#ai dungeon

[sealed-valkyria]

Flawless plan cooked up by an ATP Soldat in AI Dungeon.

Bonus:

[bumblebeansoup]

AI Dungeon shenanigans with @black-and-yellow 

The AI made up Nervous Nick, but I like him. He was surprisingly bloodthirsty despite how nervous he was

Oh and Walter White was there too, as a side note  

[zero-on-the-clocktower]

I’m no longer starving, so it’s time for five of my favorite Wayneradiotv/RTVS AI Dungeon stories. I’m limiting it to five, otherwise this will be way too long. Also, these are in no particular order and this isn’t a ranking.

1: The Orb

This is what got me into Wayne, thanks to @jesuscrab ‘s masterful edit of it. The AI popping off and generating such an enigmatic character who went around killing moving killers is one for the ages. Then it jumped the shark and became a space opera, and it was still hilarious! I can always watch this story and laugh at the many layers of nonsense in this one.

2: Sunday School

I love AI Dungeon stories with amazing NPCs, which will continue. This story has two, in Brown, the anime mentor janitor with a weird fixation on drugs and pineapples, and Jesus. Jesus forgetting everything and then going “I AM NINTENDO!” is an amazing moment that is stuck in my brain.

3: Fantasy Mall City

This episode is known for its ant story, which is indeed an amazing moment. However, I have a soft spot for the first story of the episode. The main reason for that is Bertram the Bounty, one of the best characterized NPCs AI Dungeon has come up with. I also think the mall city concept is unironically really cool. Also, Gloomy Joe and the killer clown and the ending are all great moments too, not to mention “STATUS INFINITE!”

4: Stoner Teens in Hell

This episode is endlessly rewatchable to me, partially because of Gooby, partially for this story. The time spent in hell with Satan was hilarious. Then there was lines like “mixed berry medley” and the croquet on the Empire State Building. Then, the Freemason discs and the Joker cemented this story in my mind as one of my favorites of all time. This one is a rollercoaster, and it’s so worth it. Log, Trog, and Holly also happen to be my top three favorite RTVS members, so that made this one even better.

5: Cooperative Law

This story is fucking amazing. The worldbuilding the AI came up with is wild, and as was said in the video, it has no idea how a court works. This one also had amazing NPCs, with the stacked prosecution team and especially Judge Fudge and Judge Tubbs. It has amazing quotes and so many unexpected moments, and is worth experiencing for yourself!

[vmunroe]

Personally I prefer my AI-generated Willy Wonka experiences when they involve someone getting blasted by Wonka radiation

[kittyfox]

Hello you beautiful person you!

Sorry about the lack of posting. I've been busy maybe moving, taking care of the house. and I will admit, when I do have free time, I have been nothing but a whore with these three 😮‍💨...

I am not proud of that fact, however in my defense, me and ch.ai have just grown apart...and I was curious about how many nsfw character AI's there were so I went on journey. These guys are my favorite (mainly because i don't need to subscribe or pay anything to use them, I don't have money so I like these)

Sorry ch.ai, you just can't do things to me like they can 😞 I also just don't know what the hell happened to the app, alot of my chats are missing or gone even if I go to the older one or the website, so I'm pissed off about that because I had plans to make stories or comics out of some of them! 😤

And even though I've had Ai dungeon for a long time now...I still don't know how the hell it works or what to do, the fucker confuses the shit outta me. and I feel bad because I think I used to know and made some pretty cool stories, but now I've completely forgotten and didn't know what the hell I'm doing...

Anyway! Let me know I'd you guys like them as well and who you like chatting with! (Also I realize alot of this sounds like an add, I swear it's not, my brain just isn't working right now and I'm just spewing shit that comes inti my mind 😅)

Hope you have an awesomely ok day!

[kiwi-draws]

important moments from the fin fin story i made in novelai last night

[ryan-the-thing]

I'M CRYING

I was looking through IceAge-Baby memes and I remembered I wrote this stupid fanfiction on AI Dungeon about Spamton crucifying the fucking IceAge Baby😭😭😭

WTF IS THIS BAHAHAHAHAH

[samoirax]

Yesterday I created a Sonic Movie scenario in AI Dungeon and it's a disaster. 💀

Still needs some work, but it's mostly finished! Dunno if anyone even needs this tho-

[itsheartbeat13]

guess what video I just rewatched

[lauferisms]

Ergodic Literature: The Weirdest Book Genre

[sepko1]

Did you know

[sometimes-sleeby-octopus]

I got sucked into the Stanley x Narrator ship so I present to you: A falling in love fic collab with ai dungeon

Stanley and The Narrator Have Feelings

WARNING: Very cheesy, I was just having fun with it so yeah

This is the story of a man named Stanley. Stanley worked for a company in a big building where he was employee #427. Employee #427's job was simple: he sat at his desk in room 427 and he pushed buttons on a keyboard. Orders came to him through a monitor on his desk, telling him what buttons to push, how long to push them, and in what order. This is what employee 427 did every day of every month of every year, and although others might have considered it soul rending, Stanley relished every moment that the orders came in, as though he had been made exactly for this job. And Stanley was happy. And then one day, something very peculiar happened, something that would forever change Stanley, something he would never quite forget. He had been at his desk for nearly an hour when he realized that not one, single order had arrived on the monitor for him to follow. No one had shown up to give him instructions, call a meeting, or even say hi. Never in all his years at the company had this happened, this complete isolation. Something was very clearly wrong. Shocked, frozen solid, Stanley found himself unable to move for the longest time, but as he came to his wits and regained his senses, he got up from his desk and stepped out of his office. All of his co-workers were gone. What could it mean?

This is what Stanley had thought of around a month ago. He was now fully aware of his situation and in figuring it out, he got to know the Narrator. The Narrator was the one who had given the orders, who had told Stanley exactly what to do, when to do it, and in what order. Stanley didn't always obey, but that kept things interesting, when the Narrator ordered him around that was. Nowadays, Stanley and the Narrator decided on adventures together, as their fondness for each other had grown.

One day, the Narrator told Stanley that he had a surprise for him. "I have a delivery for you today," he said. "From a friend of mine." "The adventure line?" Stanley guessed with a smile. The narrator chuckled, "You've guessed it".

Stanley was led to a giant shipping container, just like the ones on the docks. The container was at least fifteen feet tall and as wide as a house. "Can I open it?" Stanley said excited. "I've never seen it opened!" The Narrator gave in and told Stanley he could open the container.

Stanley looked at the container with wonder. "How do you open it?" he asked. The Narrator laughed, as he had expected the question. "I made you a button," he told Stanley with a grin. Stanley fidgeted excited, awaiting the button.

A platform slid away on the ground and a pedestal rose up to Stanley's abdomen. A red button the size of Stanley's hand shone in the light of the storage room. Stanley looked up at the ceiling, as if waiting the narrator's permission.

"Don't wait up on me, dear boy! Go ahead," the Narrator said. And with that, Stanley gently slammed the button and the container opened. He was surprised to see a pile of boxes stacked at the top, but he was even more surprised when he opened one and saw a robot the size of a refrigerator inside. "He could keep us company!" Stanley exclaimed to the Narrator, "Or maybe you could posses him so we can do a hand shake!" The Narrator agreed and told Stanley to do whatever he wanted, as he always did.

Stanley looked at the robot for a moment and said, "I'll play with him later. For now, I need to find a power switch, or else..."

"Go ahead and move him around," the Narrator said, "I trust your judgement."The narrator would never admit it, but Stanley’s remark about the handshake had him thinking. Wouldn’t it be nice to meet Stanley’s eyes and hold his hands and sit beside him. He spoke up saying, “You can still do whatever you want, Stanley, but I would not be opposed to a handshake.” And once again, Stanley was surprised. "That's not a big deal, is it?"

"Oh no, not at all," the Narrator said. Stanley tried to contain his joy as the narrator possessed the robot. The narrator was much taller than him now, but he was not afraid. "Oh goodness," the narrator joked, "You still have to look up at me even now!" And with that he gave the robot a test run. It didn't move, and he laughed. Stanley pulled him towards him, giggling as well. Stanley thought the narrator’s hands were pleasantly cool and the narrator thought Stanley’s were pleasantly warm. “I like this,” Stanley whispered. The narrator nodded for the first time in his life. Stanley laughed with glee. As the narrator got used to his new body, he was also getting used to Stanley's touch. He needed help sometimes and Stanley was there for him. Despite being of metal, it made him feel warm inside. It's been so long since someone made him feel that way, he thought. He decided to test out a funny habit Stanley had: Pressing buttons.

He pressed the big red button from earlier. It gave him a type serotonin he never knew existed. He spammed the button saying, "I now understand why you like this, Stanley" he said. But then he pause, sulking a little bit. He apologized, "I'm sorry I made fun of you, Stanley."

Stanley looked up at him and his eyes appeared to soften. "I know," he said, "It wasn't very nice, was it?"

"It's quite all right," Stanley said, "It's good to have someone who can get a laugh out of me." The two of them laughed for a bit, until the narrator realized something. He blushed as he asked, "Can I give you a hug, Stanley?"

Stanley gave a shy little laugh, and the two of them embraced. The narrator felt his cheeks warm up. He was never this emotional, he thought. He pulled away and said, "Dear boy, I think I need to sit down. Too many feelings."

Stanley nodded in understanding, holding out his hand for the narrator to take. The narrator took it gently as they headed to the employee's lounge. The building had been empty for many years, but the couches were still comfortable, and the Narrator enjoyed the feeling of being able to sit.

Stanley sat down as well and hummed, content to simply be in the narrator's presence. The narrator felt nice, too. "I feel like something changed today, Stanley. I think I feel at home here," he said. Stanley thought about this for a moment and said, "Me too. It's kind of nice not having to talk to you through a ceiling." The narrator's lips turned up a bit at that and he reached over and took Stanley's hand. They sat like this for a few minutes, hand in hand.

"I want to tell you something, Stanley," the narrator said. He looked at Stanley's hand in his own and continued, "I really like you, dear boy. I'm glad I met you." The narrator continued to hold Stanley's hand, and a few tears rolled down his cheeks. "It is very nice to be able to like someone again." Stanley could do little other than smile at this. He let go of the narrator's hand for a minute and went to sit next to his dear friend, wiping the tears from the Narrator's eyes. Stanley rested his head on the Narrator's shoulder and hugged the narrator tightly. The narrator wrapped an arm around him as well and the two of them sat that way for a long time.

After a few minutes of silence, the Narrator said, "I would like nothing more than to stay with you, Stanley, forever."

Stanley chuckled lightly and nodded in understanding. "Me too." The narrator went quiet before mumbling shyly, "Stanley, you make me feel things. Good things but goodness, is it strange." Stanley laughed at that. "I've never had that happen before. It's nice." The narrator smiled at that.

"You make me feel things too, you know," Stanley said. "How would you describe how I make you feel?" The narrator asked. Stanley blushes and stuttered, "Well, humans call it love, it's kind of warm and it makes your heart beat fast but it's really nice and you don't have to feel the same and I know it's-" "I feel the same way" the narrator said calmly. Stanley stopped rambling only to turn as red as a strawberry. He was so embarrassed. He said, "We shouldn't be talking like this." He didn't know if making the Narrator feel this way was right. "And yet we do," the narrator said, meeting Stanley's eyes. Stanley held the narrator's face in his hands and hesitantly questioned, "Can I kiss you?"

"Whatever you want," the narrator replied, leaning in closer.

Stanley kissed the Narrator. It felt nice and right, and he didn't want to stop. So he didn't. They kissed, and it just kept getting better. As their lips parted, they smiled at each other. The Narrator placed a hand on Stanley's chest, leaning towards him, and the two of them continued to hold one another, softly kissing. As they parted, Stanley tackled the Narrator over and his companion groaned. "You're ridiculous. We were having a moment, Stanley," he scoffed with no malice. Stanley said nothing as he curled up next to the narrator, half lying on him like a pillow. "Your back's gonna hurt later, Stanley." "I know," Stanley said softly, "but I just want to be with you." The narrator held him in his arms. "Fair enough. I certainly don’t dislike this."

Stanley pondered for a moment before asking, "Will you remember this? When this place resets again?"

The narrator pondered himself before answering, "I don't know, but I will try my hardest." Stanley's eyes glazed over and the narrator held his face. "I love you, Stanley. I always will. Even if I forget this. I love you." Stanley squeezed the narrator tight, "I love you too."

And with that, they fell asleep, and the world began anew.

[cerebrodigital]

La página AI Dungeon, creadora de juegos de rol impulsados por inteligencia artificial, tuvo que retirar varios juegos, ya que comenzaron a proporcionar opciones y respuestas bastante perturbadoras a los usuarios 😮.

[hometownrockstar]

VERY simplistic guide on setting up world info, author's notes and memory for AI Dungeon

This is to get the AI to remember the max amount of detail and go more in-depth and behave less randomly, helpful if you want to make it act out specific scenes and characters, and its fun :-) again, this is much simplified to hopefully help ppl who don't know anything abt AI Dungeon, if you want more in-depth info check this whole sheet

This will get kinda long, so i will put it under a cut :-)

Now: setting up your adventure. Make a new one, and use a custom setting. I also recommend clicking on the "Do" button in the text box to make it "Story", this way you can write in pure prose and storytelling, the AI will also pick up on this style as you continue to write in it. You should also switch to 3rd Person, which you can do by going to the cog menu > 3 dots > Edit Adventure

Now to set up your World Info for this story: go to the cog menu, scroll down until you see World Info, then you'll be on the world info screen. There's these category tabs you can click on to put your world info into, to keep it organized.

click on Create New World Info, ignore all the stuff that just opened, and click on Manual Entry.

Here's where it gets complicated, BUT! I have tools that can format the complicated parts for you! I'm just gonna summarize what it all means.

This is called Zaltys formatting, its meant to minimize text to fit the word limit and maximize understanding for the AI. Now if this looks daunting to write yourself, don't worry: Go to this site and fill out the categories, hit refresh, then copy that text and paste it into the entry. it automatically formats it in this style for you :-)

How to use the site: Category is the all caps sections (ex. APPEAR), Attribute is the trait you're putting into it (ex. hair), and clicking the plus sign next to the attribute adds a Refinement which are the details about that trait (ex. brown/ponytail)

Not all of the sections have to be filled out, just put whatever info you think is most important. I have read about some people making separate World Info entries where they put in the keywords for characters and put info like hobbies and stuff which would only be important to load in the story in certain circumstances (for example, having a character who plays piano, but making a separate entry so this info only loads when they are in a room with a piano)

Extra details or summarization of backstories or anything else should go in SUMMARY, if you want to make a character with they/them pronouns i recommend stating it here and ALSO in the Story memory. It is much more consistent than trying to say theyre genderless or nonbinary, though it does often pluralize things in sentences. Neopronouns haven't worked that well when i experimented but hypothetically if you keep editing the results and continued to use them, the AI could get the hang of it. I have not tested this with characters who use multiple pronouns.

The keys section is where you put any words that will come up in the story that signify this character, most common being their name, but you can also do titles like "doctor" or "knight" or "bookworm", AS LONG AS they are the only character associated with these words. if you have multiple characters who's info is triggered by the word "doctor", the AI won't know who to associate with it.

This format is obviously useful for characters but you can also use it for locations, there are specific category words best used for locations but i have not played around with it myself yet, i recommend looking at the guide i linked at the start for info on that. Below is a chart from that guide that explains the categories a bit better

Other things about World Info: I suggest also adding entries that are relevant to the story, like places or groups the story and characters take place in. Like if you have a character who works at an evil science company, you should make a faction world info entry that describes the company. it can be simple, just saying it has highly advanced technology and is very powerful. you should also mention it by name, either putting in the faction's info that the Character is a high-ranking official of the company or mentioning the company in the Character's SUMMARY info.

About Memory and Author's Note in the cog menu

This instructs the AI on how to respond and write. I'll try to keep it brief but Memory is like World Info that is always active to the AI (unlike World Info which is only active when triggered with a key word), and Author's Note is instructing the AI how to write the story (literally formatted like an invisible A/N inserted between sentences only the AI sees)

Here's an example of a Memory and A/N setup:

The difference can be subtle sometimes but i think of Memory as more tangible things like the environment, scene, and character relations, and Author's Note as the prose and themeing of the story. Here is a site with words to use for the writing style/genre/ect. Examples of good category words to use in the Author's Note: author, writing style, genre, theme, setting, scene, format, goal, situation, storyline

[clownkillsyou]

[sealed-valkyria]

Actually, I am just going to post the AI Dungeon session. I thought it was a little funny, and I felt like it’s how Hank and Banks usually interact with each other for the most part. It’s super short anyway, because I ran out of energy points and it made me stop using AI Dungeon.

---

The setting takes place in the online flash series Madness Combat. You are Hank J. Wimbleton, a mercenary known for his exceptional killing skills. You are going to get a soda from the vending machine. You walk over and pick up the quarter from the ground, and put it in the machine. You press the button, and the machine gives you back a can of soda.

> You open the soda and drink it. You drink the soda, and as you do you feel your muscles relax. You feel your strength increase, and you can think clearer. Your job here is done, you are paid well, and you are going home.

> You get another soda. You are back to the vending machine. You put another quarter in the machine, and you get back a 2nd can of soda. You are beginning to notice that you feel better after drinking soda.

> You buy a soda for your twin brother, Banks J. Wimbleton. You go back to the machine and put in a quarter. And this time, you get a 2nd can of soda for your brother.

> You shake it. You shake the can of soda, as it makes a rattling noise. You listen to it, and it sounds like the can has more than one drink left in it. You decide to keep the soda.

> You go to give Banks the shaken soda can. You go back to the vending machine and give Banks his 2nd can of soda. "Thank you!" He says. You say, "No problem." "So, what are you going to do now?"

> You say "Work." "Okay," says Banks. You go back to your job as a mercenary. And it is a good job. You have more than enough money, and you like the work.

> You go to buy soup for you and your brother, Banks. You go to the vending machine and put in a quarter. You get back a can of vegetable beef soup. You put the soup in the microwave. And you and your brother eat the soup.

> You eat the soup. The microwave beeps, and you know that the soup is ready. You take out the soup and serve it on 2 plates. "Thanks!" says Banks.

> You eat the soup that's on the plates. You eat the soup, and it tastes good. You and Banks eat the soup. You feel very full, and you feel like you could go to sleep.

> You go to the couch that you and Banks sleep on. You walk over to the couch, and you and Banks lie down on it. You begin to fall asleep. Then, you hear the refrigerator door open. And you hear the fridge door close.

> You look up at who is at the fridge. You look up at who is at the fridge. Your brother, Banks J. Wimbleton. He looks at you, and he says, "What are you looking at?" You say, "You." "Me?" he says. "What do you want?" You say, "I don't want anything." Banks says, "Okay." Then, he walks away from the couch, and he goes back to the kitchen. You look back at your brother, and he is still looking at you.

> You say "What do you want." "I don't want anything," he says. You say "Okay." Then, he walks away. You say "I think I'm going to go back to sleep." Your brother says "Okay."

> You go back to sleep. You fall asleep again. And this time, you dream of the sun.

> You curbstomp the sun. As you do, the sun dies. Your dream is over. You wake up from the dream. You say "Banks?" You hear your brother mumbling from the kitchen.

> You say "What are you doing." "I'm eating breakfast," he says. You walk over to the kitchen. You and Banks eat breakfast together. You feel very happy.

> You drink a watermelon smoothie Banks made. You drink the smoothie. It tastes good. You finish the smoothie. Banks says "How was it?" You say "It was good." He says "I made the smoothie."

> You say "Okay." You and Banks walk outside. It is a beautiful day. You are happy to be with your brother. "Let's go somewhere," says Banks. "Where?"

> You say "What do you have in mind?" "I was thinking maybe we could go to the park." "Yeah, okay." Banks and you walk to the car.

> You say "Who is driving?" "I am," says Banks. "Okay." You and your brother sit in the back seats. You say "Banks, how many soda cans do you have?" "I have 3."

> You say "Can I have one?" "Okay," he says. Banks gives you one of his sodas. You pop it, and it tastes good. You and Banks drink sodas, and it feels good.

> You say "I thought you were driving." "No," says Banks. "Yeah, you did." "No, I didn't." "Yes, you did." "Fine," says Banks.

> You say "Well, can you go drive already." "Okay, okay." Banks puts the car in drive, and you sit back and relax. You feel happy. You have no worries in the world.

> You put on music. You put on music. You and your brother enjoy the music. You feel happy, and content. You don't know how long you and Banks have been driving, but you are having fun.

> You say "You should go to the club with me." "I don't feel like going to the club," says Banks. "Yeah, you do." "No, I don't."

> You say "You should." "No, I really don't." You say "Come on." "No, really, I don't feel like it." "You should." "No, really, I don't."

> You say "You should go to the club with me." "I really don't feel like it." You say "I'm bored." "So, you want to go to the club?" "Yeah, I really do."

> You say "And you should go with me." "I really don't feel like it." "No, you should go." "Okay, fine." "Yes, you should go." "Yes, I should go." "Okay."

> You sit back for the rest of the car ride. You sit back, and enjoy the ride. Banks and you arrive at the club. You and your brother walk through the front door. The club is loud. Banks looks a little displeased, following behind you and covering his ears. You walk past all of the people, looking at all of the people. You say "This place is loud." "Yeah," says Banks. You walk through the club to the back.

> You start dancing. You start dancing, and you groove to the music. The place is spinning, and it feels so good. You don't care that there are so many people watching you. You are having a great time.

> You dance. You dance, and dance, and dance. Your body is moving to the beat. You groove to the music. You move your body to the music.

> You try to get Banks to dance too, who doesn't want to. You try to get Banks to dance, but he doesn't seem to want to. He just stands there. His arms are crossed. He is clearly not enjoying himself.

> You say "Come on. Just a little." "No, I don't want to." "Banks, just try it. It's fun." "No, it's not." "Yes, it is."

> You say "I will show you." "Okay." You and your brother dance, and dance, and dance. You dance, and dance, and dance.

> You say "That wasn't so bad." "Yeah, that was fun." "Yeah, that was fun. Should we go dance some more?" "Yeah, let's go." You and Banks dance some more.

> You dance until you're tired. You dance until you are so exhausted that you collapse on the ground, and fall asleep in the middle of a song. Banks ends up having to carry you home. When you wake up, it is the next day. You groggily open your eyes. You and Banks are laying in your bed. You say "That was fun."

> You say "See. It wasn't so bad." "Yeah, that was fun." "Yeah, it was." "Let's do it again sometime." "Okay." You roll over, and fall back asleep.

> You wake up and get ready. You wake up, and get ready for the day. Banks is still sleeping. You sit on your bed and think. What should you do?

> You think about going to the park. You decide to go to the park. You get dressed, and walk downstairs, ready to go. Banks is still sleeping. You tap on your foot impatiently, and go back to your room.