i feel like im obligated to remind everyone that the time we see the characters spend with saiki on screen isnt the ONLY time they spend together,,, i just see a lot of people take their screen time very literally and assume that this is the case despite it being heavily implied that it isnt, and im not entirely sure why but i can guess that it may be because of the assumption that saiki genuinely hates his friends (i do also see people doing this with specific characters they dont like or that they have a specific agenda for, which i think is them being like "i feel a certain way about them, therefore saiki the narrator who gave me all the information that made me feel this way about them must not like them" which i dont really have a problem with (its just an hc) until they start arguing with people that their hc is the only right answer and saiki canonically hates that person or is only around them when forced to be LOL)
yumehara and teruhashi immediately recognize "kurikos" eating manner as saikis despite us never seeing him eat in front of them, kaido + nendo + kuboyasu bribe saiki for his homework with coffee jelly because they know hes obsessed with it despite us seeing no on-screen reason for them to know that (we do see a bit later that he walks home with them every day and he stares at coffee jelly every single time though LOL), and mera talks about saiki spending a lot of money at her workplace despite us only seeing her and him there at the same time once before..
saiki does not succeed at avoiding them, and in fact is probably not even trying to most of the time LMAO he loves those idiots. dearly.
the people i see the least true implications of him spending off-screen time with are actually, weirdly enough, the other two psychics. this doesnt necessarily mean to take that at face value and assume he DOESNT spend as much time with them, but its interesting i feel... please correct me if im wrong though cuz i would love to see more examples of these kinds of implications, for any characters actually!
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Oh! I nearly forgot, but can I ask the significance of this panel?
It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?
(Also, I just wanted to compliment you for this panel)
(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.
The second time I saw it, I started to wonder
Because Dee himself doesn’t really look aware of what is going on behind him.
And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.
Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)
Oh!!!
(Quick test of my ability to find which chapter stuff happens in)
I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.
I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)
So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)
And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!
Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...
I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂
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IK sometimes Bruce and Zatanna are friends, or just friendly tbh, but I want them to be like FRIEND FRIENDS. Like they were both semi-famous Emo Teenz™ growing up in the public eye! Come on now!
I imagine they're a little like sir Arthur Conan Doyle and Houdini, as in two silly little guys who could be hyper competent on their own but together are a walking, talking, unlikely friends comedy show.
Just thinking about emo Battinson and his goth Bff Zatanna who go on a spooky zaney adventures as teens whenever the Zataras are in Gotham. (This doesn't just apply to Battinson tho, observe)
Thinking about 16yrold Bruce needing to understand magic on a mathematical, scientific, and logical level and Zee being like " uhh, sorry bud we just say shit backwards it's like uh..it's like magic"
Thinking about them in their 20s, after Bruce's round the world in 80 days training montage, meeting John Constantine and being both DISGUISTED and kinda having a crush on him. ( It's the accent, they both think the accent is kind of hot, they will take it to their graves)
Also thinking about Zatanna showing up to Wayne manner to meet Dick for the first time looking at Bruce like " OH NO BRO! Baby??" And then immediately bonding with him because they're both performers and showmen at heart. (Aunt Zee is fun and cooky and will do magic anytime a nephew or niece asks, she will also let them wear the hat)
Not thinking about Zatanna coming to Wayne manor after her father's disappearance and death. (Or the way Bruce would feel gutted for one of his oldest friends having to experience his own trauma)
Not thinking about Bruce in the desperate throws of depression and grief after Jason's death or how Zatanna would come hold vigil beside him. Performing whatever magic rites she can to let Jason's spirit rest easy. (Bruce does not ask her to find a way to contact Jason, Bruce does not ask her to bring him back, he wants to tho so badly)
Anyway I just think it would be neat.
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negan and maggie’s relationship is so. so fuckign fascinating to me. like. like…imagine teaming up with someone (repeatedly) who killed the love of your life and was also either directly or indirectly responsible for the death of your friends. imagine wanting nothing more than wanting to kill this person and feeling bitter and angry because your friends refuse to kill this person. you are so anguished over it that you leave with your son (whose father was murdered by this person), and then you come back, and all your friends seem to begrudgingly trust (or at least coexist) with this awful person. and this person is now trying to help you. he saves your life multiple times and also saves your son, the last living reminder of your murdered love. this person is asking to become the monster so you don’t have to. this person tells you that you need to come back. this person understands that you would kill him, and he might even let you. he lets you do the closest thing to killing him instead—he lets you turn him in, knife to his throat, and you’re leaving him, and your son won’t talk to you, and you come to the sudden realization that perhaps you need to go back for this monster. what the hell kind of dynamic is this
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what kind of cratures do you think the trigun gang would be?
CREATURES IN GENERAL OR SEA CREATURES. BECAUSE MY FRIEND MONTY N I WERE JUST TALKING ABOUT TRIGUN FURSONAS THE OTHER DAY. but i am the sea creature guy at heart so im gonns give u those i hope that is ok 😌 there are many benefits to being a marine biologist.
Vash: he is... so very shark coded to me. everyone looks at him and sees a dangerous killing machine. frequently covered in scars. do u see the connection here. he is specifically a thresher shark to me because of the whole sharpshooter thing and also the sad sad puppydog eyes 💙
Wolfwood: i am torn between two different types of eels for him. giant morays are more aesthetically pleasing but personally i have to go with a wolf eel both for the name and because ive worked with these guys before and theyre sooooo cool so im biased
Meryl: not technically a sea creature because she is just so bird coded to me. White-Tailed Tropicbird
Milly: is it cheating to have two cephalopods on this list. because i think i really want to say giant pacific octopus for milly. either that or a whale shark 💙 yes those are two completely different animals no i will not be taking criticism at this time
bonus Knives because i love him and i feel the most strongly about this one:
BOBTAIL SQUID.
... and also a bristle worm . for what i hope are obvious reasons
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