I claim the state of the popular rock during the noughts occurred thanks to the TRL. The latter means Total Request Live and some might take an issue with that. One show didn't achieve this, I agree, the production was merely a symptom. Actually, each country had a similar programme, where you noticed that the supposed feuding sides – pop and rock – cohabited the same space. Then again, were they really that different? Check the piece by Lifehouse – not the Who reference – and play a game. Imagine this song being done by someone in the vein of N'Sync. You can practically hear this, since the structure of the tune resembles what the pop machinery did at the time. Sure, the instruments may be different, yet the form fits.
Oh man I knew this day would come, I finally have to make seprate masterlists for some fandoms, this main post is too massive now! Masterlist's below the cut <3
If you'd like to be added to any or all works please fill out the form here: Taglist Sign Up
Hello! Welcome to my masterlist! A place to store all of my fanfictions and where ill put my Queue from requests! Note i do MCD almost exclusively for now but may branch out later, if your looking for modern characters I highly suggest my pal @starhvney for AMAIZING fanficitions!
But I will adapt some characters from those series to MCD for your enjoyment!
Also!! Where you can see the state of requests! please Enjoy!
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Requests: Open!
TOS: (under construction)
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Queue:
Brendan crushing on new arrival reader: Fic started
Nsfw: Laurance Guiding you: Fic Started
Care for Blind Laurance
Zane x reader (no prompt given but I'll come up with something lol)
Wedding ring in a chest accident
(No particular order at the bottom just whenever, write down my characterizations for characters I adapt from Mystreet vers. So readers know what they are getting into)
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Pallette cleansers:
(Aka smaller fics that may skip the que for when I need to clear my head and regain motivation for the Que fics)
Brian is one of your favorite drummer's favorite drummers. On this album, however, he does a lot more than play drums. All songs written by Brian, and he sings and plays guitar as well. One of my all-time favorite albums, demonstrating great songwriting, musicianship, pocket, and collaboration. Just appeared on Spotify, years after I lost my CD.
Featuring: Daniel Lanois (produced U2), Kelly Jones, Aaron Embry, Goffrey Moore, Jon Cowherd (incredible pianist from Blade Fellowship band), Greg Leisz, Christopher Thomas, Kurt Rosenwinkel, Rocco Deluca, John Bigham, Daryl Johnson (extreme pocket bassist), Patrick Smith
The employees of an independent music store learn about each other as they try anything to stop the store being absorbed by a large chain.
Credits: TheMovieDb.
Film Cast:
Joe Reaves: Anthony LaPaglia
Rex Manning: Maxwell Caulfield
Jane: Debi Mazar
Lucas: Rory Cochrane
A.J.: Johnny Whitworth
Debra: Robin Tunney
Gina: Renée Zellweger
Marc: Ethan Embry
Berko: Coyote Shivers
Warren: Brendan Sexton III
Corey Mason: Liv Tyler
Eddie: James ‘Kimo’ Wills
Mitchell Beck: Ben Bode
Croupier: Gary Bolen
Woman at Craps Table: Kimber Sissons
High Roller: Tony Zaar
Reporter: Patt Noday
Kathy: Julia Deane
Autograph Girl: Kessia Embry
Cop #1: Michele Seidman
Cop #2: Diana Taylor
Cop #3: Bernard Granger
Cop #4: Michael Harding
Lead Singer: Dave Brockie
Flower Delivery Guy: Kawan Rojanatavorn
Roulette Table Man: Corey Joshua Taylor
Ballet Dancer: Melissa Caulfield
Veronica: Lara Travis
Film Crew:
Director: Allan Moyle
Screenplay: Carol Heikkinen
Editor: Michael Chandler
Production Design: Peter Jamison
Art Direction: John Huke
Set Decoration: Linda Spheeris
Costume Design: Susan Lyall
Producer: Tony Ludwig
Producer: Arnon Milchan
Producer: Michael G. Nathanson
Producer: Alan Riche
Co-Producer: Paul Kurta
First Assistant Director: Joel Segal
Second Assistant Director: Philip A. Patterson
Camera Operator: Mitchell Amundsen
Steadicam Operator: Rick Raphael
First Assistant Camera: John Verardi
Second Assistant Camera: Ken Hudson
“B” Camera Operator: Jeff Moore
Still Photographer: Jim Bridges
Second Unit Director of Photography: Carolyn Chen
Director of Photography: Walt Lloyd
Casting: Gail Levin
Music Supervisor: Mitchell Leib
Negative Cutter: Mo Henry
Color Timer: Bob Putynkowski
Music Consultant: Karen Glauber
Music Editor: Sally Boldt
Supervising Sound Editor: Randle Akerson
Sound Effects Editor: Joe Earle
Sound Effects Editor: Linda Keim
Sound Effects Editor: David M. Horton
Dialogue Editor: Adam Sawelson
Dialogue Editor: Benjamin Beardwood
Assistant Sound Editor: Jonathan Phillips
Assistant Sound Editor: Bill Ward
ADR Supervisor: Linda Folk
ADR Editor: Sukey Fontelieu
ADR Mixer: Dean Drabin
ADR Mixer: Paul J. Zydel
ADR Mixer: Christina Tucker
ADR Voice Casting: Barbara Harris
Foley Supervisor: David Horton Jr.
Foley Mixer: Brian Ruberg
Foley Artist: Sarah Monat
Foley Artist: Robin Harlan
Sound Re-Recording Mixer: Gary Alexander
Sound Re-Recording Mixer: Don Digirolamo
Sound Re-Recording Mixer: Scott Ganary
Dolby Consultant: Douglas Greenfield
Dialogue Coach: Naomi Joy Todd
Craft Service: Theresa Honeycutt
Transportation Coordinator: William “Bill” Pitts
Transportation Captain: Jeff Long
Construction Coordinator: Jeffrey Schlatter
Construction Foreman: Ralph Woollaston
Location Manager: Mary Weisgerber Meyer
Location Manager: Molly Allen
Casting Associate: Tricia Tomey
Stunt Coordinator: Jery Hewitt
Key Makeup Artist: Jeff Goodwin
First Assistant Makeup Artist: Rick Pour
Key Hair Stylist: Aaron F. Quarles
First Assistant Hairstylist: Lizz Scalice
Costume Supervisor: Carolyn Greco
Costumer: Sevilla Granger
Special Effects Coordinator: Greg Hull
Sound Mixer: Douglas Axtell
Boom Operator: Robert Maxfield
Key Grip: Randy Tambling
Best Boy Grip: Dennis Zoppe
Dolly Grip: Rufus Granger Jr.
Dolly Grip: Clarence Brown
Gaffer: George Ball
Rigging Gaffer: Scott Graves
Production Coordinator: Cynthia Streit
Assistant Production Coordinator: Amy Chance
Script Supervisor: Annie Welles
Second Second Assistant Director: Stefania Girolami Goodwin
Unit Publicist: Alex L. Worman
Production Accountant: Karen Eisenstadt
Assistant Accountant: Rick Baer
Property Master: Robert Beck
Assistant Property Master: Beth Giles
Assistant Art Director: John Frick
Set Designer: Evelyne Barbier
Set Designer: Tim Eckel
Set Designer: Alan Hook
Set Dresser: Colleen Broderick
Art Department Coordinator: Susan Agnoff
First Assistant “B” Camera: Joe D’Alessandro
First Assistant Editor: Thomas J. Nordberg
Assistant Editor: Pamela Jule Yuen
Movie Reviews:
Filipe Manuel Neto: **An animated film, full of rebellion and energy.**
Remember the stores that sold...
As Butch Walker’s livestreamed pre-release party for his new album began, he was nowhere to be found. Instead, you were left looking at his empty studio, a song that sounded like a Billy Joel deep cut playing in the background. For all anybody knew, it could have been a Joel tune, until you heard Walker’s recognizable voice, nonetheless speak-singing like Joel, or even Donald Fagen on Steely Dan’s “Reelin’ In The Years”. The song’s peppered with references to California atheists and avocado toast. An Aaron Lee Tasjan guitar solo is announced. Towards the end of the song playing, Walker came in frame, dancing, drink in hand, talking about how weird it still is to do livestreams, how easy they are to mess up, but how it’s still also the best way to reach a wide audience. This, in front of the camera, was Walker. So was the man singing in the background song, but he was also someone else.
The song, “Roll Away (Like A Stone)”, is from Walker’s new album Butch Walker As... Glenn (The Orchard), which sees him in character as a barroom piano man alter ego named--what else--Glenn. Throughout Wednesday night’s stream, he explained how the character came to be. During the initial isolation of COVID lockdowns, Walker wallowed in his own sadness, listening to ballads from the likes of Billy Joel or Jackson Browne. He thought about his breakout 2004 album Letters that was written on a Yamaha baby grand piano he bought with money earned from producing and writing for others. Walker calls it his “fuck you” money; indeed, he has never had a hit himself (save for previous band Marvelous 3′s minor alt rock jam “Freak of the Week”) but has found the most financial success throughout his career working with the likes of Avril Lavigne, Fall Out Boy, Taylor Swift, and Green Day. Maybe it was time to revisit that piano.
At the same time, Walker was working on a record by Morgan Kibby of M83 under her new alias Sue Clayton. Her record, which will come out next year, is based on a character of the same name, an aging Palm Springs widow who makes money by doing phone sex. During the songwriting process, she would send lyrics to Walker, and he would wake up every morning, sit in his sauna, and come up with sweeping, cinematic melodies. The album also has skits; on one called “Love Line”, Clayton is doing her day job and is phoned by someone voiced by Walker...named Glenn. Walker, who apparently has the tendency to work on records and wish he made them, later told Kibby he wanted to do a Sue Clayton-type record. She suggested he make one around Glenn. So this time, Walker sent Kirby various voice memos, at which point she helped him finish the lyrics of the material, fleshing out Glenn’s story.
Glenn, who has no last name and is named after Walker’s wild great uncle he never met, is, like Clayton, lonely, spending his life playing shitty bars, often to empty rooms, save for the bartender. Maybe he’s playing other folks’ songs. In any case, what’s clear is that Walker, at various points in his life, saw a little of himself in Glenn. “Nobody ever reads the lyrics anymore,” he laments on “Avalanche”. At the same, he offers pearls of wisdom, like “Money will cut your legs off when you use it as a crutch,” on Tom Petty-level catchy ditty “Tell Me I’m Pretty (Bethamphetamine Pt 2)”. “A singer always finds his key,” he sings on the soulful “Lean Into Me”, a song inspired by “songs about singing” classics like Browne’s “The Loadout”. It’s safe to say that Walker, through Glenn, has found his key.
It wasn’t easy--it probably never is--and Walker used the stream to reveal even more of the process behind his new record, almost to an uncomfortable extent. You could see him visibly cringe at the demos of “Avalanche”--“It clearly sounds terrible,” he admitted--but as he played the final version, which wasn’t even out at the time of the stream, he casually swayed. “I didn’t mean to the play the whole song for you, but I couldn’t help it,” he said. The stream was winged, and it was illuminating to see Walker abandon even the plans he made up as he went along just because he connects with his new material so much. Walker also demonstrated how songs like “Avalanche” and “Slow Leak” came to be from simple keyboard lines, though the keyboards on the record were eventually played by Aaron Embry, with whom Walker worked on Rayland Baxter’s Wide Awake and The Wallflowers’ Exit Wounds. Walker’s the first to admit that the creative relationships he fosters have as much to do with the final product than does the initial idea, whether duetting with Kirby as Sue Clayton on emo country anthem “State-Line Fireworks” or Elizabeth Cook on “Don’t Let It Weigh Heavy On Your Heart”. On lead single “Holy Water Hangover”, Walker even leaves in the studio chatter at the beginning of the recording, a collection of voices that could be anyone from Tasjan, multi-instrumentalist Mark Stepro, bassist Whynot Jansveld, guitarist Sadler Vaden (Jason Isbell and the 400 Unit), or engineer Todd Stopera. Ultimately, though, it’s Walker who directs the cooks in the kitchen, bringing a character to life, shapeshifting like his idols while strengthening the collaborative spirit that makes him one of the most prolific folks in music today.
Stories in this Holiday Master List belong to me. The characters themselves do not. The prompts I am using belong to @kpopfanfictrash and the co-writers.
Day 1.) Spencer Reid x Reader - # 1 “I thought you said this was eggnog.”
Day 2.) Embry Call x Reader - #2 “It’s deck the halls with boughs of holly, not jolly, you idiot.”
Day 3.) Chandler Bing x Reader - #4 “THAT’S IT! COAL FOR EVERYONE!”
Day 4.) Leroy Jethro Gibbs x Reader - #5 “You’re about as jolly as a humbug.”
Day 5.) Jasper Hale x Reader - #9 “Always jingle all the way. No one likes a half-ass jingler.”
Day 6.) George Weasley x Reader - #10 “Christmas is cancelled, please leave presents at the door on the way out.”
Day 7.) Negan x Reader - #11 “When I think about you, I touch my elf.”
Day 8.) Edward Cullen x Reader - #12 “I can hear those sleigh bells jingling.” “Halloween ended nine minutes ago.”
Day 9.) Steve Rogers x Reader - #13 “Your opinion wasn’t in the recipe.”
Day 10.) Phil Wenneck x Reader - #16 “Ho, Ho, Ho, Bitches!”
Day 11.) Carlisle Cullen x Reader - #17 “Fake smiles everyone! It’s Christmas!”
Day 12.) Bucky Barnes x Reader - #18 “Friends don’t give friends fruitcake.”
Day 13.) Sam Wilson x Reader - #19 “All I want for Christmas is you. No, not you - arrogant, much?”
Day 14.) Rick Grimes x Reader - #20 “One day of coal, 364 days of fun - I’ll take my chances.”
Day 15.) Derek Morgan x Reader - #23 “I’m dreaming of a white Christmas, but if the white runs out - I’ll drink the red.”
Day 16.) Daryl Dixon x Reader - #25 “Most people bring flowers. I’m not most people.”
Day 17.) Glenn Rhee x Reader - #27 “Look, anyone who thinks pumpkin is better than pecan can eat on the damn floor.”
Day 18.) Emmett Cullen x Reader - #28 “Pin the tail on the reindeer was a horrible idea.”
Day 19.) Aaron Hotchner x Reader - #32 “Fa la-la la-la, la-la la no.”
Day 20.) Wade Wilson x Reader - #33 “If you give me a dick-in-a-box, you’re going to be alone on New Year’s.”
Day 21.) Will Turner x Reader - #34 “What even is figgy pudding?”
Day 22.) Paul Lahote x Reader - #35 “Silent night, holy night. All is calm, all is - OKAY, THAT’S IT!”
Day 23.) Clint Barton x Reader - #36 “On the first day of Christmas, my true love gave to me - nothing because he forgot we were going to my parents’ house.”
Day 24.) Newt Scamander x Reader - #38 “That’s the saddest Christmas tree I’ve ever seen.”
Day 25.) Fred Weasley x Reader - #39 “How many elves on the shelf is too many?”
oh! the raven’s song is short, but it’s strong
like the mind of an eager man
as the sun is goin' down I hear a raven makin' his rounds,
harvest his woe up from the land
would I know my friends?
could my eyes turn within?
would I cherish my own kind
if the raven’s song were mine?
Today the Quileutes were coming over to have dinner with the Wilton family. Nae and Lea were nervous. They hoped that their family would make a good impression.
"They are here. Don't embarrass us, please." Lea told her parents and her brother. As she set three different lemonades on the table, their mother rolled her eyes.
"Yeah, ok, go get the door." She said.
Lea and Nae made their way towards the door by moving along the hallway. Nae straightened her dress before opening the door.
"Hi, glad you guys could make it." Nae said while grinning brightly.
"I'm glad we could come. I appreciate you inviting us. We brought dessert; hopefully, no one has nut allergies." Emily said with a smile.
She handed the dish to Nae, who then invited everyone inside. Nae blushed as Jacob leaned down and kissed her cheek, making her smile.
Their mother, father, and brother grinned as they approached the front door. "Hi, my name is Nyssa; this is my husband, Charles, and my son, Aaron." Nyssa told them, smiling.
"Mom, this is Emily and Sam. Sam is the Alpha. Then there's Jacob Black, who you've already met. Jared Cameron, Paul Lahote, Embry Call, Quil Ateara, Seth Clearwater and his sister Leah, their father Harry, and Jacob's father Billy." Lea had finished introducing the Quileutes.
"It's great to finally meet everyone. It's a delight to have you all here. If you follow me, we can settle down to eat." Nyssa said with a beautiful smile.
They all sat down to eat and began telling each other about themselves. "So, Lea, how was yours and Embry's date?" Lea's mother teasingly asked.
"It was good," Lea said, blushing and looking down at her plate. "We had a good time." She murmured while staring at a bright red Embry.
"Well, it had to be. Because he couldn't stop talking about it." "Oh, I wish Lea would call; maybe I'm texting her too much; maybe I should call and hang up." Jared and Quil said, bursting out laughing.
Making everyone at the table chuckle. They shared dessert around, laughing and enjoying one another's company.
"Well, I'm glad Jacob found someone who actually cares about him." Seth said, scowling.
Jacob side-eyed Seth, telling him to shut up in his head.
Nae awkwardly laughed, helped her mom collect the dishes, and gave Emily extra desserts to take home with them.
They walked the Quileutes to the door and told them they enjoyed having them over for dinner. Billy invited the Wilton family over to their barn fire next week, so they were excited about that.
Nae and Lea hugged Jacob and Embry, then hugged the rest of the Quileutes. They waved them goodbye and watched them drive down the path.
We celebrate 22 years tonight at Coaxial with Aaron Embry, Nico Turner, and Eva Ross. Due to unforeseen circumstances, THERE will not be able to perform tonight. 8pm/$7 donation Facebook Event
As you know, we don't do this often so we try to make it special for for everyone to spend their time and hard-earned money to come and hang out. We're not playing with this lineup.. Los Angeles Loves... 22 July 20, 2019 AARON EMBRY THERE NICO TURNER EVA ROSS Coaxial 8pm - All Ages - $7-10 donation