#a father's will can do a lot too

[secrescaryat]

// pentiment spoilers (implied ig but still there)

more of these because i was inspired

[idk-bruh-20]

Something I love about Spider-Man as a character: even if there's no big villain to fight, he's still a hero.

On days when there's no crime at all, he's out helping someone carry their groceries or giving directions to someone who's lost. He doesn't need anything negative to fight; he's just actively trying to make the world a safer, kinder, better place. That's what makes him a hero.

[hailsatanacab]

@the-ghost-trader - ooooh, i love this! it has the potential to be so incredibly sad, too, like poor Damian just trying to carve out something normal for himself only for it blow up in his face

BUT, shockingly, i'm not about the angst today! not yet anyway 😇

---

“So, how was your day?”

Despite his answering groan, Damian likes this. This. This whole… thing he has with Danielle. With Ellie. 

And, yeah, he’s not exactly told any of the others yet, but can you blame him? For wanting to keep something, anything, to himself. Wanting to keep this small little slice of goodness he’s managed to carve out, untouched and unmarred by his family, by their other lives, by the rogues, the vigilantes, the assassins, everyone.

“That bad, huh?”

Being with Ellie is freeing. That’s the best way to describe it.

She knows. Damian surprised even himself when he told her—not about the others, mind, but he supposes it’s not hard to put two and two together and Dani has always been smarter than most—but it’s the best decision he’s ever made, and no matter what the niggling little voice in the back of his head says (the one that sounds suspiciously like Father), he can’t bring himself to regret it.

He won’t. Because having Ellie know gives him freedom.

She’s a safe place, a hand to hold, a warm, welcoming presence when things inevitably turn ugly. It’s the freedom to just be normal when everything else in his life spirals into stranger and more stressful missions.

“Richard is being insufferable again. I do not understand his incessant need to know everything about my life.”

“Oh? What’s he done now?” 

“I was subjected to an hour long interrogation about my love life, like it’s any of his business. It’s infuriating!”

“Ugh, tell me about it. I get the same thing from Jazz, constantly. It can be suffocating.” Ellie says as she curls herself tighter into his side. “But it’s just how they show they care.”

“Yes, well, sometimes I wish he wouldn’t—”

“Hey!” Ellie pushes herself up to glare at him, punctuating her shout with a soft whack to his arm for good measure. “What have I said about using that word?”

“Yes, yes,” he placates with a roll of his eyes, “‘Be careful what you wish for.’ I apologise, it won't happen again.”

“Damn straight it won't.”

She maintains eye contact with him for a second longer before tucking herself back into his side, squirming around with a long, contented hum that Damian can feel rumble through him. He smiles and doesn’t complain even when he has to shift to give her more room after a particularly strong elbow jabs him in the ribs. It means leaving the warm patch on the couch, but he’s rewarded with another long, happy moan as she settles and Damian can’t bring himself to mind.

Ellie constantly makes noises. Little mews and hums and laughs and songs known only to her. It reminds him of a cat, sometimes. He likes it. It calms him down; it means she’s happy, so he's happy.

They settle back into the cushions and Damian lets the subject drop, not wanting to spoil the moment. Outside, the wind changes direction and from where he’s laying he can watch as the snow starts to come down thick and heavy. Hopefully it’ll mean a quiet night's patrol.

“Is that why you haven’t introduced me yet?”

“What?” He can't help it, he stiffens at the thought of losing his secret, of the scrutiny he'll be inviting if he lets anyone know.

“Are you worried I’ll embarrass you?”

Damian’s eyes snap down quick to reassure her, only to see her light, teasing grin. He lets out a breath of relief. It figures she wouldn't worry about that.

“Of course not, don’t be absurd. You could never embarrass me.”

“I don’t know,” she muses, her voice taking on a dangerous lilt, “that sounds like a challenge.”

“Believe me, having been subjected to Father’s Brucie persona at every gala I’ve been to, it would take a lot to embarrass me.”

“Alright, bet. I’ll get you, just you wait.”

“You’ve already got me.”

She flicks him on the nose. “You’re such a sap.”

He hums his agreement, enjoying the tinkling sound of her laughter. And then, before he can think otherwise, he asks, “Is that why you haven’t introduced me?”

“That’s different,” she scowls. “You know how hard it is to get there, there’s no signal, and Danny only gets a break like—oh, Ancients!”

Damian gets another elbow to the ribs as she bolts upright, a manic grin on her face that has him laughing.

“What is it?”

“It’s the holidays! It’s nearly Truce Day! You know I said I had a family thing around Christmas?”

“Yes?” 

“Well, do you want to come to it? I can introduce you then! I mean, it’s going to be a bit formal and you’ll have to meet everyone, not just family. There’s going to be some banquets, you’ll have to sit through some long speeches and you have to be on your best behaviour at all times, okay? Absolutely no fighting, it’s called Truce Day for a reason!”

“What?”

“Yeah, it’ll be perfect! I think Jazz is going in a couple days earlier to help with the preparations, so I’ll get her to let Danny know—and fair warning, he will try to give you the shovel talk, but this is great! It’s Truce Day, so he can’t actually do anything about it!”

“I’m sorry, but you're going to have to explain a bit.”

“Yeah, I know, it’s a bit much—but that’s family, right? Danny can get pretty protective over me, which is why going on Truce Day is the best time to do it! He can’t even command the Fright Knight to stab you! It’s genius!”

“Ellie, what?”

“Like, yeah, sure, he’s the king, but even he has to obey the rules of Truce Day—and then once you’ve spent all day with him, he’ll see that you’re a fantastic, wonderful, kind, brilliant, smart, strong, capable person and he’ll get over himself and everything will be good!"

Damian collapses down onto the couch, the wind knocked out of him. This is… He had not expected anything like this at all. For all that Ellie talked about her family, she had never mentioned this.

“Did you… did you say your brother is a king?”

“Yeah! High King Phantom, have I…” The manic grin slips off her face as she turns round and notices Damian. “Have I not mentioned that before?”

“No. No, you have not.”

“Ah. Sorry. Probably should clarify that I’m also a princess.”

“Right. Yes, that follows.”

“And I’m not really his sister, I’m his clone.”

“What?”

Damian blinks and tries to say more, but he has no idea what he’s meant to do with… any of this information. 

Normal. He thought she was meant to be his normal. Nothing could have prepared him for this.

Not that it changed anything, of course, of that he was certain. It’s just… a lot to take in. Overwhelming. But it's okay! He takes a deep breath, and another, and a sense of calm washes over him. Ellie makes one of her little hums as she cocks her head to the side to consider him and he can't help but relax at the normalcy of the sound. It'll be okay, he's dealt with stranger and he can deal with this.

“I’ve, uh… I’ve told you that we’re half ghosts, though, right?”

“What?”

[yellowocaballero]

I said a little bit about this in a comment a few hours ago (hey kenny) and I actually really felt like saying more.

For all that gay people/Tumblr people/AO3 peope/waves hand are really, really into found family they are actually pretty allergic to conceptualizing familial relationships outside of nuclear family roles.

I see a billion posts on Tumblr about how friendships can be just as important as romantic relationships, if not more, but nobody ever actually writes the friendship as important as a romantic relationship. Or friendships are interpreted as romantic, or friendships are sidelined for the romantic relationship. It's always a weird disparity between what people say are important and people actually find important for me.

So when we do step out of romantic relationship and into gen relationships, we typically enter the trope world of #foundfamily. But the same kind of flattening of characters for the sake of shoving them into yaoi ghost archetypes honestly also really happens with family relationships.

There is always a dad. There's always a mom. There's always siblings (frequently the canon female love interest). Maybe an uncle? Ex-wife if we are feeling sexy that day.

I really rarely see people interested in #foundfamily relationships outside of those boxes. It is overwhelmingly, entirely American-centric. There's no recognition of the unbelievable diversity and breadth of human relationships, or the very many ways there are to love somebody. In fanfic, if there's a much older male character emotional close to younger characters, he's dad mode. And the relationship then follows the character and story beats of the father-child relationship intended to draw out those fuzzy family feelings. Damn, I read found family stuff to get away from the intense claustrophobia of the fandom's favorite ship, I'm not here to get family yaoi ghosted here too.

I think you can create a very unique and engaging relationship if you're wiling to engage with the unknown and uncomfortable. Make a path without the paint by numbers story beats and character arcs. Please stop letting tropes rule your writing instead of construct it.

Write stories about love. Write relationships about loving each other. Just start from there, and don't worry about anything else. Create a relationship that is its own. Let it breathe. It can stand on its own two feet. It'll be a richer relationship and a richer story.

[four-eyed-floozy]

So I've been a horror rpg nerd for like YEARS and if you're new and want to get into it, it might be hard to know where to start (in light of my last post)

These are my general recommendations, I also recommend OFF and Ao Oni fangames as well. There's a lot of creativity in some of the fangames. This is BY FAR, not the definitive rpg horror game rec list, but I think I have most of the popular ones.

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[creativity-deficient]

Soooo what are y’all’s hcs on the Tweak family 🤔🤔🤔

[reineyday]

thinking about how steve was homophobic and misogynistic in s1 but they gave him a chance to be faced with a demogorgon when people needed help and he stepped up. everyone lauds him for that, and he's become a fan favourite. yet when billy, finally in his right mind after being possessed the whole season, gets the opportunity and chooses to do the same--stepping up to take a killing blow for el--people dont offer him the same grace? why. :(

the biggest (reasonable) argument is always 'billy dying was not a redemption' and it's not, you're right. steve stepping in to whack a demogorgon with jonathan's nail bat wasnt a redemption either; his redemption came with him apologizing to them both, and then working to show nancy that he's a better person as they deal with the fallout of s1, and being gracious about jonathan's presence in nancy's life. he got the chance to show he's changed and managed to redeem himself because he lived, and billy unfortunately didnt. but you cant deny that his final moments proved that the potential for him to change is there, and that makes a difference.

[thunderboltfire]

I was having fun with making up their voices! I've also decided to solve a question of languages (languages color-coded to avoid confusion).

Also, this one has quite a lot of tiny text, so I've included transcripts.

[ID: a list illustrated with colored doodles of characters' heads. Titled Who speaks what?

Igna [cartoon picture of Igna's face drawn in brick red color]: Native language: illiraian (southwestern regional form). Understands enough elvish to know when she's being threatened, and can ask for directions, but not much more.

Argo [cartoon picture of Argo's face drawn in sap green color]: Native language: northern elvish. Fluent in illiraian, hardly discernible accent. (it took Igna 3 months to figure out what's off - he rolls 'R' a bit too hard and his vowels sometimes are pronounced too close to the back of his throat).

Theria [cartoon picture of Theria's face drawn in muted brown color]: Native language: Samhran. Fluent in illiraian, audible samhran accent (difficulty pronouncing consonant clusters, palatalising 'L's and 'T"s, mixing up vowels and dyphtongs, sometimes sing-song affect to the vowels). Speaks basic Andaran and broken Omtheron.

Daen [cartoon picture of Daen's face drawn in violet color]: Native language: Moer. Fluent in illiraian, Andaran and gods know what else. Communicative in old elvish. Understands both dwarven languages, but speaks neither. No discernible accent in illiraian.

Haart [cartoon picture of Haart's face drawn in blue]: Native language: Kará (east-dwarvish). Fluent in illiraian (mostly without an

accent, but he often switches soft and hard 'H'). Understands some Andaran and Omtheron. Knows his local variety of sign language.

Knows some expressions in samhran (exclusively swearwords and toasts).]

-

Results: Igna is a spoiled kid, she's the only one in the group who has the luxury of speaking her native language day-to-day. She grew up in complete nowhere, with a very scarce contact with other languages. Tentative A1 in elvish, due to her dad trying to teach her.

Argo probably had the knowledge of Illiraian hammered into his head during his education - inhabitants of Riss speak exclusively a dialect of elvish day-to-day, but the duchy is an enclave, and it would be severely imparing not to know the neighbors' language.

Theria has been away from home long enough to gain a pretty good grasp of Illiraian, and has around B1 level in Andaran. Both spoken with a pretty thick accent, her native language is from a different language family with a strikingly different phototactics, and she's learnt the foreign languages pretty late.

Daen speaks many languages, and all of them pretty well. Maybe it's his long lifespan, but it's possible he's got a knack for language learning.

Haart has had a similar situation to Argo in a sense he's lived in a close neighboorhood of another language and learnt it in childhood. He comes from a merchant house, so it's understandable his family would want him to know foreign languages.

[ID: a scale diagram titled "profanity meter" Left to right: Daen titled "Apocalyptic event indicator", Igna titled "curses when hurt", Argo titled "curses if pissed", Haart titled "curses to emphasise" and Theria titled "Fuck is a sentence divider"]

-

I have to face the fact that Theria most probably has a severe case of unwashed mouth. Her mercenary career spans a good few years when she enters the stage and she doesn't seem like the type to watch her language, so in all probability she doesn't even notice that she curses like a sailor.

[ID: a list titled "Voice and expression". On the left side there's an up-and-down double ended arrow titled "pitch". Characters from top to bottom:

Igna: Easily the highest voice of the group. Clean, and rather strong despite it. Makes an open and honest impression when speaking, fairly good singing voice.

Theria: on the lower side of feminine voices, full-bodied voice with a bit of a vocal fry, on average way louder than the rest of the group. Enjoys singing, but easily dominates a choir

Argo: rather raspy, matte voice. Has a tendency to mutter - the limited sensitivity on the scarred side of his face makes it harder to speak clearly. Speaks quite fast despite of this. Can't hold a note for his life.

Haart: soft, full baritone. Probably the nicest laughter. Nice singing voice, talks with his hands a lot. Makes a characteristic huff when he's nervous.

Daen: low, resonant voice. Clear pronounciation. Reticent, rarely talks more than necessary. Makes a formal impression.]

Last but not least, my trials to work out how would they probably sound like. (I'm not really one to do voiceclaims).

[corfisers]

i really need to finish this one day

[valiant-portabella-pirkko]

this guy just made a mentor proud of him for the first time in his life and he is trying SO HARD to be normal about it

(guess who's been playing personal story on a tiny rat lately...)

[sexiestwerewolf]

tbh I've been hcing fsm to be similar to the Buddha for teensy bit now and I kinda wanna do a lot of research in order to understand how the FSM would represent that religion

[jasontoddenthusiastt]

I always smh at people who dub Jason as “whiny” “and therefore ooc” in tt 29. If you died and all everyone did was taint your legacy, and not a single person remembered you fondly or deemed you worthy of commemoration after your death, wouldn’t you be a bit upset too?

[bonesandpoemsandflowers]

i can do this i can do this i can do this (file my taxes a day late) i can do this i can do this if i consume enough coffee i can do this i can do this i can

[cutemeat]

i know that they just included Mac Finds His Pride at the end of that 'episodes to watch before s16' post cuz they were going in chronological order w the eps listed and they're gonna bring up the dance this season ofc, but deep down i want it to have to do with Dennis Takes a Mental Health Day being at the end of this season and MFHP being a finale that did something unexpected and grounded in the emotional reality of a character somehow correlating to Dennis' ep....