Faye Sinclair
Full Name: Faye Sinclair
Date of Birth: May 30, 1997
Sexuality: Heterosexual
Occupation: Boutique Owner
Family: Indie Sinclair (younger sister)
FC: Madelaine Petsch
The middle child of fourteen children, Faye Sinclair never knew what it was like to not have to fight to be heard. She’d always been one of the louder of her siblings, and her parents didn’t like that. They were incredibly religious and tried to use that as an excuse to push her into some little box that they wanted.
It was clear that they weren’t expecting to have so many daughters (Faye being the fifth in a row) and her parents didn’t know how to handle it. Instead she was always taught how to be good and one day be a good wife.
Thankfully Faye was smart and independent (most of the girls were– they had to be) and she got a scholarship to study business. It wasn’t where her passions were but it was at least something that would help her. Instead her passions were in fashion.
She ended up studying it alongside her business classes and by the time she graduated she was ready to start running her own small business. Now she works on that, making clothes and selling them online.
The thing is though: as much as people see Faye as a hard worker, if she didn’t have to work another day in her life she would be happy with that. Maybe it’s wrong of her to just want a rich husband and be able to enjoy her days but– well that’s her dream.
Superhero verse
Most of Faye's superhero verse matches the above however she is one of only two children, with Indie being 2 years younger than her.
Both of her parents had powers, her mother being telekinetic and telepathic and her father's powers change with verse. Faye did not inherit powers from her parents, rather she can control and create plants.
When Faye was fourteen she went away to a school for superhumans and when she was sixteen Indie's powers manifested and the unfortunate result of that included the death of the girls' mother.
A couple of months after that happened after a fight with her father Indie ran away and ended up at the same school as Faye and Faye has taken care of her sister since. Faye still has a close relationship with her dad.
Faye is only interested in muses aged 30 and older.
Like for a starter from this muse.
Check the link in the source for the rest of my muse bio starter calls.
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20. Which muse has had the biggest change in personality or drastic turns in character development? (feel free to limit it to your primary muses, or your ocs, etc)
Out of my primary muses, canonically, Byleth absolutely fits the bill, especially with come of the canonical mentions in gave of them like, learning to smile and starting to feel human emotions compared to their life before joining their House (for my Byleth, their canon house is the Golden Deer).
However! I have SO many ideas for Faye that definitely change what she's like personality-wise (a lot of it comes from my personal ideas of what her home life was like and the role she tried to force herself to fit before eventually accepting herself). I need to write it all up at some point but basically I think a lot of her personality in game could be contributed to pressures put onto her by her parents (find a good husband to provide for you while you take care of him sort of pressure), and it's over the course of the game that she starts to break away from that belief eventually (even if she clings to it extra tightly because it's familiar before letting it go).
Out of my ocs, Bua has gone through the most iterations before I settled on the one that's their essentially canon version of themself.
Glenn is also definitely high up on this list considering he dead in canon but I said no and dragged him back into the game for funsies lmao.
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every time I see
"but we want toxic yuri1!!!"' and "let them be problematic"
I remember the backlash over "blank the series" because it has a large age gap and a bit of toxicity in between with unnecessary jealousy and typical stuff like that.
even though the relationship is between a 22 year old and a 36 year old (BOTH ADULTS even from Thailand's perspective)
and it is the young one who is persuading
the old one tried everything she can to say no, until well she falls for her, and still she follows the demands of the parents, she's willing to break her own heart if it mean her girly has peace of mind when it comes to family, she does everything in her power to go against her own self and her own wishes because everyone tells her she's wrong for loving this younger person.
with all that into consideration and people still went up in arms so much so that they harassed the actresses, harassed the studio, and the owner of the studio a queer woman herself, making a small studio to create media about queer women, hiring an out and proud queer woman to lead in her shows.
like
you guys just hate women and media about women, it is not the lack of toxic yuri that makes you not want to watch.
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i know there's been a lot of talk over the last six to ten years about how women in anime went from looking like people to looking very chibi-esque and i mean i know cowboy bebop and ive caught a couple gundams and ive seen satoshi kon films so like i thought i knew what people were mourning when they talked about 90s character design but like now i know....now i know.....this is what we lost as a society........
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the way to the moon is about holding on (to the promise you don't even remember making, to the person you loved, to the life you never got to live but refuse to give up). it's johnny choosing to be with river time and time again, it's johnny holding on to all the paper rabbits river made even if he didn't know their significance, it's river keep trying to remind johnny of their shared past, it's river giving up her treatment so a place that means the world to her is protected, it's eva and neil trying their hardest to send johnny to the moon, it's eva taking the risk in hopes of making it
the way finding paradise is about letting go (of your mistakes, of the unrealistically perfect life you never lived, of the person who helped you through your darkest times but who now keeps you stuck in the past). it's colin letting go of faye despite being afraid, it's colin keep replacing pages in his book with new ones, it's faye knowing that colin never needed sigmund's help, it's faye telling colin he has to let go of her if he wants to live fully, it's neil and eva trusting faye despite what it means for them, it's neil taking the risk in hopes of making it
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