#WHERE WAS SHE HASBRO

[jaybirdscoffee]

anybody else notice the startling lack of elita-1 content in most of the transformers one promo stuff?

[heckyeahponyscans]

My Little Pany

[aghostsnail]

does anyone else fw him <3

seaspray doodle for my pookie ever/g1 watching buddy hehe

[hercarisntyours]

hyperfixations are so fun because they either last years or a few weeks like when the elita-1 hyperfixation started I thought it was going to be some quick thing I'd move on from in like a month because "oh there's not a lot for her she's not really a character" but here I am like 3 years later and the hyperfixation is just getting stronger and stronger and frankly it's scary and the funnest ?? part is that it was out of left field and random like some fucking idk what the bird in rio ig came and bagged gagged me one day and is holding me hostage

[connecformers]

yes i am upset abt the lack of starscream and/or starbee why do you ask

so that es s3 huh

[firebunnylover]

In transformers,

What are sparklings? Are they like robot babies?

YES!

They are a mostly fan concept however. Hasbro has been cowards and unfortunately haven't realized how good an idea it is.

Mostly cuz that opens the floodgates of robot pregnancy I assume.

With that said, IDW comics does touch on the concept as far as I understand, regarding protoforms where they start out like lil marshmallows, then grow into their basic robot forms.

I think that protoform is a scraplet, but I'm not terribly familiar with IDW continuity so take that with a grain of salt.

In TFA, Sari can technically count as one.

Prof. Sumdac found her as a lil protoform that somehow ended up in his lab and after touching her, she somehow absorbed his DNA and became humanlike.

We probably would have GOTTEN MORE INFO IN SEASON 4 ABOUT HER ORIGINS BUT WE DIDN'T GET SEASON 4!!

Personally, I love the idea that they start off as lil squishy marshmallow blobs, developing arms n legs later on as they develop, along with more rigid structures.

And I think sparklings could be one of the reasons why Cybertronian altforms' tend to have this conveniently open space in them that you can access. They can get carried around like how marsupial do

Also we can't forget the biggest contribution to Sparkling Ideas, the KOBD child - Wildbreak.

He had so many similar traits to the gay cat husbands that fans just took the idea he was their kid and RAN.

(old drawing of mine of KOBD family feat. sparklings Wildbreak and Override)

I don't draw KOBD family as much as I should, I apologize for that.

[moomeecore]

g4 merch thats just incredibly, ridiculously goofy. for some reason rainbow dash and twilight are the main victims of the silliness

what was described by equestria daily as the "blob rainbow dash travel cube" - from 2017, and confirmed officially licensed by hasbro

these purses / coin bags made to look like the ponies heads, using a more horselike appearance - confirmed officially licensed

this twilight sparkle pillow - confirmed officially licensed

rainbow dash slippers, aka "stompeez" - confirmed officially licensed

rainbow dash bubblegum flavored mouthwash - officially licensed

this christmas ornament from 2017 - confirmed officially licensed

a???? drum set??? this is just goofy conceptually - officially licensed

twilight sparkle sleeping bag where she eated you up - idk if its official

twilight sparkle launchable dog toy from walmart - officially licensed

mlp potato heads - versions of these were sold previously but not listed as my little pony themed even though they obviously were, which is strange bc theyre both owned by hasbro - although it seems the mcdonalds happy meal series from 2022 was willing to admit it

the buildable vinyl figures by takara tomy, which come in pieces and you have to put them together. they have these akward long faces that make them more horselike but also very strange. i do think that the twilight, rarity, and fluttershy are charming enough that id actually want one ... also, they have the cutie marks printed on both sides, which is a rare W for mlp toys, AND they gave aj her hat - they come in little eggs in those toy gumball machines :3

also, bonus mention for the busy book toys! but everyone knows them i think lol. i really like this picture of the scootaloo one sitting in a big white void

[feminist-space]

Article by Fortesa Latifi:

"Being the child of an influencer, Vanessa tells me, was the equivalent of having a full-time job—and then some. She remembers late nights in which the family recorded and rerecorded videos until her mother considered them perfect and days when creating content for the blog stretched into her homeschooling time. If she expressed her unease, she was told the family needed her. “It was like after this next campaign, maybe we could have more time to relax. And then it would never happen,” she says. She was around 10 years old when she realized her life was different from that of other children. When she went to other kids’ houses, she was surprised by how they lived. “I felt strange that they didn’t have to work on social media or blog posts, or constantly pose for pictures or videos,” she says. “I realized they didn’t have to worry about their family's financial situation or contribute to it.”

Vanessa, who requested anonymity to speak freely about her family dynamics, says she helped create content for huge companies like Huggies and Hasbro when her mom landed endorsement deals. When she reached puberty and began menstruating, her mother had her do sponsored posts for sanitary pads. “It was so mortifying,” she says. “I just felt like I wanted to crawl into a hole and never come out.”

Being part of an influencer family changed everything about her life, Vanessa says. “Sometimes I didn’t know where the separation was between what was real and what was curated for social media.” And her mother’s online presence indelibly warped their relationship. “Being an influencer kid turned my relationship with my mom into more of an employer-employee relationship than a parent-child one,” she says. “Once you cross the line from being family to being coworkers, you can’t really go back.”

...

Khanbalinov has had zero new offers since he took his kids offline. “When we were showing our kids, brands were rolling in left and right—clothing companies, apps, paper towel companies, food brands. They all wanted us to work with them,” he says. “Once we stopped, we reached out to the brands we had lined up and 99 percent of them dropped out because they wanted kids to showcase their products. And I fought back, like, you guys are a paper towel company—why do you need a kid selling your stuff?”

The law has woefully lagged behind the culture here, but there’s signs that policymakers might finally be catching up. In 2023, in addition to Illinois, three other states—New York, Washington State, and New Jersey—proposed bills to protect influencer kids. Contrast that with the flurry of legislative activity in just the first two months of 2024. Seven more states—Maryland, Georgia, Ohio, Missouri, California, Arizona, Minnesota—have introduced similar legislation. Some of the bills are going one step further to protect the privacy of the kids featured in this content. In some states, proposed legislation would include a clause that borrows from a European legal doctrine known as the “right to be forgotten”—it would allow someone who was featured in content when they were a child to request that platforms permanently delete those posts. None of the current legislation introduced, however, would outright bar the practice of featuring minors in monetized content.

...

The movement on this issue was glacial for years, but it finally feels like the ice has thawed. Much of that progress is thanks to activists like Cam Barrett (she/they), a 25-year-old creator (@softscorpio) who uses TikTok to talk about her experience of being overshared in their childhood and adolescence. Barrett doesn’t go by her legal name anymore because of the online history it’s tied to. “I love my legal name,” Barrett tells me. “I just don’t love the digital footprint attached to it.” Last year, Barrett testified in front of the Washington State legislature as a proponent of a bill to protect influencer kids. This year, they testified again—this time, in front of the Maryland legislature.

“As a former content kid myself, I know what it’s like to grow up with a digital footprint I never asked for,” Barrett told the Maryland House of Delegates Economic Matters Committee in February. “As my mom posted to the world my first-ever menstrual cycle, as she posted to the world the intimate details about me being adopted, her platform grew and I had no say in what was posted.” And yet, Cam says her activism has been healing.

For Cam and other influencer children, getting a paycheck won’t give them back what they lost—a normal childhood unobstructed by the cameras pushed into their faces. But it could be the beginning of some version of restitution. “My friends say I’m fighting for little Cam,” she tells me. “It feels very healing because I didn’t have anyone to fight for me as a kid.”"

Read the full article here: https://www.cosmopolitan.com/lifestyle/a60125272/sharenting-parenting-influencer-cost-children/

[devourerofcheesecake]

Im so horrified, they’ve massacred my boy

My boy!!! *cries over childhood show*

WHAT HORRORS HAVE YOU SAID ABOUT MY BOY

[probablyasocialecologist]

Being the child of an influencer, Vanessa tells me, was the equivalent of having a full-time job—and then some. She remembers late nights in which the family recorded and rerecorded videos until her mother considered them perfect and days when creating content for the blog stretched into her homeschooling time. If she expressed her unease, she was told the family needed her. “It was like after this next campaign, maybe we could have more time to relax. And then it would never happen,” she says. She was around 10 years old when she realized her life was different from that of other children. When she went to other kids’ houses, she was surprised by how they lived. “I felt strange that they didn’t have to work on social media or blog posts, or constantly pose for pictures or videos,” she says. “I realized they didn’t have to worry about their family's financial situation or contribute to it.” Vanessa, who requested anonymity to speak freely about her family dynamics, says she helped create content for huge companies like Huggies and Hasbro when her mom landed endorsement deals. When she reached puberty and began menstruating, her mother had her do sponsored posts for sanitary pads. “It was so mortifying,” she says. “I just felt like I wanted to crawl into a hole and never come out.” Being part of an influencer family changed everything about her life, Vanessa says. “Sometimes I didn’t know where the separation was between what was real and what was curated for social media.” And her mother’s online presence indelibly warped their relationship. “Being an influencer kid turned my relationship with my mom into more of an employer-employee relationship than a parent-child one,” she says. “Once you cross the line from being family to being coworkers, you can’t really go back.” Vanessa will never get back the childhood that she gave up for the family business—not getting any of the money she helped earn is just another disappointment, even if it was entirely unsurprising. “My mom never led me to think there would be anything. She would continually remind me that the money she was getting from the blog or sponsorships was going toward us anyway through basic needs and that should be enough.”

[galedekarios]

this is a personal vent post so please let me just get it all out without trying to come at me lol:

so many ppl saying they respect larian's decision to peace out and not deal with hasbro/wotc, but i have to be honest, i don't respect them at all.

they are leaving a game behind that is unfinished and a narrative mess.

they leave a game behind where everyone paid the same amount of money for it, yet depending on which character you prefer, you get less content.

the disparity between everyone else and their writer's pet ast*rion is insane. he has a half to a third more content depending on which character you compare him to.

they leave behind a sparse act 2, which is already so barren compared to act 1 and all it had to offer. act 3 is a narrative mess and lacks structure.

they leave a game behind where they made promises a handful of weeks before release where they ought to have known that they, in fact, will not be delivering said promises: access to the upper city, consequences for playing certain races across the acts (playing a drow is going to be different in act 1 and gives you advantages vs act 3 where it would give you understandable disadvantages), etc etc etc.

they leave behind a game where content was cut from the companions to make it seem like the origins have something to offer when that system is barely able to compare what origin playthroughs offered in dos2 and it hurts the game and the experience (like tara being cut for companion gale).

they leave behind a game where they promised to much variety and proclaimed in panels from hell how they struggled to show the width and depth of the game, but really? it's about as deep as a puddle. a lot of the choices do not matter. kill ethel? nah, she's alive and well in the city. no sister hags to be angry here. give karlach no infernal iron and never talk to her at all? doesn't matter, she'll survive until the end of act 3 and will still call you her bff. dissuade gale to use the orb? we'll make sure he'll still offer 3 more times just in case. send yenna away from camp bc you don't want her there? doesn't matter, she'll stay. and yes, i'm aware these are all small things, but they are part of a larger problem. almost nothing you do truly matters to the point of where i just skip most things in act 1 and 2 now.

they leave behind a game that they promise to still patch, but some things have been broken since early access / release to the point of where i'm like i'm sorry, but your word that you will continue to patch things means about as much to me as all the other empty promises. the dialogue about morena dekarios is still broken and it's been over half a year now. the astral sea scene has low-res body textures for months. i know from mutuals who love minthara that her romance is still broken. and i could go on and on.

and what gets me the most about this is all is that they have learned nothing at all from dos2: act 3 of that game was so bugged and all over the place that i couldn't muster up the motivation to finish it the first time i played. they neglected a character to the point of where he could have been removed from the game or made a general hireling (beast).

those issues were at least attempted to be fixed in the definitive edition.

with swen saying that there will be no new content anymore and stating that both bg3 and its characters are now property of wotc/hasbro, it seems unlikely we'll even get an attempt of a fix.

so what this boils down to to me is just another game company not delivering on their promises after overselling their product and more or less abandoning it after a year to move onto the next big thing.

i don't think i can respect that ngl.

[witchyfoxelf]

today is an extremely bad day for the magic the gathering community.

if you don't play mtg, here's what you need to know: the most popular format by far is actually a fan-created format originally known as elder dragon highlander (edh), and later becoming enshrined as an official format under the name commander. despite its official recognition by wizards of the coast, the commander format was governed by an independent panel known as the rules committee. if my use of the term "was" sounds foreboding... it should.

on september 23rd, this independent rules committee announced the addition of four cards to the format's banned & restricted list. regardless of how you feel about these changes, they were aimed to do the one thing the rules committee cares about: keep the format fun & fair for all players. again, i must stress that this is their only motivation. that's something i'd like everyone to keep in mind before we move on to where we are today.

the rules committee was expecting the backlash to their decisions to be vitriolic. the cards they banned were popular among... a certain segment of players. and more importantly, they were cashcows for joyless collectors and the secondary market. the kinds of people who unironically refer to these little pieces of cardboard as "investments." and yeah, i'm being a little unfair here. i will acknowledge that. but i think it's pretty warranted considering what happened next.

what happened next were death threats. lots & lots of death threats. lots & lots of death threats, a disproportionate number of which were directed at the rules committee's only female member. yeah, shocking. ironically it turned out that she literally voted against the most unpopular changes to the banned & restricted list, not that she needs to have to make this entire thing reprehensible. but it's just... frustrating. all of it is very frustrating.

of course she isn't the only one who received these threats. the rest of the rules committee also received similar harassment, as did plenty of people who weren't even involved with this decision. it's just a very ugly moment for the community.

if you have ever considered sending someone actual, literal death threats over PIECES OF CARDBOARD, please reevaluate your entire life immediately.

and look, there are some extremely reasonable criticisms of the decision and how it was announced. i'm not denying that. and i will fully admit that i had a fairly positive view of the bans compared to the people who were angry. but regardless of how you feel about them, one thing is undeniable: they were made by people whose entire motivation is making the format more fun & fair. that was literally their only motivation. they were not beholden to shareholders or executives or any of the other machinery that makes Line Go Up. they just wanted the game to be as fun as possible.

today, wizards of the coast announced that the commander rules committee is officially handing over management of the format to wizards of the coast. a company who, ever since its aquisition by hasbro, has been nakedly motivated by profit above all else. a company who, even when it was more independent, would have ultimately had that motivation simply by virtue of being, you know, a company.

so tl;dr (too late), good job mtg community. you showed your entire ass to the world by harrassing people off of the internet over fucking pieces of cardboard, and now hasbro fully owns the game's most popular format. i hope you're fucking happy.

[okdollface]

When Barbie debuted in 1959 of course, it shocked the world and was a massive success. So it's only natural that other toy companies would feel inspired by the first fashion doll and follow the path of success Mattel was paving.

Now let's meet Sindy! First released in September of 1963 in the UK by Pedigree she was immediately a huge success. Mattel's Barbie was relatively unknown in Britain at the time (due to low amounts of American toys being imported during the time) and there really wasn't anything else quite like Sindy in the UK toy market - Sindy was even the first UK toy to ever be advertised on British Television!

Her tagline was "The doll you love to dress!" and she was a massive success, in fact, Sindy was SO successful that in 1987 Hasbro acquired the license in order to make the doll more appealing to American consumers. Hasbro then returned the license to Pedigree in 1997 and the Sindy doll was relaunched by Vivid Imaginations in 1999 lasting until 2002. There were several attempts to relaunch afterwards by different brands but unfortunately nothing that really stuck.

If you're interested in Sindy, there's actually a museum in Sweden called The Little Sindy Museum! Here's their page on Facebook and here's a website where I got all my Sindy information!

Have you heard of Tanya? Tanya is an italian doll originally produced by Ceppi Ratti in 1971. She was made to rival Barbie at a more affordable price point - which is what most likely led to her initial success.

Tanya became a product of Giochi Preziosi in 1993 where it continued being successful in Italy and in 2000 in a press release they announced they had distributed Tanya to the United States & Japan and achieved great success. Giochi Preziosi often will change the face art and logo of Tanya in order to stay current with the trends and current popularity.

Tanya is still being produced today with the most recent version of her sporting manga-style eyes!

And finally, Dawn. Dawn was a very short lived doll line from 1970-1973 manufactured by Deluxe Reading and produced by Tonner Toys. They were unique in the fact that they were very small in size (6.5 inches) and had both rooted hair and eyelashes. Though they were quite successful they were only on the market for a short time as they were discontinued after the company went out of business in 1973. Mattel even made a rival to attempt Dawn by releasing a similar concept "Rockflower" dolls in 1971.

Dawn's catchphrase is "It's groovy to be a girl!" which I love I think that is so iconic. Over the years there have been several attempts at a revival, once in 2000 by Checkerboard for Dawn's 30th anniversary and then again in 2004 by Toy Mania but neither company was able to sustain reissues and quickly shut down productions.

[eschergirls]

So, as a follow-up to yesterday's post about the now-cancelled Transformers Online, somebody showed me concept art of Arcee (one of my favourite Transformers!) from the same game, and obviously she's a robot so she can look like anything, but it's too bad she still has to be in the "90 degree centaur pose to give her the illusion of a butt" thing that often seems standard for so many female characters. I do otherwise like the design though and also how it uses the wheels as her "heel".

I also found beta test gameplay footage of Transformers Online on YouTube where you can see Arcee's model. It looks even stranger from the side when you see the player rotate it.

Incidentally, I don't know what the game was originally conceptualized as (Wikipedia says it was an MMORPG before it was reworked by Tencent), but apparently they turned it into an Overwatch clone at some point, probably after the massive success of Overwatch in 2016.

(Concept art and screenshots of Arcee from Transformers Online, Tencent Games & Hasbro)

[physalian]

Transformers Prime Appreciation Post

You know what. You know what?? This show has featured in so much of my writing advice, it deserves its own “This show is amazing and has amazing writing and shit you can learn from it to be a better writer” post. It’s streamable on Netflix at the time of this post. I own it on DVD. I have all three seasons on actual, physical discs that I bought new for my DVD collection. That’s how much I love this show.

What is TFP? TFP aired on The Hub network, the joint venture between Hasbro and Discovery Channel that died after MLP ended, I think. We lost cable before that happened. TFP was probably single-handedly sustained by MLP money for a while, like the rest of HBO on GOT.

This show came out when I entered high school and I have extremely vivid memories of some of the constant previews they showed of the season 1 finale 3-parter, to the point where whenever I watch the scenes that were in those teasers, I still get a physical reaction from being bludgeoned over the head with those lines of dialogue.

I used to scroll ahead in the TV guide as far as the scheduled programming allowed, just to catch snippets of what episodes were slated to air within the next month. This show was the shit.

But it was too expensive and its budget got eaten by Friendship is Magic. The bronies ruin everything I guess.

It’s 3 seasons (technically 2.5 since 3 was only greenlit for half its episode count) of near-perfection and a tv-movie. There are a few weak episodes, sure, and one absolute dud of a clipshow episode, but there are no awful episodes. There ain’t no “Great Divide” for this show.

Why you should watch it:

1. A “kids” show that absolutely takes itself seriously

One of the Autobots dies 5 minutes into the series and it’s the inciting incident for the entire story. He gets blown up, taken prisoner, and then stabbed through his chest by a Decepticon’s fist without warning. He then gets brought back as a zombie, killed again, infects his partner with the zombie juice when she’s trying to save him, and dies for good.

Two main characters get straight-up murdered, long-running characters whose deaths have lofty consequences for the narrative. There’s betrayals, double-agents, robot torture, robots getting eaten alive by scraplets, gaslighting of an amnesiac, near-murders of POWs, near-murders of fan-favorites who get so hurt, their recovery spans 4 whole episodes, attempted child murder, terrorism, and mad science.

But there is also some heavy emotional shit. The surviving partner of the zombie is damaged by his loss for the entire show because she can’t properly manage her grief. There’s characters going on suicide missions to avenge their dead/dying friends, getting beat to shit while a child watches helplessly on the sidelines screaming at them to get up and run through tears. There’s war flashbacks to dead friends and comrades and the terror and fallout of being eons-old soldiers.

There’s quiet moments, too, about grief and loss and living with disability and disfigurement from battlefield wounds. There’s the machinations of a tragic villain, openly and explicitly abused in front of his whole team and who keeps crawling back and groveling at his master’s feet and his internal identity crisis over who he is, if he’s not with his abuser. There’s the fallout of an extremely divisive trolley problem where a normally calm and collected character loses their shit with grief over the decision that was made. There’s the quiet rumblings of dissent and rebellion in the ranks and all the backstabbing that follows.

And there’s clever moments. Rogues and rebels orchestrating complex and interwoven plots to further their agendas. A POW who no one would ever expect to be captured absolutely trouncing their captives and laughing all the while while they free themselves. Characters who always have a backup plan to force others into awful predicaments.

The first episode after the 5-episode mini-movie that opens the show features an A-plot about school science projects, and a B-plot about waking a loyal ‘Con from stasis and trying to convince him to bow down to the ‘Cons’ temp leader, Starscream, while Megatron is elsewhere. It does not end well for him. The very next episode features robots getting eaten alive by alien metal termites.

2. Depth of Character

Beyond the actual plot, the villains might be more compelling characters than the heroes across many arcs and episodes. You’ve got five main autobots for most of the show that generally fit the 5-man band:

Optimus: Leader

Ratchet: Smart Guy

Bulkhead: Tough Guy

Arcee: Lancer

Bumblebee: Heart

Also guest starring the Alien Robot Cowboy Samurai known as Wheeljack, he’s amazing.

These characters have some really rich episodes and arcs, and moments where they have to put their own values, wants, and agendas aside for the greater good or the problem at hand. They feel like real people, for lack of a better word. They laugh, they cry, they rage, they grieve, and since the show is one long storyline, what happens seemingly inconsequentially in season 1 will come back to haunt them in season 3.

But then you have the villains, an extremely dysfunctional team of “every man for himself, we’re all not here because we like each other, but because we hate the Autobots,” and I can tell from the fanfic that the ‘Cons are the much more popular characters to write about.

Megatron: The fascist narcissist warlord

Starscream: His scheming SIC both too smart and too dumb for his own good

Soundwave: The utterly badass TIC comms chief who never loses and is insanely, fiercely loyal to the cause

KnockOut: The absolutely gay-as-fuck cosmedic surgeon/chief of medical voiced by Daran Norris, who’s only design requirement was to make him a sexy sportscar, and they ended up with a cherry red Aston Martin. One of his first lines in the show is "*whistle* Sweet rims” at Optimus in truck mode.

Breakdown: KO’s himbo, canon* boyfriend with some of the best, cringey puns

Airachnid: Arcee’s arch nemesis, the only other female transformer, a “love to loathe her” type

And others down the line for both teams.

*Canon insofar as a kids show on a kids network allows a la “we’ve given you as much subtext as we can, do the rest”.

KO is technically my favorite but it’s a tossup between many and that is a feat, especially when they’re the villains. They are all extremely compelling characters.

3. The Story

With some exceptions, episodes don’t happen in isolation. Most of season 1 is a bit random with a foggy throughline, but season 2 is utterly amazing, sans that one clipshow the producers probably insisted on.

Season 2 is the show’s finest hour and without spoiling anything: The end of season 1 sees this database that had been in the ‘Cons possession suddenly now with the means to decode and decrypt whatever’s locked behind it. The database contains coordinates on Earth of a myriad of confiscated weapons, ancient relics, and the like and the entire season is one big fetch quest with both sides racing and beating the shit out of each other to decode coordinates and retrieve the relics before the other side.

The macguffins are pretty cool in their own right (alien mustard gas, a giant Final Fantasy sword, an alien nuke, a phase-shifter) but it’s the intensity of the story and the action and drama that happens around the various quests that is so amazing.

At one point, the show takes four episodes to tackle a fetch quest across four separate relics that involves the entire cast on both sides and the two rogues all gunning for their targets at the same time, ending with one character critically injured that grinds the whole plot to a stop.

The show is one long story, as I mentioned, where something that happens in episode 2 shows up again as critically important in episode 40 and that’s a heck of an achievement on the writers’ part, making it all feel like it was planned that way from the start, even though it wasn’t.

Season 3 is… lesser, mostly because it has half as many episodes because the show was canceled. However, the writers knew about the cancellation early enough to still deliver a satisfying story, and wrap up loose ends with a tv-movie that is also pretty good.

Episode-to-episode there’s definitely a mixed bag of what kind of tone you’ll get. It’s still a kids show and there are human characters so there are some lesser episodes with the humans’ lives as the focus and the Autobots running support. Then you’ll have small-screen perfection, but like I said, there’s never a single episode of story (not clipshow) that I skip upon rewatch, no matter how many times I’ve seen it. The second “clipshow” episode is far and gone above the first, told through the eyes of a character as they’re on trial, only their scenes through the story, as they await judgment that might see them executed.

4. The Production Value

The majority of the animation budget rightfully went to the transformers themselves, which left the environments and the human characters a little rough around the edges. But you came for alien robots and before I got this show on DVD, I streamed crap quality episodes online. Once I saw these characters in full HD color, for the first time since it aired on TV, I was blown away. The reflections are, bar none, the best part. Which seems like a strange hill to die on but these are shiny metal giants. There’s some shots where you can see the reactions of other characters reflected hazily in the chest plates of the speaking character, and this is kids animated TV.

Some episodes do stand out, possibly because they changed studios, but some do have some off-kilter coloring or shadows, but you wouldn’t notice if you’re not like me and have picked some scenes apart frame by frame.

The music, also, is amazing. It’s grand and epic and far and gone from the 80s synthesizers, with a few choir tracks thrown in. The foley and sound design can get a little gratuitous with the metal-on-metal squeals, but none of it ever feels out of place.

I bought the directors’ commentary without knowing it for seasons 1 and 3 and they talked about having all the digital screens in the backgrounds of both bases constantly moving and showing data, not just static, blank images, and it really ups the feel of the quality and care put into the show when there’s always something cool to look at in every frame.

There are also some money shots. At one point there’s a fight that demands Optimus and Megatron join forces and with zero dialogue between them, only choreography in the span of about 25 seconds of animation shows you that these two really were old friends, old allies, old confidants. Their moves are mirrored, back to back, showing that Megatron clearly taught Optimus how to fight and this shot, the one at the top of the post, is too good to not spoil.

5. The Writing

Beyond the overall arcs, I mentioned in my “How to make your writing less stiff” post that the dialogue in this show is stellar. Due to animation budgets, they didn’t have the means to fully render a huge variety of environments, and that includes anything on Cybertron. So, when necessary, outside of when characters actually go to Cybertron later in the show, they use some beautiful matte paintings and voiceover narration by Ratchet, absolutely dumping exposition on the audience in spectacular fashion.

I have the director’s commentary. I know Ratchet’s monologues were a thing of beauty. They also had the cast all recording their dialogue at once, standing in a big U for more natural line deliveries.

The actual writing though, from the different ways the characters speak to the lore, the backstories, how the show can be a horror trip one minute and a kids’ science fair the next, showed incredible variety and flexibility in the writers’ room.

Optimus’ lines remain my favorite because they’re just that juicy, but then you have characters like Starscream, a perpetual schemer who loves to hear himself talk, pontificating whenever he can about his plans and how much he hates Megatron and how self-important he is. Or other righteous characters who use Big Words like Optimus that don’t feel out of place against somebody like KnockOut who says stuff like “I like the way I look in steel-belted radials” or Wheeljack who clearly learned English from watching Clint Eastwood movies.

Or, a later character, Shockwave, the most “robotic” of the robots and very poncy and scientific with the way he talks and interprets the world, with most of his lines including whether or not a character’s choices were “logical”.

This show is fantastic at creating tension out of mundanity and keeping you on the edge of your seat for nail-biting action scenes. You feel the anguish and the grief with the characters. Their rage and elation and devastation.

Some faults, because I love this show and I can recognize them

The human characters are… well, teenagers. Miko is pretty divisive, you’ve got the camp of “wah she’s a girl and she’s annoying” and just people who don’t find them as compelling. Which, fair. Their animation is a bit gummy and sometimes they disappear for entire episodes and their human world arcs are kind of abandoned. They’re not the best, but this isn’t about humans, it’s about transformers.

Due to probably time constraints with the show being canceled, some transformers’ arcs also felt abandoned or not given their due time to shine (of which fanfic has made painfully clear and rectified). It’s a very tight plot, but there are some dangling loose ends.

Sometimes it is incredibly in-your-face that this is a show meant to sell toys, particularly in season 3 with the whole uh, “we must become beast hunters” and the soft rebrand.

There exists a subplot of C-list villains, human militants who want to dissect cybertronian biology and make weapons. While some of their episodes are absolute bangers, you can tell the writers were getting sick of them before they’re finally written out of the show.

And a few awkward lines here and there.

Other cool shit if nothing else has convinced you

No love triangle or romantic subplot for the two female robots and one of the female humans. You can read one of Arcee’s relationships as romantic or platonic, but she is far beyond just “the girl” of the group, she’s a badass. The other romantic subplot is between a mom who’s deadbeat ex-husband is inexplicably missing, and a pot-bellied Army vet, and it’s really sweet and healthy.

(I think) incredible representation of characters with disability, in Bumblebee’s various war scars and his mutism.

The Gays. I swear there’s a page in the art book (of which I am desperate to find a copy of) for KnockOut and the caption of his art legit says something like “we made him too sexy, oops”.

So. Many. Puns. Puns that know they’re awful and relish in it. Dad jokes, too.

Ratchet losing his mind over how human children can get “twisted limbs and metal burn” if they do a dangerous thing before realizing the latter does not apply. Ratchet losing his mind in general. Just all of the cranky medic. Jeffrey Combs can make a phone book entertaining.

One of the last times we’ll probably get Peter Cullen and Frank Welker together doing Optimus and Megatron, the OGs. And also, one tiny moment where Frank has to say “treasure” and he still flubs it just like he does for Fred in Scooby Doo.

Consistency between character injuries. If Optimus’ sword breaks in a battle, whenever he summons it before he can have time to fix it, it’s still broken in ensuing shots.

An episode of zombies infecting the Decepticons’ ship and Starscream and KnockOut accidentally admitting they love each other while cowering in terror, while also calling back to a different pair of characters they did not witness saying the exact same lines.

Optimus transforming, ramming Megatron in the chest in truck mode, booting him off a cliff, and using his tires to melt rubber in Megatron’s face once they land because he is pissed.

All of Starscream’s immensely satisfying comeuppance for situations he gets himself into.

Using the murder termites for good in a rather horrifying death of a random goon.

Megatron’s hate boner for Optimus that clearly shows how badly these two don’t actually want to kill each other, despite having a million chances to do so, because like Batman and the Joker, “you and I are destined to do this for eternity,” and killing one would leave the other alone, after eons of fighting.

The gorgeous matte paintings.

—

Somebody on here once drew KnockOut with Autobot blue eyes and I have not been able to find that post since. If anyone sees it, please send it to me, it was gorgeous.

Now go watch this show. You can do it in a weekend.

[legs-like-jelly]

thinking of a tickle fight between bee, dee, orion, and elita and just. the sheer chaos that would happen. bee taps out like five minutes in (bro's overstimulated :pensive:) but keeps rejoining because it's a LOT but it's really fun. orion manages to get elita at a good spot and she genuinely SQUEAKS before dee comes over from where he was wrecking bee and gets orion. orion's swiveling to tickle dee but then elita is whipping around and helping dee get orion on the GROUND, but then bee is jumping back in to tickle dee and just. it's so chaotic and crazy but everyone is laughing and when it ends they're all just kinda in a giggling little lump of mech and not even elita can hide her smile - 🥝

oh my GOD- if hasbro werent cowards they'd ANIMATE THIS!!!/j

this is so sweet i might actually cry..my headache is gone i no longer have chronic issues my crops are watered and all my financial struggles have disappeared-

i LOVE them and of course when bee regains his strength he's gonna get all three of them..i imagine he darts between all three, making them squeak and try to catch him..