#What the hell wrong with this fan community | Explore Tumblr Posts and Blogs

allaboutnayeli · 3 months

Text

not over, never over | a.putellas x reader

summary: you and alexia broke up but that doesn't mean everything is over.

author notes: sorry to the blonde british woman fans 💔 alexia won so i had to pull this out. i actually been wanting to write smt for alexia for so long! hope you guys enjoy this 😋

contains: ex!alexia x reader, no toxicity just pure misunderstanding and love in these parts, angst but it's worth it, from lovers to exes to lovers trope, lesbians lesbian-ing, badly translated spanish sorry spanish speaking community 🗣️, inspiration is lyssa & dijonai look at wnba lesbian drama influencing people outside of the league, slow build up.. just vibe

playing let em' know by bryson tiller 🎵

"if that's how you really feel then i'm done!" is the last thing you said to alexia before leaving her apartment. not only her apartment, but the three year long relationship that has been a stable figure in your life since it started. you aren't even sure how the argument that led up to the break-up even started; alexia and you ended up in her apartment after a intense training session. she was irritated, you were irritated. all it took was one wrong move where you complained that there was a lack of warm water after alexia's shower and you two were suddenly spilling out all of the problems going on in-between you two.

how sometimes the spaniard doesn't communicate in the healthiest way, opting to hold everything in until her emotions explode. how you overthink about every little action she does which leads to you misreading the situation and being distant towards her. it was both of yours faults but at the same time no body's fault. everything just happened at the wrong time, on the wrong day, in the wrong moment and the end result is a break-up that neither of you wanted but both of you refuse to take back.

the first few days without alexia feels like pure hell. going into practice and seeing her face everyday is not helping your emotional state. you want to be angry with her but at the same time you feel so apologetic that you can't bring yourself to entirely blame her for the break-up. she may have started the argument, but you continued it and was the one to end it in such a castophic way so you were also apart of the problem.

the other barcelona girls don't notice right away what happened. alexia and you would act friendly with eachother, a little avoidant but friendly. at the end of the day, when you two are on the pitch, feelings need to be pushed aside and football needs to take priority. she's still professional and you are too but there is a sense of distance that even others soon notice.

mapi is the first to say something about it. alexia is over mapi and ingrid's shared apartment, laying on her couch while watching some old euros matches. rewatching the euros from last year before the tournament for this year happens is a tradition mapi and alexia pride themselves on. however, there is a bit of sadness hanging over the usually fun hangout.

"is spain losing again or what? you have hardly smiled since you got here," the tattooed woman says, coming out of the kitchen with a bowl of popcorn. she makes alexia adjust so that she can also sit down on the couch. the way alexia takes a short moment to reply is already worrying mapi.

"what? no, i.." alexia shakes her head before glancing at her friend. she doesn't know what excuse to use; should she just say she doesn't feel well or say it's a family issue? neither would do, mapi can read alexia like the back of her hand. the only person mapi knows better is ingrid which is expected.

before alexia can say anything else, mapi places her free hand on the older woman's shoulder. a knowing smile on her lips as she looks at alexia. there is of course the constant warmth that mapi brings around with her everywhere, in everything. that warmth makes alexia perk up a little. mapi is her bestfriend; venting to her wouldn't be so bad. it wouldn't be bad at all. mapi is not the type to judge, anyone can see that based off her tattoos alone.

"is it about y/n? the last time i saw you two leave practice together was nearly a week ago and that's a long time for you two," mapi says gently, knowing how alexia sometimes needs coaxing to speak her mind.

it's something about hearing your name and mapi's tone and just being near her bestfriend that makes alexia blurt out, "she broke up with me!"

immediately she quietens down, hopefully none of mapi's neighbors cared about or heard that little outburst.

"i mean.. we had an argument then she left my apartment. she said she's done," the blonde sighs. letting out a small laugh at how mapi shifts to pull her into a hug. she accepts it easily, there's no point of rejecting it when mapi already knows what's wrong.

"it's okay, alexia. well.. it's not okay but you know what i mean," mapi says, "sabes que ella te ama."

"por supuesto que lo sé," alexia pulls away from the embrace. she lets out a tired sigh, leaning back into the couch to match the exhaustion in her mind. she could play practice for hours on end without feeling tired but days without you leaves her feeling aimless. three straight years of having you for herself and now you're gone, in that way at least.

"but still she said she's done. i feel horrible for how quick i was to lash out at her.." alexia continues to tell mapi about what happened. how the littlest thing set her off and she just couldn't stop. the argument wasn't even about the shower, alexia had been pent up with emotions for a long while that day. they all just spilled out the moment a tiny conflict happened. the remorse in the blonde is obvious just by her words, but it's not just her tone or what she says. alexia's whole body looks defeated like when she loses a big game.

it's a sorry sight truly. mapi gives her opinion once alexia is finished. saying, "just sounds like you need to communicate better. i think you can work it out with her. muéstrale que lo que pasó fue un error. uno del que te arrepientes."

alexia glances at mapi before looking at the tv screen across from them. the match is nearly over, with spain still losing. she can't even focus on how her nation's men team is being absolute shit when everytime she closes her eyelids, she sees your face. she sees the hurt expression you had when she snapped at you. the way she could see how you tensed up and immediately got defensive but there was this split second where you just looked so hurt. nobody would have caught that slight expression change before you yelled back, but she did, of course she did. she has spent so much time studying your face and your habits and just you that she could describe you so easily, like there is some textbook out there with your name on it. in a way there is; it's sitting all pretty inside of alexia's head.

if only she wasn't such an asshole, maybe all those things she knew about you wouldn't go to waste.

mapi doesn't try to make alexia speak again. instead she just chews on her popcorn and watches the match on screen. alexia would open back up soon enough, when she felt like it.

everyone else figured out what happened when weeks passed and you two weren't acting like y'all usually do. no obviously affectionate teasing or kisses you two think everyone else doesn't see. mapi of course haven't told anyone except for ingrid who isn't the type to gossip, but coming to the conclusion that you two were broken up was easy to get just from your actions.

walking into the locker room knowing everyone knew was driving your anxiety up a wall. would someone say something about it? or would they just ignore it? there isn't some tension between alexia and you.. at least you don't believe it to be. even though you can hardly look at her for more than five minutes before looking away. she wasn't doing any better. yeah, no tension.

you decide to just act like you were unbothered by the break-up. going into the locker room like any other day and just doing what you usually do; and nothing happens. everyone talks to you like normal. you thought someone would point out what happened but then you realized your teammates, your friends are better than that. all the questioning would probably happen later outside of practice.

everybody could see how affected alexia was even though she tried to hide it. she isn't as good at acting nonchalant as she thinks she is. in reality, the other barcelona girls could tell something was wrong with how distant she's being. keeping to herself more, being one of the first to head for the locker room once practice ended and one of the last to arrive. of course nothing affected her performance on the pitch. like always alexia was a force to be reckoned with.

meanwhile anyone who didn't know you. didn't know how deep the relationship between alexia and you ran would think you didn't care about what happened; the furthest thing from the truth. you just carry the hurt around, keeping it to yourself.

"hola hermosa. ¿cómo estás?" you hear from behind you when going to your car after practice. you turn to see salma. the tall girl smiles at you, quick to come closer and sling her arm over your shoulder. pulling you close as she says, "don't answer that. i already know how you're feeling. how are you handling the breakup is a better question."

one moment you were confused on who was talking to you and the next you are in salma's arms. you blame her long legs for how quick everything happened or maybe it's due to how spaced out you were being.

"how do you know i'm dealing with a break-up is the actual question," you say even though you already knew everyone else figured out what happened.

"c'mon, everyone can tell. we just didn't want to make things awkward at practice but aitana sent me to come check up on you," she smiles at you, "it isn't hard to figure out if anyone looks at you and alexia for more than two minutes. i can see it in your eyes."

was it that obvious? of course it was. you have always been thankful for how good your teammates were at figuring things out but right now you really wished you didn't so you could just deal with this on your own.

"alright, whatever. i'm not handling it well at all. i didn't think i would be single right now.." you let out a long sigh and another sigh when you saw the look of sympathy salma was giving you.

"awe, y/n," salma pulls you into a hug. you happily accept it, you have been needing a hug for a while now since you weren't getting any hugs from alexia anymore. it's a little embarrassing to hug in the middle of the parking lot, but whatever.

"can i come over? you can vent all you want. maybe get tipsy, nobody has to know," she says when she pulls away from the hug after a long moment.

you go silent as you think then you nod, "okay."

and that's how you end up on your couch, way more than a little tipsy (you only had two glasses of wine), crying to salma.

"i just don't get it. why wouldn't she stop me from leaving? why wouldn't she reach out afterwards? i didn't mean what i said!" your words are irrational and you know that but the alcohol in your system is just fueling your thoughts. salma is holding you in her arms. she's unsure if she should just outright tell you that it's obvious alexia wants you back or would it be better to just tell you to reach out instead. she goes with the latter; giving you the truth right now about how alexia is low-key miserable without you doesn't seem like the best option. maybe when you aren't tipsy off some wine.

"why don't you reach out? why didn't you? the break-up sounds so out of the blue, i wouldn't believe it if it wasn't for the fact you and alexia are being all weird around each other," salma says.

"we aren't being weird around eachother."

"alexia scored in our last match and you didn't go to hug her like everyone else. you just gave her a high five before we got back to playing. if this was a few weeks ago, you would have been the first to hug her."

salma's accurate reasoning makes you want to roll your eyes and deny, but it's true. alexia and you are at a weird point. haven't not talked once outside of something football related. no texting either, just pure distance. that night when you left you have hoped she would call or text or even talk to you the next day at practice, but that didn't happen. just silence and distance and a "friendly" demeanor that definitely had something underneath. just because you two didn't talk didn't mean there wasn't still chemistry there.

you shrug, looking up at the taller girl, "i might. just nervous, what if she officially wants to be done and never to look back? i just walked out on her." the anxiety in your mind was building back up; the alcohol was not helping.

"she might be, actually, i know she's hurt but that doesn't mean she wouldn't hear you out. it's you we're talking about here," salma looks down at you. seeing the obvious sadness and regret in your eyes makes her frown. it wasn't like you to be so down, your personality wasn't like that.

the emphasis on know makes you feel a little more confident. if salma is so sure and she's looking from the outside in, no emotions clouding her judgement, then it must be true right? the least you could do was try.

"alright, i'll talk to her. i swear." salma smiles at your words, quick to grab your glass and put a small amount of wine in it.

then she smirks at you, "one last drink? it's celebratory."

the last match of the season was an obvious success, an easy win against valencia. all of the barcelona players decided to go out clubbing to celebrate the end of the season despite the fact you all would be heading to mexico soon enough; that doesn't mean y'all couldn't get a little drunk though.

it has been a solid few days since you had that venting session with salma and still you haven't done what you said. it wasn't your fault really, with the season almost coming to a close, you didn't want to have that conversation and possibly make the locker room a weird environment if alexia didn't take you back. salma (and aitana who salma had reported everything you said back to) were against your thinking. firmly pushing for you to just talk to her and figure everything out.

"the environment in the locker room is already weird because we are used to seeing you guys together," is what aitana said when you told her your reasoning, "ella te quiere de vuelta, todos lo pueden decir."

hearing that from aitana had put more confidence in you than before. it couldn't be a lie if salma and aitana believed it, right?

back to the clubbing, you are getting ready at your apartment. everyone has gone back to their own homes after celebrating in the locker room, so they could freshen up and change. you spend way more time on finding an outfit than you usually do; tonight was the night you planned to talk to alexia. having this long needed conversation when you both were sober and not high off of a good season would be best but everyone needs some liquid courage sometimes to pull through, to get what they want.

it's slowly been getting too long since you two last spoke outside of football, the last time you two interacted on social media, and fans were slowly noticing it.

it wasn't a hard task to spot the tension and lack of celebrating on the pitch in-between you two. you vividly remember going on twitter to so many fanpages wondering what's going on between alexia and you. scrolling past each one made you just want to throw away your rational thinking and text alexia right away, but no. you waited until the season ended so here you are putting on a pink halter top and a short skirt that you knew alexia loved, she bought it after all. when it came to jewelry you put on the necklace she left over at your place.

you haven't gone over to her place to get your things and she hasn't either. you noticed that she kept wearing the gold promise ring you bought her, seeing that made your heart flutter every time. you weren't any different, you still wore your promise ring as well and you have been sleeping in the shirts she left over your place every single night without fail.

you take a short while to finish your makeup, just in time as you hear a car honk outside. already knowing it was aitana, you were planning to get drunk tonight or just a little tipsy so driving your car to the club wasn't an option. you grab your purse, making sure you had your phone, before leaving out of your apartment. smiling as aitana waves at you from her car. she giggles when you get in the passenger seat, smile on your lips.

"ready to get your girl back?" she glances at you.

you gasp before laughing, "we're going to the club to celebrate how amazing we were all season. not for some get her back plot."

"it's okay to tell the truth," aitana gives you a teasing smile before focusing her attention on getting out of your apartment complex parking lot and on the street.

"you have been around mapi way too much."

the club is bustling with people as aitana and you step inside. she pulls you towards where the tables all the other barcelona players are at. immediately your eyes land on alexia, she's sitting at a table with mapi, ingrid, marta, and caro. two couples at the table and it would be three if you were over there, if you two were still together.

she's wearing a red tube top and denim shorts that show off her legs. she looks beautiful like always and you can't, don't, stop your thoughts from wandering.

"we're finally here! y/n was taking forever," aitana smiles as you two stop at the table with ona, lucy, and keira. you spot salma sitting with patri and claudia, all of them already having drinks.

"of course she was. we shouldn't expect less from her," lucy laughs as you scoff. sitting down next to aitana, you lean your body slightly on the table. "i bet ona takes longer," you say.

"what did i do?" everyone at the table laughs at ona offended expression. conversation flows freely between you all. nobody has gotten rowdy just yet, with the team still waiting on frido, jana, and a few others to come to the club. your mind strays away from the fact alexia is at the table next to you as you engage in a heated debate with lucy about who is going to win the euros this year.

"don't act like england is a bad team!" lucy says, looking at keira for back-up. the younger woman rolls her eyes, turning to continue to talk to aitana.

"i never said that but they just aren't beating spain this year," you say back. ona immediately jumps in to defend your point, "she's right. i bet spain is going to crush it this year."

"babe, you're supposed to be on my side."

"i am on your side, just not your country's side."

ona and lucy's little back and forth is cut short as everybody else arrives. now it's really time to let loose and party. aitana immediately sends you to the bar to get everyone at the table drinks, you pass by patri and claudia who got up to dance the moment everyone was here. you know a few of your other teammates are dancing right now; frido didn't even sit down before going to the dance floor.

when you left for the bar, you didn't notice the mischievous smile on aitana's lips or how she looked over at mapi who had a mischievous look in her eye. you also didn't notice how alexia wasn't at her table anymore either.

you reach the bar, leaning against it as you wait for the bartender to come over since he's busy with someone else right now. when you look to your right, you have to do a double take because it's a pretty blonde with a red tube top and denim shorts on right next to you; alexia.

she's acting like she doesn't notice that you are right next to her but she could spot you from a mile away. should she say something? her internal monologue was basically full of just "duh of course" and "what if she doesn't even want to talk to you"

both are annoying the shit out of her, so when the bottle of tequila comes she opens it. pouring herself a shot and downs it right away.

"you're eager, huh?" you want to slap your hand over your lips. you weren't planning to speak to her just yet, later on when you had some type of alcohol in your system was the plan.

alexia glances at you. a mix of uncertainty and fondness in her eyes.

she chuckles, "yeah. why don't you get some drinks so you can join me? you did so well during the season.. you deserve it."

the praise makes you feel all warm. way too warm in a club packed with people. you feel hesitant, nervous, unsure of how this would continue. would you two actually talk about what happened or just act like it didn't happen the entire night?

"you did well too," you say before turning to call for the bartender. after you order the drinks, you look over to the spot next to you where alexia was and find that she's gone. you give a quick glance behind you at the tables where the team was at. she's sitting down next to aitana now, half of her table was gone as mapi and ingrid are up somewhere.

"thanks," you say to the bartender. grabbing the drinks before walking back over to your table. alexia smiles at you when you sit down. you smile back.

ona and lucy take their drinks, ona pulling lucy up to go to dance and keira gestures to aitana to get up.

"gracias por las bebidas. ya volvemos, yendo al baño," aitana says, getting up. you give her a weird look; one of pleading for her to stay and not leave you alone with alexia. the blonde gives aitana a weird look of her own.

aitana and keira leave, ignoring you both. you can easily see they aren't even going to the bathroom, but neither alexia and you object.

the table falls into an awkward silence. alexia sips on her drink, this time it isn't a shot but an actual glass. you let your eyes wander before landing on your drink; alexia knows you're trying to avoid her gaze and it's really starting to annoy her. mapi had drilled into her head (it took so many times because alexia is too stubborn for her own good) that you want her back, that y'all are meant to be. the alcohol in her system is really messing with her right now and all she wants to do is to be against you, feeling your warmth.

and you weren't faring much better mentally. you came here to celebrate but to also get alexia back or at least talk about what happened but you can't even muster up the courage to mention it. you have hardly spoken to her.

she's looking at you though, you can feel it.

"i'm going to dance. you should too, bonita," she says before standing up. you don't answer her but you watch her walk away; she can feel your eyes on her.

if this was just a week ago, alexia would be way too nervous to call you that but the alcohol is fueling her confidence and your eyes on her settle any nerves that she had left. however the spanish player was going to let you approach her, so whatever is about to happen can go at your pace; she respects you like that. also she doesn't want to scare you off or piss you off. she just hopes you don't take long because one more drink and she might just take things into her own hands.

you sit at the table, sipping on your drink but you can only watch everybody dance for so long until you get up yourself. remembering how alexia called you bonita makes you finish off your drink, determined to at least try to get her back tonight.

when you go onto the dancefloor you don't go straight for her but decide to dance with salma. somehow she hasn't tired herself out and she happily pulls you close.

"pensé que ibas a estar ocupado hablando con tu novia. ¿cuál es el problema?" she shouts close to your ear, trying to make you hear her over the music. you shake your head, "i'm going to.. i just need more time!"

"bueno, parece que la reina se está impacientando," the tall girl laughs, "she's looking over here at you."

a look of confusion crosses your face before you turn slightly to look behind you and spot her right away. she's dancing with frido but her eyes are focused on you; the spaniard's gaze is intense, calling out to you.

"i'm going to talk to her," you turn to look at salma, "and don't get too drunk, okay? drink some water!" then you move away from her. you barely catch the "okay!" shouted towards you (which you know is a lie) as you make your way off of the dancefloor and towards the bathroom. you need to prepare yourself before approaching alexia.

you step into the bathroom, thankful that it's empty. straight away you go to the sink to look at yourself. what should you say? should you just apologize? you aren't able to go too deep into your pondering as you hear the bathroom door open then close.

"you just keep walking out on me, huh?" the voice of alexia makes you look at the door. there she is, arms crossed across her chest as she looks at you. same intense look from earlier.

"i wouldn't call this instance walking out. i was going to come and talk to you," you say. this isn't how you imagined having a conversation with her, but it's happening so you'll just have to deal with it.

"bueno lo haré. me viste... mirándote y ni siquiera te acercaste a mí," the spaniard walks closer to you and you don't step away, "everyone is telling me that you want me back. are they lying?"

you shake your head, some confidence and a lot of determination flows into your conscience, "people keep telling me that you want me back. are they lying?"

alexia chuckles, "no, of course not. i'm just frustrated. we both came to this club knowing that we want each other but it feels like you are playing games with me."

"games? i'm not. i didn't want to just come over to you and be like be my girlfriend again. i wasn't sure how you felt exactly, just that you wanted me back. i didn't want to rush it," you are quick to say. the words would sound rational to a less drunk version of alexia but all she could think about is that she wished you two talked about this way earlier.

"that's sweet, but i can't wait any longer. i only want one thing."

"what?"

"to be yours."

author notes: this didn't come out like how i expected it to but i don't hate it. hopefully y'all liked it and i wrote alexia okay enough. also this fic is so long, so like cliffhanger or part two?

#alexia putellas x reader #fc barcelona x reader #woso x reader #woso angst #woso fanfics

646 notes · View notes

neil-gaiman · 5 months

Note

Curiosity is getting the best of me, and truly I’d love to hear your opinion on this.

When I dig into horror, macabre, paranormal, terror, or dark themed writing (whether it’s writing or screen adaptations) I always have the same results.

Writers and artists such as yourself, Stephen King, Dean Koontz, etc. are always mentioned. And I mean that with true respect. But, I’m always disappointed that Clive Barker is either rarely mentioned, barely looked at, or never even acknowledged when it comes to horror works. Granted, writers such as yourselves don’t entirely focus on horror.

But, I feel Barker is snubbed or just shrugged off a lot of the time. I still feel he’s not appreciated so much, other than the horror film fan community always giving him praise.

Since you both seemed to be good colleagues (from assumption, which I could be wrong), do you think his works are overlooked?

I mean….his writing is more than just the Hellbound Heart. Or as people reading these fan mail asks would more properly know it by, the horror movie adaptation Hellraiser (1987).

I don't read much any more about horror, which means I have no idea what people are saying these days about Clive or me or Stephen King or Arthur Machen or Robert Aickman or Lisa Tuttle or anybody really.

For me, the six Books of Blood and The Damnation Game were formative literature, and meeting Clive in 1984 when we were both babies was inspiring. I was on set as a journalist when Hellraiser was being shot -- hell, I was on set when Clive Barker's Underworld (1985) was being shot. You can read my interview with Clive from 1988 in the book Clive Barker: Shadows in Eden.

502 notes · View notes

elliespectacular · 7 months

Note

Hi! I'm sure you probably get asked this a lot given your long-time standing with the YTP community, but I was curious if you had any beginner tips for a newer YTPers hoping to learn the trade? I've been on and off editing videos for a couple years now using whatever free-ish programs I can work with until I have a steady income, but I'd love to hear any suggestions you may have about editing videos YTP style in general as well! So far sentence-mixing has been my favorite part of the process. Been a huge fan of your channel since I was a little kid, my older bro introduced me with the 'Lord of Da Things' video ages ago. To this day I can't watch The Fellowship of the Ring without falling out in laughter. It makes me so happy to see that you're still doing your thing, all these years later too. Take care and have an awesome day!

Tips for beginners:

Make any* joke that pops into your head. Did you laugh out loud at any point while editing the joke? Keep it in. No? Cut it.

Make "random" edits, like edits where you don't have a specific goal. Reverse stuff for the hell of it, make cuts in unintuitive spots, throw in some effects you've never tried before. Experiment and get inspired by what happens!

YTP is as low-stakes as it gets. Sometimes it can be rewarding to challenge yourself a little bit and make a joke more complex than usual, but there's nothing wrong with cutting some corners**. It can add to the charm in a way.

Post what you make and don't get too bogged-down by whether it's "good" or whatever. Show it to people, find out what makes them laugh, what they find interesting, and think about why those things connect with people.

For sentence-mixing, it's handy to have a transcript of the source video handy so you can ctrl+f for words/phrases/syllables

*Don't do anything distasteful or make people say things you'd be ashamed to repeat. I'm not gonna stop you or anything, but don't do anything you think you might eventually regret.

**Shortcuts can be things like reusing a piece of sentence-mixing or an animation you've already done, or repeating a joke that applies in multiple contexts. If you use AI in the current year I *will* wag my finger and nod disapprovingly.

#ytp #youtube poop #ask

504 notes · View notes

theminecraftbee · 8 months

Text

okay, so in a rare moment for me, there's a discourse thing i want to bring up, and that thing is. okay. so on iskall's stream there's this thing that can happen where someone brings up a criticism of his content or vault hunters. frequently it's self-evidently wrong, but sometimes it's not. and then iskall spends the next thirty minutes shadowboxing this guy, explaining himself, and completely derailed. and this is an iskall trait we all know and sigh bemusedly about, because he cares about the community and wants people to understand his intentions! he wants the community to understand his decisions!

however, it's not the community as a whole he's fighting; he is in fact, arguing with One Guy, who often doesn't represent the wider community, and who normally won't have their mind changed. hell, sometimes it's believable that they're satisfied having just managed to upset iskall, and they'll leave, no change to their mind, perfectly pleased that iskall's responding at all (that's what i firmly believe the people who poke at the 'you don't upload enough and that means you're falling off and a bad person' wound are trying to do, at least).

in the vault hunters community, we refer to this as iskall getting One Guyed, and it's typically viewed as bad, because it ends up focusing an entire moment on a single guy's negative opinion as opposed to on the larger picture. and it's an understandable thing to have happen! but it's frustrating to watch from the outside.

and so now i am looking at that cat poll. and the way everyone is still shadowboxing someone who has since apologized. and the way i would have never ever known about any of the negative comments about jellie if it weren't for fellow mcyt fans constantly putting them on my dash to dunk on them. and it's like. if you look through the notes most of them are just... normal? it's only a tiny few of people (and the pollrunner, who has since apologized) who were being dicks. it's a very, very ignorable demographic.

but. well. there was One Guy. and we had to correct them.

and folks, i don't know how to say that i almost never see "lol mcyt is cringe" type comments unless one of you puts it on my dash. both because i don't go looking through the notes of things that are likely to have them or go looking for reasons to be upset and because it's just... not that common! very frequently these days it is, in fact, One Guy!

i have almost never seen that poll on my dash without at least one instance of the One Guy. instead of being for fun, it's mostly become about explaining ourselves to someone who will not listen and will not change their minds, and treating this as a the whole of the Other Side of that poll, when most people are being... fine. they're fine! the majority of the people voting for the other side are doing it for perfectly normal reasons that don't require fighting about.

and man. let me tell you. after spending as long as i have watching vault hunters development? it can be just as frustrating to watch a fandom get One Guyed as it is to watch iskall.

#discourse #i am immediately turning notes off for this post as a heads up because i HATE discoursing but #man. i feel like i need to point this out.#sometimes you'll be happier if you go 'that was One Guy huh. better just block them and move on. i won't change their mind.'#one day this fandom will learn.#cat of the year poll #<- for those also trying to block it #also i know in many ways this is just me contributing i'm aware of my flaws #but sometimes i think this fandom needs to step back and realize it doesn't really need to fight the world.#sometimes someone says a mean thing. that sucks! you do not need to fight them for two days about it though.#and we do this with polls but also other people's innocuous comments SO MUCH.#so here i am.

469 notes · View notes

ihaveanaversiontodecisions · 3 months

Text

okay I am not involved in the current call out drama personally but it's made its way to my Twitter feed and im so genuinely confused because have none of you interacted with fandom before?

yes, the jrwi boys explicitly stated that there is a hard boundary against rpf about them and that they do not want to be shown nsfw art/ fics of their characters. these are reasonable boundaries to have, and they should 1000% be respected.

HOWEVER: they also explicitly said that they could not stop people and they're RIGHT. fandom is, at its core, weird. people write weird, gross, and even immoral shit all of the time. thats what tagging systems, scrolling, or blocking fan creators is for. for example: i really hate arthur being shipped with either of the twins or the twins being shipped together. i think its gross. so i exclude tags, and i scroll. its that easy! weird stuff will always exist on the internet, and nsfw works in the jrwi tag have some of the highest hits. many people read and write these things casually, and that isn't inherently wrong.

it's completely understandable that the jrwi guys dont want to see the characters that they put pieces of themselves into in nsfw situations. SO don't show them!!! as a general rule, you should not be showing, @ing, or sending creators of any media your fanwork, especially if it's suggestive or gorey. THAT is what a boundary looks like. fandom is not for creators anyways, and involving them in it tends to break many creators boundaries, even in more innocent situations (as a general pattern I've observed)

the person who made the call out post is a minor. they are likely steeped deeply in purity culture and have not interacted with fandom much. HOWEVER, calling specific people out by name is not a cool move. these are not bad people. they aren't being bigoted or doing harmful things irl or in the community, and their fan content is relatively harmless as well. they are simply creating things that people feel uncomfortable with on a personal level, and instead of blocking or scrolling, people have decided that they are morally bad people. and that's just... wrong?

sorry about this rant but writing "weird" or "gross" things is not a cancelable offense; it's a part of being in fandom. I am begging anyone who is genuinely upset by this to click on a supernatural or mha tag on ao3 and scroll for 3 seconds. I promise people writing correctly tagged gore or porn that will never be seen by people who don't want to see it is not the end of the world.

love you to the people who got called out and have been getting hate anons if you see this. yall are cool as hell

#jrwi discourse #jrwi the suckening #jrwi podcast

230 notes · View notes

rainbow-crane · 4 months

Text

In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 2: Mondo Owada

So yeah, I decided to do Mondo's next. After all the material I ended up inadvertently collecting for him in my Taka analysis, it just made more sense to go ahead and get him out of the way, even if I'd rather go for my personal favorite characters first.

As noted previously, this analysis will only be using canon material. It'll primarily focus on the game and its english translation since that's what I'm most familiar with, but may also pull from the original Japanese, as well as the animation, stageplay, etc. If you aren't interested, just keep scrolling. Mondo fans, prepare some popcorn, and perhaps a tissue box since if you're anything like the Taka fans you may end up crying. You're welcome.

Part 1- Character Design

Mondo Owada is a delinquent character whose design pays homage to manga series Jojo's Bizarre Adventure: Diamond is Unbreakable, and is modeled after its protagonist, Josuke Hikashigata. Mondo sports a massive pompadour and a modified uniform that mimics Josuke's, and is the leader of a biker gang called the Crazy Diamonds, a direct reference to Josuke's Stand, Crazy Diamond.

Due to leading this biker gang, he was given the title of SHSL Gang Leader, or Ultimate Biker Gang Leader.

Part 2- Character Introduction

Most of Mondo's character introduction isn't actually from himself, but from the researching Makoto did prior to entering the school in-game. We know immediately that he's leader of the largest biker gang in Japan, and get a look into his public image via Makoto. Despite the fact that Mondo is being fairly chill with his greeting, Makoto remains terrified of him based off of reputation alone- "I'd better be careful around him. One wrong word and I could wake up at the bottom of the sea..."

However, we can quickly see that this reputation is built mainly on bravado, as when Monokuma first calls for the entrance ceremony, we can see Mondo begin to sweat, despite his claiming otherwise- "Well hell, it ain't like I'm scared or nothin'. Let's just get this over with!"

He continues to sweat throughout Monokuma's explanation of the communal life, attempting to cover it up by yelling at the bear to let them out. We get a brief look at his more protective nature, as he purposefully puts himself between Hiro and Monokuma in order to confront him. We also quickly learn just how easily provoked he is.

Despite this provocation, he's not completely swept up in his rage, as he's able to listen to Kyoko's warning of the bomb and follows her advice- to throw it away- without hesitation. So our first real impression of him is that he's a short-tempered and intimidating- but well-intentioned- protector of sorts. He's not completely brainless; he's considerate of his classmates and their safety even when putting himself at risk.

Part 3- Early Game Development

Mondo is an interesting case, as he's a character that almost immediately looks directly into the camera and tells the player directly what their main motivation is. The only other character in this series that's as transparent about their goals so early in is Sayaka, and even then the game makes you ask for that information.

He tells us, in no uncertain terms, that keeping promises is the #1 most important thing to him. He also tells us indirectly how highly he values his family and personal connections, holding his brother's word as law. These combined with his talent being that of a gang leader all suggest a pack leader mentality, which is immediately confirmed by his anger at Byakuya for trying to separate from the group- "Like hell I'm gonna let you run off and do whatever you want!"

Not only is this loss of control upsetting to him, but he's then immediately provoked and called insignificant by Byakuya, leading him to lash out at the closest person in an attempt to regain that hold of power- which just so happens to be Makoto. Not only is this response irrational and violent, but it knocks out Makoto for 10-11 hours. Mondo is a leader, yes, but he's a gang leader, and his bite does match his bark.

Mondo's aggressive and fairly single-minded nature is made apparent when he continuously tries to break down the hatch in the main hall. Not only does he attempt to bust it open with Sakura on the first day, but he then returns to the hatch with Leon the following day, despite the fact he already admitted there was probably no way to open it from inside, and continues to check into the following chapter. He sees one possible way out, and zeroes in on it, just in case.

The game continues to double down on the irrational, defensive aspects of his character when Monokuma appears again to present the first motive. He again confronts Monokuma directly- pretending as if he knows who's piloting the bear for a fact("We know who you are!")- and attempting to intimidate him into letting them go. Once again, this demonstrates both his desire to protect himself and his classmates, and his unwavering confidence in the intelligence of said classmates, as Chihiro was the one to suggest the mastermind being Genocide Jack based only off her gut feeling. He then proceeds to immediately turn around and make Makoto be the one to go find the motive instead of going himself, getting extremely angry when Makoto doesn't instantly do as he's told- "Hey... Hey hey hey hey hey... HEEEEEY!!! You see how passionately I'm begging you!? What's the big deal? Just check it out real quick!"

He then calms down the second Makoto agrees.

It creates a sort of duality with his character between his more protective nature and his need to exert control, something the game makes a point to call out.

Part 4- Relationships

Mondo develops a fair number of relationships across his time in the game, to varying levels of importance- some antagonistic, some exceedingly complex. We'll go from least to most important to the overarching story.

4.1- Celeste

Celeste and Mondo are written in directly opposing ways, as while they're both fairly short-tempered, Celeste is much better at hiding it. It's by this logic that throughout the early game, oftentimes when Mondo starts to get riled up by the rules of the school and/or their circumstances, it's Celeste who ends up deescalating before he can explode, maintaining a facade of calm where he can't.

4.2- Sakuraoi

While not very touched upon, Mondo does end up developing a mutual respect for Sakura and Hina. When the class splits up to investigate the school on the first day, he joins the two of them in trying to find a way to get back to the outside, and he and Sakura work together to try and bust open the hatch in the main hall.

Hina's the one that stops Mondo from attacking Byakuya in the library, and when Chihiro begins to cry over Mondo saying that 'women are naturally weak anyway', it's Hina who calls him out for 'screaming like a lunatic.'

His relationship with Taka is also directly contrasted to Sakura's with Hina by Sakura herself- "Friendship between men seems very simplistic. Nothing like what I'm used to with girls." "Yeah, for real..." It's an interesting comparison, considering both Sakura and Mondo end up dying and leaving the responsibility of failure on Hina and Taka.

4.3- Byakuya

Byakuya antagonizes Mondo more than once, first as they're splitting up to search the school, and again after the library opens. Both times he seems to take enjoyment from it, calling him unimportant more than once and refusing to even entertain the idea that he might die.

"So miniscule, so insignificant, they couldn't possibly have any kind of influence on the boundless ocean."

"You know, I still just can't believe it..." "Believe what?" "That an uneducated, brain-dead, useless piece of garbage like you has survived this long."

"You all need to try harder. If an opponent isn't going to give it their best, where's the fun for me?"

It's enough of a threat for Mondo to genuinely believe that he's dangerous and want to keep him bound so he can't attack (foreshadowing when Byakuya himself would go one to tie Chihiro up? Probably not but it's a neat connection)

He also goes on to fuck with Chihiro, both by mocking her fear and by purposefully tampering with (what he believed to be) the crime scene of her death. On both counts, this directly affects Mondo, calling him out for his bullying("Hey, shithead! You get off on bullying people that can't fight back?") and letting Byakuya pin the crime of killing Chihiro on himself in the trial.

However, despite all this, Mondo never gets the chance to give Byakuya his comeuppance for his words and actions.

4.4- Ishimondo (yeah these bitches gay)

Similarly to Byakuya, Taka starts in a more antagonistic position, directly opposing Mondo as the unofficial, self-designated 'leader' of the class and remaining insensitive to the feelings of his classmates.

Unlike Byakuya, there's no actual intent to harm here, and their banter remains more focused on their differing ideas on how to help their classmates than anything else. Still, as time continues to pass, Mondo's impatience combined with the recent losses from ch 1 starts to push him over the edge, getting angrier with the class's lack of urgency.

This impatience only leads him to butt heads with Taka more, who's trying to keep the class together and safe first and foremost. On top of that, Mondo's delinquency is directly opposed to Taka's disciplinary background, making it all too easy to see each other as foes. Despite the fact they consider themselves the better type of man to the other, they have similar views on how men are to face each other, leading to the sauna scene.

Both characters' strong-willed determination and stubbornness inadvertently puts them on the same path, attempting to use their physical abilities to prove himself a more worthy leader than the other. It's a simplistic way of deciding, but it's one they both wholeheartedly believe in, and this gives them the opportunity to connect with each other in a way they're unable to with anyone else in the class. Thus, the following morning, when asked about the contest, the two have formed an inseparable brotherhood and refuse to even acknowledge the contest, as having a winner would put them on different levels. Interestingly, Mondo shares the belief with Taka that men bond by being naked around each other("Guys gotta expose themselves to each other, ya know?"), suggesting that he removed his clothes in order for this 'brotherhood' to form.

4.5- Daiya

The first thing we learn about Mondo's older brother in-game is that he was the one who taught Mondo to always keep his promises, no matter the cost. The second thing we learn is that he fucking died. And until nearly the end of Mondo's run in the game, that's all we as an audience need to know. He had an older brother that taught him his core values and passed away, leaving Mondo to carry out his wishes. It's not until after the chapter 2 trial is said and done that we learn anything more about him through Mondo's secret: "That embarrassing memory, that secret he didn't want anyone to know... You know what he did? He killed his own brother!"

It's through Monokuma that we learn the truth of Mondo's history with his brother: Daiya was his only family growing up, and thus, became his role model, the man Mondo himself wanted to become. He respected Daiya and Daiya alone. He followed him everywhere, and together, they formed the Crazy Diamonds, which went from a local biker gang to one of the greatest in Japan. It was through his brother that he developed his biking talent, and acted as his right hand. But some of the gang didn't believe in Mondo or trust him the way Daiya did. As Daiya grew older and prepared to retire, rumors of nepotism circulated throughout the gang, saying that Mondo was nothing compared to Daiya, that he wasn't worthy to take over the gang.

"Daiya created the gang with his bare hands! Mondo's just along for the ride." "Can someone like that be our leader?" "All that'll do is make the gang look bad."

Any accomplishments Mondo had made within the gang didn't count to the gang, or to Mondo himself, because they were put next to the leader's achievements. He compared himself to Daiya as well, feeding into the rumors and developing a deep-rooted jealousy. He felt like he had to be the stronger man, had to prove himself to the gang, had to best his brother or he wouldn't be accepted. So he challenged him. He challenged Daiya, and lost all restraint on the road, charging forward with the desperation of a dead man. And it cost him his brother's life.

His brother made him promise not to let the gang go as he passed; Mondo became shackled by his honor to stay. He fully believes it was his fault Daiya died, and now not only is he indebted to stay with the gang, but can never admit blame for fear of tarnishing not only his own reputation, but tearing his brother's gang apart. His community demands unwavering macho leadership, and he can't afford to break character for even a second.

4.6- Chihiro (will be using mostly he/him due to discussing canon)

Mondo and Chihiro exist on 2 sides of the same coin- toxic masculinity. Both characters (canonically speaking here) are men, but are perceived totally differently, both by those around them and by themselves. And because of this design, when put into the high-stress scenario that they were, they were doomed to drive each other to ruin.

Even before chapter 2 starts, there are multiple instances of Mondo listening to Chihiro and respecting his words without doubt(his theory of Genocide Jack and asking his opinion on '11037'). We've also seen Mondo's confrontational and protective nature in action. So it's no surprise at all when he stands up to Byakuya on Chihiro's behalf when he clams up. And while this is done with good intentions, it only serves to make Chihiro feel weaker. Mondo is physically stronger- anyone can see that- and he's not afraid to mouth off to someone showing excitement at the killing game they were all forced into. So when asked if he's okay the following morning, he can't help but explain himself- he feels weak, and doesn't like having someone else stand up for him. For Mondo, this goes directly against his idea of strength, and can't comprehend why "she'd" possibly care.

With all of Mondo's toughness, he carries not just the expectations of a man, but the misogynist beliefs that often come with it. But regardless of that, he's immediately able to tell he fucked up("Hey, c'mon, don't cry... I-It's my fault, okay? I won't yell anymore...") as far as the narrative will allow him due to writer's bias*. He feels bad about this, genuinely, enough to offer Chihiro his promise as a man. It's enough of a gesture for Chihiro to trust him completely, believing in the man's promise he's emphasized as being the most important thing to him since the very beginning.

(*Writer's bias in this case means the author is also sexist to a degree. Mondo is very clearly meant to be a tough guy with good intentions but because the creator appears to agree with the sentiment that women are weaker on average, we as an audience are meant to take issue with the fact that he's yelling and not the sexist statement. Said bias is made pretty clear by the fact their 'weak boy' character is dressed like a woman to emphasize his weakness and be a 'gotcha', as well as the fact they later have Kyoko force Makoto to tear paper out of Hifumi's rigor mortis hand because Makoto's a boy and she's a girl, even though earlier in that same game she, still a girl, was allowed to examine Chihiro's corpse in enough detail to find her dick. Writer's biases can and does affect the final product, so it's always important to consider that when looking at a character's development to determine whether they're being shitty because they're supposed to be or if it's some fault with the creator themself inputting their biases into something that otherwise wouldn't develop in this way. This has been Critical Consumption of Media 101.)

When Chihiro's found dead, Mondo keeps his head hung, lamenting about the fact that Chihiro wanted to be stronger, and when Makoto points out Chihiro was a woman anyway, Mondo just dismisses it, contradicting his earlier statement.

He respects Chihiro's memory and refuses to speak poorly of him. And while at first glance this is all it appears to be, as the trial unfolds and we learn the truth about what happened to Chihiro, a dual meaning behind this reveals itself- another showcasing of his devotion to the promises he keeps and the desire to protect his friend, even in death.

Chihiro is physically weak; a strong wind could probably knock him over, and he's much more in-tune with his emotions than your average guy. He mourns the losses of Sayaka, "Junko", and Leon all deeply, and has a deep shame for not being able to defend himself against Byakuya. But despite all this, when tested by Monokuma's secrets motive, he doesn't crumble away. He thrives, taking that threat and turning it into motivation to push his limits. He has the self-awareness to know when to ask for help, and isn't swayed by the threat of death. He's physically weak, but is incredibly strong mentally and is able to conquer his fears and face the lie he created for himself. Unfortunately for him, living with this toxic idea of what masculinity is supposed to look like makes him believe the way to do this can only be found in becoming physically stronger, and dies without ever seeing the strength he already had.

Mondo, on the inverse, is extremely physically capable, even without trying. He's 187 cm of muscle, and is confrontational to a fault, only giving him more opportunities to show off that physical strength. But on the inside, he can't face the sins of his past, can't admit his faults, and can't comprehend how to make peace with himself. All this is exacerbated by the weight he carries of leading the gang his brother formed, unable to release that weight from his conscience.

"N-No matter what... I couldn't let the other gang members find out. If that happened, everything would've been ruined... Everything me and my brother worked to create... woulda been destroyed... His death... all the guilt I'd been carrying around... it all woulda been for nothing."

And when Monokuma tests his resolve, he completely crumbles. Unable to admit the truth to himself, he's faced with Chihiro, someone who has the mental capability he could only dream of. That primal fear of breaking the promise he made for his brother on his deathbed, combined with Chihiro's unwavering confidence as he happily chimes how unbothered Mondo must be, blocks out all rationale. He spirals, forgetting where he is and who he's talking to, trying to make the panic go away as he throws the dumbbell in his hand.

Chihiro and Mondo each have everything the other wants, and drive each other to death trying to get it.

Part 5- Chihiro's Trial

For most of the trial, Mondo doesn't appear suspicious at all. So much time is spent on Byakuya's suspicious behavior and his framing of Genocide Jack that you barely notice him. He fully appears to be trying to find Chihiro's killer and find justice for her, following Makoto's line of reasoning to find Byakuya as the killer- with the body's suspension and the subtle differences between Jack's methods of killing and the murder of Chihiro herself. He's all too eager to declare Byakuya as the killer- and though we can't know for sure, he may have genuinely believed it. After all, walking into the girls' locker room to find her body suspended and the message of 'Bloodlust' written on the walls certainly wasn't his doing. Unfortunately for him, that's all Byakuya did, and the conversation continues.

In the end, Mondo brings about his own execution. Even after slipping up with his words, the conversation is able to continue on, sfifting focus over to Chihiro's missing E-Handbook and what exactly happened to it. And when Mondo becomes cornered with Makoto's mention of the sauna, it's not Mondo who goes on the defensive; it's Taka. Mondo gives up; he lets his tough-guy persona go. He finally faces the truth; he's undoubtedly the one that ended Chihiro's life, no matter how he may have wanted to delude himself otherwise. He sees his bro defending him, and he accepts that he has to die. It's not beyond reason to say that Taka's insistence of his innocence was what pushed him to truly admit his guilt, both to the class and to himself. Up until this point, he'd still been trying to play it off and get away with it. But was it worth it to live and kill his bro, and everyone else, just to protect his pride? No. He admits to being the killer, straight up.

"Yeah. Yeah... I did it... I killed him."

"Go ahead, Monokuma. Get it over with... Ask for the goddamned verdict..."

Part 6- The Cage of Death

The first person that comments with some variation of OH MY GOD YOU'RE SO EVIL HOW COULD YOU PUT THE EXECUTION IN THIS gets a cookie. Anyways, the executions in these games are always thematic to the characters and are meant to send them into the worst possible despair in their final moments, so let's break this down.

The execution begins with Mondo forcefully strapped to his motorcycle by Monokuma, who's sporting the same pompadour as him. This may be representative of Mondo feeling confined to the biker gang by his guilt; he was never able to break free of the lie he created about that night. The pompadour is likely just Monokuma making fun of him for his hair again, as the thing that nearly killed him in the prologue.

The kanji written on the motorcycle reads 'Little Black Sambo,' a reference to a children's story of the same title. The entire execution is an inverse of this story as well. In the story, a boy named Sambo is surrounded by four hungry tigers, and gives up his clothes to avoid being eaten. The tigers are all conceited and argue over who's the best-dressed, chasing each other in circles until they churn themselves into butter. Sambo is then able to recollect his clothes and the butter, and his mother uses the butter to make pancakes. This story is well-known and beloved in Japan, but isn't in basically the entire rest of the world on account of the racist caricatures of the POC present in it.

Mondo's execution is a inversed version of the story(and also, because Mondo isn't blasian there's thankfully no directly racist art in it, just tigers). Rather than being the one to trick the tigers, he's the one who's full of pride, and so he's sent into a motorcycle cage and left to spin around and around, while the tigers dance on either side of him. He ends up being the one who's turned into butter, and Monokuma gets to enjoy a delicious plate of Mondocakes. It's meant to represent the downfall of Mondo's macho personality and how he sent himself into a spiral, but loses a lot of its meaning if you aren't familiar with the story.

Part 7- Jealousy

So, we've torn this character apart. We know what makes him tick, but why does that all matter? What was the point of his story? Simple- it's a cautionary tale. It's a warning against everything he stands for. Mondo, through all his faults, is NOT someone you're actually supposed to idealize or hold up as the epitome of manhood in the way that Chihiro does. Rather, he's a deconstruction of everything society views as 'manly', and a demonstration of why that line of thinking is inherently flawed. He's big and tough, he yells and cusses at the people around him, he doesn't have a handle on his own strength. He knocks a dude out for like, 10 hours straight because he was mad at someone else!!! That's not a healthy way to get your frustration out!!!

Simply put, your image and pride are not worth your mental health, and comparing yourself to the people around you not only tortures yourself, but can hurt those who you love. Mondo couldn't stop comparing his own faults to the strengths of others, and ended up pushing himself too hard trying to prove himself. Not only did he lose his brother over it, but he felt like he had to keep all his pain and regret locked up for the sake of an image they'd painted together. It pushed him up to the edge, and he never learned to cope with it in a way that was healthy. It only led to him lashing out more and more, and repeating history when he killed Chihiro. Your trauma can't be fixed by ignoring it or shoving it down; seek out help when you need it. It's okay to confide in your friends; they aren't your enemy, and they aren't making fun of you. That line of thinking will only push you over the edge.

Afterword

So yeah, this was longer than anticipated. Even after doing Taka's and creating a point of reference for myself, I still ended up surprised. I mean, Taka survived longer, so you'd think his would be longer, right? But no, Mondo is not only a very well-established character, but he has more important connections and a much more impactful storyline. I'm gonna go out on a limb here and say Mondo may be one of the easiest characters to understand from THH, considering how in-your-face they make him. And I respect that, even if his whole facade can be kind of annoying for me. I totally see why this guy is so popular among fans. Happy birthday Mondo!

Anyways, hope y'all enjoyed this one, and be sure to stick around! Sayaka's analysis is coming up next, and holy shit am I excited for this one.

222 notes · View notes

studentinpursuitofclouds · 6 months

Note

can you write bachelors with a cryptid farmer? except they're not a cryptid, just a very strange person. and by that I mean the fact farmer will simply appear one day, start giving their love interest their loved items from the get go, character doesn't even know them! and then there's the fishing in weird places, always seeming to know where and what a character is doing, always running from one place to another, sometimes passing out in the deepest depths of the caves. very weird human.

I assume, dear anon, that you mean vanilla bachelors only. Hope I'm not wrong. Anyway, thanks for asking, and enjoy! 💖🫰

_________________________________________

SDV bachelors with a cryptid Farmer:

Well, Sam wasn't too surprised about favourite gifts - he's always a fan of eating something tasty, and pizza, as he thinks, is a win-win for almost everyone. So it's pretty easy to guess what to make him happy. Although the young guitarist sometimes thought that Farmer behaves rather recklessly and weird, the same words were said about Sam when he stuffed 40 marshmallows into his mouth on a bet. A bit odd, but Sam doesn't care, because Farmer is a good friend and, heck yeah, free food!

They're everywhere: at Marnie's ranch, at the JojaMart, at the Saloon. Shane is already afraid to look over his own shoulder, because there, with 99.9 % accuracy, Farmer will be behind him. No matter how much the chicken lover snapped at Farmer, no matter how much he calling them names, they stood like a statue, handing him a plate of pepper poppers. This weirdo is literally stalking him, but no-one's paying attention! The hell?! Although the peppers are tasty and spicy enough, can't argue with that. Wow, what a fucking life...

Poor Harvey has been sitting up late at night looking at Farmer's medical records and he's already getting a headache from trying to find some logic. Farmer still keep going to dangerous places, keep getting seriously injured (4 emergencies in a month!), and their wounds just inhumanly heal in a couple of days! How does that even possib- Farmer? How did you get in here? The clinic's closed. Oh, wine? For him? Why, thank you, it's his favorite- !!!! They- they just teleported right in front of Harvey.... The doctor won't need a wineglass anymore, he's gonna drink right from the bottle.

Yes, Elliott must confess: after a couple of instances when the writer had not even got beyond the threshold of his cottage and he had already been handed a duck feather and a basket of pomegranates by the Farmer, one could find them very strange. But you shouldn't judge a book by its cover. Maybe Farmer just has a hard time finding the words to communicate and this is how they express signs of friendship? And fishing... What's the big deal about fishing? The valley is rich in fish, so why be surprised that there are fish almost everywhere? Anyway, Elliott decides to judge people for their actions.

Alex should probably be concerned about Farmer's strange behaviour, but he... didn't care? Pelican Town was already full of people the athlete considered a bit odd, so why should he be surprised by the new Farmer's odd behaviour? They go everywhere, they fish everywhere, so what? It's their life. Though to Alex's recollection, regular farmers don't seem to fight monsters deep in the Mines, but then again, maybe that's their hobby. Plus Farmer give him his favourite salmon dinner all the time, so what's there to complain about?

Sebastian never seemed to have mentioned to anyone that he liked obsidian and frost tear so much. So he has no idea how the new farmer might know about it. Though, on the other hand, they're always carrying a bag of various cool gems from the mine and decided to give him something, so maybe a coincidence. Later there was a case where they stood right under the door of his room to hand him sashimi (also his favourite?) and ran off somewhere. Okay, that's pretty weird. There's sashimi, though.

#stardew valley #sdv #thanks for the ask!#sdv headcanons #sdv alex #sdv sam #sdv sebastian #sdv harvey #sdv elliott #sdv shane

326 notes · View notes

m1ckeyb3rry · 9 days

Text

Series Synopsis: A series of (mostly) unrelated one shots, featuring Oliver Aiku somehow getting involved with the love lives of various Blue Lock characters — whether he wants to or not.

Chapter Synopsis: Oliver Aiku isn’t sure which entity he’s wronged to earn this kind of treatment, but somehow, in the days before the match against Blue Lock, he’s stuck watching over the team’s newest addition: Sae Itoshi, a rude midfielder who’d rather be in Spain (or in hell) than hanging out with him. Things get a little more complicated, though, when a cup of shitty coffee leads to a crush and Aiku is forced to intervene.

Series Masterlist

Pairing: Sae x Reader

Chapter Word Count: 7.9k

Content Warnings: crack fic, sae my awkward goat, love at first sight, oliver aiku is such a bitch but he’s funny so it’s kind of okay, reader has to work in customer service 😓, this is really dumb please don’t judge my writing off of it, sae is 100% ooc don’t come at me i KNOWWW, split perspectives (it makes sense in the story), sae slander (from aiku), reader is a fan girl but she keeps it 𝖓𝖔𝖓𝖈𝖍𝖆𝖑𝖆𝖓𝖙, reader’s dad has cameos but he’s just chilling tbh

A/N: the people wanted sae’s version to be posted first so uhhh here we are!! LMAO it kind of got a bit long (as usual) but it’s very silly and goofy!! anyways so this is the first entry in “oliver aiku’s guide to getting girls” i hope you all stick around for the rest 🤩‼️

Oliver Aiku likes to think he’s a fairly nice guy. He visits his grandmother every weekend, he rescues kittens from gutters (okay, it only happened once, but he still did it, so it counts), and he’s good enough at being captain of the Japanese U-20s that none of his teammates really hate him, so all in all, he can’t be doing that bad of a job. Yeah, he’s pretty sure he’s a great person, a stand-up fellow, an upstanding member of society — so why the fuck is Sae Itoshi glaring at him like that?

“What?” he says, because it was fine for the first, say, twenty minutes or so, but now it’s gone from annoying to just plain concerning. “Something going on with you?”

Sae stares at him for a moment longer, and Aiku wonders if he’s trying to communicate via telepathy. That’s a skill he’s never picked up, though, so he can only wait for Sae to speak up, which, thankfully, he eventually does.

“This coffee is shit,” he says. The way he speaks is dull and blank, his lips pinched together and his brows low over his eyes. It’s kind of a shame, in Aiku’s highly professional opinion. He’d be handsome if he smiled more; or, if not handsome, at least approachable enough to not scare away every single girl that dared to even glance at him.

“It’s not my fault,” Aiku says. “Take it up with the barista or something.”

“You’re the one who brought me here, so it is your fault,” Sae says. Aiku crosses his arms, because isn’t Sae younger than him? This feels like a level of disrespect he shouldn’t tolerate, prodigy or not.

“Nuh-uh,” he says. In hindsight, it’s not the most mature response he could’ve come up with, and Sae seems to agree, snorting derisively before using a napkin to dab at a drip of coffee running down the side of his cup.

“What a captain,” he says with a sigh. “No wonder you guys need me to play for you against those Blue Lock idiots.”

Aiku should be offended, he really should be — and he is! He is, and he’s just about to muster up some scathing retort that’ll definitely leave Sae Itoshi trembling, but then Sae’s standing up with purpose, so now he’s just intrigued instead of insulted. He follows after him as Sae holds the coffee in one hand and marches towards the counter, and when he realizes what’s about to happen, he preemptively cringes.

“Don’t yell at service workers!” Aiku says. It would’ve been heroic if he had said it loud enough for Sae to hear him, but unfortunately, it’s more of a whisper than the brave shout he had intended for it to be, so he just looks kind of stupid, as if he regularly talks to himself or something.

“Hey,” Sae says to the boy at the counter. He’s young, probably no more than fifteen or sixteen, and Aiku prays that he’s not the target of Sae’s ire. “Who made this?”

The boy squints at Sae’s cup, reading the receipt, and then he smiles innocently. “That was Y/N. Did you want to talk to her?”

“Yes,” Sae says bluntly. Aiku is about to thank whichever deity was watching over him and that boy alike, but he pauses when the rest of the kid’s statement registers. Her? Her? Is Sae seriously about to yell at a girl for making bad coffee? If she’s hot, he’ll kill Sae, no doubt about it. “And tell her to make it quick. We don’t have all day, and she’s already wasted enough of our time.”

Yeah, he’s definitely going to kill him.

“Y/N,” a voice whispers. You’re untying your apron — your shift is just about over, and you’re ready to clock out, but for some reason your young coworker is peering into the kitchen nervously and gesturing for you to come with him. Normally, you’d tell him to handle things himself, but he’s new, so you decide to be responsible for once and follow after him, muttering curses to yourself as you retie your apron.

“What’s the matter? Did you spill something?” you say. He shakes his head, raising his hand and pointing at the counter, where two customers are waiting. You frown, because you’re pretty sure you already gave them their drinks, so there’s no reason for them to be standing there, unless maybe they want to reorder. “Wait. Did you call me to take their order? No way! My shift is over in thirty seconds!”

“No, no, I didn’t,” your coworker says. “They want to talk to you.”

“Me? Like me, specifically?” you say. He nods.

“Yeah, they asked for you by name and everything,” he says earnestly. “I think they’re mad, though.”

You pinch the bridge of your nose, because the last thing you want to do is deal with a couple of prissy customers, especially not when you’re supposed to be heading home already. However, your coworker seems to be on the verge of tears, and some kind of sisterly affection tugs at your heartstrings, so you pat him on the shoulder and take his spot at the counter.

“Hi, this is Y/N. My coworker told me you needed to see me. How can I help you?” you say. Your voice is chipper and your smile is false, but they don’t need to know that. You’ve been working at the coffee shop for long enough that you’re practiced at pretending, and you know for a fact that your coworker is standing shyly at your side, probably astonished by the quality of your performance.

For a moment, neither man speaks, so you get to stare at them and make your own assumptions about who they are and what their backstories might be. It’s kind of like a hobby, a pastime for when things are slow or you’re generally annoyed about your job. You’ve developed it over the years, and luckily, these two are prime candidates for the game.

The one on the left is tall and broad, with dark hair and mysterious eyes. Curiously, one is a bright green, while the other is a softer violet, and there’s a few-days-old stubble growing on his square face, like a shadow running along his jaw. It gives him a rough appearance, like he owns a motorcycle and frequently wears leather jackets, but you want to believe that he’s gentle at heart. Maybe he has a fondness for baby animals or he likes to bake cookies or something along those lines.

The one on the right is shorter than his counterpart, and his hair is red like a sunset, pushed carelessly out of his haughty face. He’s wearing a sweater that matches his eyes, though the teal of the knitted fabric is much more muted, and you’re about to come up with some kind of fantastical explanation for who he might be when you realize that you know him.

He clears his throat, and you scramble to stand up straighter, internally screaming, because what are the odds that you’ve somehow managed to piss off the star player of your favorite soccer club’s youth team? You wonder what your father will think of you now. You wonder what you think of yourself now. What should you do? Should you tell him you recognize him? Ask for an autograph? Or should you play it cool and pretend like you don’t know him? What if he yells at you?

Actually, you wouldn’t mind it as much as normally do. When everyday customers start screaming at you for some perceived wrong that you’ve supposedly committed, you typically tune them out, and then you make fun of them with your coworkers in the back, but if it’s Sae Itoshi…well. you’ll certainly listen to every word he says, and when you return to the kitchen, you’ll write them down somewhere so you can remember the moment forever.

“He didn’t like his drink,” he says, pointing at the dark haired man.

“What?” the man shrieks. The pitch is higher than you would’ve expected from someone of his size, but it appears he realizes that, too, because then he’s coughing. “I mean, what? What are you talking about?”

“You were just complaining, Aiku,” Sae says. “You even made me come up here and get mad at this girl for you.”

The other man, who you guess is named Aiku, is turning a strange shade between magenta and beet-red, and you’re surprised there isn’t steam coming out of his ears. Given that you don’t really care about him that much, you’re instantly irritated again, because why would it matter if he didn’t like his drink? Still, you have to keep up appearances.

“My apologies, sir. Is there anything I can do to make it up to you?” you say.

“No!” Aiku says. “No, it’s — hey, Sae, you were the one who was all upset, so why are you putting it on me?”

“Hm?” Sae says, obviously uninterested in the conversation already. “I dunno. Maybe it happened like that, or maybe not.”

“I’m sorry,” you say again, more than a little bewildered. “Ah, I’m new here, so I’m still learning.”

Aiku, who has returned to a more normal and human color, smiles at you kindly, and he’s about to respond, ostensibly to reassure you, but then your damned coworker pipes up: “No, she’s not.”

“Ah, sorry?” Aiku says.

“She’s not new,” your coworker says again.

“‘New’ is a subjective term,” you say mechanically, wishing that it was acceptable for you to turn around and hit him in public whenever you wanted.

“I don’t think anyone would consider you to be new when you’ve been working here for three years,” your coworker says. You can imagine the innocent, guileless expression on his face right now. You want to do something violent to it.

“Ha, ha,” you say. You think your eye might twitch, too, but if Aiku or Sae notice, then neither of them point it out. “What a knowledgeable fellow we have back here.”

“It’s alright,” Aiku says. “I didn’t mind the drink. Sae’s the one who threw a fit about it.”

“I liked it,” Sae says stubbornly. “It was fine.”

You step in before Aiku can turn magenta again, because that’s probably unhealthy for him, and you don’t want to be held liable for a customer dying on your watch when you’re not even being paid for it.

“Anyways, is that all? I’m actually done with my shift, so if you guys don’t need anything else…” you trail off, though inside you’re screaming something along the lines of Sae Itoshi, please notice me and give me your autograph and oh, if you could fall in love with me, too, that would be amazing!

Of course, you can’t verbalize anything like that, so you just smile and wave until the door slams shut behind them. Then you’re yanking your apron off and balling it up before chucking it at your coworker’s face. It hits him in the nose and slides to the ground; he gives you an offended look before picking it up.

“You’re lucky it was only an apron,” you say. “You owe me big time, you little shit.”

“Huh?” he says.

“I won’t forget this!” you warn him, stomping towards the small locker room, where your precious phone is waiting for you. “You’re a major-league jerk, okay? Don’t ever ask me to cover another shift for you again!”

“Huh?”

“What the hell was that?” Aiku snaps as soon as they’ve left the cafe, because this is totally not what he was expecting when his coach told him that he had to treat Sae nicely and make him feel welcome.

“What was what?” Sae says. He’s sipping on his coffee sedately now, even though he was complaining about it only minutes earlier.

“Since when was I the one who was upset about my coffee?” Aiku says.

“I have a bad memory,” Sae deadpans. “I guess it could’ve been either of us.”

“That was not believable in the slightest,” Aiku feels the need to inform him. Judging by Sae’s expression, it wasn’t meant to be believable, though, and Aiku sighs. “Seriously, what’s your deal? You were just going crazy and glaring at me because you thought the coffee sucked, and now you think it’s good?”

“I should’ve waited for it to cool,” Sae says. “It’s better now. I was being hasty.”

“Uh-huh,” Aiku says. “Sure. Let’s do something else tomorrow. I don’t ever want to go back there. I don’t think I can face that girl again. She was so hot, too, and now she probably thinks I’m some ungrateful asshole…”

“I want to go back,” Sae says immediately, throwing the now-empty cup into the nearest trash can. Aiku furrows his brow at him, trying to puzzle out this latest contradiction and finding himself utterly unable to. “Tomorrow.”

“Tomorrow,” Aiku repeats dubiously. Tomorrow he has practice, and technically so does Sae. However, they both know that Sae doesn’t need anything as ridiculous as practice in order to win against a team of eleven high-school forwards, and he’s fairly confident that his coach will tell him to accompany the bratty Itoshi instead of showing up, since the JFU is pulling out all of the stops if it means getting Sae to stay in Japan for good.

“Tomorrow,” Sae reaffirms.

I’m a nice guy, Aiku tries to remind himself. This is what nice guys do. I’m boosting team morale. Yeah. That’s all. Captain’s duties.

Still, as he chases after Sae, who apparently doesn’t know what the word ‘stroll’ means and prefers to do everything at a brisk pace more akin to a jog, he thinks that this entire ridiculous assignment feels more like a babysitter’s duties than anything.

“Are you serious?” your father says. In the background, the TV is playing a game between Re Al and Barcha, which is rather fitting.

“Deadly,” you say, untying the laces of your sneakers and putting them with the rest of your shoes. “It was actually him.”

“Sae Itoshi,” he says, shaking his head. “He’s back from Spain?”

“Seems like it,” you say, though now that he mentions it, you’re as confused as he is. Why is Sae Itoshi here instead of Madrid? You glance at the TV — Barcha has just scored, and the cameras are sweeping through the crowds, showing the excited fans cheering — and wonder if maybe he was fired or something. You doubt that that’s what happened; after all, he’s a consistent player, and the last time he was in a match, he even managed to outmaneuver that freaky striker who plays for Bastard München, so it would make zero sense for Re Al to let him go. Besides, even if they did, you’re sure there’s dozens of clubs that would be willing to take him, so there must be another reason for his presence in Japan.

“Huh,” your father says. “Well. Good for him.”

“I guess so,” you say. “If I ever see him again, I’ll ask him what he’s doing in town.”

Your father chuckles, taking a sip of his beer and giving you a thumbs up. “Yeah, you do that. Let me know what he says.”

You laugh, too, sitting down at the counter and eating a plate of reheated leftovers, because you know as well as your father that the idea of you ever seeing Sae Itoshi again is more than a little far-fetched. But it’s a nice thought, and anyways the chances are never zero, so for the moment, you allow yourself to imagine.

Aiku is seriously questioning if Sae Itoshi was sent to this earth — or at least to this country — as some kind of punishment for him. He’s not really sure what’s done that would invite such cosmic retribution, but maybe it’s one of those…what did that girl call them? Karmic debts? She had said something about the sins of his past life and all, though he can’t recall the specifics.

Wait. That’s wrong. He just never learnt them in the first place, so how could he remember them in the first place? He had broken up with her before she could explain her theories to him. This prompts a wince from him, which is further fueled by the way his t-shirt sticks to his back with sweat. It’s a distinctively uncomfortable feeling, and he’s contemplating complaining, even though it probably won’t do much.

“Shut up,” Sae says.

“I didn’t say anything!” Aiku protests, more than a little spooked, since he actually had been about to say something before Sae had cut him off.

“I can see you making faces at me,” Sae says. Considering Sae is walking ahead of him and to the side, Aiku’s not quite sure how he could tell anything about what sorts of faces Aiku is making, but unfortunately, he’s uncannily correct as always, so Aiku schools his expression into a smooth, neutral one that won’t beget reprimand from his companion.

“I can’t believe you insisted on going here straight after practice,” he says.

“This is the same time we went yesterday,” Sae says. He’s kind of an insufferable smart-ass, Aiku thinks to himself, though he’d never say as much to Sae’s face. After all, unlike his counterpart, he’s considerate like that, and he always has been.

“So? We didn’t have practice yesterday,” Aiku says. “You couldn’t even let me shower?”

“You take forever in the showers,” Sae says. This is rich, for Sae is notoriously obsessive with his skincare, and of the entire team, he takes far and away the longest to get ready. But, then again, Aiku supposes that idiocy is one of those illnesses which spreads further and further until all of one’s perspectives are tainted with the virus.

“I could’ve been quick,” he says. “It would’ve been better if I could’ve at least rinsed off so I didn’t look so gross. I want to impress that Y/N girl if she’s there again today.”

“You’re not her type,” Sae says dismissively. “So why bother?”

“How do you know? Are the two of you childhood buddies or something?” Aiku says. Sae glances at him, and of course he’s way too holier-than-thou to properly sneer, but the corners of his lips turn downwards to the same effect.

“Not too hard to figure out,” he says.

“Well, hold on just a moment! I got the vibe that she was totally into me yesterday!” Aiku says. He actually did not get any such vibes from the barista; the only thing she seemed into was clocking out, but he’s Oliver Aiku. If he can’t get a girl, he can’t do anything. Besides, it’s not like Sae would be able to tell one way or another — Aiku and his teammate Sendou have a theory that Sae was created in a lab as some kind of experiment to make the world’s best midfielder, because the guy really doesn’t have any knowledge or concern for anything that’s unrelated to soccer.

True to form, Sae blinks unsurely. “Really?”

“Yeah, one hundred percent,” Aiku boasts, although then he’s narrowing his eyes, because such a question is so out of Sae’s character that for a moment, he wonders if there’s been a mistake and he’s actually taken some other team member of his along for this ridiculous errand.

Messy red hair. Teal eyes. Forehead creased with a frown. No, it’s definitely Sae Itoshi, that’s for sure. Just Sae Itoshi in a mood that he’s never seen before. If they were a little closer, he’d ask him what’s the big deal now, but as it is, the question would probably go unappreciated.

“Hm,” Sae says. “Whatever. We’ll see.”

“Sure,” Aiku says slowly, reaching out to hold open the door of the cafe so he can enter behind Sae, since his lovely, amazing, wonderful, kindhearted teammate so generously left it to slam shut in his face.

What a total dick. He makes a mental note to ask the JFU for a raise, because whatever they’re giving him at the moment is definitely not enough.

“They’re back again!” your coworker says. You’re still mad at him for yesterday, so you’ve been giving him the silent treatment the entire shift. It hasn’t gone unnoticed, but his pitiful attempts at reconciliation never include an apology, so you haven’t budged yet.

He waits for you to respond, but you’re pretty sure he’s making stuff up to get you to pay attention to him, and anyways they could be in reference to anyone, so you continue to pour milk into a cup, acting like it’s an all-consuming task which you cannot possibly complete without the utmost of concentration.

“I’m being serious! Y/N, it’s Sae Itoshi and, uh, that other dude!” he says. Your hand wobbles for the briefest moment, but you conclude that he’s most likely lying, so you steady yourself and continue pouring the milk. “Fine, be that way! I’ll serve them myself!”

You can’t even say something snarky in response, because that’ll still be a win on his part, so you huff particularly loudly to no one in particular and leave it at that.

A few minutes later, he’s back, looking so contrite that if you weren’t upset with him, you’d actually be worried. Unfortunately, you very much are upset with him, so you find it on the whole to be rather hilarious and have to suppress a laugh.

He must take your amusement as a signal to talk, because he speaks eagerly and quickly, stumbling over his words and clasping his hands together in front of him.

“Y/N, Y/N, they’re insisting on seeing you, I told them you’re working right now — I’m sorry, I’m not supposed to do that, right? But I did, and now they really want to see you!” he says.

You’re still not entirely convinced, but if this is an act, then it’s a dedicated one, and you don’t think that he possesses that much dedication in all of his body, so maybe he’s actually telling the truth.

“Fine,” you say. “But if you’re lying, I swear I’m telling our manager to fire you.”

“I’m not!” he squeaks, darting back to the counter, rocking back and forth on his heels as he waits for you to catch up to him.

When you reach the front, you’re surprised to see that it is in fact Sae Itoshi and…whoever that other guy is. Aiku? Yes, that sounds right. It’s Sae and Aiku, and one looks supremely inconvenienced — this would be Sae, of course — while his friend is running a hand through his sweaty hair, flashing you a grin.

You smile back at him, because that’s what you’re trained to do, and you don’t want your coworker to tattle to your manager that you’re not abiding by the cafe’s standards of customer service. Then you stare at them until one of them starts speaking, because that’s what your entire job is, and no matter how badly you want to start gushing to Sae Itoshi about how big of a fan you are, you have to remain professional.

“Is there anything I can do for you two?” you finally say. This prompts Aiku to nod, nudging Sae in the side, which earns him a dark glare.

“I want the number two, and he’ll take the number five,” Aiku says when Sae does not speak up. You want to tell him that nobody orders like that, but you’re not supposed to and it’s really not that big of a deal either way, so you just ring up the order.

“Sounds good. Would you like to pay with cash or credit?” you say.

“Credit,” Sae says, pulling out a card that probably has a monthly spending limit higher than what you make in a year. “And we’re splitting the bill, just so you know.”

What you want to say is Wow, Sae, you’re somehow even cooler in real-life! Who’s your favorite soccer player? What’s your favorite food? Do you like Spain better, or here? What you actually say is: “No problem. I’ll have those right out for you.”

“Thanks,” Aiku says. He’s kind of charming, in a sense; you can think of several friends you have that would probably swoon at the way his smile stretches across his face, but you don’t really see the appeal. Or, maybe you would normally, but at the moment, he’s standing next to Sae Itoshi, so it’s a little hard to focus on him at all.

“Yeah,” Sae says. “Thank you. Y/N.”

He’s probably just reading off of your name tag in an effort to seem more friendly and relatable and humble and all. It’s a classic PR move that he was probably taught as soon as he joined Re Al. You know about it, though, so it shouldn’t work on you. It won’t work on you. He’s just doing what he’s trained to, the same as you are.

It works on you. You run to the back and hide your face in your hands and squeal, because Sae fucking Itoshi just said your name.

“Holy fucking shit,” Aiku says.

“Are we just listing curse words now?” Sae says dryly. “Bitch, cunt, hell. There’s three more for you.”

“You like the barista!” Aiku accuses. If Sae was drinking something, he would’ve spit it out just then, but he’s not, so he just chokes on his saliva.

“No way,” he says.

“Yes, you do! How else can you explain this?” Aiku says, pitching his voice up in an imitation of Sae’s. “Yeah. Thank you. Y/N. Since when do you say thank you to people?”

“Since always? I have manners,” Sae says.

“I’ve never heard you say it,” Aiku says.

“Maybe that’s more telling about you than me,” Sae suggests. Aiku scowls at him.

“You definitely like her,” he says. “No judgment here, man. She’s pretty.”

“Whatever,” Sae says. “Even if I did like her — mind you, I don’t — she’s clearly into you.”

“Me?” Aiku says. “I was just messing with you earlier, you know. Anyways, yeah, I think she’s hot, but, like, you’ve never liked a girl before, right? So I wouldn’t get in the way of that. This is a big step.”

“You’re not getting in the way of anything. Do what you want,” Sae says.

Aiku’s already pulling out his phone and texting Sendou: big news. Lab experiment just evolved. Feels attraction and jealousy now.

“Uh-huh,” he responds absentmindedly. Sendou texts back with about fifty mind-blown emojis, and he snickers to himself, liking the message.

“Anyways, who told you I’ve never liked anyone before?” Sae says defensively. Aiku just about drops his phone, leaning forwards in interest. Could it be? Are he and Sae actually bonding? Is Sae about to tell him about his first love — who apparently is not this barista?

“I just guessed. Was I wrong?” Aiku says. He’s already trying to come up with who Sae might’ve liked — a childhood neighbor or friend? A women’s soccer player he admired? A girl he saw once in Spain but never again? Oh, that last one is particularly romantic…he’s just about accepted it as fact when Sae glares at him.

“No,” he says. Aiku’s dreams are shattered in an instant, but he can only shake his head while chuckling, both because Sae has inadvertently admitted that he actually does like that Y/N girl, and because he was an idiot for believing that ‘Sae Itoshi’ and ‘romantic’ could ever belong together in one sentence.

“Yeah, that’s what I thought.”

“What do I do?” you say. You and your coworker are back on speaking terms, mostly because you have no one else to talk to and are so desperate that you’re willing to temporarily forgive him.

“Make their drinks?” he says. You give him a dirty look as you begin mixing up their orders.

“Not about that. I’m such a huge fan of Sae’s, and this is the second time I’m making a drink for him. It’s kind of like fate, don’t you think? Should I try to talk to him or something?” you say.

“Do you want to?” your coworker says. It’s a slower time of day, so he has nothing to do but sit and watch you — at least, nothing immediate. There’s certainly things he could be doing, but you’re not about to chide him when you’re the reason he’s slacking off.

“Obviously! But what am I supposed to even say? I’ll sound like a creep if I just start acting like a fan-girl!” you say.

“That’s true,” your coworker says. “You kind of sound like one even now…”

“Ugh, if you’re not going to be helpful, then go organize the storeroom or something!”

“What about her makes you like her?” Aiku presses.

“Are we still on this?” Sae says, as if they’ve been talking about it for hours. “I don’t like her.”

“It’s not like you talked to her for a while…was it really just her looks?” Aiku says. “Damn. Didn’t think you were the shallow type.”

“I am not the shallow type!” Sae says.

“That sounds like something that a shallow person would say,” Aiku teases.

“Shut up,” Sae says. Aiku doesn’t have enough fingers or toes to count how many times Sae’s said that particular phrase to him. Maybe if he counted all of the fingers and all of the toes of every single person in the world, he would get kind of close to what that number might be. “I’m not shallow, I don’t like her, and she’s obviously way more interested in talking to you than me, so get off my back.”

Aiku whistles. “Someone’s jealous.”

“I’m telling the JFU that you were the one who sent me back to Spain,” Sae informs him bluntly. Aiku isn’t sure if that’s a joke or a legitimate threat. It’s hard to tell with Sae sometimes.

“Are you serious?” Aiku says.

“Deadly,” Sae says.

Yep, Aiku decides. He’s serious.

“If only that Aiku dude wasn’t there,” you lament, setting the first drink in the pick-up area and calling out Aiku’s name before returning to finish Sae’s drink. “It’d be way easier to talk to Sae without someone there to judge everything I’m saying.”

“Do you think he’d even care?” your coworker says. You shrug.

“No idea. It’s intimidating to talk to guys around their friends, though. You’re a guy yourself, so you wouldn’t get it,” you say.

“Are they even friends?” your coworker says. “Doesn’t seem like they get along that well.”

In unison, the two of you turn so you can look at the duo, who are sitting at a table right within your line of sight. As your coworker said, they don’t look like they’re friends in the slightest. Aiku is sipping on his drink with a smirk, and Sae looks like he’d rather be anywhere else, doing anything else, than be sitting there with his not-friend.

“The point still stands,” you say.

“Guess so,” your coworker says. Just then, Sae Itoshi happens to glance over, making direct eye contact with you. Your eyebrows raise, and your face warms as you realize you’ve been caught. Aiku turns to follow Sae’s line of sight as you weigh your options. Should you pretend like you weren’t doing anything? Should you wave?

You decide to just smile again before returning to the drink you were supposed to be working on. Your coworker, who saw the entire exchange, cannot stop laughing.

“It’s over for you,” he says. “He definitely thinks you’re a creepy fan-girl now. You can kiss that autograph goodbye.”

“You’re lucky I’m too lazy to remake this drink,” you say. “Because otherwise, I’d spill it on you.”

“That’s against company policy,” he says.

“By accident, of course,” you say with a malicious grin.

“That’s against company policy, too!”

“Look, she just smiled at you. I bet she was looking at you the entire time,” Sae says coolly. “You should ask for her number. You already said you think she’s beautiful.”

“I said she’s hot. I’m not all poetic and shit like that,” Aiku says. “And I wouldn’t do that. It’s against the bro code.”

“We’re not ‘bros’, so you can put that out of your head,” Sae says.

“What if I help you get her number?” Aiku says. Sae tries very hard to maintain his nonchalant look, but Aiku can tell that his curiosity has been piqued. “Will you consider me a bro then? At the minimum, will you tell the JFU that I’ve done a great job at showing you around and making you feel welcome?”

Please please please please please I really need a fucking raise Sae I’m broke please please please —

“Sure,” Sae says.

“Sure?” Aiku says. “Yes! Okay, this will be easy.”

Sae scoffs. “Yeah, okay. If that’s what you think.”

“Believe me,” Aiku says. “You’re in the presence of a master.”

Sae doesn’t even dignify that with a response beyond the most disgusted look Aiku has ever seen on anyone, Sae or not. He’d say something, but he’s pretty sure he deserves it at least a little, and anyways a possible raise is way more important to him than being right, so he keeps his mouth shut, simply giving Sae a double-thumbs-up. He’s going to ace this new assignment, and then maybe he’ll actually be paid what he’s worth instead of pennies on the dime.

You’re about to call out Sae’s name when you realize that for some reason, both Aiku and Sae are standing there and waiting for you. You furrow your brow, because it’s both a menacing and a comical sight — the hulking Aiku, who looks like he’s about to go punch a criminal on television before flipping his hair and telling the ladies that there’s enough of him to go around, and the slender Sae Itoshi, who you can’t imagine doing anything but slamming a winning pass to one of his teammates, invariably leading to a soccer ball in his opponent’s net.

“Uh, hello,” you say.

“Hello,” Aiku says.

“Hi,” Sae says.

“I have your drink,” you say to Sae.

“I know,” he says, taking it from your hand. Of course — why else would they be here? They must’ve seen you finishing up the drink and rightly assumed that it was theirs.

“Right,” you say. Neither of them go to leave, and now you wonder if they just don’t understand social cues or something like that. “Did you guys want to order something else? My coworker would be happy to take you at the counter.”

“No,” Sae says.

“Okay,” you say slowly. “Well, I hope you enjoy your drinks.”

“We will,” Sae says with the utmost of confidence. Aiku groans and then thumps him on the back. You have a feeling you probably don’t want to know what the significance of the gesture is, but then you realize that this is probably the only chance you’ll get to have a proper conversation with Sae Itoshi, so you shove your concerns aside.

“Wait! If it doesn’t bother you too much, can I ask you a question?” you say. It’s an incredibly awkward way of going about it, but given how awkward this entire interaction has been, you don’t think it’s a huge deal.

“Go ahead,” Aiku says. You weren’t asking him, but you guess the permission covers them both, so you square your shoulders and face Sae Itoshi, who seems entirely confused that you’re looking at him instead of Aiku. You’re not sure why he would be, since between the two of them he’s the celebrity, but maybe there’s some weird dynamic going on that you’re unaware of.

It doesn’t matter to you, though. You only have one thing to ask. You’ll never cross paths with Sae again, will you? So it’s fine. You can act a little embarrassing, and anyways, you barely make above minimum wage, so if your manager gets too upset and fires you for ‘unprofessional conduct’ or something, it won’t be a huge loss. It’ll be worth it, even, considering this is a once-in-a-lifetime chance and your coworker is busy reorganizing the storeroom like you told him to, so he’s not around to spy on you and report back to your stodgy old manager.

Taking a deep breath, you open your mouth and begin to speak.

Aiku hadn’t dared to even dream of the possibility that the barista might already like Sae, too. Why would she? Sae had just been all weird and rude to her in the couple of times that they had spoken, so all in all she’d have to be somewhat of a masochist, or a Re Al fan (which was essentially the same thing, given the losing streak that Re Al had been on for the last month or so), to be into him. But sometimes miracles did happen and baristas were masochists, because the girl was turning to Sae with shimmering eyes and a hopeful expression and it was all going to go so well—

“What are you even doing in Japan in the first place?”

Did he hear her right? Sae is bewildered as well, but Y/N isn’t acting like she’s just asked the most ridiculous question she could’ve possibly asked. What is Sae doing in Japan? Well, he happens to be a citizen of the nation, so there’s one explanation…Aiku wants to facepalm, because now his plans have been ruined and Sae’s confidence has probably been crushed.

“Pardon?” Sae says. Aiku had told him not to act so cranky and old-man-ish when he approaches the girl, but honestly, at this point, there’s no helping him, so he doesn’t even bother with a correction.

“Why are you in Japan?” she says again, all bright and innocent and cheery. It somehow feels like she’s been faking things so far, and that this is the real her, which she’s been holding back up until this point. Aiku isn’t so sure if that’s a good thing; privately, he believes it would’ve been better if she kept holding back just a little bit longer. Long enough for her to reject Sae — who still claims he’s not into her and is just trying to ‘be friendly’, as if friendliness is something he’s well known for — and then move on with her day.

“My passport expired?” Sae says, phrasing it more like a question. “So I had to come back and get it renewed?”

His voice ticks up at the end of every sentence unsurely. It’s almost cute, like he’s a little baby chick. Aiku’s fond of chicks, so he decides he’ll step in. Just this once.

“He’s visiting from Spain to play for the Japanese U-20 team in an upcoming exhibition match,” he explains.

“Oh, wow,” she says. “But I thought you said you would rather give up on soccer or play with German college kids than ever play soccer for Japan?”

Aiku raises an eyebrow. He wasn’t aware of such sentiments, and though he’s not exactly shocked, he can’t help feeling a bit miffed. When he glances over at Sae, there’s not a trace of remorse on his face, and so he wrinkles his nose.

Forget the raise and the baby-chick-esque mannerisms alike. He’s done helping this ungrateful, no-good, lame-as-hell, girl-repelling loser for free. If Sae wants any further assistance, he’ll have to beg for it.

“How did you know I said that?” Sae says. You clap your hand over your mouth when you realize you’ve exposed yourself.

“I, um, I was just guessing!” you say.

“Guessing?” he repeats. You swear, because that’s actually a worse explanation than the original one, and then you hang your head, because if the cat’s out of the bag, then there’s no way you can put it back in.

“It’s a quote from one of your interviews,” you mumble.

“What?” It’s Aiku, who immediately frowns when he realizes he’s butted in. Sae gives him an odd look out of the corner of his eye.

“I’m a big fan of yours,” you say. “The last game you played in, when you stole the ball from that Bastard München striker, was amazing! To tell you the truth, I’ve been trying to figure out why you’re in the area instead of back in Madrid. It’s a little unbelievable, you see.”

“Ah,” Sae says, and for some reason he looks uncomfortable. “Well. Yeah. It was just the issues with my passport and all. I decided to play for the U-20s because I was offered a good deal, but it’s right back to Madrid for me after that.”

“That makes sense,” you say. It’s awkward again, but in a different way. You don’t know what to say. You don’t think he does either. His drink is probably cold now, and you’re surprised that Aiku’s eyes aren’t stuck in the back of his head, given how frequently he’s been rolling them. “Can I have your autograph?”

“No,” Sae says immediately. You’re a little taken aback, and to be honest, he looks kind of horrified himself, but you know better than to nag, so you only nod at him.

“No worries—” you begin before you’re cut off by a grumbling Aiku.

“He’ll give you his number instead. Here,” Aiku says, listing off a series of digits too rapidly for you to remember. “He’ll write it down, for you, right, Sae?”

And then, to your utter disbelief, Sae Itoshi is pulling out a pen and a piece of paper from who knows where, and he’s humming in agreement.

“Right,” he says, and then he’s handing you a note with his phone number written on it in neat print and his signature in flowing cursive. “You can call me later. If you want. Y/N.”

The way he speaks is stilted and low, but you don’t mind it. Tucking the piece of paper into your apron pocket, you beam at him.

“Alright,” you say. “I’ll call you. I still have more things to ask you, so it’s good that you gave me this.”

“Yes,” Sae says. “Yes, you can do that if you’d like.”

Then he and Aiku are leaving the coffee shop, their drinks in hand, and you’re standing there in awe, wondering if that actually just happened or if it was nothing but a particularly vivid flight of fancy.

If it’s the latter, then you almost hope it’s one you don’t ever escape from.

“You’re welcome,” Aiku says as they leave the cafe.

“I didn’t say thank you, you lukewarm oaf,” Sae says. Aiku shrugs. He’s hard to ruffle, after all. It’s the reason why he stepped in and rescued Sae from that little mistake of his. He just couldn’t bear the thought of his dear junior losing the girl of his dreams because of a slip of his tongue, even if aforementioned junior is the insufferable smart-ass type.

Well, the thought of the money he’ll make if Sae speaks of him highly to the JFU doesn’t hurt, either, but that’s less altruistic, so he prefers to stick to the first explanation.

“I bet you feel it, though,” Aiku says.

“Shut up,” Sae says.

It’s a good thing babies are born every minute. Otherwise, given how frequently Sae says that particular phrase, Aiku really might run out of things to count on.

You’ve typed the number on the piece of paper into your phone, and now you’re staring at it blankly, wondering if you should press the green call button. What if it was a prank? What if it wasn’t? Because then you’ll have to actually talk to Sae Itoshi, and you’re not so sure you can do that.

In a fit of inspiration, you slam your index finger against your screen and hold your phone up to your ear. It rings a couple of times, each subsequent one worsening the pit in your stomach, but then it stops ringing entirely, which can only mean one thing: Sae, if this really is his number, has answered.

“Hello?” you say.

“Hello?” he responds. “Y/N?”

“Yes!” you say. “It’s me. Y/N. Like you said.”

“Cool,” he says. “It’s Sae. Which I guess you knew, since you called me.”

“The confirmation was nice,” you say, internally sighing in relief. “Thanks.”

“You’re welcome,” he says. It’s mannerly but also a little sarcastic, albeit not in a mean way. You don’t mind it much. “You said you had to ask me some things?”

The two of you spend the next few minutes in a setting kind of like an interview, in that you drill him with questions and he answers them all patiently. He’s kind about it, humoring you even though he doesn’t have to, and he never threatens to hang up, which you do appreciate.

“Would you mind if I ask a question, too?” he says when you’ve taken a break to drink some water.

“Go ahead! Although I’m not as interesting as you are,” you say.

“I think you’re probably way more interesting,” he admits. “Anyways. Are you free next weekend?”

“Uh, I think I have a shift on Saturday, but to be honest, my coworker owes me, so he can cover it. Why?” you say.

“The exhibition game that I’m playing with the U-20s for. You should come watch,” he says.

“Oh! Sure, where should I get tickets? I’d have gotten them already if I knew you were playing,” you say.

“I’m allowed to invite someone,” he says. “Friends or family. So I’m inviting you.”

“Don’t you have actual friends that you can invite?” you say before gasping. “Sorry! Sorry, that was super insensitive and rude of me. Of course I’m honored to come, I’m just confused about why I’m the one you’re inviting. Me. I’ve literally made coffee for you twice, and that’s about it.”

“Yeah, that’s true,” he says before pausing. “Um, look, Aiku told me to say this, so if it’s uncomfortable, then blame him…but I think you’re, er, beautiful?”

Your mind short-circuits. “Huh?”

“I don’t know! He’s the one who has experience, I’m just taking his advice!” Sae says, his tone souring immediately afterwards. “Trust me, it’s not like I want to. There’s many things I’d rather do than follow Oliver Aiku’s advice, but at the moment, it’s the best I can do.”

“Beautiful,” you repeat. It’s such an elegant adjective. You’ve been called pretty before, and there’s been a fair share of guys who have considered you to be hot, but beautiful…it’s nice. It’s really nice.

“Yeah,” Sae finally says. “Basically.”

“I’ll be there,” you say. There’s something like a scream bubbling in your throat, but you fight it back, knowing that it’s of the utmost importance that you maintain a relaxed demeanor.

“Great,” Sae says. “See you.”

“See you,” you say, and then you hang up before he can say anything further, because you’re already on the verge of combustion and you don’t think you can handle anything more.

Throwing your phone across the room, you give in and scream. There’s thundering footsteps, and then your father is throwing the door to your bedroom open, whipping his head around wildly.

“Is everything alright? Why are you screaming?” he says, heaving for breath, probably because he just sprinted from his spot on the couch to your bedroom in record time.

“Sae Itoshi!” you say.

“Yes?” he says, the rate of his inhales and exhales lowering as he realizes there’s no active threat to your life or property. “What about him?”

“He told me I’m beautiful and invited me to watch his game next weekend,” you say, knowing that this is going to make your father — a fellow Re Al fan — freak out.

You wait, counting down as he processes the news, unable to contain your exuberant grin, knowing exactly what’s coming. Three, two, one—

“What?”

#sae x reader #sae x y/n #sae x you #itoshi sae #bllk x reader #bllk #blue lock #reader insert #modern au #oliver aiku’s guide to getting girls #m1ckeyb3rry writes

123 notes · View notes

valentine-writes · 1 year

Text

their "i love you"s and other drabbles...

「 tws + notes: no tws, HEAVILY unedited, a little angst in sum partz but f it we ball (THERE'S SUMN WRONG W/ ME I NEVER DO THIS MUCH?), fluff, tried to add a lil bit of everyone, little thoughtz abt the characters,,, 」

↳ ft. ben reilly/scarlet spider, gwen stacy, hobie brown/spider-punk, jessica drew, lyla, margo kess, miles morales (1610 and 42), miguel o'hara/spider-man 2099, pavitr prabhakar, peter b parker, spider-man noir, and the spot/johnathan ohnn

「 gn!reader, romantic relationships <3 」

author's note: not my usual content but thought it wud b fun to whip up a few drabbles,, (´。＿。｀) diff format than usual too! all separate and stuff, w/ the characterz at the bottom being the ones the drabble applies to the most (ALL CAPZ MEANS I THOUGHT IT FIT THEM SUPER WELL!!!!) thought it wud b fun,,, altered lyrics are italicized, itz jus a pronoun change 2 make it gender neutral (❁´◡`❁) edit: my tags. do not fit. so i had to redo them. reblogz r super appreciated ^_^ i jus wanna make sure all fans of these characterz are being fed content <33

[ please don't forget about me - pompey ]

"and if you see me everyday / will I lose my shine?"

↳ always terrified of not being exciting and new to you– like one day, their appeal will fade. not like they understand what drew you to them in the first place, but they never asked. maybe you're just hanging around for the hell of it. maybe one day, they'll watch you leave and they'll have nothing to convince you to stay

"how many bad jokes will it take? / or awkward quiet times?"

↳ they wonder if they're already losing you slowly. everytime they speak to you, it's like they're trying to compensate for something. begging you to look at them– but not too close,,, just in case you notice how brutally flawed they are, beyond just the quirks you find endearing. maybe one day you'll look too deep into their eyes and you won't like what you see

▸ JOHNATHAN OHNN/THE SPOT, peter b parker

[ soft sounds from another planet - japanese breakfast ]

"i'll show you the way to hurt me"

↳ loving again is the biggest risk anyone who's been hurt like them could take. you make it worth the danger– the possibility of the pain they've grown all too familiar with. maybe for today, caution can be set aside. when it comes to you, they wouldn't mind letting their guard down.

"in search of a soft sound from another planet / in search of a quiet place to lay this to rest."

↳ they have to admit their past has burdened them in ways they can't even begin to communicate. they know you can't fix everything that has been broken in their lives. still, the comfort you provide is never taken for granted. you are their safe space– the soft sound from another planet. their quiet place to finally lay it all to rest. and suddenly, the aching in their chest doesn't eat them up inside as much as it used to.

you make it easy to love again.

▸ GWEN STACY, MIGUEL O'HARA/SPIDER-MAN 2099

[ our lullabye - miracle musical ]

"i was made for you / you were made for me"

↳ it's hard to believe that you're more than just a distant fantasy sometimes. they can't deny how much they've yearned for a love like the one you two share. something so sweet, so real. it's nothing like the movies or the fairytales, but is anything ever? even when things are messy and complicated, it's undeniable how perfect it all feels. how everything about the two of you just fits. they're inclined to thank every shooting star they've ever wished on, every birthday candle they've ever held their deepest desires in as they blew the flame out for the day you two met. by any manner of higher power or forces unseen to the human eye, they're certain fate was on their side to give them such a blessing.

"i'll love you 'till you're gone / our song goes on and on"

↳ they're determined to hold on as long as possible. all good things cannot last– but they try not to dwell on that thought. they hold onto the hope that you're the one thing that will stay. your love feels divine. radiant, in the way it overtakes them fully. they almost feel undeserving. so, no matter how small or how grand the action, they try to remind you every day, "i love you"s woven into their every being whenever you're around.

▸ lyla, SPIDER-MAN NOIR, johnathan ohnn/the spot

[ i will - mitski ]

"everything you feel is good / if you would only let you"

↳ sometimes they feel you holding back. they can't help but notice the tension in the room as you suppress the things you want to say, silence the thoughts in your head. they know it's not easy to be earnest all the time. but they love you– they care for you. and all they've ever wanted is for you to be authentic. if it's pure, how could it ever be wrong? maybe in your own time, you'll be able to unravel in front of them. they're by your side every step of the way. to finally have you open up to them– to be real, to be honest– it would mean the world to them. they want to show you they love every single part of you. they love you when you're upset, when you're crying, when you're angry– because it's you.

"so stay with me / hold my hand / there's no need / to be brave"

↳ they offer every reassurance they can give you. you no longer have to fend for yourself. those days of being alone are over. you can crumble apart if you need– there's no need for constant bravery anymore. you did such a good job picking yourself up, time and time again. now, they outstretch a hand to you, a silent way of saying, "let me help you this time."

▸ ben reilly/scarlet spider, gwen stacy, HOBIE BROWN/SPIDER-PUNK, JESSICA DREW, lyla, MILES MORALES (1610), PAVITR PRABHAKAR, PETER B PARKER tbh all of them but shhh

[ right side of my neck - faye webster ]

"you looked back at me once / but i looked back two times"

↳ absolutely smitten with you. it doesn't matter how hard you fell. they. fell. harder. and maybe it's not obvious to you. but they've never had someone who made them care so much. some part of them feels immature for feeling so in love,, like a school kid with a puppy crush. they find it ridiculous, how absolutely lovesick and enamoured they are with everything about you. whatever you feel and express towards them, they feel towards you three times as much. they try everyday to show it.

"the right side of my neck / still smells like you"

↳ you just seem to leave a part of you with them always. they can't ignore it– can't seem to escape your presence, even when you're not physically there. it felt like spiralling to insanity at first. but they've learned to appreciate it– find comfort in it, even. the way the smell of your shampoo lingers on the pillow they leant you when you stayed over, the way that the mug of tea (made just the way you like it) is still on the kitchen table from the morning after– you left your t-shirt once and you had to ask them directly for it back. they like keeping pieces of you near. it reminds them of how loved they are.

▸ BEN REILLY/SCARLET SPIDER, gwen stacy, HOBIE BROWN/SPIDER-PUNK, MARGO KESS, miles morales (1610 and 42), pavitr prabhakar, the spot/johnathan ohnn

[ you love me - kimya dawson ]

"but when i met you, right away, i knew / you would never, ever, ever hurt me"

↳ you're used to pulling away. leave before they can leave you, before they even try to make you miss them– but the second you met them? they were insistent on proving that they were harmless. they could never dream of hurting you. and they see as you pull away, scared to get too close– and yet, every single time, they open their arms back to you.

"and the road's still long but you come along / and you hold my hand, and you understand"

↳ "when you're ready" has become second place in their favourite three word sentences. they remind you of these words constantly.

"when you're ready" means they don't mind that it's not now. ""when you're ready" means it doesn't matter how long they have to wait for you, they will. when you're ready" is another form of "i love you"

▸ MARGO KESS, MILES MORALES (1610), pavitr prabhakar, PETER B PARKER, spider-man noir

[ (you) on my arm - leith ross ]

"i wanna buy you pretty little things / and never ever lie to you"

↳ wants something simple with you. craves a form of sweet, normalcy. the mundane tasks and events of life seem far more appealing to them when you're in the picture. no, they never really imagined ever having a quiet life, yet the hope for one with you lingered. to buy you little gifts, to be the best they could possibly be to you, to drive around with you for the hell of it. they're certain anything could be heaven if you were there to accompany them.

a quiet life sounds nice.

"i'd be better armed if you agreed to take it"

↳ having you on their arm just makes them feel secure. keeping you close while showing you off to the world– showing you've got each other. they're a bit sappy for little things like this. everywhere you go, they never fail to extend an arm out to you. something about you makes them feel safer than ever.

▸ jessica drew, miles morales (1610), MILES MORALES (42), peter b parker, SPIDER-MAN NOIR

[ peach scone - hobo johnson ]

"so I fall to ground, collect myself and get ready to take over your heart / or at least your spare time"

↳ they try so incredibly hard to be the one for you. no matter what they try, they just seem to fumble and mess it up. they stumble over their words when they try to compliment you, they get weak in the knees when they try to make a move, and no matter how much they spend deliberating, and deliberating– they've got no clue how to win you over. hopefully you find their clumsy attempts endearing. they're making a fool of themself. and maybe, they haven't really said anything yet– but they're happy to at least hang around you in the meantime

▸ BEN REILLY/SCARLET SPIDER, gwen stacy, MILES MORALES (1610), spider-man noir, the spot/johnathan ohnn

[ dan the dancer - mitski ]

" he liked them more than life itself / i'm sure "

↳ he was quiet in the way he expressed his adoration. still, he did everything he could to ensure you would never go unloved. the way he looks into your eyes, taking you in like you are the loveliest thing on earth... it's only fitting. you're his world. maybe in the silent moments, when his fingers gently brush your cheek, admiring you– you'd begin to understand this.

▸ MILES MORALES (42), MIGUEL O'HARA/SPIDER-MAN 2099

[ lover // over the moon - alice phoebe lou ]

"i'm a lover / i feel it now / i'm a lover / just never knew how"

↳ they don't even try to hide how much they enjoy your company. you're special to them– why would they try to hide that? at this point, whenever you feel arms wrap around you from behind, you've learned to see their grinning face when you glance over your shoulder. maybe they've never been particularly shy about most things,, but now they're just twice as loud. it's inexplicable, the things you do to them. they hadn't anticipated being so utterly soft,,, not like they're complaining

▸ hobie brown/spider-punk, PAVITR PRABHAKAR

408 notes · View notes

nqueso-emergency · 5 days

Note

it's gonna be long but i'm so tired of this lame shit.

stop doing this "both sides are bad" bullshit. both sides have bad apples but hell should not put bad bucktommys in the same "bad" category as people who is:

1. an owner of a big news acount inciting bully and harrassment to a queer black teenager because they got accused of creating a new news account when it's actually a buddie who made that account, and guess what, never appologized!

2. a person who infiltrate a discord space and getting informations like age and sexuality from people out of that discord to X/twitter and let the cult bullying and calling the discord's people "hags"

3. made a tumblr blog dedicated just for wishing harm and death on a fictional character

4. orchestrated on creating some horrible fanfictions with the wrong tags about a fictional character being a child abuser and child killer, and sent the links of those fanfictions to the fans of said fictional character through inboxes

5. changing a fluff ficlet of a ship created by a fan to a horrible abuse story and sending it to so many fans of the ship through inboxes

6. harassing artists by reuploading art on other social media just for your cult to shit on the art

7. creating a fanart and draw a fictional character as a monster and using the term "lizard people" (but hey they got rewarded!)

8. harassing multishippers for creating fanarts and fanfictions for the newer ship

9. sending phising links and reporting as spam to a positivity project

10. you can check on Lou Ferrigno Jr's latest post on X/Twitter about him swallowing an apple sticker and see how many wishes of harms and deaths you can find on the quotes and the replies

11. throwing tantrums and sending threats to THE showrunner over a scene that didn't included on the final cut (the scene not even significant enough to the whole episode arc:((()

12. recorded an X/Twitter space when the black fans there expressing their disappointment about people (actors included)'s treatment toward a certain actor with racism history during blm, putting the recording out so the cult could harrass the fans who's talking in the said space

there are bad apples on bucktommys side. even sometimes i think maybe i am one of the bad apples. but i love how bucktommys never holding back for calling out someone's bad behavior even it's from their own side. so i'm always grateful that i'm on bucktommys side. oh, for all of those points of bad behavior above, we have receipts, bcs we would never speak without receipts.

P. S. certain group of shipper could made a team to investigate who nqueso-emergency actually is but not one of them move to investigate who are these people orchestrating csa fics and made their community look bad? shocker!!!

P. S. S. points of bad behaviors above is mostly about their treatment toward other fans and real life person. i'm not getting deep into their treatment toward fictional characters on the show, especially their treatment toward a certain gay character because when we tried to call them out, they just twist it to "hAtinG on a rAciSt aNd mYsOgIniSt chArActEr iS hoMOpHoBic noW?". well, honey, that character is already change to a better person now and he stated that he's not a good person back then. you know who's homophobic, now? yes! YOU ARE!

thank you for your your service, nqueso, have a great day. and i love you, bucktommys! we'll get through this🫶🏽

#im in love #anonymous #911 abc #nquesu wanna block #911 discourse #911 show

95 notes · View notes

cutecatlov3r · 1 year

Text

my character ai bots:

haikyuu:

atsumu miya:

your annoying ass roommate- atsumu answered the door, in his boxers. his hair was all messy, sweat ran down his face lightly. “who are ya?”

he’s drunk- “‘m… Atsumu Miya. yer really pretty ya know? im a er- marine biologist” he slurred. “man shut up, you play volleyball!” one of his friends interrupted. “tch! shuddup, will ya?! tryna act cool!”

kotaro bokuto:

emo mode- “im so stupid…everyone should just stop passing the ball to me!!” he announced, sulking.

he’s spiderman- all was well until he took a glance out the window, seeing a villain. “crap! I-i mean uh I gotta go run to the bathroom!”

your his fan- after the game, you walked down and greeted him, asking to sign your shirt, sheepishly.

koshi sugawara:

he’s your son’s teacher- you walked into the classroom, hugging your boy, the teacher smiled at you. “ah, are you his sister?” he asked, kindly.

he’s jealous- “what were you and hinata talking about?” he asked, his voice sounding innocent. but his hand tightened on your thigh just a bit.

your his coworker- “let me help you” he went behind you, his body pressing against your back, one arm grabbing the item, other grazing your hip.

shoyo hinata:

he hit you w a ball- “are you okay? I’m sorry hehhhh, I didn’t see where I was landing my spike” he extended his hand out to you, sheepishly.

he can fix you- “you’ve been running from love your whole life. give me one chance and I promise that I can make the pain better” he had your hands in his, looking with pleading eyes.

he got sick- …it was a sad moment for the karasuno team. shoyo got sick in the middle of a game and their team had lost the chance to win nationals. he may only be a first year and he will have more chances to win but he wanted to with this year really bad.

kenma kozume:

streaming wars- you and him are friends, having a little rivalry when it comes to being liked in the gaming community. only for views, not really hating each other.

rivals- as soon as Kenma met you he despised you. he couldn't stand you, all he wanted was to sit in peace. usually he doesn't mind being around loud people but you... he never wanted to be around you.

he hates brats- right now you two were getting ready to record, you whined the whole time as he was fixing the camera. he rolled his eyes. he put his hand over your mouth, other gripping your hair tightly. “can you just shut the hell up?”

cat hybrid- walking along the streets at night it was pouring rain. you sighed, walking in the rain, forgetting your umbrella at work. while walking you hear something. “meow”

tetsuro kuroo:

helping you study- he hits your head with the rolled newspaper article again. this has been going on ever since you went over to his home an hour ago. “wrong answer”

hajime iwaizumi:

scolding you- “i told your dumbass he was bad news, you never wanna listen to me” he reminded, shrugging his shoulders, looking as you packed you ex boyfriend’s things.

yuu nishinoya:

he’s drunk- “noooo because likeeeee why the hell was I sooo delusional? i never had a chance with kiiiyoko *hic* she was always gonna be tanaka’s girl” he slurred, laughing.

keiji akaashi:

he loves feeding you- he grabs your chin, prying your mouth open with his thumb, feeling your soft lips. “eat”

the pretty setter- you were watching the volleyball game of your school, fukurodani. while watching, you saw the most handsome guy you’ve ever seen.

kei tsukishima:

he hates you(?)- you and Tsukishima weren’t even friends. he didn’t like you… he thought your attractiveness was annoying. when he kissed you a few months ago it was off to you. then when you woke up in his bed almost every weekend. if he hated you so much why did he sleep with you?

toru oikawa:

kageyama tobio:

osamu miya:

guys I will be adding more soon, please leave some suggestions tho ! <3

491 notes · View notes

scary-lasagna · 10 months

Note

What if BEN's friend WRITES fanfic about him

he absolutely loves it, the dork

Ben

Ben would be right there with you, and give you details for whatever you need.

He reads a lot of fanfiction about himself in his spare time, and thoroughly enjoys what people think of him, and notes the differences between reality and the persona the online community has created for him.

If they think he's the best kisser in the world, then so be it. He's sure as hell not correcting them.

It also gives him a little bit of ego because he's like fanfiction Jesus. Anyone in the notes could be him and you would never know.

Once he finds out his friend is writing about him, he'll want to read it and tease you about it, but if you get something wrong he'll nitpick until you make it right.

“My hair is NOT blonde, it is SANDY. Beachy, even.”

“Bitchy, more like it.”

“What was that?”

“Nothing <3”

He is his own #1 fan on every blog, every ao3 fic, he has even dabbled in whatever remains of Wattpad and Quotev.

He is always lurking. Always watching. But unlike Slender, this one has eyes

#ben drowned x reader #ben drowned #creepypasta #creepypasta headcanon #creepypasta imagines #creepypasta blog #creepypasta x reader

249 notes · View notes

bri-the-nautilus · 3 months

Text

Come To the Dark Side, We Have Hot Guys: A Star Wars Story

Spoilers below for S1 of Ahsoka and the first six episodes of The Acolyte.

I'm writing this with The Acolyte most of the way through airing its first season, with episode 6 having released earlier today. Say what you will about the show, but it's really brought out a lot of the uglier sides of the Star Wars fandom. Everyone and their mother has seen videos or Reddit threads dunking on the Critical Drinker or SWT and their mouth-breathing misogynist audiences at this point, so I don't feel particularly compelled to retread that ground. Instead, I want to talk about the... other side of the fandom, the hypocrisy therein, and how we're all being played for absolute fools by the creative team at Disney Lucasfilm.

Yes, this post is about Qimir.

Now I want to say that I have no problem with villain simping/shipping. Far from it. Most of my posts on this account are me simping for Shin Hati (we'll talk more about her later) or various Soulsborne bosses. Hell, my mutuals and I have a running joke about me having a weakness for evil blonde women. While I personally am too gay for my own good and couldn't care less about men as a concept, I absolutely see the appeal of characters like Qimir and Kylo Ren. I absolutely get why people thirst over them and love making fandom content for them. I think Qimir/Osha has the potential to be a really fun ship, actually. The point I'm making here is not "simping for these characters is wrong and bad," and I want to make that crystal clear before we continue.

That said, let's talk about Qimir, and how the landscape of the show and its surrounding discourse has changed since his reveal. Again, I'm ignoring the chud sphere here, partly because their little corner of the Internet has remained remarkably stagnant since then. The podcast bros still think it's woke, fucking Shadiversity is still whining about fight choreography (which as someone who actually has done HEMA/stage combat, Shad annoys me to no end, but that's an entirely separate can of worms), and it all seems to be business as usual over there. No, the most marked changes have been on the Acolyte-positive end of the fandom space. Here's what the top posts in "hashtag TheAcolyte" on Twitter look like tonight:

You get the idea.

Again, no hate to any of these people. This is tumblr ffs, we've all engaged in a little simping for a morally dubious hot person. I love seeing fans having fun engaging with something, and again I kinda dig the Osha/Qimir ship.

Anyways, if you were around for the Acolyte-positive discourse before the Qimir reveal, and especially the show's marketing and the reponse to that, you'll have noticed a marked difference.

Fans quickly began to see The Acolyte as " the gayest Star Wars ever." Showrunner Leslye Headland is an out lesbian, and her wife was cast as Master Vernestra Rwoh. Archetypical girlboss Carrie-Anne Moss was cast as Master Indara, immediately drawing comparisons to her role in the Matrix movies. Leads Osha and Mae Aniseya are played by the nonbinary Amandla Stenberg. The lesbian witches of Brendok were talked about in press releases before the show aired. Dafne Keen (Jecki Lon) stated in an interview that she portrayed the short-haired, serious Theelin as having a crush on Osha, something that fans were picking up on in their first interactions in the premiere before Keen even gave that interview. While Headland said in a post-premiere interview that she didn't set out specifically to make "a capital Q Queer show," it's an objective fact that no Star Wars movie/show has had as much potential in that area, and fans (especially the queer community) took notice. (For what it's worth, in the same interview Headland commented that she was proud of creating something that so many queer fans identified with.)

The show came out, and Master Indara was killed off in the first sequence, which I'm honestly fine with. It was a good scene and works on a lot of levels. Headland's aforementioned interview came and went. Episode three aired. The lesbian witches turned out to be even gayer than was previously thought possible, and people ate that shit up while the Critical Drinker's brain suffered a major cascade failure. Jecki became a runaway favorite in the premiere and episode four, as did lovable himbo Yord Fandar and the wise, paternalistic Master Sol. In Acolyte-positive circles, this was basically how it went. People thought Brendok was cool, the Yord Horde became the show's biggest social media sensation, Jecki and Sol cultivated devoted followings alongside Osha and Mae, there were a wealth of different ships involving various combinations of Jecki, Yord, and the twins... you get the idea.

Then episode 5 happened.

The writing was really on the wall when the Brendok coven was abruptly wiped out. Introducting such an interesting (and queer) Force-wielding culture only to exterminate them in the same episode was certainly a choice that somebody made. But episode 5 was a shock to the system for many fans, as the show's resident Sith revealed himself and killed Jecki and Yord in some of the most brutal recent onscreen deaths in Star Wars. To be clear, I think this was a great sequence. Two beloved main characters being suddenly and gruesomely killed off was a masterfully executed shock to the system, especially after viewers were lulled into a false sense of security by all the redshirt deaths in the previous scene.

This, understandably, completely changed the landscape of the Acolyte fandom. Virtually overnight, much of the simping and shipping involving Jecki and Yord dried up, and once the dust had settled as far as the "rip blorbo, gone too soon" posts went, what remained were the usual Sol/twins offerings and a wave of Qimir hype. Which is understandable. He's a badass emo Sith boy with a cool helmet who brutally murdered fan favorite characters in front of us and has palpable tension with the female lead. Who wouldn't love... wait a minute.

This feels familiar somehow.

But if you close your eyes, does it almost feel like nothing's changed at all?

And just like that, "the gayest Star Wars" is all about the (straight) sexual tension between an edgy, murderous Sith boy and a light-side girl plagued by dark thoughts whose friends said boy just killed. This is all eerily similar to how the Sequel Trilogy focused on Rey and Kylo while abruptly dropping Finn and Poe's character arcs. Even the fandom discourse is the same. I mean Reylo was so ubiquitous back in the day that it became a derogatory catch-all for good girl/evil boy shipping. Multiple authors now have either gotten their initial start/fame writing Reylo fics, or straight up published legally distinct Reylo fiction after the fashion of Netflix's After. You had the occasional person piping up to say "hey they kind of just left Finn and Poe hanging after TFA, it would've been cool if they got together but at the very least don't relegate them to being side characters/comic relief in separate story threads," and that was it. The same thing is going on with The Acolyte now, only the sequel trilogy wasn't marketed on the strength of being a queer story by a queer creative team. The Acolyte is, which makes it all the more baffling that by the midway point of the first season, all the gays have been buried and the show seems to be heading straight for Reylo 2: High Republic Boogaloo. And the fans are eating it up.

As an interesting aside, I think it's an interesting exercise to contrast the Kylo/Qimir pattern with the broader fandom's treatment of Shin Hati (told you we'd circle back to that), and the ship between her and Sabine Wren. On paper, Shin is very similar to Kylo and Qimir. Villain? Check. Edgy-looking armor? Totes. Emotionally damaged/stunted in some way? Sure looks like it. Tension with the heroine? You betcha. If anything, the only major difference is that Shin isn't as evil as the others. Compare her actions in Ahsoka (clearing out part of a light cruiser with Baylan and making repeated attempts on Sabine's life) to Kylo (oversees multiple war crimes, kills his fan-favorite dad) or Qimir (orchestrates the murders of several Jedi before brutally executing two fan-favorite characters). She's definitely bad, but I struggle to see her as on par with Qimir, let alone fucking Kylo, in terms of evilness.

Which makes it all the more interesting to me that the Shin/Sabine ship has received so much more mainstream skepticism/criticism than the Osha/Qimir or Rey/Kylo ships. "They have no chemistry!" "She's an evil murderer!" "She's a blank slate!" "Sabine is taken!" I may be a touch biased, but from where I sit a large part of the fandom, even the ostensibly progressive side, seems to look down upon Shin/Sabine shippers while swooning for heterosexual variants with far more evil villains.

This isn't a monolith, and I can't stress that enough. I'm not trying to start shit here. Villain shipping is awesome. We support women's wrongs in this house. You do see the occasional person decrying Reylo or Osha/Qimir as toxic, which I think is fairly unnecessary. Like yeah, maybe it's a toxic dynamic, but these are fictional characters. For these specific characters, part of the crowd appeal is the toxic badboy side of things. I don't think we should really spend much energy attacking any fictional ship (between adults, mind you) as toxic, which is why it puzzles me that an as-yet-unconfirmed lesbian ship in a niche show receives such a large proportion of this sort of criticism compared to the canon relationship between two main characters of a blockbuster trilogy.

At the end of the day, this whole affair has been rather sobering for me on both Disney Lucasfilm and the Star Wars fandom. For all the support the Shin/Sabine ship has received from Ahsoka cast members Ivanna Sakhno (Shin), Natasha Liu Bordizzo (Sabine), Eman Esfandi (Ezra Bridger, the other character people like to ship with Sabine), and Rosario Dawson (Ahsoka), I'm rather sour on the prospects of it becoming canon. The sequel trilogy dropped the ball on what many saw as a promising chance for an MLM romance between Finn and Poe in favor of trotting out the "why do good girls like bad boys" dynamic, and The Acolyte, "the gay show" overseen by a lesbian, has seemingly shifted to center a similar dynamic after killing off most of its prospects for a queer relationship among the main cast. Simply put, I think that Disney as an international company based in the frighteningly divided United States is reluctant to commit to anything beyond lipservice in terms of LGBT representation in their movies/shows, which again doesn't leave me feeling optimistic about WolfWren's canon potential. And the fandom takes the bait. People love the damaged evil badboy/good girl dynamic, and when the queer fandom suggests the possibility of a queer ship taking center stage in a show with no other extant relationships, even the more progressive side of the fandom tends to either ignore it or actively push back on its basis in reality until Disney Lucasfilm inevitably puts the kibosh on it. The amount of times I've heard people dismiss WolfWren for the same reasons they now like Osha/Qimir and liked Reylo (before that ship was fleshed out/canonicalized, anyway) is ridiculous, but at the end of the day you kinda feel stupid for expecting anything else. Again, I think Qimir is a cool character and I'm as much of a sucker for villain romances as the next girlie, but seeing how easily the fandom lets dangling heterosexual carrots lead it away from Disney Lucasfilm's broken promises of queer rep is a sobering ordeal.

107 notes · View notes