#alas he is just a very classic typical hero | Explore Tumblr Posts and Blogs

crusherthedoctor · 3 years

Note

Can you list anything you unironically like in the games (and cartoons and comics) that you don't like?

I won't bother mentioning music, since that goes without saying and is to be expected for a Sonic game... unless you're Chronicles.

Sonic Adventure 2 (mixed gameplay-wise, annoying story-wise) - While I prefer Sonic's SA1 levels for a number of reasons, I still think his and Shadow's gameplay in SA2 is fun on its own merit. I also don't mind the treasure hunting gameplay returning or how big the levels are this time around, since Knuckles and Rouge are still fast and not '06 levels of slow. It's mainly the gimped radar that creates the unfortunate domino effect of making them a problem.

- Introduced Rouge, one of my favourite characters for how playful she is and how she's a lot more nuanced and intelligent than you'd expect.

- Some genuinely good scenes, like Eggman's trap on the A.R.K and Sonic escaping from the G.U.N. helicopter.

- Had some good ideas going for it, like the Pyramid Base and the Biolizard as a scientific monster instead of an ancient one.

- Despite my thoughts on the backstory itself (or rather, its execution), Shadow has enough depth and subtle qualities and occasional unintended hilarity to stand out from the typical dark rival characters you see in media.

- The Last Scene's music in particular is one of my favourite cutscene tracks in the series.

Sonic Heroes (mixed gameplay-wise, loathed story-wise) - The gameplay is fun when you're not being screwed over by repetitive combat, overly long levels and/or ice physics.

- Boasts some of the most consistently Genesis-worthy environments in the 3D games, up there with SA1's and Colours'.

- The in-game dialogue that isn't the same tutorial drivel repeated ad nauseam can be interesting, funny, etc.

- Reintroduced the Chaotix, which provided me with another character I quite like in the form of Vector.

- Bringing Metal Sonic back in full force and front and center in the plot after a long absence (not counting cameos and the like) is a perfectly fine idea. Just... not like this.

Sonic Battle (decent yet repetitive gameplay, mixed story-wise) - Emerl's arc is compelling, and it earns the emotional weight of having to put him down at the end.

- While some characters are iffy (read: Amy), other characters are extremely well-handled. Shadow is probably the prime example.

- Gamma's belly dance healing animation is fucking hilarious.

- When I was young, and the game was first announced, I was really excited about being able to play as Chaos. This proved to be my downfall when it turned out he was arguably one of the worst characters in the game due to being slower than me during the writing process, but I still recall that excitement fondly.

Shadow the Hedgehog (comedy classic) - The sheer amount of legendary stupidity this game has going for it makes it practically impossible to actually hate. It helps that it's not quite as white-knighted on the same level as '06... usually. You know you're in for a unique experience when you hear a gunshot every time you click something in the menu.

- By extension, Black Doom never gained an unironic fanbase like Mephiles/Scourge/Eggman Nega did, which means I'm a lot more willing to take Doom's dumbass brand of villainy in stride. He even has a unique design... a terrible one that rips off Wizeman granted, but alas, even that is a step-up from Fridge Shadow and Bumblebee Eggman.

- Despite being... well, Shadow the Hedgehog, some of the environments would fit right in with any other Sonic game, like with Circus Park, Lava Shelter, and Digital Circuit. Even the Black Comet levels look pretty cool.

- This game understands amnesia better than IDW does.

Sonic '06 (what do you think?) - The obvious one: Shadow's character was handled pretty well, even if it came at the cost of everyone else being a dummy and being forced to interact with Mephiles.

- Like SA2, there are some good moments, like the Last Story ending sequence with Sonic and Elise.

- In the greatest form of irony ever, I like Solaris as a concept and design(s), and its backstory has potential to serve as a parallel with Chaos without being a complete ripoff. Iblis sucks, Mephiles sucks, but I'm fine with Solaris.

- Introduced legendary characters like Sonic Man, Pele the Beloved Dog, Hatsun the Pigeon, and Pacha from The Emperor's New Groove.

The Rivals duology (apathetic outside of Nega-related grumbling) - There were some cool zone ideas in both games that were sadly let down by the restrictive and limiting gameplay. I particularly like Colosseum Highway for thus far being the only full-on Roman level in the series instead of merely having a couple minor hints of Roman, and Meteor Base for the unique scenario of the space station being built into an asteroid. These level concepts and others deserve a second chance IMO. (At least Frontier Canyon got a second chance in the form of Mirage Saloon, amirite?)

- Ifrit has a better design than Iblis. Not saying it's amazing, but the Firebird motif it has going on is a lot more interesting for a fire monster than the Not-Chaos schtick they had with Iblis.

Sonic and the Secret Rings (a very frustrating gaming experience) - Erazor Djinn, A.K.A. Qui-Gon Djinn, A.K.A. Dr. N. Djinn, A.K.A. I'll Take It On The Djinn, A.K.A. Not From The Hairs On My Djinny Djinn Djinn, is one of the best villains not associated with Eggman in the series. He's a Mephiles-type character done right, and there's actual weight and reason to his actions, however sinister or petty.

- I don't have strong opinions either way on Shahra as a character, but the Sonic/Shahra friendship is sweet and well-handled.

- The ending is one of Sonic's greatest moments. The sheer contrast between how ruthlessly he deals with Erazor and how comforting he is towards Shahra speaks volumes... Still gonna make fun of the mountain of handkerchiefs though. (Before anyone lectures me, I understand the significance of it and can even appreciate it from that angle... doesn't mean I'm not allowed to poke fun at it. :P)

- Another game with some redeeming environments. I love the aesthetic of Night Palace, and Sand Oasis looks gorgeous too.

Sonic Chronicles (my personal least favourite game in the series) - Uh...

- Um...

- Er...

- I like Shade's design?

Sonic Unleashed (overrated game and story IMO) - The obvious two: the opening sequence and the Egg Dragoon fight deserve all the praise they get.

- Seeing Eggmanland come to life was an impressive moment to be sure. While part of me does feel it didn't quite measure up to what I had in mind (ironically, the Interstellar Amusement Park ended up being closer to what I had in mind), it still looks badass and works well for what it is. I also don't mind the idea of it being a one-level gauntlet... key word being idea.

- Obviously, the game looks great. Not a fan of the real world focus (real world inspiration is fine, but copy-pasting the real world and shoving loops in it is just unimaginative), but it can't be denied that the environments look good.

- This game pulled off dialogue options a lot better than Chronicles did, since they didn't rely on making Sonic OoC.

Sonic and the Black Knight (just kind of boring all around) - Despite my gripes with the story (Merlina wasn't nearly as fleshed out as her unique anti-villain status deserved, which ends up severely undermining the ambition of the plot in more ways than one, and the other characters go from being useless yes men for King Arthur to being useless yes men for Sonic), I will admit it provides interesting insight into Sonic's character.

- Like '06 and Secret Rings, the ending is very nice... well, aside from Amy being an unreasonable bitch ala Sonic X at the very end.

Sonic the Hedgehog 4 (apathetic) - The admittedly few new concepts sprinkled within had promise. They may not have been as fleshed out as they could have been, but level concepts like Sylvania Castle and White Park, bosses like Egg Serpentleaf and the Egg Heart, and story beats like the Death Egg mk.II being powered by Little Planet, all could have been brilliant had they been better executed.

SatAM (apathetic outside of SatAM Robotnik-related grumbling) - I'm not a fan of the environments on the whole due to them looking too bland or samey, but there are some exceptions that look pleasant or interesting, like the Void.

Sonic Underground (apathetic) - The character designs make me feel better about myself.

- Does "large quantities of unintentional meme material" count as a positive?

Sonic X (mostly apathetic outside of Eggman's handling) - Helen was a better human character and audience surrogate in her one focus episode than Chris was throughout his entire runtime.

- Actually, most of the human characters not named Chris were legitimately likable. Including everyone in Chris' own family not named Chris. Hilarious.

- Despite arguably having the most Chris in it, I actually don't mind the first season that much, partly due to slight nostalgia from seeing it on TV when it was new, but mostly because Eggman actually acted like a villain for the most part, and certain other characters weren't quite as flanderized yet. It's season 2 and onwards where things started going off the rails IMO. (Incidentally, Helen's episode was part of season 1...)

The Boom franchise (apathetic) - Along with Chronicles, the games provide yet more proof that just because someone isn't SEGA/Sonic Team, that doesn't mean they're automatically more qualified to handle the series.

- The show had some good episodes here and there, and Tails' characterization was probably the most consistently on-point out of the cast.

- Despite not exactly being favourite portrayals for either character, even I'll admit that many of Knuckles and Eggman's lines in the show on their own were genuinely funny.

Archie Sonic (pre-reboot is mostly terrible, post-reboot is mostly... bland) - Whenever I doubt myself as a writer, I think back to Ken Penders, and suddenly I'm filled with a lot more confidence.

Sonic the Comic (apathetic) - Fleetway isn't a comic I tend to recall much of aside from how much of a loathesome cunt Sonic is, but IIRC, Robotnik's portrayal is pretty good. Different, but good.

IDW Sonic (stop pissing me off, comic) - Putting their handling aside (and being too obviously "inspired" by MGS in the latter's case), Tangle and Whisper are good characters IMO.

- Same goes for Starline, before he was killed off-screen and replaced with Toothpaste Snively.

- Execution aside (noticing a pattern?), the zombot virus was a fine concept on its own and an interesting new scheme for Eggman.

- I get to remind myself that I've never drawn scat edits and posted them publicly on Twitter.

32 notes · View notes

hopeymchope · 3 years

Text

Godzilla Singular Point

I came into Singular Point with some trepidation because Godzilla’s history in anime is both very recent and extremely bad. The three anime movies released between 2017 and 2019 are easily the worst work of famed writer Gen Urobuchi and honestly contain more bullshit than I can even get into here. Those movies and this series were both Godzilla anime properties commissioned by Netflix, which didn’t get my hopes up very much. Thankfully, Singular Point is a very different beast from the anime trilogy. One could argue it’s very different from most Godzilla media, actually — at least from my perspective. And I’m still a pretty entry-level fan of Toho’s Big G, all things considered.

Let me just warn you right up front: This smartphone-based virtual assistant is basically the breakout star of the series.

When you think “Godzilla,” you probably don’t think “incredibly dense sci-fi concepts,” but with the big G’s first-ever anime series, the writers clearly set out to change that perception. Before the first kaiju even appears, the lead characters are plucked from obscurity and dropped into a mystery that involves fourth-dimensional time travel, physical objects that look different from all sides, theoretical math concepts, self-propagating A.I., and a whole lot more. And it’s NEVER made clear how all of it connects to the rampaging kaiju! Although we spend a lot of time investigating a red dust or sand that is very obviously tied to the monsters in SOME way, no one ever makes a connection that explains the relationship. Maybe we’re supposed to wait for a later season to connect the threads... but let’s get into the idea of “another season” later.

I like to think of myself as someone who typically enjoys hard sci-fi, but even with the characters spending loads of time trying to explain the high concepts driving the story, I was never able to fully wrap my head around what was going on in the mystery at the center of GSP. I rewound and rewatched a few explanations, but I still walked away feeling lost. I eventually settled on some vague, loose understandings of most of the ideas mentioned, but those understandings were subject to being ripped apart in subsequent scenes when I was shown or told something completely at odds with what I thought I knew. I can’t say I was ever bored with the thick, dense scientific concepts on offer — trying to find purchase with these far-out ideas kept me glued to the screen — but damn, I sure wish I was able to comprehend them.

What do we want?! DENSE SCIENTIFIC DISCUSSION AND DEBATE! When do we want it?! AFTER THOROUGH RESEARCH, TESTING, AND PEER REVIEW!

Another weird thing about this show is that the lead characters remain in separate locations and on separate tracks for the entire duration. We have Yun — a mechanical engineer and programmer who has an amazing grasp on physics and human behavior. And we have Mei — a grad student who is deeply invested in theoretical science, UMAs, cryptids and other far-flung concepts. Both of them are basically geniuses in their fields, and even though they take opposing views of just how flexible reality is, their shared ability to think “outside the box” becomes the crucial component in solving the mystery at the core of the series. Because they don’t even know one another (despite being separated by like, ONE degree), they only ever interact via text messages and behind screen names, which feels pretty damn weird. At least I immediately liked both of them, with Yun being the standout to me because of how his lowkey reactions to crazy shit generates a lot of humor.

This soundtrack cover LIES; you will never see these characters in a room together like this.

Alas, we don’t get to know the characters a whole lot beyond what we learned of them in the first two episodes. It’s not long before they’re trapped in a series of complicated exposition dumps, endlessly attempting to explain the high concepts of the show to other characters as well as my dumb ass in the audience. The fact that I liked them in the first couple of episodes carried me through more than half of the show, but I was always hoping to see them share more of themselves or just display more emotion. Anime as a medium excels at emotional storytelling. But despite the major, world-altering events the characters are constantly warning us about, none of them seem to have many emotions about said events.

Further complicating matters is how, when major events finally occur in this show, they are often kept off-screen. One character shockingly dies, but the portrayal of that death is so piss-poor that I didn’t even realize it’d happened until someone mentioned their death in the next episode. After that vague death, I was particularly sensitive to anything that looked like it might possibly be lethal. Yet a later event that is played up as a tragic, fatal occurrence ends up... fine, somehow? It’s not clear how the character survives, because — even after one of our heroes is left screaming their name in despair as they seemingly die — nobody ever talks about or explains how he’s just fine a couple of scenes later. And near the end of the series, there’s a major transformation that occurs for one of the characters, and we never see it happen nor do we understand HOW it happened. It’s just that suddenly, this character is extremely different due to off-screen reasons that are only vaguely verbalized.

I guess these two really bonded at some point for some reason? And what you are seeing here is literally the height of emotion shown in the entire show.

Even though the overarching story of the series so far pretty clearly wraps up in episode 13, we then get a post-credits tease for a potential second season. So the question becomes: Would I watch that?

Well... Godzilla Singular Point is a series with a lot of issues that kept me at arms’ length from it — tons of extremely confusing dialogue, highly frustrating choices in direction that lead to baffling storytelling, characters who are mostly exposition-dumping — and yet there’s still some foundational work here that I appreciated a lot. When the action occurs, it’s pretty cool/fun. And when urban destruction occurs, it can be awe-inspiring. The human characters, though little-explored, have likable and interesting foundations to them that could be expanded upon. And I didn’t even mention the soundtrack, which features a variety of musical styles combined with the classic Ifukube theme music and an OP that is an absolute banger. (I have a weakness when it comes to music; a good soundtrack can carry me through even the blandest series sometimes.) Even the core idea of centering a Godzilla series around hard science and mathematical concepts is a compelling one, I think! I just hated the execution of it; they went waaaaay too far on poorly explaining incredibly complex, mind-bending concepts for my pea brain to handle it. They spend so much time trying to explain things, yet somehow they never succeeded for me.

Ultimately, I’d probably give the show another chance. But if I do give another season a chance, it’ll be on probation. I wouldn’t watch the entire season unless I could see within four episodes that they’d definitely improved things.

Would I recommend that anyone watch the series as it currently stands? I mean... not really? I guess if you really dig complex math, hard theoretical science, and/or Toho’s stable of monsters, then maaaaaaaaaaybe give it a shot. But otherwise? Naaaahh. It’s not good enough at anything to make it stand out from the anime crowd. I didn’t hate it like I hated the Godzilla anime films, but Singular Point is still something that both casual viewers and most fans can comfortably ignore for the time being. It’s not a complete disaster, and it’s not without its highlights... but it’s definitely disappointing in my opinion.

OKAYOKAYOKAY, so let’s talk about the kaiju for a bit!

Below will be SPOILERS revealing all of the kaiju that appear in Godzilla Singular Point and giving my feelings on them.

Godzilla — It’s interesting to see a version of Godzilla that borrows some ideas from Shin Godzilla. Shin G has been incredibly unique until now, but this Godzilla manages to fold some of Shin’s distinctive aspects in with the more classic/typical versions to build a fun new depiction. Be forewarned that Godzilla doesn’t show up until the series is halfway over, and he doesn’t get a ton of screen time, either. He’s used quite sparingly and kept in hazy settings, often framed from the neck-up when they show him. It’s a little frustrating that they felt the need to shroud him so much, but I respect the fact that whenever Godzilla is shown, the destruction he causes is on a scale far beyond anything that the rest of the kaiju ever do. He is pure devastation.

Rodan — He’s easily the biological kaiju with the most screen time in Singular Point. Rodan is first introduced as one gigantic pterosaur, but if you’ve seen ANY trailers for this show then you already know that his depiction transitions into an asston of smaller pterosaurs, all of whom are also called “Rodan.” (Apparently the word Rodan is both singular and plural, like the word “buffalo.”) Although he looks kind of cool at first, pretty soon Rodan showing up isn’t special or threatening anymore. Rodan appearances go from “a big goddamn deal” to “some bland background noise” before the series is even 1/3 finished. The design might be a little too far removed from the original for my own taste, but even if I didn’t think that, I wouldn’t be able to care for this Rodan simply because he’s rendered so unimportant and unimpressive.

If you go out in the woods today, you’re sure of a big surprise...

Anguirus — Now check this guy out! Anguirus gets one of the coolest fights in the show and also demonstrates some powers that are well beyond anything we’ve seen him do before. Because he sticks to unpopulated areas, we never see him do much damage to Japan, but he is definitely holding all the attention when he’s on-screen. He’s a highlight for me — a total badass who is very unique in his abilities. And the stated origin for his name is goddamn adorable.

Manda — Yup, Manda is in this series... but I don’t have much to say for him. It seems like the creators of the anime didn’t have much to say about him either. His role amounts to little more than a repeated cameo, and in most of those cameos you only ever see his tail. When we finally see his full body, it’s done so briefly and kept at a distance, leaving me with no real impression. I had to look up his design online and... yup, that sure looks like Manda. Final score: MEEEEHH.

Kumonga — I definitely did not see this appearance coming! Kumonga is much smaller here than you may be used to, but she gets to star in the most suspenseful sequence in the series and easily earns the most exciting cliffhanger moment at the end of an episode. I was utterly glued to the show during her screen time, which comes with a lot of icky twists. Good ones! I honestly like Kumonga here more than I ever have previously.

NEW PHONE WHO DIS

Salunga — Uh, who? This is the one monster that isn’t based on a classic Toho kaiju but instead is a brand-new creation. I suppose that everybody who touches the Toho Kaiju franchise wants to make their own mark on it in some regard. But a big part of the fun of this series for me personally was the anticipation of seeing new interpretations and designs of classic Toho monsters. And so, given that he kind of resembles both Baragon and Gabara, I never stopped wishing they’d just used one of those guys as the basis and namesake. Taken on his own, however? He’s... pretty neat. Not unique or exciting, but solidly above par. He resembles a cross between a lizard/dinosaur and an ape, plus his head has some nifty coloration.

Our Jaguar!

Jet Jaguar — I guess Jet Jaguar isn’t exactly a kaiju in the traditional sense because he’s a Giant Robot. However, if you want to consider him one, then I wager he probably gets even more screen time than Rodan! We meet him almost immediately when the series begins. Initially an odd pilot-driven robot that was constructed at the whim of a quirky old factory-owner with too much disposable income, Jet Jaguar grows and changes over the course of the show, ultimately undergoing a transition in episode 7 that makes him pretty damn impossible to dislike. In fact, I utterly adored him by then. This is definitely the best Jet Jaguar I’ve ever seen. His design is recognizably similar to the original yet utterly distinct, too. Like many of the other kaiju here, he’s not nearly as big as he was when he was first introduced to the movies, but his size is ideal for battling the smaller-scale monsters that we spend most of the series on.

#godzilla #godzilla singular point #anime #anime reviews #kaiju

9 notes · View notes

scotianostra · 4 years

Photo

January 22nd 1788 the poet George Gordon Byron, better known as Lord Byron was born in Holles Street, London

Although born in England, Byron always considered himself a Scot, from the age of four he was brought up in Aberdeenshire by his mother, from the Gordon family and attended Aberdeen Grammar School.

Born less than thirty years after Robert Burns, George Gordon Noel Byron came from a very different background from the "Ploughman Poet" and it certainly shows in his poetry. Byron was descended from King James I (after many generations) and he was named George Gordon Byron after his grandfather, George Gordon of Gight Castle in Aberdeenshire. His mother, Catherine Gordon, married a Captain John Byron in 1785 but he turned out to be a what has been described as a "profligate scoundrel" indeed on wiki he has the added nom de plume "Mad Jack" He squandered his wife's inheritance and then had to escape his creditors by going to France.

Perhaps as a result of her experiences with her husband, perhaps because of an instability inherited from her father, Catherine was prone to alternating bouts of violent outbursts and great affection. From his birth, he was afflicted with a slight limp and he was also affected by his powerful dreams. At the age of nine, he was being looked after by a Calvinist nurse who abused him both by beatings and by coming into his bed "and playing tricks on his person" as he later described the experience. Basically child abuse.

He inherited the title of 6th Lord Byron and the estate of Newstead Abbey in Nottinghamshire via his father's family as a youngster then went off to a typical aristocratic, classic education at Dulwich College, Harrow and Trinity College, Cambridge. At university he was both a sportsman and a poet and by 1807 he had published the "Hours of Idleness". This was sarcastically criticised by the "Edinburgh Review". The article suggested that Byron had a "Scotch accent" to which he retorted "Good God! I hope not. I would rather the country was sunk in the sea!" Byron later got back at them with a satire "English Bards and Scotch Reviewers" which commented:

'Tis pleasant, sure, to see one's name in print;

A Book's a Book, altho' there's nothing in't.

While much of Byron's work was imbued with the classical traditions and images, he did also remember his Scottish roots, as in this poem "Lachin y Gair", often known as "Dark Lochnagar" or "Loch na Garr", in which Byron mentions his Jacobite ancestors who haunt the area and who were "Ill starr'd, though brave, did no visions foreboding/Tell you that fate had forsaken your cause?/Ah! were you destined to die at Culloden" Byron himself says "I allude here to my maternal ancestors, "the Gordons," many of whom fought for the unfortunate Prince Charles, better known by the name of the Pretender. This branch was nearly allied by blood, as well as attachment, to the Stuarts. George, the second Earl of Huntley, married the Princess Annabella Stuart, daughter of James I. of Scotland. By her he left four sons: the third, Sir William Gordon, I have the honour to claim as one of my progenitors."

Now I know there will still be some out there who just see Byron as an English poet, but to me he showed his patriotism in his work, while Dark Lochnagar may be the most famous of those Scottish themed poems, to me it is all about another poem attributed to him.

“The clouds may pour down on Culloden’s red plain, But their waters shall flow o’er its crimson in vain, For their drops shall seem few to the tears for the slain, But mine are for thee, my brave Gillies MacBain!

“Though thy cause was the cause of the injured and brave; Though thy death was the hero’s and glorious thy grave, My sad heart bleeds o’re thee, my Gillies MacBain!

“How the horse and the horseman thy single hand slew! But what could the mightiest single arm do? A hundred like thee might the battle regain; But cold are thy hand and heart, Gillies MacBain!

“With thy back to the wall and thy breast to the targe, Full flashed thy claymore in the face of their charge: The blood of their boldest that barren turf stain, But, Alas! Thine is reddest thee, Gillies MacBain!

“Hewn down, but still battling, thou sunk’st on the ground – Thy plaid was one gore, and thy breast was one wound; Thirteen of thy foes by thy right hand lay slain Oh! Would they were thousands for Gillies MacBain!

“Oh! Loud and long heard shall thy coronach be, And high o’er the heather thy cairn we shall see; And deep in all bosoms thy name shall remain But deepest in mine, dearest Gillies MacBain!

“And daily the eyes of thy brave boy before Shall thy plaid be unfolded, unsheathed the claymore; And the white rose shall bloom on his bonnet again Should he prove the true son of my Gillies MacBain!”

#Scotland #scottish #poetry #anglo-scottish #history

29 notes · View notes

ikuzeminna · 4 years

Text

Why I love Gundam Wing and hate Frozen Teardrop

With Frozen Teardrop being the first new thing released in the Gundam Wing universe in ages, I feel I should make my stance on it clear, seeing as I’ve read (and by now thankfully forgotten) a large chunk of it.

So, what do I like about Gundam Wing? I can say without lying, almost everything. I like the story, the characters, the themes, the designs and the music. I like its humor, its subtlety, the fact that everyone plays a role and that there's no definite bad guy (nor good one for that matter). I like its dynamics and how you can view it any way you want, e.g. the Gundam pilots being heroes or plain murderers. And I like that you can and even must dig to understand things. The whole composition really works for me.

And what's best is that this entire composition makes Gundam Wing more; it makes it unique. I grew up with classics like Dragonball and Sailor Moon, the forefathers of the 'Idiot Hero' archetype for both males and females. Even to this day you see series featuring these types of main characters. Classic scenario of a naive yet pure kid growing up to become the savior of the world. We've all seen that.

It's why Gundam Wing is so special to me. It has a completely atypical setup and there's absolutely no stereotype I can apply to any character, no matter what TV Tropes may say. Heero is hardly your typical hero, is he? Heck, Heero is hardly a typical anything. What's more, Gundam Wing doesn't follow the 'growing stronger' plotline that, for example, the original MS Gundam or Seed series used. No, Gundam Wing starts out with fully trained soldiers who can kick your butt from episode 1 and will kill you without qualms if the situation requires it. (That's not to say that the characters don't grow, it's the physical growth and capabilities I'm talking about.) What's truly surprising about that is the age of the characters. This is another important point. Gundam Wing and realism. Many times I hear that GW is realistic. I'm sorry but no. Teens fighting against armies isn't realistic. Teens leading said armies isn't either. Neither is bending steel bars, nor surviving jumping off cliffs or blowing up your suit, nor successfully back-flipping from a motorbike onto a clothesline, nor becoming the Queen of the World as a teen, nor stealing a MS carrier plus suit at the age of ten, nor walking around with bazookas at the age of ten nor what have you. It's safe to say that Gundam Wing lacks any sense of realism. But it does not lack logic.

Realism never was Gundam Wing's aim to begin with. The way I see it, it's not just the plot or circumstances that prove this, but also the "inhumanity" of the characters. Would a real person with a similar background as Heero, Duo or Trowa really exhibit such selflessness or noble-mindedness as them and risk his life for strangers by fighting a war that could end in their death? I don't think so. Would anyone as sheltered as Relena give up her lifestyle, have the guts to go against the world's armed rulers with just words and put her life on the line for the sake of others? Hard to believe.

And that's it. One of the things that contributes to Gundam Wing's uniquity and is therefore a, if not the, defining trait of the series, is that it doesn't tell the story about angst-riddled terrorists and princesses, but a tale of heroes. The characters are ridiculously noble, strong, selfless, courageous, determined, make the impossible possible and still retain a certain purity, despite having gone through hell and back. It's what makes them so awesome. It's what makes the series so awesome. Duo isn't badass because he fights in the war. He's badass because he fights "so that no one else will have to" and when you see what he went through, you can only say "wow". Lady Une killed Relena's father and when Relena is given the opportunity to take revenge, she declines, saying there's been enough bloodshed. That's role model material there. Something that is sorely lacking in a lot of shows nowadays. And something that a lot of people seem to miss the point of (I'm referring to those that call the pilots wussies for not killing in EW).

All of this is the reason I hate Frozen Teardrop with a passion. Forget the nonsensical, recycled plot or the billion clones of everyone or the terrible mobile suit names like Snow White or Merciless Fairies. Forget Treize getting French’d by his mom or the Zero System being a digital cat or Relena’s grandfather being a disgusting ephebophile. That stuff is messed up and random and dumb and I have no idea what was wrong with the author at the time to write this.

It’s also that he completely destroys the essence of the original series, making every single characters whine about some drama and the never ending “woe is me” monologue I had to wade through every chapter.

Let’s take Duo, for example. He woke up one morning and decided to become an irresponsible, gold-digging bastard. To get Hilde’s money, he agreed to her terms to cut his braid off and get a “proper” name, just to buy himself a motorbike with their joined assets. Then he inherited a church plus orphanage, which Hilde got stuck with, too, being his wife, and when she asked him how to fund the orphanage, Sumizawa wants me to believe that Duo freaking Maxwell was just “Eh, whatever, leave them to it. I’m out” before taking off? Excuse me, what???

I’ve had discussions with people about this and there were statements that maybe more people just need to learn how actual manic depressives and people with PTSD act in relation to Duo's development in Frozen Teardrop. I've noticed a tendency for people to want to apply realism to Gundam Wing, especially in fanfics, but as I said before, Gundam Wing and realism don't have anything to do with each other. So why should I apply it?

What I expect from anything featuring Gundam Wing's characters is the same "heroic" behavior that was displayed in the series. Sure, the pilots each had a mental burden to carry but it wasn't what defined them. For example, Trowa's insecurity about not having a name or yearning for a home never became the main focus unlike his endless selflessness. And Heero's bitterness about the colonies' betrayal was well hidden under his joining the Treize faction to be able to keep retaliating against OZ. A noble deed to fight on but was it really necessary for him to go for the missions with the lowest chance of survival?

As I said, Gundam Wing is unique because it is atypical. That encompasses pretty much everything; you have bloody murderers in the role of the 'heroes', noble, honorable 'bad guys' who value life and the ever flashy Gundams that can't even begin to compare to non-flashy Relena's influence and importance to the plot. So why on earth should I go along with Duo and Wufei bickering like kids, like characters from five million other series do? I want my uniquity. I'm not saying that it isn't a possible outcome for Duo and Wufei to become bitter and bicker and argue and not be able to stand each other when they become adults. But considering those two could get along splendidly, it's a letdown. Duo and Wufei are very much alike; they both lost people important to them twice, they both fight partly out of revenge and their loss has had the biggest impact on shaping them into what they are in the series, unlike the other pilots. Heck, they both wear their respective culture's colors for mourning. Despite that, their personalities (or ways of dealing) are exact opposites. It's enough to make for a more interesting relationship dynamic between them than what was done in Frozen Teardrop and a lot of Gundam Wing fanfics.

Heero's regression is the same. He was frozen because J said something to the extent of "a guy like him would be needed in the future". How J is even alive is another point of unnecessary addition. But what would a guy like Heero be needed for? Killing, apparently.

Way to ignore the ending of Endless Waltz.

I guess it's partly my wish for Heero and everyone else to live a well-deserved 'happily ever after' which makes me have such a knee jerk reaction to all the drama. That and the fact that there was nowhere near as much drama in Gundam Wing. Nor sap, nor stereotyping, nor "realism". >_>

This grated on my nerves, which was why I dropped Frozen Teardrop like a hot potato and haven’t bothered since. This novel does not only fail on a general level with all the random, messed up crap and terrible pacing, it also fails to satisfy the Gundam Wing fan in me because Sumizawa, the very head writer of the show, also ignored major character traits on top of everything else. Why would Catherine, who stated that she hates war and did everything she could to keep Trowa from fighting, train his clone to become a soldier? Why would Duo become that deadbeat I described above?

Being the sole writer of Frozen Teardrop meant he could take as many creative liberties as he wanted. But in the end, he took too many, which in turn resulted in so many inconsistencies with the series that Frozen Teardrop now takes place in an alternate universe, in which not the series but the manga Glory of Losers takes place. Which is the sole reason I’m not bothered by Frozen Teardrop’s existence anymore.

There were some good passages in the novel, it wasn’t all bad. The battles with the new characters were exciting at times, I’ll be honest, but even those couldn’t be called genuinely good because of the carbon copies deal. There is always some blemish. Like Heero’s proposal to Relena. I’ve seen fans of the pairing rejoice at the scene. Alas, I’m not one of them because frankly, the characters in the novel hardly resemble the original ones. So I don’t care.

As the head writer of the show I had expected him to treat the source material with more care and not run it over with retcons and meaningless additions. Best example being everything surrounding Odin. The world could've definitely done without him being Heero's father. Or freaking Trant being related to him.

But again, alternate universe so who cares.

#gundam wing #frozen teardrop #rant #meta #I don't like it #at all

58 notes · View notes

doomandgloomfromthetomb · 4 years

Photo

Lou Reed - Studio 54, New York City, March 8, 1983

Another new Lou! Sober, married, a country house in New Jersey ... The 1980s would be very different for Reed, indeed. Not just personally, musically, too. After taking 1981 and 1982 off, our hero returned to the stage at long last with a brand new band: bassist Fernando Saunders, drummer Fred Maher and, of course, guitarist Robert Quine. With Quine, Lou had finally hired a musician who understood and appreciated his music — someone who believed in it with a fervor that approached the religious. Someone who had had his mind blown by the Velvets back in the day.

Alas, by the time Lou’s new band made its belated onstage debut in 1983, Quine’s relationship with his new boss was already fractured. Lou had all but mixed the guitarist off of Legendary Hearts; when Quine heard it, he famously smashed the cassette to pieces with a hammer. Nevertheless! The lean, mean Quine/Saunders/Maher band became a touring unit for an all-too-brief period. There are two official documents: the Night With Lou Reed VHS release, taped at the Bottom Line and the Live In Italy double LP. Both great! We’re dipping into something a little rarer for our Summer of Lou selection this week — a nice audience tape of a show at the legendary Studio 54. (Maybe CBGB might’ve made a little more sense, but hey ...)

It’s a killer, high energy gig, Lou sounding much less bloated and histrionic than those late-period Everyman Band shows. Quine sounds typically ferocious when he launches into solos on “Waiting For The Man,” “Martial Law,” and the harrowing “Waves of Fear” (cool/funny to hear the crowd singing along on the chorus to this one). Bob even pulls off an extremely elegant closing on “Walk On The Wild Side,” showing off his supreme versatility. The guitarist also seems to have reminded Lou that he, too, can make a helluva noise; check out the skronk on “White Light/White Heat” and “Kill Your Sons.” It’s like we’re back at the Boston Tea Party. “Rock and Roll” features an extended ending with Lou shredding over a groove that verges on disco — hey this is Studio 54, after all. There are also some nice deep cuts from the catalog: “Sunday Morning,” “New Age,” “Charley’s Girl,” “A Gift,” etc. All in all, a wonderful listen, with Reed invigorated by this stripped-down musical setting. Stick around for the prickly interview tacked on at the end — and check out a little video segment here that features some footage of the Studio 54 gig.

Lou Says (1982): I’ve always liked those very basic, very simple rock & roll changes. I’ve never heard anything I like more than that. Not in opera, not in classical music, not in jazz, nor in show tunes. Nothing. Nothing has impressed me as much as the most basic rock’n’roll chord change, and by that I mean, say, E to A. And to this day, when I hear the change done right — and it can be done wrong — I get an abnormal degree of pleasure from it. Wouldn’t it be wonderful to put a melody over that, something that would stick like grease? And then wouldn’t it be great if the lyrics also had some substance to them, were as simple and as elegant as that change from one chord to another?

#lou reed #summer of lou #robert quine

43 notes · View notes

stellar-imagines · 5 years

Text

HEADCANONS REQUEST: ❝dancing dream.❞

[ Fandom: Boku no Hero Academia ] [ Characters: Midoriya Izuku, Bakugou Katsuki, Todoroki Shouto ]

「Headcanons of Midoriya, Bakugou and Todoroki with Reader who dreams of becoming an idol but their dream was rejected by her father so they had no choice but to be a UA student. One day, the boys find them listening to classical music and using ballet techniques to help them stretch before they just starts dancing in front of the mirror of the training room.」

MIDORIYA IZUKU

♤ Midoriya didn't mean to stare at you. This boy is by no means a pervert okay? He was just in awe as you danced around the empty training room. The viridian haired boy initially wanted to do some training before dinner. He wanted to take advantage of the time and use an empty room so he could move freely. The moment he arrived, he spotted you inside, dressed in a tank top and track pants. It was obvious that you were getting ready for your own training. Midoriya wanted to approach you while you were stretching and getting ready for your own workout.

♤ But he didn't expect you to start hopping around, which was accompanied by the music from your phone that he just took note of. The absence of vocals and with only the sound of the piano playing gave it away that it was classic music. Midoriya was mesmerized with the way you move, it was so refined that he could tell you have practiced it over and over before.

♤ You were embarrassed. It has been a long time since you danced. You normally do in your own room with more privacy. Today had been a very stressful day and you wanted nothing but to unwind. Your face was so red that it probably rivaled a tomato. Midoriya seemed to be embarrassed for getting caught for staring at you the entire time you danced. But all in all, he was amazed and surprised with your talent.

♤ He ends up asking a lot of questions, much to your embarrassment. You ended up telling him about your dream of becoming an idol. Your parents weren’t really fond of the idea, seeing as how it would be such a waste for someone with a quirk suitable for combat. They left you no choice but to attend UA. It wasn’t like you were unhappy in UA. You were studying to become a hero who will save lives in the future and in addition, make people happy.

♤ You were a bit embarrassed to admit it, afraid that he might judge you. However, Midoriya reacted differently. He was supportive! He ends up rambling about how graceful your movements were and how flexible your body is which ends up with him being so red face, apologizing for creeping you out.

BAKUGOU KATSUKI

☆ Bakugou just stops to stare to be honest. He would be on his way to the training room, itching for some action until he heard some music coming from within. At first, he’d be annoyed. He wanted to have the training room all to himself without anyone disturbing him or taking of the space. When he stepped closer, he saw that the door was wide open and he was readying himself to face whoever is inside. It was just you, much to his relief. At least someone he can tolerate.

☆ Just as he was about to ask you if you were done, you began to stretch your legs in way that didn’t seem like your typical warm up stretch. You slowly stretched until you were posing and it took a while for Bakugou to realize that those were stretching routines for dances. He didn’t mean to watch you dance, that was what he convinced himself. But he was mesmerized with the way you move in the room. He could tell that its not just a mere hobby to you. The way you eyes shine and the refined spins you pulled showed that you weren’t doing this overnight.

☆ He wanted to stop staring but he just can’t take his eyes off you. Bakugou clears his throat once you're done with your little routine and you couldn't help but jolt in surprise, your face beet red. It was obvious that you danced because you assumed that you'd be alone in the training room for a while longer. Hurrying to compose yourself, you turned off the music and greeted the blonde who grunted in response.

☆ You’d get a bit bashful when you noticed that Bakugou was staring at you the entire time. The ash blonde tried to pretend that he didn’t care but he thought you were pretty good at dancing. He was the first one to speak, telling you that he would pretend to not see anything if it bothered you that much. At that moment, you let it slip that you actually wanted to become and idol but your father rejected your dream which left you no choice but to attend UA.

☆ He didn’t say anything. Bakugou knew that a normal person would encourage you and tell you that your dream is never gonna come true. You have an amazing quirk and it would be great if you became a hero. All Bakugou said to you was to do what you think is right and what your heart truly desires. To anyone, those were words of encouragement.

TODOROKI SHOUTO

♡ Todoroki is a little shocked at first and he just stood there in the doorway, watching you move along with the music playing in the background. He happened to be passing through the training room at the time. The door was half open at that time which gave him a clear view of what's going on inside. The classical music playing caught his attention and went over to see. He did not expect to see you inside, dancing along with the music.

♡ You were dressed in comfortable clothes, fit for training so he assumed that you just finished training or was about to start. Todoroki wasn't that familiar with dances and performances, this might be his very first time seeing someone dance so up close. He never saw you dance before and judging from the way you moved, you must've been practicing the routine lot. You seem to be enjoying what you're doing.

♡ He apologizes for staring at you but nonchalantly mentions that you were really good at dancing. In addition, he asks if you like dancing or not. You started with stretching using ballet techniques that slowly turned into dancing. Knowing that he had been watching you the entire time, made you feel embarrassed. Surely, Todoroki isn't like those people who would tease you for doing such things.

♡ You would start talking about how you wanted to be an idol, stand on the stage and perform for many people. Write songs with a group of people, dance and sing to your heart's content. Slowly build up your name and reach out to a lot of people around the world, make an album and perform in different countries. But alas, your father didn't seem to like the idea of that so you had no choice but to study at UA.

♡ Todoroki has his own father issues, he can somewhat understand how you feel when your father rejected your dream. He spent his entire life hating on his father but you were different. The guy would be a bit similar to Bakugou, telling you that you shouldn't let your father control you and stop you from doing what you love. He also adds that going to UA was not a wrong choice. You have a lot of potential, especially when you're so great with your quirk.

Total: 1217 words Published: 29.2.2020

Thank you for requesting! *｡٩(ˊᗜˋ*)و*｡ So uh, I've been procrastinating...... I have been playing too much games recently and because of that, I didn't type so much. This was slightly difficult for me to relate because my parents are very supportive of what I do. But I did my best! Hope you liked it.― author Hibiki/Lou

Thank you for requesting! Lou has been playing SAO: Fatal Bullet because a friend purchased it for her, she's hooked. Same with Lou, I can't really relate to this situation but I can relate to a degree. We did all we can for this request. Sorry for making you wait so long, hope you liked it. ― author Natsuki

Please do not mind the grammar mistakes and typos.

213 notes · View notes

blackjewles · 3 years

Text

Two Nights Under the Stars//Pt.1

This is a short drabble that contains: brotp Kaminari and Kirishima, and shipped Kaminari and Shinsou. The first night is Kaminari coming out as bisexual to Kirishima, and the second night is months later when Kaminari confesses to Shinsou that he likes him. Sfw, no content warnings apply.

This post is about night 1, where Kaminari comes out while stargazing with Kirishima.

Night 1:

(past tense)

Kaminari had taken a lot of time to figure himself out.

It had all started one day in class. It was as usual, Kaminari sat staring around the room, admiring the girls in his class. It was a typical teenage boy thing to do. However, he then realized, he liked looking at the boys too.

This sudden realization had hit Kaminari at the velocity of a train. For days after, he tried to suppress it, however, the thought kept coming back.

“There’s a lot of cute boys, too...”

It would be an understatement to say the next month was hard. It was confusing, he felt as if he was wandering in his own mind, a sudden stranger to his own attraction.

It took him a month, but after researching and listening to other peoples stories online, Kaminari finally came to a conclusion.

He was bisexual. He liked boys and girls.

He found it nice to have a label, it felt good to have it figured out. However, he would have to tell his friends sooner or later. And that terrified him.

It was not that he didn’t trust them, in fact, he knew they’d be supportive. But nethertheless, whenever he thought of coming out, his heart began to race and his face would get unreasonably hot.

But after having known for two months, Kaminari wanted to tell someone. And that first person would be Kirishima.

Kirishima seemed like a very trustworthy person to Kaminari, he was always offering a hand and support. So that’s how he came to conclusion. He’d come out to Kirishima first. Then slowly he’d come out to his other friends, and maybe one day, his family.

And he knew exactly how to do it.

Kaminari had a habit of staying up late, way up into the night. With that, he’d get bored extremely easily. He couldn’t be loud, and all he would have was himself.

With this boredom, he’d eventually started wandering outside. There, he would watch the stars. He learnt constellation names and it seemed that every night, more and more appeared. It was his sanctuary that cured his boredom. Eventually, he would take others to star gaze with him. They would talk about nothing and everything. The world, deep fears, biggest dreams, darkest secrets, and their hope for a new day.

So tonight he would take Kirishima, and there, he’d tell him.

(present tense)

Kaminari is sat on his bed, phone in hand. He’s about to text Kirishima to ask if he’s awake. However, he can’t stop the shaking in his hands.

He grumbles, and tries to hold his hand still for a second. But alas, it doesn’t prevail.

With shaky fingers, he types

—

To: Kirishima 🥊🥊

“hey, are u up?? wanna go look at the stars with me? :D”

—

He watches the screen, soon, he sees Kirishima typing. He can’t help but feel his heart speed up. Is he really ready to do this? What if Kirishima isn’t as supportive as he seems? What if—

—

From: Kirishima 🥊🥊

“Sure man! I was bored anyways, I can’t seem to get any work done tonight ahaha, meet you outside??”

—

Kaminari isn’t sure if he feels relieved or the opposite, but none the less, he types.

—

To: Kirishima 🥊🥊

“okay 👍 meet me at the back of the building”

—

Kaminari inhales deeply and prepares himself. He feels unruly nervous, but he still gets up and grabs a blanket to lay on. Soon, his feet carry him out the back door, and there sits Kirishima in the grass, who greats him with a smile.

“Hey!” Kaminari says, but it doesn’t quite come out right. He’s still nervous. He clears his throat and tries again.

“Sorry. Hey!” That’s better.

Kaminari lays out the blanket for them, and they both lay out on it. Kirishimas hair is down right now, it lays sprawled out under his head.

And then, they talk for hours. They start with the weather, then go to constellations, then go to the meaning behind them, then to history, then to many, many other topics their words carry them too. They paint pictures with their words and creates story’s for the sky. Until finally, they lay silently.

It’s been two hours since they first came out here. The only sounds are the world around them and their breathing. Kirishima stares at the sky contently, he knows they don’t have to talk. Kaminari is sitting up, staring at the sky aswell. The difference is, he think that now is the time to talk.

He opens and closes his mouth, goes to speak, but stops again. He purses his lips in a line, and takes in a deep breath.

It’s almost like the words get caught in his throat, but miraculously, he makes a sound.

“Hey Kirishima... Can I tell you something?” He says, not breaking eye contact with the stars.

Kirishima tilts his head back at him, Kaminari doesn’t look down.

“Sure! Anything.” Kirishima replies.

Kaminari swallows, it almost feels like his heart starts pounding a little harder.

“Uh, well, i’m not really sure where to start.” Kaminari says nervously.

“That’s okay, take your time! I am here to listen.” Kirishima replies, nodding as he speaks.

Kaminari nods, and he looks down. Kirishima stares up at the sky still. Kaminari knows he wants to tell him, but it seems to be getting harder to speak. He grabs a fistful of the blanket underneath him and looks back away. He bits his inner cheek quickly then finally, he starts to speak.

“A few months ago, I was in class and, well, I was staring at the girls in class.” He begins, Kirishima giggles, and mutters under his breath. Something along the lines of “classic” Kaminari laughs lightly.

“But, that day was a little different.” Kirishima hums an affirmation for him to continue.

“That day I... Well, I kind of realized that I didn’t only like girls.” Kaminari says, now picking at the blanket underneath him. Kirishimas eyebrows raise with interest, and he sits up, now looking at Kaminari directly.

“What do you mean?” He asks. Kaminari still plucks at loose threads.

“I mean I realized that I...” Kaminari trails off, not knowing if he has the courage to continue.

Kirishima places a hand on his shoulder.

“Hey man, you can tell me anything.” He assures. Kaminari looks at him in the eyes now.

He’s going to tell him. Right now.

“I realized I liked looking at the boys too. So I started thinking about it more and I figured it out a couple months ago. I’m bisexual. I like...both” Kaminari mutters.

“Woah.” Is all Kirishima mumbles after.

It’s silent for a second. And Kaminaris beginning to wonder if he made a mistake, if he should apologize and go back inside, he can feel his own heart beating out of his chest. Kirishima blinks a few times.

Then, he gives Kaminari a huge smile.

“That’s awesome man! Thank you for telling me. You know, I was a bit scared you where gonna say you didn’t want to be a hero anymore!” Kirishima remarks. Kaminari giggles a little.

“I... Was scared to tell you.” He says, sighing with relief.

Kirishima continues, his voice softer this time.

“You know man, you didn’t have to be scared. I’ll support you no matter what you’re one of my best friends! No matter who you love, nothing can change that.” Kirishima squeezes Kaminaris shoulder as he speaks. Kaminaris eyes go wider, he bites his inner cheek again, and he suddenly realizes can’t suppress the rising bubble in his throat and the tears beginning to cloud his eyes.

“Love isn’t something we can control. And if you like boys too, that doesn’t change a thing” Kirishima finishes. Kaminari drops his head, and the tears start to fall.

“Woah. Man, you good?” Kirishima asks worriedly, placing his other hand on Kaminaris other shoulder.

Kaminari pulls his hand to his face and covers his mouth, he raises his tear ridden eyes and nods.

“Yeah. Yes. Thank you. It means a lot to hear you say that.” Kaminari says through small sobs. He doesn’t know why he’s crying, but he knows it’s not out of sadness.

“Like I said, man i’ll love you no matter what!” Kirishima replies.

“I... Don’t know why i’m crying. I just...” Kaminari trails off, and suddenly, he’s pulled into a hug.

It feels good. No, not good, amazing. Those words felt better than any other anonymous forum he posted on. He can’t help but cry out of happiness.

They stay like that for a while, until Kaminari finally unteses and the tears stop. Then, they’re just hugging.

“Thank you.” Kaminari mutters again into Kirishimas neck.

“No, thank you for telling me.” Kirishima says back, not an ounce of untruthfulness in his words.

Kaminari had done it. And it felt better than anything else he’d told someone under the stars before.

YAY that’s it! Hopefully part two will be up tomorrow! i hope you enjoyed reading as much as i enjoyed writing. also, did i cry while writing this..... yes..... a little... LMAO. good day!

#bnha #mha #denki kaminari #kirishima ejirou #kirikami brotp #coming out #bisexual kaminari

3 notes · View notes

animatedminds · 4 years

Text

Scoob! Review

Apologies: I watched the movie two weeks ago, but forgot to write this because I was so busy doing the Dragonball FighterZ thing. But, with that out of the way...

An interesting ride. As a longtime Scooby Doo fan, it was pretty much a given that I would watch this installment by the Warner Animation Group as soon as possible, and I had a pretty good time - albeit with some issue. It’s a fun Scooby adventure, mostly focusing on Scooby and Shaggy, as they go on a new kind of adventure. It’s full of fun references, super charmingly animated action scenes, and lots of humor that actually nails the characters’ goofball antics without diminishing them as the butt of the joke - which is something the previous theatrical series was hit or miss about - which which is also hampered by the fact that it doesn’t really give itself enough time or space to really make any of those things shine.

Spoilers, but only a couple.

The first thing we ever heard about this movie years ago was that it was conceived as a dramatic retool of Scooby Doo into a out-and-out spy series, in order to set up a Hanna Barbera cinematic universe a la the MCU (which, given that they already had a shared universe they could adapt in Future Quest, hit a little hard), giving the impression that Scooby was going to be a pastiche of James Bond. It’s very obvious from the finished product that this concept was since heavily changed, but you still see it in the film. The gang is still the same-old gang - a bunch of kooky teen mystery solvers - but plotwise it’s very much “what if instead of solving a mystery, the gang just fought a supervillain?” Which, let’s be clear, is not unheard of for the franchise: see Scooby Doo and the Cyber Chase for another story that’s mostly just “fight a cool bad guy, with a tacked on mystery,” or the other Shaggy and Scooby-centric stuff like Ghoul School or Reluctant Werewolf for other movies that just plain eschew their usual setting entirely - this is a lot like those. It’s centered around the two characters’ relationship, like pretty much every theatrical Scooby release it seems, as this new challenge almost breaks their union, and the group as usual does very well in that kind of action. Faced with an army of dimwitted robots that can go from silly to terrifying multiple times in the same scene, Scoob and Shag’s typical mix of silly bumbling with surprisingly - and destructively - clever antics make for some great scenes, my favorite being a madcap chase through an amusement park that ends with them getting away on a ferris wheel that’s been knocked of its hinges.

This is very much a movie that wants to be a Hanna Barbera crossover, but is trying hard to restrain itself. As a kid Shaggy was a fan of the Impossibles (who, iirc, were once intended to get a movie as part of this universe) with models and posters that the camera never completely focuses on, you see Laff-a-Lympics on an arcade machine, references to classic Scooby writers and actors as location names (I laughed at Messick Mountain, and the Takamoto Bowl outright went over my head at first), even little things like Scooby bowling like Fred Flintstone or the blink and you’ll miss it appearance of Yankee Doodle Pigeon - and yes, Captain Caveman shows up, fully voiced by Tracy Morgan and kicking butt for a very short scene, with one of his show’s supporting characters (Dee Dee Skyes) as a prominent in this movie’s plot. There’s even musical references in addition to visible ones: at one point, the movie even orchestrates one of the classic bits of Scooby Doo background music. I was hoping for a reference to the classic Scooby Doo / Blue Falcon theme, but alas that was one nod we didn’t get.

However, this approach does work especially well with Blue Falcon - who was originally built up through Scooby Doo, sharing a timeslot, advertisement and technically a theme song, and in time has more or less become to Scooby Doo what Donkey Kong is to Mario: technically a supporting character, but able to do his own stuff every once in a while. There have been several Blue Falcon Scooby Doo crossovers in the last few years (though in terms of sheer number of references this movie’s got nothing on Mask of the Blue Falcon), and they’ve all been very fun as each show, movie or comic reinterpreted the character to fit their specific world - and this movie’s novice Blue Falcon who is kind of an egoistical loser, but turns out to have a lot to learn even from Scooby and Shaggy’s brand of cowardly bravery, grows on you even if he has kind of a rough initial landing.

Unfortunately, this is also a movie that very much wants that rigid hour and a half timeslot, and has absolutely no interest in a going a second longer - and that’s where it’s problems come in. I’ve said before that animated films have become more and more written with expediency in mind: plot points are rushed, denouements are minimized, side or even main characters might not get much utilization, and sometimes things come of as just kind of happening to the protagonists without much set-up. Even the best or the best animation companies fall into these traps at times, and this movie is a good example of what it looks like if you fall into that too much. Take the Scooby gang - Velma, Daphne, and Fred. They’re not really fleshed out that much in this movie, even if they were tweaked a bit with their new VAs - but that’s not necessarily a problem in itself, given the heavy focus on Scooby and Shaggy. What’s more noticeable is where this intersects the plot: for example - one of the better examples of what I’m talking about - the scene that kicks off the whole story. Fred, Velma and Daphne want to expand Mystery Inc, and call Simon Cowell to invest in them. Cowell decides Scooby and Shaggy are incompetent because reasons, and the two storm off. This is later framed as the gang abandoning the duo, that’s not really what happens. Once Cowell hits the scene, beyond one or two lines the rest of the gang essentially ceases to exist, and barely reacts to anything: there’s no moments with them where they seem to buy into what Cowell is saying, there’s nothing beforehand that implies that they’re dissatisfied with Scooby and Shaggy, there’s isn’t even really a status quo for what their dynamic is like. We cut straight from them meeting as kids to them having a supposed fight as adults - this is something that wouldn’t have taken a lot of time, but would have strengthened pretty much everything, from Scooby and Shaggy’s reaction to the trio’s guilt later, but is skipped over entirely. The others get very little beyond being summed up as “the muscle” (Fred), “the face” (Daphne) and “the brains” (Velma), and it feels less like expediency and more like we missed a scene somewhere.

Granted, this particular thing also runs a unique problem that the Scooby gang face. As characters who just turned fifty and who are well entrenched in pop culture, adaptations often assume you know who they already - and this movie definitely assumes you can do its work for it and establish a baseline for the Scooby gang on your own... and on that front, I suppose it does better than the previous film series, which based a lot of its humor on fandom in-jokes they poorly assumed everyone agreed with. But... there’s a degree to which every film needs to establish a baseline for that it itself to trying to do, and I think skipping this hurt the film more than it should have. And it’s hardly the only point where the need for speed cuts out the flow of the film. Scooby and Shaggy get abducted by Blue Falcon, whose assistant then promptly exposits on everything the audience doesn’t know yet about the plot so that they can just skip straight to more action - basically setting up a question and then answering it immediately without set-up. This essentially robs Dick Dastardy - definitely the best thing about the movie - of a strong introduction, in favor of, again, expediency, and it’s kind of baffling given that there’s later scenes where the rest follows the mystery and so repeats that exposition anyway. I mentioned that Blue Falcon himself got a rough initial landing, and that’s because his intro scene is just a lot of new element popping in with exposition, interspersed with pop culture references - and that exposition just stops the whole thing cold for a while. We hit again the “expects you to know” angle with Falcon himself, who is a legacy character of the original Falcon - who we never see, which raises the question of why they bothered to make him a legacy and not just a novice hero in the first place. I’ve always been a strong believer that you can introduce elements without needless explanation unless who introduce concepts that suggest explanation: Scoob and Shag being a fan of the original Blue Falcon, Dynomutt constantly reminiscing about him, and there being a full Falcon organization around which the movie pivots, along with lots of reference, suggest the need for at least a little more than we got - even if it’s just a thirty clip of the way Blue Falcon worked before Brian (the new Falcon) came along - but the movie just wants to rush past it. The entire quest on which the plot is centered it halfway through when we first encounter it, and doesn’t get any explanation at all until halfway through the movie. And then there’s little things like Captain Caveman cameo, which just leave you wanting more.

This happens again and again, with plot points, characters, all sorts - things introduced halfway and then brushed past as though they’re not. People don’t expect much from animated movies, and stuff like this is one of the reasons why - this movie feels sometimes like it was written for tv, which is ironic given how it ended up being released. But the movies that were themselves DTV or released to TV, like Shaggy’s Showdown or Legend of the Phantasaur, the aforementioned Mask of the Blue Falcon or - my perosnal favorite - Moon Monster Madness, even tend to not have these problems themselves, because they’re more measured and precise about what they want to introduce and why. It’s great to be childish, as long you do childish well.

But now that the criticism portion of the review is done, I will say that this doesn’t hamper the movie’s desire to be fun and easy to follow, it just makes it not as much so as it clearly could have been. If you wanted more Falcon, or more Scooby and Shaggy, more Mystery Inc shenangians, more Dastardly, more adventure, more of a certain gag or humor, more of really any of the movie’s best points, you weren’t getting them that much because the movie was trying to do all of them all at once. But one the movie starts getting traction, about halfway through, that starts to fade as everything coalesces. All the characters meet, we finally know what the heck is going on, and it’s just a straight shot to the end with lots of what this movie does best: cool visuals, silly characters doing silly things, and brave characters doing brave things. Much as I wish there was more to the Captain Caveman segment, it’s one of the most visually hilarious parts of the movie, with the stark contrast of these hi-tech, modern character colliding with these explicitly more cartoony prehistoric designs and antics, and its just wonderful. Everything about Dick Dastardly’s story is great - though I was wishing for a Penelope Pitstop reference - and he even gets a heartwarming conclusion to the whole thing.

I don’t know where the series is going after this - whether they do indeed intend to make more Hanna Barbera movies in this vein. The credits teased Johnny Quest, Frankenstein Jr, Grape Ape (who according to concept art was supposed to be in this one), Atom Ant, and even a bit of Wacky Races, and it’s clear they have the love for classic Hanna Barbera to make it happen. I just hope that if they do, they go with a series who can expand this in a more concise way, with a little better character introduction. I’ve still got my fingers crossed for Future Quest.

The film is still very recommended by me. I loved it, I watched it twice, and it a heck of a lot of fun even with its hang-ups. If you haven’t seen it, there are worse ways for a parent, a kid, or just a big ol’ child at heart to spend an afternoon.

#scooby doo #scoob #movie review #animation review #shaggy #daphne blake #velma dinkley #fred jones #hanna barbera #warner animation group #blue falcon #dynomutt #dick dastardly #animated film #review #animated minds

15 notes · View notes

advrik · 5 years

Text

BluReview | Shadows of Adam [Nintendo Switch, 2019]

I want to preface this review with I LOVE THIS GAME.

Shadows of Adam is a 16-bit turn-based RPG inspired by those of days long passed. When RPGs were simpler and told their stories through expressive little sprites and window boxes full of text. When even the most devastatingly powerful spell animations lasted but a few seconds.

Something Classics ‘Shadows of Adam’ hit Steam 2017, and as of May 3rd 2019, has made its way to the Nintendo Switch. My now all-time favorite console and only current generation machine, which for various reasons, I’ll delve into in a future blog entry.

Story

Looking at the title, you’d think that Adam was some person within the game; Perhaps the main character or a very important NPC or even the main villain! But no, it’s actually the village the hero and heroine live in.

The story follows Kellan and Asrael as they travel the world searching for Kellans father. Things get pretty crazy and a whole bunch of revelations start pouring out as the more party members you recruit.

Story beats come at you fast and there’s not a whole lot of fluff in between, so the game moves at a brisk pace, which can either be a good or bad thing depending on the type of gamer you are.

The story has, at least in my opinion, a satisfying finish that made the slog through that overly long final dungeon worth it. The credit roll was great as well and really captured what I loved about video game endings during the 90s.

Gameplay

I’m always weary when a developer, indie or otherwise, states that their game is a throwback to the 16-bit era of Japanese RPGs. The statement rarely ever holds any weight I have found in all my experiences. Not that I am dissing other devs that make this claim as those that do always end up putting out a great game in the end, but what Something Classic has done has produced something that legitimately plays and feels like a game that could have released on the the Super Nintendo.

Like the many games that SoD calls inspiration from, it’s a top down tile-based turn-based RPG. Your movement is limited to the four cardinal directions. The controls are tight and responsive and the movement feels weighty, i.e: Not something that feels as if it was developed in flash. It’s really hard for me to explain since I am terrible at explaining things in general, but there’s a certain... “heaviness” that games had that some developers can’t seem to get right when trying to imitate those games. Take any of the Kemco RPGs for example.

The tile-based movement has allowed the team to deliver some Lufia styled puzzles, particularity in the block moving genre of RPG puzzles. It took me a good long while to figure out some of the puzzles in the Water Garden dungeon.

...but it’s here with the puzzles that I find my biggest gripe: They’re almost all sliding block puzzles. Shadows of Adam hits the same problem that Blossom Tales (A really great Zelda-like. Also on Switch. Go play it) hit and that is there is very little variety in puzzles. They definitely do get tiring after a while.

I bet you’re probably wondering about how encounters work, eh? Well if you’re one of THOSE people, then you’ll be happy to hear that there are no random battles. Enemies appear on screen and are stationary, so you have to walk up to them to initiate combat. Some can be avoided(but only if you want to miss out on valuable EXP/Gold and treasure), but a lot of the time the enemies are placed to block your progress so initiating combat is a must if you want to move forward.

The real meat of the game is with the battle system. Battles take place on a separate screen and are viewed from behind your party, ala Tecmos Secret of the Stars... Okay, Phantasy Star for those of you of lesser tastes(I’m kidding, but I’ll be mentioning Secret of the Stars again later!)

You have your standard attack, skill, item and run menu options. No ability to defend oddly enough. Characters perform their actions based on their speed stat, so you can imagine who will likely act first just based on the looks of each character as they all, at least stat-wise, fall under a certain RPG archetype.

Kellan is your well-rounded “main hero”. Good stats all around He even has a healing spell. I’m allowing him to develop naturally.

Asrael, or “Azzy” as she’s called, is your white/black mage. Low defense and medium speed. I try buffing her speed as much as possibly personally as the enemies begin hitting pretty hard, sometimes multiple times, and thus needed her on constant healing duties when possible, AP% willing.

Curtis is your tank. High attack and HP, but the slowest of the four. I’ve been dumping all of my attack-boosting juices into him.

Talon is your thief-type. Highest base speed stat among the four. You’ll be using him to inflict poison on enemies more than anything, and in conjunction with Azzy to heal allies as he’ll typically act first before any buffs are made.

Each of the four party members all have a widely different set of skills that take up varying percentages of AP. AP refills naturally in combat after every round of battle, but can also be restored by using the characters signature skill, which takes 0% but restores a certain amount of your AP and gives you a stat boost for the following round.

As mentioned, each character has a set of skills that are unique to them and are all quite useful. Kellan can use Rally on himself or an ally, which boosts attack and magic for three rounds. He also possesses a taunt skill that eliminates the Blur status on enemies, which I guarantee you will be using a ton.

Look and Sound

The game sounds fine. Sound effects have a nice, clean and crisp sound to them with no familiar stock or public use effects from what I heard.

But the music. Huh boy, the music! After hearing the boss battle theme, I immediately went and bought the soundtrack [https://shadowsofadam.bandcamp.com/releases] and let me tell you, I don’t regret it one bit. There are some truly amazing pieces within the game, but the one that sticks out to me the most was the Water Garden theme. Soooo good.

Closing

This ended up being a tad bit longer and detailed than I intended, so if I rambled at any point, just note that it isn’t typically how I do my reviews. I try to keep them short and to the point, but I was just so darn happy with this game that I couldn’t help it.

I definitely recommend giving Shadows of Adam a try if you like well built turn-based RPGs. I don’t think you’ll be disappointed.

#Shadows of Adam #Nintendo Switch #Blog #BluReview

1 note · View note

curestardust · 6 years

Text

if you want: (copy-pasting from my previous review cause it didn’t change) well, it’s BNHA lmao / amazing animation / amazing music / shounen / superpowers and heroes / to have a good fucking time

BNHA S01 review: (x)

DAMMNNN

For the techinical aspects, feel free to read my previous review. The music, the voice-acting. everything brings the same quality as S01, most notable of which is the animation. I was sorta worried that the longer run time will lead to more sloppy shots and such but I really shouldn’t have, it’s just as amazing as it was in the beginning.

Season 2 has 3 arcs. The sports festival, the internships and the final exam. As someone who grew up on Yuu Yuu Hakusho, I was obviously excited for the sports festival arc as it brought us something that every good shounen has: a tournament. The internships bring our attention back to Midoriya while the final exam serves as a nice wrap-up to the season.

Being such a franchise, as interesting Midoriya’s journey is, it needs some great side-characters which we get plenty of. The characters set-up as more important in season 1 get some really great character building moments, solidifying their personalities and goals. We also have a few more who get thrust into the highlight, namely Todoroki, who serves as a great middle-ground between Midoriya’s sweet and Bakugo’s intense personality.

The rest of the class also get some time to shine, bringing us closer to them and making it feel like we’re truly watching a whole class’s journey instead of just a select few. Alas, they didn’t have as much relevance as in the USJ attack in S01 but still were enjoyable to watch.

All in all, I’m truly amazed. There was some filler and some slower points in the anime where my attention wavered for a second but BNHA always managed to bring me back, making me exhilarated throughout the whole thing.

I can’t wait to dive into S03 and see where these characters’ roads lead to and how the story progresses. (9/10) (x)

Recommend: HELL Yeah! | Yes | Eh??? | Nope | This anime killed my parents

if you want: tragic gays / gritty, dark and depressing story / 80′s USA with a focus on the mafia and a bit on gangs

WARNING: Banana Fish contains a lot of possibly triggering content. Please be careful if you’re sensitive to: Pedophilia, Rape (the act is never shown just the aftermath) (both are brought up, talked about and happen multiple times)

Banana Fish, or as it’s affectionately called, “Banana Gay”, was my last anime left over from the Summer season.

BF is...horrible. But in a good way. But also in a bad way...what I’m trying to say is that if you become attached to the characters’ in the beginning, you won’t be able to take a single breath throughout the whole runtime of this anime. Literally every episode has some sort of twist or event that made me wanna scream “NOOOO” and it just doesn’t let up! There are very, very few slower parts where you can finally relax for a second but then you blink and the craziness starts all over again. It’s like a really exhausting roller coaster ride.

So what is it about anyway? BF is based on a manga by the same name that was written in the 80′s. It takes place in the USA and we follow a boy named Ash. He is basically the powerful pet of the mafia boss and the leader of the gangs in the downtown area. We start out with Ash rebelling against the mafia. The rest of the anime is just a combination of gang wars, manipulation, shootings, murder and all kinds of disgusting shit that’s typical for most fictional stories taking place in the USA in this time period.

And while the premise and the execution is alright, it’s not interesting enough to draw such a fanbase as it did. And this is where the “Gay” part comes in, as Banana Fish is basically just a tragic love story. And yes, love story, without quotation marks cause if any of these 2 were a woman, people would 100% call it that so no one can say anything, period. Anyway, in the beginning we are also introduced to a young Japanese guy called Eiji, who comes with his friend, a photographer, as his assistant. Ash and Eiji’s very first meeting sets them up as a peculiar pair. Eiji comes off as very naive, sweet and innocent and yet he isn’t scared of Ash despite knowing that he is a gang leader. This fascinates Ash and we go from there, basically. Their personalities are like ice and fire. Ash becomes incredibly attached to Eiji and wants to protect him at all cost (even with his life if necessary). Eiji returns the sentiment, although in a much more subtle matter. Their relationship is what kept me personally completely invested but it was fucking painful cause nothing seems to go right for these two, sigh.

From a technical standpoint, Banana Fish has as many flaws as positives. As I said, if you get attached to the characters, these flaws will be easier to ignore but they are still there and due to this being a 2-cour series, some of the annoying stuff is there long enough to actually become annoying.

The story itself is going in a 100 different directions with many players on opposing sides. There was a huge problem which only became prevalent near the last third of the anime. That is, there was seemingly a limit as to how high the stakes could be. We start from more minor stuff but with time the threats become bigger and the stumbles become deadlier and deadlier. However, at one point it starts to seem like we’re going in circles. The situation literally can NOT become any more deadlier and thus sometimes it feels like we’re reliving the same plot points over and over again, just in different settings. This isn’t helped by the fact that some characters are hellbent on their decisions and no matter what happens they will not consider anything else.

The animation and the music are both really good but some cracks show through. With the music, it uses multiple genres: melancholic classical instruments and pulsing synth heavy electronic tracks for example. All of the tracks are really pleasant to listen to however they were not used in the best way. Some scenes were missing some background music to elevate our emotions. The art style and animation are a bit unique but you can get used to it in a few minutes. Choppy linework and muted colours create a nice aesthetic with fluid animation especially during combat. Unfortunately, it does have some wonky shots but that wasn’t what annoyed me most but the inconsistent shots. From one angle a character is looking at the wall then when the camera switches to another angle they’re looking at the speaker. From one angle they have their arms crossed, from the next their arms are at their sides. It’s kind of minor but I still couldn’t help but notice and get taken out of the story for a few seconds.

To wrap up...I don’t like the ending. Don’t worry, I won’t be spoiling anything however I got accidentally spoiled on it and I’m honestly glad cause I’m pretty sure I would’ve started screaming like a lunatic if I didn’t. The ending feels a bit rushed. Banana Fish tries to quickly wrap up most plot points but we don’t particularly see their outcome. It was...uhm. Well, let me just say, I wasn’t satisfied and will now on just ignore the canon. mkay.

I really wanted to downgrade this to a 7 because of the ending but it was a pretty wild and entertaining ride so I don’t think that’d be deserved. Banana Fish is definitely not for everyone but if you are interested in stories set in these settings you might give this a go (and now goodbye, time to read the manga) (8/10) (x)

Recommend: HELL Yeah! | Yes | Eh??? | Nope | This anime killed my parents

#Boku no Hero Academia #My Hero Academia #my hero academia season 2 #my hero academia s02 #my hero academia s2 #boku no hero academia season 2 #boku no hero academia s2 #boku no hero academia s02 #damn i love this anime but all this tags are killing me #Banana Fish #only 2 reviews this time cause the BF one turned out much longer than i planned to #dusty reviews

2 notes · View notes

hellzyeahthewebwieldingavenger · 6 years

Note

Have you ever gone on the Spider-Man ride at Universal?

Have I ever gone on the Amazing Adventures of Spider-Man ride at Universal’s Islands of Adventure theme park in Florida?

That thing that I have a 2001 photo of near my bed and have had it there since 2001?

Er...only like 8 times!

Sit down and let me spin you a tale.

Long before there was a Spider-Man movie, long before I knew there was GOING to be one, I found out about the ride at like age 9-10.

It then became my life’s dream to go on that ride. And I do mean dream because I lived in England and my family at the time were living with my grandparents home as we slowly built our new house, a feat that took 2 years so we didn’t have the cash to spare on a big holiday like that.

One of the most crushing childhood memories I have is when there were vague discussions of a holiday to Florida with our closest family friends. But that fell through and I had to live with almost getting to go on that ride. I eagerly scoured our family friends’ holiday photos for a mere glimpse of the Spider-Man ride but nothing!

Remember this was the late 1990s/early 2000s, there was no Youtube and your internet connection was a joke, even if I knew how to use it.

But by the Summer of 2001 we’d finished our new home and moved out. And we finally decided to go to Florida with our family friends...and two other groups of family friends for a two-week mega vacation hitting all the Disney and Universal parks and other tourist attractions (which for us included a bona fide American ‘mall’).

I enjoyed Disney’s MGM studios and Animal Kingdom, but I was waiting for the day we’d hit up Islands of Adventure.

And then the day finally came and I was sure something was going to go wrong and get in my way.

First it was the lines to get into the park.

Then it was being confronted by some admittedly well meaning actors portraying Boris and Natasha from Rocky and Bullwinkle, trying to engage me in conversation when I just. Wanted. To. Get. To. Spider-Man!

And when I finally arrived at SUPER HERO ISLAND it seemed insane. For some reason in my child’s mind the idea of a theme park where every corner you looked and built into the street itself you’d see Disney characters, made sense.

But to see that for my heroes, the Marvel characters just didn’t seem real. Remember this was 2001, the Marvel Universe wasn’t as well known to the public (especially not in England). So whilst I had of course learned about it from all the 90s Marvel cartoons, no one else I knew could instantly recognize like Doctor Doom.

But here I was seeing Jim Lee inspired art of him, Storm, the Hulk and a gigantic Bagley image of Spider-Man in front of THE Daily Bugle!

But alas...the Spider-Man line was immense.

So we got a fast pass and arranged it to come back later and in the meantime I got to be traumatized by the Jurassic Park water drop ride. I was in the front seat age 10 with a T-rex approaching me and then...the ride stopped. Technical difficulties. In fact MOST rides that summer were having technical difficulties.

So we were stuck a T-rex looming over us. Unnoticed by me everyone else on the ride seemed to take a grip and bow their heads. I didn’t get why until it was too late and my eyes sharply turned from the T-rex to the like 60 foot high sheer drop as the ride came down with a splash.

Far less traumatic was getting a photo and autographs with the various superheroes and villains who showed up at Marvel’s Super Hero Island. Of course I got to meet the real Spider-Man...and my mother asked how Mary jane was.

His reply:

You’d have to ask Peter Parker about that

Fucking A.

Anyway, finally, finally, finally we got in the fast pass line for the ride. Which still wasn’t THAT fast but still we weren’t baking alive in the summer heat. And as a bonus I got to take in the surroundings of the Daily Bugle and the 1994 inspired animated shorts made for the ride explaining the whole story behind it (including my first ever look at Scream, a brand new symbiote I’d never even known about!).

Then we got to the ride. It was thrilling, the best feeling of my life. I was on an adventure with my hero Spider-Man! And we were all falling through the roof tops, spinning around and then...

We are sorry to inform you we are experiencing technical difficlties

The ride just stopped DEAD.

In hindsight I suppose it was all too appropriate.

I wanted to experience what it was like to be Spider-Man and now I was going through some typical Parker luck!

A few minutes elapsed before we all yelled because a literal burst of flame exploded nearby us, the ride had started again.

It finished up and I don’t think I’d ever been happier in my life.

But I was about to be because due to the technical difficulties...we got to go again without lining up!

Whilst my family, friends and family friends in attendance enjoyed the ride well enough (except for my friend’s Dad, he’s always had chronic back pains) they all knew this day, this moment, was for me!

And it wasn’t quite over yet.

As we walked down the corridor towards the gift shop we saw...the Green Goblin!

It was a lifesized statue standing just besides the doorway to the gift shop, presumably set up so people could get photos with him.

Well, he was my favourite villain so I had to. I stood beside the statue and posed when...he came to life!

It was one of the actors who’d accompanied the heroes on their periodic arrivals to the Super Hero Island for photos and autographs.

Somehow this was less traumatic than the Jurassic Park ride. I asked for his autograph and he obliged, plunking his pumpkin bomb bean bag onto my head to free up his hands.

Fucking awesome.

And this didn’t even cover the gift shop itself.

I’d never seen so much Spider-Man STUFF in the same place at the same time. I got myself a Green Goblin action figure from the now defunct (but fondly remembered by Marvel Toy historians) Spider-Man Classics line of toys and picked up my very, very first trade paperback (before I even knew that’s what it was!)

Spider-Man’s greatest Villains

It was an eclectic collection of single issues (and one annual) spotlighting an individual villain. Doc Ock, Mysterio, Kingpin, Electro, Hobgoblin, Vulture and mah boys Carnage and Venom (drawn by McFarlane himself, in my first exposure to his work, it left a major impression!)

Being a child f the 1990s and specifically the 1994 cartoon (which was the most recent and influential adaptation at the time, merchandise for it abounding in the store) Venom and Carnage were among my absolute favourite...things in life basically.

I wasn’t alone because just about every Spider-Fan my age loved them too. Hence why getting toys based on them proved elusive for me. And Spider-Man’s bad ass super mega ultra cool black costume even moreso. I’d long resigned myself that getting that toy was just a pipe dream and I’d missed my window for it long ago...Less than 15 minutes after leaving the gift shop my Dad got me this:

There were at least two other stores around the area of the Spider-Man ride and one of them sold toys and other collectibles.

Not only did I fulfill another childhood dream of having a black costume Spider-Man, but the toy even came with a SYMBIOTE toy too! And it was super posable, unlike all my other toys, including my Spider-Man ones.

AND...it came with a reprint of ASM #252, the debut of the black costume itself by DeFalco and Frenz and starring Black Cat too. An all round awesome issue and one of the first classic Spider-Man stories I ever got to read.*

The other of the two nearby stores was what an older me would call a relatively modest LCS, as it wasn’t that big of a store and sold ONLY comics and trades.

But you have to understand, 10 year old me had NEVER been inside an LCS. The idea that so many comics could be in the same place and that a store JUST selling them could exist was akin to the Cave of Wonders from Aladdin, something that could only ever exist, not just in America (the land where Spider-Man and all those other characters I loved, were from) but specifically there on Super Hero Island.

The rest of the day was pretty fun.

My friend somehow coerced her mother and mine to go on the Incredible Hulk roller coaster which I believe at the time was the tallest roller coaster in America, with this savage twist in the middle of it and a net to catch keys and other falling items.

We went on the Popeye ride, one of those rubber dingy rides that is supposed to splash you a lot and...I do not know if I’ve ever felt more wet in my life.

All in all it was a good day and I vividly remember being in one of the restaurants on the boulevard leading up to the theme park (a Three Supremes themed place for some reason, with wax statues of the band nearby our table) just pouring over my new toys, my new comics and my experience.

Best day of my life up until then!

Hell the ‘after party’ when we finally got back to England was awesome too. My beloved grandmother had bought me the latest issue of Astonishing Spider-Man that I wasn’t able to pick up whilst I was away. Who was the villain of the story?

Carnage!...Also Silver Surfer was there and he was pretty cool too.

It wasn’t the last time I went on the ride though.

My family and family friends made it an annual tradition between about 2002-2008 to spend the Christmas holidays in America and every year up until 2006 we spent some time in Orlando, meaning I got to check out the Spider-Man ride at least once every year and pick up a new trade and a bona fide original American comic book (not a reprint!) off the stands.**

So to answer your question definitively, yes I have indeed gone on the Spider-Man ride at Universal. I’ve done so many times and the ride and location are incredibly special to me.

*When I say classic I mean anything from before like 1995 because the stories I’d been reading in my UK reprint magazine, Astonishing Spider-Man, were all from 1995-1998, except for when they specifically spotlighted an older comic and referred to it as a classic. To me a classic was anything with ‘older art’.

**This experience led to me getting one of my favourite stories ever, Revenge of the Green Goblin, the second JMS trade with the 9/11 issue and Aunt May and Peter’s conversation, and also Kraven’s Last Hunt and Spider-Man Torment.

I fondly remember reading KLH whilst walking between rides and shows in Islands of Adventure and Universal Studios, I even remember I was reading part 2 or 3 at like a Wild West show at the latter after dark and somehow this added to the atmosphere of the story.

Torment was a different experience. I’d seen the cover, I knew and loved McFarlane’s art and the story turned out to be a sequel to KLH to my delight. But I had a really bad stomach bug during that particular vacation and Torment helped me get through it. Half because it was a Spider-Man story I loved reading and half because the pain of my bug led me to relate to Peter’s pain in that story.

20 notes · View notes

freddielocks · 4 years

Text

Here are, by Discogs' ratings, the 10 most valuable singles in my collection. The descriptions will aim to give you as much detail as they can about each, if there's any terminology that needs explaining just ask!

They'll go in reverse order:

10) John's Children - Desdemona

B-side: Remember Thomas a Becket

Label: Track, cat 604003

Year: 1967

Highest sold for on Discogs: £122

Rare Record Price Guide Value (in mint near unplayed condition): £150

Price paid: £30 on eBay

Condition: Record and sleeve VG (some noise)

This Desdemona, the rarest of all the singles I own by my hero Marc Bolan, is made much more valuable as it has the rare picture sleeve, an oddity for British singles at the time. Both sides are decent mod tracks and the A-side was banned by the BBC for the lyrics 'Lift up your skirt and fly' which Bolan maintained was about a witch.

9) Nicky James - So Glad We Made It

A-side: I Need To Be Needed

Label: Philips, cat BF 1566

Year: 1967

Highest on Discogs: £140

RRPG mint Value: £7 (!)

Price paid: 40p in Plastic Wax Records

Condition: Solid VG (edge cracked but not affecting grooves)

Nicky James aka 'Thunderthroat' was a big voiced but obscure singer, who came close to hits and almost joined the Moody Blues, who later went on to enormous success, signing him to their record label Threshold. I found this after hours of searching and got really excited (confused stares in the shop) and got it home only to see its low book value. However, it was not listed on Discogs, and so I put it in the database myself, to find a few years later that the B-side is considered a collectible Northern Soul record and it had started to sell for way more money! Not my favourite record by him though, which is Reaching For The Sun.

8) The Creation - Making Time

B-side: Try And Stop Me

Label: Planet, cat PLF 116

Year: 1966, charted at #49 for 1 week

Highest on Discogs: £150

Book value: £35 (would be £50 with sleeve)

Price paid: £25 on Discogs (lucky!)

Condition: largely VG+ but one deeper scratch causes pops

The mod band The Creation were rivals to the Who in their heyday, and this aggressive punky single, produced by the renowned Shel Talmy and issued on his (uber-cool) Planet label, showcases their talent, as well as the invention of playing the electric guitar with a violin bow to crunchy effect! It's a classic and a must-have for any collector.

7) The Misunderstood - I Can Take You To The Sun

B-side: Who Do You Love

Label: Fontana, cat. TF 777

Year: 1966

Highest on Discogs: £150

Book value: £80

Price paid: 50p in a warehouse clearance in Cadoxton, Wales

Condition: it appears that this was left by the radiator at some point, and it's a bit wavey around the edge. This causes a few wobbles in the sound and a little sizzle at the end, but still listenable

The Misunderstood were a mysterious American outfit, who only released this single while in their original line up, with the dual guitars of Englishman Tony Hill and Glenn Ross Campbell (not the famous one). 1966 puts it at the cutting edge of psychedelia, and both tracks are amazing and utter classics, with the A-side taking you to space and back and the B-side being the most screechy Bo Diddley cover ever! It was a dream to find a copy in the dingiest place in the world, and well worth the damp knees and hours without any natural light.

6) The Maytones - Botheration and The G.G. Rhythm Section - TNT

Label: Blue Cat, cat. (Haha) BS 165

Year: 1969

Highest on Discogs: £150

Book price: £35

Paid: it's still a secret but it's around £30-35, from Plastic Wax

Condition: solid VG again, which for a reggae/rocksteady single is practically a dream.

This single split between two artists very popular in Jamaica (The G.G. All Stars were connected to pioneer Ernest Ranglin) was released on the Blue Cat label, arguably the rarest of the numerous sub-labels of legendary company Trojan Records. Both sides are chilled rocksteady and among the label's best work, justifying the steep rise in prices for it. My reggae buying career has been essentially for the labels they were released on, but this was a huge coup as it was a brilliant record too!

5) James Royal - I Can't Stand It

B-side: A Little Bit Of Rain

Label: CBS, cat. 2959

Year: 1967

Highest on Discogs (and only sale to date): £150

Book price: £125

Price paid: 50p in Rick's Records (rip), Hastings

Condition: looks utterly trashed and has a small crack going into the playing surface alas. However it plays very well given its appearance - it's loud!

James Royal is not a well known name - he made a fair few singles before joining a covers band and leaving the big time for Australia, having played with a host of future stars (Rick Wakeman of Yes, John Entwistle of the Who, Nick Simper from Deep Purple) along the way. This classy two-sider is his rarest record and shows his vocals to great effect against an amazingly lavish production. As usual with soul records, the demo copy (which amazingly was the reason I didn't leave it in the box for so cheap!) doubles the value, although any copy of this fetches big prices - that £150 is looking a little low. I more treasure it because musically it's superb. Check it out!

4) Kaleidoscope - A Dream For Julie

B-side: Please Excuse My Face

Label: Fontana, cat. TF 895

Year: 1968

Highest Discogs: £175

Book price: £40

Paid: £5 on eBay

Condition: has a crack which has led to a small piece missing. I have just about got it to play without the needle getting stuck in there. You can appreciate this one's a 'collection filler' (for someone who didn't care - I bought it for the music obviously!)

Kaleidoscope are a now legendary English psych-pop outfit, who narrowly missed success both in this form, making waves with 'Flight From Ashiya' (which I also own after a long and arduous search) and as their later Fairfield Parlour incarnation, scoring a near-hit with 'Bordeaux Rosé'. As I Luv Wight they recorded the theme for the Isle Of Wight Festival in 1970, but the festival DJ ignored instructions to play it in between every act and tossed his copy into the crowd (it was perhaps a little too advanced, but I like it (and own it)). A Dream For Julie is a bizarre danceable record with sheer nonsense lyrics ('Mexican clowns' and 'strawberry monkeys' surround Julie for starters). The B-side is typically mellow and stately.

3) The Kinks - Long Tall Sally

B-side: I Took My Baby Home

Label: Pye, cat. 7N.15611

Year: 1964

Highest on Discogs: £207

Book price: £120

Paid: £16 on eBay

Condition: VG playing above grade - a surprisingly great copy! Probably one of the best in this list

The Kinks need no introduction, but this was their first ever single released just two records before You Really Got Me practcially invented fuzz guitar and changed rock forever. Both sides are snappy beat numbers with character and the characteristic weird vocals of Ray Davies. eBay does have miracles - this bidding war happened in prime hours (8pm) and I held on by 50p or so, for a record which otherwise would fetch much higher and has a huge collector's market in beat and Kinks fans alike.

2) Crocheted Doughnut Ring - Two Little Ladies (Azalea and Rhododendron)

B-side: Nice

Year: 1967

Label: Polydor, cat. 56204

Highest on Discogs: £307

Book value: £40

Paid: £12.50 on eBay

Condition: VG-, crackles a fair bit as both sides are quiet.

The (Crocheted) Doughnut Ring were an obscure outfit who issued around four singles in the late 60s. This record's A-side is a rather meandering psych-pop affair which is rather soft. Having no other material for a B-side, producer Peter Eden (who lent his talents to a whole other bunch of records and adds collectibility) fooled around with the A-side tapes and created an incredible soundscape - inventing ambient music in 1967! There's nothing else like it for at least another four years, when Brian Eno and Robert Fripp released (No Pussyfooting) (which I do own, and yes, the brackets are part of the title), the first major incidence of tape manipulation in popular music after The CDR's accident!

1) The Spectres - I (Who Have Nothing)

B-side: Neighbour Neighbour

Label: Piccadilly, cat. 7N.35339

Year: 1966

Highest on Discogs: £350

Book value: £300

Paid: Nothing! This was in my aunt's garage in Manchester, although mum has no idea who owned it in the first place - mysterious Auntie Laura was the only candidate. Other records in the box were also rare, causing disbelief as mum thought they were awful!

Condition: incredibly for a record stored without any protective sleeve in a flimsy box in the dankest most cluttered garage in existence, it's a solid VG with great sound.

This record, the first of three, was the first recorded appearance of Status Quo! This creates its incredible value, although it is the most common of the three (not saying much). Both sides are not brilliant versions of standards recorded by lots of bands, although I (like others) have a soft spot for the B-side, which is an R&B number with traces of the psychedelic sound early Quo (before they decided to only write songs with three chords!) were to hit success with, as Pictures of Matchstick Men became a top 10 hit. In between the Spectres and that single, the band were known as Traffic Jam, and the Almost But Not Quite There (accurate name!) single is the most sought after. My aunt nearly threw it away! Jesus!

0 notes

redtutel · 5 years

Text

Rewatching Star Wars Episode VIII: The Last Jedi

Red is this movies color...that’s why people get so aggravate about it! It makes so much sense!

I’m glad I’m a nobody, people people get bullied and shamed for their opinions on this movie. People treat their opinions as facts when discussing this movie. I admit I might get aggrieve with my opinions too.

Last time I saw it, I loved it and disagreed with every complaint I read about it online. It might’ve help that I found spoilers, so certain twists didn’t throw me as off gaurd as it did other people Will I feel the same way? And even if I do, how will I rank this film? Time to find out.

I should really watch the commentary someday. I’d love to know what was in Rian Johnson’s head. Until then, this is my own, personal analysis

It’s very unique to have a Star Wars movie take place right after the previous one. Although given the nature of Force Awaken’s cliffhanger, it was necessary.

This movie definitely borrows for Empire Strikes Back, but not to the same extent. I’d argue it’s Empire backwards. The deuteragonist is out of commission and hope is bleak at the beginning, and we end on a siege in a white planet with walkers. It might be a bit of a stretch, but I’m sticking to that mindset.

I love Poe’s sass. Anyone who says otherwise has no joy. It’s definitely in character (remember “so who talks first?”) And it shows he’s someone cocky who will mock his enemies to their faces. Plus its not like Star Wars hasn’t had humor like this before.

I like how the opening action sequence starts as a typical feel good action, but then casualties occur which are taken very seriously. And Poe gets chewed out for it too.

Poe stars out the movie as scrappy, and will disobey orders in order to defeat the enemy. And then he ends it wiser, knowing that sometimes, it’s important to retreat and live to fight another day.

Much like Revenge of the Sith, this is a very dialogue and character driven movie, with not much action. And both movies make the action sequences they do have count.

The scene with Rose’s sister is fantastic. Like any good action sequence, it's all about reverals. She has a squad, but they all died and she’s by herself. She has to bomb the ship, but she crashes and falls, and can’t get up. The remotes to high to reach, so she kicks it down. But the remote lands too far away from her. But at the last second she manages to catch it, and scarifies herself to bomb the ship. It’s a fantastic mini showcase of this one of this movie’s biggest motifs: That no matter how bleak things get, there is still hope, and you have to fight in order to reach that hope.

The juxtaposition of the Resistance cheering and Leia sitting down in relief, only to get a look at the casualties is very clever. It shows that victory bought with lives is no true victory.

Snoke can drag Hux though the floor from a large distance. Classic sequel escalation. How clever.

Finn awakens after two years, yay! And his first words are “Rey!” How sweet. He doesn’t even care he’s still naked covered in medical equipment. All he care about is “Where’s Rey?” And for good reason. Last time he saw her, she was knocked out by Kylo Ren.

And we get the resolution of one of the greatest Star Wars cliffhangers of all time. Fans spent two years imagining what Luke would do next What he would say next. And he tosses the Lightsaber aside and walks away, creating a mystery as to how this once noble hero ended up a jaded old man milking disgusting manatee alien things.

Mark Hamill is a fantastic actor, and this is no exeaption. He’s equal parts funny and aggravating as a bitter old man, but there are moments where the classic Luke comes out, like when he sees R2-D2 and Yoda, or when he asks about Han.

I love how creative the creatures are in this movie. The Porgs are the merchandising stand-out sure, but there’s that ugly milk creature, those beasts of burden in Canto Bight and the Ice foxes. They’re all such creative designs.

“Where’s Han?” Oh how heartbreaking. Apparently there was a brief shot of him mourning that got cut, which is a major shame. I feel like the movie did a good enough job without it, but keeping it back in would’ve added so much. Ah, well.

Snoke really is the main villain of this movie. I think he has about as much screentime as the Emperor did in Return of the Jedi. So I’d say he fufilled his role well enough. He has nothing on Palpatine though, and in my eyes he’s the only character who I like less then their inspiration.

Kylo is maskless the whole movie. I feel like this symbolizes how we spend this movie getting to know the real him. The man behind the Vader impersonator. Kylo killed his father thinking it would fully turn him to the dark side, but he’s more regretful then every before. And Snoke has lost his faith in him. Snoke’s lack of faith in Klyo is a nice way to differenciate him from Paltapinte by the way.

...Wait, was the feelings of regret one of the reasons he lost the dual to Rey? I think Snoke is implying that. I also like how this is treated as an abnormality in-universe. Rey was unusually strong, and Kylo was unusually weak in that moment, and everybody acknowledges that fact and questions why.

Snoke sees Luke as the First Order’s greatest enemy, and Rey as “just a girl with a lightsaber.”

Luke on the other hand, no longer sees himself as a hero. “You think I came to the most unfindable place in the galaxy for no reason at all.” That is a good point, and something both Rey and the audience didn’t think though.

Luke takes an interest in Rey after learning she’s force sensitive. Luke may have a hatred of the Jedi, but he still respects the Force.

“Where are you from?” “Nowhere” “Nobody’s from nowhere” “Jakku” “That is pretty much nowhere. Why are you here Rey from nowhere?” I love mentors that mix humor with wisdom. And Luke fills that role very well. Rey’s arc is about self discovery and introspection, and I love how Luke furthers it.

Rey is still a bit afraid of the Force, and doesn’t know what to make of it.

Is Leia reacting to the aftermath of the battle? Or can she see and Luke and Rey’s meeting isn’t going well. Probably both.

The First Order has a way to track the resistance no matter where they go, even at lightspeed. And they don’t have the fuel to make another jump. I think that’s a good new take on Star Wars space chases.

Although Leia wants to show Poe true military wisdom, she still has a soft spot for him, and for rouge tactics. I wonder if there’s any kind of work out there that depicts Leia seeing Poe as a replacement son. At least a fanfic would be nice.

Leia and Kylo sense each other. And although Kylo killed his father, he can’t bring himself to do the same to his mother. Another fantastic scene.

I used the word siege too soon. The Poe plot is one big medieval siege in space. The First Order is on the offensive, but can’t actually destroy the ship, and the Resistance is stuck in the defensive, with the crew having no choice but to stay inside and wait it out until the reach the new base. Again, a very creative concept.

After years and year of waiting, and subtly hinting at it with certain shots, Leia finally, finally, uses the Force. And she does so in a logical way, to push herself though the vacuum of space to safely get to a ship. And we even get her theme playing as she does that. Sure she looks like Mary Poppins, but a couple of months before the movie came out another science fantasy movie did that too, and we all agree Mary Poppins was cool. So I say, “She’s Mary Poppins Ya’ll!” And again, IT’S LEIA USING THE FORCE AFTER YEARS OF THAT DETAIL BEING POINTLESS! AND SHE USES IT TO SAVE HER LIFE! And after the death of Carrie Fisher, we need to savor what few awesome Leia moments we have left.

I love the scene of Chewbaca trying to eat a Porg but not being able to because they’ll looking at him. It’s hilarious.

Luke seeing R2 again is so adorable. And him using the classic Leia recording is such an effective use of nostalgia. Luke is in the same position Obi Wan all those years ago. And that finally convinces him to at least give the mentor thing a try, it not to convince Rey that the Jedi religion isn’t worth it.

Poor Ackbar was killed for the sake of Poe’s character development. Hondo serves her role as a hatable leader very well. She’s a stranger to both the audience and Poe, so we sympathies with Poe’s disobedience. And she’s an aggrieve purple haired woman, which would put any man on the defensive. But alas, she put too many real life men on the defensive, so they have a hard time accepting the fact she was right all along. I personally think it’s very clever to have the naysaying military leader actually be in the right. It’s a good way to teach Poe wisdom.

She said “We are the spark that will light the fire that will restore the Republic” first. I didn’t remember that. That’s so cool!

Once again, Finn is a deserter, albit a regretful one. But he still doesn’t believe the First Order can be stopped, and to be fair, not much happened in the fist movie to convince him otherwise.

Rose is an endearing character. She’s a maintenance person and not a fighter, so she looks up to heros like Finn. Finn doesn’t see himself as a hero, but to Rose, he’s someone who stood up to the first order, and without his information, they would’ve never been able to destroy Star Killer base. So the fact he wasn’t being a hero greatly upsets her, especially since this is a cause her sister died believing in.

Rose’s maintenance person background and Finn’s low ranking Stormtrooper background makes them the perfect team for their plan to stop the tracker. But Poe’s too proud to get Hondo’s input, so it’s a secret plan.

...Why do people call this plan a sidequest? Sure it fails, but it’s still a logical plan (considering the fact they don’t know the real plan). On the subject, why did Hodo not tell them the real plan? Because she doesn’t trust Poe to follow though with it. Was that a mistake? Seeing how she dies, it might have been. Plus knowing Poe, he probably would’ve preferred Finn’s plan anyway. And we the audience actually did know that the plan was to get to a new base and contact help earlier in the movie

I wish Maz had more screentime in this movie. Although given its set-up, there isn’t really a reason for her to do so. I hope she appears more in Rise of Skywalker

I LOVE the Force connection scene. It starts as a simple look at our hero and villain in the morning, cutting back and forth between them. Simple movie magic. But then...they both notice something at the same time...wait, they notice EACHOTHER! They’re seeing the cuts like we’re seeing the cuts, and then it’s cut as if they’re facing each other directly, even though they’ve obviously not, again playing with the medium of film and ah, it’s so awesome and clever!

I didn’t notice until the second time around (this is my third time watching this movie), Luke never gives the third lesson. Although to be fair, Star Wars protagonists have a history of leaving before their lessons are finished. Will Rise of Skywalker provide that third lesson.

I’m too lazy to quantify this, but I think Force Awakens had more jokes per minute. I don’t get why people act like it has Marvel movie comedy.

Out of all the Star Wars movies, this is the one I feel has the best Force lessons. Probably some of the best Force lessons in the series. We start off with way Rey (and the layman) know: It’s a power Jedi have that lets them control people and makes things float. And after little goofiness (which serve a purpose: Don’t physically reach out, emotionally and spiritually reach out), Luke shows how the Force isn’t a power people have, it’s the energy that binds the universe together. And I love how shots of nature from the island are used to depict the Force, and the nature of Life and Death and the Circle of Life and balance and darkness and light. And how the temptation of the Dark Side is showed as a pit, but a pit that has...something that draws you to it, even though you may never escape if you do.

The Force does not belong to the Jedi. The Jedi kind of sucked in the prequels, so Luke’s new philosophy is actually pretty awesome.

“It offered you somthing you needed, and you didn’t even try and stop yourself” Did Rey use the Dark Side to win the fight? Does the Dark Side provide an attack buff? It make sense. The Dark Side does get all the good force powers, after all.

Both Rey and Ben Solo were naturally very gifted in the Force. And Luke fears Rey could be the next Kylo Ren if he trains her. How rational is that fear....to this day people aren’t sure. Maybe Rise of Skywalker will finally settle things

Oh, that how Finn and Rose made it. Poe convinced a look out to pull a “no signs of organic life,” but on purpose. And the Resistance does like Poe more then they do Hondo.

Ah, Rey’s curious about Finn too. Maybe I do ship it. But Finn and Rose and Rey might have Ben. Well, strong male/female friendships are rare, so the more the merrier.

Kylo wants to be a monster, and although Rey thinks so, seeing him call himself that makes her realize there’s more to him than he lets on.

Canto Bight. Although I agree the set design could use more Star Wars, there’s still a ton of great alien designs, and it is creative to show a “Hive of Scum and Villainy” for the Galaxy’s 1%. And I love how the music reflects that. Plus the rest of the movie has plenty of creativity to spare.

I forgot how long it took get to Canto Bight.

People also find the tone of the scene off putting, but I don’t mind. Probably because I’ve seen quit a bit of Clone Wars, which is found of mixing Star Wars with...whatever genre it feels like. Political Drama, Film Noir, Kaiju movies. This subplot is Star Wars meets heist movie.

The alien putting coins in BB-8 is voiced by Mark Hamill by the way. Once again proving himself to be a great voice actor.

Behind the glim and glammer of the rich, there’s cruelty and oppression. Finn was already aware of what Stormtroopers are capable of, but here he sees firsthand how even a beautiful part of the galaxy is tainted by it, even in a moment of peace. Rose believes in the cause and wants to fight for it, and seeing her determination makes Finn think that maybe he can too.

I can’t believe I’ve gone this long without talking about expectation subversion. I honestly think the movie does it right. Luke being old and bitter creates a mystery which leads to a fantastic character arc, for example. Finn and Rose find the codebreaker, but then they get arrested for parking violations (which yeah, is a bit silly, but so were the Ewoks)

Although Finn’s subplot is a bit weaker, it still provides some good thematic consistency, and provides a very good arc for Finn.

Since Luke is unhelpful, Rey uses the time to train herself in Lightsaber combat. And as always, she’s a fast learner when it comes to weaponry.

Lesson two is Luke’s video essay on the prequels. And it’s a pretty good one. Luke followed the way of the Jedi and trained Ben from an early age, and like the Jedi he didn’t notice Ben’s fall to the dark side and Snoke’s corrupting influence until it was too late, and that lead to the creation of the next great darkside user.

Despite this, Rey still needs a mentor, and still believes in Luke, although that’s because Luke didn’t tell the whole truth.

The Resistance is loosing sip after ship, and tensions are rising. Why do people not like the Poe subplot? It’s also a great way to bring the stakes back to the Finn subplot, which admittedly got a bit silly

Once again, when things are bleak, Hope arrives in the form of a new master thief, in the form of DJ. Although DJ proves to be a false hope.

I love with mascot droids get to actually fight.

I admit my opinions aren’t entirely my own anymore, as I remember a video essay pointed out that the main trio all have characters pulling them to the light and to the dark this movie. Rey has Luke and Kylo, Finn and Rose and DJ. I don’t remember what they said about Poe, but I’d say he’s pulled to the light by Leia and Hondo, and pulled to the dark by his pride.

Rose and Finn’s interaction with the slave children help show how the Resistance is a spark, rather then just telling us like most Star Wars movies do.

I do wonder why they freed the horses and not the kids. I guess it’s because horses can actually run fast. Plus they need to create chaos to escape. The kids are cheering them on, though, so I guess its fine.

But more importantly, Finn gets a taste of what its like to save rescue something that’s not a close friend, and to tear down an oppressive system. He has his first inspiration to be a true selfless hero hero, rather than just someone trying to protect his friend. And Rose reminds him that the freedom gained in more important than the havok wreaked. It’s not worth it until people are actually saved, no matter how much damage the enemy sustained.

Luke is called to help by his sister, and ones to reach out to her.

Ah Ben Swolo. Equality after Slave Leia. And also a good showcase in how Rey and Kylo can’t control when they force bond, and it can even happen in awkward situations. And its funny.

Rey wishes she had a father like Han, and Ben just threw him away. Meanwhile Kylo remakes how Rey is always looking for her parents, even surrogate parents. I’ve noticed Kylo dodged the question about killing Han

And we get the shocking twist: Luke tired to kill his nephew to prevent the dark side.

“Let the past die, it’s the only way to become who you’re meant to be.” This is not the main theme of the movie, but Kylo is half right. Rey shouldn’t kill the past, but she should let it go, move on from her parents, and embrace the new family she has in the Resistance. Meanwhile Kylo keeps saying he’ll killing the past, but he’s working with people trying to bring it back, and he just gets more and more caught up in it, even after killing his father and trying to distance himself from his Vader aesthetic.

I love the force case scene. As a kid I was in love with the endless mirror effect, and seeing it messed with, by having Rey’s reflection be out of synch, is such a cool moment. She’s trying to self reflect, but she hasn’t come to terms with herself. It also shows the vastness and confusing okay the Force. She tryes to find her parents, and sees...nothing. They’re truly gone, and all that’s left is herself. Which is her worst fear. She doesn’t want to be alone anymore. She wants a family.

And after Luke’s uncorperation and description, Chewbacca busy trying to contact the resistance, and Finn being far away, the only person she has to share her troubles with is Kylo.

During all this time Force bonding, the two of them have gotten to know eachother’s struggles and insecurities. They truly sympathize and care about each other now. The are now friends and confidants. And with this newfound relationship, they truly believe that can turn the other to their side. This is one of my favorite Hero/Villain relationships ever. Dare I say, I like it even more the Luke and Darth Vader. Being father is son is fantastic of course, but the fact that Rey and Kylo formed this sort of bound without blood ties makes it also the more fascinating. Sure it was a part of Snoke’s plan, but it the relationship they built because of it was still genuine.

They’re force bound has gotten so powerful, they can literally touch each other now. Seeing Kylo’s hand in Rey’s hut is such a strange and powerful image. And then Luke sees them together, which is even more shocking. And Luke is afraid Rey’s turn is inevitable.

And now we know the full story. Luke feared the darkness in Ben. And in a brief moment, he saw Kylo the same way he once saw Vader and Palpatine, and drew his blade. He realizes his mistake just as quickly, but it was still too late. Ben saw his master trying to kill him, and his turn to the darkside was complete. And it was all Luke’s fault. History repeated himself, and Luke was too full of shame to do anything about it. Sure he saved Vader’s soul, but he didn’t create Vader like he did Kylo. So it’s not like seeing his Uncle would stir conflict in Ben or anything.

And Rey has now lost hope in Luke, for failed to even try to do what he did with his father. Although again, given the circumstances, I don’t like Luke can be the one to save Kylo. But neither is Rey. Maybe in the future?

I LOVE Yoda’s scene It’s probably the greatest Yoda moment of all time. Yoda actually agrees with Luke that the Jedi made mistakes, but he’s here to provide the true takeaway. Don’t run from failure, or try to kill the past. Instead, you should learn from the past failure, and with the knowledge, move on with your life. Remember both the glory of the past and the shame, and use them both as you move to the future. And I love how grumpy old Luke is 19 all over again when Yoda shows up.

DJ provides a very fascinating perspective of the Star Wars universe. History repeats itself, so why bother carry which way the pendulum swings? After all, the people who financially succeeds are the ones you play both sides. He gives Finn the temptation to be apathetic to the fight against good and evil. “Live Free, don’t join.” That’s what Finn wanted at the beginning of the movie

I love Finn is defensive of Rose having to give up her sister’s keepsake. He’s a good person.

“Hope is like the Sun, if you only believe in it when you can see it, you’ll never make it though the night.” Another great message of this movie is the importance of having Faith.

And turns out, Poe actually does hate Hondo’s plan, and since he talked smack, she’s not inclined to listen to him either.

“If you see Finn before I do tell him...” I love their friendship.

And finally, Kylo and Rey meet in the flesh. But as Luke says, things don’t go the way they think.

It’s pretty clever and Finn and Rey spend the climax in the same place,

And when Poe does tell Hondo the plan, she hates it.

The iron gag is a pretty silly fake out, as well as an homage to the modelwork of the old films.

The evil BB-8 was in a lot of merch. But he’s barely in the movie.

Kylo and Rey are both right about what they’re about to do. But they did it a lot sooner than expected, and didn’t realize that their team up would be short lived.

DJ is a snake, but I love that he gives Rose her trinket back. It shows that he’s not heartless

After do so well, the plan suddenly all falls apart. It’s Reversal, which as fall as I know, is an element of good storytelling. The plan goes awry, and the characters have to deal with what to do now.

Leia is here to set Poe straight.

After losses should be avoided, Hondo’s sacrifice shows that sometimes they’re necessary. The import thing is having the discretion to tell.

Maybe Rey’s strong in the Force because the Force needed a champion of Light to combat the rising darkness.

Snoke was behind the mind meld the whole time. His plan is kind of sexist come to think of it. He doesn’t think it’ll work because of human empathy, but because Kylo is a handsome, tortured bad boy. Seems fitting given his appearance and a disgusting old man. Or maybe I’m overthinking it. Anyway, he’s swinging Rey like a ragdoll using the force, showing that she’s not all powerful like the haters think

And unlike most rouges, DJ is selfish ‘till the end. Things are bleaker and bleaker. The plan not only failed, it cost more lives that it would’ve otherwise if Poe had just had faith in his commanders.

I love how Rey trying to get her lightsaber, only for Snoke to just bring it back and humiliate her.

Snoke’s plan is pretty okay, but he’s not nothing on Palpatine’s chessmasterness, even ignoring the prequels. For one thing, no matter who one Luke vs Vader, Palpatine still wins.

“He ignites to and kills his true enemy.” How very true. I got spoiled that Snoke would die in this movie, and my first thought was “Woah, that’s cool.”

Seeing Kylo and Rey fight side by side is just awesome.

Finn sees DJ’s desire for self preservation (and in turn his old desire for such), and disgusting, and shows just how much he’s grown.

I think Snoke dying is a good example of subverting expectations. Darth Vader always said “I’m going to overthrow the empire and rule with my family.” But Kylo Ren actually does it. But he still doesn’t turn to the light side. He’s now the man in charge, Kylo Ren, the villain we truly care about is now the main villain (well, until Palpatine pulled a Ganon), and I am excited to see where that goes

Rey’s parents were nobodies who sold her off. Rewatching Force Awakening, that makes perfect sense. It’s a great reveal of “I am your father.” It’s equally as devastating while being something different

Seeing Kylo and Rey fighting over the Skywalker lightsaber and then it breaking is such a cool moment. It shows that the Star Wars legacy is breaking, but the future is all the more exciting for it.

Destroying a ship with a smaller hyperspace ship. Awesome. Why don’t they do it more often? Because no writer thought to. Not to mention suicide bombing is wrong so good guys won’t do it, and it’s expensive so bad guys won’t do that.

Finn vs Phasma is short but a very satisfying moment for Finn. He stood up to his old boss, he’s using the TR-8R weapon, and has one of my favorite Star Wars lines “You were always scum.” “Rebel scum.”

Hux definitely doesn’t approve of Kylo the same way he does of Snoke. The’s bound to be tension in the First Order’s chain of command, and I’m excited to see that unfold.

The climax at the Star Wars Fanbase (Salt) Plant is so fantastic. Hope leaves are constantly rising and falling, but the Heroes maintain faith despite that. The Resistance is corned, and they have no choice but to fight with outdate equipment. The Red and white is so lovely, it’s no wonder it was in the source material.

The Resistance are completely overwhelmed, but the Millennium Falcon is here! With Rey, Chewbacca and a Porg

The canon scene is a great showcase of character development. Poe now has the wisdom to know when the pull back and live to fight another day. And Finn now has the selflessness to try and sacrifice his life for the sack of the Resistance. But at the same time, Finn still needs to know that it’s not all about killing the bad guys no matter the cost. It’s about trying you best to save what you love as well.

Finn and Rose have a good friendship, but the kiss kind of comes out of nowhere. They not exactly Han and Leia, but hey, at least they’re not Anakin and Padme

Hope is diminished. The battle is lost (but thankfully not every life). And there’s not getting rescued. But then out of nowhere, comes the New Hope himself.

I can’t help but hear My Hero Academia music when Luke appears in this scene. He’s is the Galaxy’s Symbol of Peace!

“No one’s every really gone.” I forgot that line was in this movie. It’s so sweet to see Luke and Leia reunited after so long.

Seeing Luke fills the heros with awe, the villains with dread, and Kylo with irrational fury.

Comparing Kylo’s reaction to Han vs Luke, and you can see why Luke can’t be the one to save him.

Luke just brushing it off. Awesome.

Luke holds back the entire First Order without striking even once. A Jedi uses the Force for defence after all.

When back into the cave, Poe noticed that some foxes are getting in or out. When all hope seems lost, have faith and keep looking and sometimes you can find it.

Hope is found with the exist, but its lost when the opening’s too small. But then Rey uses the force and create an exist. She created hope. She has become the Galaxy’s New Hope (or the Awakening of the Force)

“Every word you just said was wrong.” I love that line, and how it took on a brand new meaning.

Finn and Rey’s reunion is so touching. The duo’s back together again after all this time.

“Strike me down in angry and I’ll always be with you, just like your father.” An amazing twist on a classic Star Wars moment. Luke’s death will just make Kylo less and less stable in his conviction to the darkness.

And Luke has committed his final act of heroism, and his final sacrifice. Protecting what he loved instead of fighting what he hated. Making sure that hope and rebellion remained in the galaxy. But astral projection comes at a great cost. And Leia and Rey can sense it.

Ending Luke’s life with the moment that introduced him. With him looking toward twin suns, dreaming about the future. But as a Force Ghost, I doubt this is the end of his story.

Rey and Kylo having one last Force bound moment before going their separate ways. Kylo is the Suprime Leader, and Rey is off to be the galaxy’s New Hope (or Awakening of the Force).

It’s nice for Poe and Rey to finally meet

All that’s left of the Resistance fits on just one ship. The Star Wars ship. Rey has lightsaber parts and the sacred texts. All she needs to be the next force using hero.

Although Luke is dead, his legend lives on, continuing to spread hope throughout the galaxy. And the Force is still very much alive, for there will always be dreamers connected to it. And we get shown proof that the Resistance is a spark.

Overall, I still love this movie. I disagree with every complaint people have about it. And while not every joke lands, it’s far from the first movie to make that mistake. Plus the ones that do land really land. I love the character development and philosophy, and although it’s slower, every action sequence is amazing and entertaining.

#star wars #star wars rewatch

0 notes

realestate63141 · 8 years

Text

Donald Trump, Colin Kaepernick, And The Politics Of Football

Football Is Trumpball Lite Cross-posted with TomDispatch.com

The Super Bowl is superfluous this year. Who needs a reality show about violence, domination, and sexism, not to mention brain damage, now that we have Trumpball, actual reality that not only authenticates football’s authoritarianism but transforms us from bystanders into victims? Before this game is over, the players may swarm the grandstands and beat the hell out of us.

Pro football actually helped prepare us for the new president’s upset victory by normalizing a basic tenet of jock culture: anyone not on the team is an enemy, the Other. And it’s open season on opponents, the fans of opponents, critics, and women (unless they’re cheerleaders or moms). Trash talking is the lingua franca of this Trumpian moment, bullying the default tactic.

Yet pro football has also provided us with the single most vivid image of current American resistance to racism. Last summer, before a pre-season game, San Francisco 49ers quarterback Colin Kaepernick sat during the playing of the national anthem as a symbol of his refusal “to show pride in a flag for a country that oppresses black people and people of color.” As the season progressed, he started going down on his right knee when the anthem began, revealing that he was wearing black socks decorated with pigs in police hats. These, he said, represented “rogue cops that are allowed to hold positions in police departments.” He would eventually stop wearing them, convinced that the socks were a tactical mistake.

Kaepernick’s non-violent gestures, done initially without fanfare, were the most powerful message from SportsWorld since that other hard year of despair and determination, 1968, when two American Olympic medalists, Tommie Smith and John Carlos, raised their black-gloved fists in Mexico City.

Incredibly, Smith, Carlos, and Kaepernick were all tutored by the same man, sociologist Harry Edwards. In the 1960s, as a young San Jose State professor, Edwards created the Olympic Project for Human Rights as his protest against racism. Now a retired Berkeley professor, he has been a long-time adviser to the 49ers.

Forty-nine years ago, as symbols of the so-called Athletic Revolution -- an attempt to resist the tyrannical rule of coaches and administrators, particularly over African-American football players and college track-and-field competitors -- Smith and Carlos were marginalized. Instead athletic “activism” morphed into hustling for sneaker endorsements. But this time, Edwards promises, will be different. “The evident trajectory of the Kaepernick ‘movement’ (and the growing support among athletes for its concerns),” he recently wrote, “means that there are going to be some turbulent times over the upcoming Trump era as the pressure on athletes to stand up and speak out escalates.”

You won’t be surprised to learn that Donald Trump immediately disparaged Kaepernick’s gesture, telling a Seattle radio station, "I think it’s a terrible thing, and you know, maybe he should find a country that works better for him, let him try, it’s not gonna happen." He then moved on, as he tends to do -- perhaps because he was already bored or perhaps because it triggered a memory of his own disastrous pro football days.

Sports Owner Trump Destroyed His League

Donald Trump is an old story for me. When I first began talking to him in the mid-1980s -- I was then a sports reporter for CBS Sunday Morning with Charles Kuralt -- he had just bought the New Jersey Generals of the United States Football League (USFL), then in its second year of operation. The USFL played its games in the spring and summer to avoid direct competition with the National Football League for fans and TV access, but did manage to bid successfully against the established league for a number of star players, including Herschel Walker, Steve Young, and Doug Flutie.

In the course of our first long interview, Trump assured me that he was not a man consumed by his latest purchase. (“If the league isn’t successful, then, you know, it’s off to the next thing.”) He did, however, boast -- he was already The Donald, of course -- that his involvement gave the USFL “a little bit more warlike posture toward the establishment,” and that the “magic” of Trump Tower would enhance the image of the league. He insisted that he didn’t much like attention himself, but felt obligated to do this interview because I represented “a great show.” Even then, he spoke in the adjectival style (Great! Sad!) now familiar to all Americans. At the time, though I sensed that it was all mud, I was a journalist and at least it covered the ground.

When I asked him about reports that the USFL’s hidden agenda was to eventually merge with the successful National Football League or at least pressure it into admitting some of the upstart franchises, he responded genially, “I hadn’t thought of it to be perfectly honest,” adding, “I don’t think it’s in the cards for many years.”

Of course, Trump turned out to be the leader of a group of owners pushing the new league to shift its games to the fall, a direct challenge to the NFL. An anti-trust lawsuit against that league followed, ending in a Pyrrhic victory. The USFL received a judgment of $3 and collapsed, having lost tens of millions of dollars in the process.

It was all so Trumpian, so much the shape of things to come. Maybe I didn’t take him seriously enough then because we both came from Queens, a scorned outer borough of New York City, or because he was already a well-known publicity hound and classic boldface tabloid name. But I did come away with two insights that helped me in later interviews with him (when the subject was real estate or politics): first, that he would always respond to a question, even a needling one, as long as he was its subject, and second, that he had a gift for what I came to think of as predatory empathy. He was remarkably skilled at reading what his interviewer wanted to hear and then reshaping himself and his answer accordingly.

Once he read me as a liberal with a weakness for pop philosophy, he typically answered a question about the moral responsibilities of sports owners by offering this supposed credo: “I tend to think that you should be decent, you should be fair, you should be straight, and you should do the best you can. And beyond that, you can’t do very much really. So yeah, you do have a responsibility.” Then, as if adding a note in the margins of his own bland comment, he added, “I’m not sure to what extent that responsibility holds.”

Typically, he had swallowed his own tail and who knew what he meant, including him. Through the 1990s, as the host of a local PBS public affairs show and then back writing columns at the New York Times, I watched his mean-spirited pomposity swell as he filled airtime and notebooks. But what more could a journo ask?

Once, for reasons I can’t recall, I returned to that supposed sense of “responsibility” of his, asking him if he’d like to “run the country as you have run your organization.”

“I would much prefer that somebody else do it. I just don’t know if the somebody else is there,” he replied, as if already imagining January 20, 2017. “This country,” he added ominously, “needs major surgery.”

“Are you the surgeon?”

“I think I’d do a fantastic job, but I really would prefer not doing it.”

I’ve thought about Donald Trump ever since -- he did have that effect on you -- and have come to realize that he’s an avatar of the worst aspects of jock culture. (He had, in fact, been a good high school athlete.) His kind of boastful, bullying, blowfish persona is tolerated in locker rooms (as in sales offices, barracks, trading floors, and legislatures) just as long as the big dog can deliver. Which he has done. It’s no surprise that his close pals and business associates in SportsWorld include two other notorious P.T. Barnums, boxing’s Don King and wrestling’s Vince McMahon (whose wife, Linda, is now Trump's pick to head the Small Business Administration).

Another typical jock culture trait is rolling over for the alpha(est) dog in your arena, be it the team leader, coach, owner, or even the president of Russia. One wonders, had Trump become a successful NFL owner, would he have wimped out as completely as New England Patriots’ owner Robert Kraft did when Russian President Vladimir Putin pocketed his Super Bowl ring in 2005 and walked out of their Moscow meeting room with it. It was never returned. Under pressure from the George W. Bush White House, according to Kraft, he claimed it was a gift, only to change his story years later. Kraft is a Democrat, while his coach, Bill Belichick, and his quarterback, Tom Brady, are friends of Trump. The Patriots, the best team of our era, will, of course, be playing the Atlanta Falcons in the Super Bowl.

A Jock Spring?

Colin Kaepernick, alas, won’t be getting a Super Bowl ring, at least not this year. The 49ers, long a successful and lucrative franchise, ended up with a 2-14 record this season. The 29-year-old Kaepernick is a scrambler with a powerful arm. Once an exciting prospect who led his team to the Super Bowl in 2013, only his second pro season and first as a starter, he seemed to have lost some of his mojo in recent years.

He’s still an interesting character, though: biracial, raised by white adoptive parents, smart, and curious. His torso and arms are tattooed with religious phrases, and he ostentatiously kisses the “To God the Glory” tat on his right biceps after any touchdown, which became known as “Kaepernicking.”

His emergence as a progressive hero, however, surprised even Harry Edwards. “Nobody saw [Muhammad] Ali coming, nobody saw Kaepernick coming,” Edwards told Elliott Almond of the San Jose Mercury News. “He was in the tradition of people who tend to open up new paths. Nobody saw Dr. [Martin Luther] King coming.”

Putting Kaepernick in such a league may be a tad premature, but he has stimulated what might be called a Jock Spring, and not just because he promised to distribute his first million dollars in salary this season to community charities. Women soccer stars, high school football players and their coaches, National Football League and Women’s National Basketball players all began going down on one knee as the national anthem struck up. Supreme Court Justice Ruth Bader Ginsburg called the gesture “dumb and disrespectful” before professing regret for her remark. Time put Kaepernick on its cover. Trump blamed him, in part, for a decline in the NFL’s ratings.

The initial signs of a Jock Spring actually pre-date his protest. Last July, New York Knicks forward Carmelo Anthony posted on his Instagram page an old black-and-white photograph of a dozen young black athletes in suits and ties posed in protest at what was then a summit meeting of sports stars. The front row of that 1967 photo now seems like a sports Mt. Rushmore -- Bill Russell, Jim Brown, Kareem Abdul-Jabbar, and Muhammad Ali, whose heavyweight title had been stripped from him after he refused to be drafted into the military.

Anthony’s message called on “all my fellow ATHLETES to step up and take charge. Go to your local officials, leaders, congressman, assemblymen/assemblywoman and demand change. There’s NO more sitting back and being afraid of tackling and addressing political issues anymore. Those days are long gone. We have to step up and take charge. We can’t worry about what endorsements we gonna lose or who is going to look at us crazy. I need your voices to be heard. We can demand change.”

It was a surprising statement from a player best known for not passing the ball enough. A few days later, he joined fellow NBA stars Dwyane Wade, Chris Paul, and LeBron James onstage at ESPN’s annual awards show, where LeBron declared: “It’s not about being a role model, it’s not about our responsibility to the tradition of activism. I know tonight we’re honoring Muhammad Ali, the GOAT [Greatest of All Time], but to do his legacy any justice, let’s use this moment as a call to action for all professional athletes to educate ourselves, explore these issues, speak up, use our influence, and renounce all violence.”

A month later, Kaepernick sat down.

“Athletes have the biggest megaphone in the country,” Edwards said to Almond in their Q-and-A. “Everybody identifies with the athletes. Kap has opened up a conversation about what is probably the most convoluted, the most difficult, and the longest-standing and intractable issue in terms of race relations in this country: This is why it was so important for Colin to take off the pig socks.

“I told him that we went through that in the 1960s and it was one of the biggest mistakes we ever made. Ultimately, we are going to have to sit down across the table with the police and hopefully come to some resolution with some of these life-and-death issues.”

As the season ended, Kaepernick’s teammates awarded him their Len Eshmont Award for “inspirational and courageous play,” making a mockery of reports in the media that he had been alienating the rest of the team. Edwards describes the media and the sports establishment as clueless when it comes to Kaepernick’s growing support among athletes -- a phenomenon that promises “some turbulent times over the upcoming Trump era.”

Kaepernick’s most transcendent transgression has been the way he punctured the comfort of football’s sweaty sanctuary, letting in both light and some hard truths -- including this reality: that objectified and extravagantly well-paid performers can still have real thoughts about the world outside the white lines, a world becoming more and more perilous for those who think Trumpball should not be the national pastime.

Trump has said he will not be attending the Super Bowl -- that might even be true -- but he will sit for the usual pre-game presidential interview, this year with Bill O’Reilly of Fox, which will broadcast on the holiest event of the sports calendar. Should you tune in? While we’re still a democracy, make your own decision. Do whatever you did for the Inauguration.

Robert Lipsyte is the jock culture correspondent for TomDispatch. He returns after having been on leave to explore the belly of the beast as Ombudsman for ESPN. His most recent book is his memoir, An Accidental Sportswriter.

Follow TomDispatch on Twitter and join us on Facebook. Check out the newest Dispatch Book, John Feffer's dystopian novel Splinterlands, as well as Nick Turse’s Next Time They’ll Come to Count the Dead, and Tom Engelhardt's latest book, Shadow Government: Surveillance, Secret Wars, and a Global Security State in a Single-Superpower World.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

from DIYS http://ift.tt/2kcIXdG

#DIYS

0 notes