#all-town sound

[burlveneer-music]

Mitchum Yacoub - Living High in the Brass Empire

It is with great pleasure that we announce Mitchum Yacoub’s debut album " Living High in the Brass Empire"— a showcase in unique stylings of tropical funk, afrobeat, cumbia, and soul; a musical patchwork threaded by a heavy, hypnotic rhythm section and powerfully vibrant horn lines. What sounds like a 12-piece ensemble was actually mostly recorded and performed by Yacoub at his home in San Diego, featuring a few close friends from local groups Sure Fire Soul Ensemble and Boostive. The horn section is comprised of Travis Klein, Bradley Nash, and Wesley Etienne (featuring Todd Simon on “Los Muñequitos"), each with distinguished performances that send the music to higher heights. Nuanced vocalist Divina Jasso lends humanity and introspection throughout the head-nodding soul sounds of “Never Knew”, Latin dance anthem “Cumbia Divina”, and the syncopated funk of “Empire”. You’ll hear rhythms from Colombia, folkloric percussion of Cuba, interlocking grooves à la Fela Kuti, 70’s r&b influence, and something in between it all. Drawing many inspirations into a refreshing and unified record, we think you’ll enjoy Living High in the Brass Empire. All songs composed, engineered, and produced by Mitchum Yacoub Drums, Bass, Guitars, Percussion, Farfisa - Mitchum Yacoub Bariton Saxophone - Bradley Nash Tenor Saxophone - Travis Klein Trombone, Trumpet - Wesley Etienne Featuring: Divina Jasso- Vocals (Never Knew, Cumbia Divina, Empire) Seiji Komo - Bass (Cumbia Divina, Strike), Composition (OB Joint) Sekani Thomas - Djembe (Strike) Todd Simon - Trumpet (Los Muñequitos) Dylan Webber - Guitar (Cumbia Divina) Aaron Lind - Guitar (Empire)

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[killerpancakeburger]

Just reblogged art of Astarion covering Tav's mouth to shut them up and now I have a mighty need to write about Astarion and Tav in Baldur's Gate, separated from the rest of the party for a reason or another, in a romantic relationship, coming across one of those person Astarion do NOT want to come across because of shit he did in the past, so he drags Tav into a nearby alley, pins them against the closest wall, covers their mouth with his hand and whispers, firmly: "Not. A sound."

And he's busy checking they don't get caught but Tav is just standing there, having no idea what's happening, but letting Astarion doing what he wants because they trusts him, and thinking to themselves: "Hm. That's hot actually."

[jeneoraswitness]

alternate timeline where all of them are well 😊

[itsdefinitely]

🍀🥳

🍀 favorite song? 🥳 least favorite song?

evil..........

my favorite song from tgwdlm is let it out. look joey richter's version of confrontation did something to my brain. join us and die comes in second because of jaime's vocals

from black friday is feast or famine. consumerist mob song?? frank pricely??? curt's shopper?? pLEASE

from nmt1 is snoozle town. i also really like jane's a car, but snoozle town is just too funny to me

from nmt2 is virginity rocks! very predictable i'm aware. but did you know that the day that sally met her boy she told everyone? everyone, yeah. neither played shy or even coy, too. and, uh, they told everyone. they sat on the beach. it was real cute, man. then sally removed the sequined dress from on top of her suit. uh, the boy leaned in, but sally crooned "leave room!" did you know that? did you? crazy, right? well just you wait until i tell you about tayl

from npmd it's either the summoning or just for once. i'm so tired of people ranking just for once so low on their tier lists i know it was probably a tough choice but it's just for once!! do you not see the tragedy in a severely bullied high school girl with raging self image issues singing (on an empty stage, because she's too scared in front of other people) through the disguise of a character in a play about how she wants to live a good enough life to have a mid-life crisis??? i know it's a change in tone but we also do have the whiplash of as cool as i think i am (reprise) right after the summoning. why don't you care about her pouring her heart out as you do pete :( she's not even asking for that much. pete wants to be cool, but all she wants is to live

least favorite song.... uh.. young at heart probably. icky vibes

[gusujay]

Everyday goes a little something like this. I open tumblr and check the pathologic tag to find art because the vibe patho artists capture is exquisite.

I immediately see someone making fun of Daniil for having highly specific special interests that he likes talking about.

I ignore it and scroll further only to see another 5 posts calling him annoying for oh wait give me a second *rereads text posts making fun of Daniil* showing symptoms of autism.

I sigh like a depressed disappointed father. I close tumblr.

[maudiemoods]

I really want to check up on some old friends but it's currently 6am and I don't want to wake them up ayrggg

[sarcastic--knight]

Me when Nina's stomach growled

[burlveneer-music]

The Kitchen II Allstars - Bongo Grove / Onyeabor 80 - single from promising new(ish) label All-Town Sound “that intersects the heavier sides of funk, afrobeat, cumbia, soul, reggae, and beyond”

“Bongo Grove”, an Incredible Bongo Band influenced, upbeat horn-driven anthem. This one features Mitchum Yacoub on Bongos. On the flip side we have “Onyeabor 80” which draws equal influence from War, William Onyeabor, and Isaac Hayes. This steady groover is sure to keep the dance-floor moving! Members of The Sure Fire Soul Ensemble, Mestizo Beat, and Mitchum Yacoub exploring new tones and directions! Bongo Grove Jake Najor - Drums Aquiles Magaña - Guitar Jesse Audelo - Baritone and Tenor Sax Omar Lopez - Bass Kiko Cornejo Jr - Congas Mitchum Yacoub - Bongos Tim Felten - Keyboards Travis Klein - Tenor Sax Wili Fleming - Trombone Sheryll Felten - Hand Percussion Andy Geib - Trumpet Onyeabor 80 Jake Najor - Drums Aquiles Magaña - Guitar Jesse Audelo - Baritone and Tenor Sax Omar Lopez - Bass Kiko Cornejo Jr - Congas Tim Felten - Keyboards Wili Fleming - Trombone Sheryll Felten - Hand Percussion Andy Geib - Trumpet

[random-conspiracy]

FIGHT FOR THE ARTS AND CRAFTS!!!

FIGHT FOR THE LEGACY OF A CULTURE!!!

The book binders, the shoemakers, the secrets of fabric and wood. What will happen when all is automatized, what will happen if we grow far and far away from the things we use and do.

Fight to keep alive the legacy. The wisdom and knowledge macerated by generations. Someone has to carry the torch!

[moonlit-orchid]

Bestie I'm pretty sure like half your problems would be solved if you just turned off the speakers

[obstinatecondolement]

I have a lot of fondness for clunky Hallmark Christmas romance movies with rock bottom production values, vaguely established and extremely contrived plots, dodgy dialgoue, often questionable line readings, and child actors playing a kid who seems either three years younger or older than themselves. Hallmark have not undermined themselves with glib, self aware irony or attempted to "elevate" the delightful low artform that they excel in. Refreshing, honestly.

[redrattlers]

for those interested

[aletterinthenameofsanity]

Feelings about Bringing Back Moffat For RTD2 + Other Writers I Think Should Get the Chance

Whelp, just found out that Steven Moffat is going to be writing an episode of Fifteen and I'm just like...eh? about the whole prospect. Like, not as terrified as I once might have been but like...hoping he grew as a writer. Because even though I vastly prefer his one-offs to his overarching season ideas...let's not pretend that you couldn't see the warning signs looking back. The focus on either women as mothers (Doctor Dances) women companions as operating in service/deference to the Doctor (Empty Child/Blink) or women as the Time Traveller's Wife (Girl in the Fireplace, Silence in the Library/Forest of the Dead). Empty Child/Doctor Dances, Blink, and Silence in the Library/Forest of the Dead are all fantastic episodes and I think Blink is the strongest one-off (though let's all remember that the ending was suggested by Gatiss, not Moffat) though I will adore Empty Child/Doctor Dances until I die (though let's not forget that Jack Harkness was an RTD invention).

I really hope he learned his lessons through writing latestage Clara and Bill as companions, but I'm honestly just as scared of his racial undertones as am of RTD's. Let's not forget that both of the black companions under Moffat (Bill&Danny) were both dehumanized/turned into Cybermen in order to service Clara and the Doctor/Missy's arcs (though Bill's ending is far better handled in terms of giving Bill her own ending than Danny's, imo), just as RTD really callously handled Martha's treatment, especially in historical episodes. That is not to say that I don't have some hope due to how Bill's race was handled in Thin Ice, but let's just say I'm cautious about getting super excited like some people are.

All of which is to say...I want Toby Whithouse to write a one-off in the RTD2 Era. Or many. I want his examination of the fucked-up and complicated psychological aspects of the Doctor/Companion relationship and even the Doctor themself (I mean he is the one who wrote School Reunion, God Complex, A Town Called Mercy, Under the Lake/Before the Flood, and Vampires of Venice).

ALSO more women and writers of color. I want to see what kind of new voices in sci-fi can be brought to the table and explore more aspects of their experiences, especially as it pertains to historical/future episodes. I'm done with pretending that Demons of the Punjab wasn't one of the best episodes of Doctor Who, and that was specifically because an Indian writer (Vinay Patel) was brought in to write it. (Also, can we see Vinay back as well? He also wrote Fugitive of the Judoon which was another banger. He's also really good at exploring character feelings/implications of time travel/memory.) I also think that Joy Wilkinson, who wrote the Witchfinders, could be a fun choice as well. I really liked the Witchfinders and I'm curious to see how she might tackle a subject matter like that again.

[aturnoftheearth]

bro one of my mom’s friends is at our house rn to help her clean and organize etc and she was supposed to go home today but she’s staying until friday now but the thing is she seems nice enough but she’s soooo extroverted and talkative and just A Lot (my mom’s words and considering SHE’S super extroverted and talkative … wough) and im very awkward at small talk like genuinely unskilled and uncomfy even with people i’d consider friends so this week is gonna be hell for my social anxiety aghhhhhh

[sexybritishllama]

there is no horror quite like the glimpses you get of what life would be like if you stayed in the same shithole town you grew up in for the rest of your life