#Zero-One Over Analysis

[jfkisonthemoon]

they honestly couldve done so much with junpei beheaded/dismembered and im disappointed that it ended up just being mira. so much of his character and his relationship with akane is characterized by his lack of bodily autonomy, and him being openly beheaded during the nonary games would be the ultimate example of this. its perhaps the most brutal death in the game, and it never really gets explained or developed beyond the one puzzle that we get with it. junpei has been shown repeatedly to be subject to akane's plans or follow her blindly and i just think that would have been a really interesting angle to approach his beheading from. junpei has willingly signed up for nonary games in two different timelines just because he knew he would see her. he was infected with a deadly virus trying to find her. he grew desensitized to death as he took underground jobs to try and find her. his safety always comes second when shes in the picture, and his beheading wouldve been a prime opportunity to 1. exploit his willingness to let himself die/be injured for her and 2. make akane confront the fact that her confidence that junpei will always follow after her is not necessarily a positive thing.

[ninja-knox-ur-sox-off]

Sometimes I feel very sad that I didn’t just focus on one creative skill. I look at my art some days and go I wish I’d spent all my time making only that, because that way it would look better and I’d do more and it wouldn’t matter if I couldn’t write very well because my art would be amazing and I’d be able to make the stuff I really want to and maybe even get a job related to it and I wouldn’t feel like so much time was wasted. And often times it really does feel like you’re wasting time and everything is telling you to just pick something to focus on so it can mean something and you can never seem to pick one of anything.

And then other days I feel like an absolute GOD. Anyone else able to write your own fic and then draw art for it just because you can? Can you make an edit/amv after writing a silly little analysis post on the show/character that is so perfectly on beat and fits the lyrics and with transitions so slapping you get chills while watching? Can you write a short silly ditty on the guitar about how you’re feeling using the eight chords know and belt it out only a little bit off key then do a choppy little animation of your sona singing it?

I may not be the most skilled at all of the above, and it can be a little lonely to be a one man band who doesn’t play half as well as a lot of people out there, but when your power goes out or your wifi dies or you have a day off, everyone else is busy and you’re alone...

you play the best gosh dang music in existence

[iristial]

Geats: Here's your weekly reminder that we have immense rewatch value, you'll think twice about your initial impressions enough to hear an audible click in your head when you get it, and there's so much to dissect!

Me: Love Ace forever, got it

[miabrown007]

mal in the grishaverse is to alina what jacob in twilight has been to bella. in this essay i'll...

[marklikely]

i have a pet peeve for the final girl trope being only ever referred to in terms of virginity

[montanabohemian]

anyway, some asshole on twitter was whining about the prosthetics for harvey dent in the upcoming gotham knights show claiming the character and story of dent to be ableist.

i invite you fucknuts to touch grass and never be allowed to be around comics ever again because you don't have basic reading comprehension skills.

[friskibitz]

arrow are you ok youve been reciting the ace combat zero mission 18 mid-mission cutscene again

[lgbtlunaverse]

I've seen a good number of people ask a question along the lines of "why do characters like Falin and hate Laios when they're so similar?" and i've also seen good analysis on the differences in how the touden siblings carry themselves that would, despite their shared traits, make a person gravitate to one more than the other.

But i feel like we've overseen one very central thing here.

People don't like Falin

Like... the average person in dungeon meshi doesn't like Falin. She was deeply ostrasized by her home village, in magic school she had zero friends before Marcille and the others generally saw her as strange and a bit offputting.

Characters like Namari and Chilchuck like her well enough but not necessarily more than any other member of their party, including Laios. Neither Kabru nor his party think much of her. The canaries don't give a fuck about her. Toshiro's retainers don't see her as anything else than the weird foreign girl their boss has a crush on.

The reason we think everyone loves Falin is because, despite all the indifferent side characters, the 2 most important and central characters of the story are Laios and Marcille. Who are NOT representative of the average attitudes to Falin! But necromancy georg number 1 and 2 are our main eyes into the story and they love Falin so much that it colours our perspective of the whole world.

The only side character who qualifies as liking Falin and not Laios is Toshiro (at least at first, as he ends the story on much better terms with Laios) and that says a lot about his character, with him drifting to the quiet Falin precisely because of her oddness but being both uncomfortable with and deeply jealous of Laios' much more open expression of that oddness. Because he's a repressed guy from a culture where etiquette is incredibly important.

But like I said, that's a specific aspect of him, not to the world at large.

Because there's also people that click more with laios than with Falin.

Kabru, for one, who is initially distrustful of laios but clearly also deeply fascinated by him and drawn to him.

Minor spoilers, and you don't have to read too deeply into this, because I don't think Kabru particularly dislikes Falin or anything. But it's interesting that when he talks about his distrust of the toudens in ch.32 he's talking about them both. But his big friendship declaration in chapter 76 is aimed squarely at Laios, he doesn't say "you and your sister" he says "you"

And Senshi!! He instantly clicks with Laios, well before he does so with anyone else in the party– who he also becomes friends with, it just takes a bit longer– specifically because they bond over their shared special interest in monsters!! Senshi is kind towards Falin and cares for her wellbeing, but he also... doesn't know her. The reason he is even here, helping to save her, is because he and Laios bonded over monsters and he wants to help his new friends out!

Of course, the theme of neurodivergent isolation is very present in Laios' story. I'm not denying that. He does turn people off, without meaning to and unable to fully understand why! But so does Falin. And just like there are people who like her despite of or even because of those traits, there are people who do the same with him.

In conclusion: "Average person loves Falin and hates Laios" factoid actually statistical error. Average person is neutral on both Falin and Laios. Georcille, Laiorg and Geoshiro, who live in the dungeon and think over 10,000 Falin-loving thoughts a day, are statistical outliers adn should not have been counted.

[gnaga37]

don't talk about Pinocchio if you're going to take as a base the disney cartoon. I'm serious.

[dduane]

Do you have any recommendations on what to do when you can’t write?

I’ve been struggling to write for years, but telling stories is all I want to do. I have ideas and plots and characters all figured out! But actually getting the words onto paper? I just can’t do it. There’s a mental block or something getting in the way.

I want to write, I so badly do. I want to tell my stories! But no matter how hard I try, no matter how much I love the story, the words never work properly. I can day dream scenes up perfectly, but as soon as I’m near paper the words all vanish.

I guess what I’m actually asking is: how did you defeat the blank page?

Well, first of all, I can confidently tell you that your storytelling per se is working just fine. You just told me a perfectly cogent story right there, in writing. So that's good to know.

Now let me put your mind a little at rest by telling you something reassuring about the Writer's Brain:

It's not the sharpest knife in the block, if you take my meaning. It can be tricked. It can be fooled. It can be bamboozled into working when it doesn't want to... sometimes with embarrassing ease. (And this approach is, by and large, far preferable to sitting around over-analyzing one's interior life to figure out what went wrong with your developmental process somewhere in the dim lost past. Just hornswoggle the silly thing into working and then do the analysis later, if you can be bothered.)

Sometimes just changing something basic in the process the Writer's Brain is expecting is enough to make it lose the plot (so to speak...) and let you get on with work. And in your case I'd say, more or less immediately: Have you tried telling the story to yourself out loud, recording it, and then transcribing the recording?

Because this problem is a commonplace among storytellers. Sit them down in the pub and give them tea or a drink and start them going, and you'll get half an effortless hour of hilarious prose about What The Cat Did In The Middle Of The Night or When The Neighbors Were Fighting In The Street Again Yesterday. But show them blank paper, or an empty screen, and (now that the pressure to perform is suddenly in place) they freeze.

So try doing an end run around your writing brain. Borrow or otherwise procure a little recorder of some kind. (Or if you've got a smartphone, add a voice recording app to it.) Go get comfortable somewhere and get yourself into that daydream state, and then—making sure the recorder's on—start talking.

It doesn't have to be perfect unblemished prose. The pursuit of that comes later, after draft zero-minus-one. Just tell the story... or some of it. Or a fragment of it. Even a few paragraphs is a triumph, in a situation like this. You may, during the recording, have to talk yourself into the story stage by starting out talking about something else first. Let that happen.

Then when you're done recording, listen to it and transcribe it (typed or handwritten, as you please).

And maybe a day later, do this again. And a day or two later, once more. And so forth.

You're going to have to keep at this, because your Writer's Brain may start suspecting what you're up to, and try throwing spanners into the works. (Its favorite being "Oh, this isn't working, I may as well give up..." Pay no attention to that nagging little voice behind the curtain. Just keep doing what you're doing. Persistence is a superpower.)

The thing to keep reminding yourself, as you settle into this process, is that sooner or later the WB's resistance is going to flag, because you really do want to tell stories. It does too. What you have to teach it is that—to coin a phrase—resistance is useless. :)

Anyway: give this a try. You'll need to be doing this daily for at least a couple of months to find out whether it works or not. So let me know how it goes.

(BTW: once you've broken through the barrier, you may well find that dictation is a good routine way for you to generate your first draft. At that point—should you feel inclined to go a little higher-tech than recording and hand transcription—let me recommend Dragon Anywhere. This is a month-to-month subscription version of Dragon's flagship text to speech program—the one @petermorwood and I got Terry Pratchett to use when he started having difficulty typing. I use Anywhere a lot, on days when it's easier to write stretched out or lying down than it is sitting up. It transcribes what you say, and then you can just email it to yourself and cut-and-paste it into your writing document. Very handy.)

Hope this helps!

[simping-acefully]

Ep 3 got me acting really unwise

Nsfw headcanons for Laios under the cut (gn unspecified partner for Laios)

Warnings: NSFWish, probably ooc, reader insert implied?, probably not very sexy because I used this for character analysis.

A = Aftercare (what they’re like after sex)

Laios is very attentive, though he's also very insecure when it comes to engaging with others. So I imagine he'd be a little clumsy, though very eager to provide the best aftercare for his partner. He's also very cuddly.

B = Body part (their favorite body part of theirs and also their partner’s)

The favorite part of his own body are his hands. They are strong and calloused, and he's used them to protect others and to create new stuff! (Aka, cooking) the fact that those hands can also help him please a partner is a plus.

On a partner? Probably lips. I imagine Laios struggles to read people's facial expressions (the 'tism go brr) but seeing his partner's smile is reassuring. He also really likes running his thumb over them and maybe getting his fingers nibbled.

C = Cum (anything to do with cum, basically)

He cums a lot.He has tasted his own cum out of curiosity in the past, too. And if he had a partner that ejaculated or squirted he would be delighted to taste it all.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He has probably jerked off to thoughts of his partner before they get together and it's eating him alive :(

E = Experience (how experienced are they? do they know what they’re doing?)

Zero experience, lots of book knowledge though! He's confused but he's got the spirit. Will need some leading at first, but he's a quick learner and is curious enough to experiment and try new things once he's gained confidence.

As an ace myself, I like to think that Laios is either ace too, or has a low drive and thus, sexual intimacy is a matter of doing something intimate and unique with a partner.

F = Favorite position (this goes without saying)

Any position that will allow him to see his partner's face for smooching! The emotional intimacy is the most important part for him.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He tries to be serious to the point he's almost uptight. But his clumsy and eager nature ends up organically devolving into somewhat goofy intimacy.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

The carpet matches the drapes, but this man keeps it all natural because ?? Why would he waste time/energy on such things??? (Aka, he's not used to grooming the area, but he would do an effort if asked)

I = Intimacy (how are they during the moment? the romantic aspect)

Very!! The main driving force for the act. Laios is constantly kissing and checking with his partner. He loves them so much and this is a physical way to convey those feelings!

He holds hands with his partner, kisses their face and neck and tries to keep them as close as possible, the mental image of melting into a puddle together comes to mind.

J = Jack off (masturbation headcanon)

Doesn't do it often, but when he does it's more of a thing of connecting with his own body than getting rid of any urges. He won't be able to get off unless he's in a good mood.

K = Kink (one or more of their kinks)

Has a wee bit of a praise kink that he doesn't fully understand.

Shibari is one he wants to delve into, too. There's something to be said about the artistry of the knots, and the feeling of compression can be quite comforting.

L = Location (favorite places to do the do)

Probably his partner's bed. He shares a room with Falin, so intimacy on his place is a no-no. He doesn't particularly enjoy motels or inns either because he feels kind of self conscious/pressured to perform within a time limit. He was to take things slow and he wants to cuddle to sleep afterwards, dammit!

M = Motivation (what turns them on, gets them going)

I think his biggest driving force is an emotional connection. He craves to be understood and loved, so feeling that coming from his partner will make him want to show his appreciation in a physical way.

Probably jealousy is another good way to make Laios seek out his partner. He wants reassurance, to kill any doubts in his mind and any lingering feelings of inadequacy.

Also adrenaline too! Sometimes when the blood is pumping, his mind wanders. If he and his partner just were in a situation of danger, the physical reminder that they are there, alive and safe will make him desperate to feel them.

N = No (something they wouldn’t do, turn offs)

Doesn't like/understand degradation, and wouldn't do anything that he felt could hurt his partner.

O = Oral (preference in giving or receiving, skill, etc.)

He prefers to give, and lives for pleasing his partner! He's not very skilled at first, but he's very observant and receptive, so he gets the hang of what his partner likes even if they do not say so themselves.

However, after getting head himself, he's hooked. He loves it, he loves the look on his partner's eyes and the physical feeling is overwhelming on the best possible way.

P = Pace (are they fast and rough? slow and sensual? etc.)

Usually slow and sensual, unless he just had a life or death situation with his partner, then he's desperate and anxious.

Q = Quickie (their opinions on quickies, how often, etc.)

Not one to really go for quickies, but if he's on the rare mood for one, he'll be sure to get and give lots of affection.

R = Risk (are they game to experiment? do they take risks? etc.)

Laios would be interested in trying everything at least once. He's curious and inquisitive, and just as he is fascinated by monsters, he's fascinated by his partner and wants to learn what turns them on, and see what also works for him

S = Stamina (how many rounds can they go for? how long do they last?)

Stamina for days! He can last one very long round. If he didn't get sleepy and cuddly afterwards, he could probably do more, but hnnnggg comfy

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He doesn't own toys, but if introduced to them he's up for trying pretty much anything, both on himself and his partner.

I can see him growing particularly attached to non-human looking dildos/strap-ons and ropes.

U = Unfair (how much they like to tease)

He's not much of a tease, but he low-key enjoys being teased. He doesn't seem to understand it, or be fully aware of the fact, but yeah.

V = Volume (how loud they are, what sounds they make, etc.)

Not particularly loud out the impulse to self restrain, but Laios is a whiner. He can get pretty loud when he's about to cum though.

W = Wild card (a random headcanon for the character)

Would love to roleplay as a monster with their partner but when he did bring up the idea he got laughed off and passed it off as a joke. It was not a joke.

X = X-ray (let’s see what’s going on under those clothes)

Y = Yearning (how high is their sex drive?)

I like to think that it would kind of mimic his silhouette, length slightly above average and overall on the thicker side. The widest point is right after the head.

Not very high at all. I kinda imagine Laios on the gray sexual spectrum so, it only becomes a thought after he begins pining for his eventual partner. It starts with him wondering how soft their hands would be, how about their neck and lips? And it eventually escalates to wandering thoughts of intimacy.

Once he does become intimate with a partner, he longs for intimacy more than he longs for sex itself.

Z = Zzz (how quickly they fall asleep afterwards)

VERY. He's an eepy man.

[daddy-dotcom]

Bet on Me

Spencer Reid x Sugarbaby Reader

Spencer Reid never loses, especially when the prize is you.

Summary: Reader is a sugar baby for Reid's opponent, and he bets a night with her if he loses to Reid.

Warnings: Smut, unprotected p in v, bj, swearing ig?

----------------------------------------------

This wasn't the first time he'd done this. Granted, the Boss only did it when he was losing a lot of money and needed to sacrifice his "lucky charm." However, this was the first time he bet me and lost, to a man half his age nonetheless. I never liked being used as a gambling chip, but he lost so rarely that I didn't dwell on it too much. The man he was playing only gave us his first name, Spencer, and damn was he good. If I didn't know any better, I would say he was counting the cards. He was slightly cocky, but not in the way that the Boss's usual opponents were. He knew he was good, but he wasn't arrogant. There was an air of confidence to him, almost as if he was guaranteed to win, which was exactly what he did. I'd never seen the Boss this upset before, practically throwing a tantrum on the casino floor. But Spencer won fair and square, more specifically, he had won me. 

Under normal circumstances, he would have bet on me as a last resort against some other equally sleazy old man. He would have won and I wouldn't have to worry about the idea of sleeping with a man who I didn't know and who had zero respect for boundaries. While the Boss wasn't exactly in his prime anymore, at least he paid me well and we had strict boundaries in place. But whenever he bet on me, I had no idea what I would be getting into. Something about Spencer being young immediately eased my nerves, especially since he was so lanky and boyish. He was probably close to my age, but you would never be able to tell because he looked like he was barely old enough to be gambling. 

"Just go on and get it over with, doll, I'll pick you up in the morning," the Boss said irritably. 

I made my way over to Spencer, who was the only one left sitting at the poker table. He sat quite awkwardly for a man who had just swept the entire table. All of the confidence from before had completely melted away. 

"Well it looks like I'm yours for the night, Spencer. I'm (Y/N) by the way." 

I leaned against the poker table, making sure to show off my best assets. If I was going to have to spend the night with him, I at least wanted to have some fun. Between my day job and being a part-time sugar baby, I didn't have the time or energy to date much. So I planned on taking full advantage of the situation. Even if I didn't end up sleeping with Spencer, there was something about him that made me want to get to know him. 

"Nice to meet you, (Y/N)" he said, and I could tell he was avoiding my gaze. This was most likely because from where he was sitting, his line of sight was directly at my boobs. 

"C'mon Spencer, let me buy you a drink."

"Shouldn't I be the one buying you a drink?" he asked, looking puzzled. 

"Looks like you need it more than I do, pretty boy." I said with a smile as I pulled him by the hand towards the bar. 

------------

"I'm not a hooker by the way. Just putting that out there . . ." I said, suddenly matching Spencer's awkwardness. 

"I figured as much," he replied before taking a sip of his drink. "You're very well dressed and your jewelry is definitely real. Which could mean you're a high-end prostitute, which isn't uncommon for Vegas, but your relationship is too close for him to just be a repeat customer. So I assumed you were either a sugar baby or a trophy wife." 

"Wow. You got all that just by watching us?"

"It's kind of my job." 

"You a PI or something? What kind of job allows you to pick up on all that Mr...?" 

"Reid. And it's Dr. Reid actually. I work in the behavioral analysis unit of the FBI."

"No kidding! You? The lanky yet mysterious card counter who hasn't looked me in the eye this entire conversation, works for the FBI?"

“Yes and for the record, I wasn’t counting the cards. . .at least not this time,” he said with the slightest hint of a smirk on his lips. 

Feeling a little tipsy, I replied by saying "you know, around here that acronym FBI usually stands for Female-"

"Body Inspector, yes I'm familiar with the joke. I grew up getting my head dunked in the toilet by bullies wearing those cheap souvenir shirts from Circus Circus" 

"Ah so you're a local too?"

“Yes ma’m, Las Vegas born and raised,” he said before taking another sip of his drink. I took the opportunity to ask him another question. 

“So do you have me figured out yet, pretty boy?” 

“Well I don’t see a ring on your finger,” he said while finally looking me right in the eyes, “so that leads me to the conclusion that you are a sugar baby.” 

I could tell the effects of the alcohol were starting to creep to the surface because he wouldn’t break eye contact with me and his body began leaning towards me when he spoke instead of away. He was less guarded and almost flirtatious, in his own adorable way. 

“Ding ding ding, you got me Dr. Reid. I, uh, work as a lab assistant during the day but being his sugar baby is helping with the crushing weight of my student debt.” 

“I’m sorry that you have to spend your evenings with that jerk, (Y/N). That was mostly my motivation for accepting his offer to bet on you. I hope you know I wasn’t planning on taking advantage of you or anything, I just wanted to give you a night off from your boss.” 

My gaze softened and I tried to push away the tears that threatened to spill from the corners of my eyes. 

“That was the sweetest thing anyone’s done for me in a long time, Spencer. Thank you,” I said, gently placing a hand on his thigh. 

I saw a wave of crimson begin to appear on his cheeks and he flashed me a smile before saying, “It was my pleasure. I don’t mean to brag but I have an eidetic memory and an IQ of 187, all of this to say I’m pretty good at cards.”

“Wow! Handsome and smart? Guess you’re not the only one who hit the jackpot tonight,” I said while raising my eyebrows, “but I don’t see a ring on your finger either, Dr. Reid. You’re alone at a bar in Vegas with a pretty girl, so I’m assuming you don’t have anyone waiting for you back home?” I asked, suddenly very interested to know if this smart and adorably sweet man was single.

“So you’ve been profiling me too,” he said with a chuckle, “to answer your question, no I don’t have a wife or a girlfriend or anything like that,” he said, almost enthusiastically. Taking that as a sign, I quickly asked, 

“Would you want to come upstairs with me? I just feel so comfortable talking to you and technically you still have the rest of the night with me,” I said with pleading eyes. 

“Um . . .sure!” he said with both hesitation and excitement, which I’m assuming is because his desire is going against his better judgment as an FBI agent. 

“You agreed to that awfully fast for someone who works for the FBI.” 

“I’m not worried. I’ve been watching my drink the entire night, and I’ve been profiling you, remember?” 

At this point, we were both beaming at each other like a couple of idiots; I had to stop myself from yanking this man’s arm making a run for the elevator. 

———

"It's nice to be with a guy who doesn't have an AARP card for once." 

"Actually, it’s a common misconception that the service is limited to people 50 and over. You can apply for a membership once you turn 18," he rambled, causing me to giggle. 

"You're cute," I replied, placing a hand on the inner part of his thigh. We stayed there for a moment, our eyes fixed on one another with a blush creeping up on Spencer's cheeks. I could see his Adam's apple bob as he gulped, and I could almost swear the crotch of his pants looked tighter than before. 

"W-we don't have to do anything you know," he said, finally breaking the silence. 

"I know. . . " I said as I leaned in close, "but what if I want to?" 

I took a chance and pressed my lips to his. I let them linger there to gauge his reaction before going any further, not wanting to scare the poor man away. After a few seconds, he didn't pull away and I took the quickened pace of his breathing as a sign to kiss him more. I began slowly at first and his lips followed my lead. To my surprise, he brought his hand up to tangle his fingers in my hair and I moaned into his mouth at the contact. Our kisses quickly became hungry and passionate, and there was no denying the now obvious bulge in his pants. I moved my hand from his thigh and began rubbing him over his pants. This time, he was the one who let out a groan, the sound of which motivated me to force my tongue into his mouth. He tightened his grip on my hair, but I pulled away to tend to his growing erection. He remained seated on the edge of the bed as I dropped to my knees in front of him. 

"Y-you don't have to-" he stuttered with wide eyes. 

"Spencer, it's okay, I want to." 

He didn't protest further and I began to unbuckle his belt. I unzipped his pants and pulled down his underwear just enough to let his cock free. I wrapped my hand around the base and began to jerk him, causing him to hiss at the contact. I teased him a little by licking the tip of his dick before I placed his entire length, or as much of him as I could fit, in my mouth. 

"Oh my god” he groaned, with his eyes screwed shut. I continued to bob my head up and down his cock, his hand finding that familiar place in my hair where he began to tug again. My. pace was purposefully slow, dragging out each suck to earn a moan from Spencer. It was thrilling to be in control of the situation for once. As I sped up my motions, his hands were practically ripping the strands from my head. The wetness pooling between my legs was becoming too much to ignore, so I released my grip on Spencer's cock and used his thighs to push myself back up from my spot on the floor. 

"Spencer. . ." I whined, planting myself onto his lap, "I need you."

I took his hand and guided him to the heat between my legs. I shimmied up my dress to allow him to feel the wetness that now soaked my panties. We both let out a gasp as his fingers became slick at the touch. 

"It's been a while since anyone's made me feel like this," I admitted. I felt safe in his presence, especially since judging by his reactions, he doesn't do this very often either. 

“I-I don’t have a-," 

“Don’t worry, I’m 90% sure we’re both clean and I’m on the pill. Trust me I’m not trying to scam you for child support or anything.” 

I could feel his body relax underneath me after reassuring him. I pressed my lips to his once again, our kiss more sensual and intimate than before. Seizing the rare opportunity to be on top, I had one hand on his shoulder for support and the other on his dick to line him up with my entrance. It was almost dizzying how good it felt as I finally sank down onto his length. 

“Oh god, Spencer.” 

I buried my face into the crook of his neck, completely overwhelmed by the few of him stretching me out. Once I was comfortable, I slowly began rocking my hips. We were a mess of breathy moans and strings of profanities escaped my lips as I began bouncing on his cock. 

“Fuck Spence, you you’re so big.” 

It’s always the skinny, shy guys.

“(Y/N) you feel so good,” he grunted as he bucked his hips up in an attempt to fuck me even harder. After observing his reactions to my every move so far, I knew he wasn’t going to last long. But he was fucking me so good that I couldn’t bring myself to care. 

“Yes baby keep fucking me like that.” 

His hips continued with their relentless pace and our bodies slammed against each other again and again. It wasn’t much longer until his thrusts became sloppy and he finished inside of me with one last resounding groan. We stayed that way for a while, just grateful for the intimate connection. Once we finally caught our breath, I spoke up.

“Well you still have a few hours with me Dr. Reid, what do you propose we do?” I said with a smirk.

“We should probably go to bed, I have to catch my flight back to D.C. in the morning. . . but maybe after we do that again.” 

“I’m all yours Spencer.” 

————————————————————————

Not 100% confident about this one but lmk what y'all think :) thanks fro all the love so far besties

[oh-no-bummer]

Tomorrow I'm gonna be told I don't contribute enough to class conversations.

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 3)

Part one

Part two

There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.

So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.

I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.

Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.

Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.

Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.

It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?

They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.

And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)

And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.

Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.

It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.

[batterycows]

Ochako’s Confession: A Togachako Analysis

I don't usually write down or post analysis, but if I didn't put this down somewhere I was at risk of grabbing a stranger off the street and asking whether they knew about the doomed toxic yuri in hit manga series My Hero Academia.

Now, I think it was expected to some degree that Uraraka would have some big cathartic confession where she finally embraced her feelings for Izuku. And while she did admit her feeelings, the moment wasn't... that

And honestly, why would it be? In the end, Uraraka had no reason to confess her feelings. She didn't suffer from hiding them, on the contrary. Her crush was beginning to hinder her performance as a Hero, and all bottling them up did was help her improve. Sure, suppression is bad and all but ultimately, Uraraka seemed better off pushing her feelings aside. Especially when compared to Toga, who literally broke under the pressure of her hidden feelings. There was nothing pushing Uraraka to confess other than the vague sentiment that “suppressing your feelings is Bad.”

Yet, the importance of being open about your feelings is repeatedly emphasized during Toga's and Uraraka's arcs. It's what drove Toga to villainy, and something she tried to bond with Uraraka over. Something they shared. So the setup for a confession is there, but no satisfying resolution.

That's cause Izuku is a red herring.

Indeed, being honest about her feelings was vital for Uraraka, but it had nothing to with Izuku. Because the feelings Uraraka was suppressing all along, the ones that she needed to let out, were her feelings for Toga.

The envy she felt during their first meeting, how lovely she found Toga's smile. How much it troubled Uraraka when it was replaced with tears. Girl likes boy is as conventional as it gets. But a Hero sympathizing for a Villain in a society that dehumanizes them? Now that makes Uraraka kind of weird. And she knows it, that these thoughts go against everything she knows about society, about her role as a Hero. So she tried pushing all that away.

But she can't run from her feelings forever. And in the end, it's those feelings that allow Uraraka to save the day. Her arc deals with humanization. She wonders "who saves Heroes" until she's wondering "who saves Villains?" and finds that in this case, the answer is each other.

How did Uraraka and Toga save each other? By imitating each other, by being like someone they love.

Uraraka envied Toga's unapologetic openness, so she took a page from her book and told her everything she had been hiding and mulling over since they met. She stopped pushing Toga away and finally answered every one-sided conversation they've had. They're chatting about love, and Uraraka is finally responding.

A girl's feelings can change the world, and Uraraka being honest about her feelings is what allowed her to reach Toga's heart and save her. This is how Uraraka became a Hero.

Toga also saved Uraraka by imitating her. In a very literal sense by Transforming into Uraraka (being "cute" like Uraraka) but I think also in the way she used her Quirk. Until now, Toga believed the only way for her to live freely was through violence. When her Quirk awakened, Toga used Zero Gravity to kill. But now, she's imitating Uraraka on a deeper level. Uraraka who said her Quirk isn't made to hurt people, so Toga used her own Quirk to save Uraraka. For the first time, she realized she could love and be loved without violence.

Uraraka and Toga's confrontation was the long awaited end of a conversation. Nearly a year before Toga had tried to bond with Uraraka, asked her whether she liked someone, whether she wanted to be like them? Uraraka finally confessed: Yes, I want to be like you.

[beneathashadytree]

HEY GUYS! LONG POST HERE, BUT PLEASE READ🙏🏽

I am genuinely appalled by the discourse ongoing in the LNDS fandom these past few days—but above all, I am severely disappointed in what had started out as one of the most inclusive and sweet fandoms I’ve ever been in. I have a few things to say, so in this post I’m trying to put all my thoughts to words. Apologies if I sound harsh, but I’m genuinely livid. Also, please ignore any typos. I’m not wearing my glasses while word-vomiting.

First off, for a fandom that is composed of mostly adults, you guys have been acting terribly childishly. It’s 2024, and yet people are still unironically shaming others for “switching up on their favs” as if a person owes 2D characters any loyalty. Let people enjoy things. The novelty of Sylus and how he’s quite literally 6 months behind the other 3 love interests makes people want to catch up on the enjoyment of him all at once. He’s still such a brand new character and concept, so there’s no wonder everyone’s hyped up over him.

I’ve seen people get genuinely mad at other players and writing whole think-pieces about this. I promise you guys, the company making this game is still benefiting whether you’re pouring your money into Sylus or any one of the previous 3. We’re all happy to have an interesting character pop up among the roster now, and we’re taking our time getting to know him. Doesn’t make any of the first 3 any less loved. I genuinely don’t remember this amount of nastiness when solo events for each of the guys used to drop.

In fact, if the popularity thing is worrying you, going off MLQC (the company’s past game) the character who was last added was—eventually, after the initial hype died down—kicked off to the sidelines in most major events and was given the least content, and was the least favorite of fans.

Secondly, and this has my blood boiling, there is an insane amount of entitlement and rudeness I’ve seen on my timeline concerning how people characterize the men—particularly Rafayel.

Absolutely nothing warrants this shitty attitude towards other creators for how they depict characters in their fics. It seems you guys feel protected behind a screen and think it gives you the right to bully strangers online. Fanfiction is for fantasizing about your favs; for letting your imagination run wild. If this were a character analysis, then yes, maybe I’d agree that inaccuracies are aggravating. However, in fanfiction, there are zero rules, especially when it comes to smut.

Sexual preferences are not equivalent to a person’s whole personality—so whether he’s written as a dom, a sub, a switch, or whatever the fuck you wanna call it, this has nothing to do with his kindness, gentlemanliness, passion, power, ruthlessness, snark, or whatever minuscule aspect of his character makes up his lovely whole and matters to you.

I think this circles back to a lack of ability to separate sexual matters and personality, because how else do people interpret fics depicting him in a certain manner as them erasing his character? They might overlap, but they can very well be mutually exclusive. I’ve seen incredibly sweet and gentle men irl who were absolute doms in bed, and I’ve seen powerful and passionate men who were reduced to tears between the sheets. There is barely any correlation whatsoever, and if anything, claiming otherwise is what I consider piss-poor media literacy and reading-comprehension.

My third point is that for some reason, there have been many, many posts and replies on here where I’ve seen people just straight-up spread pure hate for the characters. Maybe this bothered me in particular because I’m an OT3 (OT4 now!) and absolutely adore all of them, but I find no logical reason for “yucking someone’s yum” when we’re talking about liking the characters of an Otome game—a genre of video games which is made to literally cater to the tastes of as many people as possible.

It’s especially disheartening to see when it’s at a time like this, when new content is about to drop, and you find in the replies of every other post/discussion at least a few people spewing hate and disgust at Sylus. Again, so many people are incredibly excited about him. Why is there a need to rain on everyone’s parade, especially in such an unsolicited manner?

This fandom originally started as a safe space for people of all races, backgrounds, genders, sexualities, and personalities to bond over our mutual love for characters. All I’ve seen on my TL lately (in terms of discussion) is negativity, and it’s such a fucking let-down. I hope whatever the fuck has happened to this fandom cools down after a bit. It’s probably exaggerated and very in-your-face rn, cause more and more people are downloading LNDS, so the probabilities of finding people being nasty are increasing. But I seriously don’t want to grow to resent this fandom and find myself distancing myself from it to protect my peace.

Let’s all remember to be kind towards other players, to not act entitled or bratty about the characters, and to try and mind our own business if we see content that doesn’t suit our tastes.