#also YES I really like that interpretation of his character!!

[kitsunefyuu]

Did you notice how some AFO fans who used to like DFO Theory started to hate it and suddenly attack the same fans? Maybe this is due to generalizing DFO as OOC? I once saw someone saying that "to respect someone else's opinion, just remember that you have also changed your opinion several times" but these people only seem to attack what they once liked for no apparent reason, other than "nooooo my beautiful AFO is not like this 😭😭"

Yes, it is a trend that I did notice when I first came into the fandom that a lot of people would say they are former DFO. Then say how they realize how 'stupid' the theory was and unrealistic. As if suddenly now they are the pinnacle of rational and totally know everything about a fictional character.

I never claim my interpretation is the canon, because I know I could end up wrong. That just how it is and I'm always willing to adjust my headcanons with the source material. But honestly I think the AFO fans that liked DFO and now hate it only changed because other people started being hostile to the theory.

Like popular writers, artist, and all kinds of people begun to sneer at that interpretation beside those in the little community. Seeing it as just trying to 'soften' AFO or as something gross to do to the MC. Or worse some people like DFO but hate AFO so when the former DFO see that they change their mind to double down on disliking DFO as they LIKE AFO. As they see it as like you said 'softening' him to make him palatable. The theory itself, however, is only parentage.

Like it still be valid to assume AFO had Izuku with Inko from a One Night stand, and Hisashi Midoriya is just the guy that stepped up for single mom Inko. We have evidence of there possibly being more aware but if don't like it then that an option too.

DFO theory is simply the theory that Izuku Midoriya is RELATED to All for One. That is the bare bones minimum, I don't care if you are OH HE LOVES HIM or HE AN EXPERIMENT or whatever you want to believe. None of that really registers much to me nor should matter, like DFO can be used in many manner of ways.

The ones that seem to hate is most... Well they tend to either want Virgin All for One (for sexual reasons) or want him to be purely asshole(for sexual or just because love assholes that can go either way) or maybe fear of being the outsider. There also many who claim that every time he does a more evil act that it PROOF he never father a child.

Like tell me you never had a mentally unstable parent that does outrageous things. Anyone can have a kid, it sure doesn't take much for a guy to one and done for various reasons. We also literally been confirmed now he can change his face, DNA, and has actually done so. Also we've seen how he is with Yoichi, literal proof of his ability to love it just dark and twisted.

It why DFO is so interesting since if is the child of AFO it an avenue to explore his character. How WOULD AFO raise a child now that we knows what happened with Yoichi? Is he aware of Izuku? Does he care? We've seen him vault family and say how precious family is.

But then, none of that matters to the former DFO fans who now are DFO hates. They just don't want to be the weirdo outsiders believing in something that isn't even 'canon' and as I've said many times. I'm not exactly going to stop writing or enjoying it even if it NOT canon.

No one can dictate what I like and enjoy. And those people projecting hatred once they loved it?

I hope they know it ok to just like different things and change your mind. They should be happy with what they like instead of just wanting to be 'right'.

[chrysalis-the-butterfly]

Can you do Alastor please 🥺

Yep!

Send me a character and I’ll list:

Favourite thing about them: The radio filter on his voice! I'm a sucker for characters with artificial voice filters like that. And his disdain for "frivolous television technology" is amusing.

I recently rewatched the first episode of Hazbin Hotel with my dad, and he liked Alastor's radio filter too. (Yes, my dad watched some of Hazbin Hotel. And he decided it was "a bit too out there" for him.)

Least favourite thing about them: His design, I think. Yes, the creepy smile that never leaves his face is a nice touch, but that bob? It does nothing for me.

Favourite line: It's a close tie between, "Do you like blood, violence, and depravity of a sexual nature? Of course you do! That's why you're in Hell!" and, "Well, my dear, I haven't been active in Hell for some time, and everyone remembers me from my radio show! The proper medium to express oneself! But you insisted on this ... noisy picture box advertisement. So I had a little fun with it."

brOTP: I like his friendships with Mimzy and Rosie. The fact that he and Mimzy knew each other when they were alive is really interesting. And I can see how he and Rosie would bond over their shared fondness for cannibalism.

Plus, I just think it's funny that Alastor has been building this platonic girl gang around him. He's asexual, but also a chick magnet.

OTP: I don't really have one for Alastor. He's definitely ace, and he might be aro too, and I have yet to see a character that's made me go, "Ooh, I'd love to see what would happen if they were in a romantic relationship with Alastor."

But if I had to pick an OTP ... maybe RadioRose? Two cannibalistic Overlords causing chaos together? That would be pretty neat.

Actually, what about RadioStatic? The fact that the normally cool and collected Vox can be made to completely malfunction because of Alastor has piqued my interest. Maybe they were dating years ago, and then something went wrong. Or maybe they had a business partnership, and Vox wanted it to become something more, and Alastor just wasn't feeling it. Yes, Vox has Valentino now, but maybe there's a part of him that still pines for Alastor - which would be ironic, considering that Alastor has little to no interest in him.

nOTP: Charlastor. I prefer them having a "twisted mentor and innocent mentee" relationship, rather than a romantic one. Given that Alastor has positioned himself as a father figure to Charlie (albeit just to annoy Lucifer), it would be weird to think of them dating.

Random headcanon: Alastor has zero artistic ability. He once tried to paint portraits of the Hazbin Hotel staff and residents as part of an art therapy exercise, but they all look cursed. Or like cats. Or like cursed cats.

Unpopular opinion: Sorry, Alastor stans, I can't get on the hype train with this guy. Not yet, anyway.

I like characters that have a mixture of the known and the mysterious - that is, you know enough about them from the canon material that there are traits you can identify and latch onto, but there are also some things left up to interpretation for you to muse over.

Right now, Alastor's just a bit too mysterious for me. Is he going to be an ally? Is he going to be an enemy? I can't decide whether I like him because I don't know enough about him.

By contrast, I already know lots about Angel Dust, and I like what I've seen so far. And there are still things I don't know about him, such as how he met Valentino, that I can speculate on, which I find fun. That's why Angel is my blorbo and Alastor isn't.

Song I associate with them: "Love ka?" (a.k.a. "Rabuka") by Hiiragi Kirai and Ado. Particularly this Yokune Ruko cover. I see it as a RadioStatic song, because the lyrics are about sharks (Vox likes sharks, doesn't he?) and about bugs (which would fit with Vox glitching out).

The ending lyrics translate as, "These putrid 'love you,' 'love you,' 'love yous' have already fallen to the ground and died out. If you don't like what you found within your reach, maybe you should stop looking." That sounds like something Alastor would say to Vox.

Favourite picture of them:

[thecarnivorousmuffinmeta]

I really enjoy the way you guys write Dumbledore. I feel like there's a fine line people tread when they write him and if they take a step too far in either direction, he either becomes a cackling supervillain who gleefully curses people left and right, or a bumbling idiot who means well and just didn't mean for all this to happen he promises!! Which actually makes it even worse because what the fuck do you mean you had no idea things could get that bad at the Dursleys or that you didn't mean to set Harry up with all these quests to groom him for suicide-

The way you write him in The Man Who Would Be King and Amulette d'amour is just perfect, like yes, that's exactly how he would act and react to certain events and when things go wrong. Things almost never go wrong for him in canon and he was always in control all the way to the very end so it's hard to tell how he would react if his meticulously crafted plans go awry but I really think the both of you nailed it.

It's easy to see why people adore and trust Dumbles, and when the mask starts falling away for some people, almost no one believes them/they just brush it off. The way he can just slip from loveable grandfatherly figure to manipulative bastard is so good. I can almost understand why Minerva is so loyal to him when he basically admitted to assaulting a Muggle woman. Even if it was a genuinely frustrating moment for me (which reminds me- I also love your interpretation of her character! Hope to see more of her!)

The Man Who Would be King by me and @therealvinelle and Amulette d'Amour by me and @therealvinelle

Thank you anon! I can't tell you how flattered I am because Dumbledore is often one of the hardest characters for us to write (there's a lot of bickering over "would Dumbledore do this horrible thing or this horrible thing" and "yes, Dumbledore would think that deep down, but would never acknowledge it and so he'd react by doing X" and many such squabbles).

It's very gratifying to hear when we nail him because a lot of the time... I don't want to bash the guy, really, it's just he's awful. He's so awful.

And ooh praise for Minerva too!

Look, @therealvinelle, praise!

[stygianheart]

I think one of my “favorite” things is when people misinterpret what it means to be aroace. Watching people so clearly not understand the complexity behind the spectrum of aromatic and asexuality and then proceed to say they “stand with” aroace as an ally is so hilarious to me. Especially when they use this to start bashing on a perfectly fine ship, especially because said ship gets in the way of theirs.

Aroace does not mean no attraction. The plastered poster face for it is people who don’t feel ANY types of attraction, but that does not mean everyone. Aromantic people can date and fall in love. Asexual people can fuck. Aroace people can do both.

Yes, aroace rep IS needed. But we still have it via Luffy—just because Luffy kisses someone (hypothetically) doesn’t mean we just yeeted the aroace label off of him. He is STILL aroace. You know who else is aroace? Bon Clay, for one. Zoro as well. Yet I don’t see people screaming that shipping Zoro with someone completely erases the aroace label, now do I?

Ugh, I’d totally make a whole ass essay about this, but it’s half till midnight. It’s just. Been on my mind for a few hours and I need to say a little shit

[beevean]

I had a sudden idea in mind that I might or might not write, depending on my inspiration lol

What if this conversation took place during the anniversary of Lisa's death?

Dracula, who has shut himself in his quarters, sends Hector to talk to Alucard about reconciling (read: stop having a tantrum). Hector finds Alucard in front of Lisa's grave, kneeling in silence. However, he chooses not to rely his Lord's message (he's starting to disobey :>), and opts to simply keep the Prince company, if he's allowed to. And he is.

Hector doesn't know what to say. His empathy is still lacking, especially when it comes to grieving human beings. But he knows how it feels to be all alone, and lately he's starting to know how it feels to be powerless and unheard, and so he stays with the Prince, if it helps him.

Alucard might probably take notice that Hector is no longer the acquiescing servant of his father, and that's why he chooses to open up, even if a only little.

Sidenote, I like to imagine that Hector's stunted empathy is what shapes his moral code. At first, he agrees with his Lord that those who hurt them deserve to be punished; but as Lord Dracula grows more violent and irrational, Hector no longer understands him. His change starts from a selfish desire to feel respected and valued, and from a logical sense of fairness. It's only later, when he finally gets to see the full extent of humanity through Rosaly, that it becomes easier for him to feel compassion at all.

Alucard may primarily want to honor Lisa's last wish, but he seems to have a much more solid moral compass beyond her.

(and Isaac also lacks empathy lol, but what completely ruins him is that he doesn't have a moral compass in the first place. He follows Dracula's, and that's it. Which causes issues when he keeps caring about other people...)

[simcardiac-arrested]

i don’t think we’re ever getting out of the “we’re just friends” “oh yeah those characters are such good friends (sarcasm)” “they’re not friends they’re gay” etc etc hole. we’re never getting out of that hole

[nott-another-sideblog]

having favourite characters with very few canon personality traits is all fun and games until how they act in your head is rarely how they act in fanfic

[shikai-the-storyteller]

Every time the topic of Vegetta and marriage comes up I am forced to see misinformation or even flat out lies about Vegetta's past wedding experience and his relationship with Rubius and I just

[note-boom]

Fanon: Mori is an irredeemably evil pedophile and traumatised Dazai

Canon: Mori is a utilitarian creep and traumatised Yosano and was slightly terrified of Dazai

[shoechoe]

this is what so much diavolo analysis/theorizing is like i swear

[welcometogrouchland]

Lesbian Stephanie Brown...oh you're so real to me

[elvesofnoldor]

Armand in the latter third of the vampire armand is so fucking interesting. He was like, lestat is my brambling, laughing friend. He's like a brother to me. He's deeply and excruciatingly annoying. If anybody disrespects lestat's personhood, im about to start mauling. i will tear a bitch apart for Lestat. i will lie my own life down for him. Armand drank from lestat and saw a vision of Christ and later said that Christ was like a brother to him, that Christ was a human man just as he Armand is a human man. He said Christ's an extension of his own self, a mirror holding up to his own face, and it just sounds like Armand was really talking about lestat. Lestat is the focal point through which Armand learns, unsteadily and messily, to finally become a person himself. Armand's love for lestat feels like self-love. This demonic messed-up kid, he's healing through lestat, and I'm so obsessed with this fucking shit.

[amphibifish]

ok i'm on like ep 6 of mdlr but i have thoughts

1. my friends and family have not heard the end of it from me BUT HEIMDALL IS SO FUNNY TO ME. I CANNOT GET OVER EVERYTIME HE IS OMINOUS ABOUT KILLING LOKI. it is so so funny to me i cannot get over it.

2. i really like lokis magical girl sequence with his weapon i get all giddy every time i see it

3. thor being this all powerful thunder god while simultaneously being trapped as a highschooler is so funny to me. especially because he has like. every job ever.

4. mayura is such a failgirl and i love her for that. mayura and loki are also a fun duo cause despite the fact loki looks like 12 and she tower overs him he's the one that has to keep her in check

5. i teared up during the episode with mayura and her dad i thought that was worth mentioning

[sunriseverse]

also incidentally i think why people tend to write sh!era wx so much…….not worse exactly but off?? than any other era because they tend to write him as if he doesn’t have a purpose and is just living from day to day and lashing out trying to do the most damage he can when that is………..not at all what is happening. he very much has a goal and a plan—that’s half the problem. he cares so damn much about the plan he has made sure even he is expendable in it should matters come to that. his central thesis is that in the ten years he has made his life the plan, has lived it and breathed it—and then once it’s over, and he’s still alive, he doesn’t know how to deal with that—doesn’t know how to deal with being a man a world removed from who he was, and despite that, still surviving. and frankly that is far more interesting to me than “something something sadboy tianzhen :(“

[aquickstart]

i need to talk to you guys about the colors of the Cattons (Felix specifically) and Oliver. the clothes they are wearing are telling the story of Oliver taking over and leaving his mark throughout the whole movie, with Oliver's failures and successes and a final triumph. holy shit. get in. this is long and ends in ancient greek culture trivia. let;s talk please.

disclaimer: am starting from Oliver's arrival at Saltburn. before that the outfits are also very intentional, but it's a lot more complicated and it has been discussed before. the world distorts once we are at Saltburn and the story gets truly gothic there, and every detail—including color!—is enhanced in meaning. also, special thanks to @kivlaro for doing this with me, the thoughts on this specifically and the Saltburn craze on the whole. pics and detailed analysis under the cut!

let's start from the beginning. here is Oliver at the door. simple, blue shirt.

the shirt is sort of its own character. logically it makes sense as Oliver's suitcase is small and he spends the whole summer there, of course he'll rewear stuff a bunch. but it is blue.

in contrast to Felix, in yellow. yellow is one of Felix's colors (he is the sun, which i've talked about here btw, so this makes sense).

same to Pamela, in blue. first time we see her, she is next to Elspeth, wearing the color that is Oliver's, taking the place that he takes right away, in this very scene. the only other time she is physically present on screen is at dinner, in black and white, and black and white are a blank slate. she is stripped of color and gone very fast.

a bit of crucial data for later: Oliver, in blue, and Felix in pink. pink is very important on Felix. this is their first morning together. they are separate and opposite, solid, contained.

where it starts to get good is the morning after the vampire strike.

Venetia is a Felix extension, just as everyone in the house is to Oliver. i will eventually rant about Saltburn as a whole entity and Cattons as aspects of one self, and Oliver as psychosis, but not here. so, yes, Venetia is a pink riot, a euphoria of self-containment because Oliver gave her a piece of something she felt she lacked to feel whole (validation, attention, care), not a piece of blue, of himself. Oliver is expectedly solid blue. Felix is incredibly interesting and something i didn't pay much attention to at first: predominantly blue, incredibly upset at Oliver for ditching him, with a tile of bright red (on the left! close to heart! over-reaching here but like still!), which still tracks. i mean, really, if i had so much foreign color bleed into me and then abandoned, i'd be pissed, too. nice little touch is sir James' beloved hydrangeas, behind Felix, also pink, very pink, always pink; i don't think i've seen them blue in the movie, although the sort exists.

Farleigh. sweet baby Farleigh i love you. I'm not dead-set on my interpretation of this specifically but i think multiple things are happening with Oliver and Farleigh here. like Rent, which is their song, blue is their color of outsiders and the triers to fit in. Farleigh points out the favoritism and preference of Oliver to him and his mother here, so it may also be appropriation of color to draw attention to Farleigh as almost (but never quite) Oliver. it may also be as simple as that Farleigh, as much as he denies and resists, still retains Oliver's influence, which bleeds into him very slowly.

a nice little moment of Felix wearing blue swim shorts with just tiny specks of a pink pattern. Oliver's shorts also have a bit of pink, but less than Felix's. Oliver is pretty good at remaining unaffected and uninfluenced overall.

and we're getting to where it all clicked and started for me. the Quick family house, the failed reconciliation, and the immediate aftermath. oh it's so good.

on the drive there, Oliver is blue, Felix has a pink polo shirt with a solid blue pullover over it. this is the most blue Felix has ever been (this is the most blue he will ever be!), this is trust. however shaky and toxic it is, Felix loves Oliver and accepts him into his world. as a side note, Oliver's parents are also very blue, mom more so than dad. nice!

and then it crashes. immediately after, it's the evening of the same day, but Felix is not wearing the blue pullover anymore. this is very, very important. this is rejection. it's the end for Oliver in Felix's world and with his trust. Felix, again, in solid pink, Oliver in solid blue. Felix successfully rips him out with the roots and everything. ouch.

daddy. sorry. is that highlighter? sweat? fuck. let me- daddy. SORRY

no i actually have a point about this.

the clothes are replaced by the lights, but we roll with it. Oliver basks in the blue-green light, while Felix is on the other side, in pink and purple and red. sure, blue shines through, and Oliver also walks through the slashes of pink, but it is mostly pretty separate, Oliver watching Felix's pink in his own blue from a distance.

the morning after palette is deep. the wine color that is so prominent in these scenes is fascinating to me. if i were to over-reach again i'd say it's the Oliver in Felix's attributes and in his place that requires the robe to be so dark, not usual definite pink, because deep blue has leaked into the color itself, mixed with it, made itself integral to the shade. but it's also just a nice color, and it is pink in its core. the flowers (with sir James in the background) i think are also this specific shade for the same reason. you look at what remains of Felix everywhere here, and it is his color.

and finally oh the lunch scene. the last supper. the judgement day. the who's afraid of virginia woolf madness.

i think we've established what's up with Oliver, but i also think it's important that he is his own color at lunch but in Felix's pink/wine right before and after. lunch is where he attacks, whereas before and after is where he grieves and enjoys. Farleigh is almost completely blue save for a strip of the same deep pink, and he is soon cast out, and Venetia is striped, blue and pink/salmon, affected deeply by Oliver yet still clinging on to the Catton pink with grief, probably, but also love for Felix.

and after all this, Oliver leaves himself.

no, like, actually, literally himself. sure, he'd got a taste of the Cattons and the pink, but he is a monolith, a solid blue when he leaves Saltburn. he has not been affected by the house, he has taken what he wanted but stayed true and whole. what a power move, honestly.

but it's an even bigger deal that 16 years later, Elspeth runs into Oliver wearing all white and a blue scarf. oh, she's not let this go, alright; it was a long time ago, "but not to me," she says. What Oliver has been up to in that time is a great question, without a doubt he's been keeping tabs on the remaining family as much as he could; but Elspeth has never moved on, either. She has held on to Oliver's blue and the pink is not important at all now. Oliver, of course, is invariably, unwaveringly blue. welcome back to his show.

and welcome back to his triumph.

the only color (except for, again, white and black) we see him wear in the flashback about Saltburn inheritance is the all-too familiar deep pink. wine. bright pink mixed with deep blue.

now i will take a liberty and step back, over-reach, over-interpret and go insane. here's a fun bit on ancient greek culture trivia for you.

this is an interesting and complicated historiographical and linguistic debate that i will not even attempt to relay here, but the essence of it is this: for us, the sea is conventionally deep blue. historically, one of the most prominent civilizations considered "deep wine" to be the descriptor for it (not necessarily the color but the property. highly rec to look this up it's so fascinating). what it gives me here is that Oliver has changed color, but not his self. he has integrated, mixed, but persisted, completely winning over, triumphing. long live the king!

in conclusion, i would just like to propose "colors" by halsey as the next cattonquick anthem. thank you for your attention, please let me know your thoughts. yours, yes, you. cheers. god. peace out

[note-boom]

Okay, I just read Volume 20 of the manga and I have a lot of thoughts...but one that I really want to spit out is about Akutagawa's death.

During the fight, he CONTINUOUSLY brings up Dazai. How he wants Dazai's approval. How he's going to LIVE and make it back to Dazai. How he doesn't have much time left so he really needs that approval before he expires. Basically, him (ironically) associating living and Dazai together. To get Dazai's acknowledgement is to live.

And yet.

And YET.

His death wasn't an accident, at least not entirely.

Even Fukuchi acknowledged that from the beginning, taking into account the space-time sword, Akutagawa's plan was to let ONLY Atsushi escape.

Did Akutagawa know he would be instakilled? I think he strongly suspected it considering how Fukuchi was doing his best to kill them.

Essentially, what I'm saying is that provided all that context, Akutagawa basically CHOSE to die when throughout the whole fight his only thought was to live, live, live (for Dazai). The arc isn't over yet (and I honestly have little faith this will happen) but I'm gonna hope anyway that this is symbolic of Akutagawa finally letting go of his deep desire to live for Dazai's approval and maybe starting to build something new...a new reason to live?

As in, him choosing death - choosing ATSUSHI - was his way of saying, "Okay. I see only one of us can make it out...I can't fight this man and beat him (which he did say). I won't live for Dazai's approval now. I can't. So I'll instead choose to die so that there is a chance Atsushi can save the world and clear the Agency's name."

Basically, I'm playing on the age old death and rebirth motif to say Akutagawa dying for Atsushi rather than living for Dazai's approval is his way of growing from his past obsessions and perhaps beginning to build a new reason to live (by dying for it heh...).