#You Ain't the First

[ministarfruit]

day 24: plagued by the horrors ♡

(femslashfeb prompt list)

[brainrotcharacters]

I feel as if I'm the only one who caught it, so

Adamantium katanas. I need you to hear me. Adamantium katanas.

There's something so 🏳️‍🌈nice🏳️‍🌈 about how it's the one material Logan has known for his entire mutation... And it's actively being wielded now, by a similarly skilled dual wielder mwah ily Wade, with the intention of severely harming Logan. Debilitating injury is the next best thing to guaranteed death, and they're both flattered that the other is trying so determinedly to kill them. Like awwww baby!

And and anddddddddd 🔥🔥🔥🔥🔥🔥 the balance of how Wade has more range with his adamantium but Logan has more power/experience with his. What good is Wade's speed and agility when Logan can read every single fucking one of his moves?

Logan realistically missed some but I'm tryna make the old man sound cool here. Let me have this.

Correct me if I'm wrong, there's a total of one (1) other opponent who has adamantium. That badass lady with the cracking fingers in x2. That's one (1) other experience where Logan knows what adamantium feels like when it's used against you.

This fight was another nail in the coffin of the fact that Wade and Logan are either complementary or just straight HAHA equals.

Something Logan has intimately known, in the use of someone he hasn't intimately known yet. That Honda hatefuck was the climax in more ways than one sorry.

[bonicedemandarina]

Click for better quality

Shotout to Leona and Cheka for singlehandedly getting me out of the worst artblock I've had in months, love these guys

Tbh I just wanted to draw Cheka doing that one thing kids do when they treat you like a climbing tree, I have other drawing about that but it's a work in progress, it was supposed to be animation practice but Ibis got some crunchy quality on the canvas if you don't pay so. Yeah. Also Grim is here bc why not

[outer-andromeda]

Having TOH episodes as background noise in class has mostly made me want to draw characters from the show and honestly I ain't complaining 🤷

[Image description : digital art of Hunter from The Owl House, mainly in his timeskip design. the first drawing shows him in his flyer derby gear, riding Waffles's staff. He's waving a captured flag and grinning proudly.

Second, he's seen in profile. He's wearing working clothes, and smiling slightly.

Last are two sketches. The first shows him in his Golden Guard cape, looking nervous or uncertain, and the second shows him in his timeskip design again, smiling. End ID.]

[actual-changeling]

hot take but the reason why beez and gabriel figured their shit out so quickly is because they both have a solid sense of who they are as a person and the relationships adds to that instead of threatening their sense of identity.

if, for some reason, they had landed on "yeah no we won't work" they would have been sad/disappointed/heartbroken, but ultimately beez is happy with who they are and so is gabriel. nina and maggie decided to NOT get into a relationship for the same reason, they respect themselves and each other enough to put personal growth and their mental health first instead of attempting to solve trauma responses and hypervigilance by making someone the turning point of their world.

aziraphale and crowley, on the other hand, aren't just dogshit at communicating, they have also build their sense of identity around each other and thus the thought of not being together automatically comes with a loss of personhood, trapping them in "i need them to live and will be destroyed if they're not with me". which is incredibly self-destructive and deeply unhealthy, and not a foundation for a functional relationship.

the solution to that is not to glue them together and call it a day, it's to allow both of them the space and grace to grow as individuals and develop a healthy sense of self so the relationship is build on mutual respect AND self respect.

[dkettchen]

[reikurusu]

Five Times Rei Protected Kazuki + One Time Kazuki Protected Rei We all know there were more

[epickiya722]

So the day Satoru chose to fight Sukuna had to be specific. Could have easily said "let's fight a month from now" or whatever. But no. Dude said "December 24th".

The same date Suguru also chose to have a fight and then dies on.

Probably looked at Kenjaku, thought of Suguru and went "Yep, I want to fight on the death date of my boyfriend".

[centeris2]

This seems to be an uncommon opinion but thank god SSO is making (what appears to be) serious headway into the story.

For years it felt like it had stalled out. It was valid wanting main characters and villains to be visually updated before continuing, but it slowed things down.

I'm glad they aren't going "we need to update Mr. Sands, Darko is a pretty old model compared to the Dark Riders, Avalon really needs an update, so does Pi, etc"

Because yes it absolutely would look better if everyone had the same number of polygons. And yes it WOULD be great if SSO picked up those threads mentioned throughout the main story. But if they did that and got all those map areas that had been brought up in the story quests then it'd be another 10 years of filler in the main story until they can 'wrap up'

And honestly I'm tired of waiting. This isn't even an impatience thing, this is a "I've played this game for 10+ years and at this point I don't care how it's wrapped up, as long as it IS wrapped up."

Probably helps that I don't expected a 'satisfying' ending from SSO, I just want AN ending to the main story. I expect Garnok to be 'defeated' and for the Soul Riders to be victorious, probably through the power of friendship. That's all I'm expecting.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[birgittesilverbae]

beatrice in the background // warrior nun s2

for @karatam x

[justanothershippingcan]

Out of everything, my favorite "We didn't mean to make 'em gay" Atlus moment with Shuake and P5R is how not engaging in any of the romantic routes, overall, doesn't affect the gameplay at all. You even get the best White Day bit with Soujiro + Ryuji choco, as a treat.

But not liking Akechi enough by either not completing his confidant or not choosing the right options means you don't get the complete True Ending. The game itself punishes you for not letting Akiren go to their pecualiar Akeshu-brand dates, or for not making him admit how much he cares about their proposal promise.

I hate them.

[tehb3stsk4t3revr]

You know what? Screw you. -gives your IKEA lamp the flu-

[poorly-drawn-mdzs]

Flashback, warm nights.

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[emdotcom]

The Mario movie thing is so funny to me. Here, look at this:

Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold

Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.

(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films

Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk

They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.

Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll

There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy

Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house

Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies

Trailer comes out.

People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%

Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.

But with your help, we can make him being depressed after media backlash reality!

Lol, &, may I say, lmao.