#alien contact novels | Explore Tumblr Posts and Blogs

nellasbookplanet · 8 months ago

Text

Book recs: black science fiction

As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.

Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

Lagoon by Nnedi Okorafor

Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.

Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes

Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.

The Scourge Between Stars by Ness Brown

Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.

Midnight Robber by Nalo Hopkinson*

Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.

Rosewater (The Wormwood trilogy) by Tade Thompson

In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.

Do You Dream of Terra-Two? by Temi Oh

Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.

The Best of All Possible Worlds by Karen Lord

After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.

Mirage (Mirage duology) by Somaiya Daud

Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Where It Rains in Color by Denise Crittendon

The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.

Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden

Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*

In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.

Parable of the Sower (Earthseed duology) by Octavia E. Butler*

In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.

Binti (Binti trilogy) by Nnedi Okorafor

Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.

War Girls (War Girls duology) by Tochi Onyebuchi

In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.

The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson

Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!

The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*

In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.

The Women Could Fly by Megan Giddings*

In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!

The Prey of Gods by Nicky Drayden

South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.

The Summer Prince by Alaya Dawn Johnson*

Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.

The Blood Trials (The Blood Gifted duology) by N.E. Davenport

After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.

Babel-17 by Samuel R. Delany

1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.

Pet (Pet duology) by Akwaeke Emezi

Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.

Bonus AKA I haven’t read these yet but they seem really cool

Lion's Blood by Steven Barnes

Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.

The Sound of Stars by Alechia Dow

Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.

Womb City by Tlotlo Tsamaase

Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.

Orleans by Sherri L. Smith

Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

The Splinter in the Sky by Kemi Ashing-Giwa

Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole

5K notes · View notes

f-s-arbolaez · 2 years ago

Photo

Something I made related to a scene in my story Colonial History, where a human from a group of amateur UFO/ET enthusiasts snuck onto the Minare's ship and interacted with them. #scifi #satire #novel #anthology #human #alien #contact #colonial #history #humor #thrilled #happy #confused #annoyed #differentreaction #meme #sneak https://www.instagram.com/p/ClB69C5pyMF/?igshid=NGJjMDIxMWI=

#scifi #satire #novel #anthology #human #alien #contact #colonial #history #humor #thrilled #happy #confused #annoyed #differentreaction #meme #sneak

1 note · View note

vermilionsun · 4 months ago

Text

This post translates directly to @musas-sideblog's about how Touchstarved ties with Victorian horror and implicit/metaphorical sex, and I couldn’t stop thinking about it, so here is a lengthy theory. Enjoy :)

Note 1: Victorian era authors used an unholy amount of ways to imply sexual feelings/acts etc, so I here I will include only the ones that are of interest. Note 2: I've highlighted the "most important" parts. Note 3: I'm not an expert at this, so please bear with me and feel free to correct me. Note 4: Do I need to add a TW? I think it's obvious-

Overview: What is Victorian Horror?

Victorian horror refers to the genre of horror literature, art, and culture that flourished during the Victorian era, roughly from the mid-19th century to the early 20th century, coinciding with Queen Victoria's reign from 1837 to 1901. This period was marked by a fascination with the macabre, the supernatural, and the dark aspects of human nature, reflecting the anxieties and societal changes of the time.

Key Themes and Characteristics

Supernatural Elements:

Ghosts and Spirits: Tales of haunted houses and spectral apparitions were central to Victorian horror. Charles Dickens's "A Christmas Carol" (1843) and Henry James's "The Turn of the Screw" (1898) are notable examples.

Monsters and the Gothic: The era's literature is filled with monstrous creations and gothic settings, such as in Mary Shelley's "Frankenstein" (1818), Bram Stoker's "Dracula" (1897), and Robert Louis Stevenson's "Strange Case of Dr Jekyll and Mr Hyde" (1886).

Science and the Unknown:

The Victorian period was a time of great scientific advancement, but also of fear about the implications of these discoveries. This is evident in works that explore the dangers of unchecked scientific experimentation, like "Frankenstein" and H.G. Wells's "The Island of Doctor Moreau" (1896).

Exploration of the Human Psyche:

Victorian horror often delved into the darker aspects of the human mind, including themes of duality, madness, and the hidden, sinister side of human nature. This is seen in "Dr Jekyll and Mr Hyde" and Edgar Allan Poe’s works, such as "The Tell-Tale Heart" (1843).

Social and Moral Anxieties:

The literature frequently reflected Victorian society's fears and anxieties, including issues related to sexuality, class, and the role of women. Gothic novels often contained subtexts about societal norms and the consequences of transgressing them.

Urban Fear and Isolation:

The rapid urbanisation of the Victorian era contributed to themes of isolation, alienation, and fear of the crowded yet lonely cityscape. This is evident in the settings of many horror stories, such as Arthur Machen's "The Great God Pan" (1894).

Sexual Content: Victorian literature is renowned for its strict moral codes and conservative views on sexuality. Explicit depictions of sexual activity were considered taboo and were subject to censorship. Consequently, authors developed subtle and nuanced methods to imply sexual scenes or themes.

Literary Techniques for Implying Sexual Scenes

✧ Symbolism and Imagery:

Sexuality was often conveyed through symbolic imagery. Objects, actions, or natural phenomena could serve as metaphors for sexual activity or desire. For example, in "Dracula" by Bram Stoker, blood and biting symbolise sexual penetration and the exchange of bodily fluids, infusing the act with a sense of forbidden desire and eroticism.

Clothing and Undress:

Gloves: In Victorian culture, gloves were highly symbolic. The act of a woman removing her gloves in the presence of a man, or a man assisting her in this act, could signify a moment of intimacy or vulnerability. Similarly, a man giving a woman his gloves could be a sign of affection or a deeper connection.

Hats and Bonnets:

Corsets

Objects and Personal Items:

Locks of Hair

Jewellery

Books and Letters

Touch and Physical Contact:

Kissing Hands

Hand-Holding

Food and Drink:

Wine: Sharing wine or a meal in an intimate setting often suggested a prelude to deeper connection. Descriptions of characters drinking wine together in private could imply a romantic or sexual undertone.

Fruit: Certain fruits, like apples, grapes, or peaches, were laden with sexual symbolism. Eating or sharing fruit could represent temptation or indulgence. For instance, in Christina Rossetti’s poem "Goblin Market", the act of eating the goblin fruit is rich with sexual symbolism.

Flora and Fauna

Flowers and Gardens:

Roses: Roses were often used to symbolise love and passion. A red rose might suggest romantic or sexual attraction, while a wilted rose could imply lost innocence or sexual ruin.

Lilies: Lilies, especially white ones, represented purity but could also suggest a contrasting theme when associated with a fallen or tarnished character.

Garden Settings: Scenes set in secluded gardens or amongst lush, overgrown vegetation often hinted at secret or forbidden encounters. Descriptions of characters wandering through or tending to gardens could imply sexual exploration or awakening.

Flowers Blooming or Opening: The blooming of flowers often represented sexual awakening or the act of losing one's virginity.

Nature Imagery:

Rivers and Water: Flowing water and rivers often symbolised sexual desire and the act of lovemaking. For instance, in "Tess of the d'Urbervilles" by Thomas Hardy, Tess's encounter with Alec d'Urberville is often described with metaphors of nature and fluidity.

Storms and Weather: Storms, with their intense energy and sudden outbursts, were frequently used to symbolise sexual passion or climactic moments.

Birds and Beasts:

Animals, especially those that are wild or predatory, often symbolised primal sexual instincts and desires. The taming or interaction with these animals could imply a character’s grappling with their own sexuality.

Fire and Heat

✧ Phrases and Sayings

Euphemistic Language

Descriptive Phrasing

Dialogue and Confessions

Private Spaces:

Secluded or Dimly Lit Rooms: Scenes set in private, darkened rooms often suggested clandestine sexual encounters. The privacy of the setting allows authors to imply what could not be explicitly stated. In Wilkie Collins’s "The Woman in White", many key interactions happen in secluded spaces, hinting at secrets and hidden desires.

Dreams and Fantasies:

Dream Sequences:

Dreams and fantasies were used to explore a character’s subconscious desires and fears, often revealing their suppressed sexual longings. These sequences provided a socially acceptable way to delve into erotic themes.

Hallucinations and Madness:

Moments of madness or hallucination could serve as a metaphor for overwhelming passion or uncontrollable sexual desire. These states allowed characters to express forbidden feelings in a way that was metaphorically safe.

Physical Interactions and Horror

Touch and Proximity as Menace:

Unwanted or Forced Touch: In horror, touch that is typically a sign of affection or intimacy becomes a source of fear.

Physical Closeness in Horror Settings: Close proximity in dark, secluded places amplifies the sense of claustrophobia and vulnerability, turning what could be an intimate setting into one fraught with terror.

Undress and Exposure in Horror:

Loosening Corsets and Vulnerability: The act of undressing or loosening clothing, which can be a prelude to intimacy, in horror often leaves characters vulnerable to attack or exposure of their deepest fears.

Food and Consumption in Horror

Cannibalism and Vampirism:

Blood as Sexual and Vital Fluid: The act of consuming blood, as in vampirism, blends the themes of sustenance and sexual exchange. The vampire's bite becomes a metaphor for both sexual penetration and the transfer of life force.

Example: "Dracula" is a prime example where blood consumption is deeply eroticized, with Dracula’s victims often portrayed in a state of ecstatic submission as he drains their blood.

Food as a Lure: Food and feasting, typically symbols of pleasure and indulgence, in horror contexts can be used to lure victims into dangerous situations.

Example: In "Goblin Market" by Christina Rossetti, the goblins’ fruit is both irresistibly tempting and dangerous, representing a forbidden and potentially fatal indulgence.

Plot and Character Dynamics in Horror

Power and Domination:

Common Dynamics with a Dark Twist

Predators and Victims: Characters who prey on others are often literal monsters in horror, representing the loss of control or innocence.

Secrecy and Concealment:

Hidden Desires and Monstrous Revelations: Characters who conceal their true identities or desires often find these hidden aspects manifesting as monstrous or terrifying in horror narratives, suggesting that repression can lead to dire consequences.

Clandestine Meetings and Forbidden Encounters: Secret meetings and forbidden relationships, often tinged with sexual implications, add an element of danger and fear, suggesting that transgressing social norms leads to horror.

Common Themes in Victorian Horror

Duality and the Doppelgänger:

Theme: The concept of duality, where a character has a hidden, darker side, or encounters a double (doppelgänger), often symbolises the internal conflict between good and evil within individuals.

Connection: This theme reflects Victorian anxieties about identity, morality, and the consequences of repressing one’s darker impulses.

Gothic and Supernatural Elements:

Theme: Victorian horror is rich with Gothic elements such as haunted houses, dark landscapes, and supernatural beings. These elements create a sense of dread and evoke the mysteries of the unknown.

Connection: The Gothic setting often serves as a backdrop for exploring human fears, isolation, and the impact of the supernatural on everyday life.

Decay and Degeneration:

Theme: The fear of decay and degeneration, both physical and moral, is a recurring motif. This theme often examines the decline of individuals, families, or societies and the consequences of corruption and vice.

Connection: This theme mirrors Victorian concerns about the erosion of social and moral values amidst rapid industrial and social changes.

Madness and Psychological Horror:

Theme: The exploration of madness and psychological horror delves into the fragility of the human mind and the terror of losing one's sanity. This often includes hallucinations, obsessions, and the thin line between reality and delusion.

Connection: This theme resonates with Victorian fears of mental illness, the limitations of medical knowledge, and the impact of societal pressures on mental health.

Forbidden Knowledge and the Faustian Bargain:

Theme: The pursuit of forbidden knowledge and the resulting consequences is a central theme. Characters who seek power, immortality, or forbidden truths often pay a heavy price, reminiscent of the Faustian bargain.

Connection: This theme highlights Victorian anxieties about scientific progress, moral boundaries, and the potential hubris of human ambition.

The Uncanny and the Unknown:

Theme: The uncanny involves the strange and unfamiliar becoming eerily familiar, often unsettling the reader and characters. It blurs the lines between reality and the supernatural, invoking fear and discomfort.

Connection: This theme taps into Victorian fears of the unknown, the foreign, and the otherworldly, reflecting broader anxieties about social and cultural boundaries.

Death and the Afterlife:

Theme: Victorian horror frequently grapples with themes of death and the afterlife, exploring the fear of mortality, the possibility of an afterlife, and encounters with the dead or undead.

Connection: These themes reflect Victorian preoccupations with death, the spiritual realm, and the possibility of life beyond death, often intensified by the era's high mortality rates and interest in spiritualism.

Isolation and Alienation:

Theme: Isolation and alienation are prevalent themes, often highlighting characters who are physically or emotionally detached from society, leading to their vulnerability and descent into despair or madness.

Connection: This theme resonates with the Victorian experience of industrialization and urbanization, which often led to feelings of disconnection and loneliness.

Class and Social Anxiety:

Theme: Victorian horror often explores themes of class and social anxiety, including the fear of losing social status, the consequences of poverty, and the tension between different social classes.

Connection: This theme reflects the rigid class structures of Victorian society and the fears and tensions that arose from social mobility and economic disparity.

Moral Corruption and Hypocrisy:

Theme: Victorian horror frequently critiques the era’s moral standards and exposes the hypocrisy of societal norms. Characters who appear virtuous often harbor dark secrets or engage in morally dubious activities.

Connection: This theme mirrors the Victorian concern with appearances and the underlying tension between public propriety and private desires.

The Five Pillars of Victorian Horror & The Five Love Interests

The Supernatural and the Gothic (Ais)

Essence: Victorian horror often revolves around the supernatural, blending Gothic elements to evoke a sense of dread and otherworldly terror. This includes ghosts, vampires, haunted houses, and curses, which create an atmosphere where the boundaries between the natural and the supernatural blur.

Impact: The use of Gothic settings and supernatural phenomena provides a backdrop for exploring deeper themes of fear, mortality, and the unknown.

Psychological Depth and Madness (Vere)

Essence: Victorian horror delves into the complexities of the human mind, exploring themes of madness, obsession, and the psychological effects of fear and trauma. Characters often grapple with their sanity, facing inner demons as terrifying as any external threat.

Impact: This focus on psychological horror allows for a deeper exploration of character motivations and the impact of societal pressures.

Moral Corruption and the Double Life (Leander)

Essence: Themes of moral corruption and the duality of human nature are central to Victorian horror. Characters often lead double lives, presenting a veneer of respectability while concealing dark, sinful secrets. This tension between outward appearances and hidden truths reflects the era’s social hypocrisy and fear of scandal.

Impact: These themes critique Victorian society’s emphasis on propriety and the dangerous consequences of repressing one’s true nature. The idea of a double life or hidden self adds to the horror by suggesting that evil can reside within anyone, masked by a facade of normalcy.

Decay, Degeneration, and Disease (Kuras)

Essence: The themes of physical and moral decay, societal degeneration, and disease permeate Victorian horror. These motifs symbolise the fragility of human life and the inevitability of decline, reflecting the anxieties of a society grappling with rapid change and uncertain futures.

Impact: By focusing on decay and degeneration, Victorian horror underscores the transient nature of life and the ever-present threat of corruption and decline, whether through ageing, moral compromise, or societal breakdown.

Isolation and Alienation (Mhin)

Essence: Isolation and alienation are pervasive themes in Victorian horror, often depicted through characters who are physically or emotionally cut off from society. This separation heightens their vulnerability to external threats and internal fears.

Impact: Isolation serves to intensify the psychological tension and sense of dread, as characters confront their fears alone. It also reflects the era’s social and existential anxieties, including the fear of being disconnected or outcast from society.

Generally, I believe each LI connects with a pillair (as seen above). Perhaps by looking at the archetypes we could deduce propable endings and route elements.

Forgive me, for the following part is MESSY;

Ais

Vere

Leander

Kuras

Mhin

160 notes · View notes

bogleech · 1 year ago

Note

bog please help me which specific book is this i'm interested

It's Dirge, the second book in a trilogy about how humans and thranx came to form a single integrated civilization, though technically there are four books about this history; one standalone novel about first contact, and the trilogy that begins 20 years later. I'm gonna quote their wikipedia synopses:

Nor Crystal Tears: "The story follows a Thranx, Ryozenzuzex (i.e. Ryo, of Family Zen, clan Zu, Hive Zex) who came from an odd-numbered hatching (thranx offspring almost always come in multiples of two) immediately making him somewhat different from his brethren. Setting himself aside as different Ryo decides that he has to know what is the secret of the new space-faring race that supposedly wear "their skeletons inside".

Phylogenesis: "Desvendapur is an anti-social Thranx poet native to the colony on Willow-Wane who believes he can find new inspiration for his poetry by coming in contact with the physically repulsive humans, an intelligent mammal race that is unlike the insectoid thranx."

Dirge: "The Pitar are a close human analog to humans, appearing to be perfectly human except for a wider variety of hair and eye colors (including blue and violet among them) along with nearly god-like physiques. Most humans almost immediately view the Pitar as perfect. This complicated matters for the insectoid Thranx who wish to form a closer alliance with the humans. Some xenophobic humans go so far as to invade the small Thranx colony in the Amazon, killing many of the insect colonists. While this causes a political nightmare for both humans and Thranx, it also brings together the human chaplain and Thranx spiritual advisor who form the United Church."

Diuturnity's Dawn: "In the third and concluding novel of this trilogy, an uncomfortable archaeological alliance of Thranx, humans, and AAnn, explores the well-kept secrets of the lost civilization of the Sauun on the frontier world Comagrave. After a series of accidents that occur where the AAnn are convenient for helping an injured or stranded human, the chief Thranx scientist starts suspecting an anti-Thranx conspiracy." The AAnn are major antagonists throughout this continuity; they're its "war-loving" race ala the Klingons but they're desert dwelling flesh eating "reptiles" (it IS acknowledged that things like mammal, insect, bird etc. are just human colloquialisms for convergently evolved aliens, though) who look down humans and thranx in part because we both look like and taste like their favorite staple prey. For some reason however an AAnn has never been officially illustrated outside an RPG module:

In case you want to know going in what the lovable bastard asshole dinosaur people look like.

807 notes · View notes

first-class-feral · 3 months ago

Text

brad dourif scrungly feature analysis: eyes

from the “Boys” dourif-hottie supercut music video:

I’d love to see an artist break this down!

For now, let me write you a novel about Brad's spectacular eyes...

The Strangeness

(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.

The glow

His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:

It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)

(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)

Set in shadows

He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.

Contrast

Sometimes he pops them wide open, creating these huge, expressive magnets...

...Or squints lopsidedly...

...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.

He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:

Cry, baby

...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.

When he hovers right on the edge, they seem to shine in the dark.

Bared

At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.

Obviously, the shaved brows in LOTR add to this effect.

A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.

And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)

TL;DR

The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.

The cat-eye asymmetry pulls focus;

His ice-blue irises are light traps, framed in textured shadow;

His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.

Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:

Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link

SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)

[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]

Thanks for reading!

#brad dourif #BradDourif #whoowee that was a ride #written with the maximum possible respect and affection #possibly too much of those in fact #big tragic eyes club #in this essay i will #my bradrot

131 notes · View notes

literary-illuminati · 9 months ago

Text

An Arbitrary Collection of Book Recommendations

(put together for a friend out of SFF I've read over the last couple of years)

Cli-Fi

Tusks of Extinction and/or The Mountain in the Sea by Ray Nayler. They’re pretty different books in a lot of ways – one is a novel about discovering a certain species of squid in the Pacific might have developed symbolic language and writing, the other a novella about a de-extinction initiative to restore mammoths to the Siberian taiga – but they share a pretty huge overlap in setting, tone and themes. Specifically, a deep and passionate preoccupation with animal conservation (and a rather despairing perspective on it), as well as a fascination with transhumanism and how technology can affect the nature of consciousness. Mountain is his first work, and far more substantial, but I’d call it a bit of a noble failure in achieving what it tries for. Tusks is much more limited and contained, but manages what it’s going for.

A Half-Built Garden by Ruthanna Emrys. In a post-post-apocalyptic world that’s just about figured out how to rebuild itself from the climate disasters of the 21st century (but that’s still very much a work in progress), aliens descend from the sky and make First Contact. They’re a symbiotic civilization, and they’re overjoyed at the chance to welcome a third species into their little interstellar community – and consider it a mission of mercy besides, since every other species they’ve ever encountered destroyed themselves and their planet before escaping it. Awkwardly, our heroine and her whole society are actually pretty invested in Earth and the restoration thereof – and worried that a) the alien’s rescue effort might not care about their opinions and b) that other interest groups on earth might be more willing to give the hyper-advanced space-dwelling aliens the answers they want to hear. Basically 100% sociological worldbuilding and political intrigue, so take that as you will.

Throwback Sci Fi

Elder Race by Adrian Tchaikovsky is possibly the only thing I’ve read published in decades to take the old cliche of ‘this generic-seeming fantasy world is actually the wreckage of a ruined space age civilization, and ‘magic’ and ‘monsters’ are the remnants of the technology’ and play it entirely straight. Specifically, it’s a two-POV novella, where half the story is told from the perspective of a runaway princess beseeching the ancient wizard who helped found her dynasty for help against a magical threat, and half is from the perspective form the last surviving member of a xeno-anthropology mission woken out of stasis by the consequences of the last time he broke the Prime Directive knocking on his ship tower door and asking for help. Generally just incredible fun.

Downbelow Station by C. J. Cherryh is, I think, the only thing on this list written before the turn of the millennium. It’s proper space opera, about a habitat orbiting an immensely valuable living world that’s the lynchpin of logistics for the functionally rogue Earth Fleet’s attempt to hold off or defeat rebelling and somewhat alien colonies further out. The plot is honestly hard to summarize, except that it captures the feel of being history better than very nearly any other spec fic I’ve ever read – a massive cast, none of them with a clear idea of what’s going on, clashing and contradictory agendas, random chance and communications delays playing key roles, lots of messy ending, not a single world-shaking heroes or satanic masterminds deforming the shape of things with their narrative gravity to be seen. Somewhat dated, but it all very impressively well done.

Pulpy Gay Urban Fantasy Period Piece Detective Stories Where Angels Play a Prominent Role

A Master of Djinn by P. Djèlí Clark stars Fatma el-Sha’arawi, the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities in Cairo, a couple of decades after magic returned to the world and entirely derailed the course of Victorian imperialism. There’s djinn and angels and crocodile gods, and also an impossible murder that needs solving! The mystery isn’t exactly intellectually taxing, but this is a very fun tropey whodunnit whose finale involves a giant robot.

Even Though I Knew The End by C. L. Polk is significantly more restrained and grounded in its urban fantasy. It’s early 20th century Chicago, and a PI is doing one last job to top off the nest egg she’s leaving her girlfriend before the debt on her deal with the devil comes due. By what may or may not be coincidence, she stumbles across a particularly gruesome crime scene – and is offered a deal to earn back her soul by solving the mystery behind it. Very noir detective, with a setting that just oozes care and research and a satisfyingly tight plot.

High Concept Stuff That Loves Playing around With Format and the Idea of Narratives

Radiance by Catherynne M. Valente is a story about a famous documentarian vanishing on shoot amid mysterious and suspicious circumstances, as told by the recovered scraps of the footage she was filming, and different drafts of her (famous director) father’s attempt to dramatize the events as a memorial to her. It’s set in a solar system where every planet is habitable and most were colonized in the 19th century, and culturally humanity coasts on in an eternal Belle Epoque and (more importantly) Golden Age of Hollywood. Something like half the book is written as scripts and transcripts. This description should by now either have sold you or put you off entirely.

The Spear Cuts Through Water by Simon Jimenez is the only classic-style epic fantasy on this list, I believe? The emperor and his three demigod sons hold subjugated in terror, but things are changing. The emperor, terrified of death, has ordered a great fleet assembled to carry him across the sea in pursuit of immortality. The day before he sets out on his grand pilgrimage to the coast, a guilt-ridden guard helps the goddess of the moon escape her binding beneath the palace. From there, things spiral rapidly out of anyone’s control. The story’s told through two or three (depending( different layers of narrative framing devices, and has immense amounts of fun playing with perspective and format and ideas about storytelling and legacy.

I Couldn’t Think of Any Categories That Included More Than One of These

All The Names They Used For God by Anjali Sachdeva is a collection of short stories, and probably the most literary thing on this list? The stories range wildly across setting and genre, but are each more or less about the intrusion of the numinous or transcendent or divine into a world that cracks and breaks trying to contain it. It is very easily the most artistically coherent short story collection I’ve ever read, which I found pretty fascinating to read – but honestly I’m mostly just including this on the strength of Killer of Kings, a story about an angel sent down to be John Milton’s muse as he writes Paradise Lost which is probably one of the best things I read last year period.

Last Exit by Max Gladstone – the Three Parts Dead and How You Lose the Time War guy – could be described as a deconstruction of ‘a bunch of teenagers/college kids discover magic and quest to save the world!’ stories, but honestly I’d say that obscures more than it reveals. Still, the story is set with that having happened a decade in the past, and the kids in question have thoroughly fucked up. Zelda, the protagonist, is kept from suicide by survivor’s guilt as much as anything, and now travels across America working poverty jobs and sleeping in her car as she hunts the monsters leaking in through the edges of a country rotting at the seams. Then there’s a monster growing in the cracks of the liberty bell, an in putting it down she gets a vision of someone she thought was dead is just trapped – or maybe changed. So it’s time to get the gang together again and save the world! This one’s hard to rec without spoiling a lot, but the prose and characterization are all just sublime. Oddly in conversation with the whole Delta Green cosmic horror monster hunting subgenre for a story with nothing to do with Lovecraft.

Some Desperate Glory by Emily Tesh is a story about aliens destroying the earth, and growing up in the pseudo-fascist asteroid survivalist compound of the last bits of the human military that never surrendered. It stars a heroine whose genuinely indoctrinated for the first chunk of the book and just deeply endearing terrible and awful to interact with, and also has a plot that’s effectively impossible to describe without spoiling the big twist at the end of the first act. Possibly the only book I read last year which I actively wish was longer – which is both compliment and genuine complaint, for the record, the ending’s a bit messy. Still, genuinely meaty Big Ideas space opera with very well-done characterization and a plot that does hold together.

#meta #book recommendations #sff #sharing this mostly so I don't lose it next time my laptop dies #and also hey why not

190 notes · View notes

harveybwabbit92 · 3 months ago

Text

Speedy ultra facts (Revised, with a few more facts):

4 out of the original 6 ultra brothers are actually related to each other.

Taro and Ace are brothers, Seven is their cousin.

Jack is married to one of Mother of Ultra's sisters making him Seven, Taro and Ace's uncle.

Seven has a sister and brother.

Seven was raised by his sister after his mother died.

Seven, Jack and Taro have children.

Seven is Zero's father.

Taro is Taiga's father

And Jack has an unnamed son.

(And I guess Ace counts too? since he's Ultraman Z's godfather.)

Taro and Ace are the sons of Father and Mother of Ultra.

Ace is adopted.

Mother and Father's real names are Ken and Marie.

Ultraman is a university professor.

Leo and Astra are twins and princes.

Zoffy is apparently the grandson of ultraman King.

Zoffy smokes (in the manga he does anyways)

An Ultra-baby appears in it's capsule for a few seconds at the end of Mega Monster Battle: Ultra Galaxy Legends in the crowd of ultras who have been unfrozen.

The baby parents are a red(or silver) father and a blue mother.

Jack is one of the few original ultra brother's who stays in regular contact with his human host.

Ultraman Mebius's favorite food is curry.

Zero has a childhood friend named Voice who is a musician.

Ultra's mouths can open and close considering they also need to eat and drink.

Father of Ultra is terrified of angering his wife.

Taro and Ace used to have a pet dog.

Apparently there are cats and dogs in the Land of Light, though they look very different from their Earth counterparts. (Cos Aliens)[though in the comics the pup looks like a normal dog, but in the show it looks like white puffball wit' spider legs.]

Mother of Ultra has at least two sisters, one of whom married jack and the other is Seven's mother.

80 is adopted (at least in the manga adaption he is.)

80's adoptive father's name is Ultraman Red and he's Father's best friend.

Color timers were surgically grafted onto an ultra's chest in early childhood. (Taro has his as a young child in Ultraman Story and Ultraman boy has one...but then there's Geed whose timer really was grafted onto him after birth...Ah, I'm not going down this rabbit hole.)

{(Okay, I went and reviewed the wiki and some other sources on this the Color timer thing has been sort of retconned, They changed the age for Color timers to teen or adult Ultras who have the choice if they want to have a color timer or not (there are lot civvy ultras who don't have a color timer), and that it's mainly for Ultras whose jobs require them to travel off planet or for Ultras who are active warriors in the IGDF. but for the earlier installments (like the original 60s lore) it was at birth.)}

The reason Ultraseven doesn't have a color timer is cos he wasn't meant to be a fighter. His original mission was to scout out and draw a map of the milky way galaxy.

The creator of Pokemon was inspired by Ultraseven, in fact the reason it's called Pokemon is because the name Capsule monsters was already copyrighted by Tsuburaya.

Most Ultras are born through gestation capsules.(However according some of the novels *they might be outdated and thus not considered canon anymore* There are a few that still make babies and give birth the ol'fashion way.)

Fuma, Gai and Jugglus are from the same planet O-50.

The inhabitants on O-50 Aren't born ultras their original forms, As much as it sucks are human-like in appearance, but they do have super abilities to sort of make up for it. The only true way to become an Ultra on O-50 is by being chosen by the Light ring or The voice of light to become one.

The Light Ring/Voice of light is this big blue halo that floats over the planet O-50 that sometimes gives people super powers... ([there's not a lot info on O-50 other then the few snippets from the R/B novel, Orb saga and Fuma's voice drama, so work with me here])

O-50's trial to become an Ultra requires one or more people who must climb to the very top of the planets highest and deadliest mountain: Crusader's peak. Now, they can do this completely on their own or be summoned personally by the Light ring. (According to Fuma a lot of people fail the trial because they either kill each other or die on the climb up.) Anyway when they reach the peak the Ring will pass judgement if they're worthy or not, if they're found worthy then it grants them the power they need to turn into an ultra....If not then, it'll electro yeet them off the mountain like it did with Jugglus.

Though not inhabitants of O-50 themselves, the original R/B/G siblings crashed landed there and got the power to transform into their ultra and Kaiju forms, from the Light ring while to fighting off a monster they'd accidentally woke up while fighting off a gang that had chased them off their home planet.

According to Fuma, Grigio is considered an idol on O-50.

Now on to U-40 Where the inhabitants are called Ultra-people who are all born human in appearance, they're just ultras but human size.

the ancient inhabitants of U-40 through unknown means created the Ultra mind. (It's a core of light that works similarly to the plasma spark.) which helped them achieve a higher state of spiritual evolution that transformed them into ultras.

Unlike their M-78 counter parts the U-40 ultras can't naturally grow into giants; except for this small group of eight warriors who have achieved the ability to grow giant, though much like the creation of the Ultra mind this isn't fully explained on how or why this can happened. (though in Titas's backstory it hints at that it might be connected to resolve and finding balance within one's self.).

Despite that the few inhabitants of U-40 that can turn giant prefer to stay small or in their human forms rather then their giant forms.

Unlike the land of light U-40 still has it's sun and thus has day and night cycles, though one of it's two moons was destroyed by the Heller Army (the bad guys of The⭐Ultraman anime.).

[.....Though, I think I heard somewhere that the Land o light Ultras use technology that's similar to switchable film windows or something to mimic a night-cycle (Well, indoors they do anyways.) but I could be misremembering.]

Titas is a dark giant.

Titas was born in the dark nebula to two soldiers in the Heller Army but his parents didn't want him to follow in their footsteps, so they sent him as an infant to U-40 where he could grow up safely and choose his own path.

Ultraman X possibly dated an alien space cat monster Mu who looks like a cross between a Beholder from DnD and a cat, she also had memory erasing farts.

X doesn't remember dating Mu...

Ultraman thought humans were too primitive to have develop the ability to fly, He was proven wrong moments later by getting hit in the face by a jet being flown by his host Shin Hayata.

Ultras aren't completely made of energy, they actually have skeletons and organs that are sort similar to a human's but also having a few extras that are very alien.

Ultras stop aging at around 10000 years and 1 ultra year is equivalent to 300 human years.

93 notes · View notes

bachiras-toaster · 1 year ago

Text

ability sex : ̗̀➛ :: Black cat in the Rue Morgue

EDGAR ALLAN POE x gn!reader

cw. smut kind of mean!reader, basically hate-fucking, unrequited love (poe has a crush on the reader)- I made it so Poe can be inside of his own novels (idk if he can in canon), name calling

“You wrote a non-mystery novel and you decided that, for us to leave, the main characters need to fuck?”

You watched as Poe trembled at the sight of your irritated expression, your eye twitching as you realised the situation that you were currently in with him. While you were stood up to your fullest height, your fists clenched tightly with your nails digging deeply into the palms of your hands, Poe was hunched over a little, his thumbs twiddling as he gave you an apologetic gaze like a toddler seeking forgiveness.

You and Poe had accidentally gotten trapped inside a novel he had been writing on the side. Believe him, he had zero attention of showing anyone the contents of the book- Let alone you, but it seemed that fate would not have any forgiveness for Poe as the stars aligned at all the wrong times. There was no loophole, no clever way to escape the situation without completing the set task— There was nothing that the author himself could’ve done except accept what kind of perverted things went on in his little, dirty mind.

“You’re a freak, Poe.” You let out, making sure that your despised was crystal clear in the hiss of your own words.

But there was no other way out. You knew that, and he knew that. Which is why you had resorted to reluctantly setting out to inch closer and closer to your freedom out of the confines of the book.

Poe had you bent over a desk, his large hands needily gripping the sides of your hips as he thrusted deeper into you each time. You had ordered him to fuck you this way so you didn’t have to look him in the eye, but it just meant that he had the perfect view of the way your shapely ass curved over as he bumped his own stomach against your back. There had been attempts to get closer to you in the midst of the moment, but you would just give him a small growl and a tight glare from the corner of your eye and he would understand the memo.

But it didn’t stop him from wanting more of you. His hands would often roam from your hips to curling around to hug your stomach, his thrusts becoming even more jagged as his breathing hitched. He was whining helplessly and leaning forward so his lips were inches away from your neck. He was practically begging to touch more of you with soft whimpers right against your earlobe, but you had never allowed it. All you two needed to do was fuck and that would be it, you could leave.

However, the feeling of him being inside you had been way more satisfying than you had anticipated. You didn’t expect the feeling to be so euphoric, and you didn’t actually expect him to be so… Big. Having your walls stretched out to accommodate the size of his thick cock was a sensation that was almost alien to you, and one your certainly did not envision with Poe. You had tried to suppress your moans as to not give him the attention he craved- To convince yourself that you weren’t enjoying it, but the way he had managed to hit your g-spot every time made it impossible not to let involuntary moans slip.

“(Y-Y/n)…” Poe moaned quietly against your ear, his palms slinking up your stomach to hold your chest instead as he leaned even closer to the side of your face, his lips practically brushing against the skin of your neck. “P-Please don’t hate me…”

“God, you really are— Pathetic…” You gulped as you let out your own flurry of breathy moans.

“You’re just so… P-Pretty— I couldn’t— Help myself…” He muttered softly, his tongue connecting with your neck, forcing a quick shiver down your spine.

“You’re such a perv, aren’t you?…”

“I am, I am…” He whined desperately against your skin, his lips fully in-touch with the exposed area of your neck. At first, he seemed unsure of the amount of contact he was allowed, but the way you exposed your neck even more to his lips showed to him that he had your permission. “—I-I’m such a perverted man…”

The sloppy sounds of his tongue, as well as the sounds of your slick coating his throbbing length through every desperate thrust, it was getting harder and harder to deny your pleasure. You felt like your legs were melting a little bit and you soon found yourself enjoying the fucking a little too much, to the point where you were actively pushing your ass further towards him to allow more of him to enter you. He seemed a little surprised at your actions, but welcomes them wholeheartedly.

“Don’t get your hopes up, P-Poe…” You gritted your teeth as you let out another whine. “After we get out of here, you’re never seeing me again…”

authors notes: feel free to comment suggestions for this concept!

#bungo stray dogs x you #bungou stray dogs x reader #bungo stray dogs #bungo stray dogs x reader #bungou stray dogs #bungou stray dogs x reader smut #bungou stray dogs smut #edgar allan poe smut #edgar allan poe #poe x reader #poe x you #edgar allen poe bsd #edgar allan hoe

302 notes · View notes

pompadourpink · 2 months ago

Text

It's a new beginning!

Hello children,

September is coming, school too for some of you - often a great moment for a bit of decluttering and a few new good resolutions. Here am I, offering myself as one of them!

As you hopefully know, I started this blog in 2016 and have been a private tutor since the beginning of the pandemic. I have room at the moment for several new students, so here is what I offer:

Classes, obviously - the typical schedule is one hour a week, sometimes one and a half, or one every two weeks, or two every two weeks; typically same day same time (I'm always happy to make adjustments if you work shifts)

Homework, if you can make the time for it. I typically prefer it to be finished by the middle of the week so that I have time to take a look and correct it, giving you the opportunity to give it a second try before class!

Depending on your preferences, either just a few activities so we can take our time, especially if you are a beginner, or something a bit more dynamic consisting in five to ten minute long activities to keep you motivated and alert (which seems to be a crowd's favourite as most of my students are neurodivergent).

Talking activities are typically answering series of questions I share from my Notion, talking about your week, summarising a book or a movie, making me guess a word or a person, or a concept I call "alien talk" where you explain something (like a vaccine or insurance) from scratch to a little red man.

Writing activities are often fictional (I have students create a little character on a website and we write an update about their life regularly), they can also be an overview of your month, a letter to quit your horrible job or convince Snoop Dog to marry you because you are a gold digger.

Transcribing activities, especially at the beginning, are either me reading very easy sentences so you can write them down and memorise the way things sound, then it's episodes from young children's shows, extracts from very famous movies, then we hit harder and turn to gameshows or podcasts.

Translating activities, from one language to another, are a written translation of the first page of a novel (I did the Secret History recently), or a newspapers article (we are working on this one at the moment); or an oral translation of songs lyrics, fairytales, children's books, muted captioned playthroughs of your favourite games on Youtube, etc.

Finally, a few games: silly quizzes, crosswords, Wordle and even Quordle, hangman, and sometimes we even sing if you're comfortable with that.

Here is the link of my website where you will find reviews and a list of what to send me to get the process started. A few things to know:

I try to make the activities fit your preferences: get me a list of what you like and that is what we will work on. If your first language is not English, I am happy to include it, I'm always eager to learn (I've been reviewing my Spanish this way!)

I work without cameras. I don't need to see your face, I just need a voice and a good Internet connection. All students are welcome, no matter if you have an accent, a stutter, or disabilities. Do not be afraid of being judged, there is none of that here.

I ask for your contact information to be able to do my billing, no one else sees it and no one will know if you give me the address of a building in your area if you feel more comfortable this way. If you prefer to have a lesson first and decide that you want to continue before sending me your info, that's also an option.

I have a student and a regular rate, depending on what you can afford, and we can make different arrangements if your country's rate makes it too difficult, I've done it before.

Please comment if you have a question!

Much love,

Rose

#personal

65 notes · View notes

kelvintimeline · 1 year ago

Text

i do think its funny to see all the sasunarus in the poll tags going OMG WE'RE LOSING??? HOW?? it's like... listen... my entire LIFE was shaped by sasunaru... i have shipped it for at least 15 years but...

spirk got girlies in the fucking 60s going apeshit for the idea of a man and an alien fucking. how can you read this:

and think there's competition. this woman wrote a FORTY page, SINGLE SPACED novel about spirk BEFORE WE LANDED ON THE FUCKING MOON... just banging this out on a fucking typewriter

just to show her friends!! she was rawdogging that fanfiction, no ff.net, no aff.net, no ao3! she went so insane she wrote 40 pages just for own friends to teehee about. we only know about it because spirk drove SO MANY other people insane, it was passed friend group to friend group across the COUNTRY just to be published in a zine without her consent... in 1987. this fic lasted in private, yet intense, celebration... for 19 years.

do you understand the type of RAVENOUS people had to be to have NO FUCKING INTERNET and keep a fic circulating for two decades???

i love sasunaru. no ship can match their... everything. but in terms of like... sheer contact-high insanity, spirk is on another level.

like spirk was driving people insane 13 whole years before the movie came out where spock died trying to press his hand against kirk's... some of the best spirk content had yet to come... and yet the girls went wild... truly wild already

sasunaru i love you but... like... spirk has lasted entire lifetimes. sasunaru has taken over half of my life... and yet we all know there is a woman in some retirement home remembering jerking off to a spirk fanzine before half of america even knew gay people existed. it's not the same.

#spirk #anything with the power to turn a woman in the 60s into a fucking fujoshi #needs respect on its name #im 1968 the fucking hayes code still existed #LIKE DO YOU UNDERSTAND HOW INSANE IT WAS

253 notes · View notes

nellasbookplanet · 10 months ago

Text

Book recs: alien intelligences

Intelligent spiders, octupi, plants, bacteria, and even entire oceans, intelligence without sentience, extra terrestrials and strange intelligences evolved right here on Earth - alien minds can take many forms. Allow me to share with you some books featuring the most alien and fascinating ones.

Previous book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books, many worlds: portal fantasies, many worlds: alternate timelines, robots and artificial intelligences, post- and transhumanism

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

The Doors of Eden by Adrian Tchaikovsky*

The Doors of Eden is something of an experiment in speculative biology, featuring versions of Earth in which various different species were the one to rise to sentience, from dinosaurs to neanderthals. Now, something is threatening the existence of all timelines, dragging multiple different people and species into the struggle, among those a pair of cryptid hunting girlfriends and a transgender scientist.

Children of Time by Adrian Tchaikovsky*

Millenia and generation spanning scifi. After the collapse of an empire, a planet once part of a project to uplift other species to sentience is left to develop on its own, resulting not in the intelligent monkeys once intended but in sentient giant spiders. Millenia later, what remains of humanity arrives looking for a new home, only to be met by the artificial remains of the ancient woman who once led the uplift project - and she is not willing to let them on her planet.

Semiosis (Semiosis duology) by Sue Burke

A generational story following a group of humans trying to survive on a new planet, where a strange and unkowable intelligence is finding ways to use them to its whims. As the humans come across an abandoned city wrapped in the roots of a strange plant, they slowly come to the realization that mutual communication is the only path to peace and survival.

The Three-Body Problem by Cixin Liu

While I felt the characters could’ve been better developed, this is undeniably a well-written novel featuring an alien race and culture developed on a planet vastly different from ours. Firmly in the realm of hard scifi, this is a realistic, fascinating and slightly terrifying look at how first contact may look.

Brain Plague (The Elysium Cycle) by Joan Sloncewski*

Chrys, a struggling artist, agrees to become a carrier for a sentient strain of microbes. With their help, Chrys breathes new life into her career. But every microbe society is different - some function as friends and brain enhancers to their carrier, while others become a literal brain plague, a living addiction taking over the life of their carrier. And like every society, the microbe community is in constant flux - inluding the one inside Chrys's head.

Rosewater (The Wormwood trilogy) by Tade Thompson

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

Blindsight by Peter Watts*

Vampires and aliens and questions of the nature of consciousnesses, oh my. A ship is sent to investigate the sudden appearance of an alien vessel at the edge of the solar system, but the crew, a group of various level of transhumanism, isn’t prepared for the horrors awaiting them. No, seriously, this book will fuck you up, highly recommend if you’re okay with a lot of techno babble and existential horror.

Midnight Robber by Nalo Hopkinson*

Fragment (Fragment duology) by Warren Fahy*

The reality TV show Sealife is having a rough time - as it turns out, a ship full of scientist doesn’t make for the kind of drama they hoped for. Hoping for some excitement, they reach Hender's Island, a fragment of a lost continent that may contain an interesting new ecosystem. But as they step foot on the island, they quickly come to realize the ecosystem isn’t just new, it’s highly dangerous and very hungry. Among all this life is one single species that may be more dangerous than any other, but which may also be the salvation of the scientists on the island. A bit wonky, but genuinely one of the most fun books I have read, I love it so much.

Axiom's End (Noumena trilogy) by Lindsay Ellis

It’s 2007, and a leak has just confirmed that the US has reached alien contact. Cora wants nothing to do with it, but as her absent father is the whistleblower who dropped the news the media won’t leave her alone. Even worse, she soon finds herself meeting and being pursued by the alien presence itself as it tries to remain in hiding - and discovering that there is a much larger threat on the horizon.

The Road to Roswell by Connie Willis*

Francie has just traveled to Roswell to attend her college friend's wedding to a UFO conspirasist. Not a believer herself, Francie is shocked when she finds herself abducted by an alien. Her abductor is not much what popular media would have you believe, looking more like a tumbleweed than a grey alien, and is clearly on some kind of mission it isn’t willing to put on hold for the sake of Francie attending to her duties as a bridesmaid. As more people get roped along - among those a conman, an old lady, a ufo conspirasist, and a retiree with an RV - Francie finds herself getting closer to the alien and wanting to help it succeed.

Bonus rec: if you like this book, you may also enjoy the movie Paul, which has a similarly humorous tone and similar plot.

Project Hail Mary by Andy Weir*

Ryland Grace just woke up up from a coma, unable to remember anything. He finds himself alone on a space ship, and as his memories slowly trickle back, he realizes he's been sent on a mission: to find a solution to the impending doom of the earth. Still struggling with holes in his memories, Ryland tries to fulfill his mission, but as he gets closer to his goal, he discovers someone else got there first. And they aren't anything close to human. Funny, heartfelt, and heavy on the science.

Survival by Julie E. Czerneda

Mac, a biologist studying salmon on Earth, has little interest in life beyond her own planet. Despite this, she’s sought out by Brymn, an alien archaeologist hoping her expertise as a biologist can help him solve the secret behind the Chasm, a region of space completely devoid of life. Trying as she might not to get incolved, Mac has little choice as she and her colleagues come under attack by the mysterious Ro, the species Brymn's people suspect to be the cause of the Chasm.

Translation State by Ann Leckie*

An exploration of the alien as filtered through the human. At what point does the human become something else? When does something else become human? Is it a question of biology or culture, nature or nurture? Can we choose it? Can it be forced upon us? Set in the Imperial Radch universe, Translation State follows three different characters embroiled in the question of what makes a human. The alien Presger can only communicate with humans using their translators - people they’ve created that are not quite human and not quite alien. But as news of a translator fugitive arises, conflict brews regarding what right they have to choose their own identity and home.

Exo (Exo duology) by Fonda Lee*

Young adult. Earth has long since been under the control of an alien presence. Donovan Reyes is an exo, a human enhanced with alien technology, working to keep the colony and its people safe. The biggest enemy is Sapience, a terrorist organisation opposing alien rule by any means necessary. When a mission goes awry, Donovan finds himself abducted by Sapiance, something that risks a war. While it took until the second book for me to be fully sold on this series, it features a genuinely nuanced take on oppression and resistance rarely seen in YA genre.

Needle by Hal Clement

1950s classic. A small island in the pacific ocean and a fourteen-year-old boy have just become the center of an interstellar chase between an alien Hunter and the criminal he's pursuing. Robert is a regular boy, but he has a very special passenger: an alien symbiont hiding inside his body. The alien became stranded on Earth as he pursued a criminal of his own species, and now they are both trapped on the same island, playing a game of cat and mouse as Robert and the Hunter struggle to find their prey before it finds them.

The Long Way to a Small, Angry Planet (Wayfarers series) by Becky Chambers

Rosemary Harper just got a job on the motley crew of the Wayfarer, a spaceship that works with tunneling new wormholes through space. With a past she wants to leave behind, Rosemary is happy to travel the far reaches of the universe with the chaotic crew, but when they land the job of a life time, things suddenly get a lot more dangerous. A bit of a tumblr classic in its day, this is a cozy space opera with an episodic feel and vividly realized characters and cultures.

Under the Skin by Michel Faber

A dark allegory of alienation and dehumanization, Under the Skin follows Isserley, a woman traveling along the roads of England and picking up hitchhikers. Little does her passengers know, she’s an alien hiding her true self, and they are her prey and a delicacy for her species.

Solaris by Stanislaw Lem

1960s Polish classic. Arriving on a station orbiting the planet Solaris, Kris Kelvin is meant to study the strange, possibly sentient ocean that covers its entire surface. But the effects of the ocean are far reaching - Kelvin finds the crew of the station secretive and unstable, and is shocked to wake one day to the embodiement of a long dead lover. Was it created by the brain-like ocean, and if so, why?

West of Eden (West of Eden trilogy) by Harry Harrison

65 million years ago, the meteor that killed the dinosaurs never arrived. Without it, the dinosaurs lived and thrived, allowing a the complex society of the matriarchal Yilanè to arise. Meanwhile, in the new world, humans still evolve, and when an impending ice age forces the Yilanè across the ocean in search for a new home, the two are destined to clash. A bleak story of the cycle of violence and hate leading to war, West of Eden is a marvel of world-building.

Bonus AKA I haven't read these yet but they seem really cool

Triptych by J.M. Frey

Kalp is a widower and alien refugee newly arrived on Earth; Gwen is a language expert secretly recruited by the United Nations to help integrate a ship of alien refugees; Basil is an engineer who loves them both. Together they must defend their relationship against a violently intolerant world.

The Sparrow (The Sparrow duology) by Mary Doria Russell

When proof of alien life is found, the United Nations are too slow in their plans for a first contact mission. Instead, the Society of Jesus overtake them and send their own ship, but the crew could never have been prepared for what they will find.

Lagoon by Nnedi Okorafor

Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves encountering this presence, and have to race to save humanity before it's too late.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: Salvaged by Madeleine Roux, Exodus by Nicky Drayden, The Lesson by Cadwell Turnbull, Embassytown by China Miéville

#nella talks books #the doors of eden #children of time #semiosis #the three-body problem #brain plague #rosewater #xenogenesis #blindsight #midnight robber #fragment #axioms end #the road to roswell #project hail mary #species imperative #translation state #exo #needle #the long way to a small angry planet #under the skin #solaris #west of eden #there are more alien centric books that I love #but this list is pretty focused on books where the truly alien unkowable and inhuman is central #so anything featuring human looking or acting aliens got disqualified #same as books where the aliens themselves weren’t very central #also i need you all to know that i have had official art of the 'alien' from Fragment as my screensaver for a decade #that book is so silly goofy dialogue and absolute gory slaughter i love it so much #i still have one of these rec posts in my drafts but! will soon post a new poll in preparation for more

700 notes · View notes