#a very realistic and well paced writing on the shows part and im glad they didnt fluff it and bring them back at the end for fanfare

[milgram-tournament]

MILGRAM Best Song Tournament, Round 2, Match 4 TEAR DROP vs. BACKDRAFT

Propaganda for both options under the cut!

Propaganda for TEAR DROP:

"yuno kashiki enthusiast here anyways tear drop propaganda WE BALL

let's start off with the lyrics! holy fuck, i'm so glad yuno finally got to say what she's wanted to say!!

and she fully shows the fact that she does compensated dating through the lyrics ("the wanted wanting the wanted")

and even if it sounds like she's scolding the audience for the song, she's also scolding her clients! they only perceive her as a certain type of character and deciding that's all she is. She's upset that we decided based on how "naïve" she looked instead of her actual crime (to be honest, I could write a whole analysis into why her murder is perfect for her character anywa) and she doesn't care what will happen to her, she needs her opinions heard

also kinda rap section?? banger fr

THE VISUALS!! GOOD LORD THE VISUALS!!! THEY ARE SO BANGER!!! they're really pretty and gosh i literally don't know what to say, the scene where vampire is in the background and it transitions to yuno sitting on her bed... the pink tinted glasses (YES FUCK I LOVE THAT MAN!!!!) THE COAT!! THOSE INBETWREN SCENES i'm obbing

AND THE INSTRUMENTAL!! PLEASE IM BEGGING YOU ALL LISTEN TO THE INSTRUMRNTAL OF HER SONG THERES SO MANY SMALL DETAILS!! SIRENS, TEAR DROPS RAHHH THE CLAPS/CLICKING TJE TECHNO PIANO GUITAR??? THE INSTRIMENTS I CANT NAME I THINK THEY ALL HAVE SOME READON OF BEING IN THE SONG AND I WILL FIND OUT IN AN ANAKYSIS POST I JUDT LOVE IT AUEUEU

literally tear drop is the banger ever i listen to this shit religiously thank you for listening to my tear drop propaganda"

---

-Yuno’s voice. Enough said. -The imagery in the MV is brilliantly used, and doesn’t shy away from the horrors of Yuno’s line of work. -Vampire cameo!!! -Almost Lo-Fi vibes to the instrumental?? I can’t really explain it but it’s a vibe and I’m 100% here for it,

---

"For teardrop: The pink aesthetic in the MV as a whole makes it super nice to look at :D"

Propaganda for BACKDRAFT:

"Backdraft may be a minute shorter than Bring It On, but it’s still over three minutes long, and it makes up for the lost minute with a complex form. The “Pressure! Pressure!” might be the only part that truly repeats.

At the beginning, Fuuta is showing off, acting cool. Then the music slows down as he ponders his verdict. Then the music picks up the pace again and gets more and more frantic as the consequences of his actions catch up to him.

See that structure in the three distinct verses that sound nothing like anything else in the song: cool, contemplative, and “oh no, what have I done”.

The “chorus” (burn burn!) never stays the same. You’ve got the “cool” first chorus. Then you have the muted second chorus as it sinks in that Fuuta’s victim was a middle-school girl, which leads into the tense final chorus (which is twice as long as the first) as the victim and Fuuta both burn.

The instrumental and the spoken-word from the beginning combine in the end, changing the mood of the stanza from confident and showy to panicked and desperate.

And the words… You can hear the wordplay in the last stanza, even if you don’t understand it.

Appreciate this chaotic masterpiece of a song."

---

- Fuuta being very cocky at first before realizing how fucked he is (it is kinda funny) - The use of spray cans and overall graffiti symbolism, it’s so good - The multiple eyes and people off camera showing how paranoid Fuuta has become, it’s really well done without being obvious - The name backdraft meaning when a fire deprived of oxygen gets a sudden influx of it. A kind of metaphor for what Fuuta did. Then it being shown through a spray can explosion, aaaa it’s really cool! - Fuuta’s overall look changing, being more realistic on how he actually looks contrasting Bring It On’s idealistic version of himself - Es at the end!! The only time Es shows up in a prisoner’s MV!!! And they looks so damn cool - Also the entire eye thing referencing the audience, he perceives us lmfao

---

"Back draft is incredible because it not only has great visual symbolism with the use of the spray cans but its visual symbolism shows a progression from ‘Bring it on’. In ‘Bring it on’ the channelling is glorious , fuuta is surrounded by people and fuuta idealised himself (taller , better teeth , better posture ect) , the people he cancelled were portrayed as these powerful rpg monsters but now in back now the channelling is portrayed as vandalism a crime as destructive , the ally is empty we only ever see others as hands or his victim fuuta is alone and fuuta is no longer idealising his appearance and his mind is now portraying his victim as a harmless cutesy drawing. This shows a change in how fuuta views his crime between T1 and T2. It wasn’t glorious, it wasn't justified , he was at fault. The fire being recontextsied as something out of control , all consuming and out of control which is the opposite of how it was portrayed in ‘Bring it on’ we really see how the vote has changed fuuta."

"There are so many things in the song that show a progression "

-“ deliciously scorched till your mouth waters” > “I don’t want any more”

-fuuta spray paints the camera hen as the end es spray paints him/the camera

-the pressure graffiti changing

"There’s so many interesting details like the applause towards the start of the song , the personality in the subtitles like them going from “Burn , burn!” To “burn , burn?” But the pressure’s punctuation mark stayed the same:   “pressure , pressure!” , the way FIRE is the only word in full caps till LIES. The thumbs down fuuta does during “the fights up here! Come up to the ring and face me!” Part which is like his T1 art , the way the lighting changes from green towards the start and becomes red by the end (stop go colours) , The way fuuta is constantly interacting with the camera , spray painting it twice and kicking it."

"Backdraft actually makes amazing use of the camera , things are often shown from the (camera)audience’s perspective rather than us seeing the events removed. We are there like we are the ones doing it/looking through the eyes of the person doing it. When fuuta/the others spray paint the graffiti of his victim and the ice gorilla it's from the audience’s perspective , we don’t see them do it, we see it like we are doing it. When the spraypaint can explodes it's like it’s exploding in our face and then when es spray paints fuuta at the end they are spray painting the camera(audience). "

"Backdraft makes the most references to the voting system and uses it well to make the audience re-examine if they really are any different. Aren’t we using little information and inferences to hold people accountable for crimes we have no stake in? Aren’t we causing unintended harm? Aren’t we judging them from the safety of our screens? "

"And on a more silly level"

-ARTHUR CONANT GOES SO HARD IN THE VOCALS!!!! COME ON LISTEN TO BURN BURN AND TELL ME THIS MAN ISN’T GIVING IT HIS ALL!

-cat mouth fuuta :3 how can you not love cat mouth fuuta?

-lowpolydog designed amazing graffiti 

[uh-e-rinnie]

wanna talk about my feelings in regards to tss, thomas as a creator and stuff, so feel free to ignore whats under if you'd rather not read

sanders sides is taking a while.

and im not entirely surprised about that, as much as i give thomas the benefit of the doubt I do get what everyone is feeling in regards to the delay. The hiatus has taken a hit to thomas's growth as a creator, and outside of the eyes of a fan and more in the eyes of a business, it's a shame that such a thriving fanbase of what's honestly a really great piece of media had to go this way.

Aside from my feelings as a fan of the show, I genuinely feel bad that the circumstances are how it is now. There's a lot that could have been done with TSS in the time its been gone that would have been great for Thomas' business. Risk doesn't only arise from doing things, it also arises from choosing not to, and that's definitely the case here; the risk has evolved into the consequences.

That being said.

Under the eyes of skepticism I do think that Thomas has room to rebuild on the foundation of his business. Yes people who feel torn apart and deeply hurt as fans may never want to return to engaging with the T-man's content, and that's completely valid. Not only with TSS but also with actions Thomas has done that they don't agree with, some I don't agree with too.

Though my opinion on Thomas and his content wasn't as positive as it used to be (not saying its completely negative), I do leave room for the possibility of improvement. I am not clinging too much on the hope that Thomas may apologize openly about things that I believe shouldn't have been done, but have; It's so easy for people to say that we should apologize we should show people we're sorry, but its a lot harder to do. Realistically, my expectations of it aren't much. Just as how I'd expect it from any other person. The toughest thing to do is admit fault, the toughest thing to accept is most people won't.

But maybe that's just me.

I think if Thomas does things right, and keeps his word on what he's saying in the video (a possibility which I cannot adequately measure right now). Then yeah, I think he definitely can build back from his foundation.

At the same time, I still wish him all the best. He's made mistakes in his business practices and made decisions I don't necessarily agree with, but he's not evil. I don't want this potential to fall apart nor do I wish for it. I hope he remains well, especially with the condition he's got going on.

On a lighter note.

Though we haven't seen it yet; It's nice to hear what he has planned with the season finale. Especially on the part of original music; If there's a lot of it, It would work well in his favor to release the season finale original music as a compiled soundtrack. Ofc I don't have much knowledge on music so I can't say much.

It's nice to hear him doing song writing, he's a wonderful singer and I'd be happy to hear more original songs from him.

I'm glad to hear a possibility on cartoon therapy's return. I won't comment much on it cause I don't know what to expect, it's been years. But It's a very comforting series for younger me, and I'm sure it will be for a lot of people.

Short paced content featuring some of the characters may seem a little bait-y and I understand if people feel that way. To me this is just business, and it's fun to see these characters out of the usual setting or plot they're stuck in. I think It'll be fun.

I also understand Thomas wants to mature somewhat in his content, whether he verbalizes this thoroughly or not.

Anyway, I'll be dropping a bit more opinions here and there but It's nice to hear from Thomas again. I hope he keeps his word and we get the content weve been waiting for, as well as enjoy the new content we may get. Wish him all the best health-wise.

[throwbacktears]

i said it once and ill say it again

Sonny with a chance is truly the most underrated ive ever seen. And thats on its creative and unique premise, writing, set, acting, characterization, and series plot progression !

[mirohed]

park seonghwa | the trouble with twenty

pairing: park seonghwa + fem!reader (theres ONE mention of the reader being female im kinda mad i thought this was gender neutral the whole time)

wc: 3.0k

genre: fluff and angst (but the fluff wins)

warning: mentions of death

concept: when you fall in love with someone that isn’t your soulmate, you give a piece of your soul to them; failure to find your soulmate before running out of soul to give results in one’s death + you stop physically aging when you hit the age of twenty.

a/n: ok holy shit i ,, never finish my wips 99% of the time so im glad this could b the 1% !! s/o to @akokj @cheelix @lvryeol @trulyjaehyuk & finally a big big thank you to one of my irls who’s been w it since its beginnings in early january SDHJS

The universe, you find, seems to work in mysterious ways; you meet your first boyfriend in high school. The both of you are wide-eyed teenagers with no sense of how love works, but it's fine as long as you're together. It's Jongho that sits across from you at the diner and sips from your shared milkshake. It's Jongho that takes you to drive-in theaters and plants a nervous kiss to your lips on the ride home.

It's a sweet love that blooms in the summer, a whirlwind sweeping you higher and higher, and you relish the view. Being with him comes with this sweet, bubbling feeling ("Like soda?" he had joked one afternoon) that begins in the pit of your stomach, spreading outward until you sport matching carefree grins and aching cheeks.

The year is 1939, and you're on the cusp of your nineteenth birthday when all that has gone up begins to come crashing down.

You're about to fall asleep one night when you sit up, a sharp pain shooting through your whole body. You know what this feeling is; you've had to help Jongho through it when he went through the same thing.

Everyone says losing a part of one's soul is both a tragedy and an expected outcome. You've always maintained the opinion that the universe enacts its own cruel, unusual punishment on those who love anyone besides their fated partner. Those you love more than life itself are the ones who end up killing you.

Loving Jongho burns. It sears your whole body with an inhuman heat, and your mouth opens in a silent, pained scream.

And just as quickly as it had come, the pain vanishes, leaving a faint heat under your skin.

You turn nineteen. You still live in the same town you were born in. You reexamine your life.

Growing old isn't for you; too much to do, too much to see. You're meant for things greater than wasting away as his housewife and nursing his children.

A few nights later, you disappear with nothing but a few bags, whatever fuel remains in your car, and the road ahead to keep you company.

You wish you could say you lose track of time from there, but you don't. Time passes, and the world patches itself from years of war and anger. You return to what could be considered the new normal a little hardened from harrowing times, but otherwise no worse for wear.

You spend time with others — enough to break a few hearts. The feeling of new life, pieces of other people’s souls, being breathed into skin that grows older is a high unlike any other. You push down any thoughts of love, running from town to town the second things feel too real for you. Your body stops aging, and it’s a little jarring at first, but you grow used to seeing a twenty-year-old you in the mirror, even as you age far past it.

Your friends and family are still alive and well. You write to them sometimes, letters with no return address. You know your family wants you back, wants you to find the one your soul aches for, wants you tied down. You tried to understand it, you really did, but all it got you were sympathetic looks and a divide that wedges itself deeper and deeper and deeper.

At some point you realize that the letters you wrote, once full of emotion, have become monotonous, mere updates with no real commentary. You stop writing them.

The transition from summer's vivid green to autumn's dusty orange marks your arrival in a new town. You're idly swirling a drink in your hands when you lock eyes with a leather-clad young man from across the bar.

It's 1953 when you meet Mingi. He's exhilaration, speeding down empty land on a motorcycle he keeps pristine. He's everything your parents might have frowned at, bruised and bloody knuckles that have seen one too many bar fights. You come to find that he keeps a surprisingly soft heart locked behind it, one that opens easily to you.

The two of you are on a road trip when you feel that familiar rush, and you help him pull over. He grips your hands, bites into the blanket in the backseat, until it's over. He lets you take the wheel until you reach a rest stop.

You remember the night you gave the second piece of your soul away. It's a chilly autumn night — your anniversary. You hadn't listened to him when he had told you to dress for cold weather, and you were paying the price. Shivering, you run your hands up and down your arms in an attempt to warm up as you get off his motorcycle. It doesn't work, and Mingi notices, doing his best to hide a grin.

"What did I tell you?" he teases. You're about to open your mouth for a retort when he shrugs his jacket off (that same worn leather piece you saw a year ago) and helps you fit your arms in the sleeves. It's an action he's used to, but there's something about the atmosphere tonight that makes your breath hitch. You look up at him, and he grins before leaning in.

The kiss is slow, his mouth moving languidly against yours as the city sleeps below. He pulls away first, biting back a chuckle when your lips try to follow. “I love you,” he whispers as he pulls you into his embrace.

And again, the pain that makes your blood boil. Somewhere in the haze of pain, between bunching your hands in his shirt and loud curses into the night, you tell yourself this is the last time you give your soul to another.

You feel a subtle pain in your chest as you head to the next town, leaving Mingi and the memories in the rearview mirror.

Time passes, and you see enough winters to make you sick of snow. You become the longest-lived person in known history, and it makes you famous.

You're contacted to speak about your accounts from major historical events (none of which are particularly useful), and find yourself in movies and documentaries, on talk shows, and more than once as a speaker for a new museum. There was a point where you could turn a corner and someone would recognize you as the only living "immortal."

It's one of those corners turned, on one of those countless winters, that you run into a young man. You don’t miss the way he swallows lightly before clearing his throat to apologize.

You've long since lost track of time when you meet Hongjoong. (But if you had to give an estimate, you'd put it around the 21st century.) You don't think it matters when he takes you for coffee, pulling you into a cozy corner cafe. He draws you in, little by little, and you pretend to not notice.

Where he is open, you are closed — on your fifth date, he tells you that he doesn't think he'll find his soulmate anytime soon.

("The world is too big," he says, bumping shoulders as you walk side by side. "I'm too old to keep going."

"How old?" you ask. He hums, takes a preparatory sip from his drink.

"Almost forty by now, I think."

You wonder if he's forgotten that you must be more than twice his age. Instead you say, "Really? You don't look a day over twenty." He grins at that, a beautiful thing that leads to a laugh you could never tire of hearing.)

You stay with him for much longer than you need to, long after he's given one of the last pieces of his soul to you. You wait for the "right time" to leave, but the right time never comes. Time passes. Seasons change. The two of you stay together for many winters before you finally come to your senses.

It happens one morning when you wake up shivering because he's hogged the blanket (again). As you try to reclaim it, you feel the familiar heat threaten to boil over.

You barely manage to get to the bathroom before the pain begins to crash over you in full force. After it's over, you remove your hand from your mouth, refusing to look at the tooth marks left behind.

There’s no more waiting for the right time, you think over the klaxon that blares in your head. It’s here and now.

Leaving Hongjoong is a terrifying thought, and somehow even harder to follow through with. His love isn't like Jongho's, sweet and awkward; it isn't like Mingi's, a fast-paced adrenaline rush; it's different. Softer. He reminds you of home — or at least, as home as a person can get for someone like you.

And unlike with Jongho and Mingi, the thought of staying with Hongjoong is very realistic. You've caught yourself picturing it more than once, and had to chastise yourself each time.

You pack your things for the millionth time, but as you glance back at your soon-to-be ex-boyfriend, you realize you can't just leave him without an explanation. The years you’ve spent together mean more to you than that.

Hongjoong wakes up hours later to a tear-stained letter. (By the time he finishes it, the ink is smudged and barely legible. His tears have mixed with yours in a sort of last kiss between them, and the thought causes him to sob once more.)

Joong,

If you’re reading this, I guess I must have already left. I wish things could be different I know you, and I already know that you’re gonna take this personally and blame yourself for not being enough. You are enough. You’re more than enough. I think I’m just selfish

Anyway I just want to thank you for...everything. The past few years have been better than I can express, and I think that’s what scares me. You’re the You’ll find your soulmate soon, whether they’re your meant to be or not. I’m sorry it couldn’t be me.

I love you.

Goodbye.

You definitely keep your guard up after that. Through every date you go on and every significant other you burn through, your walls stay up.

You've grown nostalgic over the past decade. Using the wildly advanced technology of who-knows-when, you track down a list of death sites.

You visit your family first. Your heart breaks a bit seeing the empty space in the shared family headstone. This was where you were supposed to be laid to rest. You turn away from the dilapidated cemetery, pulling up the coordinates to your next destination.

You find yourself staring at the fountain in the middle of a shopping mall. According to your holotech, this is where Jongho is buried. Your lips form a disapproving line as you close your eyes and try not to think about how he would have loved this place. You try not to think about him taking you here and nudging you in the direction of the arcade or food court as you rush out the doors.

They've gone and built a neighborhood over the cemetery where you would have found Mingi. From the looks of it, it looks like its residents are particularly affluent, and you can hear him snort in your ear. Even after years apart, you swear you can still smell the strong scent of cigarettes that followed him like a lost puppy. He would have hated his fate, and you offer a morbid chuckle in his memory.

You're crouched beside Hongjoong's tombstone, running a thumb over the warm stone. The birds chirp amongst themselves in a nearby tree, and you're thankful for the distraction. He wasn't buried with another person; you hope he managed to find someone regardless. You read the inscription — To you, forever and always — and swallow the lump of guilt that’s lodged itself in your throat.

It's on a calm spring morning that your holo rings. The centennial edition of a documentary you were in is currently being filmed, and the staff is requesting you interview with them again. You were going to accept anyway, but the producer piques your interest when she mentions another similarly...long-lived person. The trepidation in her voice is obvious, but you ignore it. Instead, you ask for the name of this immortal and to be interviewed with them. ("I thought I was the only one around," you had laughed into the phone. "It'd be good to make a new friend." The producer gave a pitying hum before agreeing.)

You try to search for any evidence of this new immortal, but come up with virtually nothing. You're more than a little disappointed that this person isn't milking their age for all it's worth, but you suppose they’re just more private than you are; after all, their existence is a relatively recent discovery.

When you first meet Seonghwa, you find it difficult to breathe. He's handsome, with a tall frame and a cute smile that would have caught your eye regardless.

Seeing him also hits you with a feeling you've dreaded for hundreds of years that makes your chest tighten. (In hindsight, you should have known exactly who he had to be, considering his similarly long life.) When you make eye contact, you can tell he feels the same immediate attraction. He has the audacity to smile.

"Finally," he murmurs. It's reverent, as if he's finally fulfilled his life's purpose. Your clench your jaw, ball your hands into fists so tight your knuckles go white, and narrow your eyes. Your heart's going a mile a minute, and you're choosing to interpret it as anger.

You've spent centuries building your fame on a foundation of nothing but broken hearts and your own ambition, and for what?

You're not sure how old you are when you find yourself on the downswing. You know that your body will start to physically age, and in about sixty years, you will have met the same fate as everyone you've left behind. The thought leaves a bitter taste in your mouth, but you swallow it, at least for the time being.

The interview goes off without a hitch, and you make to leave after thanking the staff when —

"Wait!" Biting back a curse, you continue moving (and make an effort to go faster). Unfortunately, Seonghwa's more than capable of keeping up with you.

"Look," he begins, running a hand through his hair, "I don't claim to know your relationship situation, but I'd at least like it if we were friends." He focuses on the polished toe of his shoe and gives an anxious chuckle that seems to be more for himself than you. "After all, we're soulmates. You might not believe in them, but I've imagined what it would be like to finally meet my soulmate since I was young."

You don't know how (you blame the universe), but you go out for lunch with him after that. Much of the meal is spent in silence (although you've got to take the blame for this one), and it's not until you're almost done that he strikes up a conversation.

"Were you hiding?" He twists the straw of his drink between two fingers before making eye contact.

"I don't hide. You've probably seen me around in some ad or another on the holo. Maybe even before that, when people still used computers and printed newspapers." He narrows his eyes a bit, trying to remember, but comes up with nothing. "I always thought it was you that hid. I've been all over the world, but this was the first time I've ever heard news of another immortal."

"I believe in fate. I've taken things as they came because I knew that in the end, it would be you and me. Turns out I was right."

You don't know how (you're still blaming the universe), but you exchange contact information. You go on more...friendly excursions with Seonghwa.

("Why not cut out the middleman and call them dates?" he asks, settling down on the couch next to you.

"They're not dates. We're not together, are we?" You turn the movie on, marking the end of the conversation.

When you fall asleep latched onto his arm, your head on his shoulder, he plants a soft kiss on your forehead. You wake up that morning wrapped in a blanket that wasn't there last night.)

You don't know how (actually, you do), but "friendly excursions" eventually turn into dates.

(The two of you sit at a park bench, listening to rustling leaves and the distant noise of cars passing.

"Is this a date?" you ask, taking a spoonful of his ice cream, your own sitting empty on your lap.

"They're not dates," Seonghwa parrots. "We're not together, are we?"

"Let's change that. Date me?"

"I thought you'd never ask.")

Dating Seonghwa is much like being wrapped in a warm blanket. He's caring and sweet and so thoughtful that it makes your head spin. You realize that somewhere along the way, you had lost the joy and wonder that came with life. Luckily for you, each date (whether it's a shared pizza in his apartment or a hike somewhere new) restores an optimism that you didn’t know you missed.

Decades pass, and the two of you are on your daily walk. Your bodies start to show their age, but when you look in the mirror, you still see youth alight in your eyes.

("When we first met, I thought that it was all downhill from there, but I was proven wrong."

"It's been a long time since I've heard you say you were wrong."

"And each time, I tell you to not get used to it.")

When the life slips away from you both, you promise to meet each other in the next life and every one that follows.

The universe, as mysteriously as it may work, hears this request and tucks it away, ready to see it through.

[orionsangel86]

im scared with where deancas is going and im actually really glad im not the only one, it was great to read your post on endgame destiel because i feel very strongly that way too. I want something to happen in the next couple of episodes. I hoped with the build up we saw in s12/13 was only back peddled because they want to leave destiel for the very endgame, but now they know s15 is the last and they knew that writing these episodes... i want to be optimistic, but have to be realistic too

The thing is, during the S12/13 escalation I was convinced Destiel was on the cards. The whole thing played out like a Victorian gothic romance novel. That ain’t subtext. That’s text. I maintain my stance that the mixtape was the point of no return on Destiel. They can’t come back from that. 

They HAVE hit the breaks since then, and it has constantly been a source of annoyance for me. Leaving me frustrated and confused that they would just stop like that. So yeah, we can float our theories and spec on the topic, but at the end of the day we have two directions left, either they pick up the pace and start making serious call backs to the S12/13 escalation right now and bringing that story to the front line again, or they keep it completely out of the main story, put all the focus on family instead of romance and leave the Destiel stuff out of the minds of the general audience. The second route could still give us something ambiguous at the very end, but it isn’t the grand love story I have always hoped for. I would still feel cheated if that happens. I just happen to think this is the more likely route. 

The next two episodes should give us an indication of which direction season 15 will follow. It all relies on several possible outcomes all related to Cas’s Empty Deal:

Option 1. The deal gets either no mention or only a very small mention and nothing happens in relation to it. Season 14 ends darkly, but not in a way that relates to Cas specifically. There is no obvious Destiel subtext, but Cas’s empty deal still looms over season 15.

This option means its all still up in the air but will leave me still feeling pretty negative over summer hiatus. By delaying the Empty deal completely until Season 15, there is still a potential for it to be triggered by romantic Destiel. The course could still change EVEN if Season 14 gives us nothing. I wouldn’t hold my breath, but I would still have a smidgen of hope that things could turn around.

Option 2. Cas goes to the Empty due to the deal triggering in the finale (as a Mary mirror this seems likely to me). It is NOT triggered by Destiel. It is triggered by Chuck’s return giving Jack a soul, fixing the current issues, and giving Cas the catharsis he has needed all series from his father that the boys got from John in 14x13. Cas finally being rid of his guilt over heaven and being able to finally free himself from heavens bonds could be enough to trigger the Empty deal if it is played alongside a happy Winchester family reunion.

In this option, Cas’s “permission to be happy” comes from Chuck, and him being accepted as a true Winchester brother. I think this option was foreshadowed in 14x18 especially with the MW carving on the table and the empty space still left under the SW:

If Cas’s deal is triggered this way, then I can’t see Destiel being a factor at all in Season 15 outside of the usual subtext. Simply because it takes away the one thing we all otherwise know to be as good as fact: that Cas is in love with Dean. For Cas to be truly happy, this option does imply that there is no unrequited (at least in his mind) love between him and Dean, and that he is completely at peace just being Dean’s brother. I feel this would be a huge disservice to Castiel as a character who has clearly IMO been written as in romantic love with Dean since at least season 6.

This option does however still give us something exciting - in terms of the poetic cyclic story telling currently being used in the show, having Season 15 start with Dean going to the Empty to rescue Cas in a reverse of Cas’s rescue of Dean in Season 4 is a beautiful potential plot that I would thoroughly enjoy. It doesn’t however mean Destiel - though I suppose there is a potential for them to explore even though it puts Cas’s feelings into question.

Option 3. Cas breaks or changes the terms of the Empty deal in some way - goes to the Empty of his own volition in order to save someone else or stop something.

This option is another potential cop out of the otherwise extremely tropey current deal. But writing it this way still does give us potential Destiel depending on Dean’s reaction and what happens next, because it once again leaves it open. It doesn’t confirm or deny Cas’s feelings for Dean. However it certainly wouldn’t rekindle my faith in endgame Destiel, but leave me even more curious as to what happens next.

Option 4. Cas goes to the Empty due to the elements in option 2 PLUS a confession or something from Dean giving us canon Destiel. 

Obviously this is the preferred option. In my opinion, the ONLY way that Cas would give himself permission to be TRULY happy and have the deal triggered in its current state would require the following things:

Jack’s soul is restored and he is back to normal

The Winchesters reunite as a strong family

Cas is TOLD that he is a part of that family unconditionally

Chuck returns and gives Cas the catharsis he needs to forgive himself for his actions in heaven

Dean confesses his love

(The final point being the trigger following all the previous elements taking place)

Do I think option 4 is likely? Not really. I just haven’t seen enough build up even in subtext for this to happen in the Season 14 finale. Do I think option 2 could happen without that final key point though? Yes.

At this stage I would honestly prefer options 1 or 3 taking place so I can at least still have hope in the ambiguity, but in my mind Cas is set up to go to the Empty at the end of the season. Mary’s death confirmed that to me, and the current treatment of Cas as well in the latest episode also seems to be setting up for his loss having a huge impact on the Winchesters. The story is being reset. Season 15 should start with Sam and Dean alone having lost everything, and then the course of the season leads them to fight for everything they desire. 

The reason I say this is that this season is all about asking the question “What do you want?” I want Season 15 to start with the Winchesters answering that question themselves, and then fighting to get it. 

Perhaps, if this does happen without the Destiel element at the end of season 14, there is STILL a small potential for Destiel to happen based on DEAN’S actions in Season 15, as Castiel’s return would be the answer to the question “what do you want?” when posed to Dean. I would still see it as a disservice to Castiel, but this would depend on how the show takes that potential story forward.

This is my spec anyway. Lets hope I’m wrong.

[bienmoreau]

hey, i recently started reading cut and run and i really like it except for the sex scenes. i'm indifferent to them but sometimes i feel like they're 'too much'. as someone on the ace-spectrum what do yo think about them? (especially gay sex scenes written by, i assume, straight women)

hi! I’m sorry this has taken me ages its been a long-ass day and im awful at writing concise answers. BUT here we go, 

I’m glad you’re enjoying them but also yeah, I 100% get that and agree to an extent.I personally don’t really care about sex in books as long as it doesn’t make me feel uncomfortable while reading/is overtly treating the character like objects simply to fulfill the writers fantasies or is degrading to them in someway (this does happen sometimes and i either skip it completely or dnf the book) but I also don’t actively seek out books with sexual content as part of the criteria I look for in potential reads.

I am a very strong believer in explicit/overt sexual content not being necessary to make a good story/book/show/etc. But I also recognise that that wasn’t the way that the books were written. By including them we get the feeling of seeing it all when it comes to Ty and Zane’s time together. good and bad, violent and passionate. It would have had a different pace and tone if it was peppered with ‘fade-to-black’s.If I had felt that the sex scenes were really awful/detracting from my enjoyment of the books or were present at the expense of solid narrative or character development then I wouldn’t have kept reading.They certainly aren’t even at the bottom of my list of favourite things about the series. But they’re more of a moot point than a specific issue for me. I will also say that, as far as I can remember (it’s been nearly 5 months since I read them (wow I hate time.)) Fish and chips is the worst for the overly explicit content (the first book is in 2nd place if I remember right) I think that irrespective of how you ID there will be a line for how much explicit content someone is comfortable with and those lines will be different for everyone and may well change over time or even day to day. i cant say that something is or isn’t too much for anyone else because i don’t know where their line is.

When I read cut & run I pretty much just skimmed the sex scenes while keeping my eye out for anything that could be plot/character relevant. I can objectively understand why they were included in the first book for the relationship development but I personally think that a well written relationship shouldn’t need overtly explicit content in a book for that to be conveyed to a reader. (And I’m honestly happy to say that I think ty and zane do actually fit that description in the later books -meaning that the sex scenes are unnecessary and simply there as extra for any readers that want that content.) (which yes I’m well aware that there’s issues that could well be discussed just in that fact. But also, creators create to meet a consumer demand and I’m not sure we can blame creators for the culture they create in)

I’m not actually sure what Abigail’s sexuality is, but in terms of a woman writing explicit mlm material.. well, I’m not going to pretend that I wouldn’t rather it be Own-Voices work every time (especially if it’s got explicit content) but also like.. I’m really not going to get up on some high-horse about ‘women shouldn’t write mlm relationships’ (or even sex scenes).  

Tbh I don’t think that a female writer would write that particular element as accurately or perhaps realistically (?) as someone who is writing from their own experience, but I also don’t think that the fact that something is written by someone who has never had that experience immediately negates any value or merit it might have. (I mean honestly that would just mean saying goodbye to the majority of the literature/media in the world)

This does get a little more complicated when it comes to explicit content, i guess, but i also then question why that’s the case when there’re plenty of other examples of similar situations across the board in media that no-one really bats an eye at or questions..

All in all I guess what I’m trying to say is that I can definitely see where you’re coming from and I‘m sorry if those scenes feeling a little ‘too much’ detracts from your enjoyment of the books.. but for me it wasn’t really an issue because I think that while perhaps a little over the top at times I didn’t feel they were handled badly and the rest of what the series has to offer more than made up for the few scenes that I wouldn’t have minded not having.

For me the story as a whole and the characters & world that is developed is worth more than the sum of its parts.

[starco-conut]

Our Thoughts on Season 3

Hey everyone!! as you may have seen...Alan and I have been just a bit let down by some of the stuff going on. Luckily, we’re both huge ass nerds so we wrote it all out in a multi-paragraph post. With visual aids! if you’ve been feeling a little offput by the new episodes but can’t place why, we probably have your reason put into words somewhere in here. 

Reviews, replies, general additions to this post are not only permitted, but strongly encouraged!! :D

bold is nicole. italics is alan

Scent of a hoodie

I mean. one word summary;... Uncomfortable. it was rough to watch my girl obsess like that and honestly??? there was no clear message at the end... with the whole ‘the scent is in ur heart....’ do they mean to imply she’s getting over marco or that he’s always gonna be around in her mind??????????. yeh. not much to say here.

this episode was kind of strange and felt really awkward with star’s obsession with marco but had a sweet ending with star learning that its really unhealthy for her to latch onto marco like this and its time to move on. it felt like one of those iffy episodes throughout most of it but the end was decent enough

Rest in Pudding

Her little monologue to glossaryk was super cute and well done!! that whole bit was just. Good! felt like Old Times! but then there’s

This was... a gag? I dont know. when i saw it first my gut reaction was that they were setting up some angst about how star’s calling people on earth that aren’t her best friend Marco and THAT got me!! i was Ready To Be Hurt by that! but then like...nothing. Unless it comes up in a nearing episode this was just a bad joke. overall episode wasn’t bad at all though!!

i really enjoyed this episode! the pacing, mystery, and comedy all held up to the Star standard and only had a small amount of plot progression which felt appropriate for a halloween episode. my only gripe is that after the whole Battle For Mewni deal, i expected Moon to believe Star a bit more when she says Glossaryck is alive

oh yeah that too for sure

Club Snubbed

pretty much made me want to die and barf simultaneously. when it got to the scene above, where she talked about just needing a friend i thought, hey, thats cool. and accurate. maybe that dance scene clip, since its unfortunately not a flashback, is going to be presented as platonic!

nope. anyone in for a suicide pact?

To be fair, i should elaborate. Tomstar, in theory, is super cool. I definitely vibed with the fire and butterfly magic mix happening, back when I thought it was a flashback. But...Its been, what, 5, maybe 6 episodes since marco left and she’s already just...whoop? who’s marco? haha what? There’s not enough time. 

And from what I can tell, none of their old issues have been addressed. Tom still has anger issues, but because ‘its hard’ and he’s ‘trying’ suddenly star’s all over him? sleazy ppl come to their exes like ‘i’ve changed!!’ for a reason. the ex should actually. want. to see. change. Star seems content to say ‘fuckall, tom’s here, why not’

WHICH..could actually be good? If it’s presented that way? My hope is that she’s latching on to Tom because they have history, and a bond already. Marco’s gone suddenly, she’s urging for somewhere to direct her affection- lord knows the sweet girl has lots to give. and then they’ll part as friends after she realizes whatever they are now is unhealthy and ingenuine romantically. I have no backing for this and honestly it doesn’t look like that’s the way they’re going but... I’m gonna hope.

this episode definitely throws a spin on our view of tom as an “uncaring, lying, manipulative ex boyfriend” and for the first time i felt like i really saw Tom Lucitor, a boy with anger issues and an unfortunate history with his actions. i was really glad to see this character growth for him but i feel like the writers completely skipped over the real impacts that a relationship like tom and star’s had on each other. 

yes!! i didn’t say but, i kinda love tom as an independent character. his anger issues are presented as a part of his personality, he is a guy who has anger issues, not Anger Issues in a physical form. lots of cool depth on that.

realistically, star would not immediately fall back in love with tom because...why would she? we as the viewers know that Tom has changed but to Star? he has a significant history of lying to manipulate her and marco to get closer to them and star doesn’t have a real reason to believe what he’s saying is true and she shouldn’t have 100% faith in him so quickly especially when she had 0 trust in him just a few minutes prior. overall i was impressed with the development for tom but the future implications were disappointing to me

i will be talking more about my issues with Star and her trust issues later.

Stranger Danger

My only issue with this episode is that it doesn't exist outside of its own ten minutes. I literally forgot about it til i looked up an episode list of s3 to write this post. Eclipsa is sitting there, queen of darkness, in the same castle grounds as star, and shes nor the trial is brought up in the subsequent episodes. Alan goes wild on this one so I’ll let him take it away- he’s 100% on point here.

THIS IS A LONG ONE BOYS, STRAP IN,

i agree with nicole here, there is no buildup to the immense revelation that eclipsa is free and roaming the castle gardens. battle for mewni had planted the seed that eclipsa was breaking out but there was no mention of this in any other episode. and then there’s this:

what was this all about?? did no one notice that Eclipsa, the Queen of Darkness, one of the most powerful queens and magic users in Mewni’s history, and a wanted criminal, was FREE FROM THE CRYSTAL THEY FROZE HER IN?? And in BFM, Moon even visits Eclipsa’s crystal prison to check if she’s still there but now? she didnt seem worried about it AT ALL. only when Star is peacefully talking to her does Moon and the magic high comission show up because...plot reasons.

aside from that, however, i feel like the pacing in this episode was not planned very well. from the opening scene of Star taking care of Glossaryck for well over 4 minutes, it felt like this was going to be a fun silly episode with general shenanigans (there’s nothing wrong with silly episodes, it just didn’t end up being one). but halfway through the episode, eclipsa shows up and suddenly the plot is moving at a rapid pace. and while this felt like it should have been the climax of the 11-minutes, the climax just continues? there is no falling action in this episode. it continues with star being decontaminated and at one point she is strapped to an examining table and flashes through some disturbing faces

why is she smiling? who drew this? this feels really creepy, like someone is putting their kinks into the show and its really uncomfortable to watch and think about. there is a heart touching moment with Moon and Star talking about their actions and both side have somewhat understandable reasons, though star clearly has the show’s bias so the plot progresses (which is not necessarily a bad thing). afterwards, Star meets Eclipsa in her cell and still, the climax of the episode has not fallen at all with all the arguing. and then finally when star confronts eclipsa in her tower, she says,

“Just because i didn’t want you crystalized again, doesn’t mean i trust you.”

????

She literally has no past with eclipsa other than having a pleasant conversation with her. She knows next to nothing about her actual actions or personality but immediately doesn’t trust her? but in Club Snubbed she immediately trusts tom? the guy who directly had severe negative impacts on her life?? Why?! Why are the writers so inconsistent? nothing makes sense! It’s cheap, forced romance that’s why!

and after this ridiculously long climax the episode just ENDS. there is no resolution, and it doesn’t touch on it again anywhere in the next four episodes. It’s bad show writing.

Demoncism

I picked this screenshot because it was the most disgusting!!! this is just...more of an opinion here but I really like the trope where one is out of their mind, dangerous, causing magic destruction and the other defies the risk and holds them, curing the issue with The Power Of Love. it’s corny but I love it. and yet.

here. they decided to just. chuck it in. I’ve seen shows do this trope Very Very well (oddly, one example i can think of also involves a wild demon kid and a forest in blue fire.....) but to just...throw this in there. with. like 8 seconds of buildup. n-o. no. ESPECIALLY because tom and star, where they are currently in the show, aren’t ready to be romantic, and this trope always has romantic implications.

i got extremely mixed feelings from this episode. on one hand it had a great message that you shouldn’t force change but rather to grow naturally and learn from your mistakes. on the other hand,  a lot of it is still tainted by this cliche, boring, romance. Star immediately barges in and claims that he’s only doing this for her and generally is untrusting of his actions. 

......

are you noticing a common theme here? writers purposefully twisting characters’ interactions for the sole purpose of causing drama? give me one good reason for star’s sense of trust to be flip-flopping like this over and over again. im being serious, if you even read this far, leave a reply and call me out because i CAN NOT THINK OF ONE GOOD REASON.

“Okayy, but no tickling.” Again, more creepy bdsm, moving on.

Then later when hes doing that whole floaty, blue veined, writhing scene i will actually commend the writers for making a very good analogy of how painful and unhealthy this process is for tom to quickly force himself to change. then star comes back and hugs him and says shes here for him which would have actually been a very sweet moment if they had just been friends but of course, they’re not. its just a reminder that “uwu they’re in love now”. and then there’s this:

confirmation that yes, the show is going to do that. rush star and tom’s relationship bc #teendrama. and the worst part of it is: star and tom could actually have been an acceptable, if not role model relationship if it wasn’t written so poorly, which is what the next paragraph or so is dedicated to.

I don’t hate Tom and Star’s relationship. I don’t. i see it as a missed opportunity. Tom and Star were two people who used to be a couple in the past and broke up for reasons unknown. we can speculate that it was because of Tom’s anger issues and problems with lying, and also Star’s inability to deal with complex situations and face her problems. THIS IS AN INCREDIBLY COMMON REAL LIFE SITUATION. This was a ripe opportunity to go in-depth with Star and Tom’s issues, not just their own but also the issues between them. and it is wasted. I know that its hard to fit this into one measly episode but there’s a whole half season to develop them at a proper, realistic pace! i wouldn’t care if the entire season is dedicated to Star and Tom working to solve these issues if it meant we had this enormously important topic resolved in a healthy and wholesome manner. 

But the problem is, none of this happens. And it’s not going to. The writers completely skip over all of Tom and Star’s anger towards each other and go straight to “UWU THEYRE IN LOVE NOW”. Star is just rebounding off Marco and onto Tom and there’s going to be more unnecessary drama, and someone’s going to get hurt.

And I am disgusted.

Sophomore Slump

jarco saved this ep ? the only parts of it i could really relax and enjoy was the little jarco montage it was cute. and then. and THEN. the random dumping. I get what the writers were trying to say, y’know? ohohohoh, nudge nudge, we all know who marcos REAL best friend is...hohoho...except. they shouldnt have. said it. at least not via jackie. She was used in this disgustingly common way where she’s just there to deliver a message and help marco realize something. do y’all realize the most drastic adjective i can apply to her realizing she+marco wont work is like....”bummed”. It’s realistic to cry, to be fucking mad, to show...FEELING...i don’t care how cool and chill she is. It’s an absolute travesty to her to not let her be upset about it. 

AND THE CAPE. it was obnoxious, I hated his attitude about it, not because it was annoying but because he expected others to stop ‘acting weird’. I had hope when jackie knocked sense into him but then he...was then REWARDED for his obsession with it? He ended up getting what he wanted, a ticket back to Mewni, by being a stubborn arse about it. no.

god where do i begin. alright.

Marco was so out of character this episode. im not talking like “he isnt the safe kid anymore he takes some uncharacteristic risks”. no. I don’t know who this kid is but it is not Marco Diaz. He’s some plot device created by the writers to create drama. Why is he so obsessed with his cape? Why is he forcing his experience on mewni into every conversation? Why. Is he. The Croissant Girl. The dude spent over sixteen YEARS in other dimensions going on quests of epic scale and comes back home without a single issue readjusting. Not one word. but then he spends one week in the butterfly castle and serves essentially no purpose the entire time other than freeing Star from her chains one time. He was completely and utterly unimportant in the grand scheme of the BFM movie. and then he comes back to earth and feels this great pride as if he was some great part of the event. Why? what does he have to be proud of? there was no mention of this development in any of the earlier episodes. and i havent even mentioned the ridiculous forced breakup yet.

at some point it seems like Jackie’s words really do come through to Marco. He snaps out of his daze and seems to genuinely want to make it up to her. the scene with Marco and Jackie having a fun date at the pier was incredibly sweet and was generally a good experience. We got to see more of Jackie’s fun side that we were desperately searching for in season 1 and the first half of season 2. it was very satisfying to know that jackie was a character everyone would eventually come to love. but then

that. Why? Why has Marco not moved on at all and learned his mistakes? why does he not understand that he’s being destructive. why do the writers like creating unnecessary drama. you know what show had a very similar plot issue and resolved this properly??

That’s right! Everybody’s favorite racist, ableist, offensive, generally unfunny show: The Big Bang Theory. I don’t even remember this dude’s name but when he came back from space and was being annoying, his girlfriend talked to him and he realized that “WOW IM ANNOYING LET ME THINK ABOUT OTHER’S FEELINGS FOR ONCE.”

100%. if they had stopped with the callout via jackie, and he had actually taken off the cape, I would have been fine. lesson learned. but, obviously, they didnt do that.

 If this show (which has an incredible track record for doing crappy show writing) can get it right then why can’t Star vs the Forces of Evil? A show that is usually praised for it’s amazing talent for intelligent, easy to understand, and great moral messaging?

Because of the writers. They don’t want to teach important messages for these kids (the target audience may i remind you) to latch on to and learn from. They want to write their angsty fanfiction and throw it into canon.

Nicole-TL;DR my lasting hope is star’s affections for tom are, and are revealed as such, a way to cope with going cold-turkey on marco and things resolve without a stupid fucking love triangle also jackie and janna start  dating. aaand im just. disappointed with the show rn. something’s different and after shoving this amazing ass show in everyones face for so long just to see it kind of...well, it’s starting to peel. idk why. but im just hoping this is like...banagic incident but...several episodes long.

Alan-TL;DR 

[darshitajain]

I once got a meme saying ” If you think you have made bad choices in life, remember there were 13 publishers who rejected the manuscript for Harry Potter.”

13 publishers rejected the Harry Potter series before JK Rowling landed a deal with Bloomsbury. Approximately 15 networks also, rejected Stranger thing before it landed a Netflix deal. Lets just take this moment to consider, the last time people in positions of power rejected art because the protagonists were children, or the heroes were nerds and underdogs, they lost on Harry Potter. And now Stranger Things.

|Spoiler Alert|

There’s no better way to say it. If you thought the first season was crazy, this one will blow you away. Let me just say this. Stranger things 2, is a thing of pure beauty. It’s bigger, better, weirder and more amazing than any of us imagined.  And so much better than season 1.

The Duffer brothers know how to play their cards right. From casting Winona Ryder to discovering Millie Bobby Brown to making all of us nerds look good, they have built a solid foundation in the first season. The second season, build upon the story and oh, the way they build it up! Also can you believe how grown up the kids look, suddenly?

It’s rare for a TV series to come out of the gate as self-assured and as well-received as Stranger Things did, and even rarer for it to be able to maintain that into a second season. But somehow, The Duffer Brothers have again managed to wield their particular alchemy and create a follow-up worthy of the hype created by its predecessor.

Building the story arc much better and much stronger than it was in the first season, this time, the story is much comfortable with letting all the characters explore their own lives and their own pursuits.

Let’s begin with the Music. Oh my god. The soundtrack for the second season is so integral to the storytelling. The makes have used songs and music to emotionally manipulate us. There are moments where you are on the edge of your seat, biting your nails or just sitting aghast as to what just happened. And that was just the music.

We finally have Will as the center of the story this season. Noah Schnapp is a revelation. After being barely more than a prop last year, he does a ton of heavy-lifting here. Some truly horrifying things happen to Will this season, and Schnapp takes a huge step forward with his performance, just like Bobby Brown did last year with Eleven.

Mike who was the lead last season is on more of a back seat. He talks to Eleven every day over the walkie-talkie, counting off how many days it’s been since he last saw her. He’s bitter over losing her and misses her more than the other boys do. One of the things I wish they would have done was give Mike more to do. He spends a lot of his time at Will’s side, and although he makes some important discoveries here and there throughout the season, he’s far from playing the central role he had in season 1, which is unfortunate given Finn Wolfhard’s amazing acting chops. There are definitely some emotional peaks for Mike, but he’s in the background far too often.

The emotional quotient has certainly gone up with the second season. The kids have aged, they have gone through an ordeal most 11 year old don’t think of. They are not only grown up but also matured. A Harry Potter parellel again. You see these kids grow up. Every character shares a bond with will make your heart melt; Will and Jonathan, Hopper and Eleven, Mike and Eleven, Lucas and Max, Dustin with Dárt and the most unexpected of them all, Steve and Dustin. In addition to finding five kid actors who can nail every emotional beat, the show’s taken cast members who are just chameleons aging into their parts like it is the easiest thing they have done; effortless.

Is there a better cast role than David Harbor as Hopper? Every single expression and movement he makes has weight to it. The scenes with him and Eleven are so heartbreaking and emotionally charged. Those two play off each other better than anyone could have hoped.

Also can we talk about just how awesome Steve was in this season? He and Dustin are a pair I never thought would happen but What A Team. Also, he finally revealed the secret to his superb hair. 

I can’t help but draw parallels to Harry Potter’s leglimency and the connection between Will and the Shadow Monster. The monster can read through Will. It goes all the way from spying to a hint of exorcism. Will’s character goes through so much horror in this season but its Joyce who shines brighter than before. Very early on we know it’s not only Will who’s going through what can be called PTSD. Everyone is paranoid. Joyce, all the more so. She won’t let WIll out of her sight. She needs him in front of her eyes to know she’s safe and as usual, she does that with all the tact and grace of an over-concerned parent. She is the badass mother who will not sit quiet and let anything hurt her children. And if needed she wont hesitate to kill.

Many would disagree here but I personally loved the seventh episode. An arc from the Hawkins storyline, this episode has none of the original cast. Eleven spent all her life looking for a home, first trying to understand what home was and then looking for a place to call home. Let’s just say, its absolutely beautiful to see how she goals all around, follows all the hints and clues,  listens to anyone who would help on what their take on a home was. She tried them all. But the beauty lies in how after all that she chooses to come back again to realise home is exactly where she was.

    The arc is an a whole new insight into Eleven’s character development. It was a risk and Im so glad they took it. But more importantly, the Duffers know when to bring their many splintered storylines and characters back together. The season’s final two episodes are a long process of reweaving everything that’s been frayed, and when the season’s coda (which takes place during a Christmas season that seems to exist in the middle of summer) unfurls at a school dance, there’s a distinct sense of time having passed, lessons having been learned, and kids growing up.

That scene where Joyce, Jonathan and Mike all recount intimate stories with Will to break through the Smoke Monster’s hold on him? Perfection. Mike and Eleven’s reunion was beautiful and the “Should I Stay or Should I Go” montage is a standout sequence. Watch Will’s family perform a space heater-assisted exorcism on him and tell me you don’t get the heebie-jeebies (people still use that term, right?). Watch our heroes split up into three teams to beat back the Upside Down and tell me you don’t think that’s just plain cool.

This season is way more fast paced than the previous one. While the makers hit the ground running, they are very careful not to go too fast and leave a stone unturned. They know what got them here: strong characters and detailed storytelling. By the end of the season, all the storylines converge in a realistic and satisfying way. The new characters make sense, and and and THEY GOT ONE OF THE ORIGINAL GOONIES! The writing is stronger than season one as well. While there are plenty of 80’s references and callbacks, they are all natural and welcome.

What wouldn’t I give to live in a time when Dolly Parton and Duran Duran were the in thing!

Stranger Things 2 lives up to the hype. It delivers, in spades. There are moments of pure enthrallment. It never gets stale. It’s never boring. Trust me when I say you’ll binge it, it will keep you on your toes, it will keep you waiting, excited, it will make you laugh and cry and fall in love and just like that, when it’s over, it will also make you hate yourself for binging it.

One last thing.

They really don’t like characters whose names begin with B do they?

  Stranger Things 2 : What A Beauty I once got a meme saying " If you think you have made bad choices in life, remember there were 13 publishers who rejected the manuscript for Harry Potter…