HEY! YOU!
You've probably heard by now, but from March 4th to 10th 2024, Help Gaza Children will be sending all their donations to families in northern Gaza, where food prices have skyrocketed even more than in the south. Their goal is $25K by the end of the week; at the time of writing this post, it's about halfway a quarter way there! (OG post about it) [EDIT: my mistake, I misinterpreted the numbers in the original post; evidently I cannot do arithmetic anymore]
This is their notion site, which has their donation link as well as additional info, their FAQ, important updates, and proof of purchases from donations they’ve gotten in the past. You can also donate directly to their paypal here.
As such, I'll be open for sketch commissions up from now (March 7th, 2024 ~02:20 PST) through March 10th in exchange for proof of donation to Help Gaza Children!
BASIC OVERVIEW:
Tier 1 - Basic head/bust sketch for $1-5 USD, +50% for basic color. Up to 3 characters.
Tier 2 - Basic screencap resketch for $5-15 USD, +50% for basic color.
Tier 3 - Posed sketch for $15-25 USD, 1-2 characters ONLY.
Tier 4 - Colored clean sketch: $25+ USD, 1-2 characters ONLY.
RULES:
Please provide a visual reference or detailed description of the character(s) you want drawn (and depending on the tier, a screencap or pose/expression you want to go with it)
DO'S: OCs, humans and human-like creatures, other creatures that don't have a lot of mechanical or anatomical detail (as in, I can TRY to do mecha stuff, but I think you and I will both be better of if I don't lol; can ask for further details)
DON'T'S: any NSFW stuff, real people currently alive (as in, historical figures in the setting of historical fiction may be okay, but other things may not be; can ask for further details)
If you've made your donation in a currency that is not USD, I'll give you something of equivalent value according to the tier based on whatever the conversion is at the time that I look it up. If one or both of our economies crashes spectacularly in between the time you send it and the time I look it up, I'm very sorry in advance
DISCLAIMER 1: I reserve the right to decline a commission for any reason; however, if this ends up being the case, I may reach out to you to see if we can come up with a middle ground that suits us both.
DISCLAIMER 2: I don't anticipate being able to do a lot of these, as I've got a full-time job that's in the ballpark ~80+ hours a week with really weird hours. That being said, depending on how far this goes, turnaround time will probably be ~2-3 months, give or take...something. I'll update you monthly until it's done.
FOR PERSONAL, NON-COMMERCIAL USE ONLY!
If you're interested in nabbing a sketch from me in exchange for your donation, email a screenshot (devoid of any personal info please) of your donation receipt and details of your sketch request (e.g. reference, tier, etc.) to
[email protected]. For your donation to count for a sketch, it must be made after I wrote this post! (March 7, 2024 ~02:20 A.M. PST)
If you are NOT interested in nabbing a sketch from me, feel free to donate anyway!!
(And if you've got any questions about anything feel free to email, DM, or send an ask!)
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Spider-Man India, but... where from India?
A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.
I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.
If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.
So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.
The outcome was not what I expected. As you can see, out of 83 votes:
THE RESULTS
South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?
Then I thought about the layout of the poll: Title, Options, Context.
Title: "Tell us who you want to see…"
Options: North, Northeast, Central, East, West, South
Context: I want to make art of the boy again
At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.
Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.
But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:
Where did Spider-Man India come from?
FROM A CULTURALLY DIVERSE INDIA
As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.
But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.
We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!
I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.
So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.
BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?
Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.
It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.
Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.
This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.
So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.
BUT THAT'S THE THING — HE'S FICTIONAL
I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.
I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.
I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it.
You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.
It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.
AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA
He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!
“But his surname originates from ______” okay but does that matter?
“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?
“But his skin colour is darker so he must be ______” okay but does that matter?
“But he lives in Mumbai so he must be ______” okay but does that matter?
I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.
Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:
Are you trying to convince me on who Pavitr Prabhakar should be?
...
but why shouldn't i?
I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.
It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.
SPIDER-MAN (INDIA) IS JUST A MASK
“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”
Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?
Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.
But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.
There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).
And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.
Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.
What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.
Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:
It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first three are written in Hindi. The fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Tamil there, much less any other South Indian language. Seeing this for the first time, you know what went through my head?
Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!
I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.
It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.
It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!
Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!
And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer.
So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.
We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.
THE POLL: REINTERPRETED
This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.
Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this.
So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”
(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)
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Eurovision 2023: more about the true winner because I said so
Hey, guess who is not over Eurovision 2023 yet.
It’s me, I am who.
I have never been so invested and still so obsessed over this year’s Eurovision. I mean, I am always hit by the post-depressive phase of Eurovision, but that lasts a couple days - during which I usually go through all the beautiful moments and listen to all the songs on repeat - then I’m back to my regular schedule of stupidly long analyses and fanfictions.
(By the way, sorry for all the Americans who follow me and have no idea of what I’m talking about or what happened in this year’s Eurovision. Just bear with me, I will come back to posting Sanders Sides stuff. Just not today)
This year... well, this year was truly something. And if the last year and the one before I was like “aww, what beautiful moments, I miss seeing these people having fun”, now it’s all mushed into one ball of feelings. I look at those artists having fun with the eyes of someone who saw how things went down. I look at them celebrating the true winner after the finale and I have this strange mix of nostalgia and heaviness.
I am not mad anymore for the result. Or better: I am and I will always be because 200 people stepped over the will of millions. But what this loss caused is just so fascinating and so unique, I want to keep exploring it - and maybe talking a little bit more about the true winner of Eurovision 2023 will help me process my feelings too.
Or I just will satisfy my need to ramble more about this incredible Finnish man, either way.
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The sheer power of charisma
When you watch the entirety of Käärijä’s journey on this Youtube channel (and I suggest you do it, because it gives you a lot of food for thought), you notice a lot of interesting details.
From the moment he won the national competition and knew he had to go to Eurovision, Käärijä knew his only rival would’ve been Loreen. He said right from the start that it would’ve ended up with a confrontation between Sweden and Finland. He liked other songs and thought they could’ve been good opponents - but it’s pretty clear he knew the only one who could’ve opposed him was Sweden.
And he knew that Loreen was good. Even though I do not like her songs, even I have to admit she has good vocals. Sure, the vocals are the only thing I understand because she mumbles the rest of the song, but the vocals aren’t bad.
Käärijä knew she was the favorite to win. He praised her performance and called her “queen”, so he has been the first one to recognize her as a worthy opponent. He wasn’t so naive to think “I can easily beat her”.
However, he had some tricks up his sleeves. He knew his song was perfect for Eurovision, he basically designed it for that. He knew his performance would’ve got people’s attention. And he knew he had a lot of charisma.
You can say anything you want about him, but you cannot deny this man is charismatic. And this is a lot interesting, because charisma doesn’t have an exact definition and it’s not the same for everyone. And yet, we can all recognize and identify it as “charisma” when we see it.
The definition Wikipedia offers is that charisma is “a personal quality of presence or charm that compels its subjects”. And it’s undeniable that Käärijä has it. He has that genuine, simple honesty we see in childrens only and this activates our protective instincts, because we feel the need to protect him too. He is funny and makes us smile and everyone loves to smile and have fun. He is simple and humble and that makes him look more approachable and friendly than a superstar.
And his presence on stage is very, very good. He’s eye-catching and he knew it very well. He was the flashiest and the most interesting to look at - both because of his clothes and his appearance. Just compare him to the Cyprus guy: I don’t even remember the Cyprus guy’s face, but I doubt I will ever forget that iconic neon green bolero.
And I am sure he knew that very well. He knew the public would’ve loved him. He knew he would’ve gotten a lot of points because of the public. He knew he would’ve connected with them and not with the jury.
And so it was. The numbers are clear: he was and still is the public’s favorite. His result is the second highest in history right after Kalush Orchestra’s. The entire arena sang with him. During the voting portion, they kept calling his name. Everyone called him “winner”. As the Estonian singer Alika told him: “you had the public when they announced Loreen won”.
And by knowing that, I can understand why he was so bummed. He literally had everything: the perfect song, the charisma, public’s support. And I am pretty sure that, if the public gave more points to Loreen, he would’ve accepted his defeat easier.
But it wasn’t like that: he got more points than her in both the semifinal and the final. He has always been the public’s winner, right from the start. And even if he would've gotten the theoretical maximum of public votes from Europe (432), he still would've ended up behind Sweden.
Losing because 222 people gave your opponent an unbeatable lead isn’t something easy to digest. I mean, it’s been days and I haven’t digested it yet! And I am definitely not a singer, nor I did take part in the competition. However, I voted for him and, well, I am quite pissed that my money got wasted because of a stupid unfair system. The EBU should really refund everyone who tried to vote, considering there was no way to defeat the sheer power of the jury.
So, well, the competition ended with the public’s favorite losing the piece of glass. I will get over it, everyone will get over it. Käärijä himself will get over it - now he’s still rightfully sad about it, but as he said, life goes on.
And he will soon realize that losing the competition turned him into something more than a simple winner.
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The birth of a legend
If Käärijä won, he would’ve been just the winner of Eurovision 2023. People would’ve loved him like they love Kalush Orchestra or Maneskin. Everyone would’ve been happy, a little bit of post-Eurovision depression as always and we would’ve forgotten it.
But losing had an even bigger impact, because Käärijä didn’t step down to second place, but over the first place. Being so spectacularly wronged in front of the world made him ascend to the status of legend and the public went crazy for him. Cha Cha Cha reached the top of Spotify's top 50 global, people from all European countries called him “the true winner” and I’ve seen more than one American, who knew nothing about Eurovision, watch his performance and protest for the result as well.
Even Tumblr was affected by this: the tag Eurovision trended for 3 days after its ending and, after it stopped trending, Käärijä kept doing it for days. And he’s still doing it, so good job people, let’s keep the party going on for a little longer: we all deserve it, after all. You know, as a little FUCK YOU to the jury.
What about Youtube? His grand final performance reached ca. 9 mln views in three days and if you check the comment section, is full of people calling him the true winner as well.
Heck, the Eurovision channel made a video specifically about his journey, like the usually do for winners only (in fact, they did one for Loreen. And Käärijä’s video got more views than Loreen’s in one single day).
And all over Europe people are still protesting and asking for the voting system to change. The Norway delegation asked it first and I fully support them, because they are constantly robbed by the jury. I liked Duncan Lawrence’s Arcade in 2019, but KEiiNO was a completely different level. (And if you loved KEiiNO too, please check their Youtube channel because they have made a lot of other songs and OH MY GOSH THEY ARE ALL GREAT)
Käärijä united Europe with his music and his energy and I understand why Finnish people are so proud of him: there are very few artists who are able to connect people so well. And he did it by using his mother tongue, not English! That’s an even bigger win imho, because it proves that if you have a great song, a strong performance and incredible charisma, people will appreciate you and go past the language barrier without any problem.
That’s why humankind loves music, after all: because it doesn’t need to be understood word by word, to reach people’s hearts.
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The hero’s journey
There are many reasons why people fell in love with this funky green man and they all differ: someone loves his bubbly personality, others were touched by his genuinity, others just fell on the ground laughing and who doesn’t love someone that makes you laugh? And yes, there are some who are just horny for him and you are valid too, because he’s a good-looking man.
However, I think that the main reason why so many people got so invested, it’s because he had the perfect hero’s journey.
He already had a story perfect for a movie, even before starting Eurovision: when he was younger, he was diagnosed with colitis ulcerosa and the disease almost took his life (this post has an interview with all details). But because of that experience, he realized life is short and he should’ve pursued what he truly wanted - i.e. singing. I mean, this alone is perfect material for a movie already.
But now he got another story, and it’s even more like a movie: the story of the young man no one knew, who left his city in his small country, to reach the big European stage. A man with a funny spirit, who connected with everyone despite his broken English - and he wonderfully improved it along the way. Just look at how much more confident he became! Truly a masterful example of how we should just talk and make mistakes, in order to get better in another language.
So we followed the adventures of this funny man and of the friends he made along the way. We had fun and cried for the beauty of his friendship with Bojan (he literally called Käärijä “my new brother” and a small part of my heart that was broken got immediately healed). We got involved in his climbing to the top, we saw him face the behemoth that was opposing him and hoped for him to overcome it.
And he got the tragic conclusion of a hero’s journey: a hero who won and yet still lost.
People love this shit. We have always loved the story of the little one against the unbeatable enemy, the nobody who got the recognition he deserves, the kind heart defeated by the corrupt system. Those are all things that touch people and all aspects of the hero’s journey. And people naturally hope for a happy ending, so if we get a sad, bad or unfair one instead, we tend to feel even more empathetic towards the protagonist. And if your protagonist is as lovable as he is, the feeling is 100x stronger.
I really don’t know if the national juries expected this to happen, when they knew who the public’s favourite was and yet decided to award a different artist. But by doing that, they became the perfect enemy to close Käärijä’s journey and build a legend.
So, well, thanks for sucking so much. You built the legend you didn’t want to.
And yes, Käärijä’s enemy IS NOT Loreen. Loreen did her thing, she didn’t bribe the judges to give her votes. The problem is the jury’s power. So, for all the people who are still harrassing her: please stop hating this woman, she just did what other artists did too.
And since we’re talking about her, please stop saying shit like “She shouldn’t have participated!” too, because this is both very stupid (everyone is allowed to participate in Eurovision) and very disrespectful towards Käärijä himself. It’s a bit like saying that sure, he was good, but, like, you know, not enough good.
And this is totally wrong because this man has been able to defeat Loreen twice, both during the semifinal and the final (at least according to the votes that matter). So stop undermining his ability: he is a good artist. Actually, an artist so good only Loreen was able to compete against him.
And if you still think it’s right to hate Loreen for whatever reason, then I would like to bring this to your attention:
The king literally proposed to Loreen. And, considering how accurate was his foresight about the whole competition, I think it’s time we start to think about when it will happen and how many children they will have.
So if you are still harassing her: stop protesting for the piece of glass and ask her when will they get married, instead. We need to know.
Also, wouldn’t that be an even more perfect ending for Käärijä’s hero’s journey? Not only the great evil (aka the jury) will be defeated, but he will marry the only woman strong enough to oppose him. 100/10 I want a movie now.
And yes, I know Käärijä also proposed to Bojan and they are fathers of a baby sea lion. But what’s the problem? Doesn’t Käärijä have two hands? With one hand can hold Bojan, with the other Loreen, duh.
(Then he will probably need another hand for Selena from Austria, because I think she developed a little crush on him but hey, that’s the life of a hero I guess.)
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Have you listened to his other songs yet?
I just want to confirm they are bops and you should listen to them immediately. Also, do not forget his concert on Saturday that will be available worldwide. Let’s show love to the king.
And yes, that means another post will come out. I mean, there are still so many things we need to know! I want to see the photos of that mural people are doing for him in Vantaa, I want to see the music collaboration between him and Bojan, I want to see them visiting little Edgar at the zoo. And I can’t wait to hear about his future European tour, because he has to do one. And maybe that will fully convey him how big his impact has been indeed.
As people told him in the after party, he conquered the world. Now he just needs to see it for himself.
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