#WHY DID WE CUT IT!!

[problemnyatic]

the steven universe hate is insane bc people are (or at least were) more upset that fictional war criminals got fictional hugs than they recognize that it singlehandedly advanced queer rep in children's media by lightyears and then straight up ate heavy retaliation for the nerve.

It does have real flaws that are worth discussing, but it also put their male protagonist in dresses and skirts and played it straight and even empowering, they aired a lesbian wedding on television, it was a genuinely queer, genuinely diverse piece of media through and through. It did a lot of real good for the real world.

But also the fictional characters caused fictional harm to other fictional characters, and didn't get an onscreen firing squad sentence. So, you know, it's basically ontologically evil in real life.

[hyakunana]

I hate the sewers . jpg

[front-facing-pokemon]

[drenched-in-sunlight]

people bending over backwards to scream Marika never loved Messmer when he alone has more blessings personally bestowed by her than any other demigods combined are so funny to me. also the fact that it's implied he used to live in Leyndell too 😂😂

also she killed an entire god herself and made sure said God is called all manner of names and depict as ugly forever. for him 😂😂

[bionicboxes]

i do not think enough people consider the potential of Noelle meeting Spamton in a normal route.

[scatterpatter]

MEGAMAN FANS HOW WE FEELIN-

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[pinacoladamatata]

both hands full....

[danwhobrowses]

Okay yeah I wasn't ever gonna be contained with just one post so, Callowmoore stuff that's on rotisserie in my brain from ep.94

Long and deep looks at each other and a hug right off the bat!

When asked by Laudna if they were okay in ep. 91, Ashton deflected with 'say that again?' and 'are any of us?', but when Fearne asks they give a genuine answer and then also ask her how she's feeling, because she's been quiet and they care

Ashton, despite hurting when they're touched and exhausted so the chronic pain is as intense as the first time, still wanting to cuddle with Fearne - and feeling at ease when they do

And like, the way they were trying to articulate it implies that they've wanted to ask for quite some time, but the timing has been off or situations have gotten in the way, and they don't want to wait any longer

But also they don't ask if they can cuddle they ask if Fearne wants to; they want to, but they ask Fearne if she doesn't want to sleep alone, because her comfort is as important or more important than their own

Fearne given her past experiences with people of course thinks they mean the other kind of company, which she notes she does want (so that's not off the table) but asks if they could just cuddle - to which Ashton doesn't entirely deny either, but notes that they're tired and in a lot of pain right now so they too was asking for the same

Also the fact that Fearne, who has been in a threesome inside a corrupted haunted wood, will later flirt with a dark echo of herself, and spooned with a ghost pirate captain, got so flustered about asking Ashton that she just wants to cuddle

Despite the awkwardness they still just laugh and joke together through it, they're awkward but it's in a sweet way

All of Ashton's immediate action the second they realised Fearne was missing - similar to how they wanted to find her after the shard incident but this time in a position where they could take action - no nonsense, no pissing contest with Chetney about her scent being on their bed, "Find. Them. Now."

And then still being soft after seeing Fearne again, because all that matters right now is that she's still here. And another post I saw said it better but, Ashton never seeks to change or 'correct' parts of who Fearne is; she can still follow cute animals just next time bring a buddy along (which given how they were in bed together would imply meaning them), they love her for her, fae and all, they just want her to be safe

Not entirely ep. 94 but given how on 91 Ashton pointed out that they needed to sleep and 'figure out who they wanted to be', and then here ask Fearne to be there beside them so they could have someone to wake up to, it to me at least says a lot about what Ashton has already decided; and how despite both of them having dealt with grief and anger and helplessness by bottling it up, hiding away, and shouldering it alone, this time they both wanted to just feel at ease with each other

[bugsbenefit]

Mike's og character design having a birthmark is really cool i think but also related gripe i have with the show is them not giving him a scar post s3 which would have been in the exact location the birthmark would have been in originally. perfect set up and then they fumbled the prime opportunity to make a homage to their original idea

the show always picks and chooses when to be medically accurate. like how Steve never needing immediate medical attention after the multiple blunt hits he got over the head is an actual miracle. but it's easy enough to suspend disbelief on that since people get knocked out and get back up again in movies all the time. everyone's used to that

but actual bleeding wounds are a lot weirder to just magic away especially when Jonathan and Nancy both got lasting scars from something as clean as a knife cut in the same show

face skin already scars incredibly easy to begin with and on top of that the cut Mike gets is the opposite of the clean knife cut J/ancy made. that's from getting his face forcefully smashed into a metal pipe and giving it's bleeding like that (unlike Max who only got bruises, no broken skin from hitting the wall) he seems to have either hit a valve/edge or the blunt force was That much. that wound lining is going to be jagged as fuck either way, no way that heals cleanly irl (only upside here is the mall being built as a cover for a new military base so the pipe's at least not rusty, small wins. low tetanus risk who cheered)

i get why they'd ignore it from a technical perspective. giving a character facial scars is always tricky since you need to make sure it's in the exact right place every day with how obvious even small placement errors would be. i get they avoided the hassle. still, fumble imo, would have been really cool. kind of more surprised i've not seen more fans go with medical accuracy on this, that's things fandom usually jumps on. i've seen no art and like one fic go with that scar now that i think about it

anyway that's the closest canon got us to the birthmark territory but then they didn't L

[amid-fandoms]

All i have to say is that Dan’s biceps are bicepping and Phil’s dainty wrists are limp

no cause if we don't get all of these pics in HD on the website i'm suing someone idc who

[youling-the-ghost]

We as a fandom need to talk about Persephone x Geoff as a sfth couple because holy shit I didn't expect a tragic love story between a siren who wants to save people and a human who was severely injured in a harpooning accident when I watched Wild, Wet & Worrisome.

[front-facing-pokemon]

[huimangi]

SWEET HOME

2x08 | 3x03

[saturngalore]

are people assuming those that are against inzoi….are defending for ea???? girl fuck ea this is about ai 😭 like if paralives and sims 5 also came with ai, i will be shitting on them like wtf?