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#again we haven’t even acknowledged the major issue in depth
yourqueenb · 7 months
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I’m salty about this for multiple reasons.
1. Because I don’t think everybody should be screaming at Mal. They were getting overrun by the Ancients. Maybe his plan wasn’t exactly well thought out, but it worked and everyone is fine.
2. Mal apologizes to Nia immediately, yet MC still hasn’t gotten one for his comments to her? Maybe it’s just me that feels this way, but I think that’s honestly what I need to start fully enjoying his route again. We’ve had some nice moments with him, but they all ultimately still feel hollow to me because there’s been no acknowledgement of whatever underlying resentment he obviously feels towards MC and none of how her suffering being diminished and ignored made her feel either
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pinklikeroses · 1 year
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My thoughts on lo ep 222 and 223…
Okay
I have few choice words and to say… I’ll try to keep this brief but no promises I’ve got A LOT to get out about these two chapters….like…whew…what a mess.
TW//(mentions of SA, ssault, Consensual sex..)
So I have a few issues with chapter 222 but first I’ll start off with good parts.
I think it’s nice to see Persephone and Hades talk about how far they want their relationship to go, and how physical and intimate they’d like to be. This is extremely important in a relationship and it’s good to have both partners on the same page.
However I don’t like during this entire exchange….Persephone’s SA is never mentioned, acknowledged or discussed. Especially now that she wants to engage in intercourse with her partner. I’ve said this before but I’ll say it again.
It shows that the SA was simply used as a plot device, not a way to understand or take in the perspective of a victim, but rather push together two characters we’re supposed to root for. This was one of the most disappointing parts of the comic.
I’m all for showing victims embracing sex and reaching a point where they enjoy sex, and crave sex and crave that special intimacy with their partners. It can be a lovely empowering thing. And it’d be nice to see more of it in media. But LO did it terribly. The time skip really botched things up big time. We didn’t see how Persephone healed during the ten yr punishment. We don’t see her development only lame displays about how sex crazed she is and that if she doesn’t receive it She’ll “die soon” which isn’t entirely bad I guess, but odd.
Especially from some who was assaulted. Now she’s still affected by Apollo and we see the tole it takes on her…but we don’t see the other negative effects her trauma has on her relationship with hades. This is a problem bc it feels like she’s worried about the wrong thing. She’s more concerned over her performance than traumatic memories bubbling up. She’s more concerned about her pleasing her partner than discussing what happened to her and how that’s effected her view of sex and herself.
Hades doesn’t even bother to bring it up and I hate that, bc it should play a major part in her character!
It doesn’t define her but it does affect her.
What it also shows is how little depth LO has. RS wants to have her cake and eat it too. She doesn’t actually want to explore these complex issues, only bring them up when they’re convenient, use them for plot and toss them out when she’s done. It’s disgusting and I hate that a layered issue like this isn’t acknowledged and treated as if it never happened.
Here you have an opportunity to show a victim healing from her assault , embracing her sexuality and reach a place of physical and mental comfort…but instead the author chooses to ignore the trauma that comes with assault and makes a lazy excuse to have cute fluffy moment with our two protagonists nervously squeaking about their performance in bed , without once acknowledging the elephant in the room.
This chapter wasn’t sexy, steamy, endearing or cute. It was dismissive, lazy and skin deep.
Another issue I have is how amped up this chapter was. The author hinted herself how excited she was to finally get to it. I’ll say I don’t mind that we didn’t get see what happed. That’s okay. But what really bugs me, is the fact we can’t even take a moment to enjoy/savor Persephone’s experience after having consensual sex. We get freaking ares??? For some reason??? Like wtf??
We don’t get soft pillow talk, we don’t get cuddling m we don’t get to see the way these two love interests are after extreme intimacy . How hades feels after being in an abusive relationship, how Persephone feels after being with someone who put her feelings And consent first.
Something else I’d like to add is we haven’t even seen these two go on a first date yet! It’s been 10 yrs they haven’t caught up on everything with each other and just leapt into an official relationship and sex. 0 character development. It’s so sloppy .
Chapter 223 was boring, very little happened and had nothing to do with nothing save for a brief flash back of Persephone’s assault, which isn’t explored btw and finding out Aphrodite is with Hephaestus.
I’m excited to see them and learn more about them and take a break from hxp bc I am exhausted. And seeing another couple will be so much more refreshing
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melohax · 3 years
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Why Basil isn’t “evil” or knowingly manipulative:
Warning: Major MAJOR Omori Spoilers Ahead
When people aren’t saying Sunny is a psychopath who deserves to be in jail, they’re saying Basil is an evil obsessive mastermind who tricked poor dissociating Sunny into defacing his sister’s corpse.
I’ve already explained before why I disagree with either interpretation but I haven’t gone in depth with Basil’s character. I’ll write about why I don’t think Basil is this dark yandere intentionally manipulating Sunny into dependance on him.
Basil is a tragic character with bad abandonment issues who legitimately wants to help the people he loves most. Unfortunately he also happens to have a broken “normalcy compass” (common in abused and/or neglected children). This means his well intentioned actions are often more harmful than helpful.
Aubrey says during a part of the real world segment that outside our main friend group, she’s always been an outcast. I think it’s no accident that we see in Sunny’s memories that she was the one who introduced Basil to the friend group, implying he’s also always been an outcast like her.
With Aubrey though, we can attribute her outcast status to things like living in the poorest neighborhood in Faraway town while also living in the visibly most worn-down house of said poor neighborhood.
Aubrey has a hoarding alcoholic mother that neglects her and a strict father (Aubrey casually mentions as a kid that her father is weirdly strict about her appearance) who ends up abandoning her anyway. Aubrey’s hot temper doesn’t help either and so even though she manages to be popular and well-loved among her hooligan friends, the rest of the town judges her harshly as if she’s at fault for her horrible life circumstances.
Then we have Basil. Basil’s economic circumstances are visibly better than Aubrey’s and he lives in a nice house surrounded by pretty flowers. Yet even with everything around him (even his appearance) looking so prim and cute, he’s still treated as an outcast.
We know that mentally ill children are way too often shunned by their peers and the adults surrounding them for being “weird” even though it’s not their fault that they have different brain chemistry. Without counting the bullying Aubrey carried out with her friends, Basil was already being ostracized by people outside the main friend group. In one of Sunny’s memories, Basil tells them that he’d always been alone before meeting them.
This lets us know that there’s always been “something” that’s made Basil unpopular with almost everyone. We see hints of why in the contrast between Dreamworld Basil and Real Basil. Whereas Dreamworld Basil is well-spoken, charismatic and cheerful, Real Basil is a nervous wreck that is prone to panic attacks and bouts of screaming. We could say he’s this way cus of what he did to Mari but from knowing Basil’s always been an unliked outcast, I get the feeling he’s not like this only from the Mari situation.
Then we have the probable root of his very obvious abandonment issues: Basil’s parents’ are completely absent save for some pictures in his home. Sunny himself has never seen Basil’s parents in person. Datamining apparently suggests his parents abandoned him when he was a toddler. To top it off, having a constantly ill and mostly unresponsive grandma as his only remaining family doesn’t help with his mental health issues at all, either. No wonder the kid’s clingy.
There’s also the caretaker at his house, who is introduced as Basil’s caretaker, not his sick grandmothers. Basil is at the age where he can legally emancipate himself yet we’re shown he still needs a caretaker to look after him. That Basil needs looking after kinda says to me that he has issues he can’t be left alone with.
So all these paragraphs were to explain the evidence that point to Basil likely being mentally ill since before Mari’s death. Now we get to the parts that make me think he’s been suffering from psychosis even as a kid.
12 year old Basil doesn’t seem capable of understanding the concept of Sunny being angry and accidentally shoving Mari down the stairs. He seems unable to consider the possibility that it was an argument between siblings just at the wrong place at the wrong time, as if that just can’t happen. To Basil, it HAS to be “Something” maliciously causing the incident and/or forcing Sunny to do it.
About the Mari incident and Basil’s fucked up idea: I think a lot of fans forget that first, not only was Basil a 12 year old kid back then (not even a teen yet) but also a lot of the reasoning behind many of Basil’s most important actions seems to be rooted in delusions he genuinely believes.
The same thing happens when the photo album was scribbled over: in his mind, there was no way any of his friends (*cough* Sunny) could have done this. It had to be the same “Something” attached both to him and Sunny that decided to ruin the photos. Basil doesn’t seem to remember doing anything to the album at all.
We could say all of this isn’t psychosis but metaphors for extreme denial instead, like the way Sunny decides things that remind him of The Truth don’t exist (like the closet door).
I don’t think this is all there is to it, tho.
Basil throughout the game tries to guide Sunny to the truth both in Headspace and that the time in his bathroom where he tries to talk to Sunny about the Something following them. Too afraid to hear him out, Sunny runs away instead while Basil screams for Sunny not to leave him again.
This shows imo that Basil’s brand of denial isn’t the same as Sunny’s. Sunny escapes into his own head and pretends everything involving the incident is either perpetually frozen in a time before anything bad happened or that it simply does not exist. He’s all about repression and suppression.
Basil on the other hand, acknowledges that the incident happened but he saw a Something committing the act instead of Sunny himself.
Then, the final battle against Basil confirms to me that Basil’s delusions and hallucinations go beyond denial of Sunny’s guilt.
Even when the truth is finally out in the open for the both of them, Basil still insists it’s “Something” that did everything. He attacks Sunny because he genuinely believes he is attacking Something evil and that this will protect Sunny from it. The most important detail to me: Basil slashes or gouges Sunny’s eye out specifically on the side where Somethings eye peeks out from Mari’s hair.
Saddest of all, we’re never shown if Basil ever managed to realize that there was never a monster doing everything. Although we are shown the burden of the secret is gone in that last scene between Sunny and Basil, we don’t know if Basil ever understood that Sunny wasn’t forced by any monster to kill Mari.
There’s more that can be said but this post already got long af lol. My conclusion is that Basil isn’t some evil yandere mastermind. He’s a sad wreck of a teenager who’s always struggled with mental illness, trying to do the best he can for those he loves while being plagued by nearly constant delusions and hallucinations.
Tricking his best friend/love interest isn’t part of Basil’s modus operandi when a lot of times he can barely tell what’s real and what isn’t.
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iamnmbr3 · 3 years
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Another day. Another questionable interview from someone involved with the production. This time the Director (who to her credit at least is better than Mike Waldron in that she is able to say she likes Loki’s character whereas his interviews drip with open disdain and disrespect and he can’t even pretend otherwise). (x)
Kate Herron: But Loki doesn't have many friends, you know? He builds this friendship with Mobius across the second episode.
Here again we get out-of-universe confirmation that the narrative framing of Mobius in a positive light is intentional. Mobius is not Loki’s friend. He’s his captor and his torturer. Loki isn’t on equal footing with Mobius. They don’t even have a boss-employee relationship. LOKI WAS MOBIUS’S SLAVE until he escaped. He was being held against his will and coerced under threat of death to work for Mobius and his organization without compensation. That is slavery. And it’s not ok. 
Mobius also berated him by telling him that he is inherently evil and monstrous - the very things that drove him to suicide. Mobius is complicit in acts of torture, genocide, murder, privacy violation, and  police brutality and shows no signs of having any problem with it. He’s no more Loki’s friend than Thanos or the Black Order are. 
When has he ever treated Loki with dignity or respect? Even if we ignore all the horrific stuff, he’s just plain not nice to Loki. He constantly mocks and belittles him and never takes his side. That’s not a how a friend behaves!  That’s how a bully behaves! Where is the basis for this friendship??!!
Kate Herron: “And obviously, we're seeing it through Loki and Sylvie's POV. You know, neither of them are good or bad. A complete, pure good hero would probably join the queue and be like, "Well, hopefully we'll get on the train." But they're not those characters. They're going to try and get on it.”
They snuck onto a train??? That’s what she thinks a grey character is? That’s so dull! Loki was a complex and grey character. Larry (as I call the tv show character) and Sylvie...got on a train without a ticket. That’s laughable! That doesn’t make me think about complex morality or issues. And c’mon. All the heroic Avengers have done that level of rule breaking MANY times and they don’t lose their “pure good hero status.” Tony Stark constantly does things like that! I want Loki back. HE is a grey character. But I haven’t seen him in the show so far. Instead I get Larry the watered down clown. 
Kate Herron: “When Loki and Mobius are at Pompeii, for example, that's shown through Loki's POV, right? He's joyous and he cracked the case. Pompeii was horrific, but we're seeing it through his perspective and he's in a completely different headspace.”
You know a scene can have more than one emotion right? Like he could be happy about solving the case but also horrified at the destruction of Pompeii? Instead he is laughing at the people who are about to die horrifically and seems to have no compassion for them whatsoever. Sure people can headcanon reasons why he behaved that way (and more power to them. Fixing dumb canon is what fandom is all about!) but the narrative framing is to me pretty clearly lighthearted and the director confirms that intent. There seems to be no awareness that by having Loki behave so callously it makes him come across as incredibly cruel. Far more than he ever was in canon. 
In Thor 2011 Thor is laughing while slaughtering Jotnar (as is considered appropriate in his culture) but Loki isn’t. He kills when he has to but he doesn’t enjoy it, something that’s unusual for the culture he was raised in. This Pompeii scene could’ve been a great time to see Loki’s more compassionate side as he looks at the people who are going to die. We could’ve seen some real conflict from him. And it would’ve been a great moment to start introducing the concept that he’s more than just a simple villain to more casual viewers. Instead, although they think they’re “redeeming” Larry over the course of the show they’ve made him far worse and more villainous. I wish they had hired an experienced Director who also understands Loki - like Kenneth Brannaugh!!! - rather than a Director who has never headed up a major project before. Though even the best Director couldn’t fix the abysmal and ooc script and story Mike Waldron came up with. 
Kate Herron: “I think that's the thing that's really key for her is that she's a completely original character, completely born out of our writers, and that, for me, was exciting.” 
Remember when I said Sylvie is the favored OC? Called it. 
Kate Herron: “The train scene I love because Loki doesn't get many wins and it's nice to see him having a nice sing-song. He's just enjoying himself. Because I think that's such a funny way, as well, to show the difference between him and Sylvie is that she's on a mission. She's like, "We're going to get off this moon." And when she's offered a drink, she's like, "No, thank you."
WOW. I hate this SO much. So suddenly Sylvie gets to act more like Loki and Loki suddenly doesn’t know how to be subtle and is just a dumb clown messing everything up. C’mon! This is absolutely ridiculous. This is not Loki silvertongue. This is not the Loki who tried to diffuse the situation on Jotunheim and almost succeeded. This is not the Loki who was always a restraining voice in Thor’s ear. They’ve turned Sylvie into discount Loki without any depth or complexity or vulnerability and they’ve turned Loki into discount Thor ft. dumb clown! Absolutely outrageous. 
Kate Herron: “everything is not what it seems and even in our design, people have picked up on certain things. Like the way that they dress, or the posters and that there's something a bit more going on there.”
If the TVA actually turn out to be twist villains I will laugh SO hard; I’d say that twist is too dumb even for Marvel but...it’s really not! Like. Guys. If they’re gonna be TWIST villains you have to not have them do obviously villainous things on screen!!!! BECAUSE THEN IT’S NOT A TWIST!!!!
From the moment we meet them we see them commit acts of police brutality, murder, genocide, trial without due process, enslavement, privacy violation, and torture IN ORDER TO ELIMINATE FREE WILL. Like. They are literally the most evil organization in the MCU. Even Thanos can’t compare. So having them be revealed as villains will fall flat. Because the twist isn’t the audience learning new information or the main character learning it. It’s just the narrative suddenly acknowledging it and treating their atrocities seriously. So the twist is in the real world not the show. And it’ll make Larry look like an even bigger idiot than he already does if he’s suddenly like “Wait the people who tortured and enslaved me are evil?! What?!??!” (I stg if he has to fight miss minutes in the end like I joked about I will lose it).
Also. Why make it a twist?! When you treat the villains as a joke it robs the narrative of tension. Their acts of evil should’ve been acknowledged from the beginning in order to create sympathy for the protagonist and tension in the narrative as we watch him try to escape this situation! Smh. The only funny joke in this series is how badly the writing fails. 
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You Are My Hero (2021) Review
Overall impression: The drama started off really cute and promising in the first half, but was weak and underwhelming in the second half. In-depth review below (with spoilers).
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A cute and fluffy romance premise
Right off the bat, the love story between the leads is tropey as hell, but manages to not be tacky and is actually really endearing. The ML, a SWAT officer, rescues the FL, an aspiring neurosurgery medical resident, from a bank robbery 2 years ago. They leave a lasting impression on each other, but don't keep in touch afterwards. The FL never sees his face because he's wearing a mask, but the ML remembers her name. 
Fate brings them together again 2 years later when the FL enrolls in an emergency rescue training camp that’s supervised by the ML. He recognizes her and falls for her immediately, but she doesn’t know he’s the one who rescued her years ago. 
Their relationship starts off rocky, similar to how a CEO romance would start: the ML first appears cold and distanced, strict and brooding, but actually has a huge soft spot for the FL. The FL is put off by his coldness, but is sometimes surprised as random moments of tenderness. When the training camp is complete, the ML becomes a cute and awkward lovesick puppy who tries to figure out how to woo the FL because this is his first time (and hers) falling in love. It’s fun seeing him become so flustered around her when he’s usually so calm, collected, and in control as the leader of a SWAT team. 
On other hand, the FL slow falls for the ML when he reveals a more real and vulnerable side of himself. They banter a lot, but she slowly warms up to him. 
And as a no-nonsense drama, the two leads acknowledge their feelings for each other quickly (although they haven't directly admitted it to each other yet). They're in the awkward phase of attraction and going on semi-dates, but they haven't defined the relationship yet. *Sigh* First love. 
Things I enjoyed
I appreciate that although the FL is a Mary Sue, she does make mistakes. She's smart, but she isn't the top of her class. She’s kind and selfless, but she also isn’t overly tolerant of people. When people overstep their boundaries and are unjust to her, she’ll confront them. Ma Sichun is such a natural actress. She can do cute and flirty, she can be clueless and lost, she can be confident and in control, she can be angry and indignant. I especially loved her character’s adorable interactions with her best friend Xiao Xia. 
The acting in this drama was all around great. It’s probably the best part of the drama. It was so comfortable and fun to watch. I think AvenueX described it best: the acting in the drama was so natural that sometimes it felt like the actors broke character but the director kept the take. Some of the laughing, giggling, and gestures felt so genuine that you wonder if it was improvised, scripted, or a blooper scene that became canon.
I like how the FL and ML are each experts in their respective fields. They have very separate careers that occasionally intersect. I'm tired of CEO dramas where the FL is working for the ML, or there are class differences between them. Instead in this drama, the FL faces problems everyday at work that the ML doesn't know about. Her problems do not relate to him at all. She has problems that he can't understand or help with. Likewise, he also goes on missions that she isn't aware of. They work in completely different fields with different skill sets. They even talk about how their philosophies differ. Her job is to save lives but not make moral judgments of character, while his job is to enforce the law, which is all about assessing character. Where their careers do intersect, is the goal of saving others and putting others first before themselves. 
Another dynamic of the relationship that I really like is that the FL and ML are always occupied and on the move because of their professions, and yet, their loyalty and devotion to each other never change. They are each other's rock. Despite encountering so many different situations and people, despite all of the chaos and noise from their careers, nothing can really outweigh how important they are to each other. Despite being out in the field, far away from home, their hearts are anchored to each other. I just like this trope a lot, i.e., the trope of being away from home, but remaining true and loyal and unwavering. Despite having bigger and more important things in the world to deal with, their ultimate dream is wanting to just spend some time together. It's analogous to how in ancient period dramas, there are generals who command armies and and maintain a strictly professional demeanor and don't mention a word about their family to their soldiers, but when the general retires to his tent at night, he's writing a long and thoughtful letter home, because his loved one was on his mind all day. 
The supporting characters are great, but I do like the older and mature supporting couple (Xing Ke Yao and Shao Yu Han) more than the younger supporting couple (Xiao Xia and Shu When Bo), despite the actors playing the younger couple being literally my age. I also appreciate how the FL has multiple close friends who are quite separate from each other, instead of just the single token sidekick best friend (although the second half of the drama does just focus on one of her main friends). It's relatable because we all have different groups of friends. We have friends from high school, we have friends from college, and we have friends from work. Most of these friends are kept separate, and sometimes they interact. But I like how this drama shows that the FL has a small network of friends from different walks of life. 
Things I didn’t enjoy as much
The plot derailed and lost its charm after episode 30. There were fewer hospital cases, and the ML had to complete a mission that I had no interest in following. There was no other point to the superfluous mission besides to show that the ML has a busy and demanding job that prevents him from being at the FL’s side when she needs him the most. 
I also really, really disliked the introduction of the random love rival in episode 31 just to try to stir some angst. The plot device was pointless because in the end, there was no angst because the leads have a strong and healthy relationship, and so the love rival’s attempt at sabotaging the relationship was just laughable and completely random. It just disrupted the mood and pacing of the drama because that plotline just came out of the blue. It was just so annoying seeing the love rival and her sister cause trouble and wreak havoc in the FL’s workplace. 
The drama did a good job at showing how the leads put their careers first, which caused strain and tension in their relationship that they tend to ignore. But, the drama never explores this further, even though it’s a very real problem that many career-driven and ambitious couples face. The drama presents a very idealized vision of a relationship between a police officer and a doctor. Like when the FL leaves for a special research and training program in the States, the drama shows that the leads breezed through the two-year long distance relationship in a quick montage. They had no issue in communication. Yes, they miss each other, but they’re blissful. But what kind of long distance relationship has no bumps in it? The drama also implies that they never saw each other in person during two years (in the final episode, Xing Ke Lei squeezed her arms and said that since they haven’t seen each other in 2 years, he had to check if she was missing anything), which is highly unrealistic. Was she never able to go back home for the holidays? Did Xing Ke Lei, whose parents live and work overseas, never bother to visit his girlfriend? Overall, it seemed a little off to me that despite the budding tension and issues they’ve been having between them, they were able to overcome a long distance relationship so easily. You could argue that they’re used to long separations because of their work, and the drama has shown that they’re used to communicating over video calls, but I was just a little disappointed that they rushed this final plotline when so much more could have been done with it. 
Speaking of parents, we never actually got to see their parents. I understand that the parents are not relevant to the focus of the story, but the parents are rarely even mentioned, which further makes the romance in the story seem too idealistic. Whether it’s a near-death situation, getting engaged, or studying abroad for 2 years, the FL never mentions talking to her parents about these decisions and life changes. The drama handwaves the parents’ absence and lack of influence by having the FL mention early in the drama that her parents are busy with their business back home, so they don’t have time to worry about her. She also no longer bothers to update them about her work because she’s afraid they’ll be worried about her. And then from there, we never hear the FL mention her parents again. It’s just so weird to see that the most important person in her life is the ML and she only ever talks about major life choices with her friends. I mean, if the plot had said that she didn’t have a family, it wouldn’t have mattered. But the fact that she does mention her parents, but they’re completely absent and non-existent just felt a little off, like something was missing. But in the grand scheme of things, this is not really an issue. I’m just nit-picking. 
Lastly, I just want to comment on Bai Jingting as Xing Ke Lei. I admit that he sells the part well. At first I was skeptical about Bai Jingting as a SWAT officer because of how skinny and baby-faced he is, but he actually pulls it off surprisingly well and has some unexpectedly good chemistry with Ma Sichun too. Although during moments when he isn't talking and we're just left with his resting face, I'm suddenly hit by how young he looks, but then he speaks or is back in uniform and again, the gestalt shift goes back to Xing Ke Lei, the handsome SWAT officer. They made a point of showing how muscled his arms are, which was a little jarring to see in comparison to his youthful face, not gonna lie. So, while I liked him as Xing Ke Lei, it was a little distracting switching back and forth between seeing him as a really young, adolescent-looking actor, and him as the broad-chested character. 
Should you watch?
All in all, a really cute and easy-to-watch drama with some thoughtful and sentimental moments. Very fluffy. Minimal to no misunderstandings. Charming characters. There are the storylines of three couples with medical/police subplots interweaved between the romance. On bilibili, some people even edited clips of the drama with theme songs from TVB medical and police dramas like The Hippocractic Crush and Tiger Cubs. So, as someone who grew up with TVB dramas, it was nostalgic to see those thematic parallels. 
But, the drama does lose steam in the last 10 or so episodes, and has a lot of filler to stretch it out to 40 episodes. That’s the issue I have with modern dramas. The plot in modern dramas is usually quite basic, and I would argue that the modern romance is easier and less angsty. You either love each other or you don’t. You either are willing to commit or you’re not. There aren’t many external excuses for angst or misunderstandings. (Of course, I’m trivializing things; real life isn’t as easy). 
Still, I would recommend this drama for anyone who’s between dramas. I watched this drama to help me get over the rut I was in because I was going through withdrawal after finishing The Rebel Princess, so I needed a light-hearted drama whose genre was completely different from TRP. And this drama was perfect for breaking that rut. 
Rating: 8/10. Simple, fluffy, and not too much to complain about. I also forgot to talk about the great humour in the drama, but there were many moments when I laughed out loud or couldn’t stop grinning. This is also a drama you can take your time with because there aren’t constant cliff hangers to peg you on. It doesn’t consume your life, and you can pause (although, the first 18 or so episodes are definitely binge-worthy because the development of the leads’ relationship is just too cute, and so they suck you right in). However, while it is one of the better modern romance dramas I’ve watched (and the characters are very consistent), it’s not a very memorable drama. It doesn’t make me linger. I guess it’s because I’m more of a historical and xianxia drama kind of person. So take from that what you will. 
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hyucks-archive · 4 years
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perhaps; maybe.
word count: 9,765
genre: romance, angst
member(s): mark, featuring donghyuck, jeno, and the other dreamies
warning(s): none!
author’s note: this actually started out as a fluff fic but i guess i haven’t gotten over angst yet
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Mark watches the students stroll into the lecture hall one by one, the conversation that his friends are having slowly dwindling into background noise. Mark props an arm on the table, resting his chin in his palm, noticing how majority of the students have their earbuds plugged in, a coffee or tea in hand. He too, grew up hearing the anecdotes of how college life is always lonely and independent, and that most would hang around campus without friends. It’s different for Mark, though. He’s lucky enough to be taking the same degree as some of his friends. He’s even luckier that all of his friend group belong to this university.
When the twelfth student walks in, he notices how the aura that surrounds this person is significantly different from the rest. Cladded in a full black outfit, Mark notices how unlike the others, you don’t have music playing in your ears, neither do you have a cup of beverage in hand. In fact, it doesn’t even look like you have anything in the tote you have slung on your shoulder. Mark watches as you take a seat by the left aisle, two rows in front of the row he’s situated in.
“What are you staring at?” Jeno interrupts, leaning shoulder-to-shoulder with Mark. He follows in the direction Mark’s eyes are looking in, to be greeted by your unwelcoming back. “Why are you staring at that kid?” Jeno questions. Mark shrugs. Mark remembers seeing you around campus numerous times, even more frequently in lectures, and consistently in that one tutorial class the two of you have in common. He has always noticed something different about you; maybe it’s your aura, or maybe it’s just Mark being the curious boy he is. The common baseline is that you intrigue him, and you somehow always manage to catch his attention, whether you know it or not.
“Are you guys staring at 06?” Donghyuck chimes in, resting his arm on Jeno’s shoulder. The three boys are now collectively staring at the big ‘0’ and ‘6’ printed on the back of your letterman jacket, that clearly does not categorise you into any athletic club, neither is it merchandise from the university. “Do you guys know 06?” Mark questions, turning to face his two friends. Jeno shakes his head, while Donghyuck is more than eager to share. “I hear 06’s really chill. Doesn’t ‘do’ friends,” he says, using his fingers to make inverted commas at the word ‘do’, “Doesn’t really care for school either. 06 kind of just,” Donghyuck takes a pause, trying to think of the right word. He settles for, “Exists.”
Mark and Jeno nod their heads in understanding. Mark resettles his gaze on the back of your head. Jeno nudges him, “You interested in 06 or something?”
Mark recalls the one time he’s ever heard you speak. It was during a tutorial, where you were pinpointed to answer. He had never thought much of you before that, simply falling into the assumption that you are one of the introverted kids who prefers to keep to themselves. But the way you stood up confidently, and the way your booming voice captured the entire class, painted you in a completely different light compared to what Mark had imagined. He had always thought that you’d have a soft, timid voice, afraid to make a mistake, like most of the other quiet kids. But when he saw the way you answered the professor’s question without any doubt or fear of being wrong, he realised you were different.
He takes a moment to ponder upon Jeno’s question. “06 is,” Mark pauses, pursing his lips, “Interesting.”
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Donghyuck scans the café, finally spotting Renjun, Jaemin, Chenle, and Jisung by the large glass panel. “Over there,” he says, leading the way. Mark and Jeno follow behind, exchanging smiles and small waves with their friends. “You guys already ordered?” Donghyuck says, reaching for Renjun’s fork. Renjun slaps the boy’s hand away, “Get your own cake,” he chimes. Donghyuck mimics him in an annoyingly high tone, switching targets. He’s now going for Chenle’s cake. Chenle lets him eat it.
“I’ll order,” Mark offers, “What do you guys want?” he asks, directing his question at Donghyuck and Jeno. “I’ll have my usual,” Jeno says, to which Mark nods his head. Donghyuck looks past Mark’s shoulders, trying to get a view of the menu, but something else catches his eye instead. It’s the very familiar back view with the big ‘06’ printed on that he had discussed with his friends about earlier. “Hey, it’s 06 again,” Donghyuck comments, gesturing in your direction with his chin.
“06?” Renjun murmurs, furrowing his eyebrows as he looks in the direction where Donghyuck had guided towards. He squints his eyes, finding the face of the owner of the letterman jacket to be fairly familiar. When he realises it’s you, he snaps his fingers, “Ah, I know 06,” Renjun exclaims. Mark’s interest is immediately piqued. He turns to look at Renjun, “You know 06?”
“Yeah, 06’s in my ethics class,” he says.
“Is it true? 06 is really chill and doesn’t have any friends?” Jeno asks.
“06 is probably the most carefree person I’ve ever met,” Renjun describes, “Doesn’t care what people think. Come to think of it, I don’t think I’ve even seen 06 smile.” Renjun thinks back to the many times he has seen you in class. You always donned the same blank expression, even when the class would erupt in laughter at the lecturer’s or the students’ jokes. He had wondered for a brief moment if you simply weren’t paying attention, but when you had shared your opinion that made everyone cackle in their seats, you remained neutral with your poker face.
The topic is dropped when Chenle begins to talk about an incident that happened in class today. Mark heads to join the queue to order. He happens to be standing behind you.
Though there is a good amount of distance between the two of you, Mark is still able to pick up the subtle scent of clean linen that diffuses from you. It’s extremely pleasant and welcoming, a contrast from your cold and unamiable aura. Mark watches as you reach into your tote bag, aggressively digging around for something. He isn’t able to see your expression, for your back is still turned against him. He however, manages to catch the, “Shit,” that escapes from your mouth.
You furrow your eyebrows, flipping the minimal items you have in your tote bag around, desperate to find your card or some loose change. In your rush this morning, you had forgotten your wallet on the dining table back home. You groan, running a frustrated hand through your hair. You sigh, about to leave the line, when a low voice speaks from behind, “Do you need help?” You jump at the suddenness, turning around to look up to be greeted by a black-haired boy who has on an apologetic smile.
“Sorry, I didn’t mean to scare you,” he says. You notice how defined his cheekbones are, how his cheeks sink in slightly with his smile. You aren’t sure if you’re just seeing things, but you swear you noticed for a second that his eyes were twinkling.
Realising that you’ve been staring for a tad bit too long, you immediately avoid eye contact, snapping back to your senses. You shake your head. “It’s fine,” you say, taking the first step to move out of the line. The boy stops you, “You’re not ordering anymore?” he asks. This time, you notice how his brows are raised, a tiny mole on his left cheek, his lips seemingly forming a ‘o’. Usually, you’d just walk away murmuring your answer, but this boy seemed genuinely too nice for you to just ignore.
“I uh,” you bite down on your lower lip, “Forgot my wallet.”
You were expecting the conversation to end, but the boy only giggles at your issue. He tilts his head to the side a little, “I’ll pay,” he says. From the sincere smile that he’s giving you, you can tell that he means what he said. But, you still shake your head, refusing to be indebted to some stranger you happened to meet on campus. You’d have no way of repaying him, aside from deliberately meeting up with him; another thing you didn’t want, the risk of becoming personally acquainted to someone.
“Too late,” he says, giving you a light shove, “It’s your turn to order.”
You’re unable to register the situation fully, the barista greeting you with a polite smile. “What would you like?” he asks, ready to key in your order. “Oh,” you manage out, only collecting your thoughts now. “I’ll just get a chai tea to-go, please,” you say. The boy behind you takes a step forward, his shoulder brushing against yours, beginning to place his order. You take a few steps to the side due to the physical contact. Luckily, you’re able to just disguise it as moving aside to wait for your order, since there was no need for you to remain at the cashier.
When he has completed the payment, he walks over to join you.
“I’ll pay you back,” you say. “Sure,” his smile still plastered on his face, “You can just look for me in class.”
You stop for a moment, eyes shifting about as you try to dig into the deep depths of your memory. You don’t remember having seen him before. Granted, you honestly don’t even remember a single face of anyone in any of your classes.
“We take the same class?” you ask. Mark thinks you’re joking, so he laughs. But when he sees the slightly raised brow, genuine confusion in your face, he realises you’re being serious, that you’ve never noticed him before. It leaves a slightly sour taste in his mouth, but he manages to maintain a smile. “You’re in all of my lectures,” he says, “And one tutorial.”
You nod your head. That makes things a lot less of a headache for you. “I’ll pay you tomorrow, then,” you say. Mark nods his head in acknowledgement, reaching a hand out, “I’m Mark,” he introduces. You stare at his extended hand for a moment – you’ve never encountered a situation where you’re basically forced to return the introduction. You know it would come off as rude if you choose to not shake his hand, but you’re not one to care for others’ opinions. Life wouldn’t be fun if you wasted it worrying about how your every little action would frame the opinion of someone else. Not that life is fun for you, anyway.
That is why you simply look away from Mark’s hand, towards the collection counter. Mark stares at your side profile, unsure of what your actions mean. Usually, the other party would get the message that you don’t want to exchange names, but this boy, Mark, is different. He’s persistent, tilting his body in the direction of your line of vision, “Um, hello?” he says.
You turn to look at him. “I don’t do friends,” you state.
Mark recalls the conversation with Jeno and Donghyuck pre-lecture, where Donghyuck had shared about how you don’t ‘do’ friends. He had assumed it meant something different, but he realises now that it means you don’t make friends with people. He huffs out a smile at the thought; his interest in you seems to only grow as the interaction goes on. You’re different, just as he expected.
Before he’s able to say anything more, the buzzer in his hand lights up, vibrating as an indication that his order is ready. He walks towards the collection counter, and you follow behind. Because of the amount of drinks and plates of food he had ordered, his order was separated into two trays. You look at the trays for a moment – are you feeling nice enough to offer a helping hand? Technically, he can just make two trips.
“Here,” Mark says, holding out your cup of tea that he had already slipped on the sleeve for. Maybe it’s because you realised, he isn’t even going to ask you for your help, or it’s because Mark’s smile makes you want to do something nice, so you offered. “I’ll help you with that,” you say, taking the drink from him, placing it back down on the tray. You lift the tray up, “Where’s your table?”
Mark picks up the other tray, leading the way to the boys. Chenle is the first to notice Mark approaching, and he’s quick to notify the rest of the person following behind Mark. By the time you had arrived at the table, their stares are boring into you. Mark coughs awkwardly, trying to signal at them to stop staring, but his friends don’t seem to get it.
“Hey, 06,” one of them calls. ‘06’; the nickname you somehow go by on campus, just because of the jacket you always have on. You look in the direction of the voice, to be greeted by a somewhat familiar face. You remember him, only because he’s one of the only students from your ethics class who dares to have an opinion on things. You liked his gusto. “Hi,” you say.
You hold up your cup of chai tea by its sleeve, giving a slight tilt of the head at Mark, before turning around to take your leave.
“Damn, Mark, you work fast,” Jeno teases, taking his plate of food over to his side of the table. Mark rolls his eyes, explaining briefly that he simply paid for your drink because you forgot to bring your wallet. Luckily for him, his friends lose interest in topics as quickly as they get interested in them. Everyone is now listening to Jaemin rambling on about how the lecturer in his class is the most unreasonable man he’s ever met in his “many” years of living.
Mark is half-focused on the conversation, but the other half of his mind is occupied by the image of you.
Perhaps it’s the way that you managed to maintain a blank expression without smiling even once, during the entire interaction, or it’s the way you didn’t hesitate to leave without looking back. It could even be the way you’re so nonchalant about everything. Either way, Mark has come to realise one thing.
He can’t keep his eyes off of you.
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You run a hand through your hair, exiting the lift. You reach into your bag, pulling out the exact amount of change for the chai tea from yesterday. Entering the lecture hall, you skim through the vicinity, spotting Mark by the middle row. He’s staring up at his purple-haired friend in awe, laughing while hitting the brown-haired boy next to him. Despite the round-frame glasses he has on today, you’re sure that this time, you definitely saw the sparkle in his eyes.
You make your way up to Mark, standing a distance away, behind the purple-haired boy who stands in the way in getting to Mark. You lean to the left a little, waiting for Mark to catch your eye. He doesn’t, but his brown-haired friend notices you, and he’s quick to gesture the black-haired boy towards you. Mark’s smile widens when he makes eye contact with you. He stands up, brushing past the purple-haired boy, towards you. You can’t help but be conscious of the slight tugging at the ends of your lips. You manage to supress it, but it’s undeniable that you just felt the minor urge to smile.
“Hey,” he greets. You hold out the money, “Thanks,” you say. Mark’s fingertips brushes against your palm as he takes the money from you. You turn, about to walk to a different row, but you’re stopped by the slight tugging at your sleeve. You look down, to see two fingers pinching at the end of your sleeve. Your eyes travel up the arm, past the neck, to the eyes of Mark, who is holding on to your sleeve.
“Sit with us,” he says. Mark isn’t sure if the reason he’s offering is because you’re always sitting alone during lectures, or it’s because he wants to be able to prolong the time he’s able to spend with you, without looking like some creep. Either way, he’s anticipating your answer.
Your eyes travel back down to Mark’s two fingers that are still holding on to your sleeve. Mark is lucky he didn’t grab your wrist, because you would’ve shrugged it off so harshly, that it’d probably ruin any chances of him ever wanting to reconcile with you. You’re not sure if Mark grabbed your sleeve with the knowledge of how much you hate physical contact, or if Mark is just so considerate to the point where he won’t lay a finger on someone he doesn’t really know. But the fact that he’s respectful enough to not touch you is the only factor that makes you say, “Okay.”
Mark shifts his things over to the seat next to you. “By the way,” he says, waiting for you to look up. “This is Donghyuck and Jeno,” he introduces, gesturing towards the purple-haired boy then the brown-haired boy. Jeno smiles sweetly, while Donghyuck simply gives a nonchalant bow, before sliding into his seat. They don’t ask for your name. You wonder if Mark had told them not to; maybe your encounter with Mark yesterday had sparked an entire discussion about you. You’re usually not one to care for these things, but you aren’t able to stop the constant thought about the fact that if they did indeed discuss about you, what did Mark have to say?
“Where’s your laptop?” Mark asks, breaking you away from your thoughts. “I don’t bring one,” you reply. You expect his next question, so you explain before he even asks, “I don’t see a need for it.” Mark nods his head, but you’re positive he doesn’t understand why you feel that there’s no need for a laptop.
The lecturer begins at that point, so the two of you turn to focus your attention on the lecture.
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“Alright, remember that we’ll be needing your textbook for the next lecture,” the lecturer announces, disconnecting his laptop from the visualiser. The lecture hall is filled with groans and yawns, some students who are quick to leave, while others stay behind to exchange small talk with their peers.
You sling your tote bag over your shoulder, standing up from your seat. Mark notices this, but he’s quick to react. “Hey,” he calls. You turn your head, looking down at the boy. You want to know the reason behind how Mark is always able to keep that same bright smile on his face. Come to think of it, you don’t remember seeing him with a serious expression at all. You continue to stare, waiting for Mark to continue his sentence.
“Do you want to join us for lunch?”
You don���t even spare a moment to hesitate. “No,” you reply.
“You should join us for lunch, 06. We don’t bite,” Jeno adds on. His eyes form pretty crescents when he smiles. You’re about to reject their offer, but Donghyuck cuts in, “I’ll bite. Why should we have lunch with 06?” He doesn’t spare you a glance, but you can tell from his expression, that he’s not your biggest fan. You see Jeno nudging the boy with his elbow, and Mark shooting a look of disapproval. Maybe it’s because you don’t want to let this Donghyuck kid have his way, but you find yourself agreeing to their offer before you’re even able to think twice. “I’m down for lunch,” you say. You’re too busy eyeing Donghyuck’s expression of displeasure to notice Mark’s perked up smile at your agreement.
Jeno and Donghyuck lead the way, while Mark follows your pace as you stroll along behind them. Mark is trying to dig through his brain for a topic to talk to you about. He sneaks a glance at you, your blank expression unreadable.
“Does having lunch with us make you feel uncomfortable?” Mark finally speaks up, turning his head to look at you. You’re quiet for a moment. Usually, the answer ‘yes’ would roll of your tongue without any conscious effort required. “A little,” is what you settle for. Mark nods his head, “I assure you my friends are all nice people,” he says, a small laugh decorating the end of his sentence. You nod your head, biting down on your bottom lip.
Soon enough, Jeno spots the other half of the group already seated in the café. You drag your feet behind the three boys, the stares from the rest evident.
“06 is joining us for lunch,” Jeno informs. Mark gestures you to take a seat by the far left of the table. Donghyuck claims the seat opposite to yours. “We can take turns?” Mark suggests, to which you give a nod of acknowledgement. Mark, Jeno, and two of the other boys head to get their food first. In the meantime, you’re left sitting in an extremely awkward silence. Donghyuck, who had his arms folded, back leaned against his chair, shifts his body to rest his folded arms on the table instead. He looks at you, stare cold and unpleasant. You furrow your brows. “What?” you say.
“Stay away from Mark.”
Your expression hardens further. “What are you talking about?”
“Mark isn’t like you. Stay away,” Donghyuck has a brow raised, his glare menacing. You’re unsure of what you could’ve possibly done to offend the boy to this extent, but you’re not interested enough to ask. You’re robbed of the chance to anyway, when Renjun decides to add himself to the conversation. He throws an arm around Donghyuck, a smile on his lips as he asks, “What’s got the two of you so serious?” Donghyuck shrugs, not forgetting to give you one more glare, almost as though it were a form of warning. You scoff, rolling your eyes as you look away from the two boys who are sitting opposite to you.
You can feel the familiar discomfort in your abdomen. Your hand instinctively finds its way to place pressure on the hurting area, the beads of cold sweat beginning to form. You can already feel your lips becoming drier with every passing second.
You decide there’s nothing worth staying for. If you’re not welcome, you’re not going to force your presence unto people. So you grab your bag, stand up, and begin to walk away from the table. You ignore Renjun’s call for you.
“What the heck did you say to 06?” Renjun hisses, shoving Donghyuck by the arm. “I only said what I needed to say,” the purple-haired boy murmurs in reply. Mark arrives back at the table first, placing his tray of food down. “Where’s 06?” he asks, looking at the empty chair that you once occupied. “Donghyuck said something that probably pissed 06 off,” Renjun tattles, shooting a glare in said boy’s direction. Mark looks to Donghyuck for an explanation, a brow raised questioningly.
Donghyuck shrugs the attention off, “Not my fault 06 can’t take honesty.”
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You drop the bottle of painkillers into your bag. You comb your fingers through your hair, the perspiration from earlier causing the strands to cling together. You let out a small breath; at least the torment is over, for now.
You fixate your eyes on the floor, watching as your feet take turns to invade the little space your eyes can capture. You shove your free hand into the pocket of your letterman jacket, a cup of chai tea in your other hand. You replay the words Donghyuck had said to you earlier. Stay away from Mark, he said. Why? You never approached Mark to begin with. Yeah, you’re unfriendly and borderline rude but you’ve never done anything that would warrant an outright warning to keep away from someone. Mark isn’t like you, he said. What’s that supposed to mean? That Mark is the personification of rainbows and galaxies but you’re the personification of dirt and dark alleys?
You don’t understand what Donghyuck has against you. You scoff at the thought of the whole situation – good golly, you didn’t even know of Mark’s existence until he approached you in the café a day ago. Yet suddenly, you’re the biggest threat to Mark, in Donghyuck’s narrative.
You’re so caught up in your thoughts that you jump at the sudden tap on your shoulder, whipping your entire body around so fast that you collide with the being behind you, your chai tea staining his shirt. “I’m so sorry,” you gasp, tugging on the sleeve of your jacket to grab it in your palm, using the cloth to dab at the stains your tea has caused. The being giggles. Your brows furrow instantly; it’s a giggle you’re somewhat familiar with.
You look up to meet eyes with the owner of the giggle, Mark. He stares down at you, noticing the remnants of the ordeal you had been through – the greasy hair, the pale, almost chapped lips, the tired look in your eyes. He doesn’t think much of it, his smile maintaining its charm. “What are you doing here?” you question. Mark points at the building behind you, “I’m running some errands. What are you doing here? You left without saying anything earlier I didn’t expect to still see you around campus,” he beams. Your eyes travel back down, realising now that you still held the hem of his shirt in your hand. You let go, standing upright.
“I just didn’t feel like staying there,” you say. Mark doesn’t probe any further; he has an inkling that Donghyuck must’ve said something offensive. “Do you live on campus?” you ask, eyeing the very obvious chai tea stain on Mark’s shirt. “I don’t. Why?”
“If you don’t mind waiting, I’ll run back to the dorms to get a shirt for you.”
Mark’s smile widens. “That’ll be nice.”
After a short ten-minute walk, you push open the door to your single-room dormitory, also known as your safe space. In your time living here, you’ve never had anyone over. You don’t consider Mark the first, because you never really intended for him to enter your room. He just followed behind and stepped in himself, no invite whatsoever. You’re not really affected by it, retrieving an oversized t-shirt from your wardrobe the only concern in mind.
Mark looks around the small studio apartment, taking in how minimalistic the entire setting is. He realises you don’t even have any photos, memories, or decorations hanging on the wall. Everything is clean and neatly placed, your belongings categorised into the practical and the necessities. He looks over towards you, your head buried under the shirts and jackets you have hanging on the rod. His eyebrows raise in interest when he notices that by the left corner of the wardrobe, hangs another two letterman jackets identical to the one you have on. They all have the big ‘06’ imprinted on the back.
“Here,” you say, holding out a plain black oversized shirt. Mark takes it from you, commenting, “I didn’t know you had three of those,” he gestures to the letterman jacket that you’re semi-drowning in. You slide the door of your wardrobe close, “I have to have a replacement when one of them is in the wash.”
“Is there some meaning behind 6?”
You look into Mark’s eyes. The two of you share a moment. It’s the first time someone has asked about the meaning behind ‘06’. Maybe it’s because nobody else ever had the chance to, but even if they did, they’d probably just be asking for the fun of it. Every time Mark asks you something, you can tell from his gaze that he genuinely wants to know the answer. He genuinely listens to your replies, regardless of how insignificant or dismissive they may be. Maybe it’s because Mark is the first person in a long time that has ever showed even a minute sign of interest in you, but you find yourself satisfying his curiosity.
“There are many meanings to the number 6. The meaning I relate it to is the need to find ways to move past feelings of fear and anxiety, to manifest what I want.”
It’s Mark’s turn to be silent. He looks at you, your expression as blank as it has always been, your eyes shifting around from the awkwardness of the prolonged eye contact. He didn’t expect that answer. People usually either used their birthdates or their favourite number as their ‘representative’ number. You’re the first person to give him an actual meaning behind the decision you made.
“You’re really different,” Mark says, voice almost coming out as a whisper.
Maybe it’s due to the fact that you’ve never been complimented like that before. Heck, you don’t even know if it’s a compliment. But you’re unable to deny the heat that rushes to your face, the warmth that spreads throughout your body. You don’t know if Mark notices. You don’t know if Mark can tell. But when you see his eyes flicker to level with your cheeks, the heat that overwhelms you only intensifies.
Mark’s never been this bold before. He has never been this straightforward with anyone. When you don’t answer, he panics a little, but then he notices the rose pink that decorates your cheeks. Did he, perhaps, make you blush? Is this his first time witnessing something different from your signature blank expression?
“You should go change,” you blurt, averting the topic. You point towards the bathroom, “Over there.”
Mark nods his head, turning around, closing the bathroom door after he enters. You let out a huge breath, pursing your lips. First, he’s the cause of the urge to smile. Second, his words make you blush. Third – you place a hand against your chest, feeling for your heartbeat. Mark makes your heart thump.
You want to be around Mark.
Mark comes out of the bathroom, your oversized shirt decently fitting on him. He smiles, “Thank you,” he says. “I’m really sorry about that,” you say, pointing towards his chai tea-stained shirt. Mark shakes his head, “No big deal. I’ll see you around?”
You nod your head.
“See you around.”
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It’s been four days since you’ve last seen Mark. The interval made you realise that your once empty mind is now filled with hints of Mark. His endearing smile would pop up in your mind every once in a while, and his childlike giggles would ring in your ears from time to time. Mark is the warm presence in your otherwise cold world.
You’re preoccupied with your thoughts when there’s a knock on the door. You glance at the clock – 5PM on a Sunday afternoon, and you’re not expecting any guests. You sigh, slipping on an oversized hoodie to cover up your worn-out t-shirt. Running your sleeved-palm over your face, you reach for the door handle, pushing it downwards,
Mark waits patiently for you to answer the door, the t-shirt you had lent him neatly folded in his hands. When you pull the door open, the wind from the swift motion causes your baby hairs to dance along with the wind, tickling the sides of your face. Mark feels his heart skip a beat, the moment playing out in half the time of its actual speed. He swallows.
You look up to meet eyes with Mark. Your brows raise momentarily,
“Sorry,” he begins, “For showing up unexpectedly. I just came by to return this,” he holds out your shirt. You look down at the article of clothing, taking it from his hands, nodding your head in understanding. “Thanks,” you say, reaching to lay the shirt on the table. You look towards Mark once more. “Anything else?” you question, seeing that he’s still standing in the corridor.
Mark looks down at his converse. He contemplates if he should do what he actually came here for. Jeno’s voice replays in his head – just man up and ask 06 to join us. Donghyuck needs to apologise for saying things he shouldn’t have said the other day anyway. Though Mark and the rest of the boys are still unaware of what exactly Donghyuck had said, he agrees with Jeno’s sentiments.
“Actually,” he pauses, biting down on his lower lip. There it is again; the feeling of the two ends of your lips being tugged upwards. You blink multiple times – did you just think Mark is… cute? You almost miss his next sentence, “Do you want to go to the roller rink with the guys?” he ends with a shy smile, his fingers automatically clasping together due to the nerves. He looks at you, patiently waiting for your answer.
Usually, the answer ‘no’ would have escaped your lips before you can even think twice. But at this very moment, you’re standing opposite Mark, looking into his eyes, hesitating. It feels as though you’re beginning to lose the composure you’ve spent your entire life building. The rational ways you’d utilise to stay away from people, they’re starting to become blurry, just because of the boy who stands before you.
The fine line you’ve drawn to divide yourself from the rest of the world has become blurry ever since Mark’s appearance.
To move past the fear and anxiety that comes with building a relationship, in order to manifest the friendship that you seek.
You nod your head. “Sounds cool.”
So you find yourself trailing behind Mark at 5:37PM in the afternoon, eyes roaming around the vicinity in curiosity, taking in the very unfamiliar, loud, neon-filled surrounding. You’ve never been to any place of entertainment before, let alone a roller rink that majority of the population have never even been near. In some way, you guys are lucky enough to be schooling in this area – the roller rink is a ’90s themed hangout spot, with a jukebox that’s unique to every table, in comparison to the central speaker system used in all other modern buildings. A small smile creeps its way up your lips; you’re in a trance from the vibes of the place.
If there’s anything you love in this world, it’s nostalgia. Every movie you’ve ever liked, every series you’ve ever binged, they all screamed the ’90s. You’re extra sold by the fact that the different jukeboxes are rolling tunes from Destiny’s Child, Backstreet Boys, Guns N’ Roses, instead of the 21st century pop or rap that would be blasting in any other joint. Your smile widens, but you don’t even realise it. You’re finding more joy in this dated roller rink than you’ve ever felt anywhere else.
Mark turns around to tell you something. Instead, he stops in his tracks, the smile that spreads across your lips stunning him. The way your eyes light up, complementing your smile, and the way the apples of your cheeks are dabbed in a light scarlet; you’ve never looked more ravishing than you do in this very moment. Mark isn’t sure what’s the reason behind your smile, but he’s glad he managed to capture the moment first-hand.
You’re too busy basking in the glory of the vibes of the place that you don’t realise Mark has stopped walking. You almost bump into him, but you managed to stop in time. You’re now standing a small distance in front of Mark, who’s just staring at you. You don’t realise why, until your cheek muscles provide you with the answer. You let out a small gasp, your smile vanishing instantly. You cough, pursing your lips.
“What?” you say, shamelessly.
Mark doesn’t push for anything. He simply widens his smile, “They’re over there,” he says, pointing to the booth that’s hidden in the corner. You nod your head, gesturing for Mark to continue leading the way, while you followed behind. You mentally slap yourself – you’ve revealed way too many sides of yourself to Mark, that’s telling of who you truly are as a person, and not who you want people to think you are. You shake your head; maybe Mark hasn’t caught on. Maybe Mark just thinks you’re a looney ball. There’s a high possibility of that.
“06!” the blue-haired boy calls, a bright smile accompanying his greeting. “I’m Jaemin,” he says, “Didn’t get to introduce myself the other time, before you left.” You nod your head in acknowledgement.
“I’m Chenle,” the other black-haired, fair skinned one waves. “Jisung,” the brown-haired, coupled with lighter brown highlights, introduces. You nod your head at both of them; you can tell those two can’t be bothered about you. They’re too engrossed in whatever game they’re playing on their handphones.
“Hey, 06,” Jeno greets, as you claim the seat beside him. Donghyuck just shoots you a look, before averting his attention back to the conversation he was having with Renjun. “I’m glad you came,” Jeno continues. “Why’d you leave so quick the other day?”
“No reason,” you reply.
Jeno simply purses his lips, nodding his head. You can tell he doesn’t believe you, but you’re appreciative that he doesn’t probe. Instead, Jeno calls over the table, “Let’s go rollerblade,” to the rest of the boys. Jisung and Chenle are practically dragged away from their phones by Jaemin, while Donghyuck is forced to remain in his seat by Renjun, who runs after the rest. Mark sends you a small smile, “You can just find us later,” he says, before following after the rest of the boys, leaving you and Donghyuck at the booth. You’re only catching on now that you were invited with a motive.
“They’re expecting me to apologise,” Donghyuck states, breaking the silence. You look towards him, his stare still as unwelcoming as it was four days ago. “But I’m not going to.”
You let out a breath of disbelief, furrowing one brow. “I don’t think I’ve ever offended you,” you say.
“You haven’t. But I can see through you,” he says, leaning his body forward tauntingly. He raises a brow, the side of his lip twitching, “You’re not serious about Mark.”
You roll your eyes. You mirror his position, resting your folded arms atop the table. “I’m not even interested in Mark.”
“You’re already starting to be interested,” he says, hitting the exact spot. He isn’t wrong. “And it’s only going to go downhill from here. Leave while you still can.” You can’t tell if Donghyuck is just being a protective friend, or if he just hates you for no apparent reason. You just want to know why he’s so adamant about the fact that your relationship with Mark will never work out. As though he’s able to read your mind, he answers that very question.
“Commitment doesn’t exist in your dictionary,” he states.
He’s right. Commitment doesn’t and cannot exist in your world. Your mouth is left open, but you’re not able to say anything in return. You bite down on your lower lip; Donghyuck is right. It hadn’t occurred to you before, but it’s clearly evident now. If you were to continue letting whatever you have with Mark develop, and for some reason, Mark sees things in a romantic light, he’s going to end up hurt. You’ve never really considered it from Mark’s perspective. While you’re trying to take everything as a platonic somewhat friendship, he might not hold the same viewpoint. For goodness sake, you’ve already began to see Mark romantically. You don’t know what’s on his mind.
“I’m going to go rollerblade,” you murmur, sliding yourself off the seat, out of the booth. You walk towards the rental booth, retrieving a pair of rollerblades. As you remove your sneakers to change into the rollerblades, Donghyuck’s words keep ringing in your head. It’s only going to go downhill from here, he said. You let out a hesitant breath – how would he know, right…?
You tighten the lace of the rollerblade, getting up, heading into the rink through the small opening. With your eyes fixed on the floor, you lunge yourself forward, Donghyuck’s words still replaying in your mind like a mantra. It’s only going to go downhill from here, he said.
The pain is here again. It’s intense. You furrow your brows and purse your lips, letting out a restrained gasp, your hand clutching onto your abdomen. You’re so deep in thought that you don’t notice the human-sized advertisement board that’s stationed in the middle of the rink. You’re not sure what happened, but the last thing you remember, is Jeno’s loud call for you, and Donghyuck’s words that keep haunting you – it’s only going to go downhill from here. You’ve blacked out.
Renjun is the first to arrive by your side, holding you up by your head. “What are we going to do?” Jisung panics, eyes fixated on the large cut on your forehead. “Go get the first aid kit,” Renjun calmly instructs. Jisung hurries to the front desk, while Mark removes his rollerblades in a hurry. “We have to get 06 out of here.” Mark lifts your body up bridal style, the rest of the boys surrounding him to ensure that the other people in the rink are kept at a distance.
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Jeno holds the door open, while Mark enters, making his way to your bed. He waits as Jeno rushes over, pulling the comforter off the bed. Mark lays you down. “I’m going to go make sure we don’t get a ticket for the illegal parking,” Jeno says, handing Mark the key card to your dorm. Mark nods his head, “I’ll be down in a moment.”
Mark walks over to the bathroom, in search for a face towel. He finds one, turns on the tap, drenches it with water, turns off the tap, and wrings it, before making his way back to your sleeping figure. He folds the towel into a quarter, lightly dabbing at your face to get rid of the oils. When he’s done, he washes the towel out, hanging it by the drying rack. Mark notices you don’t have a humidifier in your room. He looks over at the kitchen. He pulls out the first drawer, hoping to find a glass, but instead, he finds a stash of photos you had chucked into the drawer.
He remembers how the first thing he noticed when he first came, was the fact that you didn’t have anything of sentimental value on display. He had thought you just simply didn’t care for it, but he realises now you do own things of sentimental value. You just didn’t have them on show. He skims through the stash – he realises how much you’ve changed physically; your body has significantly shrunk in comparison to before. He also realises you’ve done many things in your life. Your life seems even more carefree than you let on. He smiles.
Mark lays the glass of water he had filled by your bedside table. Grabbing the ends of the comforter, he brings it over your body, beginning to tuck you in. He notices your left hand peeking out of the comforter, so he holds it gently, placing it under the comforter. When he tries to pull away, he notices the sudden grip on his hand. He looks at your face; you’re still knocked out from the accident. Your slightly scrunched up facial features seem to indicate that you’re in discomfort.
“Are you awake?” he whispers. There’s no reply. He loosens up – he thinks he’s just misinterpreting your expression.
Mark takes the opportunity to stare at you a little longer. The soft breaths you let out the cutest thing he’s ever witnessed. The image of your smile flashes in Mark’s mind; he doesn’t understand why you don’t allow yourself to smile more often. Slowly, your grip on his hand loosens. Mark will remember your warm touch, even if you don’t remember his.
“Goodnight, 06,” he says, taking in your entirety one last time, before taking his leave.
You turn your head to the right, vision still blurry from both the fall and the excruciating pain in your abdomen. The tension in your body relaxes ever so slightly when you note that Mark only opened the first drawer. If he had gone on to the next, he would’ve discovered the one thing you’d never want him to know.
You wanted to finally be able to muster up the courage to ask Mark to stay. Maybe if he were by your side, things would be easier. But Mark doesn’t deserve such torment.
That night, as Mark tosses and turns in bed, he just can’t seem to rid the image of your smile off his head. He smiles, stuffing his face into his pillow. He can’t believe he’s fussing over something as simple as your smile. Perhaps Mark has delved deeper into your charms than he’s conscious of.
He’s just glad he has the next excuse to meet you again – the injury on your head.
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Another three days have gone by since the roller rink incident. It’s to your luck that there weren’t any classes for the past three days, because the episodes were getting more frequent. It also gave you some time to heal the big fat scar on your forehead. You decide that it looks safe enough to just be left bare without a band-aid to cover it. You honestly can’t be bothered if the sight of the red cut freaks other students out. The wound needs to breathe to leave.
You enter the lecture hall, already catching some unwanted attention. You ignore the stares, heading for your usual seat by the left aisle, away from the crowd. Three boys are already sitting there when you arrive. You raise a brow.
“Feeling better?” Jeno asks, eyes flickering to the cut on your forehead, before looking back down into your eyes. You nod your head. “Sorry. If we knew this would happen, we wouldn’t have asked you to the roller rink,” he says. You shrug, “I chose to rollerblade on my own,” you say. It isn’t anybody’s fault this happened. In fact, you’re kind of glad it happened. At least it meant that you didn’t have to go back to the booth to face Donghyuck’s scrutiny. Speaking of, the boy is just sitting there, staring at the front of the hall, completely disinterested in you.
“I’m going to sit elsewhere,” you say, taking the first ascending step. Mark wraps his fingers around your wrist, a loose hold keeping you in place. It’s not even surprising anymore that you don’t immediately shrug his grip off. Maybe a part of you is slowly getting used to Mark. Maybe a part of you is slowly coming to accept Mark as somebody that you want in your life. Maybe, just maybe, you think it’s worth risking the hurt that comes with relationships, if it means you can dwell in Mark’s presence for a little longer.
You turn to meet eyes with him. From his gaze, you already know he’s telling you to sit with them. Your eyes shift to glance at Donghyuck, who is glaring at you at this point. His glare is telling of how he wants you to reject Mark, to go sit somewhere else, to get off Mark’s case. You’re conflicted.
“I’ll see you later,” you say. Mark pauses for a moment, eventually letting go of your wrist.
You walk up, to a seat a few rows above them.
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You remain in your seat as you watch the other students scurry out of the lecture theatre upon dismissal. Your eyes find its way to the back of a certain slightly curly, black-haired boy’s head. Your eyes shift to rest on the white bottle that has basically become your lifeline at this point. A bitter scoff escapes your lips as the words ring in your mind – things are not looking optimistic.
Maybe that is the only reason why you find yourself getting off your seat, slinging your tote bag over your shoulder, descending a few steps to arrive at Mark’s row. You wait by the aisle for him to notice you. He does this time, without Jeno’s help. He looks at you, smile immediately stretching across his lips. “I said I’d see you later,” you say. Mark’s smile widens a little at that. You ignore the dirty look from Donghyuck, and you’re no longer foreign to the soft stare from Jeno.
“Are you free right now?” you ask.
There’s a light bulb that’s suddenly illuminating in Mark’s heart. Perhaps it should be the other way around. Perhaps he should’ve been the one to ask, but he’d only have a 20 percent chance of being graced with the answer he longs for. But here you are, standing before him, the question rolling off your tongue so easily, with a 100 percent chance of being graced with the answer you want to hear. Mark doesn’t even need to think twice. He’s been waiting for this, and he’s excited. He’s getting the feeling of warmth spreading throughout his body. His smile only gets bigger as he replies, “What do you have in mind?”
In 15 minutes, the two of you are still within the vicinity of the campus, but in land that is foreign to Mark, yet it’s as close as a second home to you. Mark looks over the horizon, the view simply striking to him. He never knew that such a place, let alone such a view, was in reach in a matter of minutes. It’s probably because it’s in restricted premises, but you don’t tell him that. His goody-two-shoes nature would freak out. But that’s a part of Mark’s charm.
“Damn,” he gasps, taking in a breath, “This is amazing.”
For the first time ever, in front of someone that’s not your reflection in the mirror, you smile, willingly. The way the gentle breeze tickles your skin, the way the rustling of the leaves creates a pleasant melody, the way the view serves as the perfect panoramic shot in a romance movie. It’s all fantasy, and it’s all your imagination. But at least you’re sharing it with the one person you’ve somehow created a bond with. People might think it’s ridiculous, you’ve barely interacted with the boy for more than two weeks. But those people are the same people who don’t believe that feelings of attachment and liking comes quickly, and they’ll always get to you. You can’t stop falling. That’s the fatal part of attraction.
You turn to look at Mark. You openly stare at his side profile, taking in his entirety, memorising the sound of his giggles, the little nose scrunch when he laughs, and the way his eyes light up when he smiles. Who knows? This might be the last.
Mark turns to look at you. He gazes into your eyes. It’s so heart-stopping you feel your breath hitch in your throat. Your heart is fluttering at the eye contact. He’s smiling, and he’s smiling for you. Maybe he has been all this while. But now, you’re smiling, and you’re smiling for him. You wonder what he’s thinking about.
Mark stares at you. Mark watches your eyes light up with joy, but he doesn’t know what sparks it. Mark notices how you are finally able to freely give in to the urge of allowing the two ends of your lips to be tugged upwards; Mark takes note of the way your eyes form crescents, the way the pink in your cheeks become prominent under the sunlight. It is as though the entire scene is unravelling in front of him in slow motion. The scene that stars only you.
The both of you feel it – the attraction. You’re fully aware of the reality of the situation in this moment. Mark is the warmth you don’t deserve. You’re the cold that’s toxic to him. Maybe not now, but you’ll eventually be.
Mark isn’t sure what’s got him so confident. Perhaps it’s the way your smile seems to be giving him the consent he seeks, and perhaps it’s the fact that he’s only realising now how hard he has fallen for you. You’re like the soil; regardless of how much he has dug, he still has so much more to dig. He doesn’t know you fully yet, and he isn’t confident that he ever will. He knows he wants to.
You notice when Mark’s eyes drop to your lips. Your body tenses as he inches forward, bit by bit. You want him to close the gap. You want his lips to come into contact with yours. You want to feel Mark’s warmth. But you know it all too well – warm and cold don’t mix well. They’re not meant for each other. You’re not Mark’s fate.
You place your hand on his chest; he stops immediately, eyes snapping up to meet yours. Embarrassed, he immediately takes a step back, avoiding eye contact, tugging at the hem of his shirt, letting out an awkward cough. “I’m so sorry,” he says. He mentally berates himself. You reach out, interlocking your fingers with his. He looks back at you, eyebrows raised, mouth forming an ‘o’. You remember that face. You let out a chuckle. That might just be the most beautiful thing Mark has ever heard. He doesn’t tell you, though.
“I didn’t mean it like that,” you say. Mark lets out a sigh of relief, “Good, otherwise it will be really awkward.” You chuckle once more – gosh, he’s really cute.
You reach into your pocket, pulling out the film you had prepared with the intention of giving it to Mark. You hold it out, and he takes it, analysing the photo. “What’s this?” he mutters, taking a closer look. He realises it’s a photo of your letterman jacket, the iconic ‘06’ that everyone has learned to associate you with, in full view. He looks up to meet eyes with you, awaiting your explanation. You smile, averting your attention to the beautiful view.
“Just because,” you say. Mark doesn’t understand.
“Mark?” you call.
“Yeah?”
“We have the whole of next week off, right?” Mark hums in response.
“Let’s meet here in exactly one week,” you turn to look him in the eyes. Maybe then, we can have our first kiss.
Mark smiles.
“Okay.”
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Mark taps his fingers on the grass. He’s been waiting for an hour, but there’s still no sight of you. He checks the time – 4PM. He decides that you’re probably held back by something, so he continues to wait, biting on the insides of his lips as he counts down the minutes.
Another two hours go by. Mark is now laying on the grass, staring up at the sun that is beginning to set. He’s not sure why you still haven’t shown. Mark wonders if you have forgotten your promise to meet here today. It’s been a week of absolutely no contact, after all. He decides that it’s unlikely that you’ve forgotten. He believes you’ll show, so he continues to wait.
Another hour goes by. The sky is almost dark now. Mark sighs. Did you change your mind? Mark stands up. Usually, he’s not one to confront. But Mark treasures this connection. Mark wants to make things work, even if it means having to take multiple steps forward, whenever you take one step backwards. Mark begins the trail to the campus dormitories. Even if you’ve changed your mind, he deserves to know.
Mark knocks on your door. He waits. There’s no reply.
Mark knocks again. Silence.
’06?” he calls, knocking once more.
Your neighbour peeks her head out. “Are you looking for the tenant?” she asks. Mark nods his head. “The tenant already moved out,” she says. “What?” was all that Mark manages out.
Mark’s heart begins to pick pace, but not in a good way. He rushes down to the front desk.
“Did the student who lives in room 612 move out?” he asks, panting to catch his breath. The front desk lady looks stunned for a moment, but doesn’t question Mark’s intentions. She types at her desktop, clicks a few times, before replying with, “Oh, this student,” she says, distinctly recalling the haste in your exit. “Moved out a few days ago. It was so sudden, didn’t even bother about the overpaid rent,” she comments. Mark’s brows knit at the revelation. “06 left?” he breathes.
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While the rest of the boys were busily engaged in their small clusters of conversation, Donghyuck has his eyes fixed on Mark. He knew this would happen. Donghyuck’s eyes rests upon the film that Mark holds with his fingers, as though it’s the most precious object he has ever laid his hands on. Donghyuck sighs. Mark looks up at Donghyuck briefly, a faint smile forming on his lips. Donghyuck clicks his tongue, shaking his head in disapproval.
“What are you thinking about?” Donghyuck questions, even though he knows what the exact answer is. Mark shrugs, affirming Donghyuck’s assumption. “Seriously, when are you going to stop thinking about that person? It’s been months, close to a year, and you’re still holding onto the futile hope that something will change? Because it won’t.”
Mark lowers his gaze. He scoffs bitterly, “Maybe you’re right.”
“There’s no maybe, I’m always right.”
Mark doesn’t respond. Donghyuck looks at him, taking note of the genuine sorrow in his eyes. Mark has changed a lot within the span of the past few months. The Mark that was once overflowing with joy, bursting out in giggles and laughter over the smallest things; that Mark is gone. The Mark before him right now, is a Mark that hasn’t shown any signs of genuine happiness in forever. The Mark before him, is a Mark that has long forgotten how to feel the different emotions. That is, except one emotion – longing.
Donghyuck lets out another sigh.
Mark turns the film around. Hidden in the corner of the black coating, were the letters that forms your name, inked in black marker. It can only be seen when the light directly reflects upon the letters. Mark smiles a bittersweet smile. He remembers how carefree you were as a person. He remembers drawing up a mental metaphor to compare the way you lived life, to dancing. You lived everyday like you were dancing. Even more than he’d ever know.
Mark wonders where, with whom, and to what music you’d be dancing to now.
Without leaving a span of a shadow, where did you disappear to?
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Hidden in the corner, amongst the very many slabs with semi-circular tops, sits one lonely slab, that is patiently waiting for the visitor who’ll never show up.
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itsclydebitches · 4 years
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To expand on your previous ask, it doesn’t help that main representative of the suffering Mantle was that racist drunk asshole. Seriously, they cut to this guy MULTIPLE TIMES across multiple eps, like we’re supposed to care about a dude who should’ve been a one scene character Weiss beats the shit out of. Idea: keep Forest alive and have HIM be the representative, say what you will about him, but it would give his character depth and not give focus to an unsympathetic jackass.
Right? Absolutely agree about the drunk dude and that Forest could have been that representative, but as it stands, he actually functions as further evidence against the “Ironwood is oppressing Mantle” argument: 
Forest takes issue with how Ironwood exploits Mantle for resources, and though he’s entirely justified in that view given the limited information he has, we as the audience know post his introduction that Ironwood is attempting to stop Salem, which is... incredibly important. We likewise know that Ruby knows his plan won’t work — further stretching that responsibility. Forest’s perspective is uninformed, as is Ironwood’s. Forest doesn’t know that Ironwood is trying to keep him safe, Ironwood doesn’t know that his measures won’t work, Ruby does know and actively keeps that information from him... so why are we, the informed party here, mad at Ironwood for trying to do a good thing while unknowingly limited by an ally? The audience should understand that Forest’s perspective isn’t reliable here. 
Forest, in his ignorance, simplifies these issues down to unhelpful extremes. As his wiki puts it, “He apparently had somewhat of a tendency to over-exaggerate matters, calling James Ironwood's rule over Mantle a ‘tyranny.’” Looking at the volume as a whole, it’s clear the takeaway should be, “Forest is rightfully angry at the state of his city, but doesn’t understand the situation well enough to acknowledge its nuances, let alone accurately apply blame. He possessing a black and white view that doesn’t fit into RWBY’s gray world.” 
For all his anger at Ironwood, Forest spends just as much time criticizing Weiss. As a character he draws attention to the fact that Ironwood is not acting solo here: Mantle is also dealing with the corrupt Schnee manipulating the city for his own gain. The rest of the story — Jacques is cheating his way onto the Council, Jacques is teaming up with Watts, Jacques only wants to eliminate the embargo for his own wealth, Jacques’ actions lead to the loss of heat — supports the takeaways that a) This is not “Ironwood’s tyranny” and b) Even though Ironwood has made decisions that hurt Mantle alongside Jacques’ decisions, the difference is that Ironwood’s is in the city’s long-term interests (and, again, are made with inaccurate information). 
Forest is an avid supporter of Robyn. I get that a lot of the fandom wants to ignore these points, but Robyn is still the ‘hero’ who tried to get Ironwood to spill all his secrets in front of Jacques, went behind Ironwood’s back with Blake and Yang before playing at his ally, stole Amity resources without (apparently) doing anything with them, and took Tyrian’s side in the ‘Yeah, let’s fight’ debate. Forest’s status as her follower does not look good by the end of the Volume. 
Forest is promptly murdered by Tyrian after he leaves the airship. One of the perspectives Volume 7 insists on trying to promote is ‘Ironwood is unhinged in his paranoia about Salem and thus can’t be trusted to make good decisions,’ yet the story itself ignores that he is, at every turn, proven right. Putting aside the major stuff like ‘Salem’s subordinates did break into Atlas just like I said they might’ and ‘I couldn’t, in fact, trust my allies even though I hoped I could,’ this moment tells the audience early on that all of Ironwood’s worries are established facts. ‘You’re too obsessed with the idea that Salem’s subordinates might harm your people. Chill out,’ the story says. ‘Salem’s subordinates are murdering your people in creepy allies,’ the story also says. That second point severely undermines the first. 
We start the volume with Forest telling us that Ironwood is tyrannical and we end the volume with Oscar telling him he’s as bad as Salem... but everything we’re shown contradicts this. Forest is a crucial piece of that. If you want your audience to come away believing that this man is needlessly hurting Mantle via measures that are far too extreme, don’t show us a man unintentionally hurting Mantle for incredibly good reasons via measures that are, in the end, not extreme enough. Volume 7 insists very strongly that Ironwood’s choices go too far — stop taking resources, get your army out of the streets, trust more people - but at every turn we’re shown how the supposedly extreme measures weren’t extreme enough to prevent things like two separate Salem groups sneaking into the city, Tyrian murdering numerous people, Ironwood’s allies betraying him, etc. The characters encourage Ironwood to stop taking precautionary measures while the villains actively blow through the few he’s managed to put up. Forest was never an example of Ironwood’s antagonist nature. Forest was an example of a struggling, ignorant populace who paid the price because the heroes haven’t yet managed to do even more. 
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tuiyla · 4 years
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She-Ra’s like, really good, people
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It’s been over a week since She-Ra season 5 came out and I binged it and this is not going to be coherent but I just want to rant about it a bit before writing some more structured metas. I deffo wanna write about Catradora and how I think SPoP is the true spiritual successor to the Avatar.
But first, let me just scream about how good this show is. I already started rewatching it, pretty much straight after finishing it, and I don’t rewatch tv shows often. The exception is Avatar (seen it like 15 times) and sitcoms. But She-Ra is so layered that I felt like I needed to watch it again just to appreciate the dynamics even more.
I already enjoyed the first season but it kept getting better and better. I’m not in love with the art style and it’s definitely for a younger demographic overall than my other favourite animated shows, but like any good kids’ show it balances tone well. It doesn’t talk down to its target demographic but also includes more traditionally mature themes in a digestible and entertaining way. Not all the jokes landed for me but as the series went on I learned to appreciate the tone and the type of humour She-Ra goes for.
It’s funny to me because this is definitely the type of show I would have rejected as a kid, with all the princesses I would have deemed it “too girly” and therefore not for me because screw gender roles. There’s a degree of internalized sexism to that, for sure, a rejection of the feminine because it’s always been seen as less somehow. But there’s also a truth that, at least in my childhood of the late 90s and early 00s, children’s media targeted at girls often had a poor quality to it, at least when compared to “boys’ stuff”.
She-Ra is not only a clever, heartfelt, complex story, it also transcends that binary of having to be either for girls or boys. I know most of modern animation rejects that as well, but She-Ra embraces so many traditionally feminine qualities while also going beyond gender roles and even the gender binary. This show is so queer, man, and I love it. It’s especially impressive when you consider the source material that was literally just the girly version of He-Man. I have no beef with 80s She-Ra, haven’t seen much of it, but this is such an upgrade.
That being said, I would have loved to watch She-Ra as a kid. I’m so incredibly envious of kids, aged around 10, who get to watch this show as they’re growing up. But I am so, so, so happy for them and for the future of animation that shows like She-Ra can be made now, that they’re being made. I’m going to go into spoilers soon, but just before that: She-Ra’s a perfectly enjoyable show in many aspects. I think the worldbuilding’s pretty cool, the story feels coherent and planned out, it’s lighthearted and so genuine. That’s the word that I ultimately choose to describe the series: genuine.
I feel like so much of TV aims to be dark and gritty nowadays, animation included, and though that’s slowly turning to dark comedy or a balance between fun and serious, it’s still the norm. At some point in the last decade, creators became terrified of being judged as cheesy. Even something like the MCU bathes in bathos to avoid being cheesy. But She-Ra proves that creators shouldn’t be afraid of being genuine, of basing characters and storylines on the simple power of love. Like, it’s such a cliché trope but I think that’s mostly because it has become stale.
Noelle Stevenson has talked about the importance of love in her story and I’m so grateful for that. Through, She-Ra, she’s truly proven how powerful love can be in a story and how it doesn’t have to be cheesy. It’s just so unabashedly genuine. The power of love and friendship literally saves the day several times but it’s always so genuine and more importantly it always makes sense that it doesn’t get boring. If the foundation wasn’t there, then I’d say “well this is just super cheesy”. But the show makes a point of building relationships and making them the focal point of the story.
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Alright, so, spoilers because I need to talk about character arcs and THAT KISS and just everything. I really need to write more in depth about Adora and Catra and their relationship but for now I feel like it’s so important to appreciate how they’re developed. Everything from their shared childhood to their trauma with Shadow Weaver and the finding their way back to each other, it’s just *chef’s kiss*. It’s so well-written and believable. Ngl, I do have some minor issues with Catra’s redemption arc. Let’s just say that on a scale from Kylo Ren to Zuko, she’s definitely closer to Zuko. I also appreciate Shadow Weaver’s death scene and how it allows them to move on. I didn’t see that one as Death as Redemption and it shouldn’t be. Again and again the show made it clear that she was abuse towards both girls and nothing will negate that.
From what I can tell, the fandom really latched onto Catra, even when it wasn’t clear whether she’d get a redemption arc. I think that’s important, because unlike some characters in animation, Catra’s actions were almost always framed appropriately. There was always an understanding as to where she’s coming from, how she’s acting from a place of hurt, and yet her actions weren’t justified. They weren’t suddenly all okay just because she’s hurt, too. I especially loved in the season 3 finale when Adora was allowed to finally say no, to say that Catra’s actions were not her fault. That season as a whole was beautiful, like, episode three when Adora’s struggling so much and Catra has the opportunity for a better life but she still fails to choose her own happiness because she’s too bitter over SW and Adora? It’s poetic cinema. I love that angst, so well done.
It would be so easy to misfire in Catra’s storyline and either a) write off all the awful things she does because she’s just “misunderstood” or b) irredeemably stuck in her abusive environment with no hope of escape. They balanced quite well there and managed to handle such a complex character with delicacy. I’m quite happy with how Catra was portrayed because on the one hand, she’s painfully relatable to me and I assume to many others. The audience can see their own mistakes reflected in her character because we’ve all been too stubborn, done things out of spite, refused to acknowledge that we were wrong because we were hurting so much. At the same time, I always felt like the show gave me enough space to judge Catra’s actions and acknowledge that she was in the wrong. I honestly think I would have been a better adjusted teenager is if saw this show just before my angsty years, lol.
I’m going to write more about Adora at some other point but I love how vulnerable she’s allowed to be. Protagonists never used to be my favourite characters because they all seemed the same, with two major categories: the stereotypical male hero who can do no wrong or the angsty boi who can be shitty and the text still frames him as awesome. It’s only recently with series like The Legend of Korra and She-Ra that I go “damn, protagonists can be like that, huh.” Adora is a dumb jock who tries so hard and she deserves all the hugs in the world.
Also, Catradora? Breathtaking, amazing, groundbreaking. No doubt She-Ra needed shows like Adventure Time, LoK, Steven Universe and the likes to pave the way but still, it went there. I saw people be anxious about whether they were gonna be queerbaited, but I always, idk, knew? Trusted? That She-Ra would follow through. I didn’t wait six years for Bubbline to happen for Catradora to not get their big damn kiss. The series has been so effortlessly queer from the get-go that it just made sense that they were always heading there. I did see a gif of the kiss before watching s5 and ngl, that spoiler kind of bummed me out in a way that I wanted to be surprised. But even before I saw that I wasn’t worried. And the context of their journey in season 5? That cannot be spoiled by a simple gif. You have to experience that to fully appreciate it and that is the marker of good storytelling.
I understand that, though this should be the norm by now, Noelle Stevenson still had to be smart about how she approached the execs and she wasn’t sure this could happen. I cannot tell you how happy I am about what she said regarding how Catradora was so integral to the story that the execs couldn’t not allow it. That’s so brilliant, and it feels so natural in the story. Queer love saves the day and it’s not ambiguous, it cannot be censored because you lose a part of the story without it. You did it, Noelle, you funky little lesbian, what an icon. I can’t wait to see more stuff from her.
In other news, I appreciated other characters as well, like how all the princesses got to be different and awesome in their own unique way. Season 5 was great for so many characters, Mermista got so much to work with and Spinnerella and Netossa got so much more characterization than in previous seasons. Glimmer continued to be the third most important character in the story and I’m happy about all the relationships that also got to be canon. Good characters and dynamics all around, no wonder since the show is built on that.
Such a satisfying conclusion and one that makes you feel like this is just part one of a much bigger story. Such genuine, heartfelt moments, well-developed characters, complex themes explored in a respectful and digestible way, and such an unapologetically fun show. Melissa Fumero as a side character? Yes please. Catra’s new haircut? Heck yeah! She-Ra’s new design? Oh my.
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I’m not even like, super into She-Ra, and I usually don’t write so much about things I only watch casually. But this show is so good and important that I had to rant. And I will write more about it eventually, but for now I needed to get all of this out. I’d give it a better structure but if I really get into I might never end up posting it so for now here, have this ramble of love. She-Ra, of all shows, deserves that.
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It’s been a while, what with me being being more active on Twitter these days, but I had some thoughts churning around in my brain and this felt like a better place to post them rather than threading them over there.
This is a post about Persona 5 and restorative justice. Before I go any further, though, a note: this is meta about restorative justice and prison abolition as ethical philosophies only, how it can be expressed/structured in works of fiction, i.e., Persona 5 and Persona 5 Royal, and what the importance of doing so is.
I should also note that I am not a philosopher, a legal scholar, or an activist, I just like to read, and I strongly encourage you to look into the topics I’m discussing in this essay. If you want specific recommendations you can DM me; again, this being meta about a video game, I think linking those titles here would diminish their importance regarding what they’re actually about.
Ready? Okay. Let’s get started.
what is restorative justice?
‘Restorative justice’ is a concept in ethical and legal philosophy that holds itself in contrast to two other kinds of justice: punitive and carceral. Punitive justice is justice as punishment, i.e., an eye for an eye, while carceral justice involves justice as the confinement of criminal offenders. While both have heavy overlaps with one another, they’re distinct in the generality vs the specificity of their outcome: punitive justice can involve the death penalty, property seizure, permanent loss of rights, etc., carceral justice refers strictly just to the incarceration of criminal offenders in institutional facilities (jails, prisons, etc.).
Restorative justice, in contrast, roots itself in the understanding of closing a circle: the best and most holistic way to heal harm one person inflicts on another is to have the person who inflicted the harm make reparations to the person they hurt in a tangible and meaningful way. This can take many forms, and if you’re passingly familiar with restorative justice already, you may have heard about it involving the offender and the victim meeting face-to-face. This does happen sometimes. Personal acknowledgement of the harm you’ve inflicted on someone is important, and direct apologies are important, but these need to also be coupled with actions. The person behind a drunk hit-and-run of a parent could help put their orphaned child through school, or a domestic abuser could be made to take counseling and go on to help deter domestic violence in other households, and so on. 
The vast majority of states across the world use punitive/carceral models, though small-scale community trials of restorative justice have been attempted, to varying degrees of success. No one is going to argue that it would be easy to implement, but it is important. Restorative justice is about recognizing that crime, specifically crimes against other people, are fundamentally still about two people: the perpetrator and the victim. And we have to look beyond the words perpetrator and victim to recognize that they are both human beings and challenge ourselves to build a society where our concept of justice means healing hurts instead of retaliation.
It’s not easy, but it is possible. It requires changing your own perceptions of justice and humanity and society and the big wide entire world to have the kind of mindset that allows it to be possible. But it is possible, and I know that from personal experience, because it’s my own mindset and I’ve been through trauma too.
prison abolition and the god of control
Persona 5 has an authority problem. By which I mean, Persona 5 has a problem challenging authority in any way that functionally matters.
The game is drenched in heavy-handed prison imagery, from jail cells to wardens to striped jumpsuits to cuffs and chains to an electric chair. Throughout the long build-up of the main storyline we’re treated to a confectionery delight of punitive justice, stick-it-to-the-man justice: the Thieves find a bad guy who coincidentally has personally hurt or is actively hurting one of their members, and they take it upon themselves to make the bad guy miserable and then send him off to jail. By the end of the arc you’re meant to feel like you accomplished something heroic, that by locking someone up you’re balancing the scales of justice. In the Kamoshida arc Ann even frames this in restorative justice terms, telling him he doesn’t deserve the easy way out of ending his own life and needs to live with his mistakes and repent, but he’s still sent off to jail regardless and Ann and Shiho are left to struggle through the trauma he put them through without anyone to really support them. This repeats itself, over and over: Madarame, Kaneshiro, Okumura, Shido--expose the bad guy, bring him low, publicly shame him, and then send him away (or, in Okumura’s case, watch him die on live TV to riotous cheers from the public).
And what does this all accomplish, in the end? You get to the Depths of Mementos on Christmas Eve to find the souls of humanity locked away in apathy, surrendered willingly to the control of the state, and your targets right there with them, thanking you for helping them return to a place where they don’t have to think of other people as people any more than they did before. In prison, they can forget that they are human beings and that all of the rest of the people in the world are too. The Phantom Thieves march upstairs and defeat the Gnostic manifestation of social control, that being that masquerades itself with lies as the true Biblical god. And then you go back home and the adults tell you that everything is okay now, the system itself isn’t rotten, and you just have to sit back, stop actively participating in the world, and let them take the reins.
It’s one of Persona 5′s most ironic conceits. “Prison abolition....good?” the player asks, and Atlus swats you on the hand and says, “Silly kids, prison abolition completely unnecessary because you can trust the state to not fuck up anyone’s lives anymore ever.” All while using prison imagery to present prisons as institutions inherently divorced from what might constitute actual justice.
Prisons exist because hierarchies exist, and so long as hierarchies exist, inequality will exist and people will commit harm who otherwise likely would not. But you can’t have your cake and eat it too, Atlus. You can’t frame prisons as an inherently unjust institution used to control people because you didn’t do anything to get rid of the hierarchy. You just gave the hydra a few new heads.
restorative justice and rehabilitation
Rehabilitation is Persona 5′s favorite buzz word, and for all that it’s used the game never really clearly defines what it’s supposed to mean. Yaldabaoth uses it as a euphemism to describe the process by which he creates his ideal puppet, but Yaldabaoth bad, and by the end of the game, Yaldabaoth dead. We get barely any time with Igor after that for Igor to define rehabilitation properly on his terms, which is notable in that Igor is the one who’s supposed to be the spiritual mentor of the wild card within the Persona universe. 
We can only infer from that that it’s the player who’s meant to define what rehabilitation is by the end of the game, but because the game fails to take any concrete stance on its themes that could in any way undermine the idea that society isn’t functionally broken, it’s hard to figure out what conclusion we’re supposed to draw. As I stated above, the game immediately walks back any insinuations that it’s the institutions themselves that are rotten by having Sae and Sojiro step in and assume responsibility for making the world just by continuing to operate within the rules society itself has created. If you can’t beat them....join them?
If anything the closest we can get to coming up with a definitive understanding of what the game wants us to understand rehabilitation as is when the protagonist is in juvie. During those months we’re treated to an extended cutscene of all of your maxed out confidants taking action to get you out of jail, but because you can trigger this scene even if you haven’t maxed out all of your confidants, and because the outcome (getting out of juvie) is the same even if you haven’t maxed out any besides Sae, then we’re right back where we started.
But that cutscene still has a sliver of meaning to it despite it being largely window-dressing, because the game does push, over and over, the argument that it’s through your bonds with others, through building a community, that you’ll rehabilitate yourself and find true justice.
And that’s what restorative justice is about: community.
the truth: uncovering it vs deciding it
I can’t find enough words to convey how infuriating it is that Atlus comes so close to telling a restorative justice narrative and then completely drops the ball on displaying it at all in Goro’s character arc.
Goro’s concept of justice is fundamentally punitive, the textbook “you hurt me so I’m going to hurt you back.” In doing so he goes on to hurt a whole bunch of other people: orphaning Futaba, orphaning Haru, triggering a mental shutdown in Ohya’s partner Kayo, and also killing countless millions other instances of mental shutdowns, psychotic breakdowns, bribery, and scandal that caused people material harm and, in a handful of cases, killed them.
Yes, Shido gave him the gun, but Goro pulled the trigger. And in a restorative justice framework, you don’t bypass that fact: you actively interrogate it.
There’s been a lot of really great meta about what the circumstances of Goro’s life were like, including the Japanese foster care system, the social stigma of bastardy in Japan and the impact it has on an illegitimate child’s outcomes, and the ways in which Shido groomed and manipulated Goro into being the tool of violence he made him into. These things aren’t excuses for what Goro does, however: they’re explanations for it. They are the complex social issues that create a situation where a child feels his best choice, indeed maybe his only choice, is to take the gun being offered to him and use it on other people. If you want to prevent more kids from slipping through cracks into those kinds of situations, you need to understand the social ills that made those cracks appear in the first place and you need to fix them. Otherwise there will always be another kid, and another recruiter, and another bad choice, and another gun. Systemic problems require systemic solutions.
Even so, none of that bypasses the fact that it was Goro’s hand on that gun, that it was Goro who performed the physical action of killing Wakaba’s and Okumura’s shadows, and that, as a result of Goro’s direct actions, Wakaba and Okumura died. You can say Okumura deserved it all you like, but Haru doesn’t deserve to be an orphan. Haru deserved to repair her relationship with her father. Okumura deserved the chance to learn and make direct, material amends to the employees he hurt and the families of those who died on his watch, and they deserved to have him give them a better way to heal.
But this isn’t about the loss of Okumura making amends to his family or his victims: this is about Goro Akechi, and the fact that even in Royal his fraught relationship with Haru and Futaba is never explored, barely even addressed. There’s not even any personal, direct acknowledgement from him of the pain he put them through.
You can say he doesn’t care, and that’s fine that he doesn’t care. And it is. He’s a fictional character, this is a video game, they are anime characters.
But Persona 5 flirts with the idea of restorative justice and never fully explores it, and it’s a weaker game for that.
the thin place, the veil between worlds, the line in the sand
This is the last part, I promise, and I’ll be short and brief here, because the truth is that none of this matters, at least not in the way that you think. Persona 5 is a story. It’s a lie that we buy. It’s all zeroes and ones and electrical signals and optical images on a blank black screen.
But art can be powerful. Art is like magic, the deepest magic, the oldest kind. We human beings are creatures of art and poetry, of images and patterns, of music and words. Good art, really good art, can allow us to explore new ideas and critique our internal assumptions about how the world works.
No, fiction doesn’t affect reality, not the way that you think it does.
But if you’ve gotten this far, I just got you to read an essay on restorative justice and prison abolition in regards to a Japanese role-playing game, and that is something to think about.
How do you define rehabilitation? What kind of justice do you believe in? Is the way you conceive those things really the best way?
And how much more interesting could a story that challenges those concepts be?
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10/05/2021 DAB Transcript
Jeremiah 4:19-6:15, Colossians 1:18-2:7, Psalms 77:1-20, Proverbs 24:23-25
Today is the 5th day of October, welcome to the Daily Audio Bible I’m Brian it is wonderful to be here with you today just like it is wonderful to be here with you every day. We’re fortunate. We’re fortunate to have the Global Campfire. We’re fortunate to have this place to come to each and every day. And, so, I'm grateful. And let's dive in. We are in the book of Jeremiah, kinda just getting moved into that. We are also in the book of…the book, but the letter to the Colossians, which we just began yesterday. So, we’re just getting into that so it's kind of new territory for us. We’re reading from the Common English Bible this week. Jeremiah chapter 4 verse 19 through 6 verse 15 today.
Commentary:
Okay. So, there are days when we come to our reading from the Psalms that what we read is so raw, so honest, and we find that as a bit of a trademark in the Psalms. And we find that actually in music, right? We can find certainly pretentious music, sometimes that heart cry, or that person singing about heartbreak or some other thing that has happened and it just comes through because of the music, the feeling the emotion of the words is exponentially amped up, more on display. And, so, when we find music, a song, a lyric from the Psalms in the Bible saying what we feel, then we identify with it. And we may be…we may take a step back and go, “why is that in the Bible? The Bible’s supposed to be full of encouragement, all positivity.” But actually, the Bible is something that's there to reach our hearts and to lead us to God. And honesty is a place to start. And, so, we see that in the 77th psalm today that Asaph wrote. And he cries out in this Psalm with like…like a barrage of questions…maybe not a barrage…six questions in particular, but one after the other after the other. And if we pay attention to those questions, we find…we find ourselves in different seasons in our…in our lives having asked the same things. So, Asaph asks, “will my Lord reject me forever. Will He never be pleased again? Has His faithful love come to a complete end? Is His promise over for future generations? Has God forgotten how to be gracious? Has He angrily stopped up His compassion?” Those are some intensely honest questions. And maybe we haven’t used these exact words, but we've had these sentiments, we've had these thoughts, they've been in our hearts. Many of them we've spoken aloud and typically this is happening when we are not happy about something, right, when we have a crisis to deal with or we have to endure something or we’re suffering in some way. We usually don’t ask where has His…His compassion gone if everything is awesome and were having a great day. It’s usually when we’re in a season of challenge that these kinds of things begin to bubble up out of our heart. And it's not like they weren't there. They just emerge. They reveal themselves and all the sudden we check in with our own hearts and see that we’re not doing all that great. And at this point in the Psalm Asaph isn't doing that great. So, he asks these six questions that we just asked or read ourselves. His response after those six questions is, “it's my misfortune I thought that the strong hand of the most-high is different now.” That is so honest. That…that…that rings true. This is how he is actually experiencing life at the moment. And it…it's so ancient. These words are thousands of years old and so relevant. And, so, we can see again, permission to be honest, it's just what do we do once we reach that place…point…point that we stuffed things down inside enough till they kind of emerge, whether they blow up or they just seep out. What's going on in our heart is going to seep out into our lives. So, what we do with it. Well…the first thing is to be honest about it. We’re seeing this modeled in the Bible, to be honest about it, but there are still choices to be made, because we can get really honest about how were feeling and we can cry tears and weep and plead and yell and spin around in circles and jump up and down and do whatever we need to do to release some of the energy, but we can get stuck there as if nothing will ever change and we can…we can turn toward bitterness and that will only make it worse. That will only lead us into further depths. It's…it's as if Asaph caught himself and then gives another path. And, so, Asaph says, “I will remember the Lord’s deeds. Yes, I will remember your wondrous acts from times long past. I will meditate on all your works. I will ponder your deeds. God, your way is holiness. Who is as great a God as you, God? You are the God who works wonders. You have demonstrated your strength among all peoples.” So I don't know that Asaph was a journal-er, but what he’s saying is he will remember what God has done and let that inform how he's feeling now. And, so, often when we have kind of journaled our way through a year or through the Bible we’ll always have that so that when we can't remember we have an epistle to ourselves, a letter to ourselves, essentially, that reminds us so that we might remember God's faithfulness toward us, that yes, how we feel, what we’re enduring, what we’re facing, that's real, it's formidable, maybe it's terrifying, maybe scary, maybe it brings anxiety. It’s life. It can be anything. The problem isn't being honest about it, right, so that we fake, like it's not happening, which is so really prevalent in our faith culture. It's…it’s not the honesty that's an issue. It's what we do with it. If we use our honesty to dig a pit that we might wallow in it, we can certainly do that and we’ll stay in the pit, we'll be in the pit until we get out of the pit. What Asaph is modeling is recognizing through honesty that you are at a precipice in making a choice to remember, we’ve been this way before, suffered things before, endured things before, and scared before. God is faithful, and I will remember that. And, so, let's take that into our day. I mean, that right there, I know…I know lots of you are going through stuff and need that today. And, so, thank God, I totally understand. And, so, let's carry it today, that honesty is necessary and important, but it's not the end. It's the beginning. Let's be honest, and then let's remember that God is and has always been faithful.
Prayer:
Father, and we acknowledge that. You are always faithful. We have no examples of a time where You double-crossed anybody. You have always been true. You've always according to the Scriptures had a desire to be in fellowship to draw us to Yourself. We see this on every page of the Bible, Your relentless unwillingness to surrender us and Your continual willingness to pursue our hearts over the course of thousands of years and that hasn't changed. You are faithful and we remember. And come Holy Spirit and bring to mind throughout the course of this day all kinds of time maybe we’ve forgotten that You’ve been faithful and have rescued us. This encourages us. This gives us confidence. This develops our faith. And, so come, we pray in Jesus’ name. Amen.
Commentary:
dailyaudiobible.com is home base, it's the website, it’s where you find out what's going on around here. And as I say often you can find out what's going on around here using the Daily Audio Bible app as well by pushing the Drawer icon in the upper left-hand corner.
And actually, let’s take a second to talk about that because a number of you, thousands of you have had some problems over the last several days, especially…specifically accessing the Daily Audio Bible through the app or through web. And I could probably sit here and talk for several hours…and I mean…probably hours just about what it's like in the technology world and developing etc. etc. and the way in which it is a nonstop, constant…constant move forward. Just like we do at the Daily Audio Bible, a step forward together every day. But some of the stuff that's happened in the last couple of days that have been frustrating have been frustrating to us too because it's been beyond our control. Essentially, there…not to get too far in the weeds, but there's a way that security is done on the Internet and encrypting things so that data can’t be intercepted or passed along, and we don't have any of that kind of data at the Daily Audio Bible but we follow those protocols. And a major Internet security certificate issuer let their own certificate expire, which ended up affecting hundreds and hundreds and hundreds of thousands of people, including stores that, you know, couldn’t do transactions, not just Internet stores, but store stores and the Daily Audio Bible was affected as well. So, we've done what we do whenever an issue like this arises or when we see something more widespread. We get together and start dissecting the problem and identifying and figuring out the solution. Sometimes a problem requires a long-term solution. And, so, we have to look long term and short term, but this is the nature of it. And, so, we have been working pretty feverishly to not be relying on those specific certificates or rather, getting them in our own control. And that will make us responsible for them, but it’ll also give us control over them so that if they expire it's our fault. And, so, that is what we are in the process of doing and this should all straighten itself out. This particular issue, almost across the board has affected people who are android users who have an android type device and we were in contact and we were given the same information everybody else is being given, to be sure to advise anyone using an android device to make sure that their operating system is the most current because apparently there are some fixes for issues like this in the most current iteration of…of android. So, I'm passing that information along. And I'll just say like even yesterday, places that are…places that have billions of users, like places way, way, way beyond the Daily Audio Bible like Facebook or Instagram, they were out yesterday or messenger our WhatsApp. They were out yesterday. Totally different issues, but issues. And they have an army of developers. So, just know, it can get crazy out there. And we are, in a way, aloof. Every…well…there’s a team that works on this every day at Daily Audio Bible. And also know that we have developed two different players. One is the Daily Audio Bible app, of course, but we also have an online player that you can access from the Daily Audio Bible website, at dailyaudiobible.com. We've built those two things separately so that we have at least inside of our community here a little bit of redundancy. So, know that if you are ever having an issue with the app just got to player.dailyaudiobible.com and you’ll have a player that is connected to the system and works the same as the app. And a widespread issue like the one we experienced over the weekend and into yesterday, that kinda stuff affects everything. It was affecting hundreds of thousands of people but we work really, really diligently to serve the community here and we always will. And we’re working on some…some longer-term projects that will invariably be incorporated over the next year to stabilize and help us serve even better. And, so, if you experience difficulties, pray for us. Pray for us. It’s so much more effective than hate mail. Pray for us as we pray for you every day. We’re in this together. Also know that we’re experiencing an uptick right now. And, so, I live in the central time zone here in the rolling hills of Tennessee. So, like 5AM to 11AM is when we’re geetin’ hammered. That’s when so many people are accessing the system. Beautiful. Love it. We’re increasing resources in that direction. But if you’re experience sluggishness, just wait. It's that so many people are trying to access the same content that you are. So, be patient for like even a minute, which is…I know that’s pretty hard to do on the internet. We expect super high-speed super quick response. Boom boom boom I push the button and the thing happens. But sometimes when you have…when you push the button you are sending a message out that says to the server, I'm requesting this bit of information then the server computes and collects the information that you want and sends it back. And when a lot of people are asking for the same things at the same times then it cues up. So, just be patient for just a minute. Typically, everything can…can sort itself out. But anyway, I don’t want to get into the weeds here. Just pray for us as we pray for you as we continue to take the next step forward together because it is the deepest passion to bring the spoken word fresh every single day and brought to you excellently. When that has to happen seven days a week without fail invariably, sooner or later there are challenges. The team that works on all of this technology are also a part of who we are and listen to the Daily Audio Bible every day as well. So, pray for us. We’re in this together.
And, of course, as always if you have a prayer request or you have an encouragement you can hit the Hotline button in the app, which is the little red button up at the top or you can dial…you see the redundancy here…you can dial 877-942-4253.
And that is it for today. I'm Brian. I love you and I'll be waiting for you here tomorrow.
Community Prayer and Praise:
Good morning my name is Z and I'd like to thank everyone in the DAB community for supporting each other. This is a beautiful beautiful forum. And the purpose of my call is to ask for prayer for myself as I undergo some challenges and uneasiness at work at present. I'm feeling unfulfilled, unappreciated and have been in my position for four years. It's…it pays the bills and I have a wonderful team of people under me, but my issue is leadership. I feel that it could be better and it's frustrating at present to the point where I feel like I…I want to leave. I’m just hoping to find wisdom to make the right decision. I hope to…to get a sign from God as to what I should do in this situation. I can't continue to be frustrated day in and day out in that environment in which I spend most of my…my day. So, I pray brothers and sisters, I ask for your prayer that I find the wisdom to make the right decision and get through this. Thank you.
Daily Audio Bible this…this prayer is for Alicia from Colorado who used to live in Montana. Alicia is blind and she just is recovering from COVID and she doesn't have her sense of taste or smell back and she's going through lots of fear and unsteadiness and…and lots of crying in depression and so understandable especially if you're blind and…and…and, you know, and possibly alone. Father we lift up Alicia to you right now in the name of Jesus. We pray that you give her a hope and a faith that surpasses all this fear because opposite of fear…opposite of faith is fear. And Alicia the scripture says hope deferred makeith the heart sick but long and fulfilled is the tree of life. We pray that you will have this hope that you will get your…your taste back and the smell of food back so that you can eat and get your body strong again. Alicia, I…I know from just being here in Florida and the people that I know they still it takes months sometimes it takes up to 6 to 12 months to get…to get your taste and smell back. But we know God honor's prayer and God is healing you and we claim that right now in the name of Jesus, that you will get it back quickly. So, we claim that right now. DABbers please agree with me in Jesus’ name for Alicia and we lift her up to you in Jesus’ name we pray that you give her the peace that's surpasses all understanding and…and a vast amount of faith and we come against depression and we pray that you fill her up with your joy and your peace in Jesus’ name. Amen.
Hi this is Just as I am Sam in Northern California my first-time calling in. I started listening to Daily Audio Bible in 2019 and I'm totally hooked. I love how Brian just can make sense out of the Bible and put it in such understandable terms. So, thank you so much for that. And I would like to ask for prayer for myself. I'm having an MRI tomorrow. That's on Friday. And I have chronic pain in my spine and back and I'm just praying that Jesus will light it up and…and show the doctors what's going on. I've struggled with this pain for over 15 years, and we would like to get help and answers. So, I'd appreciate your prayers. And I’m praying for all of you as well. And it's been a wonderful group and help in times of loneliness and I love you all. Thank you. God bless you.
Hello this is Ruth __. I'm calling to thank you Brian, Jill, China for devoting your life to this __. I have in my heart there was a call that came in last week with a mother who was talking about her children. She had many. I think she might have mentioned she had nine children. And they were molested by their father and the father has been put in jail. And I lift the children up to you Lord and their mother. I just…my heart breaks just knowing that they've gone through such horrible situation. I know that You can rectify this. I know that she can bring them back and make them whole, so they don't spend their lives worrying about this all the time. Lord and I also I want to ask for prayer for my family. I have a daughter who's stepped away from me for reasons I never understand, and I need to have her back again. I also have a grandson who is not doing well, and he has stepped away from the family. I lift them all up to You Lord. You can…You can heal this family and bring them back. I thank you. Thank you all I love each one of you and I try to remember to pray for you each and every day. Thank you.
Hey this is Jerry calling from Duluth Minnesota. So appreciated the words this morning of Brian Friday October the first…actually Saturday October the second. It's a day 890 of my renewed journey in the Daily Audio Bible. Some of you have been here many years know me as Jerry the Paper Carrier from Duluth MN. Back in April 26th of 2019 I renewed my commitment to the Daily Audio Bible. Now it's been 890 days without a miss getting up early in the morning starting my day with the Daily Audio Bible. Appreciate your prayers through the years and wanted to particularly today pray for Brian…Byron sorry in Florida. You've been such a blessing to me over the many years. Pray for your wife who's dealing with so many health issues and have for so many years. And Charlie from Houston who's been wife has been dealing with lupus and now has found out that there is difficulty with the heart and lungs. And Byron thank you so much to for sharing that…that little story as far as the bus stop is concerned and for taking time even through really difficult times to look at the little things and remember what God has done for us. Also thank you Brian again for reminding us as far as the journal. I remember when you told the story of the black wing pen…pencil's when your mom was had…was passing away. I've journaled now I've for many…many many months and years since…
Good morning, everybody I’m Ms. Jomiah God is Coming and I want to pray for Byron from Florida. I wanted to pray for his wife and that his wife becomes healthy, and that God is always helping you and He'll be on your side no matter what. So, thank you Byron for sharing your story because that means a lot to people and thank you so much. So, as we pray in Jesus’ name Amen.
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aspenflower17 · 4 years
Text
Wrath is The Cat
Hey everyone! This is my first completed fan fiction. It is very long, but I want to make sure I don’t leave you guys hanging with an unfinished fic. It is for Obey Me! and I had fun writing it. Know that I have finished Lesson Twenty regular and Lesson 15 Hard, so there might be spoilers. It also talk about Fruits Basket in this fic, though I don’t think there’s any major spoilers for that (also, if you haven’t read it or watched the new anime, you should!).
I am posting this at midnight, so I apologize if there’s formatting problems or such. Please comment or DM me with anything major you see and I will attempt to fix :)
Satan / Reader
Word Count:  3960
[some angst at the end]
“Are you reading that again?” Satan asked, eyeing the newest volume of My Hero Academia Mc had.
“Technically,  this is the first time I’ve read this volume, but yes, I am reading My Hero Academia.“
"Why?”
“Huh?”
“Why would you read that when you could read real literature?”
“Hold on just a minute,” Mc said, fully shutting the volume so she could face him, “What did you say?”
“Come on. You can’t tell me you find that more compelling and as well written as A Portrait of Dorian Grey.”
“I never said one was superior to the other. Just because on is good does not invalidate the other. By that mode of thinking, no one should make new literature because it would never be as good as the classics, which is, simply put, a stupid idea.”
“Well, what about the issue of the art itself. These over idealized figures that couldn’t actually look the way they do in real life. ”
“Says one of the prettiest men I’ve ever met,” Mc muttered under her breath.
“Hmmm… what was that?”
“Are you talking about uber-boobs and uber-muscles?” Mc asked, hoping he honestly hadn’t heard her.
“Among other things, yes,” Satan said, though she could feel him trying to figure out what she’d actually said.
“Not all manga and comics are like that! It’s a trope in both genres. Before I started reading them, it’s something I thought too,” Mc said, not realizing that her voice had gotten very loud and fervent. Satan sat there, looking as if he was deciding whether to continue the conversation. Mc took a deep breath, her inner fan girl needing to quiet down in order to get through to him, “Have you read any?”
“Yes… Well, I tried once. Levi begged me to read one, so I conceded. Long story short, it was not to my liking.”
“Which one?”
“I believe it was called, That Time I Accidentally Fist Fought A Monster.”
Mc pinched the bridge of her nose, a habit she’d subconsciously picked up from Satan. He smiled softly as he recognized the imitation. That was a terrible anime or manga to start someone off on. It had a pretty good story, but it had far too many silly anime tropes for someone like Satan.
“That… That is not the one I would’ve started you out on.”
“And just which one would you have started me out on?”
Mc stopped, and started to think. Most of the anime and manga she liked were romance, and she wasn’t sure if those would be a good fit for him, especially since most of them didn’t have much of a story line besides the relationship. Although, there was one she had been able to get her brother into…
“My first instinct would be Fruits Basket. I’m not sure how much you'd like it at first, but I think if you give it a real chance and read until… the third volume, probably… I think you’d really end up enjoying it.”
“What do you think I’d like about it?”
“Hmmm… You’d probably really appreciate the dynamics between Kyo and Yuki. I also think you’ll appreciate the character depth and development. There’s also a lot of plot intricacies and plot twists. I also agree with a lot of people online that it’s a good introduction to anime and manga.”
“I’ll try it then.”
“Wait… What?”
“I have a feeling you’ve had more success introducing people to new things, especially since you have specific elements you think I would enjoy. So, I will try out your suggestion.”
“Are you sure you’re okay with my impulse reaction? I probably know of one’s you’ll enjoy more,” Mc asked, suddenly feeling a little vulnerable. Fruits Basket was one of the first anime she’s found on her own, and it still stood as one of her favorites. If Satan, who’s opinion she really valued, ended up hating it…
“I find I can trust your intuition most of the time. We also have similar tastes in regards to literature.”
“Oh… Well, I do have a copy of the first volume in my room if you want.”
“You have a copy here in the Devildom?”
“Mmmhmm. I ordered the whole set off of Akuzon after I found out Levi hadn’t read it.”
“I see. In that case, sure.”
“Okay. I’ll be right back.”
Mc smiled to herself the whole way back to her room. Though she was still a bit nervous, but after hearing Satan praise her tastes in literature, she was feeling more confident, “If I can at least get him to acknowledge it’s worth, I’ll feel accomplished.”
After grabbing the first volume, she thought for a second and grabbed the second. She put them in her book bag, and started on the familiar route to his room. All the brothers had a defined smell to their room, though Satan’s had always been the easiest for her to find. The smell of books started the moment you turned down the hallway his room was on. Standing in front of his dark wood door, she took a deep breath, knocked, then entered.
Satan was not where she had left him, which was kind of odd to her. Carefully avoiding a stack of books she had knocked over on a previous occasion, she started looking around, “Satan?”
There was some shuffling, and then his voice came from above, “You’re back quicker than I thought you would be. Come on up.”
Wait… What? Up the spiral staircase? For real? Everyone knew how rare it was to be allowed up to the second story of Satan’s room. No one went up without express permission. Even Mammon stayed out after being hexed so many times he’d lost feeling on the side of his big toe. Mc had only been up there once, and that was because Satan had wanted to show off his newest rare book. She had only been allowed to sit in the single armchair he had up theorem and she couldn’t touch anything, and for good reason. Satan kept his oldest, rarest, and most important books up there. He had even put a spell on every book up there to preserve them, and, if rumor was correct, a barrier that stopped him from going up there was he was upset. Aside from the few grimories and numerous magic books he had up there were rare human finds as well, all originals or first editions. One of Shakespeare’s folios. DaVinci’s Codex of Leicester. The Babylonian Talmud as well as an exemplified copy of the Magna Carter, both copies that the rest of the world didn’t know existed. A Gutenberg Bible, though his brother’s had no idea he had it. A collection of Grimm’s Fairy Tales. Even an original copy of the Kama Sutra, which Asmo had given to him as a birthday present.
Getting to the top of the stairs, Mc stopped, not wanting to get too close to any of the books. Looking around, she couldn’t repress the sigh that emerged unbidden to her lips. Soft lighting that was perfect for reading with the spines of all the ancient books facing the world. Scrolls rested in their holders on the far wall. And there was the fourth eldest, crouched near one of the shelves, hand to his mouth and a furrow in his brow, thinking hard about something. His blonde hair had an almost golden hue in the light and his green eyes sparkled.
At the sigh, he looked up and smiled, “Go ahead and have a seat.”
Mc nodded and started over towards the chair she’d sat in the one other time she’d been allowed up here, but stopped halfway. The chair she sat on last time was still there, but now there was another chair. They looked fairly similar, being big reading chairs, but the new addition was much less worn and was more feminine in design. Having found the book he was looking for, Satan walked past Mc, and sat in the larger of the two chairs, effectively showing Mc which chair to take. After sitting down, she had to take a moment. It was by far, the most comfortable chair she’s ever sat in.
“I take it you like the chair then. Good, I’m glad,” he smiled, “I made sure it was large enough that you can curl your feet up on the seat like you do when you’re reading.”
“Wait… This is for me?”
“Of course. You need your own place to sit and read when you’re up here.”
Mc was at a loss for words, the gesture speaking volumes, “I don’t know what to say.”
“Just promise you’ll keep coming over for our reading nights; that’s all I ask.”
“That’s the easiest promise in the world to keep! Of course I will!”
Satan smiled again, one of the real smiles she’d been gifted with more and more frequently, “That’s what I was hoping you’d say. Now, where’s this book you were talking about?”
“Yes, hold on,” Mc turned and grabbed it from her bag, “So, these are collector’s editions, so I’m sure I don’t have to tell you to be careful, but…”
“No problem,” Satan replied, taking the book, “If you’d indulge me, I also have a story I want you to read,” and he grabbed the book he had gotten from the shelf, “Do you remember the mystery author I told you about?”
“Yeah. Isn’t his name A. Cohen?”
“That’s the one. Well, I was wondering if you’d read his books while I read yours? I know mystery isn’t necessarily your favorite genre, but -” Satan cut off, looking down at Mc’s hand on his arm.
“I’d be more than happy to,” Mc beamed.
Satan smiled, “Glad to hear it. Now, these books are hard to come by in the Devildom. Please be careful with them. I happened to find a box set of his complete works, so replacing it would be pretty hard. The first one is Blind Intrigue.”
“Got it. Not that I wouldn’t be uber careful with anything you have up here.”
Satan laughed, “Well, I appreciate that,” and he opened the manga volume.
“Oh, did anyone tell you the way to read manga?”
“You read it right to left, correct?”
“Yes, including the speech bubbles. So, you’d read a page like this,” and Mc proceeded to show the way a page should be read.
“Ah. That would have been helpful last time. Thank you.”
“No problem,” and with that, they both started reading. Mc found Blind Intrigue very intriguing, enjoying that it wasn’t just another run-of-the-mill murder mystery. As she got further into the book, she subconsciously slipped off her shoes, and curled her feet up next to her. She almost forgot about the demon next to her. A sudden shift next to her brought her back to reality.
“I finished it.”
“Ah… W… What do you think?”
“It is much better than Levi’s suggestion. I am interested in continuing the series.”
“… If you want, I did bring the second volume with me…”
“You did?”
“Mmmhmm. I was hoping you’d like it enough to want the second volume…”
“Well, you did ask that I read until the third volume, so sure.”
“Mc beamed as she grabbed for the second volume, after safely tucking the mystery novel between the chair and her legs.
“So, are you enjoying Blind Intrigue?”
“Yes! It is really good. I like that it’s an actual mystery novel, a lot like the Sherlock Holmes stories. Most mystery novels revolve around a murder, but since this one dpesn’t, I like it more.”
“Very good,” Satan said while handing her the first volume back, “So, who’s your favorite character?”
“Huh? In Blind Intrigue or Fruits Basket?”
“Fruits Basket.”
“Ah, Momiji.”
“He reminds me too much of Mammon.”
“I… Guess? Just… give him some time. He’s really great.”
“So… who’s your second favorite?”
“Well, Momiji is my favorite favorite. Kyo is my main character favorite.”
“Really?”
“Yeah. I have a feeling you’ll really end up liking him.”
“Ah, well, good to know,” Satan said, as Mc handed him the second volume.
There was silence for awhile until Satan burst out laughing. Mc looked up expecting him to share, but he kept reading; a sign he really liked the story. Pretending to go back to reading, Mc snuck a glance at Satan. He had a content smile on his face, and was even further along in the book than she had thought he would be. She smiled, feeling satisfied and a little vindicated in her choice.
Mc was about halfway through Blind Intrigue when she heard Satan shift on his chair. She looked over to find him sitting with the second volume closed and eyes on her. She in turn closed his book, waiting for him to speak.
“If the rest of the series is this high of quality, I definitely want to finish it.”
Satan helped Mc transport the rest of the volumes to his room that day. Though he really loved the series, he would only read it when Mc was around. As she now had a chair upstairs, Satan suggested they read up there, and he began sharing all the amazing books he had up there with her. It was nice for Mc, especially since none of the other brothers knew she was allowed up there. Satan finished Fruits Basket fairly quickly, not quite gushing about how much he loved the characters and story, asking Mc if she had any other manga recommendations. She was more than happy to oblige. Soon, Satan was reading manga whenever Mc was in his room, but only when she was in his room.
He didn’t like manga that were all trope and no substance, but he would try anything Mc brought him since she usually brought “good manga”. One of his favorites was Jo Jo’s Bizarre Adventures. It came as a surprise to him when, one day he declared a series to be his second favorite, after Fruits Basket, and Mc told him it was a series that Levi had gotten her into.
“You know, I’m sure he’d love discussing it with you…”
“Wait. You think I should go waltzing into his room and say, ‘Hey Levi, I really enjoy The Watchman’s Spell and am all caught up on it. We should talk about it’?”
“Well, yeah, basically. I’ll be there to referee, so I can help if needed. I almost never see you two hanging out together, and I actually think you two have more in common than you realize.”
“He just gets so long winded about… whatever. He also acts childish at times.”
“I do those too.”
“You will apologize though. He will not,” Satan paused a second, and then continued quieter, “Plus, it’s different when you do it.”
“Have you ever considered that he doesn’t back down or stop because he feels like no one cares what he thinks or what his interests are?”
Satan stopped, his retort lost. Was that really why? He considered again, and then turned to Mc, “Okay, I’ll do it, but he’s not invited to our reading nights.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Levi didn’t take the news the way Mc would’ve liked.
“Wha… Mc, w-w-what are you t-talking about?”
“I’ve been showing Satan some manga and he’s liked some of them. I think you should show him some too since you know waaaaaaay more than I do. He really loved Watchman’s Spell.”
Levi seemed scared but also irritated, “You had him read Watchman’s Spell?! Why?!”
“I… I thought he’d appreciate it and when he did, I thought you’d be excited to have someone new to talk to about it…”
“I have the entire internet to talk to about it, plus you. Why would I want-” Levi broke off, scowling as he turned away, but then rounded back on Mc, “Are you doing this to make fun of me? Are you tired of me, and so you’re trying to pawn me off on someone else? What, are you using your pact to make Satan act like he’s interested in talking to me?”
“No, Levi, listen to-”
“Glad to hear it, because you’re not getting rid of me, ya normie! You’re the one that wanted to make a pact, so you’re stuck with me! We’re also best friends so you better-”
“Levi!” Mc grabbed his face with both hands, worried as she saw his tail appear. She had expected some jealousy, but nothing this bad.
Levi stopped. Having Mc this close to his face made his mind go completely blank.
“Just because I expanded Satan’s literary horizons does not change the fact we’ve already discussed our wifeoo’s. It doesn’t erase all the time we’ve spent watching and discussing TSL. All the raids we’ve gone on, owning all the noobs… Though I’m kind of a noob… The point is, Lord of Shadows, your Henry is trying to get the Lord of Masks and you to become friends, just like with the Lord of Fools.”
Levi screwed up his face, bringing up his hand to hide behind. Mc let go, feeling the tension leave the room.
After turning and composing himself a bit (Did Mc just hold my face?!?!?!?), Levi turned, lifting his eyes to Satan, who was simply watching him, “Who’s your favorite character?”
“Zeke.”
“He’s actually my second favorite.”
“Who is your favorite then?”
“Brielle.”
“Ah, that makes sense.”
“What’s that supposed to mean?”
“Just that she seems like the type of character you’d enjoy. She’s not bad. In fact, I enjoy the dynamic she brings to the tower.”
“Well, she became my favorite when she stopped the entire colony from starting an uprising against Charles when they thought he was keeping them from going home.”
“That was chapter 5 right?”
“Y-yes, actually!” Levi smiled, his eyes lighting up like a Christmas tree, as he started discussing the plot and fan theories with his brother. Satan responded to all his prompts or listened quietly, occasionally adding his own thoughts. He was being more patient than Mc had ever seen him be with Levi, and even seemed to be enjoying himself.
Good, Mc thought, watching the two bond, They both needed someone to get them out of their own head. At least I know I can leave these two without too many regrets.
Mc hadn’t brought up the fact her year was almost up to any of the brothers. She didn’t know if any of them had realized how close it was. She was not looking forward to leaving, but she knew she couldn’t let them just revert back to the way they had been, especially Satan. They had all come too far.
“Mc has an interesting thought on this subject actually. Mc, what are you doing over there? Come over here!”
“Coming!”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Satan traced his fingers along Mc’s chair. Of course he’d gotten the chair for her so she could be more comfortable, but also to have a piece of her after she’d left. He hadn’t realized how much it would come to mean to him.
He pulled out his DDD, starting to flip through all the photos he’d snuck of her. Her, next to him. Her being so careful with his books. Her, sleeping in his bed, hair splayed across the pillow. He couldn’t count the number of times her scent had kept him from going after one of his brothers since she’d left.
He knew he was being reclusive, and she wouldn’t have liked that. But, weren’t they all being reclusive?
He sat down, head sinking into his hands, DDD put on the arm of the chair. Why did she have to leave? She had been such a breath of fresh air, so willing to discuss anything and everything with him. He had been able to open up to her, and she’d accepted him just as he was. No strings attached. For the first time in his life, he’d felt unique. Wanted. Needed. No longer alone.
He knew she’d been that way with all of them, but… It felt like she’d specifically picked him. He hadn’t been particularly interested in the human living with them, other than to see what she was doing to his brothers. She had been the one to approach him about books. She had been the one to pick his brain. She had read almost every book he’d suggested. He was special… Right?
He hadn’t noticed the tears until he opened his eyes and only saw a blurry floor, “If I’m special, why didn’t she…”
Mc had given each brother a gift when she left. When it was his turn, she’d whispered something in his ear, but she’d been crying so her words had caught. He couldn’t make out the words then, and even though he’d run them through his head more times than he could count, he couldn’t figure out what she’d said. She’d been so beautiful standing there, fresh tears ready to fall. And then… she was gone.
He had isolated himself for a week afterwards. He hadn’t been in the House of Lamentation though. Too many memories. In some small shack in the middle of nowhere. Somewhere he could release all his feelings and hurt no one.
As he was about to get up, a white blur caught his eye. Blinking, he bent over and picked it up. It was a letter. He turned it over, his heart jumping when he recognized Mc’s handwriting. He traced the letters of his name, hands shaking. He then carefully opened the letter and started reading,
My Dear Satan,
Seems you were able to hear what I said when I left. Good. I was afraid I wouldn’t be able to get it out.
Anyways, I hope you don’t mind that I didn’t give you your gift in front of everyone else. Not only is it too heavy, but you’re too special to me for them to be part of the gift.
I wish I could tell you everything in my heart right now, but I don’t want to cheapen anything. I will return to you so please be patient and wait until then.
If you would, please go check on Levi for me. I can tell you right now, he’s not okay right now. He gets so lost in his own head and I worry about him. I leave him in your stead until I get back.
Satan, always remember: You are important. You deserve every ounce of love you can get. You also have the right to feel whatever you are feeling. You are not your brother, and I never want you comparing yourself to him, because you are an individual. I may not always be there with you, but never forget: you may not have had control over your birth, but that is not what defines you. You are so much more than a word.
Love,
Mc
P.S. I just realized you never told me. Who is your favorite Fruits Basket character?
Satan had never moved so fast down his staircase. Why had he chosen a spiral staircase? He was so eager, he almost knocked over the book pile he was looking for. When he saw what was behind it, he sank to his knees and gathered every Fruits Basket volume in his arms.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Levi was moping around his room when there was a knock on the door. For a second he thought it was Mc, but then realized she was gone, making himself sad all over again. He shuffled over to the door, and opened it.
There stood Satan with… manga… and, puffy eyes?
“Hey, can we hang out?” Satan asked.
“Sure. I’d like that.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Update: I now have a part two to this story and here’s the link
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missmentelle · 4 years
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What exactly do i tell someone who is suicidal but does not want to die (eg wishes they didnt exist but doesnt want to die,has no plans on how they'll die, wtc)? Are they still technically suicidal? Do I tell them to call a hotline? What even do I say at all?
Anyone who expresses any kind of suicidal intent, no matter how mild (including “I would never actually do anything to harm myself in a million years, but I sort of wish I didn’t exist anymore”) is still considered suicidal, and they can absolutely seek help from a suicide hotline. When we are evaluating suicide risk, we start by seeing if the person has any desire to not be here anymore - whether that’s “I want to kill myself” or “I sort of wish I’d just never been born” - and then look for higher-risk warning signs from there. For the record, warning signs that might indicate a person is “moderate” or “high” risk for suicide include some of the following:
Knowing what method they would use to end their lives
Having access to a method of suicide, especially a firearm
Having a time frame for when they want to attempt suicide
Having a detailed plan for suicide
Having made at least one past suicide attempt, even if it was aborted before they actually harmed themselves
Having a diagnosed mental health condition 
Current or past issues with substance abuse
Current or past self-harm, self-injury or intentionally reckless behavior
A family history of suicide
The loss of a friend or loved one to suicide
A recent major life stress, even if it is “positive” - new job, move, end of a relationship, etc.
A recent change in their mental health treatment regime - discharge from hospital, new medication, change of therapist, etc.
Whether someone is at low, moderate or high risk for suicide, the steps for supporting them are more or less the same. Some of the things you can try are:
Encourage them to call a suicide hotline. Suicide hotlines are there as resources for anyone who is toying with thoughts of suicide, even if they feel confident that they would not act on those thoughts. Wanting to stop existing is a sign that you are in pain, and even if your life does not appear to be in imminent danger, it is still appropriate to seek help to cope with that pain in a healthy way. Hotlines are a free and anonymous resource that are available to anyone, and they can be a good starting point. 
Call a suicide hotline yourself, and ask for assistance in supporting your friend. Suicide hotlines receive many, many calls from overwhelmed family and friends asking for assistance in supporting a suicidal loved one, and volunteers receive training in how to assist these callers. They can teach you how to talk to your friend about suicide, point you to some resources, and teach you how to manage your own feelings of helplessness or panic that sometimes come with trying to support a struggling friend. 
Encourage your friend to make a suicide safety plan. You can look online for templates for suicide safety plans, but you don’t necessarily need a fancy template to make one - a simple plan can be just as effective. Basically, making a suicide safety plan involves coming up with a list of things that trigger possible depressive episodes (could include small things, like ‘didn’t get enough sleep the night before’ or big things, like ‘end of a relationship I cared about’). You then want to identify signs that the person is potentially in danger (could be as simple as ‘I start thinking about suicide’ or things like ‘I stop answering my friends’ texts’). Finally, and most importantly, come up with a list of steps that your friend can do to keep themselves safe when they are having suicidal thoughts. This might mean contacting someone (they should create a list of who to contact, with backups in case people don’t answer) or it could mean distracting themselves with TV, a hobby, exercise, etc. They should have enough possible steps laid out on their plan that they will always have at least one effective thing they can do to get them through their rough patches. 
Reiterate that you care about them. It’s okay to just be honest and say “Look, I’m not really sure if there’s anything I can say to make you feel better, but I want you to know that I really care about you and I am here to support you as best I can”. You don’t need to be a trained therapist providing formal mental health counselling here - that’s not what your loved ones expect from you. Just reminding someone that you care about them and that you’re going to do your best to be there for them can mean a lot more than you think. 
Ask your friend what they need. It’s okay to ask your friend directly if it would be more helpful for you to offer advice, or if they just want you to listen to them while they talk about their problems. They may not know exactly what they need, and that’s alright too - the two of you can try to figure it out together. Communicate openly, give them possible suggestions for ways that you can support them, and again, be open about the fact that you’re willing to try to support them in whatever way they feel they need. 
Offer them distractions. Sometimes, people turn to their friends and family when they are suicidal because they want to be distracted from their pain, and not because they want to have an in-depth conversation about all the things that suck in their life. If your friend doesn’t seem to want to talk about what’s going on in great depth, sometimes the most helpful thing you can do is just say “Would it make you feel better if we got some junk food and watched a marathon of your favourite TV show?” Offering to just be with someone and distract them with pleasant things can be more helpful than you realize. 
Acknowledge their pain, and be cautious with optimism. It can be really, really tempting to just bombard a suicidal or depressed person with as much optimism as you possibly can - everything will be fine! You can get through this! It’s always darkest before the dawn! People mean well by doing this, but it comes across as dismissive and disingenuous - it makes people feel that their pain makes people uncomfortable and that they should stop talking about it. Instead, just acknowledge that the other person is in pain and that their situation absolutely sucks right now. Listen to what they say, and let them know that you are hearing them. It’s a simple thing, but it can make a huge difference. It’s okay to provide support and express optimism, but it’s important to be careful about how you do it - instead of “Everything will be fine”, the person might feel a lot more heard if you say “I know everything is not okay right now, and I don’t know when things will start to get better, but I hope that they do and I will be here for you while we wait for that to happen”. 
Stay aware and check in on them regularly. Your friend might be in a place right now where they say they would never hurt themselves, but that can change, and it’s important to check in on them if you feel that their mental health is starting to slide. You don’t need to appoint yourself as their babysitter - their safety is ultimately their responsibility, not yours, and you are not their keeper - but it’s a good idea to just stay aware. If they are not answering messages, or if they haven’t been online in a while, or if they just seem “off” somehow, reach out to them and ask what’s up. If you can’t reach them when you usually can, network with other people in their life to make sure someone has seen them. If you know an important date or event is coming up that could potentially cause them a lot of stress, reach out before, during and after to offer your support. Take care of yourself. Trying to help a very depressed person as a loved one can be exhausting, and it’s important that you don’t also burn yourself out. Try to avoid shouldering too much responsibility here - it’s great to check in and offer support and do what you can, but you ultimately cannot force someone to get help if they don’t want it, and that isn’t your job. It’s okay to take time for yourself, and it’s okay to focus on your other relationships while you are helping this person. Have realistic expectations - this is not a problem that you can fix for someone else. You are there to hold their hand while they go through something painful and remind them that they are loved and cared for, even if it doesn’t always feel like it. Best of luck to you and your friend. Miss Mentelle
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terramythos · 3 years
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TerraMythos' 2020 Reading Challenge - Book 32 of 26
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Title: The Siren Depths (2012) (The Books of the Raksura #3)
Author: Martha Wells
Genre/Tags: Fantasy, Adventure, LGBT Protagonist, Third-Person
Rating: 8/10
Date Began: 11/09/2020
Date Finished: 11/21/2020
Moon's past has always been obscure. A winged shapeshifter, he has spent most of his life as a solitary wanderer. He has few memories of his childhood, and only recently found others of his kind-- the Raksura. Now Moon has found a home as first consort to the queen Jade in the Raksuran court of Indigo Cloud.
However, when a neighboring queen recognizes his bloodline, Moon's new life is upended as he's forced to return to a family he doesn't even remember. Seemingly abandoned by Jade and overcome with doubt, Moon has to navigate the complex politics and grave secrets in the court of Opal Night alone. But an old enemy is about to return, threatening every Raksuran court in the Reaches.  
The one thing he hadn’t expected to do was miss Indigo Cloud so much. He had been leaving people all his life, to the point where all the turns seemed like an uninterrupted progression of departures, and there had been people he had missed terribly. But this was a never-ending ache in his chest... You’ll get over it, he told himself. You always get over it. 
But somehow, this time was different. 
Some major spoilers and content warning(s) under the cut.
Content warnings for the book:  As always, graphic violence and action. There is a disturbing scene that's... kind of forced cannibalism I guess (I'm not sure how else to describe it). Some sexual content is implied but not graphic. The r*pe plot point from The Cloud Roads is relevant, but is not depicted or described in detail. A romantic relationship with a significant age gap is briefly mentioned (both are consenting adults but it may make some readers uncomfortable).
For the most part, I enjoyed The Siren Depths more than the previous entries. I connected much more strongly to the central conflict, and was pleased to see some deeper character development than in the last two books. This entry also introduces fascinating new settings and characters while exploring some genuinely interesting ideas. It serves as a good parallel to The Cloud Roads, with similar plot beats explored in different ways. I did have one big problem which I will detail further in the review, but let's talk about the good parts first. Moon's conflict in this story, like the rest of the series, has to do with belonging. But The Siren Depths has the advantage of two books of development. From what we know of Moon's past, he sees any home as temporary, and when he's suddenly forced to leave Indigo Cloud (presumably for good), his new attachments and way of life come into question. To some degree, Moon sees this as an inevitable part of his life. Sooner or later, something out of his control will happen and he'll be abandoned. What I found relatable is there's several times Moon knows he is being irrational but still can't stop the negative downward spiral. Like... jeez, just call me out specifically next time! While a depressed protagonist can be a drag to read, I think it really works here because we've grown attached to Moon and know how far he's come. And sure enough, he does get his ass in gear when he realizes this ISN'T like before, and lots of people do care about him. The found vs biological family conflict is interesting as well. I think The Siren Depths does great here because you can see both points of view. Moon always assumed his biological family died, and they assumed the same thing about him. This should be a happy homecoming, but under the circumstances simply isn't. Moon resents being torn from Indigo Cloud because a group of people he barely remembers have a legal claim on him. Opal Night seems strangely hostile until you learn more about its politics and secrets. Even though they're early antagonists, they're not really villains; just a traumatized group of people who see Moon as a missing link from their past. When he's not what the others are expecting, obvious issues ensue, but Moon finds he does care about some of these people, even if it's not really his home. Outside of Moon, several other characters have arcs in this book. While the previous books feature a likeable enough cast, the characters are mostly one dimensional. Not so here; we explore the insecurities and struggles of some of the supporting cast. Jade isn't nearly as self-confident as she appears to be, and grapples with this throughout the book-- for example, wanting to prove to Moon that she is willing to do whatever it takes to get him back. Similarly, Chime's struggle with his involuntary transformation comes to a head here as his strange new powers become relevant again. We see just how bitter he is that he's cut off from his old magical gifts and still holds out hope that they'll return. We even get some indication that while this HAS happened before in Raksuran history, it's incredibly rare. There’s also an interesting hint on what the powers really are, which has some pretty big implications. This is potentially a future plot point, so I’m hoping it gets explored. (Also, I was totally right about Moon/Chime, do I get a prize?)  
There are several new characters I found really interesting, namely Malachite and Shade.  Malachite (spoiler: Moon's biological mother) is initially presented as the antagonist, and her behavior seems inscrutable. She's a powerful queen who commands respect, yet seems unpredictable and standoffish. All of this starts to make sense as one learns more about her. Turns out unbelievable, extended trauma really fucks with a person. The Fell destroyed her colony, killed her consort and most of her children, and she spent almost a year in full guerilla warfare against them. Yet she adopted the Fell/Raksura crossbreeds and raised them as her own children, demonstrating nothing but indulgent love and kindness towards them. I'm not sure I would be able to do that in her place. In general she's just a huge badass; totally decked out in scars and the first to leap into battle. At least we know where Moon gets it from.  Did I say Fell/Raksura crossbreeds? Yup, that plot point is back. Only, it's explored in a different way here. The crossbreeds in The Cloud Roads are terrifying weapons deployed by the Fell. The ones in The Siren Depths, raised in a loving home, are just kind of weirdly pale Raksura. I liked Shade in particular, who we learn is Moon's half brother and serves as an interesting foil. Moon would probably be much more like Shade if the Fell attack on Opal Night never happened. Shade is an earnest and kind (if naïve) man and behaves like none of the Fell we’ve met in the series. I hope we see more of him (and Lithe, the other crossbreed) in future volumes, because I think they're an interesting take on nature vs nurture with the "inherently" evil Fell.  Speaking of the Fell, while they themselves haven't changed much, I thought they were more effective villains than in The Cloud Roads. We see their manipulations and twisted views of the world in much more detail. There's a long sequence where much of the main cast is captured by The Fell, and their struggle to survive and potentially escape is harrowing. I also like that Moon isn't their main focus this time, which adds some nuance and perspective to their behavior. They’re also just... creepy as shit. While I do have some issues with the ending of the book, I think the Fell are handled pretty well beforehand.
I'd be remiss to ignore the always excellent worldbuilding in this series. Like in The Serpent Sea, we get to see more Raksuran courts, all of which feel distinct. It’s cool and impressive for a singular fantasy race to have multiple believable factions and societies. The settings in this book are also creative, including a giant half-dead mountain tree, a city carved into a giant statue, and what I can only describe as "Rapture, but make it a solarpunk prison". Wells goes into vivid, loving detail when it comes to the world. That being said, I would like to see more of the sea/sky realms, since this series has largely focused on the earth. The Three Worlds is kind of a misnomer if two of them don't really show up much. Oh well, maybe in future books/stories.  
My main complaint, and what drags down the rating, is the ending. It's... underwhelming, confusing, and seems pretty rushed. I'll go into more detail below. *major spoilers for the ending* So... one of the big plot points in both The Cloud Roads and The Siren Depths is that the Fell are crossbreeding with captured Raksura. In The Cloud Roads, this is explained as a ploy to strengthen the Fell with some unique Raksuran abilities; queens can prevent others from shifting, mentors can scry future events, and so on. In The Siren Depths, however, we learn it's not that simple. There's some third party manipulating the Fell and encouraging their actions. The goal is to produce a crossbreed that physically resembles the (unnamed) Fell/Raksura common ancestor for... reasons. We are led to believe the being orchestrating this is in fact an ancient ancestor, though its motives are unknown.
While this feels like a retcon, the discrepancy is acknowledged in the story, and it is explained that the Fell in The Cloud Roads were either lying or those specific ones decided to pursue their own agenda. Which... fine, makes sense based on what we know about them. I'll let it slide. Perhaps it was hinted at earlier and I just don’t remember. 
So Moon and the others follow the Fell to the mysterious source, a vast and abandoned underwater city. Soon they find the creature that's been imprisoned there. Turns out it's not the Fell/Raksura ancestor, but something different. I can only describe it as sort of eldritchy, with a vaguely creepy physical form, and the abilities to speak through dead/dying Fell and to create disturbingly realistic illusions. The Fell/Raksuran ancestors trapped it there eons ago, and the only way to free it is the physical presence of a member of the ancestor species (for some reason). Which explains why it has been encouraging the crossbreeding, since their common ancestor is presumably extinct. It's freed from its prison since Shade fits the "ancestor" criteria based on his physical appearance. Then,  in the span of literally one chapter, it attacks everyone, chases the characters through the underwater city, gets hit by some water, then promptly melts like the Wicked Witch of the West and dies.
I had a couple problems with this ending. First, the whole Fell crossbreeding conflict with the Raksura is a huge generational trauma thing. Moon has his own horrible experience with them, of course, but it's also a big issue with both Indigo Cloud and Opal Night. Hell, it's the whole reason Moon was separated from his family and lived thirty-some years in exile without knowing what he was. The series literally wouldn't have happened without this conflict. To have everything explained away by "an eldritch wizard did it" is very anticlimactic. I vastly prefer the original explanation.
Second, we know basically nothing about this creature. How was it able to communicate with the Fell (and Chime)? Why was it imprisoned other than being super evil and stuff? Who knows. And yeah, it's possible this will be expanded on later. Except I'm pretty sure that when this book came out, it was the last one planned for the series. The next two books follow a different storyline and came out four years later. So this was probably the only explanation we were ever going to get. 
I'm not totally against the concept, but it needed more time and a more interesting/memorable villain for it to work. Introducing all of this in the second to last chapter of (presumably) not only the book but the series, then defeating it with little effort, feels unsatisfying. Hell, there’s more time dedicated to discovering and exploring its prison than anything involving the creature itself! As it stands, the Fell were much creepier and more memorable bad guys in this book, yet narratively serve as bit players in the end. It just feels off.
Also, a nitpick, but the title of the book is weird. The Siren Depths is obviously referring to this imprisoned being. It's trapped underwater and is calling the Fell to it. But it's never referred to as a siren; I'm not sure that word is used at all in the book. It just seems like an odd choice of title that doesn't really fit the vernacular of the world. Siren has some very specific meanings/connotations in our world that don't translate to The Three Worlds. Not a huge deal, just something I noticed.
*ending spoilers end here*
Despite my issues with the ending, I really enjoyed everything else about the book. It does everything the other books do well while featuring serious improvements. I've heard mixed things about the next two books but plan to go in with an open mind.  
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fortunatelylori · 5 years
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Next to being married, a girl likes to be crossed in love now and then
Thoughts on Sanditon finale
It is a truth universally acknowledged that you should never blog in anger. Last night’s Sanditon episode left the entire fandom in a state of uproar. Cancelations have been issued. Curses have been cast and tears have been shed … those were mostly mine, to be fair.
For once I decided not to start furiously typing just as the episode ended but wait out the inevitable momentary fury and return to the episode tonight for a second viewing. I have to thank @and-holly-goes-lightly and @kitten1618x for putting up with my temper tantrums late last night on private chat so all of you nice people wouldn’t have to endure my more volcanic outbursts. Being far more reasonable people than I, they pointed out the grayness in a sea of black and white and made me reconsider the episode.
In addition I would advise anyone to do a second viewing of the episode if you haven’t done so yet. Reason being that your first viewing of something that you are so deeply invested in will always be heated. I could hardly pay attention last night to the scenes I was watching because I was so desperate to get to the ending. On top of that, the reality of what you see on screen will fight with the theory you’ve already made in your head and more often than not you end up disliking canon not because it’s bad but because it’s not what you thought you were going to see.
That being said, after a thorough rewatch, I have to declare this episode as one of the finest finales to a season I’ve seen. I say finale to the season, not the series because as a series finale it would be more than a little disappointing. But if there is one silver lining to take from this episode is that we are getting a season 2. I just can’t see how we wouldn’t.
Now, nothing in life, has any business being perfect and this episode wasn’t either. So I will quickly list what I felt were the major flaws so we can proceed to the good stuff of which there is plenty.
Not sparkers of joy
The pacing and structure
It was somewhat rushed. Scenes jumped from one to the other without much preparation (particularly in the first half) and several things were not addressed. People have pointed to the fact that they did not include a Charlotte/Georgiana good-bye scene which I agree was a mistake. In addition, we were presented with a Georgiana and Arthur that were the best of friends even though in episode 7, Georgiana couldn’t stand him. That’s not to say they couldn’t reach this point but I expected to see that journey, not skip it.
Georgiana, on the whole, was odd. Aside from her rebuke of Sidney and conversation with Charlotte which were keeping in line with what she did in episode 7, the rest of her time on screen was perplexing. She was lively, dancing with everyone, huge smile on her face … this being the girl that refused to leave her bedroom a few days before. Again, not saying she couldn’t get to this stage but where did I see how she did that?!?
The whole Sidney/Eliza situation was resolved off screen which … why?!? First we weren’t given the scene of him sending her packing in ep 7 and now we have no idea how he turned that around to the extent that he got himself engaged to her and with the money to save Sanditon, all in a week.
I mean ok, I get that he’s got but ... OK, OK! He’s THAT hot!
There were other examples of shoddy storytelling but those stick out in my mind the most.
The sudden tone shift
The reason why I reacted so badly to the episode to start with was because for 7 hours I was led to believe this was a fluffy, cozy regency romance in the vein of Northanger Abbey or Emma. Sure, things happen to cause momentary sadness but it all gets resolved in the best way by the end of the episode.
Instead the Sanditon finale marked the tone shift from the fluffy to the angst. We are now firmly in Persuasion/Sense&Sensibility territory. It’s still Austen as I will explain below in more detail but I would have appreciated some warning that this is where we were heading.
The specifics of the cliffhanger
Now this is obviously personal preferences but I do have some issues with the manner in which they chose to separate Sidney and Charlotte. Having Sidney propose to Eliza in order to get the money to save Tom from prison does resolve several issues in a very expedient way: it forces the two young lovers apart; it creates angst and anticipation for the next season; it also allows for Charlotte and Sidney to both be victims of the separation and still desperately in love with each other and wanting to get married.
However, the cost is that Sidney is now in the position of doing to Charlotte exactly what Willoughby did to Marianne in Sense and Sensibility. Sidney is obviously not Willoughby and his motives are selfless. But his actions are a play by play of Willoughby’s betrayal: he pursues Charlotte, kisses her on the cliffs (substitute that for Willoughby taking a lock of Marianne’s hair), means to propose to her and then disappears, only to return engaged when a lack of money force him to choose between love and a fortune. 
He even makes a “I don’t love her” confession, similar to Willoughby’s scene with Eleanor. Of course, Sidney tells Charlotte that not to victimize himself like Willoughby but rather because he can’t bare the thought that Charlotte might think he’s done this because he doesn’t love her. But you can see how this kind of narrative choice can really negatively impact Sidney’s character. 
It’s sad that they chose this cliffhanger, particularly since they didn’t need to. I firmly believe that had they ended on a more hopefully note for Charlotte and Sidney we would have tuned in anyway for season 2. I wish they had had more confidence in their story and in their viewers.
But enough of the negative!
Sparks joy
Theme
I have to say that thematically, they hit this finale out of the park. The most important piece of dialogue in this whole episode occurs between Esther and Lady Denham:
Lady Denham: It is infinitely better to be loved than to love. Especially in a marriage.
Esther: You’re speaking from your own experience or someone else’s?
Lady Denham: My own. Not with my husband, of course. It was long before that. A man called Rowley. Some people said he was the handsomest man in all of Somerset. But to me he was the handsomest in the world. And he knew it!
Esther: What happened?
Lady Denham: He kept me dangling for a while. Trembling. Waiting for a look, for a smile, for a tender word … like one of his dogs. And then he up and married a girl from Gloucestershire, with 50.000. He had debts, of course. Couldn’t have afforded to marry me. Should have been obvious to me at the time but … you know what girls are.
May I just say that Anne Ried’s performance in this scene is a treasure trove of skill and emotion? You can just feel the longing and the sadness this story can still elicit from this seemingly cold matriarch. Lady Denham, like all our characters, is more than she seems. She starts off as a Lady Catherine de Bourgh clone and develops into one of the wisest, mot rational people in the show.
She gives Esther excellent advice and is compassionate when she realizes what Edward has been doing to her.
She also gives us our theme for the finale of Sanditon and perhaps of the whole show. Because her speech doesn’t just apply to Esther and her relationship to Edward. It applies to Georgiana’s heartbreak over Otis and Charlotte’s impeding heartbreak at the hands of Sidney. In even more general terms, it speaks to the heartbreak most Austen heroines experience at some point during her novels: 
Next to being married, a girl likes to be crossed in love a little now and then. It is something to think of, and gives her a sort of distinction among her companions - Pride and Prejudice
Her whole speech reminded me of what my mother told me the first time I broke up with someone I loved. She said: “No girl can pass through life without having her heart broken”.
The show telegraphs this home by having the Sidney/Charlotte cliff walk follow immediately after this scene.
We are so distracted by the innocent beauty of Sidney and Charlotte being in love and so mesmerized by their first kiss:
That we fail to take Lady Denham’s warning seriously. And, just like Charlotte, we end up paying the price for it
The Austenverse
Lady Denham also clues us in to where exactly we are within the Austenverse. Many people have claimed that episode 8 marked the moment this stopped being an Austen story because Austen novels always have happy endings:
My characters shall have, after a little trouble, all that they desire.
Did you think we were just going to skip the “little trouble”part? Sweet summer children! We’re at the moment where Elizabeth finds out Lydia has run off with Wickham and thinks she’s lost Darcy for good. We’re at the moment where Knightly reprimands Emma for treating Miss Bates poorly and leaves for London. We’re at the moment where Anne is forced to join her father in Bath and believes Fredrick will soon marry Louisa Musgrove.
And finally, and most pertinently since this is what Sanditon is trying to emulate, we’re at the moment where Edward’s engagement to Lucy Steele is made public and he and Eleanor say their final good-byes (supposedly).
Austen heroines are never spared heartache. But it is a depiction of heartache that is not gratuitous. It allows the characters to grow, to understand the true depth of their feelings and eventually to value the good fortune they have when it all turns out for the best in the end.
And no novel drives that point home more than Sense and Sensibility and Austen’s Eleanor character, the suffer in silence heroine who pretends she is fine, all the meanwhile dying on the inside. Kind of like this:
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Honestly it shouldn’t surprise me that we’ve ended the season on this somber note. Sanditon visually owes a great deal to Davies’ Sense and Sensibility 2008 adaptation. That mini-series had a somewhat different feel to usual Austen productions, particularly in comparison to the 1995 Ang Lee film. It was darker, grittier and had a bit of a western feel to it than Sanditon reproduces to great effect, I think.
So it’s quite understandable, in retrospect, that Charlotte’s character arc would see her start off as a Marianne type character (open, romantic and impulsive) and slowly turn her into Eleanor by the end of the season.
In order to make that transition complete, a lot was asked of Rose Williams and she manages to convey the transformation in one breathtaking shot:
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I am deeply, deeply impressed with her acting in this episode, and particularly in this scene. You can literally feel her heart breaking and see the mask that will dominate in the church scene fall into place.
Which brings us to Sidney …
I’ve said it a million times and I can’t help but say it again: Theo James OWNS this character. I don’t know if he simply hasn’t gotten the proper material in his career until now or if there’s something special about Sidney that resonates with him but his acting is so spot on that even when Sidney breaks Charlotte’s heart, behaving like Willoughby as I’ve said, you can’t hate him.
Not when he is the same man who gets chocked up as he tries to propose to Charlotte:
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Not when he’s the man who tells her this:
Sidney: I have never wanted to put myself in someone else’s power before. I never wanted to care for anyone but myself.
And not when, with just one look, Theo James is able to convey Sidney’s despair and pain. How can you hate him when he’s clearly breaking himself into tiny pieces over giving Charlotte up?
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And how the hell can you hate him when you can hate … this clown instead?
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Oh, sorry I meant …
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Words cannot describe how much I loathe Tom Parker. Well actually, my new fictional mum comes close to enunciating our common and general distaste:
Lady Denham: I will see you in the debtors prison! I will see you in the poor house! Where are your promises now? Dust and ashes! You might as well have lost my money at the gaming tables! You despicable man!
If only Lady D would have been allowed to go forth with her threat and hand Tom over to the debt collectors. How much happier everyone would be right now!
Unfortunately the Parkers are far too nice for their own good. They all jump in head first, trying to save this sorry excuse for a man. Arthur even offers up his entire inheritance. Tom refuses … Not because he thinks it’s not right for his youngest brother to risk his entire life’s comfort for his unworthy clown’s ass but because … IT’S NOT ENOUGH MONEY!
Tom Parker has amassed 80.000 pounds worth of debts. Luckily Google allows me to illustrate to you exactly what 80.000 pounds meant in 1820s era England:
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80.000 pounds could have paid the wages of an immortal skilled worker in perpetuity!!!! And this MORON decided not to ensure it … Apparently, Kris Marshall has said that Tom is the Regency’s version of Steve Jobs … I assume Steve Jobs too let his younger brother prostitute himself for his benefit, after already taking a 3000 pounds “loan” from him and thinking up ways of spending his baby  brother’s inheritance on top of that … Oh, wait! Steve Jobs was a visionary who died a billionaire. Take several sits, Kris!
What really irritates me is that everyone is very quick to absolve Tom of any blame, jump to his defense and in due course Tom, himself, decides he should not be so hard on himself, which is why he is ecstatic when Sidney returns to Sanditon, with the news of his engagement. This is what comes out of Tom Parker’s mouth:
Tom Parker: This is excellent news! Oh, Charlotte, glorious news! Sanditon is saved!
So he knows full well that Sidney has asked Mrs. Campion to marry him in order to save him and he is perfectly willing to let him go through with ruining his life. The saddest part is that the rest of the Parker family goes along with this lunacy.
That includes Mary who already knows that Sidney and Charlotte are in love. Kind and sensible as she might be, Mary decides to turn a blind eye to Sidney’s sacrifice and Charlotte’s pain in order to have her husband safe. And it shouldn’t come as a surprise since she’s the one that told Sidney this back in episode 1:
Sidney: And tomorrow is the famous ball, is it not?
Mary: Tom has been in such a state about it! You will do all you can to help him, won’t you?
I thought I’d mention this since everyone seems to be under the impression that Sidney sacrificing himself for Tom now is a sign of the growth of character Charlotte inspired in him. But it actually isn’t.
Both Tom and Mary make it very clear early on that they relay on Sidney’s help. He’s sort of the third member of their marriage (they do have a painting of him in their entryway) who is there to ensure Tom’s ass is saved from the fire of his own making. And both Tom and Mary are complacent in this.
Sidney choosing to marry Mrs. Campion over Charlotte isn’t a new development in his dedication to his family. It is the end result of years of emotional blackmail and dependency Tom has dished out, and Mary has, most likely unconsciously, supported.
And all of that spells disaster for Sidney who is left closing the door to the coach that will take the love of his life away from him:
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I know we are all commiserating with Charlotte over what happened. But I think we should spare Sidney a thought as well. He is ruining his life, his integrity and his happiness for someone who will most likely waste his sacrifice in a matter of months. Add to that Eliza’s behavior at the wedding and it’s pretty safe to say Sidney will pay for the money he will give Tom in every which way possible.
The only glimmer of light in all this unbearable darkness is that Lord Babington (he still doesn’t have a first name … :( ) and Esther are now married. Their wedding is actually very much a visual representation of Austen type country weddings, down to everyone smiling and throwing petals at them:
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However even in their case, there are still clouds on the horizon since Esther was pretty clear about not being in love with her husband. She took Lady D’s advice that “ being loved is better than loving: and season 2 will show us if that is enough for her or indeed her husband.
Unfortunately, our two protagonists weren’t as lucky as Lord and Lady Babington. The road ahead for them is hard and filled with angst. There’s bound to be a lot of darkness before the dawn. However, do not despair and listen to the only voice that matters:
Lady Denham: Well, Miss Heywood? You’re still proclaiming your independence? Or is it that none of our young men have taken your fancy? I’ll wager we’ll see you walk down the aisle very soon. What do you say, Mr. Parker?
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My fictional mummy is never wrong!
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mittensmorgul · 5 years
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anarchiana replied to your post “I rewatched S14 this week. In 14x19 there's that harsh line from Dean...”
@mittensmorgul Hi Mittens! Thank you so much for answering, I should have checked your previous posts first before asking my question, I’m sorry! I read the posts you linked now, thank you for linking and for your insights.  <3  I really should know by now to read your posts before I watch an episode. This show is such a minefield of mindfucks, my brain blue screens me when I think about all the spirals and mirrors and layers and whatnots... ����
@mittensmorgul One thing after reading your posts. Do you think that we are supposed to think that Dean and Cas don’t talk about the harsh words between them; that they don’t need words to get over their shit; or that they somehow talk about it and we simply don’t get to witness those scenes? Or it doesn’t matter because that’s not the focus of the show?  Thank you ��
Hi there, and no worries! It’s probably an excellent time for me to have gone back through all of that anyway. :D
I think we absolutely are being told that they DO talk offscreen. And that they do it frequently. That was a major theme of the last few seasons, going back to at least 12.19 with the Mixtape Revelation.We learned at at some point, Cas and Dean had at least one (1) offscreen conversation that we never knew about before, and not only that, but the implications of the nature of that conversation based on the fact that it culminated with Dean gifting Cas a freaking mixtape, well... that’s a personal conversation, you know?
Then 14.18 doubled down on that with all the flashbacks of Mary’s life since her resurrection, which began with Cas’s recollections of her from a time shortly after the events of 12.03. So this “things have happened that you didn’t know about” has been applied to everything, not just Dean and Cas’s interpersonal stuff. But Dean and Cas’s interpersonal stuff has still been at the core of this particular theme, and most of these “we talked about this while the cameras were off” situations ARE about Dean and Cas’s personal interactions. Mixtape, they casually watch movies together, they casually spent several weeks holding down the fort at the bunker together while Sam took off to avoid dealing with the grief of 14.14, etc. These are such TINY moments sometimes, we don’t really stop to think about what they’re actually telling us, repeatedly.
The hard truth is that while we LOVE these sorts of acknowledgements, they constitute the C plot of Supernatural, you know? The A Plot is the mytharc, the B Plot is the MotW and larger individual character arcs, and the C plot is... their relationships. So on the playing field of the story, this is just never gonna take center stage you know? Not that it’s not important, or doesn’t have a significant impact on the larger story. Like I said above, the themes these plotlines are being defined with are also defining the larger story as a whole. By nature, that MAKES them important.
It’s just that they will never (or at least not until right near the very end of the road) supersede the A Plot, and the B Plot. At that point, after the series-long A Plot has been resolved, we will be able to measure the true import of the C plot, you know?
But in some ways, the fact the show is repeatedly reminding us that these offscreen conversations are happening makes them more and more important. We’re being repeatedly badgered to just KNOW they’re happening, because the show has spent several years instructing us to make those logical jumps from what we saw last and what we’re seeing now, you know?
I remember the OUTRAGE from early s11 that Dean and Cas never talked onscreen. We felt we’d been PROMISED this conversation from the PR. Things such as “Dean and Cas resolve their differences,” and “they’re on the same page again” were dropped during the filming of 11.06, and many of us believed we were owed an onscreen conversation where they apologized to one another (Dean for 10.22, Cas for 11.03). And then the feeling of letdown was so powerful, for WEEKS some folks thought there was a conspiracy involving a cut scene that we never got. BUT WE DID GET THE DEAN AND CAS VERSION OF AN APOLOGY.
First off, Cas was trying to save Dean in 10.22, and got hurt because he refused to hurt Dean when he was so obviously going off the rails and not in control of himself. Dean was trying to save Cas in 11.03, and got hurt because he refused to hurt Cas when he was so obviously going off the rails and not in control of himself. PARALLELS! HOW THE TURNTABLES! wait I have that gif...
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This is how the show deals with this sort of interpersonal drama... turnabout is fair play and all that. It was an eye for an eye, and they both knew they didn’t need to apologize, because they’d each experienced this painful walk in each other’s shoes, as it were. Neither of these incidents were “he was mean to me wah wah wah” that NEEDED an apology. Call it instant karma. Whatever. In the language of Dean and Cas, THEY understood and forgave each other, because neither had ever blamed the other in the first place.
But the show has expanded that language in very deliberate ways since then. Of course there are things they haven’t yet clarified for each other, but at this point, so close to the end, they’re standing right on the precipice. They’re at a point where ~actually having that conversation on screen~ will knock the whole wall down, you know?
Whatever is standing between them in early s15, I’m betting it’s something that will be clarified in 15.01. It’s probably built on the foundation of that conversation in 14.18, because that wasn’t just Dean telling Cas he was dead to him if Mary was dead... because Cas clearly isn’t dead to him. Dean didn’t even cold shoulder him for the rest of the season, you know? But the REAL foundation of any potential rift between them will be from Cas’s side, and the fear he described in that conversation:
Castiel: I was scared. I believed in Jack for so long, I... I believed that he was -- he was good. I -- I knew that he would be good for the world. And he was good for us. My faith in him, it -- it never wavered, and then I-I saw what he did. It wasn't malice. It wasn't evil. It was like Jack saw a problem, and in his mind, he just solved it with that snake. Dean: The snake?! Castiel: What he did wasn't bad. It was the absence of good. And I saw that in him. But we were a family, and I didn't want to lose that, so I thought I could... fix it on my own. Felt like it was my responsibility. So I left. And I didn't tell you. If I could go back and just -- just talk to him right then and there, I would. But I can't, Dean. I failed you.
THIS IS WHAT CAS FEARS MOST. That as much as he talks the talk that he’s part of the Winchester family, he is terrified that he really isn’t. He’s not “useful,” he’s not really family. He doesn’t understand that yet, and seriously, at this point, all it would take is a five minute conversation with Dean to resolve that... so obviously the show is gonna avoid resolving that for a while to drag out the drama, because that is literally the core character issue Cas has been dealing with since 4.01. That’s his entire character arc, and they won’t let him find peace until they’re done, you know?
So... instead, they have given us these important reminders that even though these character interactions between Dean and Cas aren’t crucial to their overall character development, at least not like That Big Conversation would be, or in a “we should take up precious screen time showing them kicking back and watching movies and having casual human interaction” sorts of ways, that they are important enough to tell us about, repeatedly. It’s important for us to know that their relationship is so much deeper and broader than what we see onscreen, you know? Like, they’re actually friends offscreen, who hang out and talk and do fun stuff for fun. THAT is all we really need to understand about them. Because that’s what adds that huge weight of depth to their relationship, you know? And all they have to do to maintain that is to keep surprising us with these little casual mentions of Things We Don’t See. What I like to call “The Other 364 1/2 Days.” Because our window into their lives is only open 42 minutes a week, 20 weeks a year (now, we used to get 23 weeks a year). That’s 840 minutes a year. There’s over 525,000 minutes a year we DON’T see. And the fact they repeatedly tell us how Dean and Cas spend their free time together seems significant within that tiny sliver of their lives, you know?
So it’s not really a matter of “important vs not important,” but priorities within an incredibly limited constraint on storytelling time.
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Make sure to sign the petition
 To the showrunners, producers, and executives behind The CW’s Supergirl…
The following petition has been created in hopes of raising your awareness to important issues we, as your audience, feel strongly should be addressed.
FEMALE, POC & LGBTQ+ REPRESENTATION
Fans have become increasingly frustrated with what we feel to be the general mistreatment of female, POC and LGBTQ+ characters in recent episodes. Having them does not necessarily mean respecting them. And when your lead heroine, lesbian co-lead (Alex), lesbian women of color (Kelly), and the first ever trans superhero (Nia) are all consistently missing, sidelined or lacking any storylines of depth - often in favor of a greater focus on the development of straight cis male characters like William or Lex - it feels inherently problematic, if not blatantly offensive. Especially when out of the six back ground LGBTQ+ characters to appear on Supergirl, only two were not killed off.
There is a long list of times that the LGBTQ+ characters have been treated badly. For instance Dansen fans were promised a storyline taking their relationship “to a new-level” after crisis, but we haven’t seen that or really any Dansen scenes at all. Nia and Kelly fans are told (almost weekly) they will get screen time; yet they barely get any. There are even instances of erasure of iconic LGBTQ+ characters, like Ayla Ranzz. She was name dropped as Winn’s wife, yet her major comic romance is with a woman. She made history as one of comics first LGBTQ+ heroes, but that wasn’t even alluded to in her mention.
We can’t change treatment of the past but we can improve treatment for the future. We want Supergirl to get better. Season four showed us that the writers know how to balance great LGBTQ+ stories with plot we just want that again.
CANON SUPERCORP
Through actor chemistry, dialogue, romantic couple parallels (including the iconic Clark/Lois), wardrobe, music choice, and storylines - the show itself has already positioned the pairing of Kara and Lena as the series’ core love story. One that just happens to be between two women. And yet, despite massive global appeal and proven popularity, there is a consistent refusal of the show to directly acknowledge it as such and follow through on what would be a beautiful, groundbreaking and television history-making romantic relationship.
Audiences worldwide have been “shipping” Supercorp since their first moments on screen together. And now, four years later - after what was an undeniably heavily romantically coded fifth season, many find themselves wondering why the show would pass up an opportunity to subvert the Super/Luthor lore, fulfill their viewers’ biggest dream, and make the relationship romantic canon. Audience fatigue and rising frustration, queerbaiting accusations, media call outs and more now permeate the Supergirl fandom, reflecting an overall negative sentiment surrounding the show, which has even lead to a significant loss of ratings.
We love our show. We love this cast. And we truly appreciate the hard work of all involved in the series for the last five years. But we hope you now hear our voices as we implore you to “Dare to Defy” by making Supercorp romantic canon as soon as possible, as well as improving the screen time, exploration and treatment of female, POC and LGBTQ+ characters.
Thank you. El mayarah.
https://www.change.org/p/supergirl-show-runners-supergirl-s-representation-matters
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