#about dying

[selfshippinglover]

Vent

[werewolfetone]

Dear god. please make all superyachts explode tomorrow. amen.

[squigg-les]

someone talk about the Nona grief with me. Someone talk to me about the grief.

[teaboot]

Was gonna ask my mom to rate my fit and she didn't even give me a chance

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[bathroom-sand]

paramount and spyglass are trying so hard right now to save face because jenna ortega rightfully left the scream franchise after they fired melissa for supprting palestine. nobody is dumb enough to believe the excuse that it’s a scheduling conflict hours after rumors she was trying to get out of her contract cause she was pissed. i’m very thankful that jenna is risking her career and using her position to do the right thing. she’s been outspoken about palestine for years now. i hope this begins a trend of zionist losing money for their support and complacency with an active genocide

[chloesimaginationthings]

This will be the first scene of FNAF 2 movie…

[pbnmj]

also by the way i am always obsessed with how spider-people just click and can work together without anything being said in spiderverse . mcu spiderman being like "omg ive never worked in a team” “how are we going to work together” “well im on a team so i’ll lead us" like that was the most boring way to do it . spiderverse instead saying "we just know how to work together because our histories and lives are so linked, its like knowing someone your whole life. seeing the self in the other. our lives rhyme.” LIKE I LOVE YOU GUYS

[shigayokagayama]

mob psycho is the greatest show ever made because reigen being cancelled on twitter is one of the most important moments for his character as well as one of the most emotionally heavy episodes of the show but him being trapped in alone in a purgatory dimension slowly starving to death is treated as a gag and never mentioned again

[petr1kov]

gotta be honest and say it's insane to me that a bunch of people 'misremembered' nelson mandela dying in prison in the 80s even though he lived to become the president of south africa in the 90s and instead of thinking 'wow, i really should learn a bit more about international politics outside of north america and europe because not knowing such a basic fact like this about one of the most influential political figures of all time is kind of embarrassing', they became convinced that this was proof that parallel realities exist and they were having memories of an universe where mandela died in prison somehow. that's presumptuous on a level i can barely conceive of

[depressedfungus]

Baldurs gate isn’t a dnd game it’s a really really really hard dress up game

[lancteu]

this has drained me of my will to live

[pulledrounder]

Richard Siken, Boot Theory // Frank Bidart, The War of Vaslav Nijinsky // astralcorbozo on TikTok // Mary Herbert, A Long Time in the Desert // Dan Deacon, When I Was Done Dying

[tvfanatic97-2]

My favourite kind of fics to read and to write

[you-makestedehappy]

𝒾𝓉'𝓈 𝓃𝑜𝓉 𝒶𝒷𝑜𝓊𝓉 𝑔𝓁𝑜𝓇𝓎. 𝒾𝓉'𝓈 𝒶𝒷𝑜𝓊𝓉 𝒷𝑒𝓁𝑜𝓃𝑔𝒾𝓃𝑔 𝓉𝑜 𝓈𝑜𝓂𝑒𝓉𝒽𝒾𝓃𝑔.

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)