop, California. To date, the sprawling radio array has detected and localized 70 FRBs to their specific galaxy of origin (only 23 other FRBs have been localized by other telescopes). In the current study, the researchers analyzed 30 of these localized FRBs. 

"DSA-110 has more than doubled the number of FRBs with known host galaxies," says Ravi. "This is what we built the array to do."

Although FRBs are known to occur in galaxies that are actively forming stars, the team, to its surprise, found that the FRBs tend to occur more often in massive star-forming galaxies than low-mass star-forming galaxies. This alone was interesting because the astronomers had previously thought that FRBs were going off in all types of active galaxies. 

With this new information, the team started to ponder what the results revealed about FRBs. Massive galaxies tend to be metal-rich because the metals in our universe—elements that are manufactured by stars—take time to build up over the course of cosmic history. The fact that FRBs are more common in these metal-rich galaxies implies that the source of FRBs, magnetars, are also more common to these types of galaxies. 

Stars that are rich in metals—which in astronomical terms means elements heavier than hydrogen and helium—tend to grow larger than other stars. "Over time, as galaxies grow, successive generations of stars enrich galaxies with metals as they evolve and die," Ravi says.

What is more, massive stars that explode in supernovae and can become magnetars are more commonly found in pairs. In fact, 84 percent of massive stars are binaries. So, when one massive star in a binary is puffed up due to extra metal content, its excess material gets yanked over to its partner star, which facilitates the ultimate merger of the two stars. These merged stars would have a greater combined magnetic field than that of a single star. 

"A star with more metal content puffs up, drives mass transfer, culminating in a merger, thus forming an even more massive star with a total magnetic field greater than what the individual star would have had," Sharma explains. 

In summary, since FRBs are preferentially observed in massive and metal-rich star-forming galaxies, then magnetars (which are thought to trigger FRBs) are probably also forming in metal-rich environments conducive to the merging of two stars. The results therefore hint that magnetars across the universe originate from the remnants of stellar mergers.

In the future, the team hopes to hunt down more FRBs and their places of origin using DSA-110, and eventually the DSA-2000, an even bigger radio array planned to be built in the Nevada desert and completed in 2028.

"This result is a milestone for the whole DSA team. A lot of the authors on this paper helped build the DSA-110," Ravi says. "And the fact that the DSA-110 is so good at localizing FRBs bodes well for the success of DSA-2000."

IMAGE ; This photo montage shows the antennas of the Deep Synoptic Array-110, which are used to discover and pinpoint the locations of fast radio bursts (FRBs). Above the antennas are images of some of the FRB host galaxies as they appear on the sky. The galaxies are remarkably large, challenging models that describe FRB sources. Credit Annie Mejia/Caltech

[the-sixth-wheel]

Big News !!

1. Donald Trump arrested. It's a first for any US President! Hooray on the iconic achievement! He got booked at a Georgia jail on racketeering charges and had a sexy mugshot taken. He got out around 20 minutes after surrendering because he paid the bail amount.

2. Yevgeny Prighozin "death". Apparently a plane with him and 10 other people crash landed in Russia, and he's now presumed dead. He was a far right dude who rebelled against Putin because he didn't get enough leeway from him to be an asshole. He called off the march after a day. Two months later, he's dead. Go figure.

3. Chandrayaan-3 Success. They succeeded in soft landing on the South Pole of the moon, making them the first country to land on the South Pole and the fourth country to land a rover mission on the moon. It's the successor of the Chandrayaan-2 and the lander is named Vikram, while the Rover is named Pragyan. They focused on giving it more fuel than the previous mission in 2019 to allow for greater spin, and also used the images from the failed mission to aid the landing of the Chandrayaan-3.

Sorry for being a pesky news anchor, I just couldn't hold it in because of the barrage of news I've been bombarded with this week. A lot of interesting developments recently.

[kayetra-spade-queen]

I realized I haven't shared much of my Little Singham works. I've made fanarts, but I always post then on my Instagram and I don't post it here.

Well, now I'm gonna talk about the Little Singham In Multiverse movie, specifically the variant versions of LS (god, that's was an entire fever dream-). There are already some of them who had a backstory, but for those who doesn't, beware of the insanity I'm about to pull.

Raj Singham;

We got nothing to how he got into the position he has now. He was introduced like some guardian to this little town, fought this woman (I forgot her name) for light, and won.

For his backstory, I come up with some... Angsty shit.

So basically, back when he was younger, his town (not the town he protects now) was caught in some massacre, and he was the one and only survivor and escapee of that massacre. His parents, along with his newborn baby sister died in that massacre.

Baaghi Singham;

We also didn't know much about Baaghi aside that he's friends with this guy named Vikram, then their friendship broke off because of a misunderstanding because Vikram was brainwashed, then they reconciled after winning a fight and that's it.

I'll also give Baaghi of an angsty backstory, but not as bad as Raj's.

Baaghi's father was a soldier, and his mother is a nurse of the medic team. They died during a war, and he stayed with his grandmother until she eventually died as well due to old age, leaving Baaghi orphaned.

Ronin Singham;

Oh boy, this child is my absolute favorite. When I made the fanart piece of Ronin and Dragon one time, I literally spewed a lot of shit on the spot while posting.

This kid is most likely half-Japanese since one, he had Ronin as his name/title, and a ronin means a samurai without a master, and the place he's at right now might be Tokyo. We only know that he's some sort of ronin who roams around Tokyo to protect it from evil, then some Kaiju came about, and he have to fight them.

And for his backstory, oh boy how I've gone absolutely ham on it.

Basically, Ronin was born to be a core vessel of some sort of unknown energy. The woman who gave birth to him, his "mother", was one of the scientist in this project, and made him for the sole reason to become an experiment. Ronin was the only survivor and a success of the experiment, as the previous subjects died. His experiment name was A4N35, and it was the only identity Ronin had ever since he was born. Years later after Ronin escaped the lab, he destroyed the lab by exploding it, including his birth mother, but he's completely unaware that the scientists inside had died due to that explosion.

The energy that Ronin became subjected to become the core vessel to was taking a great toll on him; using the energy as a weapon as a means to fight became too painful for him to bear, so he never bothered to try and learn it. The energy is slowly replacing his blood, often he have the spikes and coughed out huge amounts of blood and became absolutely immobile as he would wait the pain out to pass before continuing what he was doing before, and it was like that for years to the point he treated it as normal.

He was given the name 'Suzuki Sora' after the other Singhams realized that Ronin never had an actual identity this whole time, with 'Sora' had the meaning of 'sky', while ''Suzuki' was the surname of his late birth mother.

Veer Singham;

His story was already a clear cut; a long lost prince of the kingdom who got kidnapped as a baby by his own uncle, fought his long lost father on a daily basis until they found out who he really is, and was officially crowned as the prince of the kingdom.

His mother seemed to have died at childbirth, that's why she was never been showcased throughout the entire flashback.

Aadi Singham;

A literal caveman where dinosaurs still roamed. His people of his village disappeared one day, and robots suddenly came out of nowhere and attacked him and his dino kid friend.

Dragon Singham;

What I like to depict him as the mature and elegant friend of this multiverse friend group. For some reason he's slightly shorter than the rest, and had a different face too. I'm sure he's either half-Chinese or fully Chinese.

He got his dragon powers after absorbing some power from a magical wood with a dragon carving on it, fought the evil that had been taking the people's food, and won.

For his backstory, I think he was left at his laoshi's doorstep when he was a few months old, and had been under the care of his laoshi ever since. He had no clue if he still had family or not.

The fact that his laoshi named him 'Dragon' is wild, even before he got those dragon powers. So I'll give Dragon an actual name this time; 'Wang Haoyu'.

Shakti Singham;

Idk what's the deal with this one, but he's definitely older than everyone else in the group with how big he really is, not to mention he had muscles too.

Basically Tarzan in a nutshell, protecting the giant animals that resides in the forest that he lives in.

For backstory, it'll be like Tarzan like I said, cuz how the hell did he ended up there?

I think he's gonna be close to Dragon to the point of bonding brotherhood, cuz look at the pic; they went on the same portal, and they give off brotherly vibes too when they left. So I think Dragon and Shakti are gonna hang out a lot.

Extra:

My fanart for Ronin and Dragon with some extra stuff

Base credit: DAHAN_illust (Twitter/X)

[unknown45321]

Title: Chandrayaan 3: India's Next Giant Leap in Lunar Exploration

Introduction

In the realm of space exploration, India has emerged as a prominent player, making significant strides in recent years. One of the most awaited missions that has captured the world's attention is Chandrayaan 3, India's third lunar mission. Following the successes of Chandrayaan 1 and Chandrayaan 2, this mission promises to take India's lunar exploration endeavors to new heights. In this blog, we will explore the key aspects of Chandrayaan 3 and why it is so exciting for space enthusiasts and scientists alike.

Chandrayaan 3: A Brief Overview

Chandrayaan 3 is the third installment in India's Chandrayaan program, which aims to explore Earth's celestial neighbor, the Moon. The mission follows Chandrayaan 2, which was launched in July 2019 and achieved significant success, despite the Vikram lander's unsuccessful soft landing attempt.

Here are some key features of Chandrayaan 3:

Redefined Goals: Chandrayaan 3 builds upon the previous missions' successes and failures, with a primary focus on achieving a successful soft landing on the Moon's surface. This marks a crucial shift in the mission's objectives, as the previous Chandrayaan missions focused on lunar orbiters and exploring the Moon's surface from afar.

Collaborative Effort: The Indian Space Research Organisation (ISRO) is collaborating with various international space agencies and organizations for Chandrayaan 3, including NASA. This collaboration opens up opportunities for shared scientific discoveries and technological advancements.

Advanced Technology: Chandrayaan 3 will utilize cutting-edge technology and lessons learned from previous missions to enhance its chances of success. This includes improvements in navigation, communication, and landing systems.

Scientific Goals: While the primary aim is to achieve a successful soft landing, Chandrayaan 3 will also carry scientific instruments to conduct experiments on the Moon's surface, analyze lunar soil samples, and study the Moon's geology and topography.

Why Chandrayaan 3 Matters

Chandrayaan 3 is a mission of paramount importance for several reasons:

National Pride: India has shown tremendous growth in space technology and exploration. Chandrayaan 3 serves as a symbol of national pride and technological prowess, showcasing India's capabilities on the global stage.

Scientific Discovery: The mission is expected to provide invaluable data about the Moon's surface and geology, aiding our understanding of lunar history and the solar system's formation.

International Collaboration: By collaborating with international space agencies, India not only shares the costs and risks but also contributes to the global scientific community. Chandrayaan 3 is part of a larger effort to expand human knowledge beyond Earth.

Inspiration: Chandrayaan 3 inspires a new generation of scientists, engineers, and space enthusiasts in India and around the world. It fosters curiosity and encourages STEM (Science, Technology, Engineering, and Mathematics) education.

Conclusion

Chandrayaan 3 represents India's unwavering commitment to space exploration and scientific discovery. With its revised goals, international collaborations, and advanced technology, it has the potential to not only achieve a historic soft landing on the Moon but also contribute significantly to our understanding of the lunar surface and the solar system's mysteries.

As we eagerly await the launch of Chandrayaan 3, the world watches with bated breath, hoping for another success story that will leave an indelible mark on the annals of space exploration. This mission reinforces India's status as a rising space power and serves as a testament to the human spirit of exploration and curiosity that knows no bounds.

[dhaaruni]

Chandrayaan-3 project director P Veeramuthuvel's father's reaction to the successful landing of Vikram lander on the Moon's surface.

[rabbitcruiser]

National Tell a Fairy Tale Day 

Gather round the fire, and make yourselves comfortable… Tell A Fairy Tale Day is all about exploring myths and stories, old and new. From grim(m) tales to urban legends, tap the dark corners of your subconscious and see what you find…

History of Tell A Fairy Tale Day

The sharing of magical, otherworldly stories is a tale as old as time. While the term ‘fairy tale’ was coined in 1697 by Madame d’Aulnoy (conte de fées in her native French), it’s likely that some fairy tales originated as early as the bronze age over 6,000 years ago. And for most of history, fairy tales have been passed on not in written form but via the oral tradition, with each generation telling and dramatizing stories to the next.

The fairy tale’s ancient roots can be traced all over the world, from Vikram-Betaal in India and Aesop’s Fables in Ancient Greece to Arabian Nights in the Middle East. It was during the late 17th to 19th centuries that fairy tale collectors emerged, most famously Charles Perrault and the Brothers Grimm. While the Brothers Grimm aimed to preserve folktales in their pure form, documenting them in the way they were told by rural peasants unable to read or write, Perrault and others reworked fairy tales for literary and artistic effect, with some writers such as Hans Christian Andersen dreaming up their own new stories.  

As the fairy tale’s history emerges into the modern day, it’s clear that the genre is still as popular as ever – look no further than the success of Disney movies to see how these stories continue to capture our hearts and imaginations. In fact, the famous Disney castle is inspired by Neuschwanstein Castle in Germany, built by none other than the Märchenkönig (fairy-tale king), Ludwig II of Bavaria, himself. Perched on a rocky hill and with horse-drawn carriage rides up to the front door, Neuschwanstein and its elaborate interior abound in myths and legends – the castle is even home to an artificial grotto!

By celebrating Tell A Fairy Tale Day, you’ll be continuing the magical tradition that has ensured fairy tales are still very much part of our lives to this day.

How fairy tales change over time

Perhaps one of the most interesting aspects of fairy tales is how they change over time. Simple plot structures, motifs and archetypal characters recurring across many cultures make these stories rife for adaptation and reinterpretation.

Although nowadays we usually associate fairy tales with children’s literature, you may be surprised to learn that many of today’s beloved stories have rather dark and disturbing origins. Imagine a world in which no woodcutter comes to save Little Red Riding Hood from the wolf’s belly, or in which one of the ugly stepsisters cuts off her own toes so that her foot fits in the slipper! From the 18th century onwards, many fairy tales were toned down and reworked so that they were more suitable for children.

These stories and the genre itself have also been adapted and reinvented for different time periods and cultures. Alongside original modern-day fairy tales, there are also various retellings, for example in urban settings or different countries. One particularly common type of retelling comes from women writers. Authors such as Angela Carter and Margaret Atwood have taken what are often seen as outdated tropes about women and reinvented them – the damsel in distress becomes the plucky heroine, and the trapped bride leaves her ogre husband for her happily ever after.

Why fairy tales are important

As it is often claimed Albert Einstein once said, “If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” We might not expect such high praise for fairy tales from a world-famous theoretical physicist, but Einstein recognized the importance of the imagination. Fairy tales are incredibly valuable for both children and adults when it comes to learning about the world in which we live and developing our capacity for creativity. Fairy tales have also been considered fertile ground by psychoanalysts. With their twists and turns, age-old themes and familiar characters, our favorite stories may reveal not only the workings of our personal subconscious but also the fundamental elements of our collective psyche.  

How to celebrate Tell A Fairy Tale Day

It should be clear by now that, when it comes to celebrating Tell A Fairy Tale Day, you really can let your imagination run wild! And while it’s a day that kids will love, it’s also a great occasion for adults too.

Gather your friends and family and take it in turns to share your favorite stories with one another. Time to brush up on your acting skills, as the more dramatic enactments the better – whether you’re good at impersonating a wicked witch or excel at acting out the characters’ quest through the enchanted forest, you’ll want to really make the tale come to life for your audience. And why not sit around a bonfire toasting marshmallows or string up some fairy lights in your living room to add to the atmosphere?

Alongside sharing the stories we know and love, fairy tales are the perfect genre for getting creative and honing your writing skills. Take a well-known story and tweak it to fit a different time or setting, or have a crack at inventing your own. It may well start with ‘Once upon a time’, but it’s completely up to you whether there’s a ‘Happily ever after’! Many libraries and literary organizations will also share stories and creative resources and even hold events to help mark the occasion.

If writing’s not your thing, then there are plenty of films and programs based on fairy tales for you to enjoy. Disney’s Snow White and the Seven Dwarves, Cinderella and The Little Mermaid are just some examples of the media giant’s adaptations, while movies and TV series such as Into the Woods and Tell Me a Story interweave and retell various classic fairy tales for new audiences.

And if you feel like going all out, why not host a fairy tale themed party? Encourage your guests to come in fancy dress, put on an enchanted feast of yummy snacks such as gingerbread houses and toadstool cupcakes, and throw some legendary party games like hunt the pea and castle building.  

However you choose to celebrate Tell A Fairy Tale Day, it’s sure to be a magical occasion!

Source

[black-arcana]

Watch: SCORPIONS Joined By DORO For 'Big City Nights' Performance At 2024 WACKEN OPEN AIR

German hard rock legends SCORPIONS were joined by Doro Pesch for a performance of their classic song "Big City Nights" this past Thursday, August 1 at the Wacken Open Air festival in Wacken, Germany. Fan-filmed video of Doro's appearance can be seen below.

During an April 12 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", SCORPIONS guitarist Rudolf Schenker confirmed that there was no more talk of retirement within the band, as there was back in 2010 with what was purported to be a final album and a farewell tour that never quite took hold. He said: "You have to think about that what we didn't know when we made [that] farewell tour [almost 15 years ago], it was exactly the time when WhatsApp came up, when all this new technology [on the] Internet came, that people watching the SCORPIONS on WhatsApp and seeing young kids between 16 and 24 or whatever, [they were] finding [out about] the SCORPIONS. So, and what was happening on the final tour, on the tour, kids were in front of the stage. We said, 'What's happening here?' The older [fans] were up in the balcony or whatever, and we said, 'Hey, it's a complete new feeling on stage.' So then 'MTV Unplugged' came and then we said, 'Hey…' The chemistry was right, no question about this. That's a very important point, when the band has a great chemistry. And then you have fun when you go on the road."

Last September, Rudolf also seemingly dismissed any talk of possible retirement but acknowledged that SCORPIONS would not be able to continue indefinitely. The 75-year-old guitarist told Vikram Chandrasekar of Tales From The Road: "It's not a never-ending road. The road will be finished sooner or later; it's up to you and to our gods. But in 2025, that could be a great time for our 60th anniversary. 2025, it's the time when SCORPIONS is 60 years old. So, then, to celebrate 60 years of SCORPIONS could be a possibility, because I'm in contact with our very old drummer, who was playing on [SCORPIONS' 1972 debut album] 'Lonesome Crow', and the bass player, and use them also on stage to see the different kind of states we went through. Because we are very much connected still in all the different musicians, and that shows again, when we can make it, that music is always there for making friendships."

Back in May 2022, SCORPIONS singer Klaus Meine told Jorge Botas of Portugal's "Metal Global": "We scratched that word [retirement] out of our [vocabulary]. It's not there. We don't think about it and we don't talk about it and we take it as it comes.

"We're just growing older and we do what we do and we hope our fans enjoy it as much as we do," Klaus continued. "But who would have thought we're still around after celebrating 50 years of being recording artists — our first album came out in 1972 and now 'Rock Believer' looks like it hits the big time with the fans and so many positive reviews from all over the world. And after all these years, who would have thought? And it's a wonderful thing.

"But all we know is [that] the road ahead is way shorter than what's behind us," Meine added. "And we never take it for granted — we never take success for granted. We work hard on what we do because we still love it and we still enjoy it. But it's what it is. And I think every artist knows what I'm talking about, because to go out there, play a great show for the fans and not let 'em down, it takes a lot of preparation, takes a lot of work. And being the singer, you try to make sure your pipes are in a good condition.

"It's a lot of things," Meine said. "And we don't know what the future will bring. Take a look at the next corner, and you never know what's going on. But right now, life is good. We have a great new album out there. And we have a lot of fun. We enjoy it."

Meine previously discussed SCORPIONS' aborted retirement in a 2018 interview with SiriusXM. "The thing is we have a much different view now," Klaus said. "And it's a young generation — that's the fuel that keeps us going, and it's really motivating.

"To be honest, every other year, you take a look around the corner: 'Can we do this?' 'Can we still deliver on the same high level, the way we used to do it?'" he admitted. "And that's the only way, and it's only fun if you can go out there and play a great rock show, wherever you do it. Like in the last couple of weeks, we had so much fun. But then you get sick on the road, like I did last year with the severe laryngitis. What can you do? There's not a chance. And then sometimes, of course, you ask yourself, 'How long can we do this?' Especially for singers — and I know I'm not the only one. But it's always, sometimes you ask yourself, 'Klaus, c'mon, how long can you keep up this level?' And then you go out there, everything feels good."

Circling back to SCORPIONS' 2010 "farewell tour" announcement, Klaus told SiriusXM: "Of course, we had our moment of doubt when we said, 'Okay. Maybe we should retire. Maybe this is a good moment.' And then we realized we were wrong, because there's still a lot of sting in the tail, so to speak, and it still feels good. There's such a demand for the SCORPIONS, and we're one of the few bands who play this global stage. If there wasn't this kind of demand, of course, there's no point after so many years, and you'd better go, 'Well, I go home and take it easy.' But there's such a strong demand and that really feels good and challenging — it's a challenge. Of course, you don't do it for the business. It's a good business, yes, but you don't do it for the business and for the money — you do it for the fun, you do it for what's inside of you, what's in your blood, what's in your veins, and that's the rock and roll music. And you wanna go out and play in front of an audience, because that's what it's all about."

SCORPIONS' only continuous member has been Schenker, although Meine has appeared on all of the band's studio albums, while guitarist Matthias Jabs has been a consistent member since 1978, and bassist Paweł Mąciwoda and drummer Mikkey Dee have been in the band since 2003 and 2016, respectively.

SCORPIONS' latest album, "Rock Believer", was released in February 2022. The album was recorded primarily at Peppermint Park Studios in Hannover, Germany and was mixed at the legendary Hansa Studios in Berlin, Germany with engineer Michael Ilbert, who has earned multiple Grammy nominations for his mix work with producer Max Martin on albums by Taylor Swift and Katy Perry.