#a dissertation!!

[sanddusted-wisteria]

Qi and names

A really, really random thing I've been noticing as I'm doing a second playthrough: Qi almost never calls anyone by just their name. Unless he's talking directly to someone, he almost always uses a title or a stand-in...nickname? Epithet? Not sure what to call it.

[VERY long post below, contains some act 2 and mild act 3 spoilers]

Grace: The frycook

Elsie: The rancher's daughter/ranch girl

[pardon the text mine, i don't have screenshots of some of the act 3 quotes and it's not up on the wiki yet]

Catori: The entrepreneur

Justice: The sheriff

Also combined with Unsuur: The lawmen

Pen: The homunculus man

Yan: "Your director"

X: The bird

Bronco the Kid: "The person seeking Logan"

Pablo: "Our local barber"

Here are the ones with titles:

Trudy: Mayor Trudy (but also sometimes just "Mayor" or even "Trudy")

Fang: Dr. Fang

Nia: Assistant Nia

You/the builder: Earlier in the game/at lower relationship levels, he'll only call you "Builder". But later on, he'll always use your builder's name.

(at Buddy level)

(at Good Friend level)

And last but not least, those who Qi always refers to by name:

Mint (but he also calls him Sleepyhead, of course)

Zeke

Logan

Matilda (though she's only ever referred to once and she's been de facto stripped of her minister title at this point, so I'll gloss over her)

So uh...what's the takeaway? Well, I think it's an insight to Qi's idea of respect. All the people in the first section have nicknames, which are mostly light jabs at their character/job.

Contrast to the people in the second and third sections. If they have an established title of authority, he'll use it. And for those he refers to by name directly, it's someone he personally respects. Think about it:

Trudy is the mayor, the highest authority in town (and also probably singlehandedly responsible for his funding lol)

Qi's no quiet admirer of Fang's work, as shown by their few interactions

He respects Zeke as a fellow man of science, and a very persistent one at that

Nia is part of academia, advised by a reputable professor

Mint is obvious; he's his closest friend

And you! Take another look at his dialogue with you as it progresses through the main quest, especially after you build the mobile suit. He comes to respect you and your work.

Logan is an interesting exception, but I picked the above quote for a reason. I think he knows straight off the bat that the Logan situation is more complicated than other people say, and he sympathizes with him a little bit (even though he'll promptly hole himself up again and keep working after any Logan event happens).

I made another very long post a while back that touched on why Qi insists on being called "Director" all the time, and I think that's only compounded by this. It's a golden rule type situation, yk? You respect his titles, work, and time, and he'll do the same to you.

ETA: you could also interpret this as Qi viewing people as their occupations first. He's not the most sociable person in town, and he'd like to keep it that way (maybe). So he keeps a veneer of over-professionalism on by default.

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[stargirl230]

state of you // 花城

qifrey cover redraw! because i realized what's better than drawing blorbo once is drawing blorbo four times

(no reposts; reblogs appreciated)

[8amtrain]

i'll be seeing you, part 2

[bunny-super-blues]

this guy has a tablet like 100% of the time there's no way he wasn't an ipad baby okay

[merlinsearlobe]

I don’t know if i hallucinated this but i swear earlier seasons Bradley said something about hoping Arthur realises Merlin has magic on his own.

And i wish, i wish, that had been the case.

That Arthur, knocked out, bleeding, injured, awakes too early and sees Merlin, eyes golden and angry, bending the power of the earth in raw wrath and fury towards their enemy.

And Arthur is bloody fucking terrified. But Merlin screams ‘not him, never him, never Arthur’ and the earth shakes and… Arthur can’t even remember what poor soul or creature had thrown him from his horse, certainly not now their body is torn apart by Merlin’s words and his flaming gaze.

Of course Arthur is terrified. Is he hallucinating? Is this some malevolent vision? His head throbs and he can taste blood in his mouth and he can see Merlin, Merlin his incompetent and clumsy and funny and innocent and soft and gentle manservant who wakes Arthur with a brilliant smile and some drivel about lazy daisies, stood like a deep and dark and threatening shadow over what was left of a once-body.

Arthur’s breath comes in short gasps and tears prick his eyes. Panic. And Merlin turns to him as he clamps his eyes shut against the image of Merlin dripping with death and anger. But deep within his shattering mind a small voice whispers to him. The voice is soft and gentle, blonde curls and kind eyes and patient hands cupping his cheek. She reminds him of each time Merlin has looked at him with pure, unadulterated devotion - his eyes deep and blue, a tiny ring of gold-green swirling around his pupils. How each time Arthur’s lain on the brink of death, and Merlin has never left his side, tending to his wounds with such tenderness that Arthur has never felt before. How it was in Arthur’s name that Merlin’s magic, Merlin’s magic, raged.

Another voice, thick and real and worried, breaks through the soft whisper of Ygraine.

Arthur felt shaking hands - how could they be so gentle when moments before it was from them that such unbridled power was released - stroke his matted and sweat-soaked hair, wiping the blood Arthur felt trickle down his cheek away. Arthur forces open his eyes, meeting Merlin’s as the gold fades to the deep familiar ocean-blue.

Did Merlin know Arthur had seen? How much blood had soaked Merlin’s hands when Arthur had lain unconscious, how many victories has Merlin won in Arthur’s name?

And deep within Arthur’s heart he knows he is safe in this sorcerer’s hands. Knows in fact he’d choose these hands over anyone else’s.

But Arthur can’t say the words just yet. He can’t admit to himself that the man he loves is made from that which he hates. Hated. Has been taught to hate. A new wound has been torn in him, one not made of blood and flesh. Because if Merlin is magic, how can magic be evil.

So Arthur lets Merlin’s hands and Merlin’s words and Merlin’s soft smiles wash over him. He feigns ignorance of what he saw.

But he watches. His wounds sit quietly: clean and placid from Merlin’s assiduous care. His face is washed from blood and grime by Merlin, who had fussed and worried as he went. Now he watches. He notices the damp wood Merlin had collected whilst the rain has fallen burst into eager flames within seconds of Merlin’s attentive hands and wonders how he never noticed before.

When they return to Camelot, limping but alive, Arthur notices the stone-deep warmth that graces his chambers. Where his room should be chilled and still from his absence instead there’s a soft and humble feeling of life suffused throughout, and Arthur realises with a small, private smile it is the same feeling that radiates from Merlin.

The lessening part of him argues he should recoil. For why is he rejoicing at feeling the touch of a sorcerer all around him. But Arthur argues back. He’s felt the saccharin, sticky grip of dark, evil magic masquerading as sweet ladies or sycophantic servants. He remembered the groggy, aching return to his own mind after Sofia had dragged him under her spell. Merlin’s gentle, joyous presence is worlds away. His magic may be hidden from Arthur, but Merlin’s grinning insults and blatant disregard for any sort of protocol meant any fears for further hidden motive besides self preservation withered immediately.

Arthur keeps watching. He notices now the shine his armour has, beyond what weary hands and cloth could ever achieve. He notices, or rather feels, when Percival’s muscled arm brings down the practice sword and Arthur - his mind worlds away - notices too late, yet the ensuing bruise is not angry and mottled but timid and quickly fades, even though ordinary chainmail would never have warded off such a blow. He notices Merlin’s unbridled joy when the two of them leave Camelot for the forest. He notices the bird that lands on Merlin’s shoulder, the whispered smiles Merlin exchanges with the creature. He notices the grass grow a little taller beneath Merlin’s feet, the way the trees bend to him as if they’re greeting a long lost friend.

Slowly, magic - or at least Merlin’s magic - loses the rotten, sharp edge Uther had imposed. Arthur begins to yearn to see the flames of the fire burning in his room reflected once more in Merlin’s eye. Still he can’t quite bring the words lingering in his throat up to his lips. Guilt begins to fester. Arthur remembers the years of Uther’s reign, how the screams of burning sorcerers - some of them so young, so young - had echoed through the cold stones of Camelot. He remembers now Merlin’s pale face and wide eyes, ghosted with tears Arthur knew not what for. He knows now.

And so when his knights bring him talk of a druid camp away to the south, Arthur stands tall, facing the court, and tells them to leave it be. That there will be no more raids (not that he had issued any since his ascension to the throne, but no formal proclamation had thus far been made). He tells himself privately he will end the ban on magic. He will forge a Camelot where Merlin will not live in fear, in a half life. The faces staring back are curious, some wary. But the one meeting Arthur’s steady gaze, wide-eyed with a shocked, gentle, proud, smile and slightly trembling hands gripping the wind jug, is that which Arthur cares about. He gives a slight nod. Too subtle for anyone else to notice, but as obvious and clear to Merlin as it ever could be, the two of them long since having needed words to communicate.

Merlin has a lot of questions. Naturally. They tumble from him as Arthur undresses behind the screen. And Arthur knows now that he’s ready. Merlin has magic. Merlin is magic. And Merlin is good. Deeply good. The words don’t quiver and cower in his throat.

And I wish Arthur had then told him. Had taken a deep breath and met Merlin’s gaze and told him he knew. That he had been scared. But he had trusted. Trusts. Loves.

We deserved Merlin fighting beside Arthur, raw devotion and power and fierce, fierce love.

[my-heart-of-heart]

So normal about Jon being like I don’t remember what you looked like but the man who let you die is going to suffer for what he did to you. If only Sasha coulda seen that.

So normal about Jon being like you died hating me and wanting me dead but I’m still gonna make sure this man knows I’m ending him in your name. Sure wish Tim coulda seen that.

So normal about the fact that everyone believed Jon was losing his humanity but no one got to see the ways his love and compassion for the people he lost or who hurt him drove him to that final moment.

So normal about the fact that even after everything Jonah’s done to Jon, the only person he never thinks to get justice for is himself.

[lizardho]

One of my coworkers calls her dissertation her “dissy” and I can’t stop wondering if making “Dissy Hypno” would hit with a specific brand of doctoral student.

[chapollynh]

I finished DS9 and here's my first offering to the fandom.

The show is just SO GOOD!! I wanna talk about it so bad, so I will spam the tags quite a bit... My bad. Also, the people who said Bashir would get better - you were right, he became a lot more fun! Plus he's got a teddy bear, that's peak character right there.

[shitacademicswrite]

[shrimpfriedeggs]

more tcf doodles!

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[ursiday]

Some stills from my PMV:

[bluebells-and-dragonflies]

God, the intimacy of Astarion feeding from you.

Astarion drinking from your neck as he pulls your body closer to his in bed, his chest up against your back, his arms wrapped around your waist. It's a casual thing, now, his whispered can I? and your answering nod, as much a part of your bedtime routine as your bath or his curl care. You sigh as his fangs pierce your skin and his fingers flex against your stomach. His breath hitches when the taste of you hits his tongue, and that's familiar too, the physicality of it, the noises he makes low in his throat as he drinks, the way he grows warmer against you as your blood begins to flow through his veins. Nothing else makes you feel so heady, so intoxicated- so comforted.

Astarion drinking from your wrist when he’s starving for it and can’t wait to get you more comfortable. Pulling him into an alleyway one night on the way home from the Elfsong because you can see how badly he's craving in the way he can't keep his eyes off of the pulse point in your neck. He seizes your arm with both hands (can I? Yes-), bringing the soft skin on the inside of your wrist to his lips. He has just enough presence of mind to kiss the heel of your hand distractedly before he bites, fangs sliding through your skin and into the vein. The sound he makes can only be described as a growl, something feral and possessive (and you'll never tell him that it turns you on, since he would be insufferable about it- a promise to yourself that lasts exactly as long as the space between the moment and the next time you're tipsy and want him).

(NSFW Below!)

Astarion drinking from your inner thigh, one hand holding your leg steady and the other cupping your cunt. You groan, eyes shut in pleasure, as his thumb comes to rub your clit. The pain of the bite is barely pain this way- it collides with the pleasure in your belly and sends you almost out of your mind, overwhelmed with sensation and heat. He takes you all the way there, takes just enough from you to have you relaxed and pliant and soaring somewhere above your own body, plays you like an instrument with all the knowledge of you he's gathered over the months, the years. He knows when you're close, knows to crook his fingers inside you just so, knows the reaction he's going to get when he pulls away from your thigh for just a moment and looks up at you with dark eyes and tells you to come for him, he wants to see it, you fall apart so beautifully and it's all for him, isn't it, tell him how good he makes you feel and when you climax with his voice in your ear and the scent of blood on the air he has the audacity to laugh at how well he understands you, your body.

He's soft, after, softer than he'll ever be with anyone who isn't you. He licks you clean before he takes you to the bath, carrying you with the strength your lifeblood gives him. It's the least he can do for you, with everything you've given him: not just your body, but your trust, your closeness, and he will never stop being grateful.

[official-linguistics-post]

on reconstruction and historical linguistics

to follow up on today's reblog, i want to comment briefly on the apparent misapprehension that linguistic reconstruction is just guesswork with a fancy name, because that's not accurate!

reconstruction is based on specific, well-attested constraints of linguistic development. we know from centuries of investigation that languages tend to change in predictable ways. we also have a decent understanding of the complexities introduced by phenomena like language contact, which can result in borrowing on multiple structural levels. our methods are well established and borne out by evidence.

comparative reconstruction involves applying these known constraints ("rules") in reverse on a collected body of words in related descendant languages. when possible, we also incorporate historical written evidence, which often provides midpoint references for changes in progress. it is always recognized by historical linguists that reconstruction can be imperfect; we cannot know what information has been lost.

the results of reconstruction can be mixed, but i'll let campbell (2013:144) explain:

How Realistic are Reconstructed Proto-languages? The success of any given reconstruction depends on the material at hand to work with and the ability of the comparative linguist to figure out what happened in the history of the languages being compared. In cases where the daughter languages preserve clear evidence of what the parent language had, a reconstruction can be very successful, matching closely the actual spoken ancestral language from which the compared daughters descend. However, there are many cases in which all the daughters lose or merge formerly contrasting sounds or eliminate earlier alternations through analogy, or lose morphological categories due to changes of various sorts. We cannot recover things about the proto-language via the comparative method if the daughters simply do not preserve evidence of them. In cases where the evidence is severely limited or unclear, we often make mistakes. We make the best inferences we can based on the evidence available and on everything we know about the nature of human languages and linguistic change. We do the best we can with what we have to work with. Often the results are very good; sometimes they are less complete. In general, the longer in the past the proto-language split up, the more linguistic changes will have accumulated and the more difficult it becomes to reconstruct with full success. (emphasis mine)

or, to quote labov's (1982:20) pithier if less optimistic approach:

Historical linguistics may be characterized as the art of making the best use of bad data, in the sense that the fragments of the literary record that remain are the results of historical accidents beyond the control of the investigator.

in sum, historical linguists are very realistic about what we can achieve, but the confidence we do have is genuinely well earned, because linguistics is a scientific field and we treat our investigations with rigor.

---

Campbell, Lyle. 2013. Historical Linguistics: An Introduction. Cambridge, MA: MIT Press.

Labov, William. 1982. "Building on Empirical Foundations." In Perspectives on Historical Linguistics. Winifred P. Lehmann and Yakov Malkiel, eds. Pp. 17-92. Amsterdam: John Benjamins.

[foxsnails]

Brown trout, experimenting with just using colours right out the pot rather than mixing