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#a strong mind
soulinkpoetry · 1 year
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Learn how to train your mind to tune out negativity. Tune out the words that are thrown at you that make you feel small and unworthy. A strong mind doesn’t get bothered by pettiness.
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# meditation declutters the mind
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poorly-drawn-mdzs · 2 months
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Must be a Sugondese joke.
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lineffability · 10 months
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"apparently if we do a miracle together it all works a bit too well" listen LISTEN i think this is why. i think the magnitude and power of that miracle they did together is what alerted the metatron and why he has come to separate them by all means, because they have not realized yet quite how powerful they are together and what that could mean!! this is why, i think???? they used to do each other's miracles and temptations for each other, but never with, and that could change everythign and could get in the way of certain Ineffable Plans (that i don't think are necessarily God's, looking at you villain metatrash)
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madamemiz · 8 months
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sad: falling out of a hyperfixation
tragic: watching your beloved friends and mutuals fall out of the hyperfixation while you're still in it
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captainkirkk · 1 year
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Concept: Fire Lords traditionally dress like the stages of the sun to match their reign.
When Zuko is first crowned, he dresses in the colours of dawn. Bright yellows and pinks and even purples. He starts to wear more traditional crimson-and-gold robes after a few years, the colours of midday when Agni is at his strongest. And towards the end of his reign, when he's getting ready to pass the crown onto Izumi, he starts dressing like the setting sun.
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blushouyo · 25 days
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EGO DEATH
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gomzdrawfr · 4 months
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Bear!Price
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cheeekycharchar · 10 months
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AN ANGEL ON A MISSION
I just realized what Michael Sheen's face was doing during the end credits and OMFG he is beyond amazing! *o*
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I already did an indepth analysis on why Aziraphale acted the way he did after that heart wrenching kiss scene.. but it wasn't until @charlotteharlatan post about the Nightingale song on the car's radio could have been that got my brain into a tizzy.
"Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide. Two of these were wrong."
Many people paint Aziraphale as this gullible innocent character but don't forget.. he is highly intelligent. Completely traumatized by his past abusive relationship with Heaven but intelligent.
When Metatron told him of their Second Coming plan.. how quickly he put things together before stepping onto that elevator. He turns toward Crowley to give him one last look and heads up to Heaven.
And for the next minute.. we watch as Michael Sheen micro-contorts his expression through the stages of grief.
Shock from hearing Heaven's plans for the Second Coming. Anger for realizing what he was just tricked into doing. Despair for what he gave up when he thought he was making the right choice. And then reorganizing his thoughts and acceptance of his current situation. And that final smirk.. ;) oh.. OH! That is the face of an Angel on a mission against Heaven. And he's already made up his mind. Stop Heaven's plans (again). Get revenge on them for forcing him into this situation. And of course, to get his Crowley back.
GO S3 is gonna be INSANE :D
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shortnotsweet · 4 months
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This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.
Alicent’s Costuming
Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.
Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status
Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement
The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles
Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve
Shoes should stick mostly to slippers, or flat designs
In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.
Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.
Rhaenyra’s Costuming
Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.
Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.
There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.
Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.
Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.
Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.
Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.
Avoid headpieces that are not either a) her crown or b) ceremonial.
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habken · 1 year
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expression studies
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momhowell · 16 days
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dan desperately trying to give phil an existential crisis by quoting camus at him -- unstoppable force meets immovable object
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wizard-legs · 9 months
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Thank you @rjiprefhwo for letting me draw the video you made on my god I’m still in tears it’s so real
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clarabellexyz · 7 months
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dkettchen · 15 days
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she would've told them unlike her canon! version who decided not to be an ally smh
#one piece#trans!sanji#sanji#kiku#yamato#ワンピース#I'm practicing my japanese shhhhhh#(日本語のペラペラ人:俺は文法とか書く方とか間違ったら教えてください😅ありがとうございます)#translation:#Yamato: I'll be able to get as strong as Oden?#Sanji: Probably... 🤔#[meanwhile Kiku is remembering the time in the hot spring]#(Sanji: Nami-chan!!!)#(Nami: Shut up!! The women's bath is supposed to be a peaceful place!)#Kiku: I am also ⚧️ ... o.o#(y'all english speakers had me all to yourselves for a decade it's about time I start to also sometimes make stuff in my next language lol#notably for media *from* that language#same as it made sense to make fan content in english for [american superhero franchise we don't talk abt anymore] back in the day#(happy seasonal reminder that Ren Is Not A Native English Speaker and This Is My 5th Language hi 😅))#while looking up reference for this I learnt that the straps to tie back the kimono sleeves are called tasuki#also I decided yamato get big muscles cause he got them kaido genes in im (I also gave him his dad's young-man-facial hair)#the more I do transition projections for one piece characters while tryna adhere to the style the more I learn that sometimes stylisation#uses bones less as literal determinants for where things go and just kinda exaggerates shapes based on vibes alone instead#meaning trans characters' bones wouldn't literally stay looking the same in that stylisation in the way they do irl#they'd get exaggerated differently based on what the surrounding stuff is doing#I still think oda's transition demonstration when we first met iva was unreasonable even with that in mind tho
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jettorii · 3 months
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thinking abt how pentious would have a really silly laugh
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tarendee92 · 7 months
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